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thebunnednun · 4 months

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In the Arms of a Stranger Charlotte Katakuri x Bride! Reader (Part 1)

He's been popping up on my timeline for a while so I think that means he's getting a series. Pretend he's younger, or don't.

This is gonna be a long one folks.

Spolier: Reader ate the "Kage Kage no Mi" fruit.

Summary:

Kidnapped from the safety of your Straw Hat family and drugged into a forced marriage as a cruel act of revenge by Big Mom, you find yourself in a luxurious yet suffocating room with Charlotte Katakuri, the formidable son of your captor. Fear and desperation grip your heart, but amidst the terror, an unexpected truce begins to form.

As Katakuri reveals his own discomfort with the marriage and vows to protect you, a fragile bond develops. Together, you navigate the tension and uncertainty, finding solace in each other's presence.

In the midst of vulnerability and shared fears, even in the darkest times, unexpected comfort and trust can emerge.

Now, on with the show!!~

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The opulent grand hall reverberated with the lively chatter of guests and the melodious clinking of glasses, creating an atmosphere of celebration and merriment. However, amidst the splendor, [Name] couldn't shake off the overwhelming sense of displacement.

Her thoughts continuously gravitated back to her beloved Straw Hat family, from whom she had been abruptly separated due to this arranged marriage. All you could remember was being stolen in the night and being presented before a large pink woman.

The entire ceremony had unfolded like a hazy dream, and now, as the night descended, it marked the beginning of their wedding night.

Your knowledge of Charlotte Katakuri, your enigmatic new husband, was shrouded in intimidating rumors, leaving you feeling apprehensive.

'Fucking shit.'

The heavy oak door to their lavishly adorned chamber clicked shut behind you, the sound echoing ominously in the vast space. Silence descended like a suffocating blanket, pressing down on you with palpable weight. Your breath caught in your throat as you stood in the center of opulence, surrounded by the extravagant display of wealth.

The room exuded grandeur at every turn—the king-sized bed, adorned with layers of sumptuous silk, beckoned invitingly, yet it felt more like a throne of isolation than a place of rest. Ornate furniture, carved with intricate designs, adorned the spacious chamber, each piece a testament to extravagance. The soft glow of the dimly lit chandeliers cast ethereal shadows across the room, adding to the surreal atmosphere.

But amidst the splendor, there was a profound sense of unease, a feeling of being ensnared in a gilded cage. Despite the luxurious trappings, the room felt suffocating, each embellishment serving as a reminder of the confinement you found yourself in. The air seemed heavy with unspoken tension, and the silence seemed to magnify your solitude.

Your gaze flitted around the room, seeking solace in its lavish décor, but finding none. Every corner seemed to echo with a sense of captivity, each ornamental detail serving as a stark contrast to the freedom you longed for. Your heart ached with longing, yearning for the warmth and familiarity of your Straw Hat family, where safety and love awaited.

In this ostentatious chamber, you felt like a trapped bird, yearning to spread your wings and soar back to where you belonged. The opulence that surrounded you only served to emphasize the stark reality of your confinement, amplifying your desire to break free from this golden prison and return to the embrace of those who cherished you most.

In a moment of sheer panic, you found yourself drawn to the large bed dominating the center of the room. Instinct took over as you dropped to your knees, your movements frantic and unthinking. With trembling hands, you crawled beneath the bed, seeking refuge in the shadowy space beneath its expanse. The rapid thudding of your heart reverberated in your ears, a deafening drumbeat of fear that seemed to echo through the room.

As you huddled beneath the bed, your breaths came in shallow gasps, each inhale feeling like a struggle against the weight of impending doom. The confined space offered little solace, but you clung to it desperately, your body curling into a tight ball as if seeking protection from the encroaching darkness.

In the dimness beneath the bed, the world outside seemed distant and unreal, as if you had retreated into a realm of your own making. The shadows enveloped you like a comforting cloak, shielding you from the harsh reality that lurked beyond the confines of your hiding place.

Your mind raced with thoughts of escape, the urgency of the situation pressing down on you like a heavyweight. You couldn't stay here, couldn't bear the thought of what awaited you on this dreaded night. Your only thought was to find your friends, to seek refuge in the familiar embrace of the Straw Hat crew.

But for now, beneath the bed, you allowed yourself a moment of respite, a brief reprieve from the chaos that surrounded you. The stale air hung heavy in your lungs, but you welcomed it, using the precious moments of solitude to gather your thoughts and steel yourself for the challenges that lay ahead.

In the suffocating stillness of the room, time seemed to lose all meaning, stretching out into an endless expanse of silence. Every creak of the floorboards, every whisper of the wind outside, seemed magnified, as if the very air itself held its breath in anticipation. The weight of the mansion pressed down on you like a suffocating blanket, its oppressive atmosphere adding to the unbearable tension that hung in the air.

And then, like a harbinger of impending doom, you heard the door creak open, the sound slicing through the silence like a knife. Your entire body tensed, muscles coiling with apprehension as your breath caught in your throat, the air thick with trepidation.

With each heavy footstep, Katakuri drew closer, his presence a looming specter in the darkness. The sound of his boots on the plush carpet sent vibrations rippling through the floor, each thud reverberating through your bones and echoing the pounding of your heart. Every nerve in your body screamed for you to flee, to escape the approaching danger, but you remained frozen in place, paralyzed by fear.

Closing your eyes tightly, you prayed fervently that he wouldn't notice you, that you could remain hidden in the shadows beneath the bed. The darkness offered scant protection, but it was all you had, a thin veil of concealment against the looming threat that lurked just beyond your hiding place. As Katakuri's footsteps drew nearer, you clung to the desperate hope that somehow, against all odds, you would remain undetected.

'Please, just go away. Don’t look under the bed. Please.'

As Katakuri's heavy footsteps halted mere inches from the edge of the bed, a tangible sense of dread settled over you like a suffocating shroud. His presence loomed over you, a looming shadow of menace that seemed to envelop the room in a cloak of darkness. The air grew thick with tension, each breath you took feeling like a struggle against the oppressive weight of fear that pressed down upon you.

Time seemed to stretch on endlessly as you held your breath, every second feeling like an eternity as you waited in agonizing anticipation. And then, mercifully, the footsteps receded, their retreat a faint echo in the silence that followed. The sound of water running in the adjacent bathroom filled the room, a stark contrast to the stillness that had preceded it. Relief washed over you in a shaky exhale, but beneath the surface, the gnawing fear persisted, a constant reminder of the danger that lurked just beyond your reach.

'This is my chance,' you thought, determination flickering in the depths of your eyes as you seized upon the opportunity before you. With a surge of adrenaline, you scrambled out from under the bed, your movements swift and urgent as you surveyed your surroundings for any sign of escape. Your heart sank as you realized the door was securely locked, a barrier that stood between you and freedom.

'No, no, no!' The panic threatened to overwhelm you, but amidst the chaos of your thoughts, a glimmer of hope emerged. You remembered your Devil Fruit powers, a latent ability that held the key to your salvation. With a fierce focus, you channeled your energy, merging with the shadows that danced along the edges of the room. The sensation was eerie, like slipping into a cold, dark void, but you clung to it desperately, knowing it was your only chance at escape.

Invisible to the naked eye, you slipped through the crack beneath the bedroom door, your movements silent and swift as you navigated the dimly lit hallway beyond. Your heart pounded in your chest as you caught sight of Charlotte Opera, his figure looming ominously in the distance, a dagger glinting menacingly under the harsh glow of the overhead lights.

'Perfect,' you thought grimly, steeling yourself for the perilous journey that lay ahead. With determination coursing through your veins, you set off into the unknown, every step a testament to your unwavering resolve to reclaim your freedom at any cost.

As you moved stealthily through the labyrinthine corridors of the mansion, every step careful and calculated, your heart pounded in your ears like a thunderous drumbeat. The oppressive silence of the night was broken only by the faint sound of your own breathing, each inhale and exhale amplified by the tension that hung thick in the air. Every corner you turned seemed to hold the promise of danger, every shadow concealing a potential threat.

With practiced ease, you closed the distance between yourself and Opera, your movements fluid and silent as you closed in on your target. In a swift, decisive motion, you snatched the dagger from his grasp, the cold metal of the blade sending a shiver of anticipation coursing through your veins. It was a small victory, but in the face of the looming danger that surrounded you, it felt like a lifeline—a tangible symbol of your determination to fight back against the forces that sought to hold you captive.

Retreating back into the safety of the shadows, you clung to the dagger tightly, the weight of it comforting in your hand. It was a small but significant tool of defense, a reminder that you were not powerless in the face of adversity. With renewed resolve, you prepared yourself for the ordeal that lay ahead, steeling yourself for whatever challenges awaited you.

As the sound of the shower ceased and the lights in the bedroom dimmed, plunging the room into an even deeper darkness, your heart rate spiked once more. The tension in the air was palpable, each moment stretching out into an agonizing eternity as you resumed your hiding spot beneath the bed. Holding your breath, you braced yourself for whatever might come next, your mind racing with frantic thoughts as you prepared to confront the dangers that lurked in the shadows.

'Now I have the advantage but how do I get out of this?'

