It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.
The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.
Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.
Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.
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"spence?"
"hm?"
"when did you get home?"
a more awake you would be squealing, thoroughly excited he came home early from his trip, but the early hours have hardly begun to bring light and you're struggling to even open your eyes to look at him. your cheeks still widen into a pleased smile though, turning into his warmth and humming, confused, when your hands find the rough fabric of his coat.
"a few hours ago," he says, voice rough, eyes still shut. one arm across his eyes, blocking the minuscule light, the other a vice around your waist. his voice is slow, deep in his chest, caught on the sleep he obviously wishes to keep. but he still turns his face toward the sound of your voice, smile creeping up at the corners of his lips, willing to entertain you despite his fatigue.
"are you still wearing your shoes?" you ask, voice teasing, scooting up in his arm to nudge your nose against the curve of his jaw. you press a kiss there, the point where his bone hits a right angle, lips tingling from the stubble you find.
"no," he says, voice honest, "i know better than that."
"no shoes, but your belt is still on?" you tease, fingers dragging across the leather. you don't care, not beyond a genuine concern for his comfort, but you enjoy teasing him in this way, skimming your lips across the rough skin of his chin in not-quite kisses.
"i took my gun off," he complains in a half-hearted groan, lifting his arm to peek at you out of the corner of one eye. "hi," he says, voice still soft, somehow deeper with affection, dimples the star of the show on his cheeks.
"hi," you say, tilting your head back and lifting your arm to cart your fingers through his mess of hair. "welcome home."
he smiles, reaching around with his other arm to gather you up and drag you across his chest in a bear hug, chuckling at the squeal you let out, sighing against your hair. he presses a firm kiss there, right above your ear.
"we will have to wash the sheets, though. it was really gross for me to not change, i was just exhausted, sorry."
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Listen, listen, listen, imagine Charles making a grand romantic gesture to confess to Edwin, he makes it really special, VERY obviously romantic
They're talking, they're bantering, and eventually, Charles sees his chance and tells Edwin, "I love you"
Edwin blushes and naturally says it back
And Charles is super happy, like "Yes! I finally did it, we're finally dating!" ...meanwhile, Edwin did not get that it was a date and a romantic confession
So we see them go about their days and solve cases while Charles thinks they're together and assumes Edwin is too shy to kiss him, but he's waiting for an opportunity to do it one day because he really wants to, but he can be patient for Edwin
And Edwin is just like, "Charles’s been more affectionate with his touch recently, I don't know what that's about, but it's nice"
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believe it or not i am reading
[ID: A meme redraw of a quote-retweet with Scum Villain characters.
Luo Binghe @/shizunliker: you see me chasing you down wyd (Attached art of Luo Binghe running on Chinese rooftops while scowling)
Peak Lord Shen Qingqiu @/peerlesscucumber: Killing myself in front of you to forever change our bond and the trajectory of our lives. End ID]
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