#but just to be safe you know

[magnusbae]

To illustrate this post by @mayahawkse I would like to visualize to you the difference:

A post in 2023:

A post in 2014:

A zoom out of the same post:

This is what a community looks like.

See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.

It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.

Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.

If you want more of something, reblog it.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[chloesimaginationthings]

Gregory reminded Michael of some bad FNAF memories,,,

[lazylittledragon]

Please please tell me that Tara just loves baby dekarios

oh she’s invested from day ZERO

top 10 pictures taken right before a specimen jar ‘accidentally’ falls off a shelf ^^^

[dragondawdles]

the beastie <3

[literarymerritt]

Thinking about Them 🥺

Art Tumblr | Twitter

[inkskinned]

there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

[lilislegacy]

i feel like percy is the person that people bring with them when they need to go somewhere or do something potentially dangerous. or more realistically, he’s the one who people’s loved ones tell them to take with. it just makes people feel better knowing percy is there. you know what i mean?

sally has a meeting with someone who sounds a bit weird (and paul can’t go)? paul tells her to bring percy.

paul needs to go to a really sketchy part of town? sally asks him to bring percy

piper got a weird anonymous note and needs to go meet them at a location? annabeth tells her to bring percy

leo has to go get some magic machine part from a really shady dealer? piper tells him to bring percy

frank has to go on an unofficial quest to investigate some shady legion history, and hazel has to stay with camp? hazel tells him to bring percy

and it’s NOT because any of these people can’t take care of themselves. they are all strong and brave and badass, and can handle anything. but for one, percy is intimidating as hell. his “wolf stare” sends literal gangs running the other way. you can avoid conflict before it even happens, because no one is messing with percy. and second, percy just makes you feel safe. his presence is comforting. not only has he been through all the demigod-hero-world-saving shit, and is powerful as hell, but he also grew up in new york city. he can handle pretty much any situation. plus he’s super sweet and funny, and you can always count on him to make you laugh and decrease your anxiety. and he’s always got your back. he takes care of the people he loves.

he’s just the best company. for so many reasons.

when in doubt, bring percy

[puppetmaster13u]

Prompt 113

“I seem to have been taken hostage.” Batman’s words almost had Superman panic if not for the wry tone, a tone which the others didn’t know if their freaking out was to go by. Clark sighed through the comms, tired after battle and honestly wanting to go to bed now.

“I’ll be right over, what child has latched onto you now?” He asked while switching to a more private channel. 

“I can already hear you making fun of me…” Wha- Oh. Clark bit his lip to keep himself from laughing as he took to the air. “They appear to be a pair of twins with…” 

“You gotta’ say it Bruce, you gotta’,” Clark couldn’t stop the chuckle when he saw his friend on the top of a building, cape curled around his form in a way usually reserved for the robins. 

“... with dark hair… and blue eyes…” That was it. Clark absolutely lost it in laughter. 

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[umblrspectrum]

you'll never guess which movie i finally watched after 2 years of being lazy

[s0fter-sin]

09 ghost sleeps curled up as tight as possible; knees tucked to his chest, arms wrapped protectively around them, wedged into the corner against the wall. anything he can to try and feel secure

that doesn't change when he finally starts staying after sex with mactavish; even with mactavish there he just can't let himself relax. can’t convince himself that he’s safe

mactavish notices; of course he does, he notices everything about riley

that's why he also notices when it starts to change

months pass and riley stops tucking his arms under his legs, instead just loosely holding them to his chest. then his legs start to relax, slowly spreading out until mactavish can fit his arm between them and his chest for riley to latch onto

it takes years, unwinding muscle by muscle before he finally sleeps splayed out across the bed. he doesn't shove himself into the corner anymore

instead, he trusts mactavish; trusts him to have his back, trusts his bulk to hide him from anyone that would burst through the door

he sleeps better with mactavish's arm slung over his waist, his stomach pressing into his back and legs tangled through his own, than he ever did curled into the corner

[ghost-bxrd]

Prompt:

It’s not that Jason forgot, per se.

But between smuggling a toddler out of the League of Assassins, trekking halfway across the world, and finding a suitable hiding place that’s also child friendly… well, it kind of slipped his mind that he’s supposed to be… dead.

Something that comes back to bite him in the ass when he takes Dami out for some ice cream and just so happens to run into non other than Brucie-fucking-Wayne

[tagerrkix]

WHERE IS HE D:

(sorry for deleting and posting this again 🙇‍♂️🙇‍♂️ one tiny insignificant thing was bothering me and when I edited it it wouldn't show on reblogs and that kinda made me go 😠😠😠)

[winters-rose-daughterofcain]

It's actually so important to me how flawed Penelope is you don't get it. She's complex and she's kind and sweet and caring and loving and bitter and manipulative and insecure and she's young and hurt and fucking up and making mistakes and hurting people and loving people and handling things in the worst way possible with the resources she has on hand and she's allowed to.

So often for a fat (and I say that within the context of the show, Pen is a fat/pus sized character within the narrative even if Nicola isn't) character to have any storyline outside of mother or joke they have to be the perfect victim. To be fat is to be victimised by society to some degree, it is to be told you are unloved and unwanted and unworthy without anyone saying those exact words, we all know this even if we don't want to except it. It's why almost every fat character is bullied in some way even if it's passed off as a joke, and they are just expected to take it because to actually acknowledge the pain and hurt and damage that causes is to acknowledge their humanity.