As you lay hidden beneath the bed, your mind raced with frantic thoughts, each one more terrifying than the last. The weight of the dagger in your hand offered little solace as you grappled with the overwhelming fear of the unknown. How would you escape this predicament? What awaited you beyond the confines of this ominous mansion? The uncertainty gnawed at your insides, leaving you feeling small and powerless in the face of the looming threat.

Before you could formulate a plan of action, the bathroom door swung open with a sinister creak, unleashing a wave of hot steam into the room. Through the swirling mist, you caught a glimpse of Katakuri's towering figure, his presence like a malevolent shadow in the darkness. The air seemed to thicken with dread as his cold, unyielding gaze pierced through the haze, fixating on you with chilling intensity.

And then, in an instant, the shadows were banished by a blinding light that seared through the fog, illuminating you in its merciless glare. The stark contrast between light and darkness rendered you vulnerable, exposed to the full force of Katakuri's unwavering scrutiny. Panic surged through you like a primal instinct as his eyes bore into yours, stripping away any semblance of safety or sanctuary.

Before you could react, his hand closed around your wrist with a bone-crushing grip, dragging you unceremoniously out from your hiding place beneath the bed. The sensation was like being ensnared by a predator, helpless against the inexorable force of his advance. With each heartbeat, the reality of your predicament sank in, filling you with a visceral terror so profound it threatened to consume you whole.

"No, no, no!" The words escaped your lips in a frantic whisper, a desperate plea for escape that fell on deaf ears. In the face of Katakuri's relentless advance, you were overwhelmed by a sense of dread so potent it bordered on madness. As he loomed over you, a silent harbinger of doom, you were plunged into the depths of a nightmare from which there seemed to be no waking.

As you struggled against Katakuri's iron grip, fear surged through your veins like a torrential wave, threatening to drown you in its icy embrace. With a surge of desperation, you plunged the dagger into his wrist, a desperate bid for freedom born of sheer instinct. He grunted in pain, his reaction more annoyance than true agony, but it was enough to momentarily loosen his hold on you.

With a gasp of relief, you tumbled onto the bed, your heart pounding in your chest like a frantic drumbeat. Scrambling away, you fought to put as much distance between yourself and your assailant as possible, your movements frantic and uncoordinated. But your escape was short-lived, and you soon found yourself falling off the other side of the bed, landing with a jarring thud on the cold, unforgiving floor below.

As you lay there, your mind a whirlwind of fear and confusion, a thousand thoughts raced through your head in rapid succession. "I hurt him. What now? Will he kill me?" The questions echoed in your mind like a relentless refrain, each one more terrifying than the last. The cold floor pressed against your back, grounding you in the harsh reality of your situation as you struggled to catch your breath, your chest heaving with the effort.

Amidst the chaos of your thoughts, a fierce determination took hold, driving you forward in spite of the overwhelming fear that threatened to consume you. "I can't let him catch me. I have to survive this. I have to get back to my family." The words rang out in your mind with a clarity that cut through the suffocating haze of terror, fueling your resolve with a newfound strength.

Though the fear was almost paralyzing, the thought of your Straw Hat family served as a beacon of hope in the darkness, a reminder of the bonds that tethered you to the world beyond this nightmare. With each breath, you drew upon that strength, channeling it into a desperate bid for survival as you faced the terrifying unknown that lay ahead.

As you lay on the floor, your body trembling with adrenaline, the sound of Katakuri's approach sent shivers down your spine, his silent footsteps amplifying your terror. Each passing moment felt like an eternity, your senses heightened to a fever pitch as you struggled to control your racing heart.

'He's coming. What do I do? Think, [Name], think!'

The suspense was suffocating, the air thick with tension, as you fought to steady your breathing against the overwhelming fear that threatened to consume you.

With each step he took, the weight of his presence bore down on you like a suffocating blanket, leaving you gasping for air as if the very atmosphere had turned against you.

'I can't stay here. I can't let him catch me again.'

The thought echoed in your mind with a sense of urgency, driving you to action even as panic threatened to overwhelm your senses.

As Katakuri's shadow fell over you, his form looming ominously in the dim light of the chandelier, you felt a primal instinct kick in, a surge of adrenaline coursing through your veins. His eyes, cold and unreadable, seemed to pierce through the darkness, fixing you in place with their unyielding gaze. Your heart hammered in your chest, thoughts whirling in a frantic blur as you braced yourself for whatever came next.

'This is it. This is my only chance.'

With fear coursing through your veins, you struggled against Katakuri, desperation lending strength to your movements. In a desperate move, you slashed at him again with the dagger, hoping to fend off the looming threat that hung over you like a shadow. But Katakuri's response was swift and merciless; with a single, precise motion, he knocked the dagger out of your hands, sending it clattering to the floor, far out of reach.

Desperation filled your eyes as you whispered into the cold night air,

"Please, don't touch me!"

The world seemed to stop at this notion. Your words hung in the air, fragile and trembling, a desperate request for mercy in the face of overwhelming fear. The room fell silent, the weight of your plea echoing in the stillness as you awaited his response.

For a fleeting moment, Katakuri's intense gaze softened, his resolve faltering in the face of your vulnerability. Slowly, he pulled himself back, giving you the space you so desperately craved. You lay there, still clad in your wedding dress, a poignant reminder of the night's cruel irony. Tears welled up in your eyes, spilling over as you squeezed them shut, your body wracked with silent sobs.

In that moment of vulnerability, you were acutely aware of the fragility of your existence, a pawn in a game far beyond your control. The weight of the night's events bore down on you like a crushing weight, threatening to engulf you in darkness. Amidst the despair, a flicker of hope remained, a small ember of resilience burning brightly within you. You would endure this trial, you would survive, and you would emerge stronger on the other side.

But right now you really just needed to have a healthy cry.

Katakuri's massive form crouched down before you with surprising gentleness, his imposing stature momentarily softened by the tenderness in his movements. Despite the weight of his presence, there was a certain grace in the way he watched you, as if he were keenly attuned to the fragile state of your emotions. His usually stern expression bore a subtle shift, hints of compassion and understanding flickering across his features like shadows dancing in the dim light of the room.

As he spoke, his voice was a soothing murmur, low and gentle, cutting through the tense silence like a soft breeze on a stormy night. "I promise I won’t hurt you. I have no intention of consummating this marriage given the situation." His words hung in the air, a lifeline extended to you in the depths of your despair. For a moment, the weight of your fear seemed to lift ever so slightly, replaced by a cautious glimmer of hope.

Slowly, you opened your tear-blurred eyes, your gaze meeting his with a mixture of apprehension and longing. You searched the depths of his gaze, seeking any sign of deception or malice, but all you found was sincerity shining back at you like a beacon in the darkness. At that moment, with a trembling breath, you allowed yourself to believe, if only for a fleeting second, that perhaps there was still goodness to be found in this world, even in the most unexpected of places.

As you looked up at Katakuri, his presence no longer looming over you like a specter of fear, you found yourself daring to hope that maybe, just maybe, there was a chance for him to be a decent man despite the circumstances.

In the tranquil hush of the room, every breath seemed to echo, a delicate symphony of tension and resignation. Katakuri's presence, once a looming specter of dread, now exuded a sense of quiet patience, a silent invitation for you to find solace amidst the chaos of your emotions. The opulence that had once felt stifling now appeared almost ethereal, the soft glow of the chandeliers casting gentle pools of light that danced upon the walls like fleeting whispers.

"I promise,"

His voice resonated like a soothing melody, a gentle reassurance that hung in the air like a fragile thread.

"You are safe here. I won’t touch you if you don’t want me to."

The sincerity in his words was a beacon in the darkness, a glimmer of hope amidst the shadows of fear that lingered in your heart. Tentatively, hesitantly, you allowed yourself to believe him, to entertain the possibility of a sanctuary within the confines of this ornate prison.

Your trembling began to ebb, a gradual release of tension that mirrored the softening of your surroundings. With each passing moment, the weight of your fear lessened, replaced by a cautious sense of calm that settled over you like a comforting embrace.

Though the scars of your ordeal remained, there was a flicker of resilience in your gaze, a silent acknowledgment of the strength that lay dormant within you.

In the stillness of the room, you took a trembling breath, your pulse slowing as you dared to let go of the grip of fear that had held you captive for so long. And as you met Katakuri's unwavering gaze, you found yourself taking the first tentative steps towards reclaiming your sense of agency, your spirit unbroken.

Tears of anguish continued to stream down your cheeks, silent witnesses to the pain that still weighed heavy on your heart. But intertwined with the sorrow was a sense of gratitude, a profound acknowledgment of the small mercy that had been extended to you in this moment of vulnerability. And as you met Katakuri's gaze, you found solace in the silent understanding that passed between you forged by the circumstance you found each other in.

As Katakuri stood before you, his imposing frame now softened by the absence of his wedding attire, you couldn't help but notice the subtle shift in his demeanor.

His broad shoulders, previously concealed beneath layers of formal clothing, now stood bare and unadorned, accentuating the raw strength that lay beneath his stoic exterior. Black sweatpants hugged his frame, emphasizing the powerful muscles that rippled beneath his skin with each movement.

