#content analysis format | Explore Tumblr posts and blogs

see-arcane · 2 months ago

Text

Welcome to Dracula Season 2025!

We're only a few weeks shy of May and our journey with Jonathan into the Carpathians. As we prepare for another helping of paprika hendl and ensuing horror, let's refresh with some of the Dracula-adjacent goodies that have accumulated over the last year...

1. Dracula Daily

The Substack that started it all. Dracula Daily was started by Matt Kirkland in 2021, though it took off in the Tumblr book club in 2022. Since then, we’ve turned Dracula Season, the period between May 3 and November 7, into a months-long undead extravaganza of memes, literary analysis, and overdue love for Bram Stoker’s novel, Dracula as the fantastic gothic gift it is. With the simplified format of putting the book’s entries in chronological order, each one emailed out on the same date they were written, we’re forced to live on the same calendar and waiting game as the characters. Whether you’re a new reader or a returning bookworm, welcome to Castle Dracula!

Dracula Daily Substack: Link

2. The Holmwood Foundation

Fresh from crowdfunding and wrapping up production of its first season, The Holmwood Foundation, @theholmwoodfoundation on Tumblr, is an indie podcast coming around the corner with a genuinely unique take on a supernatural sequel to the events of Dracula…which didn’t end quite how Bram Stoker’s in-universe novel depicted. The first episode is out, featuring a pair of unlucky archivists—what horror podcast is complete without them?—the ghosts of Jonathan and Mina Harker, Dracula’s severed head, and a hiking trip across the moors to escape some shambling undead horrors. Give the preview and its miscellaneous teasers a listen if you want a taste of contemporary revenant scares (and to listen to the world’s most irate descendant of the Harkers pop a blood vessel).

The Holmwood Foundation homepage: Link

Podcast episodes and side content: Link

3. Dracula: 2004

Another indie audio drama trying to crowdfund its way out of the coffin! Not only an adaptation of Dracula, but one set just a short step into the 21st century, @starstrider-productions' Dracula: 2004 wants to tell the story of our beloved Victorian vampire targets-turned-slayers in an era of flip phones, Dictaphones, and found footage-tinted horror. To judge by the summary and extremely promising character bios for our refreshed cast, it’s going to be a one-of-a-kind listen. But only if we can get them to their goal! By the time I post this, they’ll have less than 20 days left to cover the production cost.

If you want to drag this beautiful undead carcass into the moonlight, please chip into their campaign if you can and share it with your fellow Dracula lovers and horror podcast enthusiasts! The smallest tier is £10 GBP, ($13 for my fellow ‘murricans), and every bit helps.

Indiegogo crowdfunding page: Link

4. Re: Dracula, Re: Carmilla, (Coming Soon: Re: Frankenstein!)

Giving an undead rebirth to the original Dracula Daily format, the podcast Re: Dracula turns the same chronological date-by-date read of the novel an audio drama twist. It’s made of professional voice acting, soundscaping, and has its own soundtrack! This thing is also replete with many a meme and interview as the garlic garnish on top. Give it a listen if you haven’t already and check out their Tumblr, @re-dracula.

Likewise, you need to check out their most recent projects. Re: Carmilla, which gives Sheridan le Fanu’s Carmilla its own supple and sinuous sapphic treatment, and the upcoming Re: Frankenstein, currently on the hunt for voice actors to fill the roles of Mary Shelley’s gothic opus, Frankenstein. Everyone say thank you to this cast and crew for feeding us the overdue classic supernatural theatre feast we’ve been waiting on for actual centuries.

Re: Dracula: Link

Re: Carmilla: Link

Re: Frankenstein (Casting Call!): Link

5. The League of Extraordinary Gentlefolk

You want the Drac Attack Pack (plus a surviving Quincey Morris) with the Harkers happily married and questionably human? You want Irene Norton née Adler treated with respect and allowed to actually have her chosen romance with Godfrey Norton that was half the damn point of “A Scandal in Bohemia,” along with appearances from a certain consulting detective and his doctorial companion? You want Dr. Jekyll as an upstanding scientist on the brink of some unsavory new changes? You want Wells’ Invisible Man being cantankerous and developing friendships against his will? You want sundry forces of mortal and supernatural peril roiling up from under the foundations of Victorian era literature like an eerie eldritch smoke? Then The League of Extraordinary Gentlefolk is the comic for you!

An ongoing webcomic, fresh from its second story arc—a certain submarine, a bastard of a marksman, and an uncanny gothic villainess are involved—LXGF brings together a huge crossover cast of everyone’s favorite characters from the Classics section. Started by the amazing @mayhemchicken and posted on @lxgentlefolkcomic, this series is a love letter to beloved Victorian era lit that actually understands, acknowledges, and loves the books and their canons! What a concept! Alan.

Tumblr: Link

Comic: Link

Non-Canon Silliness: Link

Fanfiction: Link

6. Blood of My Blood (and Other Gorgeous Gothic Dramas of the Ibrithir-Was-Here Universe)

I’ve made a lot of amazing friends since Dracula Season became my favorite time of the year (read: most of it). Many of those friends have been brain-meltingly talented and creative in the works they’ve made based in or inspired by Dracula and adjacent works. But one of the best in terms of artful storytelling has to be @ibrithir-was-here.

Me and other scribblers and spit-ballers tripped and fell into what began as a dark Dracula Bad Ending improv, everyone chasing after each other with ‘Yes, and—,’ additions to a vampiric domestic horror story. That’s turned into a full 100+ chapter tale with its concluding climax just now about to hit its zenith. That story is Blood of My Blood, an incredibly fun and fiendish gothic what-if? One in which we answer the questions:

What if things took a grim turn in the climax at Transylvania? What if half our heroes died and Mina turned, with a child already growing in her undead womb? What if Jonathan threw himself on the twisted ‘mercy’ of Dracula to protect his family, trading his servitude, sanity, blood, and participation in an intimately worrying series of mind games with his new master? What if young Quincey Harker was raised in this warped castle and then, at the cusp of manhood, was sent out into the world to learn the buried truths of his family? What if Dracula was none too thrilled about his adopted heir leaving the nest, and took grisly measures to bring him back..?

The answers have been written and lushly illustrated for the past year and change, ripe with romances, revenges, bloodshed, and one of the most gloriously fucked up family dynamics you’ve ever seen in a gothic drama.

…And if you’re in the mood for another flavor of the latter, Ibrithir has also cooked up a pile of sinister samples to indulge in.

(n)Ever Loved, a take on the origins of the ‘Weird Sisters’ before they were munching kids meals.

The Wretched Family, an AU in which Frankenstein’s Creature saved the little girl from the river a moment too late, and coerces Victor into reviving her drowned body as a Creature like himself.

A Cruel Love, giving a spotlight to a possible history of Countess Mircalla and how love played a part in her undeath and the demise of her first smitten paramour.

Second Stanza, a certain Opera Ghost returns to haunt Christine and Raoul’s son, supposedly as a guardian—whether the boy likes it or not.

Rosemary is for Remembrance, in which a young artist grapples with the bloody shadow of a man who shares her face. A long dead hedonist by the name of Dorian Gray…

Go give them all a read!

Blood of My Blood: Link

(n)Ever Loved: Link

The Wretched Family: Link 1, Link 2

A Cruel Love: Link 1, Link 2

Second Stanza: Link

Rosemary is for Remembrance: Link

7. Dracula’s Guest the Comic

Want a glimpse of what Jonathan Harker may have gotten up to prior to reaching Castle Dracula? Well, take a look at the comic adaptation of Stoker’s, “Dracula Guest,” by @isablooo! It features our good friend Mr. Harker, some sightseeing, and more than the usual bloodsuckers out for his neck.

Comic: Link

8. Dracula Beyond Stoker Press

Have you ever thought to yourself, “I wish I had an anthology dedicated entirely to stories about one or more specific characters of Dracula?” Me too! And Dracula Beyond Stoker Press is here to deliver. Their most recent issue coming out is about our good friend Jonathan Harker—already preordered my copy!—with Mina Harker’s issue accepting story and cover art submissions starting May 1, 2025. DBS Press already has an amazing store full of paperback zines and merch to go through for other characters and general Dracula-flavored goodies. Go give them and the submission guidelines a gander.

Dracula Beyond Stoker Press: Link

9. Harker (and Other Arcane Horrors)

Harker is my work-in-progress, a novel expanding on the experiences of Jonathan Harker which we never get to see between his and the others’ journal entries in Dracula. It also adds some creative and menacing fleshing out for just how and why Jonathan Harker changed on October 3rd—and perhaps explains what exactly he changed into.

As of now, I am well over twenty chapters in, with over 750 pages written. In the draft, Mina is only just now about to read Jonathan’s journal for the first time. This thing is massive. And I’ve been releasing preview chapters since last Dracula Season! The latest of which is due to drop very soon.

Until then, there’s also an abundance of other horrors I’ve scribbled up in the interim. Some serial, some self-contained, and one in the form of a published novella, The Vampyres, which concerns some undead bastards of classic lit caught under the blade of a very practiced psychopomp. There are a couple preview chapters up to skim too!

Hope you enjoy the read.

