#essay + analysis + headcanons

[the-music-maniac]

I haven't watched that much of One Piece yet, so feel free to disagree with me on this analysis, but there's one thing about people's general interpretation of Sanji as a character that drives me a little nuts. And I'm saying this because even though I'm not very far along, I got spoiled for his backstory (because I refused to stop reading fanfiction even though when I first started I was like, on episode 3).

So before you continue, there are spoilers for Sanji's past.

I think people tend to ignore that the differences between Sanji's demeanor towards men vs towards women likely partially stem from severe trauma. I don't believe his actions are entirely intrinsic, its not like he was born acting like this - nor is it an unchanging immutable fact of his character, despite what a lot of people seem to believe.

And for some context on what prompted this - I'm a sanzo/zosan shipper, so I tend to crawl through the depths of the internet looking for fun little videos and fanarts, and one consistent protest I see with this ship is "Sanji DESPISES men and WORSHIPS women, there's literally no way he could EVER be attracted to men or want to date a man he HATES them."

Which bothers me outside of any arguments about Sanji's sexuality or even about any ships - which I will get to in a second - because that interpretation of Sanji assumes his actions are just there for no reason. Sanji hates men, therefore he hates all men with no exceptions, and he will always hate men. Sanji loves all women, therefore he will always worship every single woman he meets. I dunno, I think it's just a very surface level understanding of who he is, and relies on setting a rule for no reason and just sticking to it, as if it's just a mere quirk of his character with no backing to it.

Sanji's first interaction with any people, was in the form of his biological family, as is the case with most of us. Specifically, his father and brothers, who abused him and didn't even treat him like a person, and his mother and sister, who were the only people that treated him with kindness and saw his humanity. Tbh, he reminds me of the way women who have experienced trauma from men act - a general dislike/disdain and distrust for them (for good reason). And I don't doubt Sanji's overall elevation of women was only hammered home by the fact that his first ever father figure - arguably the first man who's treated him with kindness - teaching him the lesson to always respect women. His very illogical need to never fight women probably partially comes from the events in his life, and because it's not just a two dimensional arbitrary rule established for his character - there can be exceptions and growth.

We already know this, because despite Sanji's general disdain of men as a whole, he is capable of caring/loving men that he personally knows. He loves Zeff, and he loves his nakama - some of whom are MEN. Like, it's right there??? In the same way a woman who has experienced violence at the hands of a man probably still has family and friends or even a significant other that they love and care about that are men.

Like if you're using his demeanor towards the different genders as an "aha got you" argument for why Sanji couldn't possibly be queer, its not as strong of an argument as you think it is.

And if we're operating under the assumption that Sanji partially acts like this because of trauma, it brings up quite a few interesting arguments about his sexuality and potential romantic partners.

Which segways into sanzo/zosan, since admittedly I got into this entire debacle because I was looking into fanart (non-shippers feel free to click away now if you wish, I get that not everyone likes the ship, which is valid).

I don't think Sanji's actions means he couldn't be bisexual. Cause I'm bisexual, and you know what would make me very very keen to ignore all my attraction to one specific gender? If I had multiple instances of that gender hurt me severely. In fact I'm not so certain I don't experience that, because while I haven't had anything super bad happen to me, I hear about things in the news, about friends and family who have been harmed, interacted with men who have talked down to me, and I definitely went through a phase in my younger years where i just refused to consider men as a possibility for a romantic partner, because I was just so so angry. And I'm not saying Sanji doesn't like women in truth, because he absolutely does. He's both attracted to them and likes them. But that doesn't eliminate the possibility that he might also be attracted to men, or other non-binary genders. In fact the more he doth protest, and puts on a show when he sees a pretty woman, the more I'm sure he's in denial. Internalized homophobia can also be a bitch. Contrary to making me think Sanji is absolutely straight, the way he acts in the show actually puts me the opposite way.

I've heard Sanji also has an interesting relationship with gender and may be genderqueer but I don't know as many details about that yet, so I'll skip it for now. But regardless, I look at Sanji and go "I don't think this is a traditionally cishet character."

Of course, this is by far not the only interpretation you can have of Sanji. It could be that he's traumatized and also heterosexual. That's absolutely fine. But my overall point here is that I don't think what we see in canon negates the possibility that Sanji can be queer.

As to why I like Zosan in relation to this:

1. First, a relatively minor thing, I enjoy the sheer amount of bickering/fighting. People hold that up as a reason to not like the ship and I'm like, my dude that's one of the only reasons why I'm here. My love language is annoying the people you love and occasionally having homoerotic battles. duh.

2. Zoro is one of the aforementioned men that Sanji cares about, one of the exceptions to his "men are horrible" thing. Like they argue and fight a lot, sure, but you're not convincing me that they don't love each other. In whatever capacity - platonic or romantic - is up to your interpretation. Sanji loves all of his nakama, that's not really something I see as up for debate.

3. I honestly believe that until Sanji gets a less extreme viewpoint of the different genders - he won't be able to be in a healthy romantic relationship with a woman. For one thing, I know Sanji has self worth issues for days. For another thing, his hero worship for women as a whole - his refusal to fight women, even when they're actively trying to harm him - I don't see that translating well to a relationship. Moreover, I can see it being exhausting for the woman he ends up with, to always be treated like she's made of glass or agreed with, regardless of what she says.

Essentially, he wouldn't really treat that relationship as a partnership between equals, and I think when that happens, you run the risk of the individuals hurting each other, even on accident. Of course, we can also see this as a facet of his character with exceptions and possibility for personal growth. Maybe if he gets with a girl he'll grow and learn and still end up in a good relationship. You could also just interpret his demeanor as over the top flirting that he'll reign back in for an actual serious relationship. Sky's the limit when it comes to fandom interpretations.

But because of this, regardless, I just don't see any potential between the female characters I've met and Sanji. What I do see potential in, is Zoro. Here is actually a character Sanji not only trusts to watch his back, is on equal footing with, but is also unafraid to speak his mind and fight with. He doesn't walk on eggshells or worship the ground Zoro walks on, he has no qualms about defending himself if Zoro crosses a line. That is what a relationship can be built on.

4. Zoro has a contrasting way of interacting with women that I find super interesting. He comes off as the kind of character that doesn't actually care about the gender of the person he's fighting or interacting with - he cares about their ability. Which kinda explains his reactions when he hears Kuina's thoughts about being a girl - and I think Tashigi as well if I'm remembering correctly. There could be a clash of beliefs there that might be quite interesting. I know Zoro and Sanji do fight about how they talk to women, but I meant like something not just played off for laughs. Maybe there is something like that later in the show, who knows, I'm still early on.

5. Again the entire reason why I like enemies to lovers is the need for personal growth. I heard someone say that Zoro would be fine with being in love with a boy if it wasn't Sanji, and Sanji would be fine with being in love with Zoro if he wasn't a boy, and man do I think that's accurate. And here's the crux of the matter - in order for them to get together, they need to get over their hang-ups. Sanji needs to unpack the ten million tons of trauma he keeps repressed under his curly noggin, and Zoro needs to figure out why Sanji rubs him the wrong way. That shit is INTERESTING. People forget that the reason why this trope is so popular is BECAUSE it's a fixer upper - there's work to do. Nothing is perfect. It may even be a little toxic. That's the appeal.

Anyways this is getting TOO LONG. Thanks for reading!

[slamdunkhcs]

physical touch in slam dunk

There is a big difference between the dynamics of friendships involving two girls, compared to a friendship with two boys. Girls are more likely to be communicative with how they appreciate each other. Boys don’t communicate this verbally, due to not wanting to come off as “cheesy” or “corny”. Instead, they show their affection/appreciation towards each other through physical touch. While not all guys are like this, a lot of boys are very touchy with each other, even coming off as gay at times.

Slam Dunk presents an accurate portrayal of male friendships. Their relationships with each other reflects on their age and maturity, and I believe it is part of why Shohoku and their dynamic as a team is so likable.

Something that I believe is notable is that the boys aren’t emotionally vulnerable with each other. Both Ryota Miyagi and Hanamichi Sakuragi are shown to have rough backgrounds, but neither of them are shown to tell their teammates about it. And they aren’t visibly depressed in front of the team.

I think the most emotionally vulnerable moments are from Mitsui and Akagi, who are both the oldest of the team.

Mitsui, who had hid his feelings of wanting to go back to basketball, finally broke down when Anzai walked back into the gym. Mitsui clearly did not intend to break down like this, I think he was just caught in the moment. The guys didn’t say anything about this, partially because they were still pissed at Mitsui for what happened, but also because they probably wouldn’t have known how to handle that at the moment.

The moment in the series to me that signified the most about how the boys aren’t vulnerable to each other was when Akagi cried, and said that the team was amazing. The guys didn’t comfort him, but instead were like “Why you crying?” and then went on to make fun of him. I think this is realistic compared to other series where the guys are all comforting each other, as they are teen boys and they don’t want to come off as soft.

Another vulnerable moment in the series was when Miyagi and Sakuragi both cried in front of each other because of their bad luck with girls. This wasn’t intentional either, and I think it was the result of the heat of the moment.

Instead of being affectionate through words, physical touch is used to show the boys’ friendliness with each other.

An example of this is during their games. When the team scores, they high five each other, fist bump, or pat each other. While this is typical behavior for teams, it is used to show Rukawa growing closer to the team, as he ends up engaging in this as well.

Additionally, when Shohoku lost against Kainan, Sakuragi cried. Akagi doesn’t say anything to comfort him in particular, but he pats Sakuragi and walks with him. I think this showed his care for Sakuragi, and he felt bad seeing him like that, it just wasn’t portrayed with words.

And when Akagi cried after winning against Ryonan, Sakuragi wraps his arm around Akagi and tells him to come line up with him. Again, nothing particularly comforting is said verbally, but it’s shown through actions.

Another big moment, arguably one of the biggest in the series, was Sakuragi and Rukawa going up to each other and high fiving after winning against Sannoh. Rukawa is shown before this to have high fived or fist bumped other members of the team, but not Sakuragi. Due to their “rivalry”, the two didn’t say anything and just looked at each other for a second before turning away. However, their high five signified how the two had grown close, as teammates and as friends.