And then, there was his face. Without the intimidating mask that had become synonymous with his identity, Katakuri seemed almost vulnerable, his features exposed to the harsh light of the room. His expression was unreadable, a mask of neutrality that belied the turmoil that lay beneath the surface.

But it was the intricate tattoo that adorned his left shoulder that drew your attention. A complex design of swirling patterns and symbols, it seemed to tell a story of its own, each line and curve a testament to Katakuri's strength and resilience. The tattoo, a mark of his heritage and lineage, spoke of a past shrouded in mystery and tradition.

As your gaze lingered on him, you realized that he had caught you staring. A flicker of self-consciousness crossed his features before he rose gracefully to his feet, moving with a fluidity that belied his size. Without a word, he retrieved a box of tissues from a nearby dresser, placing them gently in front of you with a silent understanding.

"I... I'm nervous too,"

He admitted, his voice a low rumble that filled the room.

"This marriage... it wasn't fair of my mother to impose it upon us like this."

There was a hint of frustration in his tone, a rare display of vulnerability that caught you off guard.

"But for now, we must act as a normal couple. It's the only way to avoid suspicion."

You nodded, taking the tissues with trembling hands as you tried to wipe away the tears that stained your cheeks. The gesture was small but significant, a silent acknowledgment of the fragile truce that existed between you. As you dabbed at your cheeks, you couldn't help but notice the smudged makeup that marred your reflection in the tissue.

Seeing your distress, Katakuri's expression softened, a rare display of empathy in the midst of chaos. "You should shower and change out of your wedding dress," he suggested gently, his voice a soothing balm against the turmoil of your emotions. "I'll... I'll wait outside."

"I thought we couldn't leave until... you know," you murmur, glancing towards the bed where memories of the night's events lingered like ghosts.

Katakuri groans, his frustration evident as he pinches the bridge of his nose. "I forgot," he admits, before letting out a resigned sigh. His gaze returns to you, softer now, tinged with a hint of apology.

"I will wait inside the closet then. Knock three times when you are finished."

But as he starts to rise, you find yourself unable to let him leave just yet. "Wait!" you call out, your voice trembling slightly.

He pauses, turning back to you, eyebrows furrowed in confusion. As you rise to your feet, legs shaking with the weight of the evening's events, you move closer to him, heart pounding in your chest.

"P-please help me with the buttons in the back," you request, your voice barely above a whisper. His gaze meets yours, and for a moment, the air between you crackles with unspoken tension.

He holds your gaze, the intensity of his stare making your heart race even faster. With a nod, he steps forward, his fingers deftly undoing the buttons of your wedding dress. The fabric falls away with a soft rustle, leaving you exposed and vulnerable in its wake.

You shiver at the sudden rush of cool air against your skin, his strength evident in the ease with which he undoes each button. When he's finished, you look up at him, meeting his gaze once more.

"I promise I will not touch you," he reassures you, his voice gentle yet firm. With that, he steps back, putting distance between you once more, before retreating into the walk-in closet.

Alone once more, you take a deep breath, the weight of the evening pressing down on you like a heavy cloak. But in the quiet of the room, you find a moment of solace, a glimmer of hope amidst the chaos.

With the now slumping dress held against your form, you rush into the bathroom, shutting the door behind you with a shaky hand. Locking the door provides a momentary sense of security, and you slide down onto the cool tiles, back pressed against the door.

As you sit there, the events of the evening replay in your mind like a broken record. The way Katakuri had grabbed your wrist, the fear that had gripped you, and the unexpected restraint he had shown when you stabbed him... it all whirls around in your head, leaving you feeling dizzy and confused.

You consider asking him about it, about why he didn't retaliate or even mention the wound. But the thought dies on your lips as you glance down at your now discarded dress, realizing that it's probably not the best time to bring it up.

Instead, you focus on the task at hand, turning on the shower and letting the warm water cascade over your body. It's a welcome respite from the chaos of the evening, and you take your time, letting the steam wash away the physical and emotional residue of the night.

As the water cascades down, you can't help but think about how to contact Luffy or the rest of the crew. Pudding seems like the safest option, given her past interactions with your friends. But the logistics of reaching out to her are daunting, especially with Katakuri lurking just outside the door.

Eventually, you finish your shower, wrapping yourself in a large fluffy towel. Glancing at your reflection in the fogged-up mirror, you're struck by how tired and sad you look. With a sigh, you reach for a face towel, intending to run it under cold water to reduce the puffiness around your eyes.

But as you do, you realize just how large the towel is, a stark reminder of the size and strength of your new husband. The thought sends a shiver down your spine, but you push it aside, focusing instead on getting dry and applying lotion to your body.

Once you're sufficiently covered, you peek out from under the bathroom door, listening for any signs of life in the room beyond. When you hear nothing, you slip back into the room's shadows, quietly making your way to the dresser drawers in search of clothing.

You avoid the underwear set Big Mom had insisted you wear beneath the wedding dress, opting instead to dig through the drawers until you found something. Among the array of garments, you manage to find a black bra and underwear set that fits you perfectly.

A note from Pudding accompanies the lingerie, explaining that it's the best she could do under the circumstances. You hug the note to your chest, grateful for Pudding's help, before slipping into the undergarments.

Next, you find a slip that Pudding had also left for you. Pulling it over your head, you revel in the softness of the fabric against your skin. It's a simple yet elegant piece, with delicate lace adorning the edges. As you adjust the straps, you notice how the slip drapes over your figure, accentuating your curves in a flattering way.

'Would he even like something like this? Oh my God no, I can't believe I just thought of that!'

You feel your ears begin to heat up again until you turn away from the mirror. Looking down, you're struck by the contrast between the darkness of the lingerie and the sexiness of the red slip. It's a visual representation of the conflicting emotions swirling inside you.

'This won't do.'

Still feeling vulnerable, you return to the dresser drawers, your fingers trailing over the various fabrics as you search for something to provide additional comfort. Finally, you come across a large white shirt tucked away in the back of the drawer. Pulling it on over the slip, you're enveloped in its soft embrace, the oversized fit offering a sense of security you desperately need. With each button fastened, you feel a little more grounded, a little more ready to get through the night.

You take a deep breath, trying to steady your nerves as you catch a small whiff of something. The scent of donuts and fire lingers on the fabric, a faint reminder of Katakuri's presence in the room. You pause, the shirt draped over your shoulders, and bring the collar up to your nose, inhaling deeply. The familiar aroma envelops you, warm and comforting, like a gentle embrace in the midst of chaos. It's a reminder that despite the circumstances, you're not entirely alone.

Closing your eyes, you allow yourself a moment of quiet reflection, focusing on the rhythmic rise and fall of your chest as you breathe in the calming scent. For a fleeting instant, the weight of the world lifts from your shoulders, replaced by a sense of peace and tranquility. It's a small respite from the turmoil of the night, but one you cling to nonetheless.

With a steadying breath, you lower the collar of the shirt and let your hand fall to your side. The fabric drapes loosely around your frame, offering both physical comfort and a semblance of emotional refuge. You're still trembling, still uncertain of what lies ahead, but at this moment, wrapped in the scent of cologne and the soft embrace of the oversized shirt, you find yourself before the closet door.

"Hey, you can come out now."

There's no movement from the door. You feel confused before remembering what he had said and raising your hand to gently knock three times. Your knuckles rap lightly against the closet door, the sound echoing in the silent room. For a moment, there's no response, only the hushed murmur of your own breathing. Then, from within the closet, you hear a soft shuffle of movement, followed by the creak of hinges as the door swings open.

Katakuri steps out, his presence filling the room once more. His shirtless form is a stark contrast to the imposing figure you've come to know, his black sweatpants hanging loosely on his frame. Without his mask, his face is revealed, and you can't help but notice deep scares that adorn his face, the sharp fangs that poke out of his lips.

He meets your gaze, his expression unreadable, before his eyes flicker down to the floor, a slight flush of embarrassment coloring his cheeks. "Sorry," he murmurs, his voice low and hesitant. "I didn't mean to make you wait."

You shake your head, a small frown tugging at the corners of your lips. "It's okay," you reassure him, your voice barely above a whisper.

"I'm ready now."

With a nod, Katakuri steps aside, allowing you to pass him and make your way back into the bedroom. The scent of mochi lingers in the air, a comforting reminder of his presence beside you. As you settle back onto the bed, the oversized shirt enveloping you in its warmth, you can't help but feel a sense of gratitude for the unexpected kindness of your new husband.

"Thank you," you murmur softly, offering a grateful nod as you settle back onto the dresser, the oversized shirt providing a comforting shield against the lingering tension in the room. But as you find yourself propped on the wood surface, a lingering ache in your wrist prompts a question you can't ignore.

"Katakuri," you begin tentatively, your gaze meeting his with a mixture of curiosity and concern, "about your wrist... I'm sorry if I hurt you earlier."

His brows furrow slightly at your words, a hint of surprise crossing his features before he sighs, a faint smile tugging at the corners of his lips. "It's alright," he assures you gently, his tone carrying a sense of understanding. "I knew you'd be asking about that next. And I'm sorry for tugging you so harshly and for any other discomfort, I may have caused you. When I entered and didn't see you, I assumed they were going to send you in after me shortly."