Harker (Tumblr): Link

Harker (Substack): Link

Substack (General): Link

The Vampyres: eBook Paperback

[REDACTED – Surprise en route April 18th]

10. What Manner of Man (and Another Gothic Queer Nightmare)

@stjohnstarling has completed one tale of queer horror, romance, and erotica, and is hard at work on the next story. The first was What Manner of Man, a novel with some borrowed blood from Dracula and a wonderful twist on an intense relationship that forms between a priest and a vampire. This book is now completed on the Substack and as an eBook! His next work in progress: A Companion in Vice, building off the patchwork anatomy of Frankenstein.

What Manner of Man (Substack): Link

What Manner of Man (eBook): Link

A Companion in Vice (Summary): Link

11. Project Gutenberg

An online library of countless classic public domain works. Get on it, bookworms!

Dracula - Link

Carmilla - Link

Sheridan le Fanu collection - Link

12. The Internet Archive

As the name says, it’s an archive. It preserves damn near everything, including my favorite ballet…

Dracula Ballet by Michael Pink – Link

13. Romancing the Gothic - My Wild Heart Bleeds

Carmilla fans, storytellers, and scholars, this one is for you. My Wild Heart Bleeds is set to be an anthology dedicated entirely to Sheridan le Fanu’s Carmilla, including commentaries, original works, international and historic perspectives, discussions of adaptations and works inspired by the story… And you have the chance to contribute to it! Regarding submissions, the page says:

Abstracts of 3-400 words and a bio of 2-250 words should be sent to the editors Dr. Sam Hirst and Simon Bacon by June 30th 2025. Chapter of between 5-6000 words will be required by July 2026. We also welcome original creative pieces (artwork, short stories [up to 1,500 words], flash-fiction, poetry, etc) that are inspired by and/or critically engage with ‘Carmilla’ or themes mentioned above. Abstracts or queries should be set to: [email protected]

My Wild Heart Bleeds: Link

BONUS

@cry-ptidd – Blessed us with getting to see the Dracula cast in Hellsing style and showing us why Kohta Hirano didn’t dare to have them in the manga: The Harkers are simply too badass when canonical. (And the Suitors would be too stylish.)

@bluecatwriter – Expanding from Dracula fic to Carmilla fic. Smut abounds.

Poetry – For bonus gothic vampire reference material:

“Lenore” by Gottfried August Bürger, translated by Dante Gabriel Rossetti: Link

“Christabel” by Samuel Taylor Coleridge: Link

Libby the Library App (Sign Up! Support Your Libraries!) - Link

Dracula Season 2024

All the Dracula Season goodies compiled last year: Link

741 notes · View notes

reidsworld · 10 months ago

Text

Unveiled Secrets

Summary: The BAU team has a sneaking suspicion that their stoic leader, Aaron Hotchner, is in a relationship, but they don't know the extent of it.

Pairing: Aaron Hotchner x fem!Reader

Category: Fluff

Content Warnings: Jack and Haley do not exist in this, kissing, cuddling, allusions to sex, light teasing, use of Y/N, pet names (my love, baby), that’s it I think, lmk if I missed any! Oh and pure fluff!

Word Count: 1.8k

Mars speaks… hi my loves, I was motivated to write so I am using this to figure out my writing style a bit and how I want to format my works! I’ve been going through a bit of a Hotch phase lately so I hope you enjoy reading this as much as I enjoyed writing it!

Masterlist

The BAU office was slowly quieting down as the day turned to dusk, the last rays of sunlight casting long shadows across the desks. Aaron Hotchner, head of the Behavioral Analysis Unit, stood in his office, the soft light of his desk lamp highlighting the stress lines that had deepened over the years. He checked his watch—almost time to go home. A rare, soft smile touched his lips, a sight reserved for only one person.

He closed the case file on his desk, slipping it neatly into his briefcase before reaching for his jacket. His phone buzzed just as he picked it up, and he glanced at the screen to see a text from you, Can’t wait to see you. Should I pick up dinner?

That smile of his deepened as he quickly typed a reply, I’ll pick it up on my way home. See you soon, my love.

He hadn’t planned on keeping his relationship with you a secret, nor did he have any grand strategy for revealing it. He assumed that given time, his team would figure it out on their own. After all, they were profilers—eventually, they would notice the subtle shifts in his behaviour, the unexplained absences, the slightly more relaxed demeanour after particularly stressful cases. He hadn’t intended to hide it forever, just until they pieced it together.

As he opened the door to his office, however, he nearly collided with Spencer Reid, who was walking by, engrossed in a file. Reid looked up, startled, his eyes wide with surprise.

"Sorry, Hotch! I didn’t see you there."

"It’s alright, Reid," Hotch replied, a calmness in his voice that belied the momentary flicker of surprise in his eyes. He wasn’t often caught off-guard, especially not in the safety of his own office.

Reid, however, had a habit of noticing things others missed. His eyes flickered to the phone still in Hotch’s hand, the screen just dimming from inactivity. Before Hotch could slip it into his pocket, Reid’s sharp eyes caught your name on the screen. His brow furrowed in confusion as he processed the information.

“Y/N, as in the academy’s Y/N?” Reid asked, the question out of his mouth before he could stop himself.

Hotch froze for a fraction of a second, but it was enough for Reid’s sharp mind to pick up on the anomaly. Reid’s brain worked at lightning speed, connecting dots that others might have missed. He knew Hotch was fiercely private, but this reaction was new.

“Goodnight Reid” Aaron replied, quickly, shutting down any further questioning that may have come from the young genius.

Reid blinked, taken aback, but his curiosity was now piqued. However, years of working with Hotch had taught him when to push and when to back off. “Have a good evening, Hotch.”

As Reid walked away, Hotch let out a slow breath. This wasn’t how he wanted the team to find out, though he couldn’t say he was surprised. He had always assumed it would be Reid who would notice first; the young profiler missed nothing. Still, he had hoped for a bit more time. But the cat was out of the bag now, and he knew it wouldn’t be long before the rest of the team found out.

The next morning, the BAU office was abuzz with more than the usual activity. Reid’s brief encounter with Hotch had set off a flurry of curiosity and speculation among the team. They were profilers, after all, and even the smallest clues could ignite their imaginations.

“I’m telling you, something’s definitely going on with Hotch,” Reid said as the team gathered in the bullpen before their morning briefing. He couldn't shake the image of your name on Hotch's phone from his mind.

JJ, trying to keep things under control, said, “Come on, guys, it could just be a friend. It doesn’t have to mean anything.”

Morgan leaned back in his chair, a knowing grin on his face. “Reid’s onto something. Hotch has been acting a bit differently lately. He’s not staying late like he used to.”

“And he’s been smiling more often,” Garcia added, her excitement barely contained. “The man’s practically glowing sometimes.”

Rossi, with a teasing tone, suggested, “Maybe he’s just getting better sleep. But I have to admit, there’s definitely something different.”

Garcia’s eyes sparkled with excitement. “Don’t you want to know? If Hotch is seeing someone, that’s huge!”

Rossi shrugged, still smirking. “Of course, I’m curious. But let’s give him some space. If he wants us to know, he’ll tell us. And if we’re lucky, we might even get to meet her.”

Prentiss grinned, "Do you think it’s serious? Like, she’s ‘the one’?”

“I think,” Rossi said thoughtfully, “if Aaron is keeping this under wraps, it’s because it’s important to him. He wouldn’t be so secretive if it wasn’t serious.”

Just then, Hotch entered the bullpen, and the conversation quickly shifted to a quieter, more focused buzz. The team members turned to their desks, but the air was charged with unspoken questions and speculative glances. Hotch, sensing the change in atmosphere, gave a brief nod before heading to his office.

As the day dragged on with paperwork and case briefings, the undercurrent of curiosity remained. The team exchanged looks, clearly eager to discuss Hotch’s secret, but they were careful to avoid bringing it up directly. The excitement about Hotch’s personal life was palpable, and everyone was waiting for the right moment to address the topic.

Later that evening, Aaron finally headed home after a long day. As he walked through the front door, he found you curled up on the couch, a blanket draped over your legs, and a glass of wine in your hand. You looked up from the book you were reading, a smile spreading across your face when you saw him.

“Hi, baby, how was your day?” you asked, setting the book aside as he walked over to you.

“Tiring,” he admitted, leaning down to press a kiss to your forehead. “And eventful. Reid saw a text from you last night.”

Your eyes widened in surprise. “Oh no. What did he say?”

“He asked if it was from you,” Aaron said, sitting down beside you. “I shut him down, but I think I gave myself away. The team’s been acting strange all day.”

You chuckled, leaning your head on his shoulder. “So, they’re onto us?”

He nodded, slipping an arm around you and pulling you closer. “It was bound to happen eventually. I just didn’t expect it to be now.”

“I’m surprised they didn’t figure it out sooner,” you said, your fingers tracing patterns on his chest. “They are profilers, after all.”

He smiled down at you, his expression softening. “I never planned on keeping it a secret forever. I just figured they’d figure it out on their own time.”

“So, what’s the plan?” you asked with a playful grin.

He sighed, his thumb rubbing gentle circles on your shoulder. “I suppose it’s time to tell them. They’re already curious, and I’d rather they hear it from me than through rumours.”

