#core set 2019

[mtg-cards-hourly]

Viashino Pyromancer

"I trained with the Ghitu, and I respect the fire as they do."

Artist: Jesper Ejsing TCG Player Link Scryfall Link EDHREC Link

[art-of-mtg]

Satyr Enchanter (Core Set 2019) - Sidharth Chaturvedi

[haaaaaaaaaaaave-you-met-ted]

Dwarven Priest by Even Mehl Amundsen

[cetoddle]

i have noticed that lately boy groups have actually been doing a lot of fun and different concepts and i see more and more crop tops every day. finally. boy groups are fun and being slutty again. nature is healing

[modernmanblues]

really glad i ran into someone at the mall yesterday who is also going to Coachella but he said he’s going to both weekends. i was like dangg you rich bro. i mean this is my first year going so if i end up having a good experience i might go to both weekends next year.

[mostlysignssomeportents]

How lock-in hurts design

Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!

If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.

Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.

This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.

Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:

https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/

But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.

Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.

Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:

https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/

This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!

But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.

That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:

https://pluralistic.net/2023/02/19/twiddler/

When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":

https://locusmag.com/2020/09/cory-doctorow-ip/

This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.

An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.

Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.

Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":

https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html

Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:

https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/

But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.

The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):

https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/

Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:

https://www.wired.com/2010/06/iphone-4-holding-it-wrong/

Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."

Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.

Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.

I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited

Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[razberithreepointonefour]

Remember, remember, the 5th of November; the gunpowder treason and plot.

I know of no reason why gunpowder treason should ever be forgot.

[f1crecs]

Fic Rec List - Fics with 500 Kudos or Less!

we wanted to post this as a thank you for 500 followers and to highlight some of the fics we think are underrated!

if your fic is on this list and you don’t want it to be, please let me know and we will remove it immediately, no questions asked. we have contacted most of the authors on this list, but sometimes people fall through the gaps - just pop us a message🤍

have a pairing you want us to do next? please read the faqs and then head to the inbox.

don’t forget to give the authors featured on this list some love in the form of kudos, bookmarks, and comments!

like we're the last people on earth by @pessimisticidealist | Lando/George | T | 17.6K

Lando joins Mercedes alongside George Russell for the 2026 season. George expects it to go poorly, incredibly so. And he's correct. The characterizations in this one are clear and feel very real, the tangled emotions and the potential catastrophes falling slowly into something terrible and wonderful and complex. Alex's involvement in the whole ordeal turns it into a wonderful exploration of the 2019 rookies.

Lewis was right, ultimately, George thinks; his only consolation is that it isn’t Alex who he’s going to destroy, who’s going to destroy him. Maybe Lando is a little more oblivious, but — no, no, he knows they will consume each other and themselves, if not this year then next, if not the next then not long after. Nico still floats around the paddock on race weekends like a lost moon, still interviews Lewis with longing heavy in his voice. Lewis speaks to him like he would any other reporter. George doesn’t want to do that to Lando, either. He doesn’t want Lando to do that to him. “Thrilled, of course, Lando’s a good mate,” he tells the press, with vacant eyes and a fixed smile. “No one deserves the Merc drive more than him.”

plant new seeds in the melody by @lellabella | Lando/Oscar | T | 20k

In this magical realism AU, Lando and Oscar are both still McLaren drivers, with one small twist: they both have powers. The worldbuilding in this fic was exceptional: vivid and so well developed, I could picture it all unfolding before my eyes. Both Lando and Oscar's powers fit them so well, and I love how the author carefully built the development of their relationship around them becoming more comfortable with each other's abilities. Despite all powers, though, they are still so very Lando and Oscar at the core of this fic, and I loved the characterisation and writing so much.

But now that Lando is the senior driver, he's supposed to be the one who handles his feelings with maturity, not hopelessly crushing on a younger rookie. This isn't ogling handsome Carlos from afar; he wants to wrap Oscar in a blanket and make him hot chocolate and know that he's okay. He wants to see Oscar smile not just because it's pretty but because he genuinely cares about his happiness. That part is new.

nsfw: live in five by @danifesting | Daniel/Max | E | 25k

Daniel discovers Max's Twitch stream and quickly becomes obsessed with them. This fic explores Max and Daniel getting to know each other and learn each other. I really liked the Max characterisation in this. Very direct but also very open to learn. One of my favourite parts is the mod group chat and how it serves as extra information for the reader, set's the tone nicely and helps you understand the overal context of Max and Daniel.

“I should probably explain my different set-up. This is not permanent. I will be back to my normal room at home in two weeks but for now, I am visiting my boyfriend.” electricsld: oh! a boyfriend! andpussycats: say more max dr3rd: yeah maxy, say more “Well, he is very sweet and he does not mind that I need to stream while I visit him. We live in different places, so we, of course, do not get to see each other very often, but it has been very nice to visit.” dr3rd: is he handsome? Max wants to roll their eyes at Daniel fishing for compliments but they contain themself. “Yes, very handsome. So handsome I cannot believe he picked me.”

