#but at the same time in some metaphorical sense it kind of is

[adhdtsukasa]

totally not what i intended to post today but also whatever, we ball. pinocchiop is my favorite vocap and i'm very autistic about both him and wxs, so, to honor the song campaign clues that we got today, allow me to present to you the reincarnation apple wxs cover line distribution i did some time ago — and why, in my humble opinion, it fits wxs much more than it fits niigo,

(the lyrics where the color changes each word are where the characters both sing at the same time but my notes app doesn't have the option to do a gradient)

i'm in no way expecting it to be an official line distribution because i did it based on my personal interpretation of the lyrics — and i feel like dedicating almost a whole big part of the song to each member might mess up with the game cut, but i also really would like to see them have solos of those parts — but they're here to help me explain my point better my point. so!

what i like about wandasho covers is that they are performers — and it should give them more creative liberty when it comes to their covers. that's why the reincarnation in this song could be simply treated as them getting into roles, reliving countless lives as actors. even though the accuracy of the lines sung is always nicely welcomed, the covers don't have to always be 100% fitting. and that's fine. especially in wxs' case, because that is a yet another story that they want to tell us.

people often say that the storyline fits niigo but i... don't see it at all? i mean, yeah, ena as the artist and kanade as the savior, that much is obvious (and i guess you could also say that mizuki as a revolutionary, but that is kind of a reach?). but what about the part describing the inventor that matches rui's backstory so well? what if you put main story tsukasa in the artist's place and draw the similiarities? what if you think about emu as the savior, comparing the savior's unconditional love to her wanting to save wonder stage and make everyone smile? the only match that doesn't fit quite well is nene and the revolutionary, but you can't have anything i guess. and then the adventurer part, which is a call back to the our happy ending set (i set out in search of an ideal — emu deciding to go with wxs in order to expand her knowledge and horizons) (and then you know, the end has come with the reincarnation apple)... and then lines like i'm not smart enough and i don't have a great cause could resonate with how people viewed emu and rui in the past.

"oh but isn't the start of the song a bit too dark and depressing for it to be a wxs cover?" kami no manimani starts in a similiar way and yet it still is a wxs cover.

and, putting lyrics aside, it just doesn't feel like a niigo song from the instrumental alone. i'm not a music expert so i don't have strong arguments for it, but for me it sounds absolutely like a wxs song. it even reminds me of sekahaji in a way.

does that mean you're in the wrong for wanting niigo to cover it? nope! i just simply want to explain why it fits. and i don't want people to complain that it doesn't make sense for it to end up as a wxs cover. because i will cry.

tldr: reincarnation as a metaphore for acting save me

[taz-writes]

object memories

A fic I wrote as part of my D&D druid’s backstory that I’m in the mood to share. Do you ever write something for the sole purpose of splashing around in your own prose like a dog in a kiddie pool?

TLDR: POV character Hush and her father were held prisoner by a cult for 10 years in solitary confinement, before being ritually sacrificed. Unbeknownst to the cult, Hush wasn’t quite dead and woke up later in the mass grave mortally wounded but alive. As a druid, Hush can shapeshift into animals if she’s seen and studied them before. This fic is about how she 'discovered’ her first four wildshapes in the aftermath of her ordeal, while learning to survive alone in the wilderness and fend off the hunger that threatened to consume her.

~4,600 words; CWs: gore, animal death, take ‘em seriously I’m not kidding around. I feel like there’s also something going on here with the hunger stuff, but I truly don’t know what the fuck to even call that CW. If somebody knows, let me know lol.

The rat was the first. 

She doesn’t know exactly when she reached the tipping point, but she grew intimately acquainted with the ways of the rats over the years. She spent an eternity in that dungeon, curled in the corner among her clinking chains, feeling them scurry over her in her sleep. Grew acquainted with how they move, how they think, grew used to fighting them away from what little she had to eat, bartering with them for the space, for help to stay clean, teaching them to bring her things. She watched them for generations, while they nested in the dirty little pallet that she slept on,  until they were closer friends than she’d ever had among humans. 

She knew them, inside and out, long before she knew how to change into anything. When she awoke in the aftermath and the wildshapes came, the rat was like a second skin. She slipped into the shape like a shield, slick with blood, and slithered out with the last of her breath. 

The world outside was big. 

She couldn’t heal. The first word she spoke when she took her given shape again was a rattling, empty gasp that sent sticky gore oozing through the feeble scabs over the gash in her neck. It didn’t matter how desperately she grasped for the language, how well she knew the incantation, how crisp and adamant the gestures were that should have saved her. There was no magic without sound. And her angelic heritage did little to help when whatever the source of her limited innate healing, it simply didn’t respond. 

She spent the first week or so in the glade on the edge of the forest where she collapsed after running out of time as the rat. The summer heat broiled her skin, even through the shield of the canopy, leaving her parched and aching and crisp like a dead leaf. In the haze of exhaustion, she began to treat her wounds. 

The sacrificial shift they’d dressed her in shredded easily. She wound long strips of it carefully around her waist and chest, stomach churning at the horrid sight of the injuries, and tied the rest as tightly as she could across her ragged neck before the pressure made her choke. Every motion left her dizzy and sick. She might have laid there on and off for hours or days or a month, languishing in the softest patch of moss she managed to find and dragging herself back and forth from the clear little stream that burbled a few yards away. As many moments as she could, she hid behind the rat again. The rat wasn’t bleeding. The rat was safe. The rat could forage, devouring whatever it could find, just enough to sustain her. 

She learned the rabbits next. 

Timid creatures, cautious and quick, they watched her with their wide beaded-bright eyes and darted to safety at the sound of her rattling breaths. While she waited to recover her strength between wildshapes, she watched them back, tracking the little families back and forth among the wild grasses. They were solitary, but not alone—never truly alone. 

There was a nest not far from her resting place. She stumbled across the babies on her way to the stream. Their tiny forms huddled together in a depression in the grass and she looked one in the eyes and its little ears trembled, it tucked itself deeper in the shadows, bracing, and a sudden knife twisted in the center left of her stomach. 

It took too long to realize it wasn’t the wound this time. 

Her sunburnt skin ached desperately, throbbing to the rhythm of a heart that wasn’t hers. She fumbled past to the edge of the water and dipped her face below the surface, where the chill could bring her to her senses, but the soft curves of the current brushed their way along her cheeks like the perfect ghosts of her father’s hands. 

Her lungs burned before she came back up for air. 

The next time she changed, the new shape was a rescue. She was a stranger but she smelled like the glade, and the other rabbits allowed her there. In the shadowed night they huddled together, warmed by each other’s skin, and her tiny rabbit’s heart began to calm as it hadn’t before in a very long time. 

She couldn’t remain forever. She was keenly aware, the longer she lingered, that she was far too close to the cult. Any member could stumble across her here, out on a forage or traveling to the compound, and she wouldn’t get another chance at freedom. She couldn’t risk it. When her stomach sealed enough that the insides of her abdomen didn’t spill to the outside after any major movement, she staggered to her feet like a newborn fawn and began the journey. 

She stuck to the woods. Waterdeep was a death trap, anyone could be cult-aligned, anyone could see her and they thought she was dead but she couldn’t know who might know her face. The roads were too much of a risk, populated as they were. Stealth was her only option. The angels guided her when she slept, teaching her how to find north and south in the stars, how to know clean water from stagnant, how to name the leaves and berries around her and tell which ones were safe. She treated her aches with willow bark and bandaged herself with buffers of soft clean leaves. She passed the days in the shelter of her animal forms or huddled in the shade, thinking of anything but the black spots that swarmed intermittent in her vision and the weakness in her limbs. She stayed alive. It was a near thing. 

When the berry season faded, and the leaves began to turn, the hunger snarled in her like a wild beast. 

She stumbled to the nearest town under cover of night, shielding her body with her arms, following the smell of something delicious she couldn’t name that made her gut twist with starving, nauseous desperation. It was too open, the streets too broad, but every building’s door loomed and narrowed and filled her mouth with the suffocating taste of molding earth until her heart pattered the way it did in the rabbit’s body and the outlines of the structures blurred and blackened before her eyes. A too-cold breeze swirled through the streets and she shuddered from head to toe. 

There was a man ahead in dark robes that swirled and her heart moved like rabbit’s feet fleeing in her ribcage. She forced herself to the alley, forced herself back, and bolted into the safety of the sacred darkness. 

It was like that at the next few towns, too. There were kind people, here and there. One gave her a soft dark shirt and soft dark pants when she met him in the night, thrust them at her and skittered off when she tried through rattling gasps to ask if he wanted payment; a few innkeepers let her stay the night and gave her meals in the morning that softened the hunger’s brutal edge. But it couldn’t last, because the figures in the alleyways always came back, and names that she remembered from another life haunted her until she fled back to the safety of the trees. 

The days grew colder. 

The woods were safer further south, deep and dark, filled with birdsong and the golden colors of the waning year, the colors bright as life. She’d taken a sharp rock and cut a stick to hold her weight, easing the pressure on the days when walking was too much. Her breathing was growing easier, and her neck didn’t bleed anymore. But the words that would call magic to her side still couldn’t find their way from her mind out through her lips. 

She was losing strength. The angels taught her traps and snares, but her feeble hands couldn’t tie the knots tight enough, and the few beasts she trapped slipped free when she tried to claim them. The herd of deer that once bolted at the sight of her now didn’t even flinch, the great many-pointed stag that led their numbers watching her passively while his mate and children drank at the riverside and foraged from the dying grasses. There was little to forage and less to live by, and some days the wavering mists of exhaustion hardly left her vision. 

Sometimes, on the nights the angels didn’t come, she dreamed of the stag instead. Of his glinting eyes in the brush, watching her, unafraid. She murmured prayers in the morning to whatever forces listened. 

She met the wolves in the pits of a moonless night, by way of gleaming golden eyes and an uncanny silence sweeping over her resting place, and she knew they’d come for her. She resolved herself to at least go down on her feet. 

When the first wolf lunged, she lashed out with her staff, squeezing her eyes shut against the wave of fatigue that swept through her body from head to toe and sent the blood rushing out of her head, and felt herself make contact. The beast yelped, and she blinked spots from her vision just in time to fend off a second, sending it sprawling across the scrubby ground. Her hands shook.

“Please,” she tried to rasp, though nothing but a helpless wheeze came out. The wolves paced. She shifted back, making space, feeling acid adrenaline spread slow like venom down her arms and into her fingertips, biting back the way every motion tore at the scabby flesh of her still-healing abdomen. 

The wolves kept pacing. In the dark, they moved like dancers, every footstep intentionally measured. Silent, despite their size, dwarfing her with heavy bodies—direwolves, not just wolves, but their largest and most vicious cousins. 

Her stomach growled with a ferocity that nearly sent her to her knees. 

The third wolf lunged. She grasped for the little magic she knew, one of the rare spells that remained without her voice, and scared it back with a shard of ice that burst into bitter steam across the pack. Its yelp was piercing and sharp and left her dizzy. Through the haze as she recovered, she watched the wolf pack flee. 

She dreamed of the stag that night. She dreamed of blood and the careful steps of hunting beasts, tender in the foliage. She dreamed that she staggered to uncertain feet and the stag was there, his muzzle nudging against her arm, strong and stable, as she found her way upright. She wrapped her arms around him. He was warm and smelled of musk and the gentle decay of the forest floor in fall. He didn’t flee. His fur was soft like the velveteen skin of something whose name she’d forgotten, a precious something she’d loved in another life, beyond her memory, behind the veil of the endless dark. She awoke grasping for it, the name on her lips but not close enough to catch it, even if she’d had the voice to speak. 