“You know they’ll be happy for you,” you said, squeezing his hand. “For us.”

“I know,” he agreed. “But there’s a part of me that’s nervous. I’ve always kept my personal life separate from work, but with you… it’s different.”

You leaned up and kissed him softly, the warmth of the moment lingering between you. “We’ll do it together, then. When you’re ready.”

Aaron’s gaze softened, but a playful glint sparkled in his eyes as he pulled you closer. “Right now, I want to do anything but think about the team,” his voice dropped to a low murmur.

You felt the heat of his words and smiled, leaning in closer. “Sounds perfect,” you whispered, as he nuzzled against you, his lips brushing yours with a grin.

A few days later, Rossi had decided to host a dinner party for the team. The team was eager to catch up and enjoy the evening. Aaron knew it was the perfect opportunity to introduce you to the team as his girlfriend.

As the doorbell rang, Rossi answered the door to find Hotch standing beside you. As you both entered the living room, the atmosphere in the room shifted instantly as Hotch introduced you with a genuine smile.

“I’d like you to meet Y/N, my girlfriend,” Hotch said, his voice steady but warm.

The room fell into a stunned silence before erupting into excitement. Garcia’s face lit up with recognition and delight. “Oh my God! It’s Y/N! I knew it was someone! This is incredible!”

Morgan’s grin widened as he approached. “So, this is the elusive woman behind Hotch’s new smile! You’ve been keeping us in the dark for too long, Hotch.”

JJ smiled warmly as she extended her hand. “It’s wonderful to finally meet you, Y/N, we’re really happy for both of you.”

Reid, ever the profiler, couldn’t resist asking, “How long have you two been together?”

Hotch laughed softly, putting an arm around you and smiling fondly. “Almost five months now. Y/N works as the unit chief for the BSU in the academy. I met her when she invited me to guest lecture.”

Garcia’s eyes sparkled with excitement. “I knew it! You two have that perfect power couple vibe. We have to plan another get-together so we can hang out more!”

Rossi, enjoying the moment, gave Hotch a friendly pat on the back. “Well, I guess this means you won’t be around for poker nights as often.”

Hotch chuckled. “I’ll still make time for poker nights, don’t worry.”

As the evening continued, the team enjoyed getting to know you better. The atmosphere was filled with laughter, light-hearted teasing, and genuine happiness for Hotch and you.

“So, when do we get to do this again?” Garcia asked eagerly.

Hotch smiled, feeling content. “Soon. We’ve been talking about having you all over for dinner. Now seems like the perfect time.”

As the team chatted and enjoyed the evening, Aaron felt a weight lift off his shoulders. Introducing you to his team had been a significant step, but their warmth and support made it all worthwhile. The thought of merging his work family with his personal life filled him with quiet joy.

As the party wound down and the team began to leave, Morgan gave Hotch a sly grin. “You know, Hotch, we’re happy for you, but don’t think we won’t give you a hard time about keeping this a secret for so long.”

Hotch chuckled, appreciating the camaraderie. “I wouldn’t expect anything less.”

With that, the team said their goodbyes and headed home, their spirits high. Hotch followed them, feeling grateful for the support of his team and looking forward to the future with you.

Mars speaks... (again) Thank you for reading, I hope you enjoyed it! Also, would anyone be interested if I wrote for other fandoms such as F1 and Marvel? Any feedback is greatly appreciated🫶

1K notes · View notes

transgenbur · 7 months ago

Text

i have so many thoughts about the tommy song/video and theyre a jumbled mess. i wouldnt call this an analysis this is just. most of my thoughts surrounding the video and what it shows about tommy

one of the things that stuck out to me (outside of how depressing and just like. is this guy okay) is something that ive always respected tommy for because he's always stuck with it and its his like. fervent conviction in people doing things theyre passionate about. thats always been one of the things he talks about all the time!!!

when AI started appearing he was talking about death of creativity, with the internet he's always talking about how the real tragedy is the algorithm killing people's passion by driving them with views and money, and even when he talks about youtube itself, and nowadays standup, its so full of passion.

and i think thats really important because it would be extremely easy for someone like tommy, who's in the process of maturing his online image from a very loud, immature and PASSIONATE persona, to make fun of it. it would be so easy to do like so many other creators and laugh at how "cringe" it was and make a quick cash/attention grab with a funny clip of him laughing at himself. but he never has. well don't get me wrong he's laughed at himself or old videos but it's always just. good natured taking the piss out of himself, it's never this like. mocking your younger self who was so excited to do what they did only because now its "cringe".

not only is he constantly giving that advice to other people (its been years of him replying, to any kid in his chat or donations asking advice on how to be a creator etc, "just go and do it if you love it!!"), he's coherent with how he applies it to himself. he realised he was making cash grab tiktok react vids and hated it so much he just stopped uploading for a while.

i dont know i just think there's something admirable about being able to still be sincere in a time where everything especially online has to be processed through a layer of irony. and its even funnier because he's more sincere THROUGH the irony i mean he's literally going into standup.

letting yourself create something that "means" something is fucking hard especially when half the internet still sees you as a kid who screams around. except the thing is that kid DID make stuff that mattered and that meant something because he was, in his own words, having fun.

i think thats what the format of the video was about too. i mean i think it was pretty clearly not a song thats meant to be streamed, its not purely music, its also a video because tommy is also first and foremost an editor who went to film college. its also not a "comedy" song like he's made some before, because those were all intentionally created to land as many jokes and make a big buzz— which doesnt mean they were bad! im philza is a contemporary lyrical masterpiece. but they had a specific purpose and it was to make people laugh and i think this video was completely like. opposite of what peoples expectations are of tommy. the "wow hes not a child anymore hes being mature🤓" reactions are the most obvious aspect of this (which, like, its been a while, get with the program).

i think the point of this was to make something that genuinely meant something but that was also like. as unpalatable to the algorithm and to the TommyInnit Viewer as possible. even now that he's gone into making quieter, more reflective videos, we've never had the flashing texts and the projector images and just all of that. hes always talking about how he hates the way the "youtube formula" has dictated the course of content and stolen all creativity for youtubers. its not meant to be a YouTube Video tm. its just meant to mean something to someone, and obviously process some sort of personal emotions, and i just think thats. yeah. yeah

i mean he even says so outright. "this needless, self indulgent spiral of self gratification" is pretty damn explicit. its not meant to be funny content its really a cry for help or for just. anything at all really

it was also a lot about perception, yknow the "entertainer" dilemma, "its all attention porn"... theres a layer of this point thats universal, everyone struggles with how they're perceived and i think any "artist" or "entertainer" figure can see themselves in it, but there's also a layer thats completely impermeable to most of us because it touches upon the sheer absurdity of a "youtuber". especially one of tommy's popularity. especially one who blew up so so fast so young. i honestly think its IMPOSSIBLE to process that. its about the ethics of having millions of people's time so readily available to you if you just press the right buttons to make the algorithm happy and then you've got them. im like 75% sure i remember him saying this on stream once, something like "your time is valuable" and if a fan didnt value him as an entertainer they should drop him.

and even here^ thats the saddest "lmao" ive seen in my life SORRY LOL but its really just. yeah im not gonna repeat myself it speaks for itself. perception and internet expectations and all that

one of the other images that stuck out to me was also this:

"yeah i know its too much like bo burnham but it wont be in a year though. in a year it will be like tom simons. just let me figure out what that means, ok?"

a lot of the video is about. influences and inspirations. the bo burnham references are so obvious he's poking at them, but i think he's raising a good point about the creativity that he's constantly praising. its never something that springs up on its own, its all about looking at others work and making it your own and feeding yourself with all those experiences and slowly, surely building your own way of doing things (tommyinnit "minecraft talent show" and "a tribute to dream smp" serial quackity + schlatt impersonator would know all about that) ->

and its daunting! its fucking scary to move away from that! which is also the main vibe i got from the video which, outside of his own issues with how he's perceived online, was the sort of existential dread that comes with actually creating. its one thing to preach you need to be passionate and create, its another to sit down and create something thats BY you. its a part of growing up! and we're literally seeing him do it live (well the bits that he chooses to show obviously)! thats also part of why i think tommy's so relatable to so many people is that he's so like. honest and real about what it's like to grow up, simple as that, and growing into yourself.

"this was everything to me" and using the picture of his younger self... man. theres obviously so much sadness underlying the whole thing but i think the nostalgia and melancholy in mourning being someone who was only inspired/excited by your interests and role models is universal. and obviously for tommy a lot of those influences turned out. well i think it was pretty damn clear who/what he was referring to here. ->

i don't think i need to go too in detail about that, especially cause a lot of the video was clearly a way to process his own personal emotions. especially with those next few images. i just hope he's okay and that god doubles his pain and gives it to mr beast to quote my friend bronzetomatoes. man.

of course he had to end with a funny clip about a hot anime girl and i think that kinda. sums it all up in a way. if that makes sense. at the end of the day its about the fact that he has to use humour to make the thing work when its out in the open, even when he tries not to and to be actually honest, but theres also the fact that hes literally a comedian and creating something "honest" IS through humor. its kindof a double edged sword

right well that was my jumbled mess of psychoanalysing tommyinnit i hope he is alright and all that because well that was. something

#tommyinnit #dsmp #mcyt #cc!tommy #alex.rambles.txt

929 notes · View notes

thatdeadaquarius · 2 years ago

Note

About your language brainrot. I see your "Reader's writing can't match tyvat's long and flowery writing" and bring you "Tyvat isn't used to books over 50 pages long so a short story to the Reader is a whole dictionary to tyvat readers".