You take in his apology, feeling a sense of relief wash over you at his understanding. It's a response you hadn't expected, one that speaks volumes about his character. In the dim light of the room, you can see the sincerity in his eyes, a quiet reassurance in his presence.

"Thank you," you reply softly, offering him a small nod. "I appreciate your understanding."

He meets your gaze, a silent acknowledgment passing between you before he nods, a small gesture of reassurance. But before the silence settles between you, another question tugs at your thoughts, one that you can't ignore any longer.

"Katakuri," you begin, your voice hesitant as you broach the topic, "about your stab wound... How did you...?"

His expression softens as he meets your gaze, a knowing glint in his eyes. "I figured you'd asking about that next," he admits with a faint chuckle, his tone laced with amusement. "My Devil Fruit powers allow me to manipulate mochi, shaping it into various forms and even extending my limbs. When you stabbed my wrist, it was made of mochi, so it didn't hurt as much as you might think."

You listen intently as he explains, feeling a sense of awe at the revelation of his abilities. It's a reminder of the world you've been thrust into, one filled with wonders and dangers alike. But in that moment, as you sit together in the quiet of the room, you find a sense of comfort in the genuine conversation between you.

As the conversation unfolds, your curiosity drifts to the scars that adorn Katakuri's mouth, the faint lines drawing your attention.

"Katakuri," you inquire softly, your voice filled with genuine interest, "what happened to your mouth? Those scars... they look like they've seen their fair share of battles."

His expression shifts slightly at your question, a hint of hesitation crossing his features before he offers a faint smile. "Ah, these scars," he begins, his voice tinged with a mixture of nostalgia and vulnerability. "They're... a remainder of a childhood mishap, you could say."

You sense his reluctance to delve deeper into the topic, a subtle tension underlying his words. "I got them when I was young," he continues, his voice quieter now, almost hesitant.

"An accident involving... donuts."

Your eyebrows raise in surprise, a hint of amusement creeping into your expression despite the seriousness of the moment. "Donuts?" you repeat, unable to suppress a small chuckle.

Katakuri nods, a faint blush coloring his cheeks as he looks . "Yes, donuts," he confirms, his tone slightly sheepish. "I... stretched my mouth open too wide while eating them, and... well, the rest is history."

You can't help but feel a pang of sympathy for him, realizing the vulnerability he must feel about the scars. "I'm sorry," you offer softly, your voice filled with genuine empathy. "It must have been difficult for you."

He meets your gaze with a grateful nod, a silent acknowledgment passing between you. "Thank you," he murmurs, his tone sincere.

"It's... not something I talk about often."

You nod in understanding, sensing the weight of his words as you sit together in the quiet of the room. At that moment, you find yourself grateful for the opportunity to learn more about the man behind the mask, scars, and all.

As the conversation winds down, Katakuri glances at the clock on the wall, noting the lateness of the hour. "It's getting late," he remarks, his voice gentle but firm. "You should get some sleep."

At his words, a wave of panic washes over you, the prospect of sleeping in the same bed with him filling you with dread. Katakuri notices the sudden change in your demeanor, his brows furrowing in concern. "Is something wrong?" he asks softly, his eyes searching yours.

You hesitate, unsure of how to voice your fear. But before you can respond, he speaks again, his tone reassuring. "I could sleep in the closet," he offers, his voice calm but resolute. "You can have the bed to yourself."

Relief floods through you at his words, gratitude mingling with the lingering fear in your heart. "Thank you," you murmur, your voice barely above a whisper.

With a nod, Katakuri moves to the bed, but you find yourself unable to follow. The fear still grips you, holding you back from taking that step. Sensing your hesitation, Katakuri pauses, his gaze softening as he turns back to you.

"What's wrong?" he inquires gently, his eyes filled with understanding.

You take a deep breath, summoning the courage to voice your feelings. "I'm... afraid," you admit, your voice trembling with emotion.

"I don't think I can..."

Katakuri considers your words for a moment, his expression thoughtful. Then, with a decisive nod, he moves to the bed, swiftly stripping it of all its coverings. "We'll make a makeshift bed on the floor," he decides, his voice calm but determined.

You watch in silence as he gathers extra pillows and blankets from the closet, his movements efficient yet gentle. When he returns, he offers you a choice of designs for the blanket, a small gesture of kindness that touches your heart.

With a grateful nod, you select a donut design, your fingers trembling slightly as you take the blanket from him. Together, you create a makeshift bed on the floor, arranging the pillows and blankets until they form a comfortable nest.

Katakuri finishes arranging the makeshift bed with a satisfied smile, a hint of nostalgia in his eyes. "Alright, this should do it. I used to do the same for my siblings when they were younger," he remarks, a faint smile tugging at the corners of his lips. Turning to you, he waits for your response.

As he mentions returning to the closet, you remember his earlier promise not to touch you, a gesture of respect and consideration that doesn't go unnoticed. You meet his gaze, silently contemplating his offer.

After a moment of thought, you shake your head slightly. "I wouldn't mind if you slept on the opposite end of the pillow fort," you say softly, your voice barely above a whisper.

A small smile graces Katakuri's lips at your suggestion. "Alright," he replies, his tone warm and accepting. With a nod, he settles down on the opposite end of the makeshift bed, giving you a comfortable distance.

The room falls into a hushed darkness as Katakuri dims the lights, casting soft shadows across the walls. You watch him settle onto his side of the makeshift bed, his movements deliberate and controlled. With a quiet sigh, you follow suit, curling up on your side, facing away from him.

As you lie there in the stillness of the room, you try to quiet your mind, to let the events of the day fade into the background. But try as you might, sleep eludes you. Your thoughts drift back to the chaotic events that led you here, to this unfamiliar room in a mansion far from home.

You remember the fear and desperation, the overwhelming sense of helplessness as you found yourself trapped in a nightmare not of your making. The tears come unbidden, silently slipping down your cheeks as you relive the terror of facing a future filled with uncertainty.

Each sob threatens to unravel the fragile calm you've managed to hold onto, leaving you feeling raw and exposed. You squeeze your eyes shut, willing the tears to stop, but they keep coming, a relentless torrent of emotion that refuses to be contained.

The weight of the day's events bears down on you, pressing against your chest like a heavy burden. Your breath becomes shallow and uneven, your heart pounding in your ears as you struggle to find a moment's respite from the turmoil raging within.

You turn onto your back, staring up at the ceiling, feeling utterly alone in the darkness. The quiet of the room is suffocating, the absence of noise amplifying the cacophony of thoughts swirling in your mind.

You try to focus on your breathing, to find some semblance of calm amidst the storm raging within you. But each inhale feels strained, each exhale a release of pent-up tension that only seems to fuel your restlessness.

You toss and turn, shifting from one position to another, but no matter how hard you try, sleep remains elusive. The hours drag on, stretching into eternity, and still, you lie there, trapped in the prison of your own thoughts.

And as the first light of dawn filters through the curtains, casting a pale glow across the room, you realize with a sinking heart that sleep will not come this night.

You feel a presence, and you turn over to find Katakuri looking at you with concern etched across his features. His eyes are soft, a stark contrast to the imposing figure you've come to know. In that moment, you realize he's not just a fearsome pirate, but also a man burdened with his own worries and doubts.

He sees the tears glistening on your cheeks and without a word, he rises from the makeshift bed and retrieves more tissues, sliding them over to you with a quiet understanding. You meet his gaze, studying the lines of tension in his brow, the slight furrow of his brow that speaks volumes of his concern.

It occurs to you then, that he's not unaffected by the events of the night. Beneath his stoic exterior lies a vulnerability you hadn't noticed before, a vulnerability mirrored in your own trembling hands and tear-streaked face.

"Katakuri," you whisper, his name a lifeline in the darkness. He stands at attention, his posture rigid with anticipation. You pause, unsure of what to say, but knowing that you need to say something, anything to bridge the gap between you.

You feel your heart reach out to him, a silent acknowledgment of the shared struggle you both face. He meets your gaze, his eyes searching yours for reassurance, for solace. And in that moment, you see him not as an enemy, but as someone who, like you, is grappling with the weight of their own emotions.

"I... I just want to thank you," you begin, your voice barely above a whisper. "For... for being here. For... for helping me."

His expression softens, a flicker of understanding passing between you.

"You are most welcome."

You glance once more at the bed, then decisively grab the donut blanket and climb on top of it. Katakuri watches you, a mixture of confusion and concern evident in his expression as you make your move.

Scooting back into the bed, you pat the space where you were just sitting, silently inviting him to join you. He stares at the spot for a long moment, his brow furrowed with contemplation, before finally taking a seat beside you.

Taking a deep breath to steady yourself, you turn to him, your voice soft but determined. "If you would accept," you begin, meeting his gaze head-on, "I will give you permission to sleep next to me and touch me, but only for comfort and if you consent to do so. I do not wish to consummate our marriage."

There's a vulnerability in your words, a raw honesty that lays bare your fears and desires. Katakuri's expression softens as he processes your words, his eyes searching yours for a moment before a myriad of emotions flickers across his face.

Finally, he nods, a solemn acceptance of your terms. "I understand," he murmurs, his voice barely above a whisper. "And I accept your conditions."

