#have the story talk about what the hell is happening here

[daydreamerwoah]

Love Through It All Pt. 10

tw: mentions of cheating, mentions of divorce; hurt; angst; anger; rollercoaster of emotion; sadness; arguing; crying; a worried Ghost; brief mention of self-hurt; brief mentions of Ghost's past

Read Part 1 for my author notes for the beginning of this story if this is your first time here.

I want to say here that I won't be going too deep into Ghost's past when he was captured by Roba.

Walking into the apartment, you were fuming. So upset to the point that you wanted to take the wine bottle that was still on the kitchen counter and chuck it across the room to pieces. You were embarrassed, confused, and mad. You all but snatched off your heels and tossed them by the side of the front door and stormed your way to the bedroom to try and get out of the dress you had on.

Simon cautiously followed behind you after making sure the door was closed and locked. His eyes watching your every move with a mix of sadness and lingering rage; not at you, but at the image of what set him off only 20 minutes ago.

He had gone to two places - with Johnny still trying to talk him out of it - before finally walking into the club you were at. His dark eyes scanned the entire room before they landed on your figure amid the crown. The damn dress that hardly covered you caught his eyes immediately. Johnny even swallowed an uncomfortable lump in his throat at your outfit. While you looked beautiful... it was weird for him to see you swinging your hips to the music. Your dress showed much more skin than the last one he saw you in.

His eyes shot to Simon, who continued to stare at you. He hadn't moved an inch as he only watched and somewhat admired. He was getting both slightly turned on and about to burst with anxiety. When the fuck did you buy that dress? How were you able to move in it without showing your underwear and a nip slip? He had so many thoughts racing through his mind, but that all came to a screeching halt when a guy placed his hands on your hips.

His eyes widened, and before he took a step, Johnny's arm stretched out over his chest to stop him, "Don't do it mate. If y'go over there now she'll never forgive ya."

The damn Scot was right. But did it ease his lieutenant's mind? Of course not... Especially when he saw the fucking man snake his arm around your waist, pulling you closer to his body, and put his lips on your ear. That's when he saw red... nothing but dark, sizzling, fiery red. His feet reacted on instinct, pushing him through the crowd with clenched fist.

"Ah fuckin' hell!" Johnny yelled out as he tried pushing his way through after Simon. He knew what was going to happen before it even did. And fuck did he try to stop it before they got thrown out of the club.

But now that you and him were back at home, the wrath had simmered... just a bit. He was still mad.... but more with himself. He wanted to cut off the man's hands, but looking at you made all thoughts about that vanish.

"Sweetheart-"

"No!" you yelled as you turned on your heels to face him, "Don't fucking sweetheart me Simon! What the fuck was that back there?"

He pulled his balaclava off, tossing it on the bed before glancing back at you, "Please-"

"Stop! No more fucking talking!" It was your turn to see red, "How could you do that?! You went looking for me?! I told you I was coming home!" He tried to speak but you didn't even let him open his mouth, "And you punched someone! Because what?... he danced with me?! Because he had his arm around me-"

"I saw him kiss your neck, Y/n!" Simon shouted. In all the years you had been married, he rarely raised his voice, especially at you... but he also had never cheated until he did. "I saw the way he looked at you!"

"So what?! You think I wanted him back! You think I was going to leave with him! That I was going to cheat like you did to me!" Simon's hard eyes softened, "You stepped out on our marriage! Six times! SIX! Not one, but six! And you didn't even have the balls to tell me. You didn't even tell me how you felt before then! Instead, you fucked some girl! All because you like having rough sex! I'm not some fucking fragile toy that will break! I'm not weak! And you won't even divorce me!"

He stepped closer to you, but you took a step back, "Love-"

"No! I'm not done! I'm so fucking mad right now I could punch something!" You started pacing, "You say I'm yours but you go and act like this?!"

"You are. Sweetheart I swear-" He tried to reach out for you.

You smacked his hand away, "Don't touch me!"

"Hit me love. Y'can punch me. Slap me. Do whatever y'need-"

"STOP!" You screamed. You screamed so loud that Simon's eyes widened so big from your tone. You thought someone would come knocking on the door from how loud it was, possibly thinking you were being hurt. When you thought about it, you were being hurt.... just not physically.

The tension in the air only grew. The anger that was racing through your body was going to force its way out, and that terrified you. You weren't a violent person. You didn't want to see what would happen if you hit Simon... you knew he wouldn't do anything back, but the thought of being like your ex made you want to vomit.

A shift in Simon's eyes only confirmed that what you did wasn't like you. It wasn't the woman he married. But he hated himself to know it was all because of him that you had changed. And he couldn't stop it.

It was as if a dam burst as tears began to fall down your cheeks. The mascara and eyeliner causing black streaks on the skin. You didn't even care if he saw you in pain or not. You wanted to scream and to lash out at him, but your throat had become so dry from shouting already you had no energy left in you.

You lowered your head, softly shaking it, "I need space, Simon. I need to be away from you... You need to be away from me." you said.

"Wait, please don't-"

"Please, Simon... please just give me space and time to think about everything," you sniffed, "I'm begging you.... please."

He stood there, eyes shifting between yours as he listened to you. As he heard your plea. He had been so worried about losing you that he only made things worse. And there was nothing that he could do to fix it other than give you what you wanted. Give you the space you needed.

He slowly nodded as tears formed in his own eyes, and a sob left your mouth as you clamped a hand around your lips to stop the sound from escaping. "Alright," he said, voice barely above a whisper, "I'll give you anything y'want. Promise. Just-" He stopped himself from finishing his sentence, "Alright."

It was the last thing he said before he grabbed his balaclava off the bed and left the house. As soon as the door shut, you couldn't help but sink down to your knees and let out one of the hardest, silent cries you ever had. It was so hard to do anything but cry, and that you did. You cried as you took your dress off. You cried as you sat on the floor in the shower, letting the water fall all over you. You cried as you gazed at yourself in the mirror, feeling like you wanted to punch the glass.