Seriously, have you seen how thin the books are? They don't wrote novels, they write short chapters formatted in the way really old stories are. As in, summarizing all the events down into one smooth story then adding a few quotes. Fanfiction writers are insane. They will willingly sit down and write hundreds of words at a time. To them, a proper modern day story of maybe, oh 10k words or so, would probably be like the Oddessy itself.

If we were to combine the two headcanons. It would end up as many historians being intimidated by this insanely long written scripture in the language of the forgotten.

I'm going to take this a step further and say that if the creator asked some people to proofread their things, it would establish a hiarchy of who is able to actually finish the book the creator read and who isn't.

NOW THIS, THIS IS MY FUCKING JAMMMM

I'm so sorry this is so old!! u probably all know this by this point that I've really slowed down as the year has gone on, but I graduated university and then got my first job so its been pretty crazy!

Sun: Reader (you/they/them)

Orbit: Headcanons-ish

Stars: dash of all the book/nerds of Genshin, heavy on Sumeru?

Comets & Meteors: Content Warnings: Cussing, 16+ Mature Audiences, Spoliers for Sumeru Archon Quests/Scaramouche, & Trigger Warnings: mention of shipping/characters shipping themselves with you.

Comment if any missed, please.

☆

FULL STOP.

THE AKADEMIYA, FONTAINE RESEARCH INSTITUTE, HAVE BEEN WAITTTINNGGGG ON YOUR ASS LMAO

You fall from the fucking sky like a 5 star, or pop out of the Irminsul or whatever

and immediately are mobbed by scholars. LMAO jkjk (not really, bc that's what it’d feel like)

can you even imagine the dread older stories(”the classics” to them), that was instilled in the poor students around Teyvat??

id like to think ur works are the most preserved over the thousands of years of Teyvat archeologists excavating them, in comparison to other authors (teyvat just likes you more, suck it William Shakespeare)

also, bc I cant resist language differences/world building I'm sorryyyy 😭 😭

the vocab of Genshin lang vs. ours, has significantly less vocabulary like their actual dictionary is 1/3 the size of ours type of energy

(Omfg all ur fanfics being considered like insanely long realistic romantic classics or tragedies like Jane Austen-level, and only the richest and biggest play companies put on plays about ur stories bc the script goes on for hours)

(ur plays only get put on for rlly big events bc of this, like Lantern Rite or like a Summer/Winter festival/your birthday, which is, yes, an international holiday)

dude the sheer power move of anything you’ve written being essentially “Journey of the West” to them, like Damnnn.

endless like adaptations, plays, Teyvat-short stories condensing it, (THEIR OWN FANFICTION ABOUT UR STORIES)

the power is, in fact, going to your head every time another scholar both deflates at how long ur stuff is, but also lights up bc they get to read it

speaking of scholars… you know who snatched you up first. you know. you don’t even need to read the next line.

Alhaitham.

sneaky bastard he is, absolutely manipulated, mansplained (and manwhored bc he knows he’s handsome, cheeky little shit) his way into getting you to sit down with him and interview you about both translating other classics, your own, giving your own analysis of others works and ur own, and picking ur brain apart of how/why you wrote urs, etc. its fucking endless,

Kaveh had to come rescue you bc u were starving to death after getting stuck with the Haravatat scholar in his office for nearly 7 hours of interrogation discussion about literature

and Alhaitham wasn't even nearly done, he’d informed you as you left that he already had another appointment for later conversation scheduled (how?? you don't even know ur own schedule??? you have a schedule???) and was looking forward to more of your “creative and enlightening input” :)))

(you’re never going to escape him, not even Nahida herself can save you from his stubborn ass)

On another note, Xingqiu is quaking when you agree to autograph his copy of your stories (of which he has all hard covers of the first edition translations)

Zhongli/Rex Lapis is known for having a near-lifelong passion for searching for your works specifically, and learning how to translate them better into Teyvatian vernacular

like the same way he can absolutely speak on Rex Lapis facts/rocks/adepti info, is the same confidence he speaks about knowing ur work lol

(yes he did also ask for several autographs and another sit-down talk about the works, tho a lot more sneaky then Alhaitham bc he just casually gets u guys into it during dinner)

Barbatos/Venti has written some of the most famous songs based on your stuff, he has his favorites too,

but he always claims the best songs are any that have been written in the story, like either when a character sings something, or there are like quotes from songs ur fanfics are based on lol

(he also demanded to hear what they actually sound like from you, yes, you have to sing them for him lol)

Venti also can surprisingly drunkenly ramble the entirety of at least one of ur stories, like, word for word lmao

(Diluc gave in and did give him a drink on the house for that one, just once, Venti doesn’t remember it lol)

(I forgot to mention, u guys still speak the same language, just like, different versions of it)

ur works being one of the few things all the Archons can freely talk about with each other, like it’s neutral ground bc they’re all fangirling about it lmao

Furina and Neuvillette have had like,, fierce debates over the decades about character dynamics and the general drama of ur stories, they’ve gotten into it enough they’ve stopped talking to each other for a couple days a few times lol

Albedo, Sucrose, Kokomi, Yae Miko, Ei, Raiden, have read every single work they’re gotten their hands on in Teyvat (it took them like a literal year or longer)

Albedo drew you fanart for every single story, bc he’s hyperfixated on everything related to you ngl,

Kokomi had commissioned smaller pocket versions of ur works (which later got popular thanks to Yae Miko) both the OG and the Teyvat shortened versions

THE HARBINGERS ARE THE MOST DOWN BAD LMAO

Childe has literally tried to recreate battle scenes from ur works lmao

and gets especially riled up about fighting someone who resembles any characters from them (esp villains, what a cutie)

You cannot fathom the amount of research throughout Teyvat that has been secretly or indirectly funded by Pantalone/Tsaritsa

from the experts to analyze them, to funding play companies to act them out, to actually excavating places to get more of ur stuff unearthed

(the Harbingers absolutely are the first group of people that got to read several of ur stories first bc of this, like the world’s most exclusive secret book club lol)

Scaramouche used to clown on Childe all the time about how he was too impatient to even “sit down and read the King’s classics”, and he was downright insufferable when he found out about Tartaglia’s habit of recreating battle scenes/that being what motivated him to fight sometimes lol

that being said, Wanderer surprisingly never forgot ur stories.

Even when his memories were wiped for a bit, he found comfort in these fantastical epics still sticking around, even when his old names did not

(he mayyyy or mayyy nottt have secretly namedhimselfafteroneofthetragicprotagonistsherelatesto- )

oh btw, Nahida also found joy and comfort in ur stories when she was trapped, they also helped her literally grow as a person bc she had ur stories to help her sort of process the world/what life was like outside of her dreaming prison 🥺💔❤️‍🩹

◇

OMFG

ANYWAY FULL TONE SHIFT LMFAO-

the ABSOLUTE SPIRAL-RED-STRING-CONSPIRACY-THEORY-BOARD ENERGY IF THIS WAS A BLUNT LANGUAGE AU LMAOOOO

like specifically how Teyvatians like to give all the context ever thru their words, but older deities/beings like you just do simple phrases that can have deeper meanings (whereas teyvat just explains all the meanings behind their words)

STOP there’s like an official display at the Akademiya and Fontaine Institute of red string theory boards 😭😭 (look what you’ve done to themmm LMAO)

for like every story of urs, INCLUDING THE FANFICS STOP

IMAGINE THE SHIPPING WARS IF U EVER WROTE ONE THAT WASNT EXPLICIT OR LIKE ONE OF THE MAIN ROMANTIC INTERESTS HAD CHEMISTRY WITH OTHER CHARACTERS HAHAHAHAA

that's actually what Akademiya scholars argue about the most viciously, it’s like politics you can’t just bring up ships from ur stories casually in regular convos 💀

(poor Cyno has to deal with a shipping war once a year bc someone always makes the mistake of reading ur work for the first time (without being told to not talk to others abt ships lol) and it starts an all out brawl in the cafeteria every time LMAO)

Also yes.

Cyno is a fanboy.

(he has read Creator x Reader-insert fanfiction.)

(As have most of the characters mentioned, and those not lol)

…

(I'm gonna make a whole Creator x reader fanfic post one day i stg lmao)

☆

an iced coffee? for me?? :0

ok but real talk…

wtf do you guys wanna see for new years!!

i didn't do a inktober/october days thingy bc i felt too unprepared (and bc id wanted to post that 1000+ followers eldritch au for Halloween)

but now i kinda wanna, at least for a few days :o

ill post a poll in a minute, so check it out!! but still, please feel free to comment some ideas here! :)

Safe Travels Deafening Dreamer,

💀♒

If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"

(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657 / @esthelily

3K notes · View notes

scribeofmorpheus · 7 months ago

Text

Dragon Age Veilguard: Love, Wisdom and Pride

A very long Dragon Age post!

