#enriched food source

[this-is-not-a-slow-burn]

FREE TO USE

creepy brain MRI marble

[hayatheauthor]

10 World-Building Aspects You Probably Overlooked

When crafting a fictional world, it's easy to focus on the big picture—epic battles, grand landscapes, and memorable characters. However, it’s also important to flesh out your world-building to create a ‘real’ world. Some aspects to consider when world-building are: 

1. Local Cuisine

Consider the types of food your characters eat and how it reflects their culture, geography, and economy. Unique dishes can reveal societal values and local ingredients.

2. Currency & Trade

Explore the forms of currency used and the trade systems in place. This can include bartering, precious metals, or unique items as currency, influencing economic interactions.

3. Timekeeping Practices

Different cultures may have their own methods for measuring time, whether it's a unique calendar system, seasons, or celestial events, affecting daily life and traditions.

4. Cultural Taboos

Consider the unspoken rules and taboos that govern behavior in your world. These can drive conflict and character motivations, adding depth to societal interactions.

5. Local Flora and Fauna

Unique plants and animals can shape the environment and influence the culture, whether through medicine, food sources, or as part of local mythology.

6. Rituals and Festivals

Incorporate unique rituals or festivals that celebrate historical events, seasonal changes, or important life milestones, providing insight into cultural values and traditions.

7. Language Nuances

Explore dialects, slang, or even the use of sign language that reflects the culture and social dynamics, enriching dialogue and interactions between characters.

8. Architecture and Housing Styles

The design and materials of buildings can reflect climate, resources, and cultural values. Unique architectural features can tell a story about the society that built them.

9. Social Hierarchies and Classes

Examine how social structures affect character relationships and interactions. Class distinctions can influence everything from daily life to political power.

10. Environmental Impact

Consider how the natural environment shapes societal behaviours, resource usage, and conflicts. Climate and geography can drive migration patterns and societal development.

Looking For More Writing Tips And Tricks? 

Looking for writing tips and tricks to better your manuscript? Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[thesophistiicate]

ten habits to adopt for a beautiful life 💭

+ curated shopping: rather than over-consume in fast fashion and trends, buy fewer, high-quality items. frequent vintage shops, boutiques, or markets where you can find unique, timeless pieces.

+ focus on wellness and exercise: consider activities that are beneficial for the body and calming for the mind, such as yoga, pilates, or long walks in nature. choose activities that allow you to connect with your surroundings and maintain balance.

+ mindful eating: prioritise healthy, whole foods and cooking meals from scratch. organic produce, artisanal products, and perhaps even locally sourced ingredients could be staples in your kitchen. eating is a mindful practice, enjoyed at a leisurely pace.

+ cultural engagement: regularly visit museums, art galleries, and theatres, or participate in cultural events that inspire and enrich their creative spirit. value learning and exposure to the arts as a way to keep life vibrant and intellectually stimulating.

+ reading and continuous learning: develop a well-curated collection of books, including classic literature, philosophy, and art, and dedicate time regularly to reading and reflecting on what you've learned.

+ minimalist technology approach: stay up-to-date with necessary technology, but maintain a minimalist approach to its use. limit screen time, avoid social media distractions, and instead prioritise face-to-face interactions or hands-on activities.

+ intentional socialising: carefully cultivate your social life, with a focus on deep, meaningful connections rather than frequent, casual interactions. you likely enjoy hosting intimate gatherings at home, where you can experience conversation, ambiance, and connection.

[tooies]

basically one's mind can be considered to be a large cavern inhabited by two main groups of animals: land creatures (primarily insects and arachnids) and aquatic creatures (fish and crustaceans). these two groups both feed off of the same source of energy, bat guano, which represents the experiences life provides you that enrich your mind with nutrients allowing the cave-dwelling animals to feed. apart from this common food source, however, these two groups remain relatively separate due to the barrier between them, which represents your mental barriers that prevent you from reaching higher levels of thought. still, there is a way to overcome these barriers: the cave salamander. the salamander is important because it has the power to venture both the land and sea, enabling it to prey on the animals from both environments and dominate as a species, uniting them into a single tree of life. one must introduce the salamander and allow it to evolve into a specialized form very much like the olm. by doing so, one will unite both ecosystems of their mind and achieve enlightenment

[endearing-dalliance]

Arcane Team's Bias Bastardized Piltover and Zaun

I am not an LoL player, but I read up on the lore because I was that fucking disappointed in season 2. Some key points of original Piltover and Zaun lore, which the team kept parts of. Emphasis on parts.

Geography and Symbiotic Economy:

Zaun was established first. A geographic disaster literally split the earth and sunk part of the city, splitting it into what we know today. Many of the wealthier citizens and those involved in the profitable sea trade ended up on a cliffside and industrial parts of Zaun were now across a river and below. They then became separate city-states in a symbiotic relationship.

"Zaun thrives, its people vibrant and its culture rich."

Zaun has multiple levels of "good" areas like the college and Bridgewaltz market where both citizens shopped for music, food, technology in addition to progressively more polluted and dangerous lower levels.

Piltover’s wealth has allowed Zaun to develop in tandem

Zaun's issues like the Gray were attributed to their own factories and labs that benefitted their own people

Culture and Relationship:

Zaunities collectively take great pride in themselves and their thriving city. Many choose to live there, especially scientists and inventors who find Piltover too restricted, because "their right to do as they please is what makes Zaun the freest city-state on Runeterra"

"A citizen of Piltover is typically self-reliant, does not expect handouts, and always aspires to do better."

Piltover has an elected "very empathic and progressive" government and is "one of the least militarized city-states"

Zaun's technological progress and academic institutions are described as being Piltover's only technological and academic rival. 

Both cities' citizens augment their bodies. Piltover's are more flamboyant and display their wealth, even if they are originally necessary; Zaun's are more practical and "necessity is the mother of invention" very much applies.

So this was what they had to work with. I can understand why many people would prefer to live in Piltover, but Zaun is treated as an equal place to be, with its own distinct and proud culture, complex structure, and thriving economy.

Moving on to Arcane (finally lol) and the now infamous original Arcane pitch. Either Christian posted that while every sane person was asleep, or none of them realized how profoundly terrible it makes them look. 

There's a lot in here that's problematic. Piltover is a gleaming wonder, a pure and magical place while conveniently leaving out why its this flourishing utopia. The next bit frames the entire conflict as Piltover's decision. It screams "Mommy and Daddy need to punish the naughty kids or they'll wreck the house." Except the starving kids are locked in the moldy basement and trying to break the door down to escape.

Now about Zaun...here its called the underground district. This becomes more important later, when you realize how many different and contradictory labels they give Zaun. Its an undercity, sister city, part of Piltover, wannabe Nation of Zaun. It establishes again the underlying superiority of Piltover. And of course it is, because Zaun's people are boiled down to dangerous, manipulative criminals (bonus points for an antisemetic reference!) with no morality.

I firmly believe this team has a fundamental deliberate misinterpretation of what LoL Piltover and Zaun are, and it is due to their own biases and privileges of a team that is primarily white, middle/upper class, able-bodied, and mostly male. It is abundantly clear that they see as Zaun is objectively lesser and that its their own fault. They're just a foil for Piltover and source of enemies. Three quotes from Arnaud-Lois Baudry:

"My role as a Production Designer was to make sure we don't negatively impact other teams at Riot Games and contribute to adding value and enriching the worldbuilding of those cities."

"Once we figured out the shape language of the wealthy city of Piltover, Zaun needed to be its dark mirror. We started by combining Victorian architectural pieces and some old industrial elements and added some asymmetrical flourish ornaments made from handcrafted upcycled pieces."

"Canonically Zaun is supposed to be super-dark, oily, and dirty with green smoke everywhere." Dude it is literally called The Gray. Zaun's marketplace, college, and an example of their architectural style from the LoL website:

Zaun is literally an afterthought. And I think its very telling that once again, Piltover was the priority. Magical, pure Piltover with its moral code...and Zaun was literally just designed to be its opposite. They claim that the show was designed to show the good and bad parts of both, but they failed to include any direct evidence that the problems in Zaun are entirely due to Piltover's treatment of them. They literally just took LoL Zaun, scooped the top (more prosperous) levels off, and buried it under Piltover. Piltover was enriched, and even benefited by inspiration from Eastern European culture like Nikola Tesla and Czech artist Alphonse Mucha. And then gave Viktor the only "foreign" accent in the show to further emphasize his disadvantaged upbringing and displacement in Piltover society. As someone with an Eastern European/Slavic background, I cannot emphasize this enough: fuck. every. last. one. of. you.

*sigh* Moving on to the "value and enrichment" given to Zaun:

cities described as "dissonant halves of the a greater whole" rather than symbiotic

Piltover came first, and the undercity later develops into Zaun. No mention of historical or present-day Zaun having anything to do with Piltover's success. Literally nothing is explicitly connected, though we do get Cait committing war crimes using tech her Mom installed to help the Zaunites from suffering the effects of pollution.