I Know Your Name (But Not Who You Are) by @wanderingblindly | Charles/Max | T | 7.7k

Charles isn't in Monaco anymore, instead, now he's in Arizona. He's suffered loss at the hands of racing. Max turns up unexpectedly. Great fic if you want to cry and sob and scream into your pillow at 2 am! Amazing writing that just makes you want to lie in bed and contemplate life :) this is such an underrated fic!

There’s not another soul in the desert, just the brief rustle of an autumnal breeze ghosting along the loose earth. But behind Charles’s eyelids, in the space between him and the world above, it’s them. It hasn’t been them in a long time, he hasn’t let himself think of it. He isn’t running from anything, fluttering from city to city, crossing oceans he never touched as a boy. He’s searching, maybe, for a place where the wind can blow it all away. The sun feels warm as he raises his arm, fingers outstretched as he tries to hold that boundless blue in his palm.

nsfw: Everybody Wants to Rule the World by @kaytheologiearchive | Nico/Sebastian | E | 23k

It's 2022, Sebastian is driving for Aston Martin when their new team principal is announced – Nico Rosberg. The author said it best herself – this fic is all about "the absolute fantasy of being the villains favourite girl". And Nico makes a lovely villain, snarky and a bit pretentious but with the ability to back up his words and make his promises reality. I especially love Seb's character arc, starting with 2022!Seb, reluctantly forced to accept that his world champion days are over, to then finding his spark again under Nicos guidance and returning back to his charming, selfish, index-finger-in-the-air ways. Really they are both absolute assholes in this but thats what makes them perfect for each other.

“I’m here for the same reason you are,” he says, megawatt smile back on his face. “To win you a title.”Seb sits back in his seat, grinning bitterly. “Don’t let Stroll hear you say that. The only reason he bought this team is to try to get a title for his son. I’m just here to play mentor until they build us a car one of us can win with, and then he’ll turn me loose.” He doesn’t add, just like Ferrari did. He doesn’t have to.Nico scoffs. Seb’s met so few people who actually scoff in real life. “Lance Stroll,” he says, disdain dripping around every consonant, “is never winning a title. You still could, though, and you know it. You’d have retired if you didn’t think so.” Seb opens his mouth, prepared to contradict him, and Nico silences him with a wave of his hand. “Don’t give me your go-to line about the love of the sport. You’ve only ever been here for one reason. The media might forget, you might even want them to forget, but I know what you’re really like.”“And what’s that?” Seb asks. Against his better instincts, and even though he knows Nico can’t have a single good motive for being here, he’s intrigued by whatever Nico’s about to say. Nico’s always been an enigma to him, Nico’s opinion of him doubly so.“You’re ruthless,” Nico says, almost in a whisper. “You’re brutal, and ambitious, and you’ll do whatever you have to to take everything you want.”

Rabbit, Rabbit (it takes a village) by @481boxboxbaby | Lando/Oscar | M | 25k

Oscar wakes up to find four baby bunnies in his shower. In the world of this story, that's as good as peeing on a stick. This boy is knocked up, and there are six possible baby daddies. This is a sweet, funny and heartfelt fic that takes a cracky idea (magic bunnies means you're pregnant) and treats it seriously. Oscar is definitely a bit of a pillow princess and good time guy - that's why he has bunnies - and the fic follows his journey of self discovery, growing as a person along the way and learning that knowing himself is far more important than knowing who the daddy is. The guy who steps up, and who Oscar chooses in the end, is maybe a little unexpected but it absolutely worked for me.

“Oh,” Oscar blushes a fierce shade of red. “We’re not a throuple. They’re just friends. I mean, maybe one of them is the other father but - um - that’s sort of the thing.” The midwife raises an eyebrow and cocks her head to the side, waiting for him to go on. Oscar instead looks at Liam and Logan, desperate for one of them to bail him out. “You see, there’s a roster,” Logan says, his expression awfully serious like he’s trying to be as tactful as possible, even if he did just start off by outing Oscar as a hoe.

THREE SCENES IN A CITY by @loveisworry | Alex/Charles | T | 6.8k

Charles and Alex and a party. This is the kind of fic that you read, and then you remember for the rest of your life. This is a truly stunning urban fantasy, very immersive and atmospheric.

'Charles, the city’s chosen son, knows these streets better than the backs of his hands, which are often smeared with ink. There’s a scar where his left thumb joins the meat of his hand that he always forgets about. He’s had it since he was a child, and doesn’t remember it’s there because he doesn’t remember how he got it. Without a story to hang onto it disappears'

[monstersmashorpass]

SMASH OR PASS: Minotaurs

[Art credit, right; Hostile Minotaur MtG Art from Core Set 2019 by Joe Slucher]

Please reblog for greater sample size, as per usual!