Showing emotional vulnerability and closeness through physical touch is very effective and provides a sense of realism, and I believe that Slam Dunk would not have been as strong of a series if the physical touch between the team was not presented.

[cult-of-the-eye]

martin absolutely would've taken english lit A Level and then absolutely have the worst time ever with it

[ms-scarletwings]

New (Cursed AF) Invader Zim Headcanon:

Barring the potential for major acute blood loss, Irkens can actually survive a full decapitation.

And I brought substance to make the case with.

Cockroaches, one of the most infamously durable of real life animals, can live for several days, sometimes even weeks without their head. And for the most part, they still even act like normal roaches- crawling about, reacting to touch, standing around, etc. it seems the only reason this eventually catches up to the critter is because no mouth = no way to keep bringing necessary food and water into the body. If that were bypassed, however, it stands to reason the little zombie could thrive just as much as a headed roach.

Almost disturbingly, the head itself can actually last a surprising amount of time solo as well. Experiments with decapitated roaches show that after body separation, roach heads can still move their antennae for hours before succumbing- much longer even if kept refrigerated and supplied with nutrients.

One of the neat things about roach bodies that makes such a feat possible is how their nervous system is set up- simplified ref against what yours looks like below

Now, anyone who has ever said a roach can survive for a while without its brain is not being entirely accurate. Functionally, they actually have two sort-of brains: the main point of nerve centralization is contained in the head, which for the most part is a primary brain responsible for movement coordination, certain technical functions, interpreting stimuli that comes in from the antennae, and more. The second main point of interest in this system is a series of nerve clusters running down the insect’s abdomen known as ganglia (singular: ganglion). These bundles of neurons are not exactly brains in their own right, but they do function as an extended CNS that handles the control over the digestive tract, reacting to stimuli, leg movement, and other more basic bodily functions. These can operate the body on a primitive level after the loss of the main brain, up until thirst/starvation begins to run the wind out of the sails.

You know what sort of creature actually DOES have two entire complete brains? One up top, and an auxiliary backup a little further down?

If you were nodding along and saying “irkens!” Then you would be correct! One peanut and five more days in the bunker for you 🥜 ~

As is obvious to anyone familiar with the show, the PAK is an essential cybernetic addition to Irken biology, holding their gear as well as an entire digital backup of their personality and memories. While it serves many functions to the user, the first and foremost priority of one is to protect the existence of the meaty entity it needs in to carry itself around.

To that end we’ve seen some autonomous acts from time to time with Zim’s close calls. If you recall “Plague of Babies”, he… kind of died for a moment there, caught up in a wave of GIR’s lethally amplified stupidity. In response, his PAK appears to resuscitate him with a quick jolt. The would-be events of “10 Minutes to Doom” emphasize the necessity of the PAK for any Irken’s survival beyond several minutes, which directly implies PAKs facilitate a major biological process their natural bodies are no longer capable of alone. Personally, I think it might be something either neurological or related to respiration, on a hunch.

Well, whatever it is, they are toast without it in swift manner, and the PAK doesn’t prefer to be without its other piece anymore than the body does. Dib’s revelation about the technology described their relationship with its body like that of driver and car, but I think he’s missing something. The PAK is actually more than capable of carrying itself around without the body… at least for a time.

When I think about those things, a little dilemma pops up in my head concerning how they.. well, how they’re powered. It is never explained or demonstrated that they are given time off of the body in order to charge; however, irkens are probably advanced enough to have some smaller and sci-fi wildly potent and small energy source up their sleeves, but actually, that wouldn’t quite make sense here. Because Irken bodies still produce their energy the same way every other lifeform in the known galaxy does, with food. Lots of food, actually. They can mow through snacks at about the same rate as Augustus Gloop. PAKs don’t need to produce their own independent energy source, they just need to efficiently make use of what this organism is already evolutionarily fine tuned to do naturally. Now that’s smart engineering.

And so, like any respectable auxiliary life support feature, they hold some of that energy in a reserve for those crisis moments like in “Plague of Babies”, and also in a deleted scene made for “Abduction”!

Fun trivia fact, but originally that episode was supposed to feature a sequence where Zim nearly game overs again. He takes a gnarly hit and a literal plunge through open flames that knocks him out in a free fall.

Despite his incapacitated state, the PAK extends its spider legs in order to catch a walkway railing, both saving his life and proceeding to keep carrying his limp body to a safer location, until of of course, he comes to about a moment later and carries on.

And neither of these are the only times it’s sprung into action the moment it detects something has gone horribly wrong. When accidentally detached from its own host, an emergency response will be triggered within the PAK in an attempt to reattach with its body. Failing that, it attaches instead to… well, whatever it can find.

In “10 minutes to Doom”, this was unfortunately Dib, an incompatible match (or maybe it just picked an improper attachment site), and in the comics… things got interesting at a point or two.

So, I already know what happens when you separate an Irken from their spinal brain, but what about the cranial one?

Because, they actually don’t seem on the same level of urgent necessity? Now that I think about it?

The time machine kerfuffle and the brain eating parasite escape were both events this guy evidently survived, albeit not comfortably or ideally until the problem was fixed (I have to assume in part with GIR’s or the Computer’s help). Now that I think about it Zim’s incredibly fortunate that most of these more serious mishaps happened inside of his base. But it’s theory time.

So, we do this, to a hypothetical green bug bastard

For fun let’s say, hypothetically again, like the hardy earth roach, he blood clots quickly.

Well, first and foremost, that higher up nervous system blackout is probably going to cue the PAK in to begin the following protocol:

1. Activate an emergency response to quickly access the situation.

2. Immediately scurry the body the hell away from whatever manner of threat just shaved a little too much off the top, engaging in all possible defensive measures if necessary.

3. Devote the entirety of its remaining backup power (of which it would have much more stored within the headless body than if it were itself detached) into making a beeline for the coordinates of the nearest Irken source of assistance. On the homeworld, or any fully colonized planet, this would be a cut and dry matter of finding the nearest theoretical space clinic or whatever those freaks have (maybe those dbz regeneration tanks? Idk that would be cool wouldn’t it?). For the lone invader… home base is the next best alternative, being a secured location with plenty of resources and advanced technology at the ready. I would bet my own head that situations like this are a huge highlight to the prime value of a personal SIR companion.

Now, best case scenario for what this help looks like depends on whether we can save and bring the head along too. Reattachment and repair at that point should be a pretty simple matter at the tech level we are working with, afterall. But that’s again, the ideal case scenario. Could they just… regrow the head eventually? We don’t really have a clear answer on what the limits and capabilities of what the Irken healing factor is, but I want to at least guess that having a personal lab and assistant on hand is going to help. Bare minimum, a solution can get worked out to supply the body with needed blood sugars again to buy more time.

The PAK itself retains a pretty much perfect digital backup of its body’s memories, experiences, and identity, so it’s not like information has been permanently been lost with primary brain damage. Replacing the primary brain entirely might be as easy as backing up your iPhone and downloading everything into some shiny new hardware. Hell, it may not even need be Irken hardware!

Do you know the real disturbing things from “Dark Harvest” NOBODY brings up are???

Why the fuck was an instantaneous organ-swapping device already just something Zim was carrying around in his toolset?

And

Zim’s morphology was horrifically receptive to those dozens of xenographs.

Those human organs were actually beating, pulsing, absolutely redundant and unnecessary in his body, but completely still functional and healthy in the name of selling his act to the school nurse. He didn’t just clumsily cram a bunch of offal into himself, he competently integrated them into his biology and somehow wasn’t suffering like… the tons of complications you’d expect from trying a stunt like that.

And in the comics, there’s this other fella I just adore for how skrangly he looks, and believe it or not, his actual fucking name is Skrang.

He’s a smart guy, though. Don’t be fooled. And I mean like, a smart guy. And it’s all thanks to a little help from a little upgrade he’s been fitted with :)

So, I hope you take all the implications I’ve been building here and make what you will of them. I genuinely think an Irken has a decent chance of making it out of a beheading alive to seek sadistic vengeance another day. Do I think ZIM could do such a thing? Tbh, I think he’d have to rely on GIR to come in clutch, and we may know that’s a complete roll of the dice in any case.

Wow, this got morbid, but, par for the course really.

[obamousse]

When Suna was young, he and his mother moved to his aunt's house, when his family was having a rough divorce. Dad took his younger sister, his mother took him. His aunts love gossip, drama, and conflict. They are two-faced, shallow, and they make conflict then pretend nothing happens the next day. Mom hates them, but she didn't know where to go. After mom settled, they left the house. It was a short time, but it was, unfortunately, during his formative years. Although Suna loves acquiring drama, he doesn't tell it to anyone. He only acquires it for his own fun and for blackmail. None of the bullies at Inarizaki crosses him, but they all hate him because they knew he has the worst blackmail on them.

Suna doesn't stop at one piece of information either. He would only stop once he acquired critical blackmail information. He never shares it with ANYONE; he only shares harmless, funny gossip to a few people he knows would keep their mouth shut.

At family reunions, his mom has to socialize with aunties even though both dislikes them. Suna doesn't, so he sits, and observes. He observes whenever critical information or gossip slips from one of the aunties' mouth, and he made sure to remember. He sits in the corner so quiet aunties are surprised he was even there. He has the movements of mouses when he opens and closes doors - his cousins had always said he was weird.

And he made sure to know when to drop the news. He and his mom likes to create drama and chaos - along with loving to watch them. He doesn't speak nice to his aunts like many cousins, and he would slip in critical gossip in the middle of his sentence, so casually.

He is the type of person to develop ruses, tactics, tricks and ploys on the go, to be used on the go. He's tricky - you can never know what he does with your information, but if you promised him to not reveal any confidential information (that he did not acquire by eavesdropping, instead, you tell him directly), he will keep that inside of him for the rest of his life. Everyone underestimates how good he could be at keeping his words.

