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Tia turns on her bar stool to survey the hotel bar, casting her eye over the other patrons, and when she doesn't see what she’s looking for, turns back to her drink.
The bartender puts another espresso martini in front of her, then gestures down the bar.
“From her.” Tia looks over at the woman - tall, blonde, milky skin and perfectly carved cheekbones. She raises the glass toward her and takes a sip.
Not a minute later, the same woman is casually sliding onto the empty barstool next to Tia, “can I join you?” The accent makes her stomach flip.
“Of course,” Tia says politely before indicating to her drink, “thank you for this.”
“You’re not from here?”
“What on earth gave it away?” Tia replies with a soft smirk.
The woman smiles at her - bright, open, nothing to hide, “are you on vacation, then?”
“Mm-mm, here for work,” Tia replies after a short sip, “I live in London.”
What’s fun is that sometimes you’ll tell yourself “just write it badly, it’s a first draft, just bring it into existence and make it good later”, and then in the midst of writing it badly you write a little bit of something decent enough to make yourself go 👀👀👀
not romantic not platonic but a secret third thing [what would happen between earth and the moon if the earth stopped spinning as illustrated by xkcd randall munroe]
the worst part about being an adult is thay its no longer socially acceptable to just roll down a really big hill and then run back up it and roll back down again. "oh is this a syphilis metaphor" passerby would ask. "is this for a tick tock". no i just wanna come home covered in dirt and scratches and bask in the the solace of childlike mirth
nothing personal but this kind of comment rlly exemplifies to me a disconnect between canon and popular fanon jmart characterization because they almost literally had this conversation in canon - except, their lines are swapped!
jon, for all his scared grouchiness, is a secret romantic, while martin, for all his forced optimism, is at his core a pragmatist
Big fan of when a character's grief/trauma/guilt manifests as physical symptoms. Big fan of characters keeping things so tight inside them that it makes them sick. Big fan of when the line blurs between a character's mental trauma and physical illness until it's hard to tell which is which anymore.
Tubbo: Why have they changed it? These colors are awful. I– ew! I actually hate it! Where– what happened to the orange? Why’s it purple?
Tubbo: [Realizes] OH—
Tubbo: Oh, I'm actually– I'm actually a bigot, it’s Ace Race, I get it. Ohhh, ohhh that’s awkward. Ohhh, that's awkward. I’m a bigot. Oh, I'm a bigot. Oh, I'm a bigot. Ohhh. It’s crazy that they let bigots into MCC these days! Well actually, they’ve always done that.
I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt
“Woah. You look like shit."
Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.
The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.
"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."
And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.
The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.
If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.
"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.
"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.
"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.
The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.
He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."
There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.
"Daniel? Quit your games, badger, Gotham is dangerous for children."
Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"
"Daniel? Is that you?"
His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.