[crowdsourced-webcomic-reviews]

Ggdg is a famous face in webcomics, and a few other mediums too. The artist and brain behind works such as Lady of the Shard, Idle Divination, Undyne’s banging outfit on her date in Undertale and countless other contributions to UTDR, and their most recent hit Soul of Sovereignity (soulsov real 2023!)—but they got their start with original storytelling through the much beloved Cucumber Quest:

Narrative wise, Cucumber Quest is as the requester for this review put it about “bunny kids going on a quest to save the world”. Like a lot of ggdg’s work, CuQu is steeped in their love of JRPGs, and there’s an undeniable touch of JRPG flavour in the plot.

The comic opens with our antagonist having acquired the seventh of their eight macguffins required to summon the big bad, and later our heroes must re-collect these macguffins and fight all the disaster masters they’re associated with, and defeat the evil Nightmare Knight!!!

Cucumber Quest is a comedy and a parody of fantasy video games, but it does all this from a place of sincere love and joy. I’m confident if you asked ggdg if they they thought all the incredibly clunky, tonally dissonant kingdom hearts cutscenes with michael rat talking about the heart of the darkness to cloud final fantasy or whatever were “cringe”, they’d say “are you kidding me they fucking rule”.

Cucumber Quest is filled with jokes, but it’s never meanspirited. It pokes fun at the trappings of fantasy video games, and as it does, it goes “but that’s why we love them so much!”

It’s not all jokes though, there’s a sincere heart at the core of CuQu. Ggdg loves their characters through and through, and the story loves them too. While the setup of the story might suggest a simplistic angle of good-vs-evil like a lot of video games, it is very quickly revealed that this story is anything but. The biggest heart of the story is the Nightmare Knight himself:

The truth of his motives and why any of this is even happening, whether or not our heroes will find out the truth and break the cycle, or if everything will continue as it always has are the crux of the plot. But to hear more about that, you need to read it for yourself!! If you like sad dads though, this is The comic for you.

You’ve probably noticed by now also, the use of colour in CuQu is absolutely stunning. Everything from their big set piece atmospheric pages with deep, powerful emotions seeping from every panel as they use limited colours to create a specific mood, to the individual panels of their lighthearted pages—ggdg has a masterful control over colour and mood. The entire comic is just a visual delight, and you can pick any random page in the archive and be provided with a treat for the eyes.

Cucumber Quest it should be noted is an incomplete story. Though not wholly abandoned, it last updated in 2019. Since then, ggdg has been busy focusing on other projects—the newly released soulsov is one such project. One day, perhaps after soulsov’s conclusion, perhaps earlier, perhaps later, ggdg intends to return and wrap up the remainder of CuQu via a series of scripts and illustrations.

It was a story a bit too big for its breeches if you will: after almost a decade of work it was nowhere near reaching its conclusion, and understandably ggdg needed a break.

Nonetheless, what exists is a wonderful heartfelt story and visual delight that deserves a read and the patient wait for its conclusion some day ❤

[art-of-mtg]

Sparktongue Dragon (Core Set 2019) - Daarken

[haaaaaaaaaaaave-you-met-ted]

Herald of Faith by Tommy Arnold

[lowkeyrobin]

Heyy :) Can you please write headcanons of dating quackity, but in his earlier eras? (like 2019-21 maybe) ❤

ooooo yes of course!!! ; fun fact I've been watching him since 2018 or so (I don't mean this in a "Oh I'm cooler than you way) ; thank you for the request!! this was fun as hell ; I tried to kinda do it in a chronological order but yeah, I did like stuff and then more details of relationship if that makes sense yk???

QUACKITY ; 2019-2021 era

warnings ; language, talk of drugs, jokes about sex

genre ; fluff

word count ; 858

masterlist

Raiding Club Penguin with him and Axel was a core memory for you. It was the first true time, however cringe it sounds, that you saw Alex as your best friend.

he'd always try to make you laugh, especially on stream

such a little tease

back in the olden days, we had those Discord server 'wtf is that food' videos

you guys rank some of them and how likely you'd eat them

also ranking Discord memes

so many of them were dumb shit or weird shipart from like 2015 deviantart LMFAO

"guys I know me and y/n are dating but that doesn't mean compare us to Shrek couples!"

"I thought Thanos was your true love?"