It is because he learnt from his chaotic aunts and mother, who gossips, who juggles information from the facts to the fancy, who forms side and berates each other, and forget all of them without an apology the next day. He had been the shorter end of the stick, had been cheated of justice and disliked by his caustic aunts because his mother's messy marriage. He learnt to hate fakeness: fake information which leads to accusations, fake people that will betray you any minute. He learns to keep his promises, to be brutally honest - because it is more honorable than to lie. He learnt to be curt, or even brutal with his words, rather than sugarcoating - and anyone who can't take it can deal with it. He learnt to keep his moral code, to not be swayed by anyone and their twisted words and tactics to rile him, to keep the boundaries of hate and love clear-cut, to remain loyal to what he thinks is right. He learnt to have integrity, to abide by fairness. Most importantly, he learnt to do everything, as his mom instructed, to not let these aunts affect him. He will turn out opposite of them.

But living in that toxic environment meant he also learnt to be petty. He also learnt to be cruel and bitter, to use the most scathing insults on purpose, or even hold confidential information against the other person if he was arguing in private. He learns to cheat at arguments and say things that riles up people, to accuse and push people to the edge to have what he wants. He learnt to blackmail, to make sure he has the upper hand and the other person has to give in. He doesn't care whether he's wrong, whether or how much that other person is hurt. That person is bound to be hurt, and as long as he gets what he wants, that is a good sacrifice to make. He learnt, from the men in the family, uncles and his strict grandparent, not to show vulnerability or emotions, not to be swayed by any tears that falls on the other person's face. He learned that if the other person loses control, gets angry and says distasteful things, he has won. He could take what the other person said and hold it against them - because it truly hurts him too, or takes their illogical points or information that slips and hold it against them. He loves it when he gave the other person a taste of their own medicine. That is simply what he is doing - the other person brought this up, and they deserved it.

It's normal. Because that's what everyone does in the household, and probably what everyone does in life. If they have your information, that's on you. If you can't deal, that's on you. He had had the shorter ends of the sticks in cases like this, but he learnt to get over it. Crying will only make you pitiable, and amongst the lies and sugarcoating and fake niceties, he hated pity the most. Pity is the worst insult, is the worst form of contempt. That's why he knows how to make people so angry when he raises his head and looks down at others, while saying: "Poor you." Cruelty is the fact of life - and he should know to gain advantage and exploit it to get what he wants. This, along with the lack of vulnerability and curtness, is a boiling cauldron waiting for disaster.

He hated the aunts because they lie. Lying is the worst sin, and being fake made them the assholes they are. He doesn't lie. He isn't fake. He says what he thinks. Even though he manipulates people, he doesn't lie - it's the other person who brought it upon themselves. But he never knew that living in a toxic environment meant he would learn toxic mentalities, and therefore, turned him into the asshole that he hated so passionately?

[bleue-flora]

All of these hot takes are really making me feel left out lol. So um hot take:

c!Dream is autistic and the consequential misunderstanding and miscommunication is a root of all the problems and conflicts.

(Note: I say this as someone who is autistic and after being diagnosed at the age of 20, discovered that at the heart of 90% of my conflicts, now and in the past, is a failure in communication from being misjudged and misunderstood.)

[zhonglicious]

my take on the itoshi brothers

the itoshi brothers’ relationship is so complex and it makes me want to throw myself off a building so hard. spoilers to anime onlys, and spoilers for the u-20 arc onwards. if u dont wanna see then just scroll <//3 so anyways as i was saying, the itoshis

this is half analysis, half theory, part screaming, so like if u have anything u disagree w me on or anything u wanna add then please do

so obviously from the very start we can see how warped their relationship’s gotten ever since sae went to spain. rin focuses all his attention and efforts into getting better so he can crush sae, while sae doesnt even acknowledge his existence. 

at first, i only saw rin’s side in this. i admit, up until i reread the manga and their backstory, i was thinking ab the situation solely from rin’s perspective and ended up neglecting some details. most especially sae’s reaction to the fallout, as well as some other minor details.

we can see from the suitcase than sae had just landed, and that his first instinct was to go to rin. his first priority was to go see his baby brother, with the intention of telling him about his decision regarding his soccer career. he obviously still cares about rin here, and we can see that as he didn’t “completely” abandon their dream. 

for sae, his view on their dream shifted. after seeing how big the skill gap is between him and the world, he decided that he can’t be the best with rin as he is. especially as rin hasn’t had the opportunity to see how it actually is outside of japan. i think he shifted his view so that they can still be the best, just with him lifting up rin rather than being by his side. much like how reo shifted his view into becoming a midfielder so he can make nagi shine even brighter 

sae changed his resolve to become a midfielder, while he “entrusts” the original dream to rin. In his eyes, it’s still their dream, as he’ll still be the best with rin, just not as strikers. however, i don’t think he counted that rin would be completely attached to their original dream. well, either that or he was desperately hoping that rin would understand where he’s coming from

to be completely honest i think it's the latter. as rin expressed his discontentment with sae’s new resolve, we see in his eyes that he’s frustrated. and then it all comes boiling over when rin yells “you’re not the same brother i shared a dream with”

we can obviously see the hurt in his eyes before his face is masked by shadow. i think that deep down he already knew that rin wouldn’t accept his “new dream” but was still hoping he would. rin saying this was just the confirmation that he would, in fact, not accept it

again this post is half analysis half theory. personally i think that the brothers, in their own way, were trying to defend their relationship. rin wanted to keep the previous them, the them that were together in their dream always. sae wanted to preserve his relationship with rin somehow, seeing as how much he changed after his time in spain

sae, in his own way, is still trying to protect rin. at first, his original plan was to make rin the best striker by becoming the best midfielder. that way, rin isn’t alone when he finally faces the world. however, as rin didn’t want to give up on their dream, then sae decided that the best course of action was to destroy that dream so that rin wouldn’t get hurt any further

in my eyes this is the moment sae steels his resolve to shatter that dream. he then faces away from rin so his resolve doesn’t shatter, knowing that seeing his brother’s face in anguish will weaken that resolve

the fallout hurt both of them, but that hurt spiraled into two different responses. sae becomes completely aloof to rin, while rin begins to harbor a boiling “hate” towards sae. 

after the u-20 game, we immediately see that rin’s “hate” for sae is in fact not hate. his first instinct is to call sae “nii-chan” a deeply affectionate title that hasn’t been said since that night. however, sae crushes rin’s spirit by saying that isagi is the one that has the potential to change japan’s soccer

now here i think sae, in his own, messed up way, is trying to motivate rin into becoming the best in the world. the worst part i think is that it works, as this is one of the critical moments that causes rin’s way of thinking to change, with the other one being the fallout. here, crushing sae is no longer his “first and foremost” priority, and he’s instead setting his sights on becoming the best, without anyone or anything holding him back

i’m not very good at articulating my thoughts and there ARE some things i wanted to put here, but i couldn’t explain them in a way that’s coherent to anyone other than me. but the final thought im getting away with here is that ultimately, the brothers still haven’t given up on their dream, whether they’re aware of it or not. by inadvertently giving rin motivation to become the best, sae is still giving rin a chance to catch up to him. in the same vein, rin’s desire to catch up to and surpass sae is his desire to prove his worth to sae again

once again these are just my personal views on the relationship. i could be wrong, i could be right, i could be partially wrong or i couldve missed the point completely. either way i just needed to get that out of my brain. so if u have anything to contradict me with or anything to add, please feel free to do so! i love hearing ab other people’s thoughts anyways <33

[sad-drake-lyrics]

alright, i’m having a lot of feelings™ about giyushino & i have to talk about it because otherwise i will implode. i’ve liked the idea of them together from s1, like most people who ship them seem to; but then i stopped thinking about them much due to obsession with other ships, and also because after their initial altercation on Mount Natagumo they don’t really get much screentime together, so i just lost interest.

but in my modern day obamitsu AU (you can find my ao3 link on my page!), i’m featuring giyushino as a background ship, & i am starting to catch fucking feelings myself from writing them. (if you head off to read the fic, there’s only two chapters posted so far & Giyuu + Shinobu are not in it yet, but will be very soon.)

so, here we go. gimme a moment to ramble about what inspired these HCs / character analyses before i get to the meat & potatoes.

street lights by killedmyself is one of my favourite songs despite the fact it being really more of a piece of audio art than a song - it’s mainly a movie dialogue sample mixed with sad boi lo-fi beats, but i play it all the time because it somehow hurts so good. so i was listening to it when thinking of the aforementioned modern AU, & i had an epiphany like “holy fuck, this is exactly how a giyushino relationship would go down, whether in a canon AU or any other story.”

the sample in the song is from No Strings Attached, a typical romantic comedy/drama about two close friends who have a deep understanding of each other and casually have sex, but the guy catches feelings and the girl wants nothing to do with a relationship.

(honestly, most people would probably find this movie boring - it’s a basic white het ship storyline; i only watched it because of the song, & the conversation in the song is literally the best part - otherwise the movie is hella bland & i wouldn't care if i never saw it again LOL so i’m def. not saying “go watch this” here.)

anyway, i’m listening to this song, and i’m like “omg, i can hear Giyuu & Shinobu saying every fucking line.”

basically, in my mind, Giyuu & Shinobu would start hooking up just for the sake of it - probably as a result of a quiet development of closeness born essentially out of convenience (they are always at the Ubuyashiki Estate together or working together), and then one night boning goes down. they’re attracted to each other; they like each other as people; and then the sex is good, so it keeps happening.

& very quickly, sad boi Giyuu, who is typically self-isolated and depressed, starts crushing hard. he’s alone and he’s desperate for human interaction and affection, even though he doesn’t realize it - and Shinobu is beautiful, and he admires her. plus they’re starting to have a lot of sex; & it’s pretty common for that to bloom some sense of love, ranging from base level attachment to infatuation to real feels - and it gets to the point where Giyuu wants to be with her.

but Shinobu doesn’t want the same thing. she cares about him (more than she can admit), but she’s fiercely independent and immensely dedicated to her work (with all her research and crafting of medicines & poisons). she puts this work above absolutely everything else with self-denying devotion - her happiness doesn’t matter; like she tells Tanjirou, she’s angry, and all that matters is success. a relationship for her would be a distraction, & she doesn’t need it - doesn’t want to deal with it; too many emotional ups & downs; too much drama; too much risk; too much intimacy with someone else, which actually terrifies her. so when Giyuu tells her he wants a relationship, she rejects him.

now let’s take the samples that slap me in the face with giyushino feels from street lights, which i can literally hear coming out of their fucking mouths.

