#but this is just from research

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[just-aro]

*sigh*

I'm seeing variations of this meme around again, so to today's (un)lucky 10000:

the "inside you there are two wolves" meme is racist. full stop. it was invented by a Christian pastor in the late 70s and attributed to the Cherokee nation, despite being completely made up. every native american / indigenous page I've ever followed denounces it as made up and racist, using their imagery to sound mystical and wise while ignoring the people themselves.

please consider using another format. try to use your guilt productively: I'm not calling you out, this is aimed at educating. You can't erase not knowing in the past, but you can elect to 1) not reblog these in the future, 2) delete any that are easy to delete, 3) help to spread education by following native people's accounts and news so that you hear this from them, not me.

[charlietheepicwriter7]

"Grandfather."

Ra's knew who the boy was the moment he'd snuck into the room. He'd allowed the child--more man than child now, but everyone was a child compared to him--moments to steel himself while Ra's refrained from acknowledging his presence. The boy's breath was barely audible but unsteady, and a drop of something fell to the floor.

His grandson was injured. "Danyal," he greeted and finally gazed upon him for the first time in seven years.

Danyal had grown into his father's height, yet stayed lean in regards to his musculature. His black hair had grown out of the League-regulation haircut, held back in a messy braid. He held himself as strong as he could, but kept an arm wrapped around his stomach. His shirt--standard American teenage garb, he dismissed--was spotted with blood and he could see bandages poking out from under the cloth.

With great care, Danyal knelt before the Demon Head and recited the Oath of Loyalty.

Ra's watched.

The boy's tongue, fat with English, spoke the League's variant of Arabic with the grace of a mace to the head, yet his words were clear. He took his time speaking the oath, carefully sounding out words, working hard to avoid mispronunciation. The Oath in question was the older version, from before Deathstroke's insurrection, but Danyal spoke it with a calm certainty that it would be accepted.

And without a doubt, it would be accepted.

Talia's eldest son had been born from her body instead of through science, a mistake that nearly cost her the child and damaged him upon birth. While the best doctors in the world saved his life, Danyal Al Ghul would always be weak in a fight, always prone to illness, always struggling to excel. When it became clear that the boy couldn't become the next Demon Head, Ra's sent Talia to create a replacement while arrangements were made for her first child to be taught business and science, for the betterment of the League. Danyal, very much his father's child, thrived in his intellectual pursuits while Damian grew and developed into a budding assassin.

But Danyal was more like his father than he'd ever knew. Ra's couldn't miss the signs of one of his family turning away from the League. Not the mission--Danyal had written several university level papers defending the environment by the time the boy was 10--but Ra's methods...

Ra's had a conundrum. Danyal was a dedicated conservationist; once the boy was an adult, Ra's was certain he'd take the world by storm and bring the League to new heights. But if he forced his methods onto Danyal, he could create an enemy of him, just as his father was.

Ra's gave Danyal an offer; Danyal would be allowed to leave the League and live a normal life if and only if he faked his own death in such a way that reinforced Damian's loyalty to the League of Assassins.

Danyal had been hesitant at first, but past his test with flying colors. Instigating one of the more unstable assassins into organizing a coup, cutting the insurgents off near immediately, but "dying" protecting both his younger brother and mother. It was a masterful performance. Even Talia hadn't known about the deceit.

And yet, here he was, on his knees, pledging loyalty. Danyal knew what that meant, knew what he was returning to, which morals he would be allowed to keep.

"And what do you bring with you, child of no one?" Why should the League accept the return of this child, who left once before?

Danyal met his eyes. "I bring with me, my team, who are loyal to me and me alone. I bring with me, research surrounding the Lazarus Pits, in origins and further uses for the waters." Ra's raised an eyebrow, and Danyal smirked. "I bring with me, my knowledge, nurtured within this very home and sharpened in the world outside. I bring with me, my weapons, built with my own hands. I bring with me... my body, finally healthy and whole." He brought his head down to the floor, trembling with pain. "I bring my whole self to the Demon's Head, for Him to accept or reject."

Ra's smiled. "By the shadows that guard our order and the blood that binds us, I accept this oath. From this day forward, you are an instrument of the League, a harbinger of justice, and a weapon in the hand of Ra's Al Ghul."

Danyal returned to his feet, swaying percariously. He needed immediate medical attention. Despite this, he continued, "Long live the League of Assassins. Long live Ra's Al Ghul."

And he collapsed onto the floor.

[ew-selfish-art]

DpxDc AU - If his parents are going to treat him like a punk, he might as well lean into it. 

Danny is getting seriously worn down by his parents constantly asking him to explain why he’s gone all the time and why his grades have slipped so far. I mean, sure, it took them months to notice, but now that they have, they’re alluding to the fact that he’s turned into some kind of punk and that he’s not taking life as seriously as he should be. This is what makes Danny kind of snap. 