************************************************************************

Simon opened his office door before quickly shutting and locking it once he stepped inside. It was cold and dark, like it always was. But this time, it felt colder... damper. The windowless room offered no light source until he flicked on the small lamp on this desk. It barely lit up anything, but it was enough for him to find his way to the couch located off to the side of the room.

He slumped down with a low and painful groan leaving his mouth. It wasn't the smartest idea for him to even be fighting when he was still bruised and battered from the mission he left not even 24 hours ago. Actually, it was a stupid idea, and he knew that. The adrenaline no longer pumping through him, he felt how the knuckle on his right hand had split a little. When he glanced down at it, he felt a rush of sadness fall to his stomach as he looked at the dried up blood.

"Fuck," he said.

He wished someone could punch him in the face. The amount of force that he struck with his first on the guy at the club, he wished it was his face that he hit. He felt like he could take one of his knives and stab himself in the chest. He didn't deserve anything after what he did to you.... You had given him more than he truly deserved by staying with him at the beginning of all of this. All he did in return was made you cry damn near every day.

Maybe he did deserve to let you go; to let you leave him. He thought about if he should just be alone for the rest of his life. Retire and move somewhere remote, so he couldn't have any human interaction. So he wouldn't ever hurt you again by seeing him, by thinking about what he did to you. Or if he was lucky, he'd get himself killed on the next mission he was sent off to. It'd be quick and painless, he hoped. You could even be free from him.

He laid down on the couch, looking up at the ceiling as his huge frame barely fit comfortably on it. But he didn't deserve comfort. He didn't deserve to live, he thought. Maybe one day, he could finally be with his mom, his brother.... his nephew. If they were alive, he was sure his Tommy would have punched him square in the face. He could see the look on his face so vividly. The pain in his heart was worse than the hook that pierced through his rib so many years ago. He thought he deserved another hook.... and he'd let it happen if that meant making you happy once again.

A little shorter part, but wanted to gear up for the next piece of them having space. This was sort of hard to write for me as I know what it feels like when you feel like you ruined something and you think about if you could bring yourself pain, it would ensure the other person would be happy. Won't lie I teared up a little lmao!! This part was originally supposed to be something else, but I changed it because I have more plans for Jax's position in this story so I hope you all like it lol!As always...... comment, like, give feedback :)

Taglist: @kalypsoox @fruitymoonbeams-blogz @kylies-love-letter @xrosegoldwolfx @linaaaaa654 @jessicab1991 @darkravenqueen98 @yazyazali @thychuvaluswife @chloeforde @cownini @ssc7514

[justcallme-ange]

an anon asked me a similar question and i wanted to see your answer! if two of your dreams from any au switched places, how would they react? how would things go for them? - loyal

Oooh that's a good question! @simplepotatofarmer Well, if we're going with my two more developed AUs - CHF!Dream and AH!Dream would have one heck of a time adjusting. Quick premise, in the RivalsChildhoodfriendsAU the DSMP is a roleplay group that performs and livestreams similar to like Critical Role. All the characters are friends, and none of the damage is real.

AccidentalHuman AU is set in the world of the DSMP, timeline adjusted to where Dream was in the prison for a time, but Techno was in on the plan from the beginning and had the plans to bust him out. So no major damage to Dream's psyche happens here - he still has some issues but they're not as bad. He joins the Syndicate after being broken out and joins them on their missions.

------

So CHF!Dream would be hella confused when he drops into the world and the people who he's friends with, and was just talking to hours before not only don't respond to his questions but are actively try to kill him. Thankfully he's not too far from Techno's cabin, which the coordinates are the same in both worlds, and he's super happy to see some friendly familiar faces. That is until he see's Techno... XD I'd think after some explaining, they determine what happened and the poor members on the Syndicate add another weird phenomenon to their growing roster of things to fix. It's a bit of an adjustment, him hearing that this world plays out like his RP but it's real - kind of sends him into a depression for a bit. (He's also super sad to learn that the Exdee of this world is cold and manipulative). AH!Techno would be kind of weird/awkward around CHF!Dream for a bit - mostly because CHF!Dream acts super familiar with him. I think most of the group would be a little weirded out by CHF!Dream tbh, because he's like super normal? Like their Dream is not unfriendly, but he's a little cagey about certain things, and a little more battle-hardened. But this Dream? He's like an open book. I mean CHF!Dream is no slouch, he's still a champion fighter, but he doesn't flinch at certain names, or get upset when Tommy is mentioned. Actually he's super fond of Tommy and Wilbur, which weirds the hell out of AH!Techno for a bit. He's just... lighter. He has a good time in this world all considered, and kind of lifts everyone's spirits just being a little sunshine boy. On the flip side, AH!Dream would be a nightmare for everyone for a bit. He wakes up swinging, and it takes Exdee the better part of the day trying to calm him down. Only for him to go right back to fighting when CHF!Techno shows up. The Syndicate is called in and after AH!Dream sees some more familiar faces he kind of calms down. It's very clear for the people around him that this is not their Dream, and after a lengthy process they manage to get enough info on the situation to start to formulate a plan. (The fact he's lived their RP story and actually went through the things they pretended... kind of horrifies the group). First thing though, they send out a message to the rest of the DSMP that Dream would not be attending some scheduled RP streams due to... "extenuating" circumstances. (Tommy is def not allowed to visit for a while). So in the meantime, AH!Dream ends up staying with the Syndicate, for the other's safety mostly. This time it's his turn to be weirded out, because everyone is so friendly. Phil is super parental to him, and Niki and Ranboo are relaxed and don't seem haunted? Not to mention Exdee being around, and like... fretting over him? At some point he overhears Techno talking to Sapnap and George explaining that something's happened and they'd have to postpone some lore stuff, and wonders how in the world they're in contact. To say he is skeptical about the whole situation would be an understatement. The group makes it a point to actually get AH!Dream some therapy because some gut reactions he has to situations kind of scare them a bit. It takes him a while to believe that he's not actually in danger, that this is not an elaborate trap, and that the people around him are actually his friends. At some point he actually starts to envy CHF!Dream because his life is not as complicated as his.