Shinobu: You know me, this stuff freaks me out. It's fake. What’s wrong with what we’re doing? It’s working, we don’t have to fight -

Giyuu: Maybe I wanna fight.

Shinobu: Yeah, well I don’t.

Giyuu: What are you gonna do - you’re just never gonna feel anything? How are you gonna do that?

Shinobu: I don’t know. I’ll figure it out.

^ this exchange already starts murdering me because i feel like once Giyuu realizes he has legitimate feelings for Shinobu, and is wrestling with his own self-denial and inability to accept love from others because of how much he hates himself - he sees that Shinobu does the same thing - she doesn’t want to feel anything too deeply because she’s traumatized from Kanae’s death. she doesn’t want to love anyone else in a way that makes them more important than anything else (though, yes, we have to also acknowledge her love for Kanao here, but i imagine that's it for her - no more), so that she can’t experience loss again. she’s scared; she protects herself by being self-sufficient and dedicating herself to her work.

she's also stubborn asf, and sincerely believes in herself and what she's capable of, and so "I don't know. I'll figure it out." is literally what she would respond to this challenge.

Shinobu: I don’t need you to take care of me. I take care of myself. That’s what I do.

^ destroying me because this is exactly what Shinobu does. this is her MO; her armor.

Shinobu: Why don’t you go find some other girl who’s not gonna hurt you?

Giyuu: Because I love you.

^ help. why are they like this. it’s because Giyuu’s so alone, but when he feels, he feels deeply (seen even in his initially inexplicable sentimentality for Tanjirou & Nezuko from the beginning, all the way to when we finally hear his backstory with Sabito). he’s smart and intuitive, he can see right through Shinobu - right through everything she does to protect herself. he also doesn’t give up on people he cares about, and his sad boi meter is off the charts - he probably thinks he deserves rejection. plus we have Shinobu pushing everyone away so hard because she can’t handle it.

also going off the HC here that they’re casually hooking up throughout this: oh boy is this a mess of confusing emotions for both of them, both struggling to keep it bottled up, and Giyuu is clearly the weaker link. he just would be. he’s too sensitive.

Giyuu: It’s obvious, I completely love you - there. You’re such a wimp.

Shinobu: I am not!

Giyuu: Well then be with me.

^ why is this dialogue like, canon. it’s their personalities to a T - the way they push at each other in a way of making fun of each other; the way Giyuu is honest despite his problems with feelings; the way strong, independent Shinobu would be so offended at him calling her a wimp (which he totally would fucking say) - calling her out on how she blocks out feelings for others to stay focused on her mission so she can protect them, but so she also can’t get heartbroken, because she can’t go through that again.

*cough*

anyway. there’s my roughly 1k word count essay on how i envision a romantic giyushino dynamic. i’ll be trying to work this into my modern AU - but considering Giyuu and Shinobu are secondary characters, i don’t know how much i can explore this; still, i don’t have the full fic planned out, so nothing’s off the table.

but seriously, this shit hits me in my gut so hard i could probably write an entire fic about them just on this premise lol.

anyway, yeah. woke up at 7:30, made a cup of coffee, sat down on the computer and just wrote this essay out of nowhere in an hour because suddenly giyushino is also ruining my life.

[godsfavoritescientist]

Bill Cipher: Lord of Hope (the homestuck classpect)

explanation for why I picked this classpect for him under the cut

First of all: I think classpect is heavily influenced by one's narrative role in a story. It's influenced by personality too, of course, but someone with the exact same personality could have a completely different classpect depending on how the story uses them.

Lord is an extremely powerful class reserved for the big-bad in homestuck. It means having unimaginable amounts of control over your aspect (which here is Hope). It's also a volatile, destructive, and self-serving class. It's also the mirror and opposite of the Muse class, which is equally powerful, but wielded passively for the benefit of others, often using methods more like setting up all the components of a rube goldberg machine behind the scenes, rather than the Lord's preferred method of steamrolling over things whenever possible.

Second side-note: Each aspect has an opposite, and I think these aspect pairs meaningfully influence each other by virtue of being on opposite ends of a continuum. You might even say they're opposite sides of the same concept.

Hope is the aspect of imagination, limitless possibilities, belief, and the literal meaning as well. It also has a ton of religious undertones. Its opposite aspect is Doom, which, other than the literal meaning, is all about rules, limitations, doubt, and what is rather than what could be. They both need each other--without Hope, Doom becomes despair. Without Doom, Hope becomes completely disconnected from reality.

Which brings me to Bill. On the Hope-Doom spectrum, he's leaned so absurdly far towards Hope that he's convinced himself Doom doesn't even exist. In his reddit AMA, he literally says "lie until what you want to be true becomes true. Lie until you can't remember what's a lie and what isn't. Lie until you aren't lying anymore." I can't think of a better encapsulation of what it means to push the Hope aspect to its absolute extreme. He believes so much in the power of belief that he simply ignores any truths he doesn't like.

He embodies the Hope aspect in many other ways, too. Originally he was going to be more of a morally-neutral trickster character, whose whole purpose was just to show up randomly in Dipper's dreams and rattle off wild statements of questionable truth and conspiracy theories at him. The kind of things that people hope are true (sometimes to make the world seem more exciting and magical, sometimes for bigoted reasons, you know how it is with conspiracy theories), but the point is: Bill retains some of this in his canon personality. He tells Ford in the journal that the moon landing was fake. When he first meets Gideon, he says the whole "reality is an illusion" thing. He delights in sharing these kinds of things with people, and yeah, it's to fuck with them, but there's still something to be said about the fact that he accomplishes this through the use of things that exist as uncertain possibilities in people's minds, and things that some people have a strong belief in and/or hope to find proof of. He's wielding Hope as a tool, because that's when he's in his element.

Bill also preys on people's hopes and dreams, appearing to people literally inside their heads, and existing mainly in dreams and minds for billions of years--a place where you really can create anything you can imagine. He uses Ford's hopes of accomplishing something meaningful to get him to create a doomsday device. He also has Ford practically worshiping him, calling him a Muse with a capital M, calling his presence 'divine intervention'... the religious themes that often go hand-in-hand with the Hope aspect are definitely present. Of course a Lord would wield the Hope aspect to give himself worshipers who practically see him as a god.

And, speaking of doomsday devices, Weirdmageddon is the exactly what would happen in a world where the Hope aspect ran rampant without any laws or restrictions or concrete truths. In the codes of Journal 3, Bill says, "why should time only move forward, why must cause precede effect, who voted on the laws of physics - rules are perversions against all will, that's why I'm about to rewrite the whole system buddy, and no one is going to stop me."

We also get some insight into Bill's beliefs when we take a look as Mabel's dreambubble. He literally uses someone's hopes as a weapon against them, trapping her inside a twisted version of all the things that could've been true, if only the world was fueled by pure imagination, without any laws of physics or imperfect days or boring moments. Bill is so confident that this trap is infallible that he doesn't even bother to stop Dipper from trying to get her out once he makes it inside the dreambubble. Maybe the reason why Bill is so confident that this trap is inescapable is because he's pretty much trapped himself in a dreambubble of his own creation, where anything is possible and fantasy wins over reality every time (talking about the nightmare realm here), and was so intoxicated by the limitless lawlessness of the place that he spent billions of years trying to expand his little self-imposed prison to cover the rest of the multiverse, rather than ever stop to question himself or consider the consequences. Because with enough Hope, there are no consequences, only infinite possibilities limited only by your own imagination! ...right?

I could probably go on, but I think this is more than enough to support my case for Bill being a Lord of Hope. I'm always interested to hear about other classpect headcanons though!

[alpaca-clouds]

Hector and Trauma

You know what. I wanna talk about Hector from Castlevania, specifically the Netflix version of the character. (Again: I hate CoD Hector, who just replaces his dead girlfriend for her fucking clone. That's just fucking low.)

As people might've noticed... I am kinda obsessing about this man right now. And the main reason is that... I really do identify with him in a way I have not identified with a fictional character before. I read him as autistic (though I am not sure whether he was supposed to be read that way or just happens to be written in a way that every single autistic person I know reads him so...) and I very much identify with the C-PTSD that he clearly has.

We do not know much about his childhood, other than "lonely kid revives animals to have friends" and "abusive parents". We do not know how far the abuse went, so whether it was just verbal abuse (which we know about) or went into physical abuse. All we know is that at some point he could no longer take it and killed his parents by setting the house on fire and locking them inside. We don't know, how old he was after this and what exactly he did after that. Only that in his early 20s he is somewhere on Rhodes with his undead animals, has already met Dracula once and then agrees to "cull" humans and then creates night creatures for Drac.

Again, there is little information for what has happened in the time in between. But we get enough information to understand that he has been at least somewhat mistreated by other humans, making him wish for humans to be somewhat culled.

Here my interpretation of him being autistic comes in, too. Because... an autistic child with an abusive home will completely lack social skills and hence will probably meet with a lot of abuse from other people. Because he would not know how to act around them.

Something we do see: He kinda seems to understand that Dracula is doing a genocide and not just a cull. But he very willingly ignores it or keeps himself soothed by thinking that he is just misunderstanding it until Carmilla comes in.

Now, Carmilla makes it clear that Dracula lied to him. But she obviously also betrays him and then abuses him. Something that is kinda ignored: During the march to Styria he is constantly abused. He has fresh bruises, when he arrives at Styria, making it rather clear, that he got beaten up constantly during the long march there. So: Say hello to even more trauma.

Along comes Lenore, her original violence against him and then obviously her betrayel. And let me make one thing clear: What she does to him in the finale of season 3 is sexual assault. Maybe not in the legal sense, but speaking of a psychological effect, it clearly is SA.

Obviously at that point we do have season 4. Where he seems kinda... fine. Like, what we see is, that he presents as fine. He is joking with Lenore. He is making his escape plan. He appears to be okay. Which is a state that seems to continue till the end of the show. Heck, we see him smile as Lenore dies........