Speaking of pollution, AoA explictly states neither city has "big industry, there are no factories". Uhh then where is the pollution coming from?

It is portrayed unflatteringly with two notable exceptions (the Last Drop and Firelight tree), specifically in the ways that are in real life associated with racism, classism, body shaming, and cultural shaming. Its subtle at times, but a constant theme in their book, interviews, and the show itself.

In AoA, the Piltie extras are "understudies" and the Zaunites are "a motely crew".

Piltover has “normal” food like tea and sandwiches, while Zaun has what appears to be slugs in a muddy sauce from an unsanitary food stall that also displays drooling animal heads and tentacles.

All the Pilties are thin; the only overweight people (who are also usually morbidly obese) are from Zaun.

In Art of Arcane (AoA) they talk about how they specifically chose to design the Chem-Barons "more cartoony than grotesque" and that they made sure to have "a few landmarks, like the bridge, so it doesn't feel too cartoony" when designing Piltover.

Only the Zaunites use augmentation. Its a defining characteristic and objectively "bad". AoA explicitly correlates Viktor fixing his leg and spine with losing parts of his humanity. Lord know what they think of the multitude of augmented-out-of-necessity Zaunites. Coincidentally, the other character most associated with augments is Smeech, the cartoony drowned-rat-looking antagonistic Yordle, whose fight serves as a humorous scene endearing Jinx to the viewers.

They created the Piltover Council and then decided to make the Chem-Barons their direct counterparts, because DUALITY! Seriously, is anyone in Zaun NOT somehow just a "worse" version of a Piltie?

[ekrixart]

this is a dumb question, but does Vincent even like cooking? He pursues it with such a singular mindset, so much so that losing his sense of taste drove him to commit murder, yet he seems so miserable in general. I ask because cooking is such an intimate thing, food is not there to sustain you, but to nourish and enrich you. Food is a very integral part of being alive that you have to have a passion for it and like doing it. Vincent seems to only care about his restaurant and how his food is perceived, not the actual food itself. Even Vincent knows how miserable it is to eat without enjoying it, as he said to Rody in ending 3. If food is not enjoyable to eat, why eat it. If food is not enjoyable to cook, why does he cook?

Not a dumb question at all! Vince's desire to cook is inherently selfish as it's done to fulfill a love of food that he can't even enjoy- what he's looking for without realizing it is to taste when what he NEEDS in order to feel satisfied is to make food that others can taste. The solution for him to feel love would be the act of loving and caring for others which he was close to getting with Rody but was too obsessed with himself to accomplish. Food in dead plate is a pretty direct parallel to love and how all the characters interact with it. The only way Vince would be able to feel love and passion for his craft is by vicariously enjoying the food he makes for others- I imagine he doesn't usually enjoy cooking but it's still his main source of pride and accomplishment. He's always had a passion for food, he's always loved cooking, it's his life's calling and regardless of his taste going away it's a hard thing to shake. He appreciates the skill and craftsmanship of making recipes and experimentation but due to an inability to enjoy it he's stuck in a cycle of frustration and dissatisfaction, never able to actually enjoy the things he puts so much effort into. The nights where he made the "leftovers" for Rody were probably the most enjoyment he got out of cooking in a long time,

[ihazyourkitty]

I really try to avoid fact checking people in public comment sections on the internet, but sadly this time I couldn't resist.

There was a reel on Facebook explaining the "sad" reason why cetaceans in human care often receive ice. It's because they're given "dead fish" you see, and these frozen thawed fish contain less moisture than the live fish they eat in the wild, so the ice helps prevent dehydration.

First of all, this is half true. The other half is that many cetaceans just love getting ice.

Supplemental hydration can also include gelatin and squid. The latter two are not unique to cetaceans btw. Squid and specially formulated gelatin based foods are also used in many fish diets in part to provide additional moisture. They also count as enrichment, depending on the context.

In any event, this creator thinks it's sad... that caretakers are providing their dolphins additional hydration? What, does he also think it's sad that they get vitamins? Reptile keepers regularly dust their animals' food with calcium to make sure they don't get metabolic bone disease. Is that also sad? These things are standard zoological practices, not signs of neglect. Wouldn't it be sadder if they didn't do that?

(Reason #423 why framing matters).

"But it's not natural!"

Neither is running on a treadmill, but that doesn't mean it's bad for you. Also, I'm pretty sure ICE is one of the most natural things you could use....

"Well why can't they just give them live fish!?"

Because the logistics of sustaining a live colony for such a purpose would be an expensive nightmare. Do you know how many pounds of fish these animals need to eat in a day? Using them as an occasional form of enrichment might be feasible, but on the regular? Just. No! Tell me you don't know how fish care works without telling me you don't know how fish care works!

It's cruel to the fish, for the same reason that it's cruel to feed snakes live food (assuming they aren't picky eaters). Fish are not just props, they are live animals that can experience stress and pain!

Freezing the fish helps keep it safe to eat.

"Why not just release them back into the wild?"

Because that would also be cruel since they wouldn't know how to survive. Next question.

"How do they get dehydrated when they live in water!?"

Oh man. Oh man oh man.

Cetaceans get most of their hydration from their diet. A quick google search indicted that they can drink some salt water, though I don't know how true that is, and to be clear, their kidneys are likely much more efficient at filtering out salt than ours (someone who knows more about this, please feel free to correct me). Regardless, most of their hydration comes from their food. Lack of food leads to dehydration, both in captivity and in the wild.

But there was one guy who said that dolphins in captivity can't drink the water because it's chlorinated. This is not true. The residual amounts of chlorine left after their water passes through filtration is no higher than what is in your tap water.

(Btw, this is another reason why live fish aren't typically used, because you don't house fish in systems that use chlorine, even in small amounts).

When I pointed this out to the guy, his response was that "most of their diet contains water from the exact same source."

To his credit, he did back down when I pointed out that this was wrong. But come my friends! As a fish person, let me explain to you why this is not correct!

Fish blood chemistry is not the same as the ambient water around them. They would not be able to maintain homeostasis otherwise. You see, their gills and kidneys help them osmoregulate.

Freshwater fish blood contains more salts than the surrounding freshwater, which means the via osmosis, water will enter the body, and unless they can compensate for this, the fish will swell up like a balloon, lose necessary salts, and basically drown. So what do they do? Their kidneys produce large amounts of dilute urine get rid of this extra water. Meanwhile, chloride cells in their gills take up ions from the water to transport into their blood.

Saltwater fish, however, have the opposite problem. Their blood has less salts than the surrounding water, so they need to get rid of extra salt. How? Well, they actually do drink the saltwater, and then their kidneys help filter out the extra salt. They basically produce very concentrated urine. But the kidneys cannot do this alone, so the chloride cells in their gills also help by basically working in reverse. They move extra ions out of the blood.

Elasmobranchs, crustaceans, mollusks and other marine mammals that may also make up some cetacean diets will have their own methods of osmoregulation.

All of this is to say, no, eating saltwater animals does not mean you're literally consuming ocean water, as these organisms have specific mechanisms for filtering out the excess salts.

This is, btw, why you can't just put a freshwater fish in saltwater or vice versa. They will die. Nor is this unique to fish, most organisms adapted for one environment don't thrive in the other.* Case in point: we cannot drink salt water, because our kidneys cannot handle that.

But some animals can! Take the salmon for instance. They hatch in freshwater environments, then move to saltwater, and then back when spawning season comes. How do they do this? Well, there are specific environmental/developmental triggers that cause their bodies to start osmoregulating in reverse. This does not happen instantaneously, however. They need time to adjust. They will migrate to brackish water, and allow their bodies a few days to adjust before continuing.

Some species of fish have higher tolerances for wider ranges of salinity/total dissolved solids (TDS) than others. Fluctuating these levels can actually trigger spawning in some species too! Discus, for instance, can be maintained in relatively harder freshwater than what they'd experience in the wild. But for breeding purposes, it's recommended to use softer water with lower a TDS. Given that discus can be more finicky, however, any of these adjustments should be made gradually.

On the other hand, there might be another species where a more sudden change is beneficial. Tropical fish native to floodplains that will experience sudden onsets of flooding from the rainy season, for instance, may need precisely that sudden rush of freshwater with lower pH and TDS to trigger spawning. Even if spawning isn't the end goal, simulating these seasonal fluctuations can be a very effective form of naturalistic enrichment!

....Oh dear, I went on a very nerdy tangent, because SCIENCE!!!! Enjoy.

*this can actually be taken advantage of in certain treatment contexts! Saltwater aquarists will sometimes do what is called a "freshwater dip", where the saltwater fish is very briefly immersed in freshwater to help rid them of harmful external parasites or bacteria. Usually, it's used when fish are first brought into quarantine. It's not 100% effective on its own, but it's one of the many tools in an aquarist's arsenal. Oh! This can also be used on sea turtles in some rescue situations! Again... SCIENCE!!! >:D

[gallusrostromegalus]

Okay but given that crows are ready to Throw Down with eagles at the slightest opportunity, I have to know- 1) are there crows in the Seireitei and 2) how much of their Daily Enrichment is causing problems for the 11th Division on purpose?

