I'm thinking of making this a whole series where I repaint ds9 scenes but replace what the characters are drinking with monster energy zero ultra? There's no actual joke or point I just think it's funny
i do love assassin’s creed 3 but GOSH i wish it didn’t rob us of some story points...
like i know we see connor reading haytham’s journal at the beginning, but i wish we’d gotten MORE of a reaction out of him when he realized the head Templar was his father.
Likewise I know Haytham was able to put things together and figure out Connor was his son before they properly speak for the first time, but like...I wish we’d seen that realization. I wish we’d seen how Haytham initially reacted to that. How Haytham’s goonies reacted.
They give us this juicy juicy central conflict of Connor fighting against his own father and then they don’t...give us these moments. And it’s frustrating because i LOVE Connor. He’s one of my favorite assassins. But he’s got this Shakespearean level conflict going on and the game doesn’t dig into it the way it should.
AARO Report & National Security State Deceptions | Richard Dolan Show
Richard Dolan critically examines the recent report issued by the All Domain Anomaly Resolution Office (AARO). He delves into the historical overview of Unidentified Aerial Phenomena (UAPs), also known as UFOs, and questions the transparency and honesty of the ruling establishment. He scrutinizes the report's claims, its lack of substantial evidence, and its misrepresentation of historical studies. Dolan also discusses intriguing developments such as the metamaterial artifact and the testimonies of insiders about crash retrievals. This episode is a must-watch for anyone interested in the truth behind UAPs and the ongoing battle within the national security establishment.
Get your PDF copy of the AARO report here: https://media.defense.gov/2024/Mar/08...
The Time is Now,Wake Up Humans !...Just remember who you truly are !...You're really Eternal Spiritual Beings !...Thus,don't give up your Divine Power !...
can't be bothered to find the og post rn ( think i might have deleted it bc it was a lowkey kind of spooky season joke. ) but in it i referenced a headcanon i had regarding raven's ability to manifest monsters subconsciously, as demonstrated in the t.een titans cartoon. i mentioned it in another post last night here but i'd like to expand on that. as the episode itself points out via robin, the monster / creature itself was not real. it was just the embodiment of raven's own fear. therefore, none of the characters were in any danger. this is where the hc part comes in. this still occasionally happens once raven's reached adulthood. though rarely, and very sporadically. ( for example, your muse walks in to find her asleep, and there's the fucking. creature from the black lagoon hanging out near her or smth. ) your muse isn't gonna get hurt. its chill, it's fine. she'll get it if you freak out though.
K but The Phoenix by Fall Out Boy is an excellent Karlach/Astarion song I mean:
Hey young blood, doesn't it feel like our time is running out?
I'm gonna change you like a remix
Then I'll raise you like a phoenix
Wearing our vintage misery
No, I think it looked a little better on me
I'm gonna change you like a remix
Then I'll raise you like a phoenix
Bring home the boys and scrap scrap metal the tanks
Get hitched, make a career out of robbing banks
Because the world is just a teller and we are wearing black masks
"You broke our spirit, " says the note we pass
So we can take the world back from a heart attack
One maniac at a time we will take it back
You know time crawls on when you're waiting for the song to start
So dance alone to the beat of your heart
I really wanna understand your love for kieran culkin, I loved him in Scott Pilgrim.
Oh my god this is so nice you really don’t have to ask but I love that you did!!!!!!!!
I wish I had a less lizard brain answer to attribute the spark to but sometimes you need someone to do something sexual in order for your brain to unlock that interest in them and the Roman/Gerri phone scene takes the prize. When I rewatched the show I had zero recollection of the emotional scene that happens right after because apparently I blacked out lol. So then I’m watching the rest of the show through new eyes which of course leads to huh, I definitely love this character and am attracted to this being, but do I also love this person? Anon, he’s so lovable! The pro and con of Kieran & Roman is there is A Lot of Kieran in the character. Uh the best parts, we hope. He’s this secure short king with quick wit who talks fast and can require a bit of attention but is humble as heck about how good he is at his job and has this quirky decorated right appendage and isn’t afraid to crack jokes when someone broaches the subject of his irl family or politely shut them down when he thinks they’re off base about something. I love the little bit I know about him and his wife’s relationship and the way they can publicly poke fun at each other. I love that he lived in the same tiny apartment from 19 to 39 until his wife finally said “you’re on a hit TV show.” I love how sweet and diplomatic he is when someone tries to poke him about Jeremy Strong being weird. I swear you can feel interviewers become infatuated with him for being a real and funny, charming person. In conclusion, I think he's neat!
important disclaimer note that when i say "lethal weapon is absolutely batshit", i do not mean that it is Fun. i do not mean that it is Fun-Bad. i mean that it is a harrowing exploration of grief and depression and trauma shoved bodily into an elevator with a poorly-written sitcom-flavoured acab procedural, with all of the care and delicacy you might expect of this
like. listen to me. hi. one lead is begging for someone to kill him immediately after being tortured and the other is, over goofy music, freaking out because his wife shouldn't be allowed to interact with men at her workplace hahahhhaHHAHHHahhahahaha pop music over drone footage of LA. these issues hold equal narrative weight, and the other characters interact with & care more about the second one
it's not "haha what a weird show" it's "oh this media is fucking Terrifyingly Structurally Unsound and i am compelled and also Screaming" like WE HAVE FUN HERE but this is. not a good show not a recommendable show, often not even a Fun show, not even a KIND show by any stretch of the imagination, please know this and approach it accordingly
ET contactee Elena Danaan: I saw the future, 20 years from now (with an Alpha Centaurian time-looking-device). Our utopic future is being created now. We are already on the positive timeline. Full Disclosure will happen and we will become members of the Galactic Federation of Worlds. Advanced technologies are already being build, ready to be released, to heal us, nature, the air and the oceans. The Great Awakening is here and the Deep State is losing. 🌌🌎🤍🛸💫
Video source: CONTACT with Haben of Meton~ Dec 16, 2022 // Telegram version
Elena Danaan is Extraterrestrial contactee since childhood. She became an emissary for the Galactic Federation of Worlds. Elena is an Archaeologist who spent many years working on diverse sites in Egypt and in France studying ancient cultures.
Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc
The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!
Wake Up Now Earthlings,remember who you truly are !...You're all Eternal Starlight Beings Co-Creating the Infinite Universe !...Thus,Love is really your Ultimate Divine Power !...Stop fighting each other,Stand Up in Unity Consciousness !...
not to keep sinking into a monster high shaped hole or to bring that wednesday series topic again but yknow since i had to see dull memes about the avatar sequel stuff guess this is my revenge
anyway. millar and gough who are the actual showrunners of the netflix wednesday show, not tim burton, and who wrote and produced the series, also produced and wrote the monster high movie so many people were pissed off by at first and slowly, i think? they came around to. and i find this interesting bc these are two franchises/properties which i see a lot of similarities between but that in the end i feel like should be treated as different things bc of their respective tone and general audience.
monster high in general is meant for younger kids especially now that it has softened its image to relatable instead of aspirational, which to me is fascinating from a marketing toy line perspective. the addams family was alwys meant as skewing older. i really assumed that the series would be about riverdale/teen wolf/supernatural level horror/suspense/adult content, and having a meaner edge and really much darker humor. in the end bc of the need to have stakes in the netflix series a lot of the humor was softened in a way that it doesnt really appeal to me/becomes a character quirk of wednesday instead of something that its normal inside this universe, the sort of casual cruelty and cartoon logic of the 90s comedy movies cant apply when you also have to be worried about characters dying tragic deaths and there are harry potter-esque mysteries and drama going on. that change in tone to me was what really killed it, it took away what made the addams interesting and left it at a level in which it was purely aesthetic surface. im not saying its completely unenjoyable, after all it has millions of fans who seem to vibe with it. im just saying that it doesnt really carry the spirit or the tone of the 90s movies, or even the 60s tv series, which was more focused on comedy overall and was much better at it.
with monster high the movie though, i think the gothic magical high school mystery works much better since it already has a few animated movies that have that sort of tone. the franchise itself works with issues of adolescence and therefore identity, self-acceptance and friendship (issues that the wednesday series wants to give to the protagonist, to varying degrees of success). and i find it really interesting that ive seen so many posts that say something like "oh the outfits are so bad, the fashions all wrong, why didnt they get actual cosplayers", etc. i dont expect everyone to know this but tv movie budgets, especially channels like nickelodeon or disney channel or the like, are pretty small even compared to streaming movie budgets. they usually recycle sets and costumes from other series by the same production company/costume company in the area, and between preproduction and shooting there is barely any time or budget for customized pieces. this isnt an excuse as much as reasoning. and apart from that there is also the nature of the new generation which is more focused on relatability and being appealing to a wider demographic than the first generation, which was more aimed at shocking and calling attention to itself. in that sense im kinda happy with what they went with, the clothes looks kinda cheap but it also looks like what kids in the 14-15 year range would believably wear to look cool and that remains accessible while also being fashionably easy to identify and distinguish themselves and their tastes. the actors are all Very Much covered in makeup and wigs but there is a difference in the styling of the generation 1 dolls/fanart/restylings that make them look much much older, and that would probably spark more controversy that mattel might not be super keen on rn. so unless they literally went the riverdale route of hiring actors in their mid to late twenties to portray fourteen year olds, dress them in miniskirts and risk losing that 8 to 11 year old audience to upset parents, what we ended up with is next to the best we could have hoped for.
apart from that, what im most curious about is how they will touch upon the issue of the two worlds in conflict, monsters and humans. the wednesday series didnt quite work it out in a way im satisfied with, partly bc of burtons and burton properties' own difficulty applying crítical thought to the very concept of "outcast" and marginalization, and partly bc of a tendency of wanting to apply allegories and analogies to these matters. you want to create meaningful comparisons to real feelings of alienation to emotionally appeal to the audience. but also you as a writer have no real experience reading about real actual marginalized identities and just have a general idea that things were bad and people are angry and people protest about it and also that the Teens™ are complaining in social media using new terms you can stick in the mouths of your characters. in that sense monster high's aim at the younger audience saves them from embarrassing themselves too much, which i cant say the same for wednesday (or the winx netflix series, and a bunch of other teen-aimed media, for that matter). so what remains for the monster high franchise is to figure out how to properly handle something like the idea of the two worlds of humans and monsters needing to find some common ground (something i think its really cool in the way it could be sparked by clawdeens new status as a werewolf being half human half wolf), though its the sort of thing that the writers of future iterations should be careful about and really just not be afraid to shake things up a bit and defy their own narrative status quo. like not be scared to have characters like claire the goth girl from that one animated movie, or the jekyll/hyde kid that was also technically half "normie", to explore further aspects to the idea of identity and marginalization that have a much more appropriate home in something like monster high.
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!