And that should be a hint on how not-okay he is.

Let me talk about child abuse first. See, here is the thing: Children do not only develop physically, but also psychological and neurological. In that, they need to learn certain things at certain points in time. One of the first things children are supposed to learn, is to trust and mistrust. But for that they need a stable surrounding in which they can trust that they are cared for. Which children, who get abused or neglected, usually do not have. Especially with the dialogue we have from his mother: "I knew you were wrong from the moment you came out of me." (Note: This is another reason I read him as autistic, because at times autism shows even at infant age and without the information it might lead to parents not quite bonding with the child.)

They also need to learn some basic autonomy early on and to deal with self-doubt and shame. Which again abused children, who do not get encouraged to develop autonomy in a healthy environment and often might get shamed cannot develop.

Some other things they need to learn is how to deal with guilt, how to understand consequences, how to develop an identity and also what role they have in society. All things that children, who are abused, cannot properly learn. Additionally here, because Hector clearly has not found his own place in the society he lived in.

And this is something we actually do see in the show. He is absolutely unable to understand whom to trust or to see any red flags. He also is so clearly longing to be loved and praised by someone. Which is why he falls for Dracula and Carmilla and then Lenore. Heck, good chance that his understanding with Varney went something like that.

He is obviously not aware of this, but he is very much compensating for what was not given to him.

There are several characters over the entire story, that note how he has the mind of a child. And part of that is just, that he has childhood trauma and developmental delays because of it. And this delay is used again and again against him.

Something that is very noticable in the show is, that Hector never once cries. No matter how much he is abused and betrayed, he does not cry outside of the flashbacks where he is a kid. Now, in any other show it would not be that noticable, because we rarely do not see men cry in media........ but Castlevania is different here. Castlevania has no qualms letting the men cry.

Now, IRL it is obviously that a lot of men got taught not to cry. Because our society has the entire "boys don't cry" thing going on. BUT... I kinda doubt that is what is going on here.

See, one thing that happens in some cases, when people have amassed too much trauma, is, that they loose the ability for appropriate emotional responses to things happening to them. Mostly because the brain cannot process the emotion normally any longer.

Which is also why I think he is smiling in that last scene. Because... I mean, let's face it. The Lenore death thing has to be fucking traumatizing too. But he just... doesn't quite have the ability to process it in any proper way.

Now, how much of this is intended reading?

Honestly, I do have no idea. But at some points his behavior does make a lot of sense from the CPTSD point of view - and it is even called out by other character. Which kinda makes me think that at least some of it was intended.

Either way: I am rather thinking the man has a lot of healing to do post-canon. Because he not only has to heal from the stuff that happens to him in the series, but also the entire childhood trauma, that so very clearly is not addressed.

And if he addresses that trauma, there will also be a point in which he has to face his guilt. Because that is very much another thing he has not yet done.

Anyways. I adore him. And I want him to be alright. Q-Q

[an-theduckin]

Did the police guy and Rose head guy dated before Rose died?

In the ear therapist episode, this is one of the posters in the room.

This resembles them very much, perhaps suggesting that they have been in that example of "healthy relationship" before. Maybe it is just a coincidence that the character designs look similar, but I have some other points that may suggest that it is not a coincidence and that it is them. But firstly, some context.

Police guy first appears in the episode where Argos and Mr plant travel to the beach to see the blackhole, accidentally killing a man in the process. The police asked them if they have seen the man before and Argos said no. We do not really see him in any other episode, but he is sometimes mentioned in the Void newspapers.

Rose guy first appears in the Argos' great great grandad funeral episode, selling flowers to Argos for the funeral, but that is irrelevant now. He later appears in the Void superstar episode, where he gets killed by Mr plant for constantly taking pictures of Mr plant and not leaving him alone.

The rose guy is dead, so if my theory is correct, the police guy would be sad about it since he was his boyfriend. He is a police, his job is to protect people, but he could not even protect his lover. This means he would probably be depressed. This idea might be true because in the first episode where we see the police man, the rose guy was not dead yet, and in that episode he is seen to be very cheery and optimistic. But later on, when he talks in the newspapers, he sounds more pessimistic and apathetic towards people. He does not seem to care about people anymore, this sudden switch in his feelings might be because his boyfriend has died.

So this is why I think they dated before Rose died.

[battlinghurricanes]

Hektor is irreplaceable to Troy, he is their greatest warrior and last defense, he’s the hinge on which Troy’s survival hangs, and he hates this. He is invaluable when, in truth, he wants nothing more than to be replaceable. Hektor holds bitterness and resentment for how heavily his city relies on him. Yes, he will stop at nothing to defend them, yes, he is unyielding and relentless at the cost of his own health, but he doesn’t want it to be that way. Even as he overextends himself time and time again, Hektor is aware that it takes a heavy toll on him, after all, he feels the cost more sharply than anyone. He knows it’s unsustainable, but every time, he finds it more important to sustain Troy than to sustain himself. Even so, his earnest desires are elsewhere. Hektor would rather stay in bed with Andromache when he wakes up exhausted, he’d rather take some time to let his wounds heal and not fight through blistering pain, he’d rather stay in the stay inside the city and look after Scamandrius, guiding him as he grows, than anything else.

When Hektor returns to Troy to ask Hecuba to make an offering to Athena, he refuses to remain- three times. Clearly, Hektor will not let himself rest because he leaves Troy, but clearly, he still longs to rest because he pauses. He takes a moment with Andromache and Scamandrius because he wants to, so desperately, and when he sees his baby, Hektor beams. He stops to comfort his beloved Andromache in her grief, and he takes his helmet off to bounce Scamandrius in his arms. For a moment he sets aside those things he needs to fight so he can be with them. What he believes he must do is not the same as what he wants to do. Hektor leaves, but Hektor lingers.

But he leaves because he is needed and deep in his heart he begrudges that. His own insistent drive to push himself to his limits would be difficult enough to temper on its own, but Troy’s desperate dependence on him on top of that is damning. How could they rely on him so heavily and yet have no one that might take his place if he can’t go on? And he’s never allowed to forget. Repeatedly they call him the lone defense of Troy, so much that he feels the weight of it, so much that they call his infant son ‘Astyanax’- Lord of the City- because of it and how dare they, how dare they, how dare they?

How dare they do that to him when he’s still so young? How dare they do that to Hektor, who already can’t help but relentlessly expend himself at every turn for them, and then they reward him by hitching their anxious hopes and expectations on his precious little son...?

And it makes such an elegant contrast with Achilles. Achilles, the Achaeans’ greatest warrior, irreplaceable on the battlefield, who adores and thrives on that fact. Achilles who, by his nature, is so proud and entitled that he’ll stop fighting and let them die to remind the Achaeans just how desperately they need him. As opposed to Hektor, who loathes being irreplaceable, but by his nature, is so stubborn and dogged that he will never stop fighting, at the cost of everything.

[slamdunkhcs]

This is something I’ve thought about for a hot minute and i wanted to make an essay on it :))

socioeconomics in slam dunk

Like many things in life, basketball is a money sport. While inherent talent and skill is incredibly important, without the resources and opportunities to succeed, you can only get so far.

Throughout Slam Dunk, the importance of money and how it has a massive role in the world of basketball is not explicitly stated, but through the depictions of different teams in the series, it is prevalent.

We are first introduced to Shohoku High, a public school in Kanagawa. Shohoku is not a “poor” or “ghetto” school, but it is by no means a prestigious school either. Shohoku is initially depicted to be an ordinary school, but we are also shown how it has delinquency and school fights — especially among its protagonist and his “gang”

Shohoku’s normalcy is extended into its clubs, in particular, its basketball club. This club isn’t necessarily “run down” or “at risk of not existing anymore”, but aside from its coach (Coach Anzai, a man who used to coach the Japanese national team) and Akagi, their star center, Shohoku’s basketball team doesn’t have much going for it. Due to being a public school, Shohoku doesn’t have the money incentive to recruit star players (like some other schools I will mention soon), and most stars (besides Rukawa LOLLL) won’t go to an ordinary school “on a whim”

Moreover, the financial disparities become even more personal through the experiences of the characters themselves.

Sakuragi is hinted at to be poor, and the notion that basketball is “pay to play” is first explored through him in volume three, where Hikoichi (a player from Ryonan who “scouts” their competition) points out that it is strange Sakuragi doesn’t have basketball shoes, but he is quick to tell himself that it is likely because Sakuragi can’t afford them. Many basketball shoes, especially the Jordans that Sakuragi obtains throughout the series, are well over the $150-200 USD price range. While it is possible to play without basketball shoes, not having shoes that are designed for basketball automatically puts a player at a slight disadvantage.

This brings into question how resources—or the lack thereof—can subtly but significantly influence the trajectory of a player’s journey and a team’s potential for success. Sakuragi was lucky to have gotten practically free basketball shoes due to the generosity of a store owner, but those costs were his own out-of-pocket expenses. Unfortunately, a public school without special stipends for their programs cannot provide financial assistance to provide some of the resources to nurture potentially talented players.

While schools like Shohoku do not have funds to incentivize players or potential talent to come their way, they also do not have the funds to incentivize star coaches to coach at these schools. While Shohoku was able to have gotten Anzai (who wanted to retire by coaching highschool basketball), many public schools do not have that same luck.

In fact, the reason that two of the starting players, Mitsui and Miyagi, even decided to attend Shohoku was due to its coach, Coach Anzai. I think this goes to show that if a school invests in incentives like star coaches or a star basketball program, then these talented players will want to attend.

In terms of schools who provide ALL the incentives, and has thus led to star teams, I want to focus on Kainan, Shoyo, and (especially) Ryonan.

All are labelled as prestigious, private schools with amazing basketball programs, with Kainan having a stellar track record at nationals. But why is that? How did they get so.. good?

If I had to best answer this, money.