"He-He is! Oh my God, stop being so desperate, y/n. ugh"

once he got invited to the Dream SMP, you were all ears and proudly taught him how to play Minecraft

you made his alt skin with the tuxedo, which he didn't wear often, but used in lore some time later

youd often help him with lore ideas

he also got you invited into the SMP where he introduced you to some of his new friends

you knew schlatt and some others, but most of these people were new and it was nice meeting all of them

the fiances are established and then you and quackity are already a think and you also like karl, which creates a weird love rectangle with an open end because you and sapnap are sharing the other two 💀

lore goes fuckin crazy with that

while Karl's off making Kinoko Kingdom and Quackity's running Las Nevadas, you're building El Tropicana, off in the far away jungle biome

Alex would usually stream and translate Mexican soap operas, which you joined in for sometimes

you'd give the characters different voices and twist their words up a bit to make it more entertaining for chat

the amount of drug talk that went into that was wild

also the amount of queer kids bullied in those schools?? yikes on bikes

also the one with that girl who got in trouble for kissing a boy on the playground or whatever that was?? Jesus christ man

youd both act put the scenes on occasion and use Tiger as whatever kid was being yelled at if she was in the room with you

taking a break halfway through stream for him to play guitar and for you to karaoke to fuckin Bo Burnham

also making fake joints out of paper he had laying around and "lighting them up" aka setting paper on fire next to a PC and your faces

Jackbox streams with the Feral Boys until 3am>>>

Paranormal Activity in the middle of the night went so fucking crazy

teaching Bad how to play GTA is your favorite memory with those two

playing horror games and watching him play horror games with Karl while he visited him

how dare he leave you all alone (you couldn't go because you had a busy schedule)

your chats shipping the hell out of you and your dsmp characters

hella fanart and fanfictions man

try not to laugh streams where you always ended up laughing before the ten minute mark because of him

he purposefully does shit to make you laugh

reading fanfiction on stream was a regular activity especially for y/s/n

youd rank the book on a scale from one to ten and how accurate to real life they were

"nahhhh that one doesn't have enough Thanos, two out of ten"

"yknow what... were gonna have our own tier lists... okay?"

"damnit... does this mean I'm not getting laid later?"

"what"

promoting the quackityhq merch religiously

also stealing whichever beanie he wasn't wearing, either the LAFD one or the plain black and blue one

him tying you to a chair and forcing you to laugh was a common stream plot

tweets that were either very inconspicuous about drugs, very sexual, or very old married couple vibes

youd both be frequently trending on twitter

hot wings or dare streams with Bad >>>>

playing girls go games and hoping you wouldn't give his PC a virus

sitting in the inflatable pool fully clothed, playing with children's bath toys

he'd for sure be the type to fall for his best friend

whether it be all the way back then or just now, he could go forever without feeling any feelings but one day they'll show up and the nervousness begins

he'd lend you a hoodie if you were cold in his room and he just straight up begs you to keep it

lots of just staring at you while chat ships you, like genuinley just zones out on your pretty face

would probably doubt his feelings at first and talk to his mom about it and she's like "boy you have a crush. Go ask them the hell out, you're a handsome young man, I'm pretty sure they like you too"

"mOooOooOoOoM"

genuinley spoils you with no good reason and after a while you just accept it

he starts sending good morning and good night texts

he'll repost (or reblog) (he has a secret tumblr) fanart of you two, especially if it's shipart

will constantly send you clips of movie characters making out or kissing and say "this should be us"

[totallyboatless]

It is time, friends, for another Pip's Weed Essay game. The rules: I'm about to take an edible and start writing a mini-essay in one sitting. I edit a tiny bit as I go, but for the most part this is on the fly. I've thought about this topic a lot, but haven't outlined it. I'll let you know when the edible hits, but there's a chance you'll realize it before I do. (PIRATE FRIENDS STICK AROUND - this is Pip from the future, I get pretty high in this, but anyway I'm here to tell you that this goes in a very unintended OFMD direction that i'm still reeling from. Anyway back to Past Pip)

Edible ingestion commencing, time: 7:37pm Mountain Time

I polled my followers for the topic, so today we're going to talk about:

Fixing the Puck Problem

I've read and seen A Midsummer Night's Dream more than any other Shakespeare play. At this point I don't know if I've seen it so much because it's my favorite, or enough opportunities for me to see it have lined up that it's become my favorite by default. It's easily the Shakespeare play I know best. I haven't seen a staging that I fully disliked, but there are two elements of this show that I feel like are rarely handled the way I want them to be.

Problem one:

Puck will never be as funny as Bottom

It's common to consider Puck to be the main character of A Midsummer Night's Dream. He's at the very least the most famous character in the play. Puck is a dream role, and obviously with his being a fairy, he's usually directed to be weird and whimsical--and a lot of the time, playing for laughs. It makes sense, he's a trickster, it's built into his nature.

But in modern day, his lines and actions don't translate as well as Bottom's. In all of the times that I've seen A Midsummer Night's Dream, I've *never* seen a production where Bottom fails to steal the entire show away from Puck. I've had multiple experiences where I could feel the director wanting me to laugh at Puck; I could see the reasons for the direction, but it just wouldn't hit. In those same productions, I've laughed so hard at the Bottom scenes that I cried.