Relief floods through you, mingling with the lingering apprehension. Tentatively, you reach out to him, your voice trembling slightly as you continue, "But I do need a hug and would like one from you."

His gaze softens further, and without a word, he pulls you into his arms, enveloping you in a comforting embrace. In that moment, as you rest against his chest, you feel a sense of connection and understanding.

As Katakuri's arms wrap around you, you can feel the steady, rhythmic beating of his heart beneath his chest. His warmth seeps into you, a soothing balm against the cold dread that's settled in your bones. His muscles are tense at first, a reflection of his own uncertainty, but as you gently pat his shoulder, he begins to relax, the rigidity in his frame easing with each tender touch.

"May I pet your hair?" he asks softly, his voice a gentle murmur in the quiet room.

You nod against his chest, your consent a whisper in the stillness. His fingers thread through your hair with a careful touch, the sensation both comforting and intimate.

The knots in your chest and the tangled web of thoughts in your mind start to melt away as his gentle ministrations continue. His scent—a unique blend of mochi, donuts, and a hint of campfire smoke—envelops you, grounding you in the present moment and gradually clearing the fog of your anxieties.

You nuzzle into him softly, feeling a newfound sense of safety in his embrace. An idea forms in your mind, a way to comfort him in return.

"May I touch your cheek?" you ask, your voice barely above a whisper.

There's a moment of silence, a pause that stretches on until he finally answers quietly, "Yes."

Slowly, you raise your hand to his cheek, your fingers trembling slightly. As you let your fingers trace over his scar, you can feel the texture of the healed skin, and the vulnerability he rarely shows. His eyes close briefly, and you sense the tension in him easing further, your touch a silent offering of understanding and acceptance.

Katakuri leans into your touch, the warmth of your palm against his scarred cheek seeming to provide him with a sense of comfort and solace. His eyes flutter closed, and you can feel the last remnants of tension drain from his body. The rhythmic motion of his fingers in your hair slows, his breath becoming deeper and more even.

Before you know it, he's fallen asleep, his head resting gently against your hand. The sight of him, so vulnerable and at peace, tugs at your heartstrings. The steady rise and fall of his chest, and the softness of his expression, make you realize how exhausting this day has been for both of you.

You let your hand linger on his cheek for a moment longer, taking in the tranquility of the scene. His steady heartbeat beneath your touch, the warmth of his body, and the faint scent of mochi and campfire smoke create a cocoon of calm around you. For the first time since this ordeal began, you feel a glimmer of hope.

As you nuzzle into him, you close your eyes, letting the security of his presence lull you into a gentle sleep. Wrapped in the warmth of each other's embrace, the world outside fades away, leaving only the quiet promise of a new beginning in its wake.

You're both in this together, navigating the uncertainties of your situation as a team.

_____________________________________________________________

That was part 1 folks, lemme know how you liked it!

Make sure you check out the a03 account by the same name. Everything I have posted here is there in chronological order. I also have other hot One piece characters posted in the masterlist! Give them a read if you please!

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Seen you soon my loves!!~ <<33

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nenoname · 1 month

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Gravity Falls DVD Commentary Highlights

(just a huge, and I mean huge, dump of random quotes that stuck out to me, which I sorta separated into characters+their relationships and it's probably gonna be obvious that Stan is my fave lmao

I dunno how to make this legible for anyone but whatever, just take all these rando character tidbits. Stan Twin pranks! Sonployee essays! The concept for a post-Weirdmageddon episode that Alex insists is just too miserable but I want it anyway! The Pines family making me cry!)

Stan

"We love the idea of Stan [in Boss Mabel] having a minute to uh, having a context where we want to see him be his worst self and seeing his big brash personality in like a setting that everyone can understand, because the Mystery Shack is a little bit ungrounded because he's in his world of his characters, but seeing him out in the outside world is funny weird."

We really enjoyed the fact that he's as awful as ever and he's rewarded for it. We like those anti-morals where Stan uses his terribleness to succeed incredibly well.

I think it was a little hard for people to understand in the writer's room at the beginning of the series was that, even though Stan is following a lot of these tropes of being a miser, he's not grumpy. Like he actually loves being himself. He really revels in it like even though he's got some kind of sorrow inside, his kind of day-to-day like he's more about just the uncle who loves to hear himself and make dumb jokes than he is somebody who's mean or cruel or cynical per se.

The [NWHS] storyboards managed to make Stan this awesome action hero while still keeping him Stan. Like I like the fact that he steals a wallet in the middle of it. He steals a wallet, he smashes somebody against the wall, he sasses him but he also has this just great Inception moment. And it's because we're building to a big question about “who is Stan?”, I felt a moment of seeing him be kind of awesome further increases your “who is this guy?” He keeps going back and forth between like “oh geez my back” and you're like “all right that's the Stan I know” and then like “whoa, he just did an awesome jailbreak! Is he some kind of super villain? Who is he really?

There's more of Ford in Stan than I think Stan realizes that I think only comes out in certain moments.”

Why did Stan keep a clipping of himself titled “grifter at large”? I think he thought he looked cool in that picture. “You know I kind of have a Clint Eastwood look in this grifter at large photo. I think maybe I'll use this as an About the Author one day. I gotta hold on to this one. You know what, I'm a criminal but I'm a nostalgic criminal! Loving the past is my greatest crime now!”

I know how Stan feels in this [Principal talking to his family] scene, when somebody comes in and says like “You know what? There was a race you didn't know you were running and you're already behind, way behind.”

And you know even though Stan is a guy who looks like he's having a fun time, I always, in my gut, thought of him as somebody who is a huge well of sadness, a loss of human connection. And that need to please, that trying to get laughs from the crowd and constantly telling dumb jokes and you know putting on a big show in the Mystery Shack, he's trying to get from them the affection that he never got from his family and lost with his brother.

Stan has been waiting for years to have a reunion with his brother. He's always felt like a screw-up. Stan once again had an idea of how he thought things were going to go. He thought that his brother was saying “I need your help” for the first time. He's going to go up there, they're gonna have some drinks, they're gonna catch up and instead he ended up shoving his brother into another dimension and running out of food and money. It's sort of his worst nightmare. But this was Stan's entire character, from the very beginning of the series, was built around this idea that he's living with this tragedy. He's a guy who outwardly seems like he doesn't appreciate family but in fact wants it more than anything in the world and feels like maybe he's not worthy of it and would do anything to prove that he is.

Seeing Stan figure out what he's good at felt important to me. Like he's never been good at anything in his life and he makes a stupid hokey joke and it suddenly turns into a profit. I felt like without [showing how the Mystery Shack was created], I was missing something and understanding why he would do this, how this would be the solution to his problem.

We would like the idea that Stan appears to win through dumb luck, that it's sort of Intelligence versus Guts but Stan wouldn't actually bet everyone's life on a dice roll. He's a cheater! At the end of the day, I believe Stan has been thrown out of Vegas for counting cards and for weighing dies and I believe he could con his way out of any game, particularly for an obnoxious wizard like this. The idea that Stan would gamble everyone on pure chance is like no. No, he's got a plan. This is the guy who escaped prison using gravity leaps, he's got a way out.

The one big thing [The Stanchurian Candidate] does is really highlights Stan's inferiority complex compared to his brother. Part of what he's doing is he's trying to be an important man here and this episode is actually a pretty good setup in many ways for Weirdmageddon Part 3. When we see Ford they're all going on this rescue mission to rescue Ford and this episode shows you just how much Stan wants to be the hero like the reason that he can't shake Ford's hand when they're in that circle. The cold open of this where he sees everyone loves Ford and now that Ford's back, he's the best. Stan's like “well, how about I run for mayor!” It's just to boost his ego and make him feel better about himself.

Dipper and Mabel

“Straight man protagonists are really hard to write because every other character had a comedic hook. We understand that Soos is kind of this weirdo, his brain is in another place. Mabel has this exuberance and sees the best in every situation and is very creative. Stan is a crooked conman. Dipper is… the normal guy and a character like that can often feel like they don’t have agency, start to feel just reactive.

Waddles is Mabel's only love that lasts the summer. Mabel is very prone to love at first sight and Waddles is able to love back with Mabel's degree of love.

[In Sock Opera] Mabel's in love with Gabe, Dipper's in love with the Author and they're both willing to do something crazy to get get closer to that thing

There kept being layers of adjustment to make it, “okay what would it take to get Dipper to make a deal with Bill?” 1: He would have to not understand the rules of the deal. He's been tricked, he thinks he's just giving a puppet, he didn't know was himself. Classic genie rules, you get what you wish for in a way you didn't expect. 2: There's a little ticking clock that just started, which if he doesn't do it by now, he's gonna lose all this. 3: Bill rightfully points out that Mabel has been kind of not sacrificing for him and he maybe needs another ally right now 4: He was sleep deprived and actually you'll notice that Dipper blinks right before Bill arrives and that's our way of suggesting that that countdown might not have even existed

I think Dipper and Mabel are of equal exact intelligence but Dipper's insecure. He sees his accomplishments as a way to make himself better and thus is motivated to focus on things that are accomplishment type things. And Mabel is very confident and likes having fun and when she's having a good time, she has a little tunnel vision for the people and the things around her. That's one of her biggest flaws. She's actually really, really sweet when she notices and understands your pain but not when she's doing a bit, when she's doing a scene, when she's doing a gag.