How they switched and how they get home idk, they do return to their respective lives at some point, but yeah, they're not to dissimilar from each other so I don't think it would be catastrophic, its kind of like if an actor and the character they play were to switch places? (It would be totally different if it was c!Dream dropped in either world...)

[kasaraku]

What the hell is happening here.

I'm seeing people mad and being overly weird with Tsukasa's popularity. I mean, sure, he's a boy and he's also cool, but to having to find out the fandom is misogynistic (I am too late for that), is downright making me want to just never know about this fandom at all.

What's wrong with people in PRSK rn??? I'm seeing Tsukasa as the least favourite in the fandom and always get into problematic things when they're someone who's a Tsukasa fan. I mean. Come on guys. Let peeps like us have fun. You leave our boy.

I mean, sure, I can see that people like Tsukasa because he's a boy, but the number of people I've seen that also likes to make Tsukasa a woman and wear feminine outfits are a LOT. Clearly, it doesn't make us falter about liking him if he were to be a different gender (maybe there's some, but I'm talking about those I've seen on the internet). Some say he wouldn't be forgiven if that's how he acts in the main story as a female, yet there's still a lot of people out there who still didn't forgive him as a male. They can get away calling their faves (boys mostly) ugly, annoying, 'hate', and other stuff, but girls not?? I've been calling my girls Mafuyu, Minori, and Shiho dying hamsters and dependant bitches, so seeing how people won't accept that kinda upset me.

Please, and I mean it, PLEASE, stop being a misogynist and actually try to learn about that character and why people like them. Don't just think about gender for ONCE.

(If there's a mistake, correct me.)

[pikahlua]

Parallels: Katsuki Bakugou (chapter 362) vs All For One (chapter 423)

[ofcowardiceandkings]

the sinus headaches are already not great but Extra Shit has been added to the pile and im just sat on that right now trying to figure out what the fuck to do

[j-esbian]

see the problem with all of the puzzles in bg3 is like. sometimes the player (me) is stupid. and at least in a real dnd game you might get the dm to take pity on you

[sparring-spirals]

Thoughts on the ending of the last episode?

Hmmm.

From an as-is, the scene exclusively by itself, exciting! Kind of hilarious, in the way that only Bell's Hells can be. And of course, we all love Kiki. (I have a tendency to use "we" when I just mean I, but this time I am absolutely bringing you all in with me. WE love Keyleth. 😌) Also the cast is having a fucking blast, and you can tell.

From a broader perspective, I had my reservations before about bringing Keyleth (or any VM member) directly in for rez- a lot of them fueled by personal preference and opinions about storytelling and narrative and like. Just my personal opinions on shared universes and callbacks. Those opinions still stand. This did not mean before, and still doesn't, that the story being told now is bad or worse in some form! It just might look a little different now. Bringing Keyleth and VM folks in, explicitly and as NPC characters, to directly handle or play a part in the resurrection of a main PC in this campaign, absolutely alters elements of the narrative that is potentially being pulled together, and so I'm like. Mentally calibrating for that.

Keyleth and other Vox Machina folks are going to be NPC's now, I think. Which is good, IMO, in part so that the other cast members can focus on playing their current characters and because. They are NPC's now, in all the ways that the story reflect and in prestige and because. Their campaign ended.

It also means that now, no matter which way we squeeze the lemon, Vox Machina as characters are now irreversibly intertwined with Bell's Hells. Whether the resurrection succeeds or fails, the connection is there, the problems and goals and hopes of the characters have a tie to each other (not to mention precedence, for how future problems might be addressed or solved, although that is obviously dependent on how Matt and co decide to handle it).

And the thing is, Vox Machina are NPC's now, but they were PC's before, and so that changes things. We know they are fully fleshed out characters with backstories and motivations and we want to honor that. Even if a person hasn't actually watched C1, there's still a bit of that drive there, to look at all these little actions and words and pin them up against a bright and brilliant and fleshed out backstory, to dive into reasons why and hopes and motivations. Because they're there, and we know about them, and we're inclined to care about them, root for them, wonder about them in a way we probably wouldn't, if they were just NPC's. Even beloved ones.

In a shared universe kind of situation, this is a plus. This is the benefit, that you love many things and you could get the joy of watching them intersect and grow. Grow together, even! Or at least interact, and then you get to speculate about these characters and things you love all over again.

I, very personally, don't prefer shared universes for this particular reason. I'm not the biggest fan of- idk how to phrase it. MCU style crossovers, I suppose? Which can often lean on things like referential weight, or end up with stories where there is hefty amount of "main cast" characters you're intended to root for and know about to really enjoy it.

I love stories that stand completely on their own, where you can drop in with no real context and watch these characters grow and interact and mess up and love each other and unstand and get the weight of all of it. I am an absolute sucker for those kinds of stories. Similarly to how so much of the M9's entire... shebang was independent of the previous campaign and characters, if impacted by ripples here and there.

I was hoping for the Bell's Hells, that they would get a chance to grow and tell a story fully and completely their own, with the space that independence provides to focus on each of them, as they are, without needing to actively share stage with the previous campaign characters. Tying in previous campaign members to key moments right in front of us (and not in backstory) makes that more difficult, and I'd argue even somewhat-frequent cameos leave us in a space where we are often thinking about prior stories and external characters. The Bells motivations are tangled and weighed, in a sense, against the motivations and thoughts and hopes of these other characters and past stories, and IMO, it leaves just a little less space for us to explore the Bells, as they are, in current space.