I'm thinking particularly of the 2010 production with Judy Dench reprising Titania (honestly still in shock over seeing that lolol) and the 2019 Bridge Theatre production (which you can find streaming, it's *incredible*).

In the 2010 show, the Puck actor kept doing what honestly felt like a Woody the Woodpecker impression lol. He would pause for laughs and they just...wouldn't happen. Meanwhile, Bottom was set up with the kind of success that let him steal at least one scene from fucking Judy Dench.

In the 2019 Bridge Theatre production, I genuinely like the direction they gave Puck--he's a weird little twitchy Irish punk doing fucking aerial silk shit. But even with a unique vibe and a fun performance, it's still not enough to outshine Bottom.

Basically my thing is that I want to get to the end of A Midsummer Night's Dream and feel more connected to Puck. I *want* him to be my favorite. And there's just absolutely no way to make him my favorite if his core purpose is to be funny. Puck is supposed to be a larger-than-life being--the audience is never going to buy that when he's not even the largest character on the stage.

The second problem is smaller, and in fixing it there's also a fun chance to fix the Puck problem:

Problem two:

The audience usually doesn't understand why Titania and Oberon are fighting.

If you've gotten this far you're probably already a nerd who knows this, but gonna pose the question like I've done for other people I've seen the show with: Why are Titania and Oberon fighting? What's the core reason?

Bc you're a fucking nerd you probably yelled CHANGELING! Which yes, good for you, if I had become the Shakespeare professor I wanted to be but didn't have the money to become, you would be in my class and I would throw a snickers at you for a reward.

But the thing is, a *lot* of people who only know the play casually don't know. And most productions don't assist them in knowing.

Elaboration for non-nerds: Titania had a "and they were roommates" totally not at all lesbian relationship with a human women who was pregnant. The women dies in childbirth and Titania takes the child to raise, and she cherishes him more than anything, which is an extremely straight thing to do. In the play, the character is only referred to as the changeling. Oberon gets super jealous of this kid and wants to steal him away and make him join the Wild Hunt so that he can have Titania's full attention back, because he's got that issue creepy men get when they have kids and then are like "I'm jealous of my son because he's making it less likely for me to fuck my wife" and it's like "dude calm down with this projection of an Oedipal complex."

If you're not a coward and read Titania as in love with the changeling's mom, then Oberon's issues are maybe slightly less creepy, but like not really

So that's it really. Titania loves this kid of her sapphic lover that died. Oberon is jealous about it. He decides to play a trick on Titania both as a way to get revenge, and also as a distraction so he can steal the kid.

But the issue is that 1.) all of this is communicated in a long and kind of boring speech, and 2.) the changeling literally never has a line and also no stage directions

The 2010 production had a hot dude chained up and writhing on stage in a kind of hot dance snake movement thing when Titania talks about him, but most productions never even have an actor cast as the changeling. I was really shocked they didn't have anyone for the 2019 production, given how much I love most of the rest of their choices.

OKAY SO. We now have the two problems: Puck isn't the fan favorite even though he should be; and most people in the audience have no fucking idea about the changeling.

(THIS IS HIGH PIP FROM THE FUTURE I FORGOT SOMETHING VERY IMPORTANT TO THIS PROBLEM: If you do know about the changeling/follow along with that plot, it's *very* hard to root for Titania and Oberon when they reconcile. Which can be fun and cool and a little hot even maybe if you're going all dark, but thIS IS A PLAY ABOUT HORNY FAERIES HAVING A GOOD TIME so I won't be having that. I want this play to make me like that Titania forgives Oberon so easily. Okay Past Pip, take it away)

lol okay yeah weed friend has landed, I just wandered away for a minute with a desperate need to put taquitos in the air fryer. Time stamp: 8:16.

OKAY FOR REAL NOW LET'S GET INTO:

Pip's Most Ideal Staging of A Midsummer Night's Dream Which Fixes the Problems in Theory

The Staging:

First off I want the production to be in the middle of the literal woods where there's pretty lights in all the trees and people are sitting on blankets and have snacks and drinks and drugs and whatever they want, and the whole staging has the actors weaving through the audience. Not just theatre in the round, full immersion

I also want people to not fully know where the production is, just that it's on the outskirts of the forest, and then the actors emerge from the woods at a designated time and bring the audience to the secret stage section. And ideally this would be like a park on the outskirts of woods so that there would also be people there who wouldn't know what the fuck was going on. And ideally some of the fairy actors convince them to come along and the people go having no idea what they're about to get into. That's how A Midsummer Night's Dream is meant to be experienced in its purest form: with actors dressed as fairies trying to seduce unsuspecting strangers to follow them into the woods to an unknown location where they'll probably be offered drugs.

TAQUITO TIME

Taquitos acquired.

Puck's direction and motivation:

When Puck is first introduced, it's by a fairy called Peasblossom who's otherwise not a big part. Peasblossom lets the audience know who Puck/Robin Goodfellow is by basically going stan-mode and being like "holy shit you're famous." PB literally starts listing his greatest hits.