There absolutely are crows and jays and even ravens in the Seireitei and very nearly all of their daily enrichment is causing some level of mayhem at every division of the Gotei-13,

...except the 11th.

See, Zaraki has the distinct advantage over most eagles in that he is also a human, with a canny eye for social dynamics, and he's worked out a deal with the local corvids. He noticed the pair of ravens on the roof of the 11th the first afternoon he was there, made a note of them, carefully folded it up, and put it in his mental back pocket for later.

The ravens didn't actually notice him that much on the first day because there was an entire bisected corpse of the former Kenpachi and the medics were delayed in retrieving it for some reason so that meant lungs and liver and a spleen and gallbladder and a special course of freshly exposed brains before an eyeball each for dessert while some poor wretch from the 4th completely failed to chase them off with a broom. They did very much notice him in the middle of the afternoon on the second day, when he returned from the early morning captain's meeting they had slept through, on account of yesterday's food coma. -But even still sluggish with guts full of guts, they still sat up and took notice of a man wearing, loud, shiny and extremely steal-able BELLS.

A-ho, A-ho! Called the first raven from the middle boughs of the pine in the courtyard as the new Kenpachi sat down on the porch that surrounded the small and rather pathetic little garden, sighing deeply. What's this that jingle-jangles in like a jester and sighs and settles like a corpse at the bottom of a lake?

A great way for your mate to lose her beak if she gets any closer. He growled back, and the raven on the roof behind him startled, flapping away out of his blade's reach.

A-joke! A-joke! Don't hiss and rattle so! She huffed, joining her wife on the pine and ruffling her feathers.

It might be amusing sport on another day, but I have no humor to speak of. He clattered, turning his patch-covered eye to them in apology. I have suffered a bereavement.

A-no! A-no! Who is it who has died? Asked the first raven.

One who granted me the knowledge of letters, and further so, the wisdom of tales- in telling, and moreso in listening. Thrice blessed by her I was, and only now do I learn of her demise, fifty years too late. He explained, rubbing his temples and shaking his head, trying to soothe himself.

A-woe! A-woe! cooed the second raven in agreement. Any who teaches is a living saint, and their passing the most terrible loss.

A-woe, A-woe! the first raven cooed in sympathy. She didn't leave clutch or wife for you to look after?

She had a husband, but I do not know his name, and he is apparently deceased as well. The Kenpachi frowned. Her brother yet lives- he is my colleague even, and how I learned of this. A wretched way to meet someone she spoke so highly of- but you are right, he needs looking after. He is... unwell, and was never thriving to begin with, but the same sort of saint of words as she, and much braver than his body should allow. Of course, I will look after him for her, as is right.

A-woe, A-woe- A wretched meeting but the right and honorable thing to do. Nodded the second raven.

A-woe, A-woe, but this is not the source of your miserable sighing? asked the first. No, his care does not worry me- The Kenpachi shook his head, folding a leg up and resting his elbow on it and his cheek on his hand in turn. It's that I am left to wonder- If I had known sooner, or even before this catastrophe, if there was something I might have done. But you are interesting company so I will divert myself from useless morose- what do you call yourselves, carrion queens that live beneath my roof?

I am Mun-Yin! Declared the second raven, that spoke only in statements.

If she is Mun-Yin, might I then be Hau-Yin? Asked the first, who spoke only in questions.

You might. The Kenpachi nodded.

A-so? A-so? Who might you be that wears the shredded rags of a dead man like a pauper, but speaks with the grace of a prince? Hau-Yin asked, hopping from the pine to a closer boulder, cocking her head at him.

A-ho! A-ho! It may be your house that supports our nest, but we live above your roof, not under it! Mun-Yin laughed, hopping closer as well.

I am Zaraki Kenpachi, Captain of the 11th division! He smirked at the birds who rolled their eyes at him.

A-no! A-no! Pouted Mun-Yin We didn't ask for your NAME!

A-no! A-no! Sulked Hau-Yin Who ARE you?

The Kenpachi regarded them for a moment, then lifted his head from his hand and leaned forward, a conspiratorial grin on his face. Would you like to know a secret?

A-yo! A-yo! We love a secret! Said Mun-Yin, bouncing in excitement.

A-yo! A-yo! Do we not spend all day learning all the secrets of the city? Giggled Hau-Yin.

Then I will offer you a trade- The Kenpachi grinned, beckoning then closer. -I'll tell you who I am if you promise to leave my hair-bells alone.

Hmmm... the ravens considered, then shook their heads.

A-low, A-low, those are some very shiny jingle-jangle bells, and that's but one measly little secret. frowned Mun-Yin

A-low, A-low- Agreed Hau-Yin. That's not much of a trade is it?

On the contrary, it's a very good secret! Maybe the best secret in all of the Seireitei! The Kenpachi wagged his finger at them. Nobody knows it but me and my daughter, so it's very exclusive! And the risk is all on my end- some secrets are dangerous to know, but in this case, it would grant you great advantage- it would be DEEPLY embarrassing for me if any of the humans -and whatever Komamura is- were to find out.

Hmmm... the birds considered again, and nodded this time.

A-Quo! A-Quo! Very Exclusive and Deeply Embarrassing Secrets are The Best! We will take very good trade! Agreed Mun-Yin

A-Show! A-Show! Who are you, that we will leave your bells alone? asked Hau-Yin, hopping closer and bowing her head, looking up at him with a mischievously glittering eye.

I am Zaraki Kenpachi, Captain of The Eleventh Division, Father of Yachiru, Great Sword Bastard of the North 80th District, and most relevant to you- Youngest and Most Beloved Son of She Who Rules The Sky.

The ravens stared blankly at him for a moment.

What that fuck? Asked Hau-Yin.

Didn't realize we were speaking to ROYALTY. Muttered Mun-Yin

See? It's a VERY good secret! The Prince Kenpachi grinned, leaning back and lounging a bit- someone like him could make even a bare wooden porch look like a throne. -Also, you see how you DO SO live under my roof! He added, pointing up at the clouds.

The ravens shuffled a bit nervously, reconsidering him.

A-so? A-so? Hau-Yin asked, cautiously, shuffling a sideways to him.-How does Your Highness come to be a Shinigami then?

A-so! A-so! nodded Mun-Yin. Your Highness and We alike are strange enough birds for taking Names, but to take a JOB is unheard of!

It has it's benefits... The Prince Kenpachi shrugged. Alas, I may be Her Majesty's Son, but I did not inherit my mother's wings and guts, so I cannot live on the wind and whatever I might find by the roadside alone. Still- like a Name, a Job both restricts and offers opportunity- I am bound by duty, but I also am gifted a dry and sturdy nest and all the meat I may eat in exchange. And better still- My daughter now has her choice of tutors and scholars to learn greater Wisdom than I ever will.

A-sow! A-sow! Mun-Yin considered. You do reap well in that exchange!

A-though, A-though- considered Hau-Yin. Would you have the chance to reap in such fashion had you the wings of your mother? Are you perhaps Blessed in strange Human fashion?

The Prince Kenpachi laughed. Perhaps I am! Perhaps you may be even more blessed than I- you have wings and carrion-guts, but you are not bereft! I can offer you similar employment, if you should find it agreeable.

A-ho! A-ho! You are in a fine humor now, My Prince! Chirped Mun-Yin.

A-ho! A-ho! What is this Job you have in mind for the like of us? Asked Hau-Yin, intrigued.

I am in much better humor now, thanks to you both. The Prince agreed, offering Hau-Yin an outstretched hand and patting his knee to indicate Mun-Yin should join him too. There is naught you may do against death, but you may yet ease my bereavement- I am am saddened by the loss of my friend, but it's the lateness of the news that worries me. You say you spend all day learning the secrets of the Seireitei, and that you greatly desire Shiny Jingle-jangle bells?

A-so! A-so! Mun-Yin bobbed excitedly, hopping onto The Prince's hand. All over, all over from the high pillars of the execution grounds to the lowest grates where the sewers open up, we fly all over all over My Wife and I! And we see and we hear and we remember all the secrets of the city!

A-stow? A-Stow? You poses yet more shiny shiny bells? Hau-Yin clicked with interest, hopping onto his knee.

I happen to have two such golden bells, even bigger and louder than these, and will happily give them to you- with a Doll's shiny ribbon so you may wear them if you so desire- and other shiny and noisy things as I find them, if you tell to me all the secrets of the Seireitei.

Hmmm... the ravens considered.

A-yo, A-yo- It is a good deal. Nodded Mun-Yin. -But sometimes the winter is cold or the pickings are lean, and there is only so much comfort a shiny jingle-jangle brings when it is so.

A-yo, A-yo- Agreed Hau-Yin. Maybe sometimes a secret is worth a night out of the storm or a scrap of meat instead?

You are both very wise. The Prince Kenpachi nodded and the ravens preened with the praise. I am amenable- The ribbon-bells for all the secrets you know right now, and we can work out what payment is best in the future, when you discover more secrets for me?