Its arguably not guaranteed that, cameos and touch points continue, but- like I said. Getting to bring folks back in, or refer to them is one of the benefits of a shared universe. The cast- and a lot of us! Love these characters. Why not, if we have them here and invested, now, right?

so. You know. I'm just kind of recalibrating a bit, just in case. I'm still enjoying the interactions, at face value, and crossovers are cool, and again, I love Keyleth. beloved. Thinking about how this impacts Vex and Percy and Keyleth or how Pike and Grog or Scanlan might get roped in is fun.

But I'm also takin some energy to adjust some personal expectations about where this brings us in the future, esp for the Bells especially. just in case.

[malcriada]

Help save Bilal's family!

i want to talk about my friend Bilal @bilal-salah0. for over a year now, Bilal has been living in germany, trying to adjust to his new living situation in a foreign country, learning a new language and working full time. 

when the war started, he was far away from home and his family and has been living in daily fear for their lives ever since. 

being forced to work long hours and promoting his family’s fundraiser at the same time, he has taken on more responsibility than anyone ever should. still, he managed to raise money for their evacuation fund and helped take care of his family’s daily needs with the money he was making while working. 

in a cruel twist of fate, all of this got taken away in an instant. he lost his job and his apartment and even his residence permit. which means he is at danger of deportation from germany that could happen as soon as next week!

i have been in daily contact with Bilal for a while now and connected him with some of my friends in germany. together, we are trying our utmost to make sure he can stay in the country. anyone who knows german bureaucracy knows what kind of hell it is. but we won't give up.

without his job, he was forced to dip into the money of his family’s evacuation fund to cover their daily expenses like food and shelter. this meant he had to raise his goal from €70,000 to €100,000. this was not an easy decision for him to make, he even asked for my advice on whether or not to do it, because he did not want anyone to think he was scamming people. 

even in such a desperate situation, Bilal does not want to be seen as someone who would ever take advantage of people's generosity

his family is comprised of 18 members, 10 of them are adults and 8 are children under 16 years old, some of them newborns who were born amidst the chaos of war and displacement.

currently, he is sitting at:

€71,817 / €100,000

donations have been slowing down ever since he reached his original goal. i cannot stress how important it is that they pick back up!

WE ARE RUNNING OUT OF TIME! HE NEEDS TO REACH HIS GOAL BY AUGUST 15TH!

THAT MEANS HE HAS TO RAISE NEARLY 30K IN THE NEXT TEN DAYS. THIS CANT WAIT.

his campaign has been verified and can be found on @/el-shab-hussein’s and @/nabulsi’s list of vetted fundraisers here (#132, line 136) so PLEASE don't hesitate to share and donate.

With such a tight deadline, i cant do this on my own. So i implore you to PLEASE share this wherever you can– on your whatsapp groups, on your discord servers, please share his story on other platforms wherever you have reach! Please share his story wherever you can, so that we can ease this burden from his shoulders.

[ID: a gfm link with a picture of two small children sitting in the sand in front of a cooking pot. they are looking up a the camera, eyes half-closed. the title reads "Donate to Help Evacuate My Family from Gaza to Safety, organized by Bilal salah" End ID]

tagging for reach under the cut, please let me know if you'd like to be removed:

@meaganfoster @briarhips @dirhwangdaseul @mahoushojoe

@schoolhater @pcktknife @sawasawako

@feluka @terroristiraqis @irhabiya @commissions4aid-international @wellwaterhysteria

@deepspaceboytoy @post-brahminism @khanger @kibumkim @neechees

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@toiletpotato @fromjannah @vague-humanoid @criptochecca

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@ot3 @amygdalae @ankle-beez @communistchilchuck @dykesbat

@watermotif @stuckinapril @mavigator @lacecap @yugiohz

@socalgal @chilewithcarnage @ghelgheli @sayruq @northgazaupdates2

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@fridgebride @27-moons @tamarrud @familyabolisher @fleshdyk3

@decolonize-solidarity @palipunk @gothhabiba

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[maikaartwork]

Artists, let’s talk about Instagram commission scammers

There’s been a huge rise in commission scammers recently, mostly on Instagram. A lot of new artists don’t know what to look out for, so I figured this might help people.

How they begin

Usually the scammer will write to you asking about a commission. Something deceptively cute - mostly I encounter asks about pet portraits, with one or two photos sent. They’ll probably try to sell you a sweet little story, like “It’s for my son’s birthday”. They will insist that they love your artwork and style, even though they don’t follow you or never liked a single piece of your art.

What to look out for:

Their profiles will either be private, empty, or filled with very generic stuff, dating at most a few years back.

Their language will be very simple, rushed or downright bad. They might use weird emojis that nobody ever uses. They will probably send impatient “??” when you don’t answer immediately. They’re in a crunch - lots of people to scam, you know. 

They’ll give you absolutely no guidelines. No hints on style, contents aside from (usually) the pet and often a name written on the artwork, no theme. Anything you draw will be perfect. Full artistic freedom. In reality they don’t really care for this part.

They’ll offer you a ridiculous amount of money. Usually 100 or 300 USD (EDIT: I know it might not be a lot for some work. What I mean here - way higher than your asking price, 100 and 300 are standard rates they give). They’ll often put in a phrase like “I am willing to compensate you financially” and “I want the best you can draw”, peppered with vague praise. It will most likely sound way too good to be true. That’s because it is.

Where the scam actually happens

If you agree, they will ask you for a payment method. They’ll try to get to this part as soon as possible. 