Ford

Originally [the fake Author] looked a little bit more like an oddball wacky inventor and I felt he had to be pretty idiosyncratic. There's certain color things about him you'll notice. He's more or less got the color scheme of the Journal, you know maroons and golds, so that you kind of feel instinctively like maybe that's him. A lot of these motifs though we would end up using in Ford's design, as well the gloves and the coat and all that but much cooler later on but preparing you, it's Ford Lite.

Now this is there's no logical reason that Ford would break [the warnings about the portal] up into all these books this way but up until this point he's been shown as this sort of all-knowing mysterious Puzzle Master that it felt appropriate, even though it's not logical.

It works for the storytelling so when Ford wrote that, that's when he was super sleep deprived. He realized that Bill had betrayed him, he was starting to have a hard time differentiating between fantasy and reality, he was losing sleep and scribbling all sorts of lunatic serial killer looking stuff about the end of the world.

In Time Traveler’s Pig, we see what should be a young Stanford Pines even though again, the design's a little off but we knew big sideburns, bushy hair. Although that Stanford looked a little bit more swole than this guy and that's one of the what we thought were very subtle clues in season one that helped a lot of fans figure figure everything out way too soon.

[Using the memory gun on the agents scene] needs to show that Ford's really awesome and so we could get rid of the agents and show that Ford can pretty much handle anything that Stan can't and also call back to our memory ray all in one.

There was a lot of fan speculation when we first met Ford. Generally when television shows introduce a new mysterious character late in the game, they turn out to be a villain like 9 out of 10 times. They turn out to be a villain or they're there to get killed off to show the stakes of something and like we could have made Ford evil but I always felt that that would be less interesting. The point that I was trying to get to is that Stan and Ford had this relationship that fell apart and it was both of their faults and I thought that if I'm Stan, I'd be more frustrated if Ford is actually a good guy. It would drive me insane if he's pretty reasonable, pretty rational, better at me than everything.

So we've flirted with this brief moment where it seems like he's a villain and we worked really hard to make it so that like his eyes are being covered by the reflection of the light. His dialogue is ambiguous enough here that for a moment you believe what Dipper believes, which is “maybe he's possessed by Bill.” You just saw him shaking Bill's hand, what is he supposed to believe?

I like that Ford has this photo with him, he had for a really really long time all the way through multiple dimensions. And he's probably told himself- I almost imagined if McGucket found that photo in his coat while they were working on the portal or something, like “What's this here?” and Ford would say “oh yes, that's a photo of a very important moment! That's when I… that's when I first decided I want to be an inventor!” There would be no reference to the real reason he's keeping it. “This is me and my brother.” It would be like, “oh yes I was thinking about science as a horizon, a frontier to reach towards– you know like a boat, like a ship, like science! It's about science!”

Soos

You choose family. That you create over the course of your life and if that somebody earns being your family, like the Mystery Shack. These kids and Stan, they’re Soos' family and he's happy about that.

I feel like Soos gained something out of [Blendin’s Game]. He gains the knowledge that like “I'm tired of thinking about this man who I'm missing, who doesn't care about me. I'm going to concentrate on the people in front of me, the people that are my true family.”

Soos is a fan of the show even though he's in it. He's a big fan of Gravity Falls and [NWHS] killed him.

I always knew what I wanted Soos’ end to be Soos running the Mystery Shack. I imagine that Soos is actually way better at giving tours than Stan is because he loves all that stuff truly and he believes it. That's part of the difference. Stan’s like “um, all right suckers, this stagnant puddle is the befuddle puddle!” while Soos is like “yeah, one time I looked in there, I think i saw like a cyclops dude. Like, I really think I saw one! Like it might have been a reflection combining my pupils, but like?” and people are like “Whoa, really??”

McGucket

They hired a bunch of people and then they erased their memory. That’s my explanation for why there's like such amazing inventions that would take whole teams of people. McGucket secretly hired a number of contractors and erased their minds. Like I think of McGucket as being like a really sweet nice guy completely in over his head who just like “oh well, once I've erased one guy's mind, I gotta erase ten more guys’ minds to cover it up” and it just sort of builds into like “I guess I'm kind of this kingpin of crime and I'm starting a cult I didn't mean to. Whoopsy daisy!”

When we get to Ford and see their backstory and see their relationship, it just makes all the stuff that happens with the portal and what happens with Ford and all that more poignant that he had someone there who was not only his friend but also a voice of reason and telling him to stop and that he wouldn't listen to him, as opposed to Ford being down there on his own with nobody to bounce off, anybody to say “hey wait a minute, is this a good idea?”

“McGucket was the assistant and he was maybe this assistant who was sort of put upon and Ford kind of brought a college buddy together with him. You know Ford as somebody who lost Stan, and even though he rejected his brother, he kind of needs that other person and he tried to find that in this kind of sweet prodigy and he just pushed him too far.

[The test scene] is meant to show sort of what it was that McGucket needed to erase, what it was that drove him to madness. It was partially seeing the Nightmare Verse and the way it messed with his head and also partly just realizing that this thing has apocalyptic consequences and he doesn't want to be a part of it. And if he can't destroy it or talk Ford out of something, he can forget about it.

Because If Ford's weakness is pride, McGucket's weakness is weakness. He's got a kind heart and he can't stop people, he can't destroy things. I mean he should have basically knocked Ford out with a wrench and take this thing apart piece by piece. He's the one who understood how to build it but I think he's kind of a follower and I think he's the kind of person who could get suckered in by a cult leader. He’s the kind of person looking for instruction and he really respects Stanford and can't bring himself to uh, he's like “I just got out of a bunker! I don't want to go work for another guy down in another bunker! This is my third doomsday cult this year!”

Stan and the kids

Stan and Mabel have such a different life perspective it seemed natural that at some point they would get to a major conflict

Seeing Grunkle Stan and Dipper bond like, I sort of believe that both of them are bad with women and both of them would rather believe there's a giant conspiracy than that they have they just can't get ladies

Can this idea about Mabel's relationship with Waddles actually reveal a rift between Mabel and Stan where Mabel and Stan actually get along pretty well in the series you know? When they they're both such strong stubborn personalities that when they conflict, they conflict hard like in Boss Mabel. But this idea that Waddles is sort of a metaphor for what Mabel loves and Stan loves Mabel but he doesn't really think that anything she thinks is necessarily smart or right. He loves her like “guys she's my sweet niece but she doesn't know anything you know? She doesn't know anything about a pig” She forgives a lot with Stan but like Waddles sort of represents like the purity of her deepest love and the idea that Stan would threaten that is genuinely a shock

In the previous season it ends with Dipper giving up his journal and there was a lot of argument about “oh is it lame if he just gets his journal back?” Another thing we struggled with, we knew that Stan knows the importance of this journal he wouldn't give the journal back to Dipper so it was a bit of a convolution we'd written ourselves into a corner. We wrote ourselves out, we said “okay he's photocopied it. he's giving it to Dipper because he knows that Dipper's really precocious and he'll never stop asking.”

“We knew that we wanted everything to come to a head when the kids are going to discover Stan's secret and they're going to discover it in such a way that they only get little bits and pieces and they have to decide for themselves based on the limited information. Is Stan's a good guy or if he's a bad guy? Ultimately that decision will be a decision of heart versus mind. And Dipper's mind, Mabel is heart and they're fighting with the scraps of information they have. Should we trust our heart about how we feel about this guy over the course of the summer and everything we've been through or should we trust the clues? That seemed like a believable way to get Dipper and Mabel to begin a rift between them that is resolved by the end of the series.”

The way Stan acts in [NWHS] is like, to me part of what feels so grounded about it is like I'm a child of divorce and like I know that when parents or parent figures know that hard times are coming for the kids. They kind of lay it on thick they're like who wants ice cream you know what I mean? Like Stan being extra nice to them at the beginning is like it's kind of a realistic thing that that adults do when they know like big changes are coming.

I felt it was really important that we added the scene where they're at maximum bonding. They're up on the roof, they're shooting firecrackers. Stan knows in his heart that when his brother arrives everything is going to change in ways he can't predict and he's really savoring this moment because he knows, even if things goes completely smoothly, which they don't. the kids are still going to be mad at him, especially Dipper for basically lying. They had this big meeting after the end of Scaryoke where of course Dipper also crossed his finger but Stan crosses his fingers and says “oh I'm telling you everything” and he knows that the kids are not going to be happy about the fact that he's been keeping this all from them because they've done amazing things together already and he should have trusted them before now.

This act break is them saying, “wait, Stan might be a random grifter who maybe killed our real uncle!” That's pretty heavy for any show let alone a cartoon show.

What that would mean for them if all this stuff is true is so much further than just like, “oh he lied to us about a couple things.” It's just like, “no he's straight up just some random dude that we don't even know uh and the guy that I've been pining for this whole time is dead!” We really try to stack the deck so it's like Mabel's perspective and Dipper's perspective are both kind of racing to see who gets in front and there'll be a moment where it's like yeah you kind of buy with Mabel she feels good about about Stan and then this scene is the most you’re ever with Dipper where we discover this huge crazy curveball and this feeling that you have looking at this newspaper and looking through these fake IDs this is how Dipper feels all the time. If you want a window about what it's like to be Dipper, this moment where a giant conspiracy reveals itself out of little pieces and seems to suggest that no one is trustworthy like that's that's where Dipper lives and this to him confirms every bit of suspicion and every bit of paranoia he's ever had and he's willing to run with it.