A-Yo! A-Yo! crowed Mun-Yin, flapping with excitement. Your Highness is as generous as he is wise!

More, I hope! Laughed The Prince Kenpachi. I promise, I am a colossal fool!

A-Yo! A-Yo! crowed Hau-Yin What secrets would you like to know first? And may I have a Pink Ribbon?

I would like to know all you know about- hm, that's a tricky question actually.- There are so many things I wish to know! He considered, rubbing his chin, then jumped to his feet, making them hop, an Ancient Bird Game. Let me go get your ribbon-bells first, and make up my mind!

A-ho! A-ho! the Ravens laughed, hopping down the hall after him.

---

"Hey Boss, I found the payroll forms but fuck me if I can make heads or tails of- what's wrong?" Ikkaku called out as he came into the courtyard half an hour later, only to find Yumichika standing in the doorway, frowning pensively with his hand over his mouth.

"I'm not sure anything is wrong, per se-" Sighed Yumichika, waving at the scene before him.

Zaraki was seated on one of the boulders in the courtyard, delicately fastening one of Yachiru's shiny pink hair ribbons around the neck of an exceptionally smug-looking raven in an elaborate bow with a large golden bell in the middle. A similarly adorned Raven perched upon his shoulder, chattering excitedly between fondly preening where his eyepatch parted his hair.

"-but I can't help but think I've seen this scene before..." Yumichika muttered.

"They look like they're all having fun?" Ikkaku shrugged as Zaraki finished the bow and the raven ruffled her feathers into place, making it jangle and Yachiru giggle and applaud from where she sat on her father's knee. The Newly-belled raven hopped around to croak and click at him as well, flapping excitedly, and he put a hand up to stop her, asking her something in the shrill hiss and click of his native Aquiline tongue.

"You ever get the impression The Boss is way more articulate in Eagle than he is in Japanese?" Ikkaku frowned.

"Darling, he learned his Japanese from Bandits and Buskers and in Brothels, his Eagle has GOT to be better than that." Yumichika rolled his eyes.

"-ABSOLUTELY NOT!" Zaraki suddenly bellowed, shaking his finger at the raven in his lap.

Both ravens cawed in objection.

"-THIS IS NOT UP FOR NEGOTIATION! SO LONG AS YOU TWO LIVE UNDER MY ROOF, YOU LEAVE KANAME AND HIS EYEBALLS ALONE." he growled.

The Raven on his shoulder tipped her head, speculating.

"-He is TOO using them, they're there to keep his eye sockets and brain from getting infected with gods-know-what flesh-eating bacteria or whatever. NO. PECKING."

Both Ravens hunched up their wings and turned away, pouting.

"What's-His-Ass in the Fifth? The faintly greasy one that looks like a sad mop? His glasses are fair game, if it will amuse you." Zaraki relented, and both birds perked up. "-Might be worth a bag of potato chips if you can bring me a pair intact." he offered.

"Oh Gods, he's not gonna make me try to add a pair of BIRDS to the payroll, is he?" Whimpered Ikkaku.

[plaguedocboi]

HI. I REALLY WANT A PET LOBSTER. YOU ARE THE ONLY OTHER PERSON IVE SEEN BEFORE THAT HAS ONE. CAN YOU DO A SIMILAR POST ABOUT THE LOBSTER THAT YOU HAVE PINNED ABOUT YOUR LEECHES.

I WAS UNABLE TO RESEARCH HOW TO CARE FOR A LOBSTER AS IT IS DEFINITELY VERY UNCOMMON. I DON'T KNOW IF YOU HAVE ANY RESOURCES FOR THAT TOO MAYBE.

sorry i came running after seeing banana bread's molt, ive never even seen your blog before but i was so excited.

IM SORRY HES NOT MY PET

He lives at the aquarium where I work in the summers. However, lobsters are pretty easy to care for with the right equipment. You’ll need a large saltwater tank (probably ideally like 40-50 gallons) with a chiller that will keep temps in the 50-60 Fahrenheit range and ideally a sandy or loose gravel substrate with several hiding spots.

They’re not picky eaters and will usually accept a variety of seafood such as mussels, clams, fish and squid but each lobster has its own preferences. They’re nocturnal and spend a lot of the day hiding and then emerge at night to scuttle around and do Lobster Things. They tend to be messy, though, so keeping the tank clean is important. Some will even bury uneaten food in the substrate so it’s important to look around and get as much as you can out during water changes.

They also tend to be interior designers and like to move substrate and rocks around, so don’t expect the tank to stay exactly how you set it up. Enrichment for lobsters can include putting food inside dog toys that the lobster has to figure out how to get into, and offering them new things to explore and move around.

Leon the lobster on YouTube is a pretty good source for pet lobster info!

[peascribbles]

just a muse/analysis on a dragon's life cycle but cws angst(?), forward discussion of death in nature, mini marine biology nerdout

Dragons make homes in flower covered valleys. If a dragon knows it will die soon... It flies to a valley and waits alone. In the dragon's final moments, flowers will bloom from its body. Only when the flowers cover every bone does the dragon pass away.

These lines from Valleydream Bloom remind me of a hauntingly beautiful phenomenon in our world called a whalefall.

When a whale dies, its journey in the ocean is far from over. It slowly sinks to the seafloor, its final resting place, and becomes a source of incredible, teeming life - there are whole ecosystems that form around its body - a vast bounty for creatures, big and small, that come across it. From the tiniest speck of bacteria digesting a scrap of blubber to sharks that tear away great chunks of its flesh, and quite literally everything in between: molluscs, crabs and lobsters, sea snails and urchins and little shrimp.

Some of these scavengers don't simply eat and go. Some live in its exposed bones, under its massive ribcage, or perhaps in the hollow of an eye socket, where they create homes to feed and reproduce. Entire decades can pass in this manner - an afterlife where the whale continues to enriches the ocean as it decays, leaching precious carbons that are as good as liquid gold in fueling our oceans' vast and complex food chains.

What if a dragon's death fuels life in the same way?

Driven by pure instinct when its time has come, that calls for it to retreat into the deepest valley it can find. Find places that are untouched by mortal hands which may covet its bones, carve its flesh, skin its scales for the gold that corrupts humans souls and nourishes not life but greed. Dragons are just as greedy in their lives, but in the moments before passing, they commit to this monumental act of giving back to the cradle of the earth.

In time, the creatures of the valley poke out their heads and ensure that the dragon that lies there is not taking a short nap, but resting in eternal slumber, and the great feast begins. Lions and vultures, worms and bacteria. A swarming empire of insects.

When the predators have had their fill, stripping most of the flesh, their prey finds sanctuary in the cover of its immense body. Singing birds that perch on its spine. A gazelle mother who births her young in the shadowed cover of its pelvic bones.

And when even the herbivores have moved on to other pastures, the wild itself comes to claim the bleached bones, vines and grass winding up the trellis of its skeleton, the enriched soil giving way to blossoms and rustling leaves.

Centuries have passed since it made its final landing, and now, the dragon finally rests, smothered in flowers that it has helped to nurture itself.

To read more on whalefalls: one two three

[fandomfixationstation]

Asexual Reader x TWST Characters: Part One! Rewritten

This is a rewrite of earlier posts I once wrote on a different blog. I am revisiting this and trying to improve on what I wrote and once again doing this for myself and other asexuals who lack the content and kindness others get. Writing this for every fanfic I've read where the character breaks up with the reader for being asexual and doing better. 

That said, Everything will be entirely my headcanons and you aren’t required to agree with my interpretations of the characters and story.

Vil Schoenheit

Vil will give you a fond smile, because honestly he’s just happy you are willing to tell him, and that you feel safe enough to do so. He’ll treat you no differently than he has, still being a caring and considerate boyfriend. Since boundaries are the most important thing in any relationship he’s probably going to make sure that he understands your boundaries and make sure that none have changed for you. Or if some boundaries have changed to make sure he understands them and to make mental notes. After all, he knows very well what it’s like to have someone cross boundaries, he absolutely would not want to cross his significant others boundaries and be the source of their discomfort.

Vil has always been one to find different ways to show affection, some more traditional than others. Gifting flowers, brushing your hair, doing each other's nails, greeting you with a kiss to the back of your hand, Taps on the shoulder or wrist to say I love you, holding pinkies, or even pinkie promises. He absolutely cherishes forehead kisses above all else, he’d even lean down for one if requested. He’d find any way to bring a smile to your face because that’s all he really wants, is for you to be happy.

Honestly, I think the longer the relationship goes on, and more specifically as his understanding of asexuality develops. I think Vil slowly comes to the conclusion that all too well describes himself. He comes to enjoy quality time, and other gestures of intimacy that he finds more enriching and cherish worthy. In fact he learns the value of words of affirmation and learns to appreciate them in a new light with his significant other. Because giving sincere compliments and affirmations to someone he cares about deeply feels beautiful and receiving them from the same person ? even more so.