Usually, they’ll insist on PayPal. And not just any PayPal. They’ll always insist on sending you a transfer immediately. None of that PayPal Invoice stuff (although some do have methods for that, too). They’ll really, REALLY want to get your PayPal email address and name for the transfer - that’s what they’re after. If you insist on any other method, they’ll just circle back to the transfer “for easiest method”. If you do provide them with the info, most likely you’ll soon get a scam email. It most likely be a message with a link that will ultimately lead to bleeding you dry. Never, and I mean NEVER click on any emails or links you get from them. It’s like with any other scam emails you can ever get.

A few things can happen here:

They overpay you and ask for the difference to be wired back. Usually it will go to a different account and you’ll never see that money again. 

They’ll overpay you “for shipping costs” and ask you to forward the difference to their shipping company. Just like before, you’ll never see that money again.

The actual owner of the account (yes, they most likely use stolen accounts to wire from) will realize there’s been something sketchy going on and request a refund via official channels. Your account will be charged with fees and/or you get in trouble for fraudulent transactions. 

You will transfer the money from your PayPal credit to your bank account and they will make a shitstorm when they want their money back, making your life a living hell. They will call you a scammer, a thief, make wild claims, wearing you down and forcing you into wiring money “back” - aka to their final destination account. 

Never, EVER wire money to anyone. This is not how it’s supposed to go. Use PayPal Invoice for secure exchanges where the client needs to provide you with their email, not the other way around.

You can find more info on that method HERE.

What to do when you encounter a scammer:

Ask the right questions: inquire about the style, which artwork of yours they like, as much details as you can. They won’t supply you with any good answers.

Don’t let the rush of the exchange, their praise and the promise of insanely good money to get to you. That’s how they operate, that’s how they make you lose vigilance. 

Don’t engage them. As soon as you realize it might be a scam, block them. The sense of urgency they create with their rushed exchange, and pressure they put on you will sooner or later get to you and you might do something that you’ll regret later.

Never wire money to anyone. Never give out your personal data. Never provide your email, name, address or credit card info. 

Don’t be deceived by receiving a payment, if you somehow agree to go along with it. Just because it’s there now doesn’t mean it can’t be withdrawn. 

Here is a very standard example of such an exchange. I realized it’s a scam pretty fast and went along with it, because I wanted good screenshots for you guys, so I tried going very “by the book” with it. 

Please share this post, make it reach as many artists as possible. Let young or inexperienced artists know that this is going on. So many people have no idea that this is a thing. Let’s help each other out. If you think I missed any relevant info, do add it as an rb!

Also, if you know other scam methods that you think should be shared, consider rb-ing this post with them below. Having a master post of scam protection would AWESOME to have in the art community.

[maxivstappen]

౨ৎ WHAT A COINCIDENCE ! ‧₊˚.

౨ৎ part of my short n’ sweet series (not posted yet) ౨ৎ

smau — angst & sweet revenge

pairing — charles leclerc x reader / lando norris x reader ( fc: sabrina carpenter )

summary — charles has a habit of running back to you whenever things don’t work out between him and alex, but how long will you be willing to keep up with his shit?

warnings / disclaimer — none, just some swearing!

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23rd August 2023 - TWITTER

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31st August 2023 - TEXTS and TWITTER

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4th Feburary 2024 - TEXTS

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5th Feburary 2024 - TWITTER and TEXTS

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6th February 2024 - @.yourusername ✓ just posted on INSTA!

liked by landonorris, sadiesink_ and 2,965,201 others

yourusername the only thing that surprised me yesterday was, in fact, the cake ✨ wouldn’t have wanted to spend it any other way — thank you for all your birthday wishes <3

view all 87,082 comments

landonorris ✓ pretty girl

-> ♥️ by @.yourusername ✓

carlossainz55 ✓ @.landonorris omg🥹 you’re growing up lando

user3 @.carlossainz55 NOT HIM SIDING WITH LANDO THIS IS SO MESSY

user1 i cannot handle everything that’s happened yesterday and today

user2 @.user1 what’s going on?

user3 @.user2 charles and his ex got together again right on y/n‘s birthday and she’s very obviously throwing shade in her caption (saying she’s not surprised because alex and charles are always on&off) + lando just called her pretty girl???

user2 @.user3 omg queen, lando should make a move

milliebobbybrown ✓ happy birthday bb

-> ♥️ by @.yourusername ✓

user4 @.milliebobbybrown eleven what are you doing here

user7 ICONIC ICON

user5 oscar and lily were there, carlos, lando, george and max were there, where the hell was charles??? he didn’t even like the post

user6 @.user5 he’s with alex again :(

user5 @.user6 WHAT

user6 @.user5 yes even worse, he left the morning of her bday to fly out to alex

user7 @.user6 nobody confirmed it stop talking shit

user8 @.user7 charles was seen at an airport just that morning + it wouldn’t be out of character for him, he’s always been like this + he wasn’t at her bday party but they were still seen together one day before + half of the grid was there but he wasn’t

user8 the caption is so ironic 😭😭

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23rd August 2024 - @.landonorris ✓ just posted a story on INSTA! (playing: coincidence by y/n l/n)

@.yourusername replied : i love you more lan🥹

@.danielricciardo replied : i thought your obsession would stop now that you’re together but these past months have all proven me very wrong😔

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TWITTER

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@.yourusername ✓ just posted on INSTA!

liked by charles_leclerc, lilymhe and 5,669,069 others

yourusername what a coincidence! I’ve got a few surprises for you! first of all, my new single “coincidence” is out now! second, music video for said song is coming tomorrow ANNNNNNDDDD surprise surprise surprise!!! MY NEW ALBUM “Short n’ Sweet” COMING OUT NOVEMBER 13TH <333

view all 128,696 comments

user1 ALBUM OF THE YEAR ALBUM OF THE YEAR ALBUM OF THE YEAR

user2 i want her so bad

user3 @.user2 same

user4 IS THAT LANDO’S HEAD ON THE FOURTH SLIDE

user5 @.user4 IT IS

user6 @.user4 HE’LL BE IN HER MV I THINK

user7 @.user6 OH MY GOD

user8 i want both her and lando

user9 lmao charles in the likes👀👀

user10 probably wants her back

landonorris ✓ 🤭🤭

-> ♥️ by @.yourusername ✓

user11 @.landonorris @.charles_leclerc omg look charles!😧 it’s not that hard to interact with and post your girlfriend !!!