So picture with me: instead of an extremely fairy-like whimsical Puck, I want a Puck that wanders on-stage like a burnt-out rockstar. Cigarette in one hand, beer in another. Probably on a cocktail for faerie super magic mushrooms. Just fully numbed out. In this moment, Puck feels way more human than faerie--and I want the performance to be in a way where that feels off. To have it be communicated in manner and clothing, and the juxtaposition of PB recounting Puck's glory days, that Puck hasn't always been like this. This isn't a faerie trickster in his prime. This is a man who's lost all sense of fun and is going through the motions.

That's what happens, right, when you become just a little too famous?

Puck is the only one of the main characters who gets to the end of the show and is entirely alone.

(my favorite thing about being high is how *good* it makes food taste, these taquitos are not fancy but with the power of the devil's lettuce it's so good--oh my god I have Dr. Pepper)

(I'm back with the Dr. Pepper. I'm having fun, are you guys having fun? If you've made it this far i kiss u)

So Puck is alone at the end of the play while everyone else of import is either with their lover or with their theatre-kid-found-family. And it's largely because Puck lives between worlds. He's not powerful enough to be fey royalty; he's Oberon's right-hand man, but he's not Oberon's peer. But the lower fey court are also not his peers -- they treat him like a celebrity, he can't actually connect with them. He's not allowed to frolic and play with them anymore, not really.

With this interpretation and direction, we now have a Puck whose action in the plot can lead to a happy ending (keep with me), and whose existence isn't just to be quirky and whimsical for the audience. Instead it's a Puck with a motivation: he's lost all joy in his job, he's disconnected from him community, and Oberon only treats him like a fuckbuddy so he's sexually frustrated. (Oh right yeah I was supposed to write about how Puck is in love with Oberon. He is.) That's all fucking sad, bro! And you know from the Pip that traveled into the past that this play is fun and should be fun!

Now for the final part, where we put in the special ingredient to tie this particular Puck direction into the happy ending:

LET'S 👏 GET 👏 GAY 👏

Do you guys (gn) remember the changeling? It was like possibly an hour ago, the time-warp this particular edible always sets me on has fully set in. It's possible this essay is like 5k words long. It's also possible it's only 500 words long. I wish I was lying when I told you I don't know.

Anyway, the changeling. Let's make him a fuller character and let's give him to Puck wrapped up in a sexy, charming bow.

Picture this: The Changeling, from now on capitalized as a character, shown on stage in Titania's court. Locked up like a princess in a tower because Titania is desperate to protect him. And the Changeling is all *sigh and flutter big beautiful princess man eyes* because he wants to explore what's out there. Because he's a man who's grown up and been forced to live between two worlds. He's not fey royalty, he's not Titania's actual kid and she kind of honestly treats him more like a momento of her lesbian lover than an actual adopted kid. He can't be one of the fey court, because he's not fey, and also he's not allowed to frolic and play with them.

That should sound familiar to you if I did it right.

Puck and the Changeling, both feeling the same sort of empty spot. So let's smush them together.

Give the Changeling all of Peasblossom's lines. It makes more sense for a detail I left out before, too--Peasblossom doesn't recognize Puck they see him for the first few lines. Once they do they're all like "omg you're the dude that makes people horny for each other and also some other trickster things." They know all of Puck's stunts, but they don't know what he looks like? It's clearly an exposition device, but it's a weak one (sorry, Shakesy). He's the rockstar of the fey world. You'd have to be living under a rock or, I dunno, locked away like a beautiful man-princess --

(Okay you know where I'm going and I have to stop there because I'm cry laughing, I swear to you -- I swear to fucking god, guys, I wish I was joking -- I thought I was being cute and clever saying "man-princess". Not because of irony. IT'S BECAUSE I FORGOT THERE IS A WORD FOR A PRINCESS WHO IS A MAN AND THAT IS A PRINCE. Okay i should clearly wrap this up lol)

In this staging, the Changeling clearly doesn't want to be locked up. So...he finally finds a way to sneak out. He goes on a romp through the forest and that's when he runs into Puck (this is the scene where we first meet Puck). The Changeling wouldn't recognize Puck, though he's have heard of him. He probably loves stories because what the fuck else does he have to do, so he's asked the fairies to tell him about Puck's adventures over and over. Meanwhile, Puck wouldn't recognize the Changeling because Titania has been keeping him so under lock and key. It allows an opportunity for them to connect on more of a peer basis as they--

Holy fuck. Wait. Hold on. Is the Changeling Stede. Is Puck Ed. What the fuck. Did I write an AU on accident. I don't even like AUs very much (sorry AU writers it's not personal it's just not my thing).n ANYWAY sorry for the pirate aside. God this is properly off the rails now.