She dreamed fitfully, in bursts, interrupted by the empty claws of a hollow stomach scratching at the inside of her vessel like nails on slate.

The next day, something whimpered in the bushes when she went to change her bandages at the stream. She braced herself against her staff, and nudged aside the leafy branches, and found the wolf. It was panting,  golden eyes glazed grey with pain, curled up defensively with hackles raised. It growled at her approach, but the sound was weak, and tapered to a whimper. 

Near its feet, the ground was muddied with black-red blood. She traced the line from its paws to the place in its side where the fur was shaved down to muscle and a thin line of bone. The ghost of a spell and an icy projectile flashed across her memory.

Her hands were shaking again. 

She went to the water. This stream ran clear and cold, down from somewhere in the mountains, carrying the mineral taste of glaciers high above. Flakes of mud and blood trailed free from her hands when she dipped them in the current, and she watched them swirl away through the eddies and whorls. 

It was all mechanical, in the end. She pried a piece of moss from the bank, hefted it, ran it through the water and watched the dirt run off the roots towards the valley. Washed it clean, squeezed it under the surface and watched it fill with water. Stood and turned back to the forest. 

The beast didn’t calm, but it didn’t bite when she pressed the pad of moss as gently as she could against the gash. It snapped, and she looked it in the eye, waiting. Its jaws were wide, teeth yellowed and worn from use. It could tear her to ribbons even now, if it had the nerve. She wouldn’t last long. 

She washed the wound, and padded it with clean dry lichen, and flinched when she touched the beast’s side and a warmth filled her fingers that hadn’t answered her since she first returned to consciousness in the grave. She caught it like a soap bubble, soft as a memory. It settled in her chest and the breath that filled her lungs was deeper than she’d had in years. 

She’d forgotten how it felt, when the warding darkness at her center answered. When the healing power in her blood responded to her call. 

She forgot it again when the hunger returned in a wave of dizzying force, chasing all other thoughts from her mind. The wolf, rising from its rest in the hollow, tilted its head with a calculating glint and watched her. Gold eyes met gold. 

It turned to follow the water, limping ever so slightly, and padded off. 

She followed. 

The pack was waiting in a stony cavern where the stream met a sparkling river. She felt their wary gazes long before she saw them, hidden as they were among the warm grey stone. But they recognized their lost member and pounced on him, tumbling together in a massive joyful bundle over the sandy patch of riverside, and before long it was like they hadn’t even seen her. She found a bright place on a rock by the shore, and waited for the sun to warm her bones more than the hunger chilled them. 

Across the river, the bushes rustled. She knew what she’d see there. 

The stag disappeared into the brush, and her vision blackened. 

She awoke to the hot wet stickiness of a tongue on her face, and flinched, recoiling from the threat. In front of her sat the injured direwolf. 

“Hi,” she whispered, bracing herself. “Hi there.” The words stuck in her wound and scraped. 

The wolf cocked its head, stood, and licked her face again. It… did not try to bite her head off. This was not a situation she had anticipated. She particularly did not expect to be licked a third time. The wolf’s breath almost made her faint again. 

Behind the wounded animal, the packmates slunk forward, watching her. Waiting. 

The hunger in their eyes was a mirror of her own, and the shapechange came in its aching wake. 

She followed them, that night, in a wolfish skin that matched their own. It wasn’t long before she had to pause, the time limits of her wildshapes forcing her back to rest while the pack moved on, but the howl carried on. They didn’t like to leave their own behind. She learned their faces—the mother the first to lunge, the father the second, the grown pups that followed them with their own faces and minds and hearts. They walked the trails of the forest, and she learned their gait, their stalking dance, their silent patience. 

She slept between great warm bodies, and dreamed of blood and meat and the beasts that once wore the bite-marked bones on the floor of the den. 

In the days, she jostled with the pups as one of them while she could. When she couldn’t, she rested on the rock by the river, while the echoes gnawing in her stomach dueled the white-hot claws of her bone-deep scars. She scrounged late-season eggs from a duck’s nest and swallowed them raw, on her hands and knees in the riverbank mud, eggshells scraping her gums and spilled yolk staining the ground, and coughed up half what she found when her scarred neck screamed with pain from bending low. It staved off the ache for an hour. She scraped up the spilled remains in her hands and wept. 

On the fifth night, she followed the pack to a valley full of marsh-weed, where they found a limping boar. The pack struck in a whirl of fur and fangs, iron-stink staining the water. They fought her back from the bounty until the leaders took their share, but the scraps she claimed sated something, hot and vicious in the pit of her gut. 

It was enough for a day. 

She dreamed of it after, the blood that dripped from her fangs, the viscera on her tongue, the hot iron taste of it, the texture of muscle rending against her jaw. The heat on her lips and gums, bone crushing and crunching and cracking in her grasp, the relief like a soft warm pelt at the end of a long day’s journey as the soft squishing prey slid down her gullet like a prayer… 

She dreamed of it night after night after night, waking with saliva in her mouth, thinking of it between the angels’ words, the ghost of that sensation dancing through her mouth in all her forms. She sat by the river and echoed it, conjuring up the giving resistance of flesh under her teeth, biting her tongue till it bled to remember the taste. She dreamed of nothing but. She dreamed even in her waking hours, as the first autumn frost laced over the land and the pack sat full and happy from the hunt. 

She dreamed of it until the dream consumed her, empty of everything but teeth. 

She left the den on an ice-bitter evening under ponderous slate skies when the dull weight of the thought hung heavy like an overripe fruit, when she wondered what the wolves would feel like beneath her fangs, if their heavy furs would rip and tear the way that scrap of boar did or if they’d linger in the teeth and scratch and bristle. She slunk up the hill to the north on the pack’s favored trail, filling her muzzle with the scent of heavy musk and petrichor. 

The stag was waiting. 

His antlers glinted in the cold dead moonlight, graceful as a halo, round as the crescent moon. He turned his head. She met his eyes and lunged. 

She tore out the flesh of his neck like pages from a holy book, paper beneath her fangs as his blood ran like wine at a ritual. His stomach opened just as easily, staining the fallen leaves in garish scarlet, and his legs kicked feebly as she tore through the viscera that spilled free, relishing in the iron stench. Mouthful after mouthful, she ate her fill. She tore through muscle and tendon until she finally sank her teeth into his bright-hot heart and swallowed it in shreds. It might have still been beating, or the pulse between her jaws might have been her own, racing and vicious. She felt every piece reach her stomach, filling the void, hot in her chest like a hearthfire, bright as a star, sweet and tangy in the wolf’s senses and prickling in her own. 

She hunted the liver down among the mess and swallowed it next, and the kidneys, and parts she knew no name for that glistened red and pink and sickish yellow in the light. She savored the feeling, the soft wet warm of it, the taste of the life that would fuel her own. She pried out the lowest of his ribs and it crackled in her jaws and she chewed out the marrow until there was nothing left of worth. 

She didn’t know when he stopped moving, only that eventually, he did. It took too long. 

When the wolf’s stomach filled, she lost the shape and scrabbled at the stag with her own weak human-shaped hands, her fingers shaking, nails digging into the slickened meat for purchase and prying up scraps to devour. She shook and shuddered and buried her own face into the stag’s shattered chest, drinking the lifeblood until it dried sticky on the edges of her skin, until she was full, until her aching stomach silenced and stopped and grew bloated with bleeding flesh. 

She raised her head and her gaze caught upon his eyes. They were wide, and glassy, and milky with the haze of death. 

She turned away from the kill and threw up nothing but bile, choking on the taste of steel. 

“Thank you,” she murmured, too hoarse for anyone to hear, shuffling to the side and cradling his head in her lap, the warm blood filling her soft dark pants and seeping through to her skin. “I’m sorry. I’m sorry. Thank you.” 

She leaned over him, wrapped her arms around his neck, curling her fingers into his short soft fur. Velveteen. Buried her face in his, her eyes hot and stinging, she swore she felt the ghosts of hands in her hair as the blood dried sticky on her face and melted down her cheeks. She clutched him tight enough to strain the scabs down her chest and belly, threatening to once again reopen the wounds. And she stayed there, waiting, until nothing came. Her stomach was quiet. 

As she rose to her feet, she carefully bent and lifted as much of the stag as her body could manage. He was lighter than seemed fair, even to her haggard limbs. 

Her hands didn’t shake. 

There were hunters in these woods. The angels had told her, murmurs in the night, between the endless thoughts of hunger. They could help her. She stumbled through the brush, dragging the stag behind her, listening for someone larger than herself. 

In the hours before the dawn, she found a young man in the valley, carrying a crossbow and a knife. He stiffened at her approach, and stood there wide-eyed, watching. 

The words she spoke to explain herself died in rasping whistles in her throat, but still he watched, rapt, his eyes darting between the stag and her own face. 

“You… you killed that?” the man asked, gesturing. 

She nodded. Her neck twinged. She felt the man’s gaze skirt over her scarred neck, her hands slick with blood, the wrinkled scabby mess of her stomach where it was visible between the hem of her shirt and her makeshift belt. 

“Do you… need to… take it somewhere?” She shook her head. The man swallowed. “That’s a lot of meat for one person. Erm…” He looked around, and she tilted her head. “…Do you know how to treat it? If you’re planning to eat that yourself, you probably want to salt-preserve it, it’ll spoil quickly otherwise. I could… help?” 

She shook her head quickly, forcefully, then nodded, please, and the man flinched.  But he was true to his word. 

He led her to a clearing, his hands fluttering and his soft eyes nervous as she followed like a wraith, and showed her how to lay the stag down and open the rest of its body with a clean sharp knife. How to strip the meat from the bones, careful and keen, and process it into chunks and then lay it in pieces in salt to let it dry. She watched the process with singleminded focus, noting down every last motion, memorizing each flick of the knife. 

He let her borrow his blade, so she could clean the carcass and keep that velveteen skin. With a few weeks’ drying and treatment, it would make a good blanket to last the winter through. She stripped the stag to the bones, and kept those as trophies. That night, the angels taught her to sharpen them into knives. 

When the man had left, knife and bow in hand, retreating into the shadows, she realized that he never once quite looked her in the eyes. 

She kept the skull. Late at night she stared into its face, searching for the glint of the stag’s all-knowing gaze in the depths of his bones, knowing there was nothing on the other side. She stared at him until somewhere deep inside, a part of her became him. Until his eyes became her own. 

She took the form of a deer in the morning, wearing the weight of his antlers like a crown. The herd moved by her in the bushes and watched her like a ghost. 

She went south. The winter was upon her, and it was time again to travel. The herd had enough to haunt them.

[medicinemane]

It's amazing how much having the roofer who put my roof in and have a direct monetary incentive to finding something wrong with my roof telling me it's fine other than some bruising lets me calm my anxiety about the rain

I'm still worried about whatever's causing the water to leak around that pipe (only when it rains so... I wouldn't think it's plumbing related), but... I can put that one aside if I know it's not a problem with the roof

It's just amazing though what solid information can do

[tteokdoroki]

the consequences of constellations izuku midoriya ── ᡣ𐭩 ˙ ̟🩰 !!