He cuts his hair, gets Sam to pierce his ears in a few places (which sucked but was nice to catch up with her since Team Phantom didn’t get out much anymore), learns how to skateboard and gets Tuck to help him mask his identity on the internet as he begins online protesting the unethical treatment of ghosts. He makes picket signs that he leaves outside of Fentonworks and it takes days before his parents see them because they’re down in the lab. They go back up immediately after his parents take them down, and he begins tagging buildings with protest sayings and art all over amity park.

No matter how they ground him, the Drs Fenton are at a loss as to what to do to control Danny. Jazz says it’s not her place to interfere and is cheering her little brother on for being passionate about a new hobby. 

Danny’s honestly really vibing with the changes. He always understood why Sam wanted control over her own look, but he’s really leaning into the whole shebang. Ember and Johnny13 have never bonded over anything more than they have the punk transformation of their King. He’s really representing them fr fr- she taught him how to play the bass. 

With enough protests about the Anti-Ecto acts, the JL step in and begin their efforts to lobby change within the US government. Constantine is up to date on the new King being from Earth and thinks they might be able to weasel out a non-apocalyptic scenario if they reach out sooner than later. A letter gets sent through the infinite realms (No way in fuck was John going to try and summon a fucking King excuse you Bats)- Danny gets the letter and decides to let them sweat a bit, sending back his own letter that just says “K.” cause he’s learned that adults/authority figures all suck ass until proven otherwise. After a few days, a portal opens up in the middle of their meeting. 

Ghost King Phantom is rolling in on a skateboard, with the Ring of rage dangling from one of his ear piercings and ice crown floating above his head. He’s drinking an off brand smoothie, wearing a leather jacket that has medieval chainmail on it over his now distressed hazmat suit and his boots steel toed.

“...Sup. Y’all want to do something about this whole situation? I’m an all or nothing kind of guy.” Danny greets them. He means that he’s willing to be diligent in his efforts to disbar the Acts. It gets interpreted as him threatening to end the world, ofc, but that’s an issue he has to deal with later. 

“King Phantom we have been working daily to-” 

“Uh huh. Look, didn’t you guys have like a teenage group? I want to work with them, they’ll probably actually help me get shit done while you fuck around with paper work.” 

[drbtinglecannon]

In Knives Out Blanc wanted to do the murder mystery investigation with Marta so bad, but she was certain she was guilty so she spent a good amount of the movie avoiding/hiding stuff from him

Meanwhile in Glass Onion Helen was fucking carrying the investigation, even while accidentally getting drunk, and even went to investigation lengths Blanc was hesitant to do

[poorly-drawn-mdzs]

"What do you mean their name isn't Beef?"

(for @moondal514)

[wiisagi-maiingan]

In the books about Judaism I've been reading, there's a repeated emphasis on Jewish history being taught as something that happened not just in the past, but also to the people telling the stories in the present. The narrative is "it happened to us, to me" as opposed to "it happened to them."

This is something I've also noticed a lot in Native communities. They massacred us, they took our children, they banned our traditions, they forced us off our lands. There's no distancing ourselves from our ancestors, from the Native people of the past; their suffering is ours, their grief and pain and fear live in us.

I think this is a vitally important part of how certain groups interact with history; when your people are constant victims of extreme hate, of prejudice, of violence, you cannot afford to distance yourself from the past. The moment you do, you forget and you relax and you aren't prepared when that violence rears its head again. Because it will. If our history has taught us anything, it's that periods of quiet and "peace" (in the loosest sense of the word) for our people are the exception, they're temporary, and we need to remember that to survive.

[cowboygenes]

The Life Cycle of A Star

[amphibianaday]

day 1421

[communistkenobi]

The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product 

[funkopersonal]

Im quite literally so done with this shit. i keep on going back and forth between hiding all the i/p related tags, but then I realize that its seeped EVERYWHERE. It's in the motherhood tag, and jewish history tag, and everything else. I can't fucking escape it. I opened tiktok yesterday to see one of my favorite characters (iron man) weaponized to support the one group that wants to see me dead, the user saying that iron man would support palestine, and be an antizionist because he "spoke out against the public" and he wasn't like the sheep. It frustrates me to no end this horrible cycle of fucking misinformation that exists.

As a Gen Z, I simply do not understand how its reached this point? I can't even write all my feelings and information about how shitty this is in a single sitting because 1) it'd be too long and 2) my joints wont let me write that long. But how did it reach this point?

How did it reach the point where jewish/isreali stores are fucking marked to notify the public. Their windows are being broken and the stores are being robbed. How did it reach the point where jewish students on some campuses are told to stay home? how they're harassed out of specific areas, and campuses have been made unsafe? How did it reach the point that people literally have written "I ♡ Houthis & Hamas" and "no mercy for Jews."? How did it reach the point that there are nazi symbols, and hanging deadmans, and communist symbols being drawn on college campuses? How is it possible that students are calling for the end of jewish student unions and hillel international on campus? that'd be like calling for the end of the fucking muslim student organization, or disbanding an african-american affinity group. Which would never be acceptable, but apparently its fine when its jews.