They like each other, you get it. And now Puck has someone he wants to impress. There's not a lot of opportunities to give the Changeling more lines, but that doesn't mean he can't appear on stage. He can stay with Puck (hiding from Oberon whenever he's there, leading to some good chances for physical comedy) and go on the nighttime adventure of his dreams.

This leads to a fun, unique choice: having Puck fuck up the love flower juice plan on purpose. So that he can show this hot dude following him around with wide enthusiastic eyes the kind of things he's capable of OH MY GOD THIS IS ED AND STEDE I SWEAR THIS IS NOT ON PURPOSE I AM JUST NOW SEEING THE PARALLEL

Okay we're nearly at the end I promise. We just have one more problem to solve: How are we supposed to root for Titania and Oberon to get together when Oberon literally publicly humiliates her and then steals her adopted son and forces him to join the Wild Hunt even tho Titania REALLY doesn't want him to? Well, the first one is easy, Titania and Oberon are so fucking kinky, and Oberon likes getting cucked (remember he's only jealous of the Changeling, never the lesbian).

The second one is also easy. Make it the Changeling's choice. Leaving Titania and joining Oberon's court means two things: He gets to be with Puck, and joining the Wild Hunt allows him to go on exciting adventures. If Titania saw that the Changeling wanted this with the staging that both Titania and Oberon look over and see Puck and the Changeling making out right after Titania's spell is broken. Then Oberon can jokingly delivers the line about having stolen the Changeling, realizing that the plan worked but in the most ridiculous way possible. And how could Titania not find joy in all of that?

It makes me so much more glad to see them get back together.

Puck's closing soliloquy is his most famous, but I like his last big monologue right before it better. There's a very important line he says that communicates an important shift within the context of his particular staging:

And we fairies, that do run

We.

Puck isn't a lonely, washed-up rockstar anymore. He's part of a "we." Not just the Changeling, but the other fairies, too. Puck and the Changeling act as bridges for each other, to be part of each other's worlds in a way that feels like a whole -- OH MY GOD IT IS ED AND STEDE

Puck being alone on stage isn't so sad anymore, after all that. Because Puck, who starts off the play with so little sense of belonging, now has so much to go back to.

And that's it, that's my ideal staging of this play. Honestly, I really, really want to direct it. I have no experience directing but I have the audacity to think I could do it lol. No resources, tho

OH ONE LAST THING HELENA NEEDS TO BE INTO PUP PLAY

also the lovers are all in a polycule, that's just a given, any other staging is cowardly

alright bbye

[exit]

final time stamp: 9:25 PM, not rereading, just hitting post. We die like Mercutio.

[probablyasocialecologist]

What the elite-flattering plots of “progress” divert attention from is the following: The core reason that the global rich-poor gap keeps growing is that the bulk of growth also goes to the already have-mosts, as a thin-gruel “trickle down” delivers an unbelievably bad bottom-share (the implicit imperialism pattern that the IPCC models extrapolate). WIL [ World Inequality Lab] data shows that the total global personal-income pie grew $37 trillion from 2009 to 2019. Of that, top-decilers took $8.7 trillion (24 percent) and bottom-decilers got $25 billion (0.07 percent). That’s not a typo. Global markets, as now set up, allocate those in greatest material need 345 times less than they bestow on those that have greatest material abundance already. The average bottom-deciler earns just $289 annually, or 79 cents per day (that’s just under 3 percent, or 1/38th, of a rich-nation poverty level). Their income grows on average $5 per year, and at that rate it will take 2,100 years to reach rich-nation poverty levels (of $10,950 a year, $30 per day).

Jag Bhalla, We Can’t Have Climate Justice Without Ending Computational Colonialism

[spacevixenmusic]

Unfairly Maligned Games, Vol. 3

Games I loved that got low scores, review bombed, or have some other weird negative stigma attached to them that I think is unfairly earned.

NOTE: I don't believe in giving games a number score or a letter grade. Maybe I'm just bad at criticism or very easy to please, whatever.

Indivisible [2019]

Mostly only known as the "from the makers of Skullgirls" game, Indivisible is another prime example of a game that was crowdfunded as one thing but turned into another, and gets a bad rap for its association with the ever-present controversiality of Skullgirls' creators. That said, I still think - as always - that it's crucial to view a game for what it is, not what it isn't. And what it IS is an extremely engaging mish-mash of genres and endearing characters, oozing with style and appeal, that fills a very particular void left behind by some of the most classic RPGs of a bygone era.

At its core, Indivisible is a 2D Metroidvania/RPG hybrid with an unusual battle system that plays similarly to an old PSX game series called Valkyrie Profile. During combat, each character's gauge will fill up, allowing them to take action(s). Your four party members are each assigned to one of the four face buttons on a controller (e.g. A, B, X, Y), and pressing that button will - in real-time - execute an attack on the enemy. Using it in combination the D-Pad allows for several different types of attack. All party members' attacks can overlap simultaneously, allowing you to string together combos to really rack up the damage, or juggle enemies to prevent counterattacks and break their defenses. The Metroidvania and platforming portion comprises the rest of the game, with a heavy focus on using those same action skills to scale massive environments, solve platforming puzzles, and dodge spikes. Typical Metroidvania stuff.