⋆˙ᝰ about ! you’re in love with your best friend and you’re sleeping with him too… so you count the constellation-like freckles on his back to cope with the idea that he doesn’t love you in the same way. ( 2K )

warnings ! minors blank and ageless blogs do not interact. nsfw, suggestive, smut, angst. characters aged up to 20s, friends with benefits, unrequited love, mutual pining sorta, experimental piece, i wanted to play around with metaphors to do with space, fem!reader, pro hero!deku.

how do you always end up back here?

the answer remains a mystery to you, really. out of all the things that human-kind are capable of, their powers and prettiness, their strength and their stamina — even their knowledge used to invent the space shuttle that traverses the wonders of the uncharted starry abyss…and you still end up here. 

you always end up in the same place — amongst the crumpled linen of pro hero deku’s one bedroom condo. it’s high up enough that it just touches the skyline, it dips past the surface of powder blue skies into the inky black canvas of night to which you find yourself falling victim to sinful touches and muted whispers of pleasure.

it’s the same every time; izuku calls and you answer without hesitation — come rain or shine. you’ll often tumble past the threshold of his apartment with regret and pain pushed to the back of your mind because you’d much rather kiss him and taste the cigarette ash on his tongue in the moment than think logically or have some sense about you. in your world, there’s no better feeling in the world than deku’s masterful, scarred hands spanning out against the base of hour spine or napping out your curves. nothing beats the euphoric high you get from his hips smacking against yours almost in tune with the beat of his heart. 

he pulls you into his orbit. he places himself at the centre of your universe. he fills you up both physically and mentally to the point where every inch of your body and every corner of your heart is overcome with a scorching need for izuku midoriya, like you’ve been engulfed by the sun, it tingles at the tips of your toes and fingers to the top of your head. when he moans your name after every orgasm you share together desire lights up within you like a solar flare — you feel special, desired and maybe even loved.

but this is just sex.

it’s always been just sex, especially to izuku.

there’s a risk in allowing yourself to believe it could ever be anything more, and yet, you can’t stop yourself from indulging in this sweet fantasy every time you end up tangled in the pro hero’s expensive sheets. how could you not when he fucks you like you’re the only woman he’s ever loved. 

playing pretend in your head while he sends shooting stars of ecstasy across your line of sight.

shame and regret always hits you like a truck right after — forcing you to deal with the derailing reality that is loving someone who doesn’t want you back and sleeping with them just to get close enough to that feeling of adoration. it’s bad in the morning, but worse at night after deku has cleaned you up with a tender touch and tucked you in for some sleep — rolled onto his side as his own breathing evens out and his consciousness floats away into the depths of deep, empty space. 

you think that he’s still sleeping when the constellations of honey brown freckles on his back begin to blur and your vision swims from unshed tears and you curl in on yourself. claw marks and crescent moons from your perfectly trimmed nails have left their mark on his golden skin, etched between sun-spotted freckles and a collection of faded battle scars — if you look close enough, one might mistake the surface level wounds you’ve left on deku’s body as an attempt at scratching through the space-time continuum to be closer to him. 

izuku stays awake, hoping that you’ll find the strength to get up and leave him so that he doesn’t  have to turn around and pretend to love you again. though, there’s a selfish wish rooted in the back of his mind, longing for you to stay. for you to play make believe for a little longer, to wish upon the North Star and beg for some kind of grace from god — hoping that izuku midoriya will love you some way, somehow. 

he’ll fake it for as long as he can, if it means being the only person to touch you and hold you and kiss you. he’ll pretend to rip every star in the sky for you and breathe false affection past your lips with every kiss if it means he can replace the pain in your lungs and help you breathe a little easier. because in his own twisted way, izuku cares about your feelings…at least to some degree. he’d rather pretend than end things right here, right now. maybe that’s his saviour complex and his instinctual, dire need to save people who doesn’t need saving. 

maybe it’s because this little arrangement has gone on for far too long, to the point where he can’t tell what hurts you or what doesn’t.

when the bulking pro hero shifts beneath the linen sheets, you hand bolts out to grab him — and, as if you’re protecting the embers of a dying flame, a fading star between your fingers, you pull him back into your chest. grasping onto him, holding out for something. you’re afraid that if you let go, izuku will disappear into space’s abyss and you might never get to have him like this again. another selfish wish. this time from you, not from him. 

don’t go. you want to tell him. don’t fizzle away. you want to say. you know that it’s wrong to want to keep someone you can’t, who won’t love you, around. it’s testament to how much respect you have for yourself, how much self worth you have. which, from the looks of it, is little to none. you feel like you might die without izuku, even if what you have of him is so little. a plant with a crane its neck reaching for even the tiniest bit of sunlight to grow… that’s how you feel about izuku’s…affections for you. even if it’s not real love, you still yearn for it and blossom underneath it. even if you should let him go because you love him, you don’t want to.

out of fear that he may not come back. 

when izuku says your name, whispers it into the black hole of the night — he treats it as if it’s made of gold. the syllables heavy on his tongue, weighing it down with a force of gravity. “are you awake?” he adds, despite feeling the shake of your limbs behind him from crying. he speaks slow and tender, the gravel of the early morning still in his voice. 

your breath hitches warmly against his bare back like a mist over his sun spotted freckles. “no.” a dishonest answer that would have given you away instantly had the evergreen haired hero not already been up and listening to you cry. you sound strained, stuffy and he knows your pretty eyes are probably a putrid red and that there’s snot stains left in tracks on his satin sheets. and maybe, if he loved you like he should — this wouldn’t have happened, he wouldn’t feel so much guilt to the point where he feels sick to his stomach.

loving you is dangerous territory, like a trip to the uncharted parts of deep dark space. the concept alone is terrifying enough to send icy blood through izuku midoriya’s veins where he’s usually so hopeful and fearless. if he lets himself, for even a second, fall in love with you — there would be a chance your life would change for the worse, a chance that you wouldn’t be able to bare the long nights without him or the weeks where he’s gone. you hardly see deku now, how would you cope when he’s finally yours but too far away from you to touch. you could be in the same bed and he would still be light years away, galaxies ahead of your own train of thought because he is constantly thinking of who and how to save next.

not to mention the very fact that his existence is a threat to your livelihood, with villains lurking around every corner just waiting for a chance to make the number one weak…

…loving izuku midoriya would be like standing still in the middle of a hurricane on jupiter. 

no one would be able to withstand the largest storm in the universe, not even you, and the strength you find in loving izuku. 

still, you’re a liar and izuku knows it. even if he’s not supposed to. the bed creaks beneath his weight as he rolls over to face you, freckled cheek sinking into the cotton hills on his pillows as he finally sets his emerald sights on you. “you must be dreaming then,” he laughs fondly through his nose when he speaks, bringing a thumb up from underneath the duvet to swipe away your drying tears. the ones you tried so desperately to hide. water doesn’t fall in out space, it drifts endlessly and becomes a liquid with no form. izuku wishes you weren’t crying over him. 

shrugging, you lean into the man’s touch, letting deku cup your cheeks and trace your smile lines that don’t seem so smiley anymore. the early morning moonlight ( the sun has yet to rise ), illuminates the stars in his mossy eyes that practically plead for you to let go, and your heart lurches painfully. he feels sorry for you. “i hope so.” comes your tired whisper. embarrassed and heartbroken, you look away and tuck your face under the duvet — chin brushing your naked shoulders, skin bare and bitten and bruised from the night before. “if i am, i don’t want to wake up.” 

“what happens in your dreams?” capturing your chin between his fingers, izuku tilts your gaze over to him — inquisitive, cautious as if you’re an alien life form and he’s trying his best not to scare you away. he doesn’t quite understand you, why you keep returning to him , only to find yourself naked, vulnerable and heartbroken the next day. 

“you love me back, i think. we’re more than what we are right now.”

bitter selfishness tacks itself to the back of your throat like bile — you know that you’re being unkind and greedy to izuku by voicing your thoughts out loud, begging him for even the tiniest slither of love but what’s worse is the lack of compassion for yourself. the endless torture you inflict on your being just waiting for the number one hero to maybe love you back. 

in away, it makes you deserving of one another. whatever it is that the two of you have is no healthier than a pack of cheap cigarettes from the combini at the top of the road. a nicotine addiction that neither of you seem to be able to quit. humming into the moonlit void, deku brushes a thumb over your streaked, pudgy cheek — tracing the tear stains and the tracks left by the lines in the pillowcase. 

his eyes shimmer like the Milky Way on a clear night as he looks at you, strands of longing twisting within the vibrant green flecks in midoriya’s eyes. it must be lonely for him out there — he’s in another universe of his own and you can hardly compare to or comprehend it. “are you still dreaming?” he asks.

reaching up, you grab his wrist from underneath the covers — feeling his pulse beat steadily underneath the pad of your thumb. “i hope so.” you repeat your words from earlier, lashes fluttering against your cheeks — heart pounding. 

“then i’ll love you how you like,” midoriya agrees, masking his sadness with his signature hero smile. the one he uses to let the people he saves know that everything will be okay. even when it’s not. izuku treats you like a damsel in distress and maybe you are. you need saving from yourself, from him and he knows it. you both do. “at least until you wake up.” 

nodding, you close your eyes and lock off the rest of your senses — listening to only the sounds your steady breathing mingling in your own personal pocket of space. time freezes for the two of you, you don’t know how many light years it’s been before you speak again — but izuku’s warmth is still there, still enveloping you like the brilliant rays of the sun at the centre of your universe. he doesn’t dare cast you out into the icy cold of space. not yet.

“then i’ll try to keep dreaming, i’m not ready to wake up just yet.” comes your quiet voice as you lean forward to press your forehead against izuku’s freckled one.

not yet.

he exhales, deep and sad, but cups your face a little tighter and draws you in a little closer. “me either, not yet.” 

not yet. together, wrapped up in one another, the two of you decide that you'll stay lost in the web of constellations for a little bit longer. 

not yet.

꒰ end. — all rights reserved © tteokdoroki 2024. do not copy, repost, translate, feed into ai & recommend elsewhere.

[crossdressingdeath]

A thing I wish DAO went into more: the way Alistair is in some ways incredibly selfish. Like, the way he refuses to take charge of the group is treated as kind of endearing in the text, but the game doesn't really get into what a massive burden he just... drops on the junior Warden present with no warning or discussion. Think about it: the Warden is heavily implied to be very young (possibly younger than Alistair, definitely around the same age), most of them have no real experience in leadership, several of them have no experience in the world outside their small corner, all of them have only been Wardens for a few days. And Alistair dumps leadership of the group on them and refuses to take any of that weight. Does your Warden like leadership? Are they any good at it? Is it exhausting and difficult for them? Alistair doesn't care! He doesn't want to lead, and that means you have to lead, and whether or not you want to lead has no bearing on that. It's not a discussion, there's no suggestion of sharing the responsibility of leadership as the Wardens of the group; Alistair metaphorically throws the responsibility at you and runs.

But if you go for low approval with Alistair it's basically all about calling him childish and immature, even though I think a much more compelling low approval dynamic is the Warden despising Alistair for putting so much on them with no hesitation, but being stuck with him (because they know as well as he does that they need all hands on deck Warden-wise) and stuck with that burden of leadership (because a Warden kind of has to be in charge of the group and even if one didn't no one else in the group would be very good as a leader in this situation, and Alistair has made it very clear that he won't take it). Even at high approval it would be very compelling to have this sense of resentment at how Alistair just assumed they'd take on the burden of leadership and refuses to take any of it for himself. But that aspect gets completely ignored in the story, you don't really get the chance to raise the matter aside from asking why you're in charge despite him being the senior Warden present a couple of times.