At the end of the day, He’ll always make sure you're comfortable with what he is doing. If you ask him to stop, he’ll listen and stop and make sure you're okay. He mostly just wants someone he can trust and spend his spare time relaxing with. Considering the rest of his time is spent being busy and stressed. So being able to make each other comfortable and spend time resting and relaxing, making each other smile is more than enough for him.

Jamil Viper

Jamil at first might not completely understand, however he is a fantastic listener, so he will let you explain and ask questions to make sure he understands completely. He is very calm and understanding throughout the whole thing. He’ll make sure to ask what is acceptable and what is completely off the table. Regardless of whatever those boundaries may look like he is bothered because at the end of the day he just wants you to be comfortable and happy. To him it's rather simple like that. Because he values your boundaries and your comfort. Much like he wants his significant other to understand and respect his own.

He most certainly shows love in less physical ways, touch isn’t something he is particularly good at. However, he is quite fond of gifting his significant other two things, flowers and food. The flowers are specifically chosen with care, they always have a hidden meaning of their own, and he often doesn’t enjoy cooking for others, for his significant other it is different. He wants to make sure they are well fed and taken care of.

More importantly he is just a sucker for quality time, especially since he is also a busy person. So if you guys are just in the same room spending time together he is very appreciative of that time together. Sometimes that may look like cuddling together and not doing anything for about 30 or 40 minutes. Sometimes that looks like him doing whatever chores he has to get done while talking to you while you do something completely different. Whatever works for the two of you that day or that moment.

Jamil values communication significantly, so i’ll always be communicating what he is doing or what he plans to do, and if you voice your discomfort or disinterest he will absolutely understand and respect that. Especially if you do the same in kind for him when he isn’t comfortable with something. Needless to say he’ll always make sure that the two of you are on the same page.

Floyd Leech

As I once stated before, This to Floyd, Has changed absolutely nothing about your relationship with him. He still gets cuddles? Perfect. He still gets hugs? Even better. He does apologize whenever he does cross a boundary and learns to make up for it and not do it again. He does enjoy physical contact but that doesn’t mean he’s going to cross your boundaries, besides there are different ways to do so. He quite enjoys even the most subtle of touch.

Though, there might be some questions farther down the line that he might have, however that is something he will talk about with his significant other and the two will decide on how you both will handle things moving forward. Because he is considerate about his significant others' wants and thoughts on important and trivial matters. Especially considering how much damage he would create in the hypothetical of someone just being disrespectful towards his significant other, for any reason.

That said, Floyd is more than happy to just spend time with you. That may be pulling you along to pull some prank, go on an adventure of some kind, scare the daylights out of younger students, or maybe just being a cuddle puddle on the floor, either watching something together or talking endlessly about anything and everything. You’d be surprised how philosophical and down to earth Floyd can get sometimes. Oftentimes talks can go for hours and feel very cathartic.

Honestly as long as you enjoy supporting him in whatever he is doing whether that's on the sports team or whatever antics he gets up to he doesn’t mind or care. As long as you are both happy and enjoying life to the fullest. He, far more cares about being able to dance with you under the moonlight and having thought provoking conversation at late hours that ends with you telling him to shut up and go to bed because it's 3 am.

Azul Ashengrotto

The first thing that comes to mind while rewriting this for Azul is that I think he would honestly be relieved. Clears the air for him and removes a lot of self placed expectations from himself. Honestly makes him feel better and helps him relax a little bit in the relationship. Big heart to heart conversation about wants, needs, expectations and boundaries that should leave you both feeling better and more confident with each other.

He will do his best to set aside time to spend time with you, and when he has to cancel plans he often will get you something to make up for it. Not that it’ll solve the problem but he usually does it so he can give it to you in person and spend time with you anyway. Its usually something that you had mentioned needing or wanting or needing a replacement of something. He wants his gifts to be thoughtful, practical and helpful.

Even when it comes to simply cuddling on the couch he’ll make sure you're comfortable and make sure you're okay with where his hands are resting. He enjoys quiet peaceful relaxing time with his significant other. Nothing has to be happening, maybe the radio is on, or the tv. Maybe you're both doing your own things, but just getting to be in each other's presence with no expectation of the other is nice.

Post it note messages. He won't admit how soft he gets when he sees a note you left him. Not to mention he’ll find ways to slip you notes in return. They will always be unapologetically sweet and sappy. Not to mention he’ll find ways to just let you know that he was thinking of you and that he loves and cares about you. Even if it is just a short message saying I love you.

Lilila Vanrouge

Previously I had said Lilia was Asexual, today I say he is still Asexual and very much so polyamorous, No I won’t elaborate on how or why. He is a hopeless romantic by nature and that manifests in many different ways. He will be the most understanding and accommodating and will continue to fall head over heels for you. He’d do many things for those he cares and loves oh so dearly, and you will be able to feel his affections on an emotional level.

Poetry, Love letters, cheesy pickup lines, flowers, cute or thoughtful gifts, he’d even serenade you outside your bedroom window if you let the man. Most of the ways he shows love aren’t very physical to the touch, they are actions of love. Doing laundry for you, or getting you coffee while you're busy. Bringing you something to help you fall asleep on a sleepless night. Telling a story to make you laugh or maybe feel better. He’ll literally sweep you off your feet if you let him.

Consider him inviting you over for afternoon tea on a day off, a harp and piano playing a soft melody as the two of you dance in the gardens peacefully. Honestly he’d probably pull this off at any time of day for as long as it felt magical and enchanting for you. Because at the end of the day he just wants his significant other to feel loved. Ideally the goal for him is for you both to continue to fall in love over and over again.

Cold winter nights will be spent drinking your favorite warm or winter drink of choice, cuddled up together by the fireplace. Lilia softly humming a melody of unknown or forgotten origin. Curled up in more handmade blankets than you can count. This could also apply to cold rainy days.

---

Part One | Part Two

[rxttenfish]

The Common Chupacabra (F.N. 03761, I. gastroferrugo ) is a common sight for paranatural workers of all stripes. Occupying an ecological role not dissimilar to a fox or other mid-sized canid, they are often dealt with in very similar ways and thus hold minimal threat to humans.

While their feeding habits can be gruesome, chupacabras remain skittish around humanity and avoid areas of human contact. Indeed, the titular "goat-sucking" that they are so named for is only known from specimens who were already injured or displaced, and thus habituated to humans and their livestock for lack of more suitable prey items. They can, and often do, act defensively if backed into a corner, but the most common chupcabra defense mechanism is that of flight and avoidance, only taking more drastic actions if forced to or if young are threatened.

It is because of this that paranatural agencies will commonly use them as training material, assigning newcomers lost, confused, hurt, sick, displaced, or habituated chupacabras as their first mission. Due to their straightforward nature and lack of threat to humans, many hold positive views of chupacabras, some even using their local morphological strain as mascots.

It is not uncommon to see chupacabras in captivity, as they take well to basic training for veterinary assistance, research purposes, or education among the agencies who keep them. While far from the training associated with domestics such as the dog, chupacabras can still be taught using methods spearheaded in zoos, and are often food and toy motivated. Small rodents, pre-killed, or disposable pouches filled with warmed blood are often used as treats, and enrichment is provided through offerings of different sources of blood.

Chupacabras are sangivores, and thus primarily feed on blood. However, this is where the subtle gradient between sangivory and typical carnivory becomes apparent, as certain morphological strains of chupacabra will vary in their feeding methods. Certain strains local to parts of South America or Northern Africa will inject a digestive enzyme into their prey to liquefy their innards. Other strains found in Arctic locations or high altitudes will demonstrate a lack of preference towards food choice, consuming solid parts of the muscle and organs alongside their primary target of blood. Other strains, most commonly associated with Oceania, have a "messy" feeding style that will force the entire head into the body cavity, both manually blending the flesh into a liquid, and in more accidental consumption of solid matter. Most chupacabras will target prey that is a fraction of their own body size, but will readily bring down prey targets as large as deer as well.

The most notable trait of chupacabras is their large variety of morphological strains. Those who are not yet familiar with the paranatural may assume that there are many different species of chupacabra and that they are an ancient lineage which has experienced much speciation.

They are not. Early researchers made the same mistake in categorizing them, assigning the chupacabras they were most familiar with as the Common Chupacabra and providing a list of, now defunct, names for the other varieties that they saw. Some speculated that chupacabras were not, in fact, a genus, but that they were a niche that multiple different animals had specialized into.

Later research proved them to be wrong. All chupacabra are a single species, fully capable of interbreeding with every other member of their species, regardless of the differences in morphology, reproductive strategy, or feeding methods. The variety of morphological strains observed, then, is a highly visible demonstration of chupacabra relatedness and gene flow. A population will be equally related to each other, and thus arrive at a standard for morphology, but as this population is split up and gene flow is disrupted, more isolated populations will begin to veer wildly from their initial appearance.