Warnings for: Veilguard Spoilers, Solavellan spoilers.

Okay, so I will preface this by saying that this ‘analysis’ primarily focuses on Solas’ arc; both romanced and unromanced. It isn’t intended to be a romanticised analysis, though it is very much enamoured with how a romanced Solas and his relationship with Lavellan foils (and informs my reading/reception of) that of Solas and Mythal’s relationship in Veilguard. There is a relationship I will address that I feel does parallel Solas and Mythal! Scroll down to “Reading Between the Lines” if you wanna skip my little intro below. Spoilers follow.

Truth be told, I wasn’t ever expecting much in terms of actually getting a sequel to Inquisition. The game dev market went through a tumultuous reshuffle before the remake madness breathed life back into many studios. Bioware game sequels (Mass Effect Andromeda) were underwhelming and not as fleshed out since the EA acquisition. I absolutely believe Bioware would have been shunted had Mass Effect Legendary Edition not been so successful. EA’s reputation was always lacklustre and underhanded, but laying off or losing several head writers attached to Bioware with almost two decades of work under their belts was the biggest red flag. Trevor Morris not being asked to return in exchange for a ‘bigger name’ was also a grave warning that returning to the atmosphere, ambience and world of Thedas that we knew was getting further and further away from a plausible reality. And on top of that, there’s the fact Solas was never intended as a romance interest during early development of Inquisition.

Solavellan seemed doomed!

Despite this, I still held out hope for a sequel, but I feared we’d always be in permanent Solavellan/developmental hell. Heck, I’m still waiting for a Beyond Good and Evil sequel—the game released in 2003! So, actually witnessing people play Veilguard, seeing reactions to it, seeing memes and gifs and essay pieces (like this one), it’s like my community has awoken again, and I never thought I’d see the day. Yet I am not blind to the fact we were robbed of so much potential. I knew thing’s wouldn’t live up to re-emerging expectations when Dragon Age: Dreadwolf was rebranded to Veilguard—the shift seemed to imply less of a primary focus on Solas (and apparently, according to the artbook, the early concept art proves this implication correct).

Things seemed even more dire when the devs revealed there was no tapestry mechanic. I had only one hope: that with the Inquisitor’s confirmed return, we’d get at least some form of catharsis for our Inquisitors (Lavellans and otherwise), if we couldn’t get the conclusions to so many storylines present in each of our worldstates. My main fear was that they’d go the clichéd Ultimate Sacrifice route (which happens anyway, but in a way that makes thematic sense given the stakes and heavily blighted worldstate).

Suffice it to say, there was a lot of evidence that Veilguard would disappoint me in the end. But it hasn’t. It hasn’t lived up to the many expectations and marks of excellence that the Dragon Age world built itself into with the first three entries, that’s for sure, but I am also just so deprived of conclusions, of endings (whether it be because TV doesn’t exist in a sustainable format anymore or that comicbook movies are made with a sequel in mind, never letting anything just “Exit Stage Left” gracefully; or the fact we live in a regurgitating content cycle with late-stage-capitalism where anything remotely profitable gets turned into a caricature of itself: Squid Game, Star Wars, etc.). The cycle is so exhaustive that I am actually at a point where I can say I am content with the ending we were given (on a Solas/Solavellan front), Veilguard gave me relief, and beautiful, achy pain to boot. Though I would absolutely be disappointed by both the "non-romanced Solas" endings, given that Solas winds up either "dying alone, forever" or turns to Tyranny.

Now onto the actual review of that Solavellan ending, Mythal and themes of Love!

Note: I have only gotten the ‘best’ ending in my first playthrough, but I also thought the consequences of not maxing factions would be more… dire? Another note, pls, if your romanced Inky swore to stop Solas, how does that ending differ, if at all? Let me know, I’m dying here!

Sidenote: I’m working on writing another review about my views on the ‘sanitised’ worldstate, the new companions (and why I think Varric was the wrong choice to have as an advisor in the game, given that the Inquisitor or Morrigan would have been more impactful; and not to mention that Cole or Briala should have been companions), removal of the tapestry and what it means for the future of stories in Thedas (The Story We Lost is such a poignant compilation of the sheer volumes of lost lore and depth that I honestly think I won’t go as in-depth on that review as this one), and why I think Veilguard is my final entry into Dragon Age.

Reading Between the Lines: What Pride Hath Wrought

One thing is for sure, Trick Weekes flourishes when writing within the ambiguities and complexities of meaning. This makes every word uttered by Solas so great to dissect, he's a god of lies not because he 'lies' but because he's so careful with how he phrases things, what he holds back, and what he reveals.

For instance, the famous Trespasser exchange where Solas mocks his own follies with sarcasm by saying:

“What is the old Dalish curse? May the Dread Wolf Take you.”

Then a softer, more saddened and beaten-down Lavellan replies:

“And so he did.”

This irks him. Because he then realises in that moment that he absolutely did take advantage, but for some reason he frames it around sex rather than power because that’s easier to address than the latter. And he rejects the notion, even though he brought up the expression he knows to mean nothing close to a sexual inuendo for being ‘taken’, and yet he has the gall to try and derail the conversation by pivoting and saying:

“I would not lay with you under false pretences.”

When I first had this dialogue exchange, I was baffled, because did this mean that there was another meaning to ‘Dread Wolf take you’ that Dalish clans lost through the years, or was it more of a self-deprecating joke Solas had with himself because he, the Dread Wolf, romanced (took) a Dalish Inquisitor (away from her people’s beliefs, histories, past), and he found irony in the saying?

On the surface, “wouldn’t lay with you under false pretences” could simply mean “we didn’t sleep together” or “we did sleep together, but I wasn’t taking advantage as the Dread Wolf, I was simply Solas in your presence”. But I have recently thought of a more… ambiguous reading. Lay could have been used in a milder, more vulnerable way; to mean to be at peace, to be completely vulnerable, as if to sleep. In that sense, the phrasing becomes: “I could not be at peace with you because I was living a half-truth”.

I absolutely think the moment he feels he is truly beyond hope is when we see his expression of abject horror as Lavellan shouts: “I would have had you trust me!”. He realises then that he did fuck up, he did take the choice away from her because he thought he knew better, him and his pride led to a decision that hurt someone close to him, and he could finally see how wrong he was, how alike the entire situation became to Mythal’s treatment of him. Especially if Lavellan asks to go with him. Because he can see that despite the hurt, the lies and the betrayal on his part, Lavellan still wishing to join him draws too close to his first regret: following Mythal.

Whether he likes it or not, Solas’ love which could burn like a bonfire was directed at a powerful woman—a Herald, an Inquisitor—and inspite of her greatness of character, it still shaped her into someone willing to follow him on his dinanshiral out of love, much like he left the Fade and took physical form for Mythal. So now whenever I hear Lavellan shout “Var lath vir suledin”, Solas replying with “I wish it could, Vhenan,” changes drastically with the Mythal reveal, knowing he always walks away from the Inquisitor in Trespasser.

“I wish it could, Vhenan” sounds heavily like: “You would regret me, as I regret Mythal, and I cannot bear for that to happen us.” More poetically, it could read as: “I wish our love could overcome a duty that has lasted an incomprehensible amount of time, I wish I could change my nature, but then I’d be twisted into a demon, like the spirit of Wisdom in the Dales; and yet again, I would become your regret.” These two readings are very, very romantic. Realistically, given what we know of his kinship with Felassan, and how they were comrades and friends for centuries (“A story unfinished. His back turned!”), and given what we know of the complexity of Mythal’s will that presides over the creation of his very being, and yet he was still able to muster the strength to kill a fragment of her to fulfil his mission, “I wish it could” was most probably a lament: “Do not ask me to hurt one of the two women I’ve loved on this journey, because if it ever came to it…” he would.

Knowing what I know of Solas, of how he was able to convince himself that Varric’s death (avoidable as it was) was just another necessary step, that it was just another sacrifice, another loss that would be worth something only if he completed his ritual, I have no doubt that Solas would also be able to rationalise hurting Lavellan (which is why in his mind, turning away from her, breaking her heart, leaving with no explanation and aiding her in Trespasser so she could live whatever few years remained in “relative peace” is actually an act of preserving that love). I partially think the reason he reveals the truth in Trespasser (especially for a romanced Lavellan) is in the hopes his ‘truths’ will push her away. But on a deeper note, I think he also thinks of it as some twisted form of repaying her for loving him to the point that he could have almost forgotten what it was to be the Dread Wolf, to just be with her as Solas, that night at Crestwood. Maybe his harsh truths would push her to the point where she’d give up her love for Solas, now that she knew he was the Dread Wolf, freeing her from the shackles of their love. He’s very self-flagellating, all about self-sacrifice for the ultimate goal, the ends always justify the means, he will endure any pain and punishment as long as Arlathan returns in the end.

What is his love of a mortal compared to the despair and loss of an entire empire? Solas views himself as selfish for falling for her, and that nearly broke him, if he was selfish enough to leave the dream of Arlathan behind for her, what would that do to his spirit then?