It also adds something really spicy to the fallout of sparing Loghain, though, because... Alistair forced the Warden to take on leadership. He made them be the one to make these hard choices. It's never been a discussion, it's never been the Warden's choice whether or not they take on responsibility for these tough decisions, Alistair always just expects them to do it. And now they've made a call he doesn't like, and he abandons the group on the eve of battle because of his wounded feelings? I'd argue that's as much a betrayal as sparing Loghain if not more so, and certainly more of a betrayal of Duncan's memory; Duncan understood that a good Warden must be driven by necessity, not emotion or even morality, and I feel like in the Warden's place he likely would've made the same call. They need Wardens around to kill the Archdemon, as many as they can get, and even one more could make the difference between victory and defeat. The Warden and Alistair may not know the details, but with the most senior Warden present saying they should make Loghain a Warden instead of killing him a logical assumption would be he has a very good reason for saying so and maybe they should listen to him! I would've loved it if during the argument with Alistair after sparing Loghain you could really get into that "You forced the responsibility of making these decisions on me when I never wanted or asked for it, you don't get to throw a tantrum now that I've made one you don't like" aspect of it, but you... don't. And that's a shame, because it takes a lot of depth away from his dynamic with the Warden.

[adventures-in-mangaland]

Another Dead Boy Detectives Fic Rec List

Netflix sucks and I'm sad, but the Dead Boy Detectives fandom continues to be awesome, so here are some more very quick fic recs!*

Tonight's the Night You Fight Your Best Mate's Dad by Opossum_Subatomic

Everyone's Alive College/University 5+1 things fic featuring Charles bringing Edwin coffee and slowburn payneland. Also Family/Wedding Drama involving Everyone Thinks They're Dating so acute is verges on Fake Dating. This author is seriously fantastic, everything they write is gold.

You should also check out Kissing Lessons, which is a high school AU that does what it says on the tin while also giving non-binary Monty and polyamory.

Ornithology by Rosie447

Monty gets a job working at Tragic Mick's. This one's not actually payneland, being gen and Monty-centric. I know, gasp. It's a fantastic and very sweet exploration of Monty discovering his sense of self post canon and works as a great metaphor for recovery from toxic family/relationships. Also, the ex-animal solidarity and bonding with Mick is lovely.

what some circumstance stole by Chrome

The Sandman crossover featuring Edwin and Hob being kidnapped and tortured together. Their friendship is really wholesome with eventual Father Figure and Found Family Feels for the whole agency and background Dreamling.

dandelion wine (life and death in summertime) by world_wanderer

Payneland Right Person Wrong Time AU in which neither of them die but they still meet and become friends. The May/December friendship is sweet but tragic, with a bittersweet ending. Superb.

Mirror Image by Anonymous

Charles' afterlife gets taken over my an evil shape-shifting doppelganger, leaving him with plenty of time to regret never talking to Edwin about his feelings. Angsty but with Feelings Realisation and the Power of Love and Friendship vibes.

my healing needed more than time by babyseraphim

Case fic with de-aged Charles! Baby Charles is precious but be prepared for discussions of childhood trauma/abuse.

The same author has also written I'm So Aces at Babysitting, which is a really cute two-chaptered AU featuring Charles and Edwin babysitting the kid versions of each other, with bonus Crystal and Niko doing the same. It's very wholesome and the author writes little kids really well.

Pouring into me by tragedy_machine

Love me some "Charles wants to date Edwin to figure out his feelings but gets turned down" fic. Feelings are hard, OK?

thank u, next by KiaraSayre

Edwin fucks and Charles seethes. It's very funny and also features some interesting worldbuilding with the Fae.

Like We've Never Known Hurt by dearheartdont

Just cute established relationship PWP and praise kink. So good.

all of these hollows by handwrittenhello

The boys are alive again but sans memories. Can they still find each other and prove their devotion to the Night Nurse?? While also evading heavenly and hellish forces trying to keep them apart??? Very interesting concept executed well.

Suo Gân by emryses

The agency takes on the case of a traumatised Edwardian ghost searching for her missing baby... Read it for Edwin family feels.

Where Primroses Bloom by PantryJesus

Reading aloud as a love language and Watership Down feels. Idk, I'm now convinced that Edwin is kind of rabbit-coded with the whole "if they catch you they'll kill you. But first they must catch you" thing. A lovely well written fic.

I'm so sick of online love by Hse11z5

College/University AU where the boys meet through a dating app. It's cute.

you can have the best of me, baby (and I will give you anything) by aletterinthenameofsanity

Again, it's the Friends with Benefits but with real feelings and mutual pining for me. Now has a Charles PoV companion fic.

True Love's Kiss by Asidian

In which Charles curses himself with a Sleeping Beauty enchantment in order to confirm his feelings for Edwin and Crystal is the real MVP. I love this one because the boys are both SO stupid but in very different in-character ways.

I also recommend Promised, in which they kind of play the Green card angle to keep Edwin out of Hell? Which honestly needs to be more of a trope. And Tight Quarters, starring the boys trapped in a magic circle, leading to Forced Proximity induced Feelings Realization (in more ways than one! 😉).

Something I Can Turn To by DontOffendTheBees

I love some domestic fluff, in this case as an Everyone's Alive/Childhood Friends AU in which the boys are poor but happy living together. I liked how they both survive their respective traumas, but Reality Ensues.

I also recommend Lived My Whole Life Before the First Light for a lovely but melancholy Soulmate AU that goes for the "seeing colours" trope for extra wistful angst.

Dining at the Ritz by TerresDeBrume

Meeting the Parents fic in which Edwin's parents are awful and Charles is Not Having It. This has Everyone Thinks They're Dating and autistic Edwin stimming representation, plus discussions of racism, classism and ableism. The fic is also part of a great Modern AU series in which the boys attended St Hilarion's at the same time and Charles saved Edwin from a non-supernatural but still almost deadly prank. Highly recommended!

The Case of the Couples Retreat by juliasfanart

Listen, I can't get enough of undercover fake dating/relationships at a couples retreat, OK? Some minor angst but overall very cute and fluffy.

acu (aysar cinematic universe) by ObsessedWithFandom

The agency is hired to solve the mystery of Charles' death and bring his killers to justice. I'm genuinely obsessed with this series; I love its OCs and Charles having an exboyfriend gives Edwin a fun crisis. Plus haunting Charles' killers is very satisfying and cathartic. Just imagine they're Netflix execs, y'all.

*Not actually quick, as it turns out. 😅

I love doing these lists because I always think I've only got a few recs and then I look back over my recent bookmarks and I've got a metric ton of great fics to rec. You guys are so talented. ❤️

[elementroar]

Analysis of Paracelsus' initial bloodlust and its longlasting effects on A.B.A (Part 2)

Analysis behind the backstory and personal story arcs of A.B.A. and Paracelsus (part 1)

So this actually started out more of a 'funny' post, but I realized that it really is a very important insight into how A.B.A. and Paracelsus function and interact, especially for his earlier days in XX/Accent Core +R

And I wasn't joking about the vore. It's not in the erotic sense...but it certainly is in the 'literally eating parts of your partner ' sense...

Also apologies for the long word dumps, it got wordier and longer than I expected.

Paracelsus (used to) REALLY love blood

It goes without saying, Paracelsus really loves blood. Well he used to anyway.

By STRIVE, he says he felt he lost his sanity whenever he gets hyped on blood in the past. To the point, he has sworn off blood (and violence) as if it was an addiction. Basically, he has managed to go clean sometime between their last appearance and STRIVE.

To not go too far into his backstory again (which you can read here), Paracelsus is a magical axe that fed on blood and increased his own power with blood; and would use warriors as hosts to cause more bloodshed and thus gain more blood and power for himself. Paracelsus doesn't need to 'eat' blood to survive (he was left host-less for about 20 years, and now abstains in STRIVE and is just fine), making the addiction metaphor seem to be accurate.

Back in XX/ACCENT CORE, he needed to drink fresh blood to transform into his superpowered Moroha mode (this is mechanically replaced by Jealous Rage mode now). Similar to his current gameplay, he could get blood and transform by A.B.A. piercing someone with his bladed end; or if A.B.A. fed him one of three blood packs she'd have on her.

He reacts pretty much like a dog getting a treat, anticipating it when she reaches into her pockets for a pack too. And he truly didn't care where the blood comes from, even if it's from A.B.A. herself.

A.B.A. coughs up blood and all Paracelsus wants to do is have a taste. Note that he barely actually reacts to her or himself getting hit or fighting in the old games. It's kind of a stark contrast to his many reactions and concern for her wellbeing now.

Make no mistake, despite being "kinder and gentler" than how he treated his previous hosts - by not completely mind controlling her into a frenzy and caring enough that he doesn't want her to die - Paracelsus was truly obsessed with drinking blood still, and all the fighting skills and power he imparted on A.B.A. was to make her strong enough to defeat opponents and gather blood for him too. Hence the 'manipulation' he felt guilty of in STRIVE.

And he gets even more bloodthirsty in Moroha mode aka what Paracelsus is without his 'sanity'.

You're the worse you when on blood

Prior to STRIVE and Paracelsus' current sludgy form, his powered-up form gave him a goat's head and his persona changes into that of his old berserker self.

This increase in aggression and bloodlust also affected A.B.A. through their empathetic bond, making her also take joy in violence and also clearly hyperventilating and tweaking out in some animations, like she's high.

Not to mention that to fight in this mode, every time Paracelsus makes a successful attack, A.B.A. also gets damaged (hence 'Moroha' mode as it means 'double-edged'). In-universe, this could mean that Paracelsus is sapping both the blood of an opponent and A.B.A. at the same time, indiscriminately as he says.

And he seems somewhat crueler in this form, as he has an even more violent and vicious state above Moroha mode called Goku Moroha mode. He enters it by consuming another blood pack, but he also seems to bite down on A.B.A.'s hand without a care and holds onto it while he transforms.

The impact of all this on A.B.A

Picking up Paracelsus was truly a double-edged sword/axe for A.B.A. On one hand, he was older and savvier about the outside world (even though he spent like 20 years just rusting away on the ground somewhere) and having him as her emotional support key and literal weapon led her to actually daring to explore the outside world, and he provided and (attempted to) advised her on things she didn't know about.

On the other hand, Paracelsus' satiating his bloodthirst was still his main objective, and it was also hurting A.B.A. Although Paracelsus was making some effort to not outright get her killed, A.B.A's additional resilience as a homunculus probably also helped her survive take being Paracelsus' host as long as she did.

Paracelsus was the original toxic element in their relationship, and it's likely over the years he's come to realize and regrets the harm he was doing to A.B.A. constantly, and why he has completely sworn off blood and violence entirely by STRIVE.

However, his bloodlust fueled and amplified the worse tendencies of A.B.A. from early on, and this seems to have stuck with her till the present in STRIVE. Her current extremely violent reaction when feeling jealousy or anxiety is likely how she's been conditioned to do so by Paracelsus, even when he himself is no longer the source of that bloodlust.

The difference now is that A.B.A.'s new powered-up state of Jealous Rage is mainly fueled by her wrath and fear instead of Paracelsus' bloodlust. Paracelsus becomes sludge now, affected by the toxicity of her unstable emotions going haywire and her will becoming decidedly dominant over his. The one who is toxic has become inverted.