Indeed, this has been used to form maps of chupacabra genealogy and movement patterns, as well as serving as excellent indicators for other monster activity. The most isolated populations can appear nothing at all like their forebears, due in large part thanks to their supernatural skills of adaptation. All chupacabra have a high degree of mutation when they breed, with a high number of these mutations being not only survivable, but thriveable, and occurs with a high prediction for environmental stresses. It is commonly accepted that local strains will remain close to their initial body plan with minimal variation, but research is still being done on the genetic drift over time, as well as reports of sudden, abrupt change in response to environmental catastrophe.

This is exaggerated even further when chupacabra from only distantly related populations interbreed. Further research needs to be conducted.

-

A little sketch and blurb for a Monster of the Week game I help co-DM with @carthus-flame-arc! One of our players took home a chupacabra joey last time, and so I thought it best I draw some growth charts for it.

[blueiight]

I want to tell the real story.

In a week's time, in a setting of my choosing, we revisit the project boyish youth prevented us from finishing. Years and thousands of miles removed from the room we shared in San Francisco, I offer, for your journalistic pleasures, my full attention and my life story.

vs.

Props in a play. A play that's been fully designed and rehearsed. And every actor onstage has scripted lines except for us. … Set dressing nailed to the floor.

On one hand, the sham-trial of Louis, Claudia, and Madeleine, is absolutely a mockery of the worst examples of this show’s real-world audience. But in the wider narrative, the trial enriches Louis’s own motivations in 1973 and 2022. Louis wanting to tell the story of his life has an added layer to it simply by the fact that, chronologically, Louis and Claudia, especially Claudia’s, entire lives were made mockeries of on stage first in 1949-1950. The sham-trial is a near-original product of the show, in that what was a straightforward execution in the source material is turned into a public spectacle, where vampires are food to a human audience, and Louis and Claudia are violently silenced as their lives are framed into caricatures of who they were. The rhetoric of two interviews too, are entirely original to the series, but share a common starting point.

Why does Louis, both in 1973 and 2022, choose to begin his life in the year 1910, and not when Louis was a child? Armand opens up his life story with Arun, Lestat tells Paul how he was stolen from the monastery& beaten as a child, Claudia writes in her diaries how her mother died and her father abandoned her to an abusive relative.

It is as much, because Louis truly understands his (and Claudia’s) lives to have restarted with his (their) vampiric turning, as it is the fact that this show-trial takes advantage of Louis’s self-image (and how he relates Claudia in relation to himself) by beginning the story of Louis’s life in 1910, and Claudia’s life in 1917.

Looking at the trial script, and comparing it to the interview in season 1, we see how “the vulnerability within the object” [Louis] is perused. Something to remind is that the sequences I will fixate on are on-script, and therefore, blatantly untrue. The only times we truly go off-script are transparently obvious, even twice-aided with flashbacks, and the only time Louis cedes the narrative to an off-script Lestat only enhance the existing framework of how Louis relates to Claudia.

[SANTIAGO] The accused was a troubled man. A failed sugar farmer, a brothel-keeper.

[LESTAT] Forced into corners by his race, alienated from his own desires. American puritanism mangling his very soul.

[SANTIAGO] Disreputable, cold, violent.

[LESTAT] Louis first accosted me in a pleasure house, and then everywhere I went, as if by happy accident, there was Louis, offering to be my chaperone, his eyes sliding down me. I… a vampire, was being hunted. With every breath, every heartbeat, every sidelong glance, Louis was saying, "Come to me".

In contrast to the scripted debate over Louis’s life, how does Louis relate this aspect of himself to Daniel? Almost as if he’s defending himself, but from who? Daniel who is already familiar with this? The audience of a book in its infancy? Or…The man in the room who pinpointed at the “vulnerability within the object?”.

I was, admittedly, a rougher thing then. You had to be if you wanted to survive. You couldn't look weak on Liberty Street. [ … ] Did I want to pull a knife on my brother? No. But as I alluded to before, you couldn't look weak on Liberty. You never knew who was watching.

I couldn't move. My body was seized with weakness. His gaze tied a string around my lungs, and I found myself immobilized. […] Let the tale seduce you. Just as I was seduced. […] It was a cold winter that year, and Lestat was my coal fire. And I found myself, for the very first time, to anyone other than Paul, confiding my struggles to another man. I was being hunted. And I was completely unaware it was happening.

Here’s Louis on his own race here, Lestat is the one who accosted Louis at the Fair Play Salloon.

Segwaying: This trial is not “Lestat’s point of view”, this is Lestat playing a marionette on stage to revenge himself. His revenge evolves live-on-stage into an attempt to go off-script to save Louis, and only Louis. Lestat breaks script in almost S1 fashion to berate Louis for his reticience to admit his desire, where he admits to making Claudia for Louis, and admits where he broke Louis. [Lestat says the singular “pup”, not “pups”, and this is when Claudia realizes that Lestat did not come for her.] Even bragging about Claudia being the pinnacle of his vampiric self is on-script.

This is Armand, aware of the optics of the kind of men Louis had to wrestle his own legacy from in two lifetimes, creating this script to break & re-shape Louis. “I felt like we were the only two vampires left in the world.” Armand orchestrates this so Claudia & Louis can forever be severed when trying to break Claudia into mad suicide through “My Baby Loves Windows” failed, and Louis still thinks of her even after he turned Madeleine, and Louis can channel his vengeance over his own torture & Claudia’s wrongful death to the coven. What did Armand say in E12… “Don’t you/we have enough to fear from Paris?” Anyways…

If Louis is framed as both the desperate predator and the frigid reticient lover, how does this sham-trial mock Claudia?

Through her words. We are narratively introduced to Claudia’s diaries in Dubai during Episode 4 with Louis out of the room, Armand, docent still as ‘Rashid’, introducing “an alternative perspective on the years of [this interview]’s interest”. Armand in Episode 13 in an attempt to re-gain control over the interview admits to what he and Louis did and did not cut, but to what end? Louis in Dubai has to ask Armand for the missing pages, pages we have yet to see. And chronologically speaking, through the showman Santiago, Armand was the first and last one to use Claudia’s private words to pilfer her narrative and try to break her.

The framing of Claudia as a mad, permanently infantile defect, but also the artfully manipulative entity able to assess Louis & Lestat’s fragile union pinpoints the assumption Armand makes to Louis & Madeleine both: the near inevitability Armand disregards her and treats her end with, throwing her in an infant’s dress to be a character constantly suiciding itself, and Armand calling her a manipulator in the prior episode.

Claudia’s defect caught up to her.

She harmed herself in the sun for attention and followed that up with a killing spree, corpses clogging the bayou, a penchant for human souvenirs.

And what does Louis offer us, in Dubai?

Louis can easily revenge and reclaim his own legacy through the interview, but how can Louis hope to re-pay the smearing and murder of Claudia? Through re-contextualizing the same words she wanted no one but Madeleine to read? “You can put the diaries in their proper context,” he once said. He can never be the one to truly salvage Claudia’s self, which is why the diaries cut out when Claudia finally felt fulfilled, and her last words are kept from our ears. An explanation, to who Claudia once was as a vampire, from Claudia’s own pen, without her will, just as she was turned.

It is through her diaries and Louis’s recollection of her that we realize her trophy-seeking was an evolving project. The boys she killed in New Orleans were her attempt at creating her own vampire companion, only to realize that she cannot create companions of her own bc of the same body she was trapped in, through no will of her own. There is something fascinating about “who” & “when” can make vampires, but that’s another post.

The “artful predator assessing the cracks in [Louis& Lestat’s] union” is in fact, Claudia returning to familiar captivity after being kidnapped and raped repeatedly. What’s interesting is that TdV does not have or launder the pages of the immediate aftermath of her rape, which suggests that Claudia herself tore those pages out [& certainly matches the damage], as ripe predators would see fit to find fault in Claudia for being assaulted.

The showboaters of TdV will die next episode, but what of the architect/s of the trial vs. Louis the architect of this interview? What will be done with Claudia’s diaries after this? The end of this interview poses very interesting questions.

[dailyadventureprompts]

DM Tip: The Debt Always Comes Due

Isn't it weird how little we engage with gold as a real gameplay system? Sure, at low level wealth makes a great questhook, the party is usually hurting for a payout so that they can afford necessary gear upgrades/ubiquitous healing potion restocks/their next trip to the magic item shop. After a while though the promise of raw wealth loses its lustre, and the party is less likely to go out of their way to accept bounties, go off chasing treasuremaps, or accept gigs from shady patrons.

Generally I'd advise that this is a sign that your party are done being run of the mill sellswords, and it's time to hit them with a big epic questline that's focused more on emotional and narrative stakes than base currency. That said, sometimes you want to run a longer adventure arc that's centred around the acquisition of wealth, but to do that, you're going to need to go against the grain on one of the foundational assumptions that underpins D&D both mechanically and narratively.

TLDR: If you want your party to be motivated by gold past their first big pay off you should consider using a "wealth hurdle", which in short is a narrative and gameplay challenge that forces them to collect not only more gold than they already have but also more gold than they could get doing what they've been doing so far. This can be anything from a crimelord calling in a debt on them or one of their allies, a powerful monster swooping in and demanding tribute, comissioning some grand construction, or funding the defence of a region. Having the hurdle active should cause problems for the party, and not clearing the hurdle before a perdetermiend deadline will immensely bad things to happen. This will force the party to take risks they otherwise wouldn't, giving a high degree of focus to their subsequent adventures that they wouldn't have if they were content.