There is no space for complexity when you do not recognise the humanity of a character, there is no room for mistakes or grace or forgiveness in a narrative when the character is presented as lucky to simply be there. This goes doubly so for romance, as rare as it is to even see plus sized girls as a romantic lead, when they are there is no room for mistakes, the standards they are held to are so vastly different because they can't fuck it all up, they have no room to make mistakes when people question why they're even there in the first place.

But not Penelope. She fucks up so many times over, she creates half her own problems trying to fix things or make herself feel better. It dose not shy away from the damage and underlining issues and insecurities the life she has lead has left her with, and it's sympathetic to be sure, but what she dose with it isn't. Because fat people do not have to be the perfect victim and honestly most of the time are not. Because when you tell someone how little they are worth and how out of place and undesirable they are at every turn and expect them to internalise that, especially a young girl with very little power at her immediate despoil, it doesn't always come out in a very nice palatable way. It doesn't always create nice sweet uncomplicated people who cry a little when insulted but otherwise brush it off. It creates people like Penelope, it creates anger and resentment and bitterness and a need for control.

Whistledown is so many things, not all of them negative, but it is the cause of so many problems in her life after she made it as an attempt at a solution. It has caused her to hurt people and betray people and lose some of the very few genuine connections she actually has. She manipulates people and misleads them to keep her secret, because keeping a secret like that will always result in that. Her motives are sympathetic, she rarely dose anything to bad without reasoning, she has all the excuses in the world and still at the end of the day she fucked up. Her and Eloise are the second love story of the season for a reason. She adores that girl so much and she is absolutely miserable without her, as Eloise is without her. They love each other so much and there is so much pain between them now, they're practically crying every time they look at each other. And even tho the situation was complicated an messy and not completely her fault, she did in a way cause it. She's hurt people and she's hurt herself. And I love that.

Because she's a main character. We know her and Eloise will make up even if it isn't the way it was before (arguably a good thing but that's a different post.) Because she's a romantic lead, because we know, even if we don't know how they get there yet, that she will get her happy ending with the man she absolutely adores and who loves her just as much. It will not be easy I don't want it to be easy, Colin has every right to be angry and hurt and betrayed and he deserves to have the space to say whatever it is he's feeling and to have a negative reaction, but he will forgive her. Part of that is just because of who he is and the relationship he has to her (mandatory Colin appreciation moment) but it's also because the narrative has given her room and grace to be flawed.

There is so much to love about Penelope. She's so intelligent, and she's funny, she's a good listener, she makes people feel heard and important, she's kind, she's attentive, she's romantic, she's creative, she's beautiful. She is a victim and people and society do hurt her, but that's not all she is. She's given the space to be more and still be forgiven and loved just like anyone else. Because her actions is what she's apologising for not her existence. She dose not need to earn her place in a love story just because she's fat, it's her actually flaws and mistakes that exist in abundance no matter how sympathetic some of them might be, that she has to make up for. And I adore that and her.

You take away so much of her character and her agency and her complexity when you say she did nothing wrong or that she's the absolute devil. Let her be flawed, let her be someone trying their best and failing at it, let her make mistakes. But give her some grace, for once the narrative is. Her happy ending will come Bridgerton is a romance show, but she'll have to work for it. Colin and her will work for and earn their happy ending together, because they love each other and because of who they are and what they mean to each other they will find a way to make it work, but also because the writers let them and her find it.

[interstellarsystem]

Nonhumans are here, even if you do not see us. We always will be. We are often hard to spot, but can be found doing all the things a human might.

A cat went to work at an event stall for a mental health service.

A massive sea serpent wanted to go to science class because it enjoyed it more than the rest of those living in its shared form.

The void sat down, huddled up in a blanket, to watch a tv show with its partners. It had to stop watching after a bit, but enjoyed spending time with those close to it anyway.

A wolf went to a psychologist appointment and gratefully drank the hot chocolate they were offered in the waiting room.

A shapeshifting being of pure darkness spoke publicly about trans rights in front of politicians and then went to the pride festival he helped fight to keep alive.

A dragon went to school so the others sharing his human body could have a break.

A manifestation of the fear of madness itself sat in the food court at the mall eating mochi and drinking tea while waiting for its friends to get back from shopping.

A witch drew a picture of his cardinal bird and shared the work he was so proud of with his friends.

A cockatoo borrowed the next book in his favourite series from the school library and almost couldn't wait the whole day to go home and read it.

An alien went camping and watched the birds outside and the way the wind made waves and patterns on the water.

A fallen angel went shopping for sunglasses to shield his eyes from how bright the sun was.

A harpy went shopping for new plants to look after. He named a few because he loved them so much, and sent pictures to all of his friends.

An anthropomorphic hedgehog traded Pokemon cards with his peers at school. He was happy with his collection.

You may not see us, and you may feel alone, but you are not. We are just hidden. We are in more places than you'd think, and in the places you'd least expect. We are complex, we are valued, and we are here.