user12 @.landonorris PLEASE GET MARRIED HAVE KIDS PLEASE

user13 im gonna stream this til my neighbours know the lyrics by heart

oscarpiastri ✓ lando won’t shut up about you

carlossainz55 ✓ @.oscarpiastri he never will

user14 i love how they’re all friends with y/n🥹🥹

user15 oscar and carlos interaction in y/n’s comment section might be my favourite thing ever

user16 please more charles hate songs 👍

mclaren ✓ streaming rn as we speak

user17 THE ALBUM’S COMING OUT ON LANDO’S BIRTHDAY🥹🥹🥹

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general taglist :: @norrisdriver

first smau ever !! probs not the best but i hope you like it anyway :)

[creativepromptsforwriting]

Drabble List #10

75 prompts to write drabbles or longer stories.

"Thank you, I really hate it."

"Can't figure out the right answer."

"Sit down and shut up."

"I'm definitely open to that."

"Why don't you answer your phone?"

"It's not a witchhunt."

"Is it suddenly getting colder?"

"That child is staring at you."

"Let's talk about some options."

"And then you just lost it?"

"Have you heard about this story?"

"It's going to be a great day today."

"Don't say another word."

"This is absolutely not my fault."

"What would happen if I'd kiss you right now?"

"It's always a risk, but think about the reward."

"There is a fine line between stupid and genius."

"I never really left."

"Answer me. Quickly."

"You hold no power here."

"We learn from our mistakes."

"Have you seen that the sun is coming out?"

"This sounds like an interogation."

"Should I call my lawyer?"

"I have always admired you."

"Who's at your house right now?"

"Call the number. Now."

"When are you getting paid?"

"It miraculously stopped working."

"I have absolutely no answers to your questions."

"You took us on a wild ride there."

"What did she look like?"

"That's a scam, ma'am."

"Let's see each other again in ten years."

"I will be waiting for you."

"Please, don't pick me."

"Not my friends, not my problem."

"It's not paranoia if they are really out to get you."

"You are such a hypocrite."

"Nobody asked me, but I will answer."

"How did you get your degree?"

"I'm not going to discuss this with you."

"Great, who cares?"

"You just can't handle the truth."

"I'm curious about your motive."

"Respect is not given freely."

"Your pride will be your downfall."

"Just let it go, okay?"

"Why do you insist on it?"

"Seeing you like this, I fell even more in love with you."

"I don't want to hear another word coming out of your mouth!"

"I just know that everything will go well."

"This is very important for me."

"Wow, the weather is really... doing its thing."

"Don't even try to talk to me."

"I can and I will sue."

"Maybe this was a mistake."

"Do I make you nervous?"

"You never had the best ideas."

"Don't wait for me."

"Who would you call?"

"That's too wild for me."

"You can't even say it with a straight face."

"I told you not to touch that."

"Do I really have to answer that?"

"Takes one to know one.

"Let me make this right."

"When did you become an expert in this?"

"Nothing is as serious as it seems."

"How could this accidently happen?"

"It's not my birthday."

"Sounds like wishful thinking."

"Welcome to my personal hell."

"Do you even know who I am?"

"The devil knows I tried."

Drabble Masterlist

Have fun creating and writing!

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[daincrediblegg]

no you know what I'm going to scream about the stuff I talked about in the tags of this post publicly

I'm tired of the well-meaning "don't feel bad if your work only gets 20 notes your genius is what counts and do it for you!" bullshit. I've had a good handful of friends who have straight up DEACTIVATED in recent months because their work was not getting reblogged AT ALL. No, it wasn't from lack of not being well-liked, no it wasn't from lack of trying to make sure it was getting out there to the people they knew would engage with it. It was because no matter how much they were praised privately for their work, when push came to shove, absolutely NOBODY reblogged it and gave it the audience that it was due, and I'm tired of people shoving the "unsung genius" narrative as an excuse for it. Nothing excuses that. And the boop event really proved that.

because I know given the opportunity, indiscriminately pressing a button (sometimes 10 thousand times, as I did) is not beyond this website's capability. y'all loved doing that. and look at what it wrought. nothing but love and affection and happiness. just from a couple of quick clicks of a little paw button. sure. nobody knew who you booped but the other person (which is how likes used to work on this website, btw). there was an element of anonymity to it. but that is kind of the core of this website that no other social media platform still has: the ability to be anonymous. and hyper-curating a blog on here like you might on twitter or instagram to project an image is simply not viable. and hey. you wanna know a secret: literally nobody cares what you post or whether it goes with the "theme" of your blog or not. yeah. I know. CRAZY concept in this day and age. but literally. I myself have reblogged things that have had nothing to do with whatever I am currently fixated by and you know what happened to my follower count? not a damn thing. in fact, I actively try to reblog things specifically BECAUSE it's my friends who made them (even though I'm not always good at KEEPING UP WITH HOW MUCH THEY POST @prismatica-the-strange will NEVER GO UNRECOGNIZED by me).