What we're trying to fix:

At it's core, D&D is a power fantasy, and a good chunk of its gameplay mechanics regardless of edition are about acquiring new strengths, options, and assets. These assumptions are likewise built into the genre and narrative structure of most campaigns: Heroes undertake quests usually for the promise of some reward, gain experiance/hit milestones along the way, and eventually stumble across some kind of loot drop at the end. There's nothing strictly wrong with this, but it does mean that all the resource problems the heroes face in the early game (and the inbuilt motivations that come along with them) are all but resolved by the time they hit the next gameplay tier.

This is complicated by the fact that outside of 3rd party options there's not much to spend money on. The DMG (which you should totally ignore) say you shouldn't let them buy magic items, and the common wisdom would say "let them buy a keep", but that solution only appeals a niche selection of adventuring parties.

Using Weath Hurdles turns acquiring gold not just into a quest goal but a gameplay challenge, forcing your party to scour the land for potential sources of wealth (and risk upsetting whoever or whatever happens to be currently holding it) and take on challenges they'd never normally attempt if there was only survival/personal enrichment at stake.

Food for Thought:

Tradional d&d structure has the party getting a huge payout at the end of their adventure in the form of a bosshoard or questgiver reward which is a very backloaded "you can have your dessert after you finish your greens" sort of attitude. Consider switching it up sometimes: have the party's patron or employer give them a small stipend to spend on kitting themselves out, have an early game treasure haul so the party can have a mid-arc shopping episode. This is especially useful in higher level games where your party may go weeks to months without a level up as it preserves the feeling of progression and gives them new toys to play with in between the big character defining abilities.

Recently I've been learning my way around blades in the dark (can't reccomend it enough btw), and just like any other time I've wanted to learn a new ttrpg system I'm having to do a bit of neural rewiring when it comes to figuring out how to write and run sessions of the game. Coin in BitD is both an XP (used for upgrading the party's shared crew sheet) a resource (burned to upgrade the results of various rolls) and a stat ( rolled to see if the players can lay their hands on various hard to come by items). It didn't really click for me until my first group messed up really badly on what was supposed to be their introductory adventure and pissed off the local crimeboss. I was just going to have him bully them, lock them up and then have a jailbreak the next session ( it's what I'd do in d&d), but on the fly I had the idea that he'd let them go with a massive debt they needed to pay off, which forced them to either pay him a percentage of their takings on all future jobs, or do small jobs in utmost secrecy so that they could build up their own strength under his nose.

Interestingly enough, the d&d game where I thought player wealth as a resource was most interestingly used was Dimension 20’s starstruck Odessy, which was a conversion of the amazing fanmade  starwars5e system. Starstruck is a parody of hypercapitalism and aptly uses money as both a narrative and gameplay feature. One character is stuck paying weekly insurance premiums on a debt he would never be able to pay down forcing him to act recklessly to acquire wealth in the immediate future. Another character was a economic and political power player and some of the best moments in the series come from her high stakes wheeling and dealing and bouncing money between accounts while the rest of the group engages in epic space battles; the rest of the crew might’ve barely got their ship out of the dogfight, but she’s the one who ensures they can pay for the repairs once they get to the space dock.   None of this would be possible without completely ignoring the normal constraints of wealth per level: gaining and losing huge sums based on moment by moment player decisions, The need for them to play along with the absurist gig economy to boost their rating and get better paying jobs, making a devil’s bargain with a corporate sponsor all so that they could risk their lives in a deadly arena fight all for the (very unlikely) chance of winning the equivalent of a million GP.  Not every campaign should, or even could so focus on money in this way, but it was FASCINATING to watch it in action. 

Artsource

[kcrossvine-art]

Hi friends! Just a day after this years Yule and a few days out from Christmas, regardless of what you celebrate during this winter months, we're gonna be cooking a tangy tango between two traditional english staples-

Yule Plum Pudding and Wassail from Lord of the Rings Online!

(You can find the cooking instructions and full ingredient list under the break-)

MY NAMES CROSS NOW LETS COOK LIKE ANIMALS

SO, “what goes in to this Yule Plum Pudding?” YOU MAY ASKPlum Pudding is not a "pudding" as us americans think of it; its closer to a fruitcake but less shit.

Cranberries

White raisins

Macerated prunes (in brandy)

Chopped candied peel

Blanched almonds

All-purpose flour

Cinnamon

Nutmeg

Cloves

Sugar

Breadcrumbs

Lemon zest

Unsalted butter

Eggs

Whole milk

Half a bottle of brandy

It also doesnt contain any capital-P plums! it actually does contain plums im so fucking stupid i never connected the dots that prunes were dried plums oh my god. But they still ued any dried fruit, and "Plum" here is just referring to any dried fruit. And what about the birth of todays wassail?

4 cooking apples

2 pears

Brown sugar

Cinnamon sticks

2 lemons

A bottle of sherry

The other half bottle of brandy

Wassail is very similar to apple cider drank in the fall, with a few differences like the addition of pears and different alcohol source. It was commonly drank while "wassailing" which was a Yuletide predecessor to christmas carolling. People would go door-to-door with a big bowl of wassail, play music, and give well wishes- offering drinks from the wassail in return for small gifts!

AND, “what does Yule Plum Pudding and Wassail taste like?” YOU MIGHT ASK

The puddings like a fruitcake but if a fruit cake tasted good and wasnt a brick

Its thick and rich, and somehow actually tastes like plum despite that not being intended or making sense

I love the macerated prunes so much. Juicy berries to forage for. Enrichment

The icings reminiscent of buttercream but more savory than sweet

The wassail is like drinking the golden edges off the clouds at sunset

Its got a little bit of the dryness from the sherry that makes your mouth water the moment you stop drinking it

You just want to keep drinking more to sate yourself

Even without eggs its surprisingly full bodied and thick

I had to make a few substitutions from traditional elements due to either being not available or too expensive, but with a little problem-solving nothing was too hard to do.

. Used a bundt cake pan instead of a pudding tin .  Suet (animal fat) was historically used for plum pudding. I couldnt find any and used butter instead . Used golden delicious apples when called for . Used concorde pears when called for . Some wassail recipes fold in egg whites before serving, to make the drink creamier. I didnt do this, but if you do, the recommendation to drink it fresh still stands (and strongly)

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I gotta admit, I was nervous approaching this recipe. Not only because I didn't own and couldnt find a "pudding tin" without ordering online, or because the concept of steaming a pastry(?) feels foreign and odd, but also because of how old and storied this dish is. You always run into the issue with historical foods who date back to the times where oral history was the only history. The issue of people being combative that their recipe is the only true variant of the recipe, and all the others are mucking the whole thing up.

Its good to remember that like with most dishes, cooking is something that evolved and continues to evolve overtime. Unless someones trying to rewrite history and claim that ants on a log is a creme brule in which case you should run them over with a '98 Pontiac Sunfire.

Theres a few things I'd do differently when cooking again, like chopping the blanched almonds. They were a bit too big when left whole. And adding some amount of heavy cream to the icing? Maybe? To give it a fluffier/milkier feel? But the proces of cooking itself was very straightforward and I have no real complaints or modifications to make. When having leftovers of the pudding it did seem to "mature" and taste better and better the more days i kept it in the fridge, so thats something to keep in mind! But it tastes great a day after all the same.

I give this recipe a solid 10/10 (with 1 being food that makes one physically sick and 10 being food that gives one a lust for life again.) Happy winter everyone! Congrats to another year of staying alive!

🐁 ORIGINAL RESIPPY TEXT BELOW 🐁

Yule Plum Pudding Ingredients:

16oz cranberries

12oz white raisins

9oz macerated prunes

4oz chopped candied peel (any fruit)

2oz blanched, chopped almonds

4oz all-purpose flour

Measure spices with your heart (cinnamon, nutmeg, and cloves)

8oz granulated sugar

8oz fresh white breadcrumbs

lemon zest (one lemon)

4oz grated unsalted butter

4 eggs

8oz whole milk

Pudding Icing Ingredients:

1½oz unsalted butter

1½oz all-purpose flour

10½oz whole milk

3oz granulated sugar

2 tablespoons brandy

Yule Plum Pudding Method:

A week before making, macerate your prunes in brandy.

Mix together all the dried fruit, peel, and almonds. Sieve flour and spices together then add to the fruit mixture along with the sugar, breadcrumbs, rind, and grated butter.

Beat eggs and then blend with 8oz of milk.

Stir the egg/milk mixture to incorporate into the dry ingredients. Add prunes, and stir some more.

Put batter into a well-buttered pudding basin, with parchment paper to cover.

Get a large pot and place a kitchen towel or something similar at the bottom- then place the pudding basin on top of the towel, inside the large pot.