In his way of thinking, perhaps telling the Inquisitor the truth is a way out, a rationale they can use to justify stopping him or to make it easier to hate him as the Dread Wolf rather than love him as Solas (someone he hasn’t been in so long).

‘Masking’ as the Dread Wolf

During Trespasser, the Inquisitor has every right to despise Solas after all they’ve learned, and I think he half reveals the truth as a tactic so the Inquisitor can have an excuse to hate him, to be driven to anger and have less pull over his choices, once they learn the truth. Solas is particularly skilled at making other’s play the role that makes his own choices seem inevitable, he orchestrates a lot of events to play out in a manner where it's easier for him to talk himself into bringing down the veil.

He goads Elgar’nan to anger easily. He inspires the spirits to fight for him to the death as a necessary distraction during the war. He absolutely allows the Inquisitor to speak to him one last time so he can offer insight, yes, but also so he can easily frame his actions as just and inevitable. But, Oh boy does he get in for a shock if the Inquisitor shows empathy towards him, it scares him because he’s become accustomed to being seen only as the Dread Wolf. To be understood? That gives way to remorse. And remorse gives way to doubt. And he cannot doubt his purpose, twisted as it is, it is all he has left of his former self. Without it he would most likely change into something different. Someone he doesn’t recognise.

This fear intensifies more so if a romanced Lavellan asks to go with him, and in that case, he takes command and distances himself away (rejecting the help of someone close to him; the chance for a possible betrayal; the chance at another Felassan or Mythal [x]; the chance to twist Lavellan outside of her purpose, in this case, the purpose would be love/empathy) but not without showing remorse at having sacrificed yet another relationship for his crusade.

“Ir abelas.”

Sorrow for what cannot be is at the heart of why the Solavellan romance is so powerful, especially because even though both Solas and Lavellan love each other passionately, love alone cannot be enough when faced with regrets. Love would ultimately be stifled. Corrupted into something else over time. And so, for Solas, having loved and lost tragically is better than having loved and corrupted.

He will not do to Lavellan what was done to him, even if it is her choice, because she knows so little, her naivete cannot close the distance of a millenia’s old sea, and it would hurt him immensely to take advantage of her kind heart [x].

By leaving, he keeps her heart pure. And the yearning! Knowing the love is there, but on its own it cannot be invulnerable to corruption, so it is better to lose it than twist it. Ugh! Him leaving Lavellan is the ultimate show of love! IT IS A WISE DECISION. A rare glimpse into pure wisdom. Which is why he kneels beside Lavellan in Trespasser, he does not “Stand Tall” in the face of Wisdom’s heart. He kneels beside her. And when he stands tall again, he is Solas once more, filled with regret, and once through the eluvian, he returns to masking as the Dread Wolf.

Sidenote: It’s especially confounding that Veilguard allows Rook to push the Inquisitor to save or stop him after you’ve reached act 2 despite your world state choice (I think this was done in case they feared the Inquisitor wouldn’t stand by Solas after everything he was revealed to be responsible for in Veilguard, however it doesn’t work because the Inquisitor wasn’t an advisor, Rook never told them what they learned from the wolf statues, so having a stranger hold the ability to make Lavellan keep her promise or not rings hollow). Personally, I wish the Inquisitor’s presence had more weight in the non-Solavellan endings, too. I wish the Inquisitor could end up being the last friend/former love that Solas destroys (if you don’t collect the wolf statues) which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that the Inquisitor falling is the last straw and Solas snaps, choosing to be a villain in the hopes of being stopped because he can’t stop himself, and not the ‘I am a God’ ending they gave us. Same for if your Inquisitor vows to stop him. I also wish the Inquisitor was the one to do the wolf statue missions. Would have been a nice secondary protagonist mission like the switching perspectives between Kratos and Atreus in GOW: Ragnarök (the old guard and the new; Inquisitor and Rook). I would have loved if they dedicated more dialogue to Inquisition days too, which is why I think Cole should have been a companion (if he wasn’t recruited, he could simply be a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly; recruited Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history by preventing a spirit from becoming too ‘real’; Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. But alas, we live with what we are given! Even Imshael could have served in this role! Spirit/Demon of choice and it wasn’t incorporated into the game that supposedly asks you to make the greatest world-changing choice ever; redeem the Dread Wolf or end the age of the Evanuris entirely?!

Now onto the next segment: I want to talk about Solas’ regrets and how I read the ‘love story’ between Solas and Mythal, and why Lavellan (and what she represented) wasn’t enough to get through to him (and that’s a very believable thing, that’s what makes their love both tragic and epic!).

The High Price of Redemption

A romanced Lavellan has the most agency to see through his guises, if she resolves to save him, but even she cannot undo the shackles that still bind him to Mythal—the binds that twisted Wisdom so far from its purpose it became Pride, even when he burned (Mythal) from his face. (Likewise, A close friend Inquisitor who promises to save him is most likely a parallel to Felassan, again, they cannot undo the shackles of regret either.) I fully believe the vallaslin had a deeper magic than simply marking one as being committed/devoted to an Evanuris, I think it linked them magically, and since Solas was the first to burn the vallaslin away, he probably wasn’t as good at severing the link on himself as he was for other elvhen, so maybe a part of Mythal’s will still lingers in him, twisting him to Pride still.

In Veilguard’s final confrontation, I love the intention of showing how Lavellan approaches Solas slowly, as she doesn’t know who she’ll be faced with up those steps, Dread Wolf or Solas. But when she speaks to him, trying to get him to change his mind yet again, forgiving him for his wrongs, we are reassured that Wisdom hasn’t been completely consumed by Pride despite everything we’ve witnessed in the game because he bows his head at her in reverence as he apologises.

He shows humility towards her. He elevates her and her enduring love as worthy of his respect, but he does not consider himself worthy of hers. Thus, Lavellan pries open the door to acceptance but his heart is still not enough. Which is why love alone cannot turn the tide. He’s too broken to accept it. He doesn’t think he deserves it, so the only way out is through; to continue the ritual, to prove he was right. The shackles persist. Varric’s death weighs on his conscience now more than ever. Possibly members of Rook’s team too if they died on his crusade. But he is vulnerable enough for Morrigan to approach, and now Rook can use Mythal’s essence to make the final push. The only way he could be with Lavellan, the only way he could atone for the past and shed the weight of his armour (his crushing duty to the Elvhenan) is as Wisdom, fully restored, unbound by mistakes.

“Ar lasa mala revas.” He could only find absolution once Mythal (the angered and more brash essence of Mythal, the one unchanged by Flemeth and all the human women’s lives she’s been shaped by, but the closest iteration to that of Mythal in Arlathan, the version that he perceives as having every right to be angry at him for turning his back on her, for not going that last final stretch with her and subsequently, not being by her side when she died) severed the final connection: facing his regrets, showing humility and apologizing, while not taking away the blame but sharing it.

What is Benevolence without Wisdom if not Hubris?

We know Elgar’nan was twisted to Tyranny during the war, and I saw a post somewhere where someone wondered what led to his corruption, and what he was before (leadership/command). Likewise, Mythal was not above corruption.

So far, I’ve seen a lot of takes on Solas’ ties to Mythal, the power dynamic of being a student/disciple enamoured (could be romantic) with the benevolence of Mythal, but not how Mythal’s purpose was possibly also twisted towards hubris the moment she asked Wisdom to turn physical and build weapons from its knowledge, twisting it to Pride. Without Elgar’nan’s tyranny to rally against after the war with the Titans, Mythal would most likely turn a similar route, seeing her ruling as “necessary” for the people: “If not me then who?”. And that is a very short stop and quick drop to “I am your all-powerful ruler, I liberated you, and only I can guide the way”. Benevolence twisted by hubris can easily turn to Tyranny too, only one more subtle, a kind of cultish indoctrination compared to violent subjugation. If Solas had not turned his back on Mythal when she chose to be Evanuris (a god over her people) then they most likely would have made the worst (best) pair in the Evanuris. Pride is the Seventh Deadliest Sin. But imagine Pride next to Godhood?! That is frightening. So, when Solas burns the vallaslin, walks away and works against the Evanuris, I believe that he also inadvertently stops Mythal from becoming a corrupted version of herself. The sorrow at having lost her closest confidant and “love” grounds her, keeps her saintly in Solas’ mind, and in some ways, perhaps saves the Elvhen empire from a worse fate than him erecting the veil to begin with. But neither of them ever consider this. And I think that sort of self-blindness perfectly encapsulates how flawed both Mythal and Solas are. Now onto love.

Solas and Mythal – a Love too complex to simply classify as mortal ‘Love’.

There’s no doubt Mythal and Solas shared a deep bond, one that definitely had love in it, when we hear Mythal calling him ‘love’, without the possessive ‘my’ in front of it, it’s easy to misconstrue what type of love they share. A small nitpick, but like a thorn, it applies sometimes just enough pressure to change a perspective. Not calling Solas “My love” but instead choosing to simply use “love” works within those wonderful ambiguities/complexities that Weekes thrives in.