I love these characters so much that, for me I was like “I need to see Stan saying goodbye to the kids at that bus. And I don't want him to be some guy who isn't Stan, who doesn't even remember the kids.” That would be really dramatic. It might make you cry more but to me it doesn't actually mean anything. Their relationship which they've built, he was willing to sacrifice his memories to save them. That's how much they meant to him but because he was willing to do that, I think he deserves to get him back.

Stan and Ford

But I think Stan's hope is, that in Stan's mind this is going to play out one way which is that; he's going to free his brother, his brother's gonna come out of that portal after 30 years. Stan's probably imagining that Ford is weak, emaciated, wrapped in a blanket, that he'll stumble forward, through a beard. through blurry eyes, he'll be “my brother, is that you?” He'll embrace Stan, he'll hug him, he'll say, “all these years I thought I was goner but you saved me! I was wrong to mock you, I was wrong to call you the stupid twin! Dad was wrong about you! You're the greatest man and let's be friends again and who are these niece and nephew?” Like that was what Stan was kind of hoping. He knows it's there's a million things that could go wrong, including potentially the destruction of this dimension, but he so desperately needs to believe that he can make up for the problems of the past. He's hoping for this but he knows that things are going to change

When I started the series, I always knew Stan had a twin but all I knew about Ford from the jump was that he's everything Stan Isn't. So Stan is a guy with a huge chip on his shoulder, he's kind of a loser at life. There's somebody who is a winner at life or at least was a winner in all these ways that Stan wasn't.

We realized that in order to bring out the maximum amount of frustration in Stan, [Ford] needed to have a bit of a heart. Like here we see him being kind to the kids, he's not he's not all bad which is what's so infuriating to Stan. The idea that he would quickly get along with the kids when he can't get any respect from them. Ford is designed for what would bring out the most amount of conflict in the family. What would be Dipper's hero, what would be Stan's rival and who's somebody that we could empathize with. I mean, it’s hard to empathize with a character that comes out and punches one of your characters in the face, basically before he almost says anything.

You see that at this age, that all the stuff [in their room] that would cross over, that would appeal to both of them. It's not just like “there's science stuff here” and then there's “what Stan would be into.” but no, they both like all this.

There was also a version [of ToTS] where early on, they'd rigged the school water fountain. They did sort of like a caper, it was science and a scam together when they were in elementary school but we decided to save the science for the science fair stuff.

We played around with the idea that you would see them working together doing little science games or pulling little pranks. There was actually a scene that some of it was even storyboarded where they're in a treehouse together and Crampelter and his friends have tracked them down and are begging for their lunch money and Stan and Ford have used their jerkiness and geniusness to rig up like a water balloon throwing machine that knocks Crampelter in the head. I remember him saying, “oh no, my old-timey paper crown!” We were really hanging a lampshade on all these sort of Little Rascal cliches.

Ford's not a villain. You know he's getting in Stan's face and saying “I want my life back” but hopefully by the end of the episode even though you don't root for his perspective, you understand his perspective where it's like Stan ruined his science project, Stan shoved him into the portal, Stan took over his house. He’s not completely unreasonable to want it back and he's not completely unreasonable about his request. He says “okay you've got till the end of the summer” and Stan's little look there tells you everything you need to know about how he feels about the situation.

We needed pressure to be at the point where Stan and Ford recognize their lifelong rivalry and Ford does a sincere apology to Stan and almost more importantly, he acknowledges Stan's intelligence. He says “you wouldn't have fallen for Bill's nonsense.” He recognizes that his brother has a kind of intelligence he doesn't.

I always imagined that as kids, Stan and Ford were like this dynamic duo. They were getting into scrapes and like planning pranks and with Stan's creativity and Ford's genius that they were an unstoppable awesome team, before life turned them against each other. I imagine that as kids they were always swapping glasses and tricking their parents so that they could get double presents. And this is a move they did back in New Jersey constantly. We had to figure out who's gonna make a sacrifice and how and even though it's Stan who agrees to be “I'll be the one erase my mind, it's fine, it's worth it”, it's a sacrifice for both. Ford at this point is willing to get his brother back and he has to lose him again.

Stan and Ford, when they can finally work together, do bring out the best in each other. They just have been missing it for so long.

Post-mind return, Stan and Ford get along and that scene where they both threaten the bus driver gives a hint of what would happen if their powers were combined. We've never seen them working together as adults, they would be a really formidable duo.

Pines Family

[The Blind Eye has] such a great scene between Mabel and Wendy. We don't have a lot of scenes that are just them hanging out and she can kind of be like the cool older sister. Mabel's so obsessed with boys and Wendy's just like "yeah, whatever. They're a dime a dozen."

“in the storyboard, the postcard that Soos is holding up from New Orleans actually said Vegas and at the last minute we got really worried that people were gonna see that and think that that was a clue that Stan was Soos's deadbeat father. And because like our audience, we've trained them to look for clues and to connect dots, they start connecting dots that are not connected. And I called a late retake because, and I see people be like, “wouldn't that be cool if Stan was actually Soos's father” and I hate that headcanon. Whoever's listening and you think “that's a great idea!”-- that's a terrible idea!! Because it means that Stan ran out on his kid and then came back in his life. And weirdly pretends to not be his dad. It flies against the moral of this entire episode which is like, you know this guy who is Soos’ blood relative like cast him out and didn't come back and didn't make time for him and all these people did. These people are Soos’ real family and to say “Stan would be Soos' real father more if he was genetically–”, I'm like “no, no forget that!” Like relationships are about what you do. To me friendship is thicker than water and family is something you can create so I really didn't want anyone to think that we were suggesting that because to me, it actually wasn't just the wrong idea, it was like thematically against what the show's about.” "

"[In NWHS] Every character faces their worst possible choice, which is “Mabel must choose between Dipper and Stan” and “Soos must choose between Stan and the kids,” like “guard that thing with your life. I'm not going to explain to you why.” I believe that Soos would do anything to guard Mr Pines's secrets and these are the only two characters that could possibly make him doubt Stan, these two kids that he loves so much."

"For [DD&MD], you want to set it up as being like [Ford]'s like the coolest toy that's down in the basement that Dipper really wants to play with and he is not allowed to play with him."

"The first three quarters of the series are sort of about Dipper's crush on Wendy and this final quarter is sort of about his crush on the Author. He's such a fan of this guy and he's so used to being denied that which he's a fan of and he's never found anybody who cares about his nerdy stuff. Mabel doesn't care, Stan doesn't care, Soos cares but on a different level. He's so hungry for the approval of somebody like Ford This idea that they would bond over a nerdy board game felt like sort of the way to do this big idea in a sort of grounded way that I like better than like Ford presented Dipper with the Five Trials of the Genius Boy. “I passed these when I was your age! Can you do it too?” and it's like nope he just likes the same dork game that he does."

"The arrival of Ford is creating the two sets of twins starting to pair off between the Brainiacs and the Maniacs"

"Actually I enjoyed that [Ford putting the die in a cheap plastic case] got a little bit of a reckless side because it shows you the Stan part of him. The Stan part of Ford, the little bit that likes a little bit of danger, he likes a little bit of risk. If he would show that side, it would be in when he feels at ease, with a kindred spirit. Around Dipper he’d be like “isn't this pretty cool?” He'd never be that irresponsible around Stan. I like that Dipper is sort of a little bit of a Achilles heel for Ford as well. Ford has certain blind spots and Dipper exacerbates some of those just because he's willing to encourage, he's willing to “yes and” Ford towards whatever dumb idea he might have."

"Dipper, Mabel, Stan and Ford, they're all characters who need each other. Without Dipper, Mabel's just in a fantasy land. Without Mabel, Dipper is just sort of just spiraling into misery, spiraling into his own neurosis and not being pulled into those social situations, not growing as a person."

"You want [Stan] to be true to our various awful grandfathers, so I feel like for the most part you know that [being shitty to women] a plausible thing for Stan to do, that you only forgive because you know he's not a role model. Nobody wants to be like Stan. The kids never look up to him. The only person who looks up to Stan is Soos and Soos is enough of a comedy character that you understand the joke is “oh this guy thinks the worst way to live is good.” And then at one point you realize why. We made it clear why Soos looks up to Stan is because he gave him his job. He gave him a father basically, he’s essentially Soos’ father. And of course Stan who's had a life of just chaos and disappointment, the only person who would be a surrogate son is [Soos] but also Soos has the biggest heart in the world. So only the biggest heart in the world could forgive all of Stan's many flaws and also if Soos can love Stan, then maybe there's something in there worth loving, then maybe we can too."

"Stan, even when he's sweet, he still has to threaten to murder his niece and nephew."

"I do think the value of [Stanchurian Candidate] is that we're learning just how important it is that [Stan]’s seen. At this point, the kids have become a surrogate family. At the beginning of the show, they were just kind of a little nuisance and then he kind of tried out getting the family from them that he never got from his brother and the idea that he would lose them to his brother is his greatest nightmare and the only way he can really express that is by trying to be impressive to them and trying to be his brother's rival."