Ryonan is known to have scouted its star players, with Coach Taoka even scouting Sendoh and Fukuda from a junior high in Tokyo. For reference, Kanagawa is about two hours away from Tokyo, so Coach Taoka has to provide incentives for these boys to move to a different prefecture rather than staying in a city that likely has many powerhouse schools. In his case, these incentives would likely be full rides to Ryonan, as well as extra stipends to cover these student’s additional costs (such as food, money to move away, etc). Since Ryonan has the funding to do this, Coach Taoka is able to travel around to different areas, find these hidden talents, and bring them over to Ryonan. Public schools like Shohoku, who do not have allocated funds for sports programs, do not have this opportunity… and thus, are at an automatic disadvantage.

It is not explicitly stated how prestigious of a school Shoyo is, but having a program-related disadvantage affecting their players is prevalent. They do not have an official coach (for an unmentioned reason), and their star player Fujima has to coach his teammates as a result. Unfortunately, this additional responsibility prevented him from focusing on his own skills. I do believe Shoyo IS a school that has funding, but this highlights how a program being neglected directly impacts the strength of a team.

Another team I wanted to point out is Toyotama, a team that faced some of the most immense pressure in the entire series.

While Minami and Kishimoto, the team’s leaders, are characterized as “brute assholes”, it is shown that their irrational behavior stems from their pressure to perform well in order to potentially bring back their former coach, Coach Kitano.

Although Toyotama is 8th in the country, for the investors in their school’s basketball program, this isn’t enough. And thus… Coach Kitano was fired in the hopes of getting a coach who could lead the team to a better performance.

For these prestigious schools, their end goal is making a return on their investments. After all, what is the point of pouring all that money and resources for a team that doesn't even land them in the news?

While this is sad, it is very realistic. And as a result... even though Toyotama has a prestigious program, they felt even more pressure to *make a return." and this pressure poured into the team and their behavior.

However, the school that truly encapsulates the opportunities that money and resources provide for their players is Sannoh Technical High School.

Sannoh is practically a world class basketball team, with "anyone in Japan who gives a damn about basketball knows them", a team that had won nationals for years on end.

But how can one team be so good, let alone having a lasting legacy of greatness?

While their players are undoubtedly talented, Sannoh has invested aplenty into nurturing their players' talents.

Like Coach Taoka of Ryonan, Sannoh’s Coach Damoto scouts the best and brightest for their team. Eji Sawakita, although residing in a different prefecture, was discovered and scouted by Sannoh. While it isn't explicitly said how many players they scouted, or what incentives they provided Sawakita (aside from opportunities and their prestige), it can be inferred that Sannoh likely looks for the best and brighest to be apart of their teams.

In addition to the money and resources spent scouting, Sannoh provides their team with immense opportunities that most schools do not.

It is stated that Sawakita had been sent on a trip abroad to play basketball in America, and that he even learned new techniques during his trip. To say the least, a trip like that is... expensive. To send students to a country across the world just to play basketball is a hefty price to pay, and yet Sannoh was willing to pay it.

To prepare for Shohoku's match, Coach Damoto arranged a practice match with Sannoh alum who have a similar playstyle to Shohoku. While it is possible that these alum were willing to volunteer their time doing this, Damoto going out of his way to bring them all together and schedule that practice match is something that likely cost a significant amount to make happen. And it is certainly an opportunity that many schools would not provide.

Unfortunately, it is difficult to compete with money, and this sentiment is universal for any sector.

But what makes Shohoku’s victory over all these powerhouse schools, especially Sannoh, so shocking is the fact it is an “ordinary, no name school.” Theoretically, Shohoku would never beat a team like Sannoh, especially given the fact that Shohoku didn’t even have half the money, resources, and opportunities that Sannoh does.

Yet… Shohoku did it. And I think this part of why Slam Dunk is such a beautiful story: an ordinary team was, even for a moment, able to be extraordinary.

[agitowarrioroftheforest]

Here’s my essay on Agito’s arc as trans allegory!!! I’m really proud of how this turned out. This character and the movie Origin: Spirits of the Past (Giniro no Kami no Agito) is very important to me and i’ve been working on this for a while. I’m glad I can finally share it! 🏳️‍⚧️🌿

[dnuoh-xof]

Skullface character analysis. Could even be bullet points if you would rather create a separate post for a more in-depth analysis.

THESIS.

If you've either played Metal Gear Solid V: Ground Zeroes—or opted against doing so due to some of the... unsavory, disrespectful, and frankly disgusting contents within it, in which case I completely understand why one might not want to so much as graze it with a yard stick—or Metal Gear Solid V: The Phantom Pain, which, to me, contains the more memorable (as insufferable as it can become) depiction of their titular antagonist... of whom I can safely assume was universally recognized as such, you and your fellow man may come to similar, near-identical consensuses in regards to aforementioned character's most ineffable traits.

Perhaps, as either a gamer or a mere onlooker, seeking to simply absorb the story, you felt yourself either taken or disgusted by the antagonist's appearance... or perhaps you found yourself inadvertently fauning over his voice—provided by actor James Horan—only to later slap your own hand. Or, maybe neither such sentiments ever crossed your mind, and you found yourself parts-amused, parts-ashamed that a simple one-off character was shoehorned into one of the most important roles in the series; his presence now highly-implicated through the whole of the Metal Gear series's canon upon his own pilot, with no semblance of question or doubt to the canonicity or legitimacy of such implications.

The character in question being, of course, Skull Face, whose identity throughout Metal Gear Solid V: The Phantom Pain's development no doubt underwent a multitude of bouts of trial-and-error to arrive at the 'alpha' version of the character we know—and hate—today. And so, before I get into the nitty-gritty of the character in question, I would like to take a moment to reflect upon these bouts of 'trial-and-error,' the art direction which led to the base version of this character, as well as aspects which may have initially been left out, or dropped entirely, between the conception of Metal Gear Solid V: Ground Zeroes and Metal Gear Solid V: The Phantom Pain, and whether or not core facets of said character underwent any major (or minor) changes between the progression of aforementioned games.

DEVELOPMENT / PRE-GAME CONCEPTUALIZATION.

The very earliest—if not painfully vague—hint the public was ever given about the conception of Skull Face as a character, would be within the gameplay / cinematic trailer dedicated to Metal Gear Solid V: Ground Zeroes, released in mid-to-late 2012. With the phrase, which was later utilized within the trailer for Metal Gear Solid V: The Phantom Pain, "From FOX, two phantoms were born," alongside a very brief glimpse at the back of the character's head, for a duration of two seconds, or so.

The earlier quote, "From FOX, two phantoms were born," of which was later believed to have implicated both the protagonist and antagonist of Metal Gear Solid V: The Phantom Pain; Venom / Punished Snake, and Skull Face, both mere phantoms of not only FOX as a whole, but of one another. A sentiment which is greatly accentuated throughout the duration of the game within which they are both present, especially between aforementioned characters in their every interaction.

Coupled with the release of Ground Zeroes, as though to break tradition in regards to how extra information / concept art was usually released alongside or a year or so after the initial release, Skull Face—despite his initial debut being within Ground Zeroes—appears to have not been featured within any sort of official artbooks. At least, not until the release of The Phantom Pain a year or so later, in 2015.

Though, this could easily be because of just how closely linked Ground Zeroes and The Phantom Pain were in both theme and in conception; the former being described as nothing more than a "prologue" to the latter, whose IP later received an official artbook. Which, predictably, consisted of concept art for both games, despite the 'uneven' distribution of said art between them; the latter receiving a lot more than the former, likely due to Konami Digital Entertaiment's own priorities at the time.

And, only within the shallows of the artbook's contents are we granted but a glimpse of how the character's appearance—and perhaps the very fabric of the character, both in concept and in execution, in its entirety—may have differed from its base version, given the very few minute footnotes concept artist Yoji Shinkawa left sprinkled neatly across the page. (Rough descriptions of each image are available within each image I.D.)

Even still, I believe there is only so much information we can gather from the concept sketches—and the hand-written footnotes which accompany them—alone. However, if I were to wager a guess, if any, I would come to the assumption that Skull Face, as a character, was meant to be far more different than what we may perceive him as today... for better or worse.

For example, the sketch at the right-hand side of each image, encompassing the notably smooth, scarless visage of Skull Face from another plane entirely; one of which—located within the second image, just to the left of the sketch embodying Skull Face's 'beta version'—is accompanied by a blurb of hand-written text, which reads the following: "WASP" / "アングロ," a possible acronym for the term "White Anglo-Saxon Protestant." Which seems a little strange to me, given Skull Face's own background as a man born in war-torn Hungary. But, admittedly, it is interesting to learn about how things could have been, rather than how they turned out.

Allegedly, in the same manner—while his name in both the preliminal concept art and within Metal Gear Solid V: The Phantom Pain's game files was "WASP," his unit being derived of the very same moniker—I believe his initial name was meant to be "Scar Face," at least outside of the game's North American release. Likely due to the phonetic similarities between it and "Skull Face," as per an interview between Japanese video game magazine, Famitsu and Metal Gear creator, Hideo Kojima, in 2012.

Though, the already-existing information we've been bestowed regarding Skull Face's past, the hardships he was subjected to endure, and the nature of his... 'upbringing,' as it were, should prove to be equally as intriguing. At least, if we are to follow after the release of Metal Gear Solid V: The Phantom Pain... where we are then provided a much fuller picture as to what kind of a man he truly is. To delve into his mind, so to speak.

BIOGRAPHY / PHYSIOGNOMY.

Skull Face, legal / real name unknown, is said to have been born to two lower-class bomb factory workers in a remote village in northern Transylvania, which at the time had already endured a number of power struggles; at points being caught in the crossfire of both Nazi Germany during World War II, as well as the Soviets during the Cold War.

With this information, it is but a given that Skull Face likely never experienced a day of peace throughout his entire childhood, of which was horrifically interrupted the moment the factory within which him and his family worked tirelessly—located in Almásfüzitő, a rural village in Hungary—was carpet-bombed by the Allied forces in World War II. The... 'franticism' which resulted from this attack, this commotion, resulting in Skull Face being doused in searing rapeseed oil; the resulting wounds not only exacerbated by the mobs of panicked escapees trying to outrun the worst of the attack, but by foreign hands later in his life. Presumed to have been colonizers.