If one started out as a spirit, it’s safe to say concepts like familial bonds, romantic bonds, and blood ties mean little to nothing. There is no one type of love and there is every kind of love all at once. It is only once physical bodies are introduced, that physical touch, the ability to stab someone in the back, to kiss out of affection, to hug out of empathy, to strike out of anger, that love now becomes this twisted thing too. There are no spirits of love because spirits always possessed love, but there are demons of Desire (Gluttony) and of Rage (love denied).

I believe, from GDL’s acting skills, his soft whisper, his almost submissive smallness in the breadth of Mythal’s already soft voice, that Solas was in love with Mythal, devoted as a student, beguiled by her benevolence, content even in her shadow, and possibly star-struck. He was in love with someone who doesn’t have the possibility to love him back the same, it is not in her nature to love those beneath her in the same intensity that those who look up to her do. It’s like a priest being in love with God. The priest can devote themselves, sacrifice everything, but a God will always love their flock equally, but they can still play favourites.

Benevolence cannot be enamoured with Wisdom because to be truly benevolent they must possess Wisdom but there is also Pride to be had in walking beside benevolence, but they can never be on equal footing. Likewise, Solas’ love is not reciprocated entirely by Mythal, but she does love him back in her own way. While Mythal is definetly Solas’ first love, layered and complex, it is also strangled by regrets and twisted by uneven scales of power. It would never be a nurturing love, only a consuming kind.

When he speaks of Mythal during the Solavellan ending, he calls her his “oldest friend”, much like what Mythal says, (paraphrasing) “would you have me be angry at my oldest companion whose experienced so much with me”. Because friendship is perhaps the easiest way to describe their companionship. They went through many iterations, one certainly holding romantic tensions (specifically from younger Solas), but ultimately, with that much time shared, kinship/friendship becomes the easiest to surmise. You can love your friends, fall in love with them, fall out of love with them, only to love them again, be disappointed in them, etc.

Media today is flushed with romance as a linchpin for driving a hero to make dire choices, and that has warped our perception of how a platonic/non-romance-based relationship can be all-consuming, and sometimes more impassioned than strict romance. But, to make it easier for people to understand Solas’ motivations, it's easier to see their love in the light Taash sees it (an unreliable, somewhat “still juvenile” narrator, in that they are still growing into themselves and their culture and the world): “They were doing it”.

However, Bellara, a companion whose entire companion story is linked to her strong, deeply character-driving relationship with her brother (platonic love) refutes that reading by saying (paraphrasing here): “We don’t know if their ‘love’ is the same type of love we tend to think of in a masculine and feminine relationship.”

Felassan’s letter after the Mythal Dragon fight alludes to Solas having been in love with Mythal, but nothing about how she felt. This is why I consider the Solas/Mythal relationship to be more of a one-sided romantic love, but a requited ‘love’ relationship for them both.

A parallel I find so compelling: Solas and Mythal vs Briala and Celene. Solas and Briala both hold deep emotions for people in great power with the ability to end a tyrannical cycle of subjugation, enslavement and classism, yet for both of these ruler’s charisma and well-meaning intent, they often are swayed to side with tyranny. For Mythal, that was Elgarnan, the Evanuris who made all the other’s worse tyrants; as well as her own hubris for believing her presence alone could dampen the ravenous hunger for power that the rest of the Evanuris held at the small prospect of leading the Elvhen in a time of confusion (being a North Star is hard when all the other lights around you aim to blind the flock into submission). For Celene, this is more about the nuances of retaining favour, pull and power over other noble families, their backing (be it financial, political or simply cut-throat), and their support so she can be the ‘lesser of two evils’ compared to Gaspard’s warmongering personality and Florianne simply being a puppet with no backbone. Both Briala and Solas are turned to pawns despite their immense strength and compassion for their respective elven plights; Briala is rendered a fangless lion (for lack of a better metaphor) if she is reunited with Celene, whereas if she is chosen to puppet Gaspard, there’s every likelihood her story could parallel a ‘power-mad’ Solas if he’d been tethered to Rage (at betrayal) and not Regret (at having not rejected Mythal when she asked him to take a physical body) throughout his tenure as the Dread Wolf.

Solas and Lavellan – a Heart that was never intended to be Given/Taken

Now I will compare the lack of possessives in front of Mythal’s “love” to Solas declaring Lavellan as ‘Vhenan’ and then ‘Ar lath, ma Vhenan’ vs ‘Ar lath ma vhenan'; again, the coma is the thorn, the pause that shapes the quiet unsaid things we can deduce. In the Trespasser cutscene DGL puts the pause after “Ar lath”, even though the subtitles construct the sentence with Vhenan as a proper noun since it’s a nickname often used by Solas: “Ar lath ma, Vhenan”. But I believe Solas actually says “Ar lath, ma Vhenan”.

With “Ar lath, ma Vhenan” the stressor is after the pause, so the line reads: “I love [you], my heart.” And with “Ar lath ma, Vhenan” it makes even less structural sense but can be inferred to mean: “I love you, Heart”.

The possessiveness of “My” is what definitively differentiates the love Solas feels for Lavellan as one more of the romantic side, it is a love of yearning and desire and a wish to have one last good thing that is pure and incorruptible. The one thing he had left to give. His heart. But that does not mean his heart is enough! The rest of him is still bound to the love of Mythal that was twisted through the ages. That changed him. And given how Pride often comes before a fall, I absolutely understand why Solas is actually very brash and ill-considering when he’s romancing Lavellan (“The kiss was ill-considered”/”It would be kinder in the long run”/”I wanted to show you what you mean to me”). He's on a precarious cliff during Inquisition. His first plan failed. He's allowed ancient elvhen magic to fall into a blighted Tevinter magister's hands. Literally everything the Inquisition did could have been for nought if the Mark had fallen to the wrong person. Things could have easily fallen apart for Solas too, so why not indulge in something trifling and fleeting? Execpt it wasn't trifling. Nor was it fleeting. And when he saw that the fall could potentially not happen, that the Inquisitor could do it, save Thedas and retrieve the orb, he was struck by the gravity of his brashness, of letting impulses control him instead of acting according to a plan. But it was too late. They'd both fallen for each other.

Solas didn’t expect to form entanglements within the Inquisition. He was committed. He was angry at the world, “walking through a sea of tranquil”, called flat-ear by the Dalish that later chased him from their village when he proved he was the Dread Wolf. He was despised by people who looked like him. Spirits were constantly being abused and turned into demons. People erected monuments to heroes who slew demons. Mages were caged. Elves were subjugated. The empire fell. Humans razed the lands with their wars and petty squabbles of succession. The darkspawn tainted the land. The dwarves would never dream. Solas awoke to the worst possible fate; in his eyes, it was all his fault.

So when he kisses Lavellan in the Fade, impulsively, he isn’t kissing her there because it is less ‘real’ than if they kissed while she was awake, it makes it so much more real. He’s kissing her in the space where he is most himself. Where he can shed the body he was forced to build and trap himself within, the body of Pride. He is acting on the impulses of an enlivened Wisdom spirit that does not consider tomorrow, for the first time in a long time. It isn’t a long game with Lavellan, like so much of his life has been about always thinking to the future, always considering the outcome, machinating, scheming, the wiles and woes of every trickster god in mythology. It’s being in the moment with her that is all-consuming. It lowers his guard, leaves him vulnerable, and when she enquires about the Fade or spirits or histories, he gets to be useful as pure Wisdom again.

Lavellan challenging him when he first shows animosity or irritation towards the Dalish (a prideful act), and then him being taken aback when she explains that maybe the Dalish could be shown another way (making him consider her words, being given a morsel of wisdom back, reminding him of his old self), these are all small moments where Solas can begin to see springs of hope in the broken world. And that’s terrifying. It means he’s destroying not just himself, but the memory of Mythal and Arlathan too, all for the love of a woman who fell for an apostate.

The best, most genuine unmasking of Solas for me is during Wicked Hearts, when he’s tipsy on wine, has no inhibitions, and revels in the intrigue, the gossip, the dancing, the music (something we now know is important enough to have an entire music room in the Lighthouse), the sex! He is at his most relaxed, and then he asks Lavellan to dance, not caring about how it would look for the “Inquisitor’s serving man, Solas” to be intimate in a fucking Orlesian palace with the Herald of Andraste, right after stopping an assassination attempt! He finds comfort in the world of Thedas at that moment. Something he rarely shows so outright.

When he takes Lavellan to Crestwood to confess, I believe removing her vallaslin wasn’t entirely just for her, it wasn’t just to free her from slave markings or to simply reveal a form of a truth he wanted to tell her, it was to resolve himself of what his first purpose was supposed to be, what she distracted him from. Removing the vallaslin had been something he’d done for the slaves of Arlathan, it was what earned him the mantle of Dread Wolf. When he removes Lavellan’s vallaslin, he resets.

Thedas cannot allow Wisdom to truly exist without fear of corruption to Pride, Thedas the world he was responsible for shaping, literally the Maker of the Veil, and he falls for a woman Heralded as Andraste’s Chosen One, Mythal’s incarnation in the South. The irony. The cruel, cruel irony. The Inquisition is tied to his past, every Andrastian he meets, every Dalish person with vallaslin on their face, every slave or city elf. Tevinter worshiping the dragons that still have the essences of the Old Gods. His heart alone cannot withstand all of the punishing, gruelling, oppressive weight that is Thedas. Even for Lavellan. So he frames their romance as this tragic, short-lived tale that was beautiful but ultimately destined to end. He expects it to pass for her, she’s mortal after all. But he also leaves his heart with her, literally giving her power over the last uncorrupted part of himself. Think Will Turner and Elizabeth Swann at the end of World’s End, but metaphorically. He gives her his heart to safe keep as he goes on a journey that could corrupt a heart, turn it cold and bitter, destroy it.