And you know what fucking sucks? I have to deal with this too. surprise right? you ever wonder why I reblog fics or art I post like 20 times the day that I post them? do you ever wonder why I ask about tag lists and beg for asks all the time? IT'S BECAUSE EVEN I GET LIKE. 5 LIKES ON THE THINGS I POST. AND THE REST OF THE REBLOGS ARE MINE SO I CAN MAKE SURE THAT PEOPLE WHO WANT TO SEE WHAT I MAKE GET TO SEE IT. and I say that knowing that I'm certainly not an unpopular blog, or an unpopular writer. I know that people love the stories that I create. Hell, half of the people that I've talked to about lady terror have told me that they consider her to be canon (AND EVEN SOME!! THOUGHT SHE WAS!!! WITHOUT EVEN HAVING WATCHED THE SHOW! WHICH IS STILL SO SO WILD TO ME!!!) But especially in the last 4 years (which really dates this phenomenon), my posts, no matter how well received they've been amongst people I've talked to about them directly, I still go into the notes and at least half (often more than half) are MY reblogs to make sure people saw what I posted. and it happens every single time, and I can't tell you how much it crushes me considering that it used to be that I would be able to post it only once, and people would reblog it sometimes even HUNDREDS of times.

It's not about popularity. it never has been. it's not about anxiety. or shifting website cultures. even if you lurk, the simple fact is, that if you want people to keep making what you love. you have to reblog. your theme won't suffer because you reblogged a fanfiction that you really admire. your posting won't be ruined because you reblogged some fanart from someone in a different fandom. really. I promise. and if people do unfollow you for that? who needs em. followers come and go but you should NEVER have to cater to them. on this website it has ALWAYS been the other way around. lean into it. make it yours. put stuff you ACTUALLY WANT to be seen and that you love and appreciate on your blog. no matter how old it is, how new it is, no matter how niche or off-theme it is.

so please. if you really want to show your appreciation for someone's work? you reblog. it's really as easy as that. check the tags. add some when you reblog if you like. but please for the love of god reblog. it's as easy as booping and even more rewarding for the people who you reblog from. if you want to let someone know that their work is genius and appreciate it? show it. reblog. then DM them if you're too nervous to say what you want to say but not in a public forum. but for christ's sake. REBLOG.

[lxvvie]

Simps 'R Us, Between the Sheets edition: Your faves and the wholesome and funny things you two get up to in bed, part I.

Capt. John Price - When he's half asleep and about to snore loud enough to wake the dead (Price vehemently denies this), you like to have random conversations with him because you know questions you ask will do one of two things: elicit a nonsensical answer from the Cap'n or... wake him up from his sleep altogether.

Gaz - Is curling up into himself because you're the big spoon, you're running your hands over his body because he's highkey lowkey ticklish, and your face is buried in his neck because... he's highkey lowkey ticklish. "Darling, please—" Gaz manages to gasp out between... wait, are you giggling, Garrick?

Soap - Your darling golden retriever chaotic good boyfriend loves... to sleep naked. You're not complaining, though, especially because he loves it when you lay on him. You've made a home for yourself between his thighs; his stomach is your pillow, and he usually has a hand rubbing your head. Helps him to relax, y'know, bonnie? And whenever you don't lay on him, it's an affront to Johnny's... everything. His heart is broken. His soul is crushed. You're too far away from him (even though you're still right under him). How could you do this to him? He can't live like this. No other stud muffin can offer you what he can, beautiful. But no really, bonnie, he needs you on top of him like... yesterday.

Ghost - You really like his body. Like... really like his body. You blow raspberries on his stomach, you smack his ass, you talk about his eyelashes—scratch that, you love his body. To you, every scar tells a story, and you've asked him plenty of times to talk about them. And then you did the unthinkable that had Simon wanting to disappear into the fucking blankets—"Si-bear, I didn't know you had a mole on your inner thigh!" Bloody fucking hell, he'll never hear the end of this. And then you kissed it and Ghost's face had never felt so bloody hot before. Christ, you'll be the death of him, sweetheart.

Roach - Nothing but the most sickeningly saccharine stuff to ever stuff happens with Roach. A poke-fest, a kiss-fest, a tickle-fest, you name it, it happens. Roach loves to sleep with his face buried in your chest and arms wound tight around you. Always. You rubbing his head soothes him to sleep as well.

Alex - You're also the big spoon here, too. You're busy talking about conspiracy theories you believe the government is/was involved in and Alex is entertaining you ("That so, Boss?"). In actuality, his eyes are comically wide because the truth is oftentimes stranger than fiction and you may or may not be walking a little heavy there, Boss.

Alejandro - Is the big spoon to your little spoon in bed no matter what you're doing. Loves to intertwine your legs together, too. Alejo murmurs how much he loves you in your ear and kisses the top of your head before telling you good night.

Rudy - Sometimes when he's asleep, you'll whisper "Rodolfo" in his ear which causes Rudy to shoot up, eyes comically wide because the only time someone calls him by his full government name is when he gets into shit but it wasn't him this time, it was that idiot Alvarez— "Didn't get to tell you good night and I love you, Rudy, so... good night and I love you, Rudy." Oh. Oh. Ha. Real funny.

Farah - A cuddle bunny through and through. She loves laying up under you, her head resting on your shoulder or under your chin, or her face in the crook of your neck. She wants to hear you as you sleep. She wants to feel the gentle rise and fall of your chest or the resonances as you speak. Farah simply can't get enough of you.

Keegan - It's really you teasing him because Keegan isn't one to really get flustered or deviate from his infamously neutral expression. Much. Until you came along. You two are relaxing in bed and you're the one randomly calling out, "Hey, Kee-Kee," to which Keegan makes the most surprised and disgusted face in response and you're wheezing.