Story-wise, in our modern world of RPGs that is dominated almost exclusively by Japanese and Scandinavian narratives, Indivisible is breath of fresh air that focuses heavily on South and East Asian mythology and themes. Heavy inspiration is taken from the cultures of India, Tibet, Mongolia, and the South Pacific. This is reflected not only in the characters and their various ethnicities, but in the game's approach to spirituality, reincarnation, second chances, and being a teenager hellbent on destroying god. Our main protagonist Ajna is a teenager studying martial arts who isn't quite as in touch with her spirituality as her mentor would like her to be. When war strikes the land and burns her home to the ground, she gets pissed and sets out on a quest for retribution, discovering in the process that she actually does possess certain godlike powers of destruction, and also that she can absorb certain people into her head, which is just a cute way of lampshading having a Party System.

I've seen Reviewers and big Opinion-Havers on the internet criticize the game's writing for having a bull-headed protagonist who boldly rushes into confrontation, unleashing her wanton destruction without first considering the catastrophic consequences for civilians. It's almost like they've forgotten what being a teenager and making poor choices is like. But I say fuck 'em. I say we need MORE stories about uninformed teenagers with immense godlike powers and no sense of nuance making rash decisions and fucking up royally. That alone is crucial to understanding the rest of the game's themes about atonement, reincarnation, and understanding why you believe what you believe in. That's what Indivisible is all about. In many ways, I feel like Ajna shares a common story arc with Korra from the Avatar series, and it's very cool to see how she learns to deal with the damage she's caused and what insight that gives her when facing down the Big Bad.

Of course, what is a good story without characters to flesh it out? The characters in this game are absolutely charming and multifaceted, coming from a wide array of different cultures and personalities, many of which are vastly underrepresented in not only RPGs but video games in general. Personal favorites include, but are not limited to, big booba water mom Thorani (based on a buddhist deity of the same name), Leilani the Hawaiian sharknado (spins around in a cyclone attack using a leiomano, a Hawaiian shark-tooth sword), lesbian pirate mom Baozhai (based on the famous Chinese pirate Ching Shih), and of course, local nihilistic swamp witch Razmi (a loose mishmash of Korean and Persian Zoroastrian shamans). The full cast of characters is enormous (well over 20 playable ones alone), and each one comes with a unique moveset and playstyle that not only keeps gameplay interesting, but matches their personality and the role they play in the story.

But if there's one thing I truly want to focus on when I gush about this game, it's this. Indivisible has one thing over most other games of its genre, something that modern RPGs in particular suffer heavily from a severe lack of, and that's its strong commitment to multiculturalism. Indivisible made a clear decision to not only feature characters from around the globe, but to blend their cultures together in interesting and exciting ways that don't diminish or water them down. Every character is allowed to shine in their own way without diluting what makes them stand out in the first place, which is why you can have a game that features a gunblade-wielding cowboy, a Namibian songstress, an armless Chinese dancer, a Kamen Rider knock-off, and a Mongolian archer who people keep mistaking for Pearl from Steven Universe. This sort of melting-pot cultural stew used to be common in classic anime and 90s RPGs, but kind of fell out of fashion with the rise of gacha waifu games and Elder Scrolls derivatives. Now more than ever, I feel like Indivisible is exactly the sort of injection the gaming world needs to rekindle those flames of pure imagination that the old classic era brought us.

All that said, one of the biggest reasons Indivisible will always have a dark mark next to its name is of course due to the fact that its lead designer (the studio head) was involved in a sexual harassment case that resulted in everyone on the team either quitting or being laid off, and the rights to the work and characters getting lost in the shuffle. Additionally, the game was still finished and released as intended, but did not feature any of the guest star characters that were promised during crowdfunding, most of whom were indie darlings of the time (Shovel Knight, Hyper Light Drifter, and Super Time Force to name a few). Naturally, this has left a sour taste in many folks' mouths, so it is somewhat understandable why the game would have a negative stigma attached. There are also a few bizarre and possibly off-putting cameos hidden among the NPCs (a few outdated meme references and Zone-tan, of all people), but these are entirely skippable and serve only as background extras.

Sour grapes aside though, I wholeheartedly recommend Indivisible for anyone looking for a fresh take on action RPGs. The neat hybridization of Metroidvania and real-time RPG with fighting game mechanics gives it a very unique identity, and if the compelling spirituality of the story doesn't grab you, the charm of the characters absolutely will. It certainly took me for a ride. My only word of caution is to follow the game's own suggestion and get good at Blocking in combat as early as you can!