What's more, it seems that the skills Paracelsus imparted on her before also carried over and stuck with her, allowing her to fight independently since Paracelsus isn't trying to encourage her to violence this time. She's become so dominant that she now can even force a new form/transformation onto Paracelsus when she does her Overdrive The Law is Key, Key is King while in Jealous Rage.

In the game files, this red form is called the "Hyoui" form, meaning 'possession'. It being red is interesting because it seems to be a callback to Paracelsus' moniker of being the Sanguine Gale. The concept art also shows the pretty disturbing way he's being morphed into it by A.B.A. when she does the Overdrive.

When in her Jealous Rage mode, the bottom half Paracelsus' where his axe blade is, somehow becomes more axe-like than it ever has been in the games. In the earlier games, his blade half didn't change, only his head does into the goat-head. What's more disturbing is that eyes already started appearing on the axe half even while Paracelsus tries to maintain his original face as much as possible.

When executing the Overdrive, A.B.A. swings with the axe half as the sludge pulls from Paracelsus' face to form this new toothed red axe head. Is it a new persona? Is Paracelsus still conscious in his face half or in the axe half at all? Does 'possession' have double meaning where A.B.A. is possessed by her own wrath, but also Paracelsus is now the one being possessed by A.B.A.'s will into forming the red axe form?

The interesting thing too is that A.B.A. executes the Overdrive with precise strikes, liked a skilled warrior. IMO, at this moment A.B.A. ironically became the exact kind of warrior that berserker Paracelsus would have wanted and caused him to even revert back into that primal early form of his that was barely sentient. They gained perfect synergy for the attack, but both are literally out of their minds.

What started this post

Just a funny thing but the reason why I even thought of, and then looked into all this, was because of A.B.A.'s biting of Paracelsus at the top of the post. I was wondering why Paracelsus doesn't say a word of protest when she does this to him, then remembered that he used to kinda drink her blood (and turns out he too has bitten her before), and I think he's prolly thinking "I deserve this".

[see-arcane]

I have been possessed by a stronger than average craving for tinkering with Jonathan Harker's genders (Jonders). Jonathan Harker is undeniably and forever my favorite gothic heroine. But, being that there is so much to chew on regarding his potential fluidity when it comes to gender roles within the story--the classic damsel, the willingly submissive half of the couple, the vengeful berserker, etc--it's got me thinking.

Let's take the metaphor out. What would happen to the Dracula narrative if Jonathan Harker was...

First thing's first--she almost definitely gets shouldered out of the Important Solicitor's position due to reasons of Being Girl. But she still has to get to Transylvania to be menaced by Count Bat Bastard. How?

Hawkins! Johanna is working at the firm as a secretary and personal assistant to a still very paternally mushy old Peter Hawkins. When Dracula's request comes around, he can't give up such a lucrative client over his gout and there's no one he trusts to pass it to. He has to go. And it'd only be right to treat his surrogate daughter to a paid scenic vacation have his aide along on the business trip. Especially when she hunted down Carfax Abbey herself! What a lovely outing they'll have.

...or not.

True to form, Count Dracula is very much not to be trusted around pretty young things of any kind. Considering his canon habits, things aren't about to go any easier for Miss Harker. But at least she has Hawkins watching out for her in-person! It all makes for some very tense talk when discussing anything other than the estate purchase; which Hawkins seems as keen to rush as Dracula is to dawdle over. But at least they'll be out of here soon. What's a couple of awkward nights, right?

One in particular has Johanna nervous as she goes to bed. Hawkins had taken Dracula aside with a hard smile, insisting there was a 'delicate matter' he wished to speak with the Count about. The last time a 'delicate matter' was brought up was when he nearly lobbed a typewriter at one of his ex-solicitor's heads for some distinctly unseemly behavior in her direction. She hopes there isn't a storm brewing under their host's roof. She hopes harder that tomorrow they'll be heading back to the Borgo Pass.

Instead:

Oh.

Oh no.

Between this and one requisite nightmare-week in which the joys of womanhood come and go--let's leave it unspoken whether her set of bloodstained cloths stay in her possession or not--Johanna gets put through the wringer. Per usual. But eventually..!

Yeah. No shock there. Deep calming breaths, Jack. Don't let the wonderful diary concuss you.

Part of being one of two (gasp) G I R L S in the Scooby Gang, Van Helsing and company vote Johanna and Mina out of the dirt hunt. Except. Well. Johanna is still necessary to have on the ground here. She's the only one with the location intel--and a surprise willed gift of inheritance and the firm from poor Hawkins, who the Transylvanian locals all vouch for as being 'slain by wolves,' leaving Johanna free of blame--so she's still running around for the crew.

Even so, odds are high that she initially gets sidelined with Mina. Which isn't overly awful. It is good to be side-by-side in this timeline! No needless sequestering from each other! Johanna is already planning to see Mina back to their new house before they have to sleep another night in an asylum.

And then comes the 3rd of October.

Van Helsing: "Madam Harker, is it not somewhat attention-catching to wear trousers in public? We are meant to be unremarkable while we wait on th--"

Johanna, has already smoked through two cigars, kukri in her lap, playing a game of chicken with God: "Do you think I scaled a mountain in three layers of skirts, Professor? No? Then I will not do the same if the rancid bastard tries to escape out the window."

Van Helsing, aside: "Friend John, can you speak sense to her?"

Jack, melting off the side of the bench: "I think I hauve consumption"

Anyway. She very much does get to the Dracula head chopping. And there will be much rejoicing. BUT all that grimdarkness aside, there are other, more hijinks-flavored opportunities to think of with this particular set up. If only because I genuinely believe that Lucy and Art, having two spare best friends on hand and a general vibe that radiates 'ooooh what if triple wedding???', would come up with the following master plan. Some truly Shakespearean folly kind of shit:

Thankfully, Johanna and Mina nix the idea pretty quick. Case in point:

And, last but not least, my final word on the range of Jonders that exist within my very best gothic heroine friend:

ha ha I do that

[literaryvein-reblogs]

Writing Notes: Character Development

Rick Riordan's Writing Tips

Rick Riordan:

Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:

RICK RIORDAN'S TOP 5 TIPS ON CHARACTER

Define a character first through action, second through dialog and description, never through explanation.

A character should be primarily defined by the choices he makes, and the actions he takes.

How does he respond to violence?

How does he respond to love?

Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.

Never stop to explain who a character is when we can watch him in action and decide for ourselves.

Be impressionist rather than realistic.

Describe characters as Dickens did – with a single deft stroke.

A laundry list of physical traits is realistic, but it is neither memorable nor compelling.

A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.

Example: She was a human tornado.

Do not be afraid to use real people as models, but do not be constricted by your models.

It is very natural to use parts of ourselves or the people we know when creating characters.

Do not be afraid to do this because someone might get mad at you.

At the same time, let your character develop.

Do not force them to do what the real-life model would do.

Characters seldom end up exactly like the real people they are based on.

The reader does not have to be told everything you know about the character.

It may be critically important to you that your character has blue eyes, or went to Texas A&M.

But if these details have no part in the story, the reader will not care.

Leave them in your subconscious.

If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.

Your character must act, not simply be acted upon.

We care about characters because we are interested in the choices they make.

We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.

A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.

Remember, plot is what the characters do next.

If the characters do not create the plot, the plot is hollow.

Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:

Character Profile

Name:

Height:

Age in story:

Birthplace:

Hair color, length, style:

Race/nationality:

Regional influences:

Accent: (include voice, style of speech, slang, signature phrases or words)

Religion:

Marital status:

Scars or other notable physical attributes:

Handicaps: (emotional, physical, mental)

Athletic? Inactive? Overall health?

Style of dress:

Favorite colors:

How does the character feel about his/her appearance?

Brothers/sisters:

Relationship with parents:

Memories about childhood:

Educational background: (street smart? Formal? Does he/she read?)

Work experience:

Occupation:

Where does the character live now? Describe home (emotional atmosphere as well as physical)

Neat or messy?

Sexual preferences/morals/activities:

Women friends/men friends:

Pets?

Enemies? Why?

Basic nature:

Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):

Strongest trait:

Weakest trait:

What does the character fear?

What is the character proud of?

What is the character ashamed of?

Outlook on life (optimistic, pessimistic, cynic, idealist)

Ambitions:

Politics:

How does the character see himself/herself?

How is the character seen by others?

Do you like this person? Why or why not?

Will readers like or dislike?

Most important thing to know about this character:

Present problem:

How it will get worse:

What is the character's goal in the story?

What traits will help/hurt the character in achieving this goal?

What makes the character different from similar characters?

Why will readers remember this character vividly?

Source

[mostlysignssomeportents]

You were promised a jetpack by liars

TONIGHT (May 17), I'm at the INTERNET ARCHIVE in SAN FRANCISCO to keynote the 10th anniversary of the AUTHORS ALLIANCE.

As a science fiction writer, I find it weird that some sf tropes – like space colonization – have become culture-war touchstones. You know, that whole "we were promised jetpacks" thing.

I confess, I never looked too hard at the practicalities of jetpacks, because they are so obviously either used as a visual shorthand (as in the Jetsons) or as a metaphor. Even a brief moment's serious consideration should make it clear why we wouldn't want the distracted, stoned, drunk, suicidal, homicidal maniacs who pilot their two-ton killbots through our residential streets at 75mph to be flying over our heads with a reservoir of high explosives strapped to their backs.

Jetpacks can make for interesting sf eyeball kicks or literary symbols, but I don't actually want to live in a world of jetpacks. I just want to read about them, and, of course, write about them:

https://reactormag.com/chicken-little/

I had blithely assumed that this was the principle reason we never got the jetpacks we were "promised." I mean, there kind of was a promise, right? I grew up seeing videos of rocketeers flying their jetpacks high above the heads of amazed crowds, at World's Fairs and Disneyland and big public spectacles. There was that scene in Thunderball where James Bond (the canonical Connery Bond, no less) makes an escape by jetpack. There was even a Gilligan's Island episode where the castaways find a jetpack and scheme to fly it all the way back to Hawai'i:

https://www.imdb.com/title/tt0588084/

Clearly, jetpacks were possible, but they didn't make any sense, so we decided not to use them, right?

Well, I was wrong. In a terrific new 99 Percent Invisible episode, Chris Berube tracks the history of all those jetpacks we saw on TV for decades, and reveals that they were all the same jetpack, flown by just one guy, who risked his life every time he went up in it:

https://99percentinvisible.org/episode/rocket-man/

The jetpack in question – technically a "rocket belt" – was built in the 1960s by Wendell Moore at the Bell Aircraft Corporation, with funding from the DoD. The Bell rocket belt used concentrated hydrogen peroxide as fuel, which burned at temperatures in excess of 1,000'. The rocket belt had a maximum flight time of just 21 seconds.

It was these limitations that disqualified the rocket belt from being used by anyone except stunt pilots with extremely high tolerances for danger. Any tactical advantage conferred on infantrymen by the power to soar over a battlefield for a whopping 21 seconds was totally obliterated by the fact that this infantryman would be encumbered by an extremely heavy, unwieldy and extremely explosive backpack, to say nothing of the high likelihood that rocketeers would plummet out of the sky after failing to track the split-second capacity of a jetpack.

And of course, the rocket belt wasn't going to be a civilian commuting option. If your commute can be accomplished in just 21 seconds of flight time, you should probably just walk, rather than strapping an inferno to your back and risking a lethal fall if you exceed a margin of error measured in just seconds.

Once you know about the jetpack's technical limitations, it's obvious why we never got jetpacks. So why did we expect them? Because we were promised them, and the promise was a lie.