This exact moment, I would identify as the primary turning point in his life, as tragic as it may be. Not to say that Skull Face's own situation, or... 'the cards he'd been dealt,' were anything but convenient, but when we take a moment to regard the nature of the injuries he endured after the bombing, one would have to be blind to not unanimously recognize how such an event would no-doubt traumatize a child beyond compare. The scars which so ornament his body weren't acquired when he was an adult, no... he was but a child when his flesh burnt and rotted away. And, worse yet, they were only added upon as his home country was... 'passed between hands,' so to speak.

In the worst fashion possible, only to be accentuated upon by colonizers, the very precipice of his childhood—and, by definition, his identity—had been stripped away from him in a near-instant.

Within the contents of Metal Gear Solid V: The Phantom Pain, we can very clearly bear witness to how he may have coped with such intensive trauma. Adorning nothing but a domino mask upon his visage—likely symbolism, more than anything else, given its absence in Metal Gear Solid V: Ground Zeroes—and claiming to have "[worn his] broken visage — [his] skull, out in the open, so that [he] may never forget what [he's] lost," in a bitter conversation with his superior. Likely not only just referring to the gnarled burn scars which adorn his visage—stripping him of any sort of visual genetic traits—but also in reference to how—with the near-constant colonization of his home country—Skull Face never truly had a home language; having been forced to learn new language after new language as his home country of Transylvania, later-Hungary was overcome with war and annexation.

I also feel that his upbringing served to be a great influence to the sort of 'character' he puts on; not only the metaphorical—and very literal—mask he wears upon himself to camouflage his deeper trauma or intent, but his manner of wardrobe and style, all the same. Of which consists of primarily dark, mute, and moody colors, underscored by the very clear Western influence that is present within his apparel, complete with a sort of 'Big Iron' of his own; a custom lever-action rifle, whose basis is said to have been upon that of the 'Mare's Leg,' a shortened rifle of the same caliber which is used by actor Steve McQueen's character, Josh Randall, from the television series, 'Wanted: Dead or Alive,' which aired between 1958 and 1961.

Even outside of references to pop culture, there are even instances in-game—or, more particularly, between the likes of Metal Gear Solid V: Ground Zeroes and Metal Gear Solid V: The Phantom Pain—where third parties or flat characters acknowledge such a unique trait in regards to both Skull Face's unsettling appearance and his style. Even going so far as to, at some point, jokingly refer to him as "just a Republican"; likely not a jab at his intrinsic, terroristic nature, but in primary regards to his style, of which also leads Skull Face—within the very same context—to being described, wittily, as a "costume party."

In lieu with this very discernible influence to his style, and—by default—his identity, I could also reasonably come to the assumption that Skull Face likely intended to come across as some sort of lone-wolf, lone-ranger-type character. If we were to combine both his wardrobe's Western facets, and the very gloomy color scheme which was chosen to compliment it, it is no surprise that Skull Face is also regularly referred or compared to the Grim Reaper, as evident by the line of dialogue, "that grim reaper lookalike," present within Metal Gear Solid V: Ground Zeroes.

Such comparisons being drawn may also be evident within Metal Gear Solid V: The Phantom Pain, as well, outside of the otherwise humored dialogue which was present within its predecessor; in reference to the words Skull Face speaks—in Hungarian—to one of the diseased bodies within the Devil's House, before proceeding to shoot the party of reference in the head, "I accept your grace, your sorrow, unto myself. Rest in peace."

However, I firmly believe that it was due to Skull Face's own unapproachability—a neat splicing of his physical, mental, and tactical traits—which segue into those around him holding otherwise varying views about him at a first glance. The intentional and tonal differences and implications between "costume party" and "that grim reaper lookalike," as it were... as though his innate lack of identity is so misleading that those around him simply do not know what to make of him. Whether or not to take him seriously, or to take the piss out of his wardrobe. Even if it was more than likely that his actions spoke louder than his words.

STRENGTHS / VICES.

A core facet, and theme, of Skull Face's being—of which I believe to be both a strength and a weakness in its own rite—would be his undying, harrowing thirst for revenge, of which regularly reiterated and built upon within dialogue between himself and several of the game's characters, but whose interactions were most prominent around the likes of Big Boss, Venom Snake, and his superior, Major David Oh, all of whom Skull Face claims not to hold any animosity towards, despite his actions—in this case—speaking louder than his words. And, if anything, allows his thirst for revenge to overcome any kind of abstinence he could have exercised, and thus, resulted in his downfall.

However, despite this very clear flaw, it would be disingenuous to claim that Skull Face was a sloppy, uncoordinated individual, both in the flesh and in the battlefield. Even in his youth, it was said that he was quite competent in the realm of reconnaissance and espionage; particularly in the Soviet Union, where it is rumored that he was responsible for the death of Eurasian dictator Joseph Stalin, in an act which Skull Face sought as a means to have "gotten revenge for his people," for the erasure and destruction of his culture and first language, the blame of which already fell partly upon the Soviets, the fact of which likely emboldened Skull Face to have made such a move from the beginning.

This instance, alongside several others, helped to sow his otherwise terrifying reputation in the battlefield, with how discreetly and effectively he performed not only assassinations, but interrogations, as well; to the extent where any and all ethical concern was thrown completely out the window, as though his own moral bankruptcy knew zero bounds—even going so far as to resort to lechery—so long as he could 'fish out' the information he sought. Whether such a trait would be a strength, or a weakness, is up for your interpretation.

Such a harrowing presence in the battlefield—in particular regards to Skull Face's skills as both an assassin and spymaster—was what initially drew together both him and his future superior, Major David Oh, who found himself quite taken by not only the man's talents, but his outward appearance, in its own rite. Already having had a tendency to recruit oddballs, as they were... it seemed almost inevitable that the Major would later promote the man to be his very own Executive Officer; at the time, beneath the jurisdiction of the British Special Air Service, only to later resign and stem off into his own covert branch of operations beneath the American CIA — FOX. And tightly woven they appeared to remain, even as the Major's priorities begun to change.

One priority of which Skull Face grew to loathe, despite claiming to have not felt such antagonism towards the subject at all: Operation Snake Eater, or rather, how much time and energy the Major appeared to have put into the project, all the while treating FOX's covert support team, later turned strike force, XOF—of whom Skull Face commanded—as a little less than cannon fodder. Or, rather, perhaps Skull Face simply needed a character—or, rather, a kind of personification or physical manifestation of all he hated about language as a means of executive communication—to inflict his inward, aggregated spite upon. And Major Zero—given his English background, and his ploy to unify the world through information control—appeared to be the perfect scapegoat, despite Skull Face's seemingly heartfelt proclamation that, "[The Major] never left [him] to die," and that, "[he] owe[d] [the Major] [his own] life," upon concluding his interrogations of Paz Ortega Andrade. Yet another one of his own weaknesses on shameless, open display: his hypocrisy, of which is a recurring trait of his that is rather difficult to ignore.

This alone, the mere presence of the Major within his life—the grievous sense of revenge which lay dormant deep beneath Skull Face's bones, only to later take out upon this once-former superior—would prove to be both his greatest strength, and his greatest weakness. A strength, because of the sole fact that Skull Face was successfully able to 'pull the wool over Zero's eyes,' taking it upon himself to finish what his superior had begun so many years ago... but a weakness, for not only falling short of his genocidal goal, but being so foolish as to believe that the Major—a spymaster of his own caliber—simply didn't think to have a backup plan, let alone such a multitude of them, given how he'd already safeguards in place in the event that his XO betrays him. Such a flawed, heavy-handed means of underestimation eventually coming back to 'take an axe to Skull Face's knees'... literally.

However, despite all of his flaws, it is well-observed from a variety of angles and perspectives that Skull Face himself was a rather eccentric, charismatic character; a likely explanation as to how he grew to hold such unwavering influence over not just the mind of his own superior, or the minds of his very own unit, but entire regions of war-torn countries, as well. His unit of whom, while terrified of him, also looked up to him as a leader for both his tact and his efficiency. Of which was accentuated and amplified tenfold throughout the events of Metal Gear Solid V: The Phantom Pain, as Skull Face appeared to pull every possible stop to put an end to Snake's life, even going so far as to deploy the world's first and only bipedal, self-operating weapon upon him. And, if Skull Face had gotten his way, the entire world would have likely crumbled before his knees, or died trying.

PHILOSOPHY / TRAGEDY.

If I were to describe Skull Face in theatrical terms—in all of his imperfections, trials and tribulations, his wrongdoings, and the actions of which he performed out of genuine good will, no matter how grotesque, bankrupt, or questionable—and if I were to place him upon a scale between both a theatric comedy, and a theatric tragedy, you likely already know which term I believe would best suit the progression of his life. Though, despite all of his quirks, it isn't as though anything within his life would have constituted as a comedy, anyways, even upon his very conception.

Every instance within his life, ever since his birth, appear to have done nothing but inconvenience him; tempting a deep, broiling hatred to stir within his soul... and thus, if I were to briefly put myself in his shoes, would it be incorrect or bankrupt to state that his anger was justified? Throughout the duration of his life, hand after hand, he'd been shown nothing but animosity by his fellow man, and thus grew accustomed to, or perhaps comfortable with the sensation of it; of both being resented and holding equal-parts resentment towards others.

Upon the violent, abrupt loss of his cultural identity, instead of simply losing his linguistic faculties, they were simply replaced. Replaced with a language of nukes, of spite and hatred towards the world and its inhabitants. A kind of sadistic nihilism, of which made no reservations for any sensations of hope. Of which he found to be nothing more than a survival skill—akin to mankind's tendency to try and predict events to better assimilate themselves with the unknowns of the world—and thus, did not regard it as important. Likely due to the fact that he himself had lost the ability to feel, and thus no longer held such anxieties about the world as his fellow man does.

Though, at the time of his inevitable death, as though to plead for one last kindness from a world which so abandoned, abused, and betrayed him, he was granted with a bullet to the skull upon request, thanks to the lingering, almost pitiful obedience of that of Emmerich. One of the few people which—even with his own unapologetic evils—Skull Face sought as nothing more than scum-of-the-Earth, impossibly lower beneath his own standards. The revelation of which brings me to believe that, even a man as lowly and morally-corrupt as Skull Face still cultivated some kind of moral superiority over others, and thus, likely viewed his own incentive as nothing more than him acting upon what he thought was right and just. Just as his superior, Zero, truthfully believed his acts of evil were simply an extension of his late friend's will, rather than a power grab. Rather than a simple, misunderstood exchange of words.

