Inspired by your last ask! What are the best French books you’ve read that have no English translation yet? I read Play Boy and Qui a tué mon père (really loved the latter) last year and it feels so fun to read something that other Americans can’t access yet
I'm too nervous to make any list of the Best XYZ Books because I don't want to raise your expectations too high! But okay, here's my No English Translation-themed list of books I've enjoyed in recent years. I tried to make it eclectic in terms of genre as I don't know what you prefer :)
Biographies
• Le dernier inventeur, Héloïse Guay de Bellissen: I just love prehistory and unusual narrators so I enjoyed this one; it's about the kids who discovered the cave of Lascaux, and some of the narration is written from the perspective of the cave <3 I posted a little excerpt here (in English).
• Ces femmes du Grand Siècle, Juliette Benzoni: Just a fun collection of portraits of notable noblewomen during the reign of Louis XIV, I really liked it. For people who like the 17th century. I think it was Emil Cioran who said his favourite historical periods were the Stone Age and the 17th century but tragically the age of salons led to the Reign of Terror and Prehistory led to History.
• La Comtesse Greffulhe, Laure Hillerin: I've mentioned this one before, it's about the fascinating Belle Époque French socialite who was (among other things) the inspiration for Proust's Duchess of Guermantes. I initially picked it up because I will read anything that's even vaguely about Proust but it was also a nice aperçu of the Belle Époque which I didn't know much about.
• Nous les filles, Marie Rouanet: I've also recommended this one before but it's such a sweet little viennoiserie of a book. The author talks about her 1950s childhood in a town in the South of France in the most detailed, colourful, earnest way—she mentions everything, describes all the daft little games children invent like she wants ageless aliens to grasp the concept of human childhood, it's great.
I'll add Trésors d'enfance by Christian SIgnol and La Maison by Madeleine Chapsal which are slightly less great but also sweet short nostalgic books about childhood that I enjoyed.
Fantasy
• Mers mortes, Aurélie Wellenstein: I read this one last year and I found the characters a bit underwhelming / underexplored but I always enjoy SFF books that do interesting things with oceans (like Solaris with its sentient ocean-planet), so I liked the atmosphere here, with the characters trying to navigate a ghost ship in ghost seas...
• Janua Vera, Jean-Philippe Jaworski: Not much to say about it other than they're short stories set in a mediaeval fantasy world and no part of this description is usually my cup of tea, but I really enjoyed this read!
Essays / literary criticism / philosophy
• Eloge du temps perdu, Frank Lanot: I thought this was going to be about idleness, as the title suggests, and I love books about idleness. But it's actually a collection of short essays about (French) literature and some of them made me appreciate new things about authors and books I thought I knew by heart, so I enjoyed it
• Le Pont flottant des rêves, Corinne Atlan: Poetic musings about translation <3 that's all
• Sisyphe est une femme, Geneviève Brisac: Reflections about the works of female writers (Natalia Ginzburg, Virginia Woolf, Sylvia Townsend Warner, etc) that systematically made me want to go read the author in question, even when I'd already read & disliked said author. That's how you know it's good literary criticism
Let's add L'Esprit de solitude by Jacqueline Kelen which as the title suggests, ponders the notion of solitude, and Le Roman du monde by Henri Peña-Ruiz which was so lovely to read in terms of literary style I don't even care what it was about (it's philosophy of foundational myths & stories) (probably difficult to read if you're not fully fluent in French though)
Did not fit in the above categories:
• Entre deux mondes by Olivier Norek—it's been translated in half a dozen languages, I was surprised to find no English translation! It's a crime novel and a pretty bleak read on account of the setting (the Calais migrant camp) but I'd recommend it
• Saga, Tonino Benacquista: Also seems to have been translated in a whole bunch of languages but not English? :( I read it ages ago but I remember it as a really fun read. It's a group of loser screenwriters who get hired to write a TV series, their budget is 15 francs and a stale croissant and it's going to air at 4am so they can do whatever they want seeing as no one will watch it. So they start writing this intentionally ridiculous unhinged show, and of course it acquires Devoted Fans
Books that I didn't think existed in English translation but they do! but you can still read them in French if you want
• Scrabble: A Chadian Childhood, Michaël Ferrier: What it says on the tin! It's a short and well-written account of the author's childhood in Chad just before the civil war. I read it a few days ago and it was a good read, but then again I just love bittersweet stories of childhood
• On the Line, Joseph Ponthus: A short diary-like account of the author's assembly line work in a fish factory. I liked the contrast between the robotic aspect of the job and the poetic nature of the text; how the author used free verse / repetition / scansion to give a very immediate sense of the monotony and rhythm of his work (I don't know if it's good in English)
• The End of Eddy, Edouard Louis: The memoir of a gay man growing up in a poor industrial town in Northern France—pretty brutal but really good
• And There Was Light, Jacques Lusseyran: Yet another memoir sorry, I love people's lives! Jacques Lusseyran lost his sight as a child, and was in the Resistance during WWII despite being blind. It's a great story, both for the historical aspects and for the descriptions of how the author experiences his blindness
• The Adversary: A True Story of Monstrous Deception, Emmanuel Carrère: an account of the Jean-Claude Romand case—a French man who murdered his whole family to avoid being discovered as a fraud, after spending his entire adult life pretending to be a doctor working at the WHO and fooling everyone he knew. Just morbidly fascinating, if you like true crime stuff
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Finished your latest chapter, and I was at rge ended if my seat from beginning to end. Amazing!