Moore was a consummate showman, which is to say, a bullshitter. He was forever telling the press that his jetpacks would be on everyone's back in one to two years, and he got an impressionable young man, Bill Suitor, to stage showy public demonstrations of the rocket belt. If you ever saw a video of a brave rocketeer piloting a jetpack, it was almost certainly Suitor. Suitor was Connery's stunt-double in Thunderball, and it was he who flew the rocket belt around Sleeping Beauty castle.

Suitor's interview with Berube for the podcast is delightful. Suitor is a hilarious, profane old airman who led an extraordinary life and tells stories with expert timing, busting out great phrases like "a surprise is a fart with a lump in it."

But what's most striking about the tale of the Bell rocket belt is the shape of the deception that Moore and Bell pulled off. By conspicuously failing to mention the rocket belt's limitations, and by callously risking Suitor's life over and over again, they were able to create the impression that jetpacks were everywhere, and that they were trembling on the verge of widespread, popular adoption.

What's more, they played a double game: all the public enthusiasm they manufactured with their carefully stage-managed, canned demos was designed to help them win more defense contracts to keep their dream alive. Ultimately, Uncle Sucker declined to continue funding their boondoggle, and the demos petered out, and the "promise" of a jetpack was broken.

As I listened to the 99 Percent Invisible episode, I was struck by the familiarity of this shuck: this is exactly what the self-driving car bros did over the past decade to convince us all that the human driver was already obsolete. The playbook was nearly identical, right down to the shameless huckster insisting that "full self-driving is one to two years away" every year for a decade:

https://www.theverge.com/2023/8/23/23837598/tesla-elon-musk-self-driving-false-promises-land-of-the-giants

The Potemkin rocket belt was a calculated misdirection, as are the "full self-driving" demos that turn out to be routine, pre-programmed runs on carefully manicured closed tracks:

https://www.cbsnews.com/news/tesla-autopilot-staged-engineer-says-company-faked-full-autopilot/

Practical rocketeering wasn't ever "just around the corner," because a flying, 21 second blast-furnace couldn't be refined into a practical transport. Making the tank bigger would not make this thing safer or easier to transport.

The jetpack showman hoped to cash out by tricking Uncle Sucker into handing him a fat military contract. Robo-car scammers used their conjurer's tricks to cash out to the public markets, taking Uber public on the promise of robo-taxis, even as Uber's self-driving program burned through $2.5b and produced a car with a half-mile mean time between fatal collisions, which the company had to pay someone else $400m to take the business off their hands:

https://pluralistic.net/2022/10/09/herbies-revenge/#100-billion-here-100-billion-there-pretty-soon-youre-talking-real-money

It's not just self-driving cars. Time and again, the incredibly impressive AI demos that the press credulously promotes turn out to be scams. The dancing robot on stage at the splashy event is literally a guy in a robot-suit:

https://www.businessinsider.com/elon-musks-ai-day-tesla-bot-is-just-a-guy-in-a-bodysuit-2021-8

The Hollywood-killing, AI-produced video prompting system is so cumbersome to use, and so severely limited, that it's arguably worse than useless:

https://www.wheresyoured.at/expectations-versus-reality/

The centuries' worth of progress the AI made in discovering new materials actually "discovered" a bunch of trivial variations on existing materials, as well as a huge swathe of materials that only exist at absolute zero:

https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs

The AI grocery store where you just pick things up and put them in your shopping basket without using the checkout turns out to be a call-center full of low-waged Indian workers desperately squinting at videos of you, trying to figure out what you put in your bag:

https://pluralistic.net/2024/01/31/neural-interface-beta-tester/#tailfins

The discovery of these frauds somehow never precipitates disillusionment. Rather than getting angry with marketers for tricking them, reporters are ventriloquized into repeating the marketing claim that these aren't lies, they're premature truths. Sure, today these are faked, but once the product is refined, the fakery will no longer be required.

This must be the kinds of Magic Underpants Gnomery the credulous press engaged in during the jetpack days: "Sure, a 21-second rocket belt is totally useless for anything except wowing county fair yokels – but once they figure out how to fit an order of magnitude more high-explosive onto that guy's back, this thing will really take off!"

The AI version of this is that if we just keep throwing orders of magnitude more training data and compute at the stochastic parrot, it will eventually come to life and become our superintelligent, omnipotent techno-genie. In other words, if we just keep breeding these horses to run faster and faster, eventually one of our prize mares will give birth to a locomotive:

https://locusmag.com/2020/07/cory-doctorow-full-employment/

As a society, we have vested an alarming amount of power in the hands of tech billionaires who profess to be embittered science fiction fans who merely want to realize the "promises" of our Golden Age stfnal dreams. These bros insist that they can overcome both the technical hurdles and the absolutely insurmountable privation involved in space colonization:

https://pluralistic.net/2024/01/09/astrobezzle/#send-robots-instead

They have somehow mistaken Neal Stephenson's dystopian satirical "metaverse" for a roadmap:

https://pluralistic.net/2022/12/18/metaverse-means-pivot-to-video/

As Charlie Stross writes, it's not just that these weirdos can't tell the difference between imaginative parables about the future and predictions about the future – it's also that they keep mistaking dystopias for business plans:

https://www.scientificamerican.com/article/tech-billionaires-need-to-stop-trying-to-make-the-science-fiction-they-grew-up-on-real/

Cyberpunk was a warning, not a suggestion. Please, I beg you, stop building the fucking torment nexus:

https://knowyourmeme.com/memes/torment-nexus

These techno-billionaires profess to be fulfilling a broken promise, but surely they know that the promises were made by liars – showmen using parlor tricks to sell the impossible. You were "promised a jetpack" in the same sense that table-rapping "spiritualists" promised you a conduit to talk with the dead, or that carny barkers promised you a girl that could turn into a gorilla:

https://milwaukeerecord.com/film/ape-girl-shes-alive-documentary-november-11-sugar-maple/

That's quite a supervillain origin story: "I was promised a jetpack, but then I grew up discovered that it was just a special effect. In revenge, I am promising you superintelligent AIs and self-driving cars, and these, too, are SFX."

In other words: "Die a disillusioned jetpack fan or live long enough to become the fraudster who cooked up the jetpack lie you despise."

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/17/fake-it-until-you-dont-make-it/#twenty-one-seconds

[pandoratheprocrasticreator]

Oh god now that toh ends with luz being able to travel between worlds ppl are using that to dunk on amphibia. And now that belos died ppl are using that to dunk on su.

They are different shows people! They have different themes! Amphibia is a classic take on isekai as escapism! Marcy went to amphibia to avoid her real life and while she had fun she didnt mature until after she accepted she needed to embrace change in her life! Anne matured in amphibia bc she always recognized that she has her own life to get back to! Sasha matured after realizing that too! Leaving amphibia for good means to embrace the step out of childhood! Something thats inevitable for everyone!

The owl house is about finding a community in midst of ostracization! Luz stayed in the boiling isles because she found people who accepted her quirks! The boiling isles was in danger from a bigot and luz helps her new community defeat him! Its a very queer story! Community is the center of the story so it makes sense for luz to be able to go back to the boiling isles since shes maintaining her place in the community!

Steven universe is about choosing to be kind! Its that everyone has their own specific traumas that they can overcome with the right support! Its about surviving in a world of bigots at any cost, even if it you have to work with the bigots to carve out a space for the people you love! Because people like you exist and theres nothing anyone in power can do about it! Its also a very queer story! The diamonds can never stamp out the off colors because they will always be there! Steven works with the diamonds not because he likes them but because they can improve the world for his family if only he could get through to them! Hes rewarded for choosing to be kind with success because the theme of the show is hope! Hope that anyone can change! But even though the diamonds stop being fascist steven still doesnt like them because its not about forgiveness! Its about fixing things! Stevens just polite about it!

The owl house starts off with the assumption that everyone can change but its not about the potential its about the willingness to change! The focus is on belos, whos had every chance to turn his life around but will never admit that hes wrong! And the show posits that if someone isnt willing to change theyre not worth helping! Its not about whether or not the character is fascist its about if theyre willing to stop being fascist! Several characters stop being fascist and are welcomed by the characters with open arms belos just wasnt one of them! Several characters clean up their acts but dont adequately address the previous harm they did and are STILL fully forgiven eventually! For toh forgiveness is paired with fixing things you just need to give it time!

And theres an argument that some of these shows didnt do their themes well. If you wanted to portray amphibia as an escapism world that the girls need to leave behind to get to their richer futures then having them get such caring found families go against that by giving them a potential of a good life in the isekai world. Steven universe uses the diamonds as metaphors for mental illness and relationships but its hard to stick with that when you also need to consider the countless other gems they hurt. I think its also fair if people prefer one theme over another.

But a lot of stuff i see comparing these shows just go over surface similarities? Like oh shit! These two shows have the same character archetypes! They have the same inciting incident! This must mean that theyre exactly the same in everything but names and artstyle and are trying to say the exact same things! Like. No. Sometimes,,,,,two stories,,,,,,can talk about two different things,,,,,,,

[mswyrr]

One of the most important bits of dialogue in hotd is from Viserys in 1x01:

"The idea that we control the dragons is an illusion. They're a power man should never have trifled with. One that brought Valyria its doom. If we don't mind our own histories, it will do the same to us."

This is a man who bonded with Balerion, The Black Dread, the oldest dragon who had actually hatched in Old Valyria. This was the same dragon who flew Princess Aerea, a 12-year-old girl who bonded with him, back to Valyria against her will - sickening and killing her in the process (Fire & Blood, p 263). The little girl was away from her home at the time and probably feeling "I want to go home" but what Balerion did with that feeling killed her. His will was strong and his memory was *deep*.

Viserys only rode him one time, his inaugural flight, and then never again. IMO he experienced something bonding with that ancient beast that--in addition to studying the family's history and Valyrian lore--convinced him of the danger and fundamentally uncontrollable nature of dragons.

It is totally in keeping with canon events that Vhagar, in the current timeline the most ancient dragon alive--a dragon who drank deep of bloodshed and war with Visenya during the Conquest and *likes* war--translated Aemond's anger at Lucerys into murder of the boy and his small dragon. It is perfectly in keeping with what the show has been saying since episode 1.

An ancient, powerful and wilful dragon overcoming the will of its rider is *literally canon*. Princess Aerea must have been terrified during the whole, long flight to Valyria, and yet all her protests couldn't stop the dragon she'd bonded to.

I would also say that the Valyrians turned magical creatures, dragons, into weapons of warfare - that the dragons, in that sense, represent war. And the show is imo fundamentally antiwar - so here war is something you cannot control. GRRM has said the dragons are "nukes," which fits with this reading:

“Dragons are the nuclear deterrent, and only [Daenerys Targaryen, one of the series’ heroines] has them, which in some ways makes her the most powerful person in the world,” Martin said in 2011. “But is that sufficient? These are the kind of issues I’m trying to explore. The United States right now has the ability to destroy the world with our nuclear arsenal, but that doesn’t mean we can achieve specific geopolitical goals. Power is more subtle than that. You can have the power to destroy, but it doesn’t give you the power to reform, or improve, or build.” (source)

War and nukes - you cannot aim them only at the guilty, only at those you hate; you cannot prevent them from consuming the innocent as well. They a raging fire that consumes, that is all. And so, on that level, I just adore what they're doing and how it all fits together.