But, even after Skull Face's death, yet again he appeared as a phantom within Venom Snake's peripheral; Mother Base's own phantom pains never having eased, even after the object of their collective resentment had been purged from the Earth. And, given Skull Face's once-similar convictions towards those who dealt him a bad hand within his life, I truthfully don't believe that he would have ever been satisfied, in the end. As evident by his carefully-chosen words to Venom, as they encountered one another for the second time, "You hope hatred might someday replace the pain, but it never goes away."

With this, it is only fitting and appropriate that Skull Face's tragedy be recognized for what it is; a tale—doomed from the start—of an individual, tainted and torn from his elders from the very beginning, only to be excaberated upon as the years trudged by. Only to result in being downtrodden beneath the heavy rebar of a steel platform, begging for release... as though he hadn't spent the majority of his adulthood tormenting others, in a manner near-identical to how he himself was esteemed.

Because, as per the scholarly definition of a tragedy, Skull Face was nothing more than the architect of his own demise.

CONCLUSION.

To reiterate the material present within this analysis's thesis—of which already breached any sort of reasonable limit for thesi, and so I find I must at least attempt to reasonably cut back upon my own rambling—Skull Face as a character is most definitely not without flaw, within both an internal and external point of view. While a lot of his more unsavory, frankly cringeworthy traits may simply get passed off as nothing more than an error upon the writer's behalf, or as 'non-canonical,' I feel it is still important to acknowledge it all; the good, the bad, and the ugly.

Given his broad, but very understandable controversies and vices within the fandom, do I believe that there should have been any chance of redemption or reconsideration in regards to mending his character, or at least in regards to how his most fatal flaws were executed? Yes, I do, without a shadow of a doubt. I find that the... particular manner within which he's written in his pilot is nothing short of shameful and grotesque, and that it all could have been handled with a lot more care and delicacy. Does this mean that the remainder of his character was handled with the same largess of sloppy carelessness? Not necessarily.

Were I in the position or shoes of the primary antagonist, would such a scenario bring me to better sympathize with or understand the perspective from which Skull Face comes? Perhaps not, as I can't say for sure whether or not I'd even hold the mental capacity to do, or want to do, so. Though, I wouldn't mind forming a sort of open discussion about the topic, so long as it is metered. I would prefer it if discussions surrounding this character remained appropriate, were they to occur, but I don't at all mind any sort of speculation / theorizing. In fact, I'm a sucker for it.

But, I digress, as problematic as he is, it is difficult for me to deny how taken I am by him and the dilemma which surrounds him. Perhaps that is simply the appeal; to bear witness to a kind of 'forbidden fruit,' from an outsider perspective, and to provide my insight as to what it truly means. To be unafraid to hold these discussions, and to provide my criticisms with utmost care, as opposed to simply 'dogging upon' and dismissing a character entirely, despite their flaws and strengths alike. As though the whole of the Metal Gear series isn't already bountiful with a plenty-problematic cast of its own.

After all, what could possibly be more problematic than a franchise whose main villains—and protagonists, in part—are war criminals? Such, as it is at this moment, shall be left up for debate, as that is simply another topic for another time. And I'm all out of time.

So, I want to thank @miz-orque for this very contemplative, but very controversial ask, of which I wanted to handle with as much care as I possibly could. So I hope this shall suffice.

[escapism-from-the-real-world]

Power Rangers Ninja Storm HCs and Character Analysis (kind of)

The first of a series of long posts examining the characters of PR Ninja Storm

Shane Clarke

Background/story

Dad is very come and go. Absent for most of his life before leaving for good after the birth of his little sister

His mom is awesome, but had to pick up multiple jobs after his dad left

She works at a diner that the rangers frequent often

Shane picked up a job at Storm Chargers to help out and that’s where he met Dustin

Has an older brother (2-3 years older) who he does not get along with

Brother ignores background (Read: Family)

Says Shane needs to try harder to ‘get out of their city’ in order to ‘make something of himself’

Dad put a lot of expectations on them whenever he was around

Brother wants to make him proud

Shane is pissed that he expected so much of them while doing the bare minimum for them himself

Needless to say they have very different opinions on their dad

They both love their family though and help their mom out wherever they can (brother is going to become a lawyer and Shane works at Storm Chargers)

Has a little sister (5) who Shane adores with his whole heart

Babysits when he can

Is teaching her how to skateboard and some martial arts

She adores Dustin (as most kids do) and thinks Tori is very pretty

Is cautious of Hunter and Blake at first (Shane complained about ‘the new kids at work’ a lot)

Eventually starts to like them (Hunter sweeps her off her feet like Dustin, but Blake is a fun playmate too)

She is very cute

Met Dustin at Storm Chargers when he had to get a new skateboard (he broke it doing a guard rail slide)

Became best buddies when Shane stopped a group of bullies from picking on Dustin at school 

Dustin started working at Storm Chargers first and Shane hung out there so much that Kelly just offered to pay him to be there (Dustin double bodies with Shane to get work done) (It’s a 50/50 on whether they get work done or not)

Have the brotherly relationship Shane wanted with his brother (they tease and tussle a lot but they want the best for each other and are very supportive/protective)

Met Tori when she came into Storm Chargers lost (Before they worked there)

Dustin and Shane recognized her from school and go to say hi

They startle her and she sprays them with water to which she freaks out about because her parents freak out about it but Dustin and Shane show her their abilities with earth and air (in secret) and she chills about it

Shane asked how a girl could do sports and both Dustin and Tori are like ‘Girls can do sports!’ ‘Yeah, my older sister is really good at soccer and basketball!’ ‘Oh. Sorry. Do you do any sports?’ ‘I surf’ ‘Awesome!!’

They slowly become friends (Tori is a little more anxious than Shane and Dustin at this point in time)

Eventually become family and are very close (also protective, mainly of Dustin since he is prone to getting bullied) (Dustin is oblivious to it but he appreciates his friends for sticking up for him anyways) (People basically stopped when he shot up, got buff, and hella pretty) 

Shane keeps a lot of guys off Tori when they’re at the beach because the vibes are wrong 

Also aromantic and doesn’t understand why Tori may want to have random strangers come and flirt with her

Shane and Tori fight like siblings do and Dustin is either mediator or off to the side with popcorn

Side tangent of their entering of the Ninja Academy for timeline reasons

Started at the beginning of high school so they could have something to do together since they have different sporting hobbies

Ended up being a bit of an elaborate plan to get them into the academy (since it’s a secret academy)

Officially known as the Academy of Elemental Ninjutsu

Dustin is all for it and is excited to be a ninja but Shane and Tori are a little more skeptical (secretly also very excited)

They are the most powerful students, but don’t have much experience with their powers so they get their butts kicked a lot

They are pretty good for the amount of time they’ve put in

Can use smoke bombs, can ninja vanish, streak, and have shurikens

Tori would always be on time of not for the boys

Ok, back to their relationships with people

Didn’t know Cam until they started at the academy and even then it was only through very, very brief interactions (Cam doesn’t like talking to people… or people in general)

After the academy is destroyed, they start talking to him more and dubbed him their ‘guy in the chair’ (affectionate)

Become fiercely protective of him (he’s the littlest brother) (he is older than both Tori and Dustin) (he says as much)

Shane is very impressed with fighting skills even before he became a ranger

Appreciates him, but shows it in his usual manner of teasing and back slaps (Cam thinks he’s being made fun of) (he is not)

Does not like Hunter or Blake the first time they meet 

Susses them out immediately as bad news and argues over them a little with Dustin and Tori

Is very vindicated when they do turn out to be bad but doesn’t rub it in because Dustin and Tori are pretty upset over it

Sympathizes with them for having lost a parent (in a different way for him but still)

Is still suspicious and cautious by the time the leave, but takes a neutral stance for the most part

And then when they come back brainwashed he fucking loses it

Hates them, hates them so much, he doesn’t care what happened to their parents they are hurting his friends (badly)

Finds out they were brainwashed and takes all the anger he had for them and takes it out on Choobo (Who dies and stays dead, thank you)

Pretty chill with Blake but has a very intense rivalry with Hunter since they are both reds/head of their group

Calms down after they realize they have a lot in common, including older brother overprotectiveness, and it becomes a friendly rivalry

Personality/Headcanons/Arcs

Headstrong and follows his guts on most things

Also very stubborn and likes to do things his way

But is caring and protective too and looks out for his own

Strategically smart and is the most experienced with weaponry

Specialized in crossbows, bows and arrows, and (for some ungodly reason) guns

Is also handy with a fan and throwing knives

Powers allow him to walk on air, has a longer hang time in general (very helpful with skateboard practice)

Can hold is breath for the longest (Tori is a close second)

Powers also make him silent on his feet (can and has scared his fellow rangers) (Must announce his presence when walking into a room)

Hated the fact that his friends were going to be put in the line of fire when they become rangers

Thus why he pushes them so hard and tries to take the brunt of the punches

Learns to trust his team and to work as a unit

Has a lot of self-esteem issues and constantly feels like he has to prove himself

Dustin and Tori try to help with this, and later Sensei because this is something that an adult should be helping with

Has to learn that he is enough on his own and he doesn’t need his brother’s approval for anything he does

Shane thought the thing with Skylar was a dream 

He had that dream a lot as a kid and then it stopped

He was confused when they started up again and they gave him a weird feeling

Skylar was basically his platonic soulmate and he was so happy to finally meet her and then she dies and it’s ANGSTY

LET SHANE CRY OVER HER AFTER SHE DIES

Dustin and Tori are there for comfort

On a happier note, Shane can sing

Like really well

“It is your birthday~”

Becomes a sensei at the end of the show and eventually takes over as headmaster when sensei retires

Tori Hanson : Dustin Brooks : Hunter Bradley : Blake Bradley : Cam Watanabe