I'm sick and tired of all the horrible conditions of palestenian cities being blamed on israel. Palestine is its own country. They had their own government until they elected Hamas to lead them. Hamas, who diverted all their funds to the military. Hamas, who uses hospitals and public spaces as their bases. Hamas, who built miitary tunnels under cities so that when they're invaded, the cities will collapse on itself. Hamas, who steals all humanitarian aid from its citizens. Hamas, who controls palestenian media and teaches hatred to its children. Hamas, who wants their citizens to become martyrs for their country, to die for their goal. Hamas, whose number one goal is to eradicate all jews. Hamas, who denies the existence of the holocaust. Hamas, who enlists children as soldiers and suicide bombers. Hamas, who has has never expressed an interest in a 2 state solution.

Is this the organization you consider freedom fighters? because i dont think they should ever, in any context, be called that. Hamas is nothing but terrorists.

Yes, the deaths and treatment of palestenian citizens is horrible. but no, this is not a genocide. Israel is trying to rid them of Hamas, because quite literally, no country should ever be forced to live in "harmony" with a terrorist group. Especially one who denies their existence and actively wants to kill them all. Israel has been letting palestenians get jobs in the country, has let palestine use their resources and water, all for years. They've let hamas continously bomb them, they've gotten used to a life of bomb shelters in every residence. Hamas has done nothing but crippled their country's own economy and society.

None of the surrounding coutnries want to let in palestenians, or live with palestenians. Egypt wants to annex Gaza, and Jordan wants the West Bank. In fact, they did own that land for a part of history! Yet Israel has let palestenians govern themselves for years, even when Hamas originally came into power, they didn't interfere. Not until they were provoked.

Yes, Israel has flaws. But welcome to the fucking real world, princess. Every country has flaws. Even America, you dipshits. This is not a little fandom for you to play sides on. its not some fictional world that has a black and white solution. Yes theres going to be deaths, just like in any other WAR. But you really can't call for the destruction of a country on the basis that they're trying to make sure they're allowed to stay a country? Because guess what honey bunchkins? "from the river to the sea" really doesn't mean what you think it does. It just means that you want to kill all jews, or at best, forcefully remove them and scatter them around the middle east. (to countries that have killed them in swaths in the past. To countries that have emprisoned jews for helping others escape. To countries that avidly hate jews and want them dead). I don't understand how that would mean peace in any way shape or form?

Not only that, but half of "protestors" and "activists" for palestine, haven't even done basic research. They dont know what river or sea theyre talking about. They dont know that "palestine" was not a palestenian state in 1948, but it was instead a BRITISH MANDATE, that was NOT fully occupied by palestenians. In fact, "palestenians" weren't a thing. Palestenians are just muslims and arabs from countries like syria, who lived alongside jews and christians in the same land (which was largely uninhabited for the most part). Yeah, you heard me right.

Honestly my thoughts on this issue are so scattered its so hard to make a solid points when I can just keep on going forever.

Fact is, Israel deserves to be a country. No one should be supporting Hamas. Everyone should be supporting the eradication of Hamas (and I mean Hamas not palestenian citizens). I don't get how these are debated, and seriously don't understand how citizens of america are so quick to support a terrorist group, to resort to antisemitism.

Im so done with this all. I cant believe we have to tell you gentiles that stoning a 13-year old kid for being jewish is horrible. That throwing a brick through an israeli-owned cafe in New York is horrible. That students not being able to be on campuses because of their religion or ethnicity is horrible.

This has to end.

Do your research, or don't speak (and terrorist-controlled propoganda channels don't count).

[mayasaura]

I think I'll always be glad I read the locked tomb series when I did, when it was new and unfinished. The wait between books is interminable and infuriating, but it forces me to chew and digest one book before moving on to the next one, the way this series needs. I just know if the whole thing had been out I would have swallowed it whole like an anaconda

[littlenimart]

first batch of Crowley Attempts

[fairmerthefarmer]

My take/designs on the pevensies! (They’re definitely heavily inspired by their looks in the movies.)

Beginning of the lion, the witch and the wardrobe

End of golden age-ish

I’d call this a WIP but it’s not really, mostly once we get into designing clothes in fantasy settings I feel very out of my depth, but I wanna practice more. I’m the most happy with Lucy’s but that’s also cause I most heavily referenced with hers.

Im mostly still just figuring out the clothes design for when they’re in narnia. I want brighter/more jewel toned and warmth to contrast with the more muted London clothes. And for the clothing design I want embroidery, but other than that I have no idea how I would make the designs of the narnian style in this era cohesive.

I also have vague main colours for each of them, lucy green, secondary red, edmund blue secondary brown, Susan purple secondary blue, Peter red secondary purple, and all of them use gold as well.

[vroomvroomwee]

The Hazbin Hotel cast discussing Alastors aroace identity. The compassion when talking about aspec identities and the points raised are so good, the whole discussion is wonderful

[seaweedraindraws]

I was saving this for my fanfic but I liked the idea so much I had to draw it!

Bonus:

Here is a link to the fic this scene is from! (Only chapter 1 is up, so this scene has not yet happened)