Aemond's domestic violence fits too - boys go to war thinking it will be honorable and manly and they'll protect "their women" but instead come home and hurt those very women. This thing burns and burns until it is exhausted, and it doesn't stay contained, not within you or outside you. "So it goes," to steal a phrase from antiwar writer Kurt Vonnegut.

The reason I keep coming back to my antiwar reading of the show is that things that people dismiss as "bad" or mock actually come together beautifully if you don't expect to war to be glorious and masterful and heroic. If you take the text seriously, in terms of what the dragons are metaphorically and what characters have outright said about their fundamentally uncontrollable nature. The lore supports what Vhagar did! That she could overcome a teenaged human's will with her century old bloodlust.

[khaire-traveler]

I'm curious because someone recently made the comment that it's only fair for Lord Charon to expect money in return for his services, but this system would actually raise a lot of questions. If you're curious, some questions I thought of are featured below.

(For the record, I still believe Charon deserves recognition for what he does; it's just the coin system doesn't actually make sense when you start examining it closely.)

Please reblog! 🧡 I want to hear everyone's opinions on this.

Not every Underworld god is paid for their labors. Some aren't even given offerings anymore, their names tragically lost to time. So, why is Lord Charon specifically mentioned to require coins for his ferry? Why not Lord Haides, for entry to his domain? Or Lord Thanatos for deliverance of one's soul? Or Lord Hermes for transportation from the mortal realm to that of the dead? Why not Cerberus for letting you through The Gates (he is a sentient being, btw, for those who seem to think he's just a random three-headed dog)?

Does The Underworld have an economy? Why does it need an economy based on coins from the material plane/Earth? How does it even determine currency value?I mean, just imagine how many different people from different countries would have gone to The Underworld and paid with coins over thousands upon thousands of years.

Does payment have to be coins, or is there maybe some other form payment you can provide? Does the value of the item have to be monetary, or can it be something that meant a lot to you in life? More of a metaphorical release of the material plane, in a sense, as you trade off something that ties you to Earth and are officially transported to "The Other Side".

How do you get physical coins onto a spiritual plane?

Why would Charon need coins from the surface world? Does he maybe just have a sick coin collection from over thousands of years of human history?

What about our ancestors who were alive before the invention of monetary coins; were they just expected to stand at the shore for 100 years for not having something that didn't exist yet?

Speaking of the last question, where do animals go? How do they get across the river Styx?

Why would the afterlife require money in order for you to enter it properly? That seems kind of fucked up and more like something a bunch of old men wrote down to declare the wealthy more important than the poor, no?

If this is really just a job for Lord Charon (who is a son of Nyx, mind you), that implies that maybe Lord Haides (or whomever oversees that) could hire others to help him. Is there more than one ferryman on the river Styx? What is their average hourly pay? How can I apply, and does anyone have any interview tips? Seems to me that it'd be based on commission.

Do you think the spirits on the riverbank get bored of waiting? What do you think they do for 100 years to pass all that time? 🤔

[eldritch-spouse]

Kalymir and tactition reader? Sort of a brains and brawn situation?

[I enjoy this. "Big dumb villain and their smart assistant that's not paid enough"-core.]

He starts pacing around the table, always does, when something you say isn't to his liking.

" DON'T FUCK ME! "

Fortunately, you were hired to be the brains to his muscle, not to glaze his metaphorical balls.

" M'lord I'm fairly certain I couldn't even if I tired. " You eye him up and down, silently asking if he's done with his bitchfit. " Nonetheless, I believe this is no time to be aggressive. You'd do well to send scouts- "

" SCOUTS?! " He snarls at the top of his rather annoyingly large lungs. Some kind of battle axe flies over your head, decapitating baby hairs. You barely blink as it embeds itself into the wall behind you. " THIS IS BARELY A PROPER SETTLEMENT! I SHOULDN'T HAVE TO EVEN THINK ABOUT THIS PIECE OF SHIT RESISTANCE POCKET- "

The King stomps forward on mighty talons, nearly swiping your pondering orb away as he gestures toward it with a fury of such might that it makes the muscles in his arms swell.

" LOOK AT THESE INSECTS! "

" Precisely. "

The demonlord looks as if his honest desire is to cut your back open and slurp the spinal cord out. Yet, in the midst of the anger constantly frying his nerve endings, is a tungsten carbide core of minimal intelligence that reminds him eviscerating you is a most terrible idea.

" EXPLAIN THEN, YOU MOUTHY CUNT. "

" I've been trying to do so this entire time. "

" THE FUCKING NERVE Y- "

" This resistance pocket- " You start, snapping your fingers repeatedly as if trying to garner a large dog's attention. " Is mixed and dangerous, m'lord. "

Although Kalymir is visibly fuming, he does listen.

You scroll through the field of view offered by the hidden summoned aid currently hiding in tall trees. It provides a top-down map feed of the location Kalymir's latest headache has been operating from. Currently, at least. People buzz from one side to another, not many in numbers but extremely well-organized and efficient, almost as if controlled by something.

" Notice there are more than just wrathful demons in the midst, this group employs humans and monsters, especially the less social of the bunch. The kind of monster you'd find hiding in darkened places, isolated but by no means uneducated. To gain the alliance of these monsters, one would need a surprising sense of- "

" I'M FUCKING SNOOZING HERE... "

Sometimes, you're the one that wants to maul him.

There's a tired sigh.

" Harmonious diversity equals no-no. "

Pause.

" I'M NOT A BABY, YOU SURFACE WHORE. "

" Putting that aside, I'm sure you've noticed by now, that they brandish weapons of ancient times. The very things that allowed the initial group to leave the Rings unscathed despite being hunted, not just in Wrath but in the territory of all the Lords you've made agreements with. "

" CELESTIAL WEAPONRY. " The warlord sneers, thoughtful.

" Yes. "

Kalymir shakes his head.

" YOU CAN'T TELL ME THEY'RE ALLIED TO ANGELS! MOST ARE DEMONS, YOU CAN'T BRIBE ANGELS INTO HANDING THEIR TOOLS OVER- " He slams both fists onto the worn and dented table, making your chair jump. " THEY'RE HARDLY EVEN SEEN. AND LIKE FUCKING HELL THESE PARASITES CAN KILL ONE! "

A smug smile tugs your lips. " But, my King, they don't need to be allied to angels to have those. "

Kalymir makes a rare effort to calm down, sharpened claws tapping at the same table. You can hear a heavy-tipped tail swing, the woosh mildly distracting.

" SPEAK! "

" The archives. "

You can hear the gears melting in his cranium.

" THE ARCHIVES... " He stands, mighty body straight as he beings putting two and two together. " THE ARCHIVES! "

You nod, arms crossing.

Not just any archives, the Royal Archives of Wrath, containing a litany of detailed instructions in old Infernal about how to dispatch different types of celestials. The same archives that guarded weapons of Eden stolen from perished angels, weapons that destroyed the limbs of the brave demons who managed to retrieve them, whose core names and sigils have been carved into the cases holding these artifacts. Those are the only celestial weapons left behind, as far as anyone knows. The type of material prize a lord of Wrath would die protecting.

" NO! " He barks once he realizes the first possibility that statement implies.

" Yes, my King. "

" NO ONE COULD HAVE BROKEN IN, YOU SNOT-BRAINED ANKLE BITER! "

Hm, that one's new.

He's right, no one could have broken in, he knows you know this, and the fact that you always seem one little step ahead of him is both infuriating to the King but also exciting.

" Correct. "

" THEN- "

" Who has access to the Royal Archives of Wrath? "

" I DO! I'M THE KING- "

" And who had access? "

As soon as you ask that, he falls eerily silent, pacing again, this time to the opposite display of weapons, subconsciously studying them as he thinks.

" IMPOSSIBLE. "

You recline on the chair, eyes closing. " Is it? "

" I BUTCHERED HIM! I HUMILIATED HIM. HIS VERY SKULL SITS ABOVE MY THRONE OF VICTORIES! "

" His offspring, my King. His descendants. " As far as you know, they were only juveniles when Kalymir murdered their father.

" ONE DIED IN THE CRUCIBLE... "

" The other...? "

Kalymir doesn't answer, he doesn't know. And neither did you, not until very recently.

You don't need to spell the implications out this time, he gets there on his own two synapses.

" YOU CAN'T BE SERIOUS. " The demonlord bristles, not because he finds the suggestion ridiculous, but likely because it's going to make things a lot more interesting.

" But I am. He can't show his face, it'd be too risky, but some dissenting demons still recognize and have followed him to the surface. He then seeks the help of monsters living in the margins of societies or straight up outside of them, safer options to utilize holy weapons. And not just that, these monsters muddle our understanding of the resistance's origins and goals, adding humans to the mix just makes it all more confusing. Many of the non-demonic members are likely under contractual obligation to do this too, I'd reckon. "

The King is silent.

" Think about it. You lost track of them a long time ago. This prince-to-be witnessed the death of his father, his brother, his mother has likely died of old age. He has nothing. Nothing but a sweltering desire to dethrone you. This is his doing. "

A cruel glint settles in your eyes, belying that there is room for your frigid coldness in the boiling Ring.

" Unfortunately, he must have been too young to properly absorb his father's teachings, because this is amateurish at best. A little bit of care and thought is all you need to nip his budding plans, m'lord. "

The King smiles, drags a hand down his face, chest heaving faster as a very thunderous bark of raucous laughter shakes the entire fortress. The clapping of meaty red hands accentuates how wolfishly delighted he is.

" YOU GLORIOUS, ROTTEN WENCH! HOW COULD I NOT HAVE SEEN THIS?! "

Yes, really, how did he not see this a mile away? He should have figured it out before you, you actually had to do research concerning the past ruler of Wrath.

Kalymir damn near sprints towards you, reaching over the table to grab you up by the collar of your outfit.

" LEAD ME TO HIM, STRATEGIST. TELL ME HOW TO GET MY HANDS ON THE WORTHLES TWERP. I WILL WEAR HIS BROTHER'S SKIN. "

" Of course, my King. I will lead you to victory as always. "

" GOOD. GOOD LITTLE HUMAN. "

You're dropped back down unceremoniously, feeling a creak in your hip but remaining composed. Kalymir is clearly getting overly excited over the whole deal, you can tell he'll be obsessing over it from now on.

" WE WILL MAKE A NEW CHANDELIER OF HIS BONES. "

Satisfied, there's a pep to the demonlord's step as he makes to leave, opening the great doors to his hall.

" AND ONCE THIS IS OVER, YOU- "

" YOU WILL SIT BESIDE ME AS QUEEN. "

[dedalvs]

Hello there! I was wondering if you could possibly translate this quote: (I know it's a different fandom, but I was wondering if you could translate it anyways. I think it would be neat to see it in High Valyrian.)... "Not all who wander are lost."

So listen… I know this wasn't the intent, and I know that you're kind of standing in for tons of people from my past, but like… When people ask to have something translated, do they really not give any thought to the grammatical complexity of what they're asking for? And 100% this is not just you, but like… Embedded clauses, relative clauses, counterfactuals…

Something I didn't realize till I started creating languages for a living is translation is my least favorite part of language creation—and it's what I spend the most time doing.

Okay, so, "Not all who wander are lost". Good lord. First, there's "lost", which has a literal and metaphorical meaning in English. Absolutely no idea if this would translate in High Valyrian, and I'm pretty sure I don't have a word for "lost", and I don't even know how to go about creating one. Spanish perdido essentially comes from "wasted" or "squandered". We know where English "lost" came from. There actually is a word for "to lose" in HV, but it's to lose a battle. Doesn't make sense to use it here. So I'm going with something that kind of evokes that mists that surround destroyed Valyria and use the locative of "fog", so to be sambrarra "in the fog" means "to be lost".

