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#half bad quotes
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Half Bad: The Bastard Son & The Devil Himself season 1: Quote
“Sometimes you will dream of names and not remember why they were important. Write them down, Gabriel. If only to remind yourself that something was taken from you.” (episode 8)
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cherries-and-knives · 9 months
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Matthias: *has one Unholy™️ thought about nina*
Matthias to himself: TAKE A WALK YOU ABSOLUTE WHORE. AND WHILE YOUR AT IT YOU MIGHT AS WELL JUMP IN A RIVER YOU SLUT.
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chappelroans · 8 months
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missing someone bad for you
trista mateer / trista mateer / sue zhao / u.k / u.k / clementine von radics / trista mateer
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blorbologist · 3 months
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Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.
I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.
... Bell's Hells still primarily rely on quest givers.
Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.
NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!
The problem is that Bell's Hells have never really not had a quest giver.
Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?
They're level 13.
At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.
At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.
While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.
Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?
The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.
Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.
Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.
It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.
This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.
They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.
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here-comes-the-moose · 3 months
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Crosshair: Ever since Echo joined our squad, my brothers have accused me of being too…intense about the reg. They’re over-exaggerating; I like and respect him a normal amount.
Hunter: The other day you threatened to blow up the ship if we didn’t cheer and clap hard enough for Echo.
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yanderespamton78 · 6 months
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AJDJSOAJW I MADE MY SPAMTON PLUSH THE DEFRAG OUTFIT
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AAAAAAAAAAAAAAAAA
I'm so normal. About. This comicc
Yes
Defragmentation by @zarla-s go read it if you haven't rjkwsjdkdhkash
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cametotheshowinsd · 1 year
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THE ROARING TWENTIES (1929) | Written + Directed by Taylor Swift *ALL-TALKING PICTURE* Flapper Clara falls in love. With a Princeton sophomore. Every night they spend together feels like a dream. All the social occasions, the scent of wine she tasted on his lips, dance floor reflecting broken mirrorball lights, tossing pennies in the pool, sneaking in campus, night walks around the Nassau Hall, joking about school dorms, long dinner that seems never end and sophisticated conversations. His innocence and passion. Her wide-eyed gazes. Breathes that felt too close in the dark. Finally, one day, the kid went down on his knees and pulled that damned rock out of his pocket. Will Clara say "yes"?
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aaandbackstabbed · 2 months
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Goldie: now remember what I taught you?
Della: the quickest way to a man’s heart is between the fourth and fifth ribs!
Scrooge, visibly distressed: you are never allowed to be alone with them again
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starlightandtea · 1 year
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Omega, carrying Lula, and standing next to Wrecker: Just know, you've disappointed all three of us.
Crosshair, feeling that in his heart: That's cold, kid.
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Gabriel: We're fucked. Pick a god and pray.
Nathan: I'm an atheist.
Gabriel: Pick a fucking science then, Nathan !! There's no time for semantics !! We're gonna die !!
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sachaabadeer11 · 4 months
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You’re special to me. You're the only one who I wouldn't mind losing sleep for, the only one who I can never get tired of talking to, and the only one who crosses my mind constantly throughout the day. You're the only one who can make me smile without trying, bringing down my mood without the intention to and affect my emotions with every action of yours. I can't explain with just words how much you mean to me, but you're the one I'm afraid of losing and the one I want to keep in my life and share everything with forever and ever. My love for you just grows and grows everyday. I love you to eternity.
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averlym · 1 year
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"one day, i cut him an apple. when he saw it, he laughed" (click for better resolution!) ,,, tag from @elliotly
#ambrose wellington bassford#vincent aurelius lin#adamandi#whkjfhgdg i feel a tad audacious directly tagging a creator. but the tags left under the last bea post... i have a lot of thoughts#here is the brainrot very specific to the musical and the cut fruit thing uM here you go <posts. disappears.>#the quotes are all taken directly from the yt captions!! there are so many parallels here let me just. vaguely analyse everything#labelled like a sci diagram of sorts because vincent (and i have a soft spot for science/visual art kids like me)#also dark academia so fig. 1 and footnotes and the slight yellowing paper texture#i guess i'll tackle the symbols then the quotes? for the poses i looked btwn the two vincent monologues/interactions w ambrose!#<i've tried to draw the actors as best as i could. but i suppose the characters being recognisable is enough??? hhh>#this is of course about the apple cutting so the apple unravels in the bg: the smooth skin of the apple on ambrose's half in painted blende#and the rougher charcoal peeled apple on vincent's side. because different art styles and textures favoured parallel the apple so bad#footnote 2: artistic sensibilities differ referring to the art styles and also preferences. but also visually the apple skin tears - broken#footnote 1: more about texture; ambrose and ceramics and perfection.. waxy apple skin without any imperfections#apollo bust is also there! can i also say the lyric''contrapposto confidence'' made me laugh a bit too hard. art student inside joke i gues#footnote 3: about the biological drawings from dissections. but also the flesh of the apple and dissections. and how i hc? vincent would#similarly dissect his relationship with ambrose to process.. i mean he does keep writing stuff about people..#fig.1: direct reference to scene // it's looking like a speech bubble but if you see it as diagrammatic then it also points to the markings#on his face. the organic imperfections is what i am saying#fig. 2: technically also about the apple (all the main black boxes are apple quotes) but also linked to the chisel ambrose is holding..#like.. don't enjoy flesh and skin? turn into?? marble?? :OOO. sdafgfjhkl // fig. 3: technically also the apple. but also vincent @ skask#also visual parallels: ambrose holding chisel!! vincent holding scalpel!! classics and bio... alright i will stop here ksdjf#it is also worth to bring up perhaps that in asian households such as mine there's the whole cutting fruit as intimacy and love#(oh and in true me fashion to make a bad pun.. fruity behaviour...possibly...)#like it's such an obvious symbol i know someone who is directly referencing it for their school artwork yknow? so like as a sneaky represen#that part really got me. went a little bonkers (screamed silently in the train when i first saw it.) even before any Implications set in#then the whole asking their mother and she telling him ''it's cleaner'' then ''why would i feed you something bitter?'' my parents at me fr#hjadsfgshj ok enough enough thank you for reading to the bottom and partaking in my nonsense. mortifying ordeal of being known.
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alien-slushie · 4 months
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Rosalyn: This is bad! This is really bad!
Alberu: What?
Rosalyn: I kissed Witira!
Alberu: Woah...I owe Cale /so much/ money.
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incorrectfatui · 5 months
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Pulcinella: Don’t say a word.  Sandrone: Fergalicious.  Pulcinella: Sandrone, I said no words.  Sandrone: Oh, I see how it works. Two weeks ago, we’re playing Scrabble, it’s not a word, now suddenly it is a word because it’s convenient for you.
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junkissed · 3 months
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little spoiler for my upcoming jun fic bc it's been a while since i've posted smth new and i feel bad leaving yall hanging for so long (ᴗ_ ᴗ。) this is a version of the banner i decided not to use for the final fic but i think it's way too cute not to share !
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fic coming soon (😭) but check out my wips list for progress updates
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Happy anniversary, ITQ!
In honour of this blog's 4-year anniversary (by Acacia, I need to touch grass), let's honour some iconic CORRECT Toriko Quotes!
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