"Ford offers Dipper this apprenticeship because Ford sees Dipper as somebody who's special like himself. That Ford's great flaw is arrogance. He believes that there's special people and everyone else and that you can be held back by your siblings. That human attachments are actually weaknesses. The song and dance that he's giving Dipper right now is the exact song of dance that he gave McGucket back when they were younger which is like “sure you could continue working on your job and computers but you and me are different. We're better than everyone else, we have a path that no one else can understand. Only us can do this.” And it’s a very seductive idea for Dipper but he starts to be a little insecure here. He’s kind of “I can't believe it” and he's sort of right to be suspicious because Dipper is a smart kid but Ford's projecting. Ford loves Dipper because he sees someone who tell him yes to everything. He'll never challenge him and if Dipper had taken Ford's apprenticeship,Dipper probably would have gone the way of McGucket, turned into a kind of insane paranoid hermit with no friends, just kind of losing his mind. Like it's a seductive offer but also ultimately Dipper needs to learn not to try to grow up too fast."

"This entire time Dipper's been having this journey of self-discovery and seeing his future as this wonderful thing that he can't wait for. Mabel has been, piece by piece, seeing her idea of the summer fall apart."

"As Ford and Dipper's relationship grow stronger, Stan and Mabel also find much more sort of connection. They both feel like the sibling that's getting kind of sidelined."

"I think [amnesiac!Stan] would be hardest on Soos, second hardest on Ford but Soos would show it. Probably third hardest on Mabel, fourth hardest on Dipper just because where their hearts are. Dipper's not heartless, that's a testament to just how heartbroken those other characters are."

Series goal+ The Finale

"So our idea was; the memory gun can erase a concept as designated by the dial. It stores it. It records you and it keeps that recording and that if you watch that recording things start to come back a little bit, that it hasn't actually completely erased it from your mind. It's more sublimated somewhere where it's really really hard to reach and in the series finale, my concept of Bill is that; if he hadn't gotten in all those forms and fought Stan, Stan is the one that destroyed Bill. Were it just the mind eraser itself that he would be sublimated somewhere but he was weakened in the mindscape and destroyed in the mindscape. But Stan's memories were being sublimated and by looking at the scrapbook in the same way that McGucket's memories come back, they start to come back to the surface."

"I think part of what makes [NWHS] work also is that it has the strongest ticking clock. Yeah, I mean. it has a literal ticking clock. Also the sun is going down it's also, the town is starting to drift apart as the characters are starting to drift apart. There's just such a sense of Doomsday and even though we have like a three-part apocalypse, to me nothing feels as apocalyptic as this episode now."

"The entire purpose of [ToTS] is that Stan and his brother have had this huge rivalry that remains to this day and threatens to tear apart Dipper and Mabel and briefly does, and then Dipper and Mabel are able to find their way together, which is meant to repair Stan and his brother's past."

"Here we're teeing up the rest of the conclusion of the series which is just “whoa this is different. The status quo is shifted and is it going to shift us?” and that was the mission of this entire story was shift. Shift things such that it pits Dipper and Mabel against each other so that they can ultimately make things right and fix their uncles’ trauma in the process."

"“Let's try to set things into motion such that all of these characters who we love, who love each other are placed at maximum odds”. So Ford's entire existence in the series is basically a wrench in the relationships between Stan, Dipper and Mabel, that Stan has had a sibling who he didn't get along with and they've grown up having this horrible rift. Dipper and Mabel are these two twins who love each other but are very very different and are at this sort of volatile growing up moment where if something goes wrong could they turn out like Stan and Ford."

"[The convincing Gideon] scene works for me because it sort of represents the full completion of Dipper's Wendy Arc. Even though he's talking about Gideon and Mabel, he's really talking about himself. That idea that you can't force someone to love you but you can strive to be someone worthy of loving. It really does come down to like be the best you, you can be and the right person will see and feel that."

"It was gonna be W1, W2, W3 and then some kind of goodbye story. I remember it being something vaguely about some sort of other time travel. Bringing Blendin back because he just kind of vamoosed in the middle of this big story. There was that discussed like time traveling back to the first day when the kids arrived. The challenge was thinking of a valuable arc. So like each episode needs to have like a new problem and a new resolution and I was trying to brainstorm what's something that could feel valuable for like a final episode after the apocalypse, after Stan's mind has been erased and he's in the process of getting it back. "

"The thing I remember I wrote one out it was it's the last day of summer. Dipper and Mabel are packing uh they're planning to go home, they're feeling like nostalgic, they kind of don't want to leave. Blendin shows up and he explains that there's all these time bubbles left over, these weird anomalies because of all the time business and what Bill has done and just to watch out and be careful. Then Dipper and Mabel actually accidentally trip into one of these bubbles that are sent back to the very first episode or actually beyond the first episode, their first day in Gravity Falls um and somehow this was meant their character arc was to go from being like a little sad that they're going to leave Gravity Falls to seeing what it was like on the first day. When they were scared to be in Gravity Falls. The idea is like their first day they're like “oh Grunkle Stan, he's this weird old man and we hate living in this house and like we missed our place of comfort back home! And this is a kind of scary new adventure that we don't like.” The kids see their own growth and realize like “the way we felt about going to Gravity Falls like we don't think we can handle it, is how we feel about leaving.” That feeling of going into a new experience means that something new and exciting is going to happen you're going to grow. There was some thought that maybe over the course of that episode, Stan would get his memory back and something that the kids had done in the past would help him in the present, get his memory back.

"What's supposed to be happening here isn't that Stan's entire memory reappears in an instant. It's supposed to be a couple days of work and we see the beginning of that process when he looks at the scrapbook and then we're kind of jumping ahead a few days. maybe a week of just intensive memory therapy with Stan before he gets there."

"When we were trying to crack the half hour episode after Weirdmageddon, it felt like we were just kind of wallowing and Stan not having his memories. It was a very depressing thing. And we didn’t get to have Stan for the last episode, which was like “it's a great it's great i think you get the emotion like in this episode. It tears you apart when you see it. You could last a little bit longer on it. But going much longer, then you just feels like well what are we doing? Why are we just kind of wallowing in our own sorrows for no good reason.”

"When we had discussed the idea of an episode beyond this episode, a fourth episode, it was basically 20 minutes of [amnesiac!Stan]. This is so intense, you might think you want it but good lord, this is enough."

"Bill singing “We’ll meet again” was something that just felt like the perfect reference because this is kind of an ending about endings in a lot of ways and we know we know Bill's going to be defeated. We know that people like Vill and have grown attached to him and for him to sing “We’ll meet again” is sort of the perfect mysterious way to say like “I might be going, I might not be going.” It’s a reference to Dr Strangelove, a movie that famously ends with nuclear apocalypse and the song “We’ll meet again” so it's for those pop culture savvy. It's already tinged with a kind of a fear and an irony and the apocalypse built in, so it's perfect on a number of levels."

"The concept of the Zodiac as existing in our current canon is this idea that the prophecy was that friends and enemies would need to come together, seemingly impossible alliances would need to be made to stand up to Bill for this prophetic moment. You know that characters like Gideon who was who used to be an enemy, characters like Pacifica, like Robbie, that we've reached the point where thanks to the kids’ kindness and growth, they are now friends with Pacifica, they've resolved Robbie's jerkiness, they've helped McGucket with his memory. They've even overcome this issue with Gideon in W1 and so it seems like friends and enemies have all been restored, leaving only one thing which is Stan and Ford have to shake hands. And their pride once again is what dooms the entire world but they get so close."

"It's clear Stan, even though he's being stubborn here and holds things up, he's ready to do it. He clasps Ford's hand and then Ford can't help but correct his ignorant brother with something that doesn't matter at all after professing how important all this is and how important it is to put pettiness aside, he's the one who ends up being petty in the end."

"I like that Stan [during the deal] is just thinking “all right, think white, think white, think white.” He's like “think about nothing but sitting on your lazy boy.” "

"Stan and Bill had never interacted in the series up until this moment because he had just been taken over when he was asleep. We'd seen a lot of Ford and Bill, but Stan and Bill has never happened. And Bill sort of represents all the mystery and weirdness, and Stan is the guy who just wants to have a good life and protect his family. He's the one who never invited Bill in but he's willing to take Bill out."

"If Mabel's going home with a pig, Dipper's going home with this symbol of his friendship with Wendy. And even Stan he's wearing that Mabel sweater. That's a visual symbol of; he's softened up, he's embraced family, he doesn't need to be the tough guy all the time."

#gravity falls #stanley pines #stan pines #stanford pines #ford pines #mabel pines #dipper pines #soos ramirez #fiddleford mcgucket #i haven't even gone through all the eps for this lmao i decided this was way too much #anyway gravity falls is a story of found family and moving on from abuse and hurt #it's about growing up but keeping that childish wonder with you #and also how romance is overrated lol #like seriously so much of the family is chasing after crushes and that form of love #but in the end all they need is each other and learning to love themselves #stan hating himself while actually loving being who he is hurts me real bad tho...

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