And at the end of the chapter I thought of an inquiry:
What if y/n is a hunter/fisherman instead of a photographer? How would they have met, and what would the dynamics be like? Would they bring each other kills to give to the other to show off? Or in Eclipse's case, courting gifts? Still would figure y/n wouldn't realize what Eclipse is actually doing.
Oh, man, I just flashbacked to Fisher Y/N from Deep Waves but for an AP fisher? They'd be a bit disgruntled and grumpy. Very hard working, set on the task and won't stop until it's done. They've got a shell that rivals crabs. Very gruff but has a heart hidden somewhere under all those brusque layers.
Of course, you're spooked when Eclipse pops his head up (he's a lot more terrifying, not trusting humans on their boats with their harpoons.) Still, once he sees that you're alone and also, well, pretty, he tones it back a bit to actually talk to you while still dangling you halfway off your boat above the icy cold of the sea. You manage to yell at the siren to put you back. While Eclipse does so, he promises to bring you fine fish, the best of the best. You wave him off like "Yeah, yeah, as long as you don't ruin my nets and don't kill me."
The next day, he's got a fat catch. You thought you got rid of him, but like a stray cat that's been fed once, he's back. If he can chat, he can help you push the nets onto your boat so the fish don't flop out and get away. You might pick one cod out (the best one but you would rather die before admitting so) and toss it to Eclipse for his lunch, as thanks, or something like that. Eclipse would beam at the exchange of gifts so soon but you're too busy trying to not slip on the half-frozen, half-wet deck to notice.
You know sirens are bad news, but you have the mindset of 'Eclipse hasn't killed me yet, and there's work to be done, so I better hop to it.' That kind of attitude, however, is what gets you into Eclipse's mandated cuddle sessions as he decides you've been working too long and require a break. Guess who is getting yanked across the deck, forcibly cradled, and persuaded to take a twenty-minute break by a large, touchy siren? You, of course!
It's unusual to endure this kind of attention (and maybe you thought no one would touch you like this, make you feel like you're not just a ghost on the sea.) You put your shoulder to the wheel and get the catch while navigating Eclipse's hands of avarice.
You learn quickly that there's no use trying to get out of his arms once he has you. You also learn that he likes seals, but you try to catch squid and even, once or twice, small sharks for him to snatch on. He returns the favor with a bounty of fish and even guides you to better fishing spots. He's always eager to hand you the fish he catches to you personally. You don't think too much of it when you take it in your gloved hands and his grin widens. (You think he looks infatuated whenever you stumble upon an old seashell or half-plucked feathers or shiny, chipped scales and figure he might think it's pretty, but you don't take it to heart—he probably just likes trinkets.)
One day, when the sea is calm and the fish are nowhere to be found, Eclipse decides you are due for a break. You both lounge on the deck of your smelly boat. You don't even push away Eclipse's hands while precious work minutes slip by, resting your head on his chest to his great pleasure. Eclipse manages to coax a few confesses from your lips with a few slippery musical notes in his voice. You really don't know why you start rambling like this, like a fool. You tell him you don't have anybody, but nobody has you. Sometimes, you don't feel like a person because the only time you talk to another human being is when business over the fish is conducted. You're so used to not having anyone to talk to that when you talk to Eclipse, your voice becomes hoarse and dry, but you don't mind. You don't mind at all, lately.
He tells you in that way of his that is as true as the sun and moon that he has you. You don't believe him, but you pull out a little... gift you've been quietly crafting for the past while you've known him.
Now is as good as ever to give him a simple piece of jewelry you made with a cord and yet another seashell that's so old and pale pink that no one will notice or care for it, but he takes it from you with awe. He ties it around his wrist and shows you how pretty it looks against his black and white markings. He says you need to strengthen your voice. You need to talk to him more. He will listen, and he will listen when you sing, too. The mere thought of you singing of all things jars you enough to finally pull you out of this fancy and get you back on your feet, scouring the sea for fish to catch.
Eclipse is still wearing the seashell when he drops back into the water, and he doesn't let you out of his sights on the sea. You're left to wonder if you're a fool for giving a siren a gift or for feeling pleased that he wears it so proudly.
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Ao3 tagging rant
At this point people are using Ao3 tagging system like it's fucking tumblr tags. It's getting real fucking hard to actually just find fic and at this point I think I'm just going to skip fics that don't properly tag things.
They were in love, Even if they hated each other, Everyone around them knew it, And they were stubborn till the very end,
That bullshit doesn't tell me anything. It tells me you don't know how to tag properly and that you have no idea that people are looking for fics like yours but can't fucking find it.
Enemies to Lovers, Slow Burn, Mutual Pining, + (Other coherent tags)
This tells me exactly what I'm looking for. It gives me coherent tags to search for. Put the first tags in the synopsis section of the fic, not the tags. Also, just because you make a tag, doesn't mean it's searchable.
On Ao3 there are things called tag wranglers and it's a hard fucking job because they are constantly having to wrangle commonly used tags in order to instate them as searchable tags.
The more you put this nonsense in the tags, the more BS they have to wade through.
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i think i’ve learned a lot when it comes to not applying my own values to the media i consume
for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.
and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.
all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.
HE IS NOT A GOOD PERSON.
if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.
you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.
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