Fill the outer pot with water until it’s halfway up the side, cover the pot with a lid (or foil).

Steam on the stovetop at 210f for 4-6 hours depending on size of pudding basin. If the water gets too low, add a bit more.

After steaming, uncover and allow to cool to room temperature. Do not remove it from the pudding basin! Cover with fresh parchment paper and foil and store in a cool, dry place for at least a day.

(optional) to reheat; steam for 40-80 minutes, until warmed through.

Pudding Icing Method:

Place butter in a medium saucepan with the flour, pour in the milk then whisk everything vigorously together over a medium heat.

As soon as it comes to simmering point and has thickened, turn the heat to its lowest setting, stir in the sugar, and let the sauce cook for 10 minutes.

Add the brandy and stir to mix. Keep warm until required.

Wassail Ingredients:

4 cooking apples

2 pears

Brown sugar

4 Cinammon sticks

2 lemon

1 bottle of Sherry

½ bottle of Brandy

Wassail Method:

Core the apples and pears, leave the rest intact, and set in a baking pan. Fill the hollow centers with brown sugar.

Add about an inch of water to the pan and bake at 350f for 30 minutes, or until the fruit is soft.

Move the fruit to a large pot, add a bottle of sherry, half a bottle of brandy, lemon peel, and 4 large cinnamon sticks. (Feel free to use less booze!)

Bring the pot to a simmer for about 45 minutes, stirring occasionally. Strain before serving!

[najia-cooks]

[ID: First image is a close-up on a plate of small flatbreads topped with ground ‘meat’; second is a cross-section of one of the breads. End ID]

صفيحة فلسطينية / Safiha falastinia (Palestinian topped flatbread)

Etymology and origins

صَفِيحَة (“ṣafīḥa”), also transliterated “sfiha” and “sfeeha,” is a flatbread eaten in Palestine, Lebanon, and Syria, comprising a yeasted dough topped with a filling made from ground lamb or beef, spices, and chopped aromatics and vegetables. It may also be called “اللَحْم بالعَجِين” (“al-laḥm b al-‘ajīn,” “meat with dough”)—this phrase is the source of the Turkish “lahmacun” and the Armenian “Լահմաջո” (“lahmadjo”), which describe a closely related dish.

The word “صَفِيحَة” literally means “thin plate” or “sheet”; it comes from the root ص ف ح‎ (ṣ f ḥ), which produces words related to flatness. Compare for example “صَفَّحَ” (“ṣaffaḥa”) “to flatten,” “صَفْحَة” (“ṣafḥa”) “page,” and “صَافَحَ” (“ṣāfaḥa”) “to shake hands.” This term has been borrowed into Brazilian Portuguese as "esfirra" or "esfiha," when the flatbread was brought to Brazil by Levantine immigrants—mostly Christians—beginning in the 1890s. Today, esfiha has been naturalized as a "'typical' Brazilian bar food"; it is said that the typical resident of São Paulo is a "Japanese who speaks Portuguese with an Italian accent while eating an esfiha."

In English, lahmacun (also transliterated "lahmajoun") is sometimes called "Armenian pizza." Similarly, it may be called "صفيحة الأرمنية" ("safiha al-'armaniyya"), "Armenian safiha," in Palestine, indicating that it is regarded as a borrowing from the local Armenian immigrant community. In Armenia, lahmadjo is a very thin, soft flatbread typically topped with beef or lamb, tomatoes, tomato paste, bell peppers, onion, garlic, parsley, red chili paste, and black pepper. With Palestinian safiha, lamb is the typical choice of meat; the dough may be thicker, and enriched with the addition of milk, milk powder, or yoghurt; bell peppers are ommitted; and fried pine nuts may be added. Palestinian restaurateur Nassar Odeh remembers lahmadjo being served in Jerusalem's Old City decades ago; he says that "Armenian dishes" such as this have become "part of the Palestinian culture."

Though the Arabic-derived "lahmadjo" and related terms may be heard, [1] the most common Armenian-language name for this dish is "լոշմիս" ("loshmis")—presumably from "լոշ" "losh" "lavash, thin bread" + "միս" "mis" "meat." Some Western Armenian variations on the name reverse this order (meat-dough, rather than dough-meat): "մսաշոթ" ("msashot"), from "մսա" "msa" "meat" + "շոթ" "shot" "thin bread"; and "մսալոշ" ("msalosh"), from "մսա" "msa" "meat" + "լոշ" "losh" "thin bread."

The dish

A common part of everyday Palestinian cooking, صَفَائِح‎ ("ṣafā'iḥ"; plural of "ṣafīḥa") are often eaten as a snack or a portable lunch. They may also be served as a مَزَّة ("mazza"; "appetizer") for عِيد ("'īd"; "feast," "holiday"; often transliterated "Eid") or Christmas.

Safa'ih are shaped into pinwheels in the port city of يَافَا ("Yāfā"; often transliterated "Yaffa" or "Jaffa"), stuffed with ground meat or spinach. In the Bethlehem region the topping is often mixed with tahina, as well as vinegar or lemon juice, and perhaps pomegranate molasses. Other versions of the meat topping omit tahina and vinegar, and are more tomato-heavy instead.

This recipe is for Bethlehem mazza-style safa'ih, with thick crust that's crisp on the outside and light and fluffy on the inside. Vinegar and pomegranate molasses provide a bright, slightly fruity lift to the topping, while tahina grounds it with a toasty, nutty aroma. Black pepper, allspice, and a green chili pepper add complexity and heat.

[1] There is a proliferation of possible spellings for "lahmadjo" in Armenian, which would indicate that it is a loanword (probably via Turkish, ultimately from Arabic). These spellings include "լամաջո" ("lamadjo") [common]; "լահմաջո" ("lahmadjo"); "լահմաջու" ("lahmadjou"); "լահմաջոն" ("lahmadjon"); "լահմաջուն" ("lahmadjoun") [literary; uncommon]; "լահմաջին" ("lahmadjīn"); and "լահմաջի" ("lahmadjī") [rare]. The letter "ջ" is pronounced as "dj" (IPA: [d͡ʒ]) in Eastern Armenian and a "tch" (IPA: [t͡ʃʰ]) in Western Armenian (timestamp: 40:33).

Support Palestinian resistance by donating to Palestine Action’s bail fund; buying an e-sim for distribution in Gaza; or donating to help a family leave Gaza.

Ingredients:

Makes 24 small safa'ih. Serves 24 as an appetizer, or 6-7 as a main dish.

For the dough:

5 cups (600g) white flour

1 cup (230g) non-dairy yoghurt (لبن رائب) (I used soy)

1/2 cup (125 ml) olive oil

1 1/2 Tbsp (15g) dry yeast

1/2 Tbsp (4g) kosher salt

1 tsp (5g) sugar

A scant cup (220g) of water

A more "everyday" preparation of this dish might make larger, flatter safa'ih out of a dough without dairy. This holiday variant includes yoghurt and makes smaller, fluffier safa'ih; but the yoghurt may be omitted (or milk or milk powder may be added) without injury, and the flatbreads can be made any shape you like.

Leila al-Haddad writes that, in Gaza, white flour used to be eaten as a treat and for special occasions before it later came to replace whole wheat white flour in many kitchens.

For the topping:

500g ground beef substitute (as a replacement for minced lamb)

1 medium tomato, minced

1 medium onion, minced

1-2 green chili peppers, minced

2 tsp kosher salt (1 tsp table salt)

3/4 tsp black pepper

3/4 tsp allspice; or Palestinian 7-spice / mixed spices (بهار مشكل)

1/4 cup white tahina

2 Tbsp pomegranate molasses

2 Tbsp white vinegar, or lemon juice

For a tomato filling, omit the tahina and vinegar, and instead use 2 Tbsp tomato paste; or 8 diced or puréed tomatoes, cooked down.

Instructions:

For the dough:

1. Combine all dry ingredients in a large mixing bowl.

2. Make a well in the center and add in the yoghurt, olive oil, and water. Mix them together and then combine them with the rest of the dough. Add water or flour as needed to obtain a soft, slightly tacky dough.

3. Knead the dough on a clean surface for 5-10 minutes, until it bounces back when pressed. Allow to rise, covered, in an oiled bowl for 1-2 hours, until doubled in size.

For the filling:

1. Mince vegetables, or run them through a food processor. Mix all filling ingredients together.

To assemble:

1. Divide dough in half, and then half again; roll out each quarter of the dough into a cylinder and cut it into six equal pieces.

2. Roll each piece of dough into a ball between your hands, and then flatten it into a disc about 1” (2 1/2 cm) high and 3” (8cm) wide. Place on a baking sheet prepared with parchment paper, leaving an inch of space between each circle.

3. Press the center of each dough circle down to create a crust around the edge. Add a few spoonfuls of filling to the center of each safiha and press flat.

4. Bake safa'ih in the middle of an oven at 450 °F (230 °F) for 25-30 minutes, until crust is golden brown.

Serve as an appetizer alongside vegetable salads, pickles, olives, &c.