I also don't (or didn't) have a word for "wander", but I made a derivation based on one of my favorite words, elēnagon, which means to oscillate or swerve. Jorelēnagon now means "to wander". Seems to fit.

And that was the easy part. A relative clause is something like "The dragon that I saw is big". "Whoever I saw is big" also features a kind of relative clause—an indefinite relative clause. These things are absolute murder to create. But no. It's not just that. It's a modified indefinite relative, because it's not "Whoever wanders is lost", it's "All who wander are lost". BUT IT'S NOT JUST THAT. It's negated on top of that. NE. GA. TED. And not just in the usual way: It's the Mothra fumbling quantifier that's negated. It's not whoever wanders. It's not all who wander. It's NOT ALL who wander. This is like my nightmare—being asked to translate something like this. This is giving me flashbacks to season 1 of House of the Dragon when they asked me to translated "Would that it were", as if that was some reasonable thing for a human being to say in any language ever.

Anyway, if you type "indefinite relative clause" into my High Valyrian grammar, you come up with nothing, because I always forget to write down how the hell I decided to do them. I think because I have both relative adjectives and pronouns that I can just use the damn pronouns by themselves. God. "Not all…" Are you kidding me?! You know High Valyrian has a whole collective number to handle "all", right? What, do I just negate that? Will the meaning be the same as a negated quantifier?! Like it's [[not all] who wander], right? And you can bracket like that because they're all separate words. But what if "all who" is one word? What then?! BECAUSE THAT'S WHAT IT IS!

(By the way I just added a sentence to my grammar that includes the phrase "indefinite relative clause" so I can search for it. It's not like this wasn't written up, but I honestly probably forgot what the term was when I wrote the section the first time and I never revisited it.)

Okay. I'm calm and cool. So. Returning to the translation. There are two types of relative pronouns: One that refers to people or things, and another that refers to concepts or ideas or places. We're talking about people here, so we need the first one. And we need it in the collective. That's lȳr. Leaving the negation aside, this can be translated fairly easily:

Jorelēnus lȳr sambrarra ilza.

Okay, that's "All who wander are lost". I chose the aorist subjunctive for the relative because it's like "anyone who may wander"; I think it makes sense. Lȳr is grammatically singular, so it triggers third person singular agreement in both verbs. Since we're using ilagon as a locative copula here, I think (think) the present tense makes the most sense. So that is "All who wander are lost".

Now how the flarking frump do you say "not all" when "all who" is lȳr?!

So since lȳr is a pronoun it can be modified with an adjective, which would like like this:

Jorelēnus dōre lȳr sambrarra ilza.

But the problem with that is I don't think it gives us the intended meaning. I think that means "None who wander are lost", and that's not what the intended meaning is at all. It is basically "Some people who wander are indeed lost—perhaps many of them—but some of those who are wandering are not, in fact, lost". This is also why you can't negate the matrix verb. That would mean "Anyone that might be wandering is not lost"—again, not the intended meaning. This is the crux of the whole translation: Negating the quantifier and not what the quantifier is modifying.

For that reason, the only thing I can think to do is to go to a much more prolix, and, frankly, un-Valyrian-like expression. This would mean taking the relative pronoun out of the collective, putting it back in the singular, adding in a quantifier, and negating it. That would be this:

Jorelēnus dōre tolvie lȳ sambrarra ilza.

Is that it? I honestly don't know. It is a translation; I'm not sure if it's the best translation. Another possibility is to re-translate it and say "A few who may wander are not lost". That would look like this:

Jorelēnusy lȳn sambrarra ilosy daor.

The pronoun is now in the paucal, which triggers plural agreement on both verbs. (And, by the way, thank goodness sambrarra is a noun phrase; it doesn't have to agree with anything!) And this is, basically, "A few who may wander are not lost".

I feel like the second translation is better maybe…? It feels more Valyrianesque. But I'm not 100% sure it conveys the same sense.

Anyway, I started translating this a little over two hours ago. That's what this takes. That's how long something this complex takes. Granted, it didn't have my full attention at all times, because I was watching Booksmart, but this was my second time watching it, so I didn't have to give the movie my undivided attention (though it had been a few years; there were bits I didn't remember). But yeah. Translation. My god. Like…why. Creating languages is fun. Translation is work. (And if it's not work, you're doing it wrong. Mic drop; soap box kicked.)

[kinkandkreep]

Celebratory Blue Lock Boi Yandere Interpretations: Ryusei Shidou, Yoichi Isagi, Meguru Bachira, Reo Mikage, Rin Itoshi

A/N:...Hey hey y'all...🙂 Ok, so I fuckin' lied I am so sorry. 😭 These was sposed to be for my birthday yestaday but the day got so busy and I was tied den a mug, so posting these did not happen. 🙃 But! Alas, I am here now, and I have for you all my introductory yandere interpretations for 5 of the Blue Lock boyos!

Keep in mind, I am still getting caught up on the anime so if anything reads off, I apologize. I'll very likely either come back and adjust these as I become more familiar with their personalities or just post a whole new set for each boy.

Anyway, enjoy!

Ryusei Shidou: 

Let me just say right off the bat that I get the strong notion that Ryusei is gonna swiftly become my favorite character the more exposed I am to him (like I already love his design and that weird sexual edge his character possesses 😏)

That aside, as a Yandere, I envision that he maintains that same intense energy he has about football, it just manifests a little differently

You make his heart “explode,” in a similar fashion to his precious football- either that, or you possess an “explosive” quality within yourself that draws him in

I saw someone say that outside of a few specific circumstances, Ryu is a pretty chill dude, which I think is 100% true

And I believe this can even apply to you, in the Yandere sense as well

Ryusei can be intense, and a little monopolizing 

He's also somewhat possessive 

But for the most part, as long as he knows you're his and you continue to make him “explode,” Ryusei isn't the worst Yan to have

Now, in my research, I have seen some interpretations of him where he’s much more sadistic than I personally envision him to be, which of course is fine, but just know that my Ryusei can’t really be bothered to act sadistically unless you try to fight him

Exactly why you’d try to do that is beyond me, but if you did happen to want to start a physical altercation with Ryu, he may be inclined to be a little rough with you, just to show a bit of what he’s capable of and also keep you in check

Yoichi Isagi:

I just look at Yoichi and a single phrase comes to mind- “he’s a sweetheart unless provoked”

You, provoke him

You make this nagging little voice in the back of his head make the Spongebob “wee-woo” sound at like max volume every time you’re in each other’s vicinity

Yandere Yoichi adores you

He’s like a little pup around you, always wanting attention and affirmation and reassurance that he’s the best, and the he’s going to be the best, and that throughout it all you’ll never leave him

But! He can also be kind of intense and maybe a bit of an asshole

Like just look at him and tell me you don’t get that vibe

I’m new to the game as it relates to Blue Lock but from what I’ve gleaned, Yoichi has a sort of metaphorical switch that turns on and off depending on the circumstance

Things get heavy when he’s on the field, and that’s when his “Ego” comes out

It makes him more cocky and confident, from what I understand, and I’d say the same thing applies where it concerns you

For the most part, Yandere Yoichi is just your average puppy with a thigh fetish

But let the “Ego” come out, and now he’s more domineering, controlling and patronizing

Try not to trigger that part of him though, and Yoichi is actually a pretty ok Yandere to have

Meguru Bachira:

Meg’s a weirdo but one of the lovable variety

He’s a very eccentric character, as I’m sure anyone who’s familiar with Blue Lock will know

He talks about the “monster” that inhabits his psyche and manifests itself when he plays soccer

I don’t particularly subscribe to the idea that this “monster” influences his actions on a normal, day to day basis (though that could be the case and I just missed it in my research) but I can definitely see how one would think it does

I will say that years of simple…cohabitation (?) with the monster has definitely left an indelible mark on Meguru’s mind

Yandere Meguru especially 

To Yandere Meguru Bachira, you are perhaps the most important thing in his life

Being bullied for so long and so relentlessly probably wasn’t the best for his mental and emotional wellbeing, as you can imagine, so Meguru has been in desperate need of someone to come along and show him genuine love and support

He’s found that in you, and that’s part of the reason his Yandere personality/tendencies make an appearance when he’s with you

He’s definitely clingy and wants all your attention all the time, and he’s also not very knowledgeable on what it means to give someone their personal space

He doesn’t give you much autonomy either, really preferring to do things for you when given the chance

He can get a little intense, but he’d never hurt you 

Physically, at least

And if by some off chance he were to hurt you otherwise, it would never be on purpose

All that said, I do kind of think that Bachira would be one of the slightly more uncomfortable Yans to have, simply on account of his neediness 

Reo Mikage: 

FIrst off, let me just say, eat the rich 😤

Chile when I was doin’ my research and saw dis dude’s frankly ridiculous net worth I was appalled 

But if he smart enough to know what to do with the money and assets then I guess it’s whateva 🤷🏾‍♀️

Anyway, that aside, let’s focus back up 😂

I could potentially see Reo being one of the more strict Yan’s to have 

He just has so much to protect, and that includes you

He’s also probably very used to getting the things he wants and having things go his way that he can’t imagine you not reciprocating his feelings, or at the very least seeing the benefit in choosing him over everyone else

And as we’ve seen (me only partially really, I’m still makin’ my way through the show 🙃) he already has some form of an attachment issue as it relates to Nagi, or alternatively, the things he’s invested time and energy in and on

Which, as you can imagine, would include you, should he decide to pursue you

As a Yandere, Reo is admittedly controlling and a bit smothering

But he’s just like that ‘cus he wants to ensure that nothing will separate you two!

It’s innocent really, honest!

And given Reo’s reputation, it would be rather difficult to convince others that he’s, well, kinda crazy if you were so inclined

But other than that, as long as you remain loyal, Reo’s a pretty fair Yandere

Rin Itoshi:

Whoo boy, this one’s a tough nut to crack

I honestly think Rin is more tsun than yan but I could definitely see where the Yandere aspect of him could potentially rear its head

I’m not 100% up on my knowledge of what the hell his deal is with his brother, but from what I’ve gathered, there’s this mostly one-sided rivalry (on Rin’s part) towards Sae (his brother, for the uninformed) because he (Sae) refuses to acknowledge Rin in soccer and he abandoned their shared soccer dream from when they were little

That all being the case, I really like the concept that Rin is a Yandere for you because A.) something about you warms something cold and dead inside him and B.) you recognize him as talented and capable outside of his brother’s influence, and he (Rin) desperately clings to that affirmation 

Rin is undoubtedly possessive, wanting nothing more than to hide you away where only he can access you or, alternatively, make it known to everyone, in whatever way, that you belong to him

Rin is also somewhat domineering and controlling, as he still doesn’t want anything to tarnish his reputation

I think as a Yandere he’s a little more open to PDA (not by much at all, but just a little) 

I also think that, as a Yandere, Rin can be fairly intense without realizing it

Like during games and whatnot, he ups the ante ‘cus he knows you’re watching and he wants to impress you, keep your attention, and have earned your praise when he’s done

That could also apply to him normally sorta, but I think the behavior is more prominent in Yandere mode

All-in-all, Yandere Rin isn’t the most terrible, he’s mostly just…needy, in his own special way