Ar lasa mala revas. You are free.

He frees his heart.

Lets it go.

Twice!

So only once he is relinquished of his regrets, once Mythal does the same for him, only then is there “Nothing left except their love”. Because Lavellan still held his heart there was still something left after. Something beyond despair and regret and loss. He had given his heart to her to safekeep. And she did. Lavellan returns his heart to him when he is freed. What Mythal had to break so Solas could heal right again (like a bone), Lavellan casts a splint around so it can be set and heal properly. This is the difference between Mythal’s love and Lavellan’s. Both Mythal’s love and forgiveness broke him, but Lavellan’s love gives him the strength to Stand Tall one last time.

Solas, before Pride alone, as Wisdom (perhaps Solas always meant both Standing Tall and Wisdom, for Wisdom can grant one pride to stand tall for what they believe in), finds contentment with the rare and marvellous spirit that endured (his Vhenan). Wisdom endured because of humanity, something benevolence is beyond.

Bellanaris

When Lavellan offers to go with him, to continue on the dinanshiral that she already considers herself a part of, Solas is legitimately taken aback. His expression is soft yet full of disbelief and awe. He actually stops walking a few frames before Lavellan says this, as if hoping Lavellan would say something to him!

And then she basically proposes to him! “Bellanaris!” I absolutely adore the fact that Lavellan promises them eternity. A vow as sacred as a death right, as protected as an ancient, elvhen, undisturbed burial ground in the face of Orlesian colonialisation. They endured and now they will have an eternity. For once, we have an elvish tale that is not a curse, it is a love story with reunion at its core, where both elves reclaim something precious that was denied them.

Lastly, i am absolutely frothing at the mouth that Solas and Lavellan primarily speak in elvish! And even more feral at the fact Solas does not try to talk her out of joining him (because this sweet talker very well could!). He simply tells her where he is going is terrible. And she shuts that shit down immediately. No repeat of Trespasser. She's standing beside him, the South has all but fallen, whatever ties yet survive are strained, and she has fought the good fight for 8 years. I think the Inquisitor was about ready to leave Thedas behind.

The last decisions Solas makes are of his own volition. Entering the Fade for atonement. Stepping into the Fade with Lavellan (It was confirmed by Weekes that Lavellan’s presence in the Fade prison would fundamentally change it in a way we haven’t seen!). Thanking Rook for giving him one last shot at getting happiness. All his own!

This is the look of a man finally reunited with his wife! So much emotion in ONE frame. God! There’s never been a character like him. A love story like theirs! I’m so happy I got to see this ending. Full circle!

P.S. If you read this far, woah nelly! That’s crayyzeee, so here are some more great pieces: Why it was important for Lavellan to kneel for Solas as he knelt for her in Trespasser in the Solavellan ending [x], and here’s a great deep-dive on Solas as a spirit of Wisdom [x].

#dav #dav spoilers #solas #solas x lavellan #solavellan #mythal #datv spoilers #dragon age veilguard #veilguard spoilers #dragon age #dragon age veilguard spoilers #the dread wolf finally took her #his war has ended #their love may endure for eternity

567 notes · View notes

beesmygod · 6 months ago

Text

"YOU HUNTED" has been updated!

"you hunted" is a work-in-progress "bloodborne" lore explainer featuring 161 pages of analysis that makes a conscious effort to separate facts from speculation. it is intended to be read by both "bloodborne" superfans and those with a passing interest in the series with the hopes of entertaining them or making them laugh at how insane the game is. it is FREE TO READ!!! i want you to read and enjoy it.

NEW TO THIS EDITION:

a table of contents!

two new chapters revolving around the exploration of isz and loran!

a section describing the process of analyzing lore!

cross-references!

CHANGES TO THIS EDITION:

overall formatting has been improved and made more consistent/less fucked up.

the glossary has been moved to the appendix.

i removed several parts where i appeared to be talking completely out of my ass.

removed several "who gives a shit" factoids that were clogging up an already bloated document.

light edits for readability/flow in "finished" chapters.

i need to "complete" this still but: i've started adding sources to the images i pick up that aren't from the wikis instead of being lazy and slimy and just lifting them lol. i didn't think this would become this when i started this document.

"you hunted" can be downloaded for free from my personal website. it's only a .pdf, so it should not trigger any weird virus protection.

if you enjoyed this, consider throwing me a tip on ko-fi. this stuff takes a lot of time and effort to make, and the only thing that can make me go faster is having enough money to buy tacos.

please read and enjoy my insane posts. thank you.

#bloodborne #bloodborne lore

464 notes · View notes

txttletale · 8 months ago

Note

hey what DO you watch on youtube? seems like you'd have some neat recommendations :3

i really loathe the like super-highly edited sound effect post-mrbeast slop most of youtube is now so i mostly like stuff that's like... calm and sedate. stuff i've been watching lately in no particular order:

northernlion vods and clips. he's an OG. i especially like his react court series, i must have watched all of them like five times.

speaking of OGs i've been watching zero puncutation (now fully ramblomatic) for like ten years and if anything it's only gotten better. best game review content on the internet. been really enjoying his more recent, slightly longer and more thoughtful 'extra punctuation/semi-ramblomatic' series too.

any austin's skyrim unemployment rate videos. instant classics to me, it's just a guy going around in skyrim trying to figure out the unemployment rate in every town. it's a very dry kind of humour, he plays it admirably straight, and it's weirdly calming.

kitten arcader's foot the bill videos. in a kind of similar vein, he watches the saw movies and then produces an itemized bill for everything jigsaw needed to buy to make his traps. it's kind of like... if cinemasins was fundamentally curious instead of fundamentally incurious, it scratches a similar sort of nitpicky detail-oriented quantifying itch but without inimical to the concept of art.

shuffle up and play. it's a magic the gathering play series that has enough editing that the gamestate is actually legible but not enough editing (or at least, not enough obtrusive in-your-face editing) that its annoying. i also like that they reguilarly play non-edh formats like cube and pauper.

spice8rack. i'm pretty picky about video essays but spice8rack has very obviously actually read books and has interesting things to say about the topics it discusses (mostly magic: the gathering). sometimes it has a kind of grating Theater Kid Energy but the fact that it actually meaningfully structures essays and analysis to earn the silly long runtimes is a rare delight from a video essayist.

jenny nicholson is a long-time favourite and another permanent fixture in my rotation. she's just extremely, remarkably funny which makes her the only 'basically just summarizing a thing' youtuber i think is worth the time of day.

i watch some sketch comedy, mainly wizards with guns and aunty donna, who both consistently put out really funny stuff that's kind of ITYSL-adjacent in its barefaced absurdism and contenmpt for concepts like "stopping a joke at the logical punchline". i also really like alasdair beckett-king and binging the old clickhole backlog for short-form comedy on youtube.

wolfeyvgc is right on the edge of the level of editing i find tolerable but as a long-time fan of multiple esports he Has It, he's absolutelyt fantastic at t elling the narrative of a tournament, explaining plays clearly, and generally making competitive pokemon esports thrilling and interesting ti someone (me) who#s never played it and doesn't care about pkoemon that much

i religously watch every elliespectacular/dathings YTP, the absolute best in the game right now, top tier snetence mixing and really good at actually setting up and paying off jokes in a way it feels like a lot of ytp doesn't. verytallbart is also pretty good.

trapperdapper is a channel i recently binged, it's a really fucking funny parody of minecraft challenge content that veers slowly from obvious angles of parody into pure absurdism with tons of blink-and-you'll miss it subtle visual gags.

too much future is a great youtube series where the two guys from just king things/homestuck made this world play through every fallout game and analyze them in that context. extremely funny and also just top-tier very sharp analysis. really good

another one of the rare good video essayists is jan misali. they're really funny and will go into topics that kind of seem narrow or strange to begin with in such depth and make them so interesting that it's consistently astonishing.

oh and finally sarah z makes pretty good videos. 'the narcissist scare' is an absolutely brilliant deconstruction of one of the most annoying pop-psych phenomena of the last couple years. and remarkably well script supervised i think did anyone else watch it and think 'wow the script supervisor on this must have been, a mind geniuse'

ok i think that's all i've been watching lately. hope you like whcihever of these recs you check out :)

#ask #Anonymous

751 notes · View notes

arcanistsanctum · 3 months ago

Text

‎‎‌‏‏. Reverse:1999 Resource Guide

These are links to some of the archives, lorecrafters and guidemakers that I follow and regard highly for their expertise, dedication, and contributions to the community. Making this list is also for my convenience.

If you know other sources, please share them! I will edit the post and add them here. Maybe one day I will also contribute to transcripts on a separate blog. We don't have enough of such precious records for a heavily lore and story-based game! Feel free to share your lorecrafting website/blog/channel too!