[jessica-problems]

Seeing @thydungeongal constantly wrestling with people interpreting her posts about D&D in ways that seem completely alien to me has convinced me that there are actually multiple completely distinct activities both being referred to as "playing D&D" Before we begin, I want to stress that I'm not saying one of these groups is Playing The Game Wrong or anything, but there seems to be a lot of confusion and conflict caused by people not being aware of the distinction. In fact, either one works just fine if everyone's on the same page. So far, I think I've identified at least two main groups. And nobody seems to realize the distinction between these groups even exists. The first group of people think of "Playing D&D" as, well, more or less like any other board game. Players read the whole rulebook all the way through, all the players follow the instructions, and the gameplay experience is determined by what the rules tell each player to do. This group thinks of the mechanics as, not exactly the *whole* game, but certainly the fundamental skeleton that everything else is built on top of. People in the second group think of "Playing D&D" as referring to, hanging out with their friends, collaboratively telling a story inspired by some of the elements in the rulebooks, maybe rolling some dice to see what happens when they can't decide. This group thinks of the mechanics of the game as, like... a spice to sprinkle on top of the story to mix things up. (if you belong to this second group, and think I'm explaining it poorly, please let me know, because I'm kind of piecing things together from other people saying things I don't understand and trying to reverse engineer how they seem to be approaching things.) I think this confusion is exacerbated by the fact that Wizards of the Coast markets D&D as if these are the same thing. They emphatically are not. the specific rules laid out of the D&D rulebooks actually direct players to tell a very specific kind of story. You can tell other stories if you ignore those rules (which still counts as "playing D&D" under the second definition, but doesn't under the first)And I think people in both groups are getting mad because they assume that everyone is also using their definition. For example, there's a common argument that I've seen play out many times that goes something like this:

A: "How do I mod D&D to do [insert theme here]?" B: "D&D is really not built for that, you should play [other TTRPG] that's designed for it instead" A: "But I don't want to learn a whole new game system!" B: "It will be easier to just learn a whole new system than mod D&D to do that." A: "whatever, I'll just mod D&D on my own" And I think where this argument comes from is the two groups described above completely talking past each other. No one understands what the other person is trying to say. From A's perspective, as a person in the second group, it sounds like A: "Anyone have some fun inspirations for telling stories about [insert theme here]?" B: "You can't sit around a table with your friends and tell a story about that theme! That's illegal." A: "But we want to tell a story about this theme!" B: "It's literally impossible to do that and you're a dumb idiot baby for even thinking about it." A: "whatever, jerk, I'll figure it out on my own."

--- Whereas, from B's perspective, the conversation sounds like A: "How do I change the rules of poker to be chess, and not be poker?" B: "uhhh, just play chess?" A: "But I already know how to player poker! I want to play poker, but also have it be chess!" B: "what the hell are you talking about? What does that even mean. They're completely different games." A: "I'm going to frankenstein these rules together into some kind of unplayably complex monster and you can't stop me!" ---

So both people end up coming away from the conversation thinking the other person is an idiot. And really, depending on how you concieve of what it means to "play D&D" what is being asked changes considerably. If you're only planning to look through the books for cool story inspiration, maybe borrow a cool little self contained sub-system here or there, then yeah, it's very possible to steal inspiration for your collaborative story from basically anywhere. Maybe some genres are kind of an awkward fit together, but you can make anything work with a little creativity.

If, however, you are thinking of the question in terms of frankensteining two entire board games together, then it becomes a massively difficult or even outright nonsensical idea. For example, for skill checks, the game Shadowrun has players roll a pool of several d6 at once, then count up how many rolled above a target value to see how well a character succeeded at a task. The whole game is full of specific rules about adding or removing dice from the pool, effects happening if you roll doubles, rerolling only some of the dice, and all sorts of other things that simply do not translate to rolling a single d20 for skill checks. On a basic level, the rules of the games work very differently. Trying to make them compatible would be much harder than just learning a new game from scratch. Now, neither of these approaches is exactly *wrong*, I guess, but personally, I find the rules of TTRPGs to be fascinating and worth taking the time to engage with all the weird little nuances and seeing what shakes out. Also, the first group, "TTRPG as fancy board game" is definitely the older and more widespread one. I kind of get the impression that the second group largely got into D&D through actual play podcasts, but I don't have any actual data to back that up. So, if you're in the second group, who thinks of D&D as basically a context for collaborative storytelling first and a game second, please let me know if I'm wildly misunderstanding how you approach D&D. Because I'm pretty sure it would save us a whole lot of stupid misunderstandings.

[lxkeee]

MY LOVE, IS MINE ALL MINE

PART TWO

pairing: Lucifer x fem! reader

fandom: hazbin hotel

genre: fanfiction

notes: lmaoo sorry it took awhileee I'm actually a very busy college student while simultaneously having so much brainrot for this man so... Be patient omfg, I just posted part one a two days ago 😭 also, don't mind the warnings too much as it doesn't specifically for this specific chapter but it can be future parts of the story. So yes, hand holding before marriage will happen between Lucifer and [y/n]

warnings: none except hand holding before marriage lmao.

PART ONE | PART THREE

The princess of hell along with her girlfriend was just settling in the guest room heaven provided for them temporarily as they had an important meeting with them.

Charlie and Vaggie stopped talking as their was a knock on their door, “Who do you think is it?” Charlie asked and Vaggie shrugged and Charlie decided to open the door.

There stood a rather tall female angel with three pairs of wings and a golden halo on her head, the short white dress accompanied by gold compliments the woman's figure beautifully.

Safe to say both Charlie and Vaggie were mesmerized, the woman before them was drop dead gorgeous. Though, Vaggie was still cautious, despite a former angel, she doesn't know who this woman is as some seraphim angels tend to not show themselves to the lower ranking aside from Sera.

“Are you Princess Charlotte? The daughter of Lucifer?” the woman asked with her [e/c] eyes sparkling in excitement, the woman quickly placed her hands over her mouth in embarrassment, “Oh! Sorry for the intrusion, I forgot to introduce myself,” she says with a small smile before giving the two girls a curt bow, “My name is [y/n], a seraphim. It's a pleasure to meet you two.”

Charlie gave her a big grin, giving the woman a curt bow. The princess of hell decided to trust her as she couldn't sense any bad intentions from the older woman and to her, the name [y/n] sounded awfully familiar, she just forgot where she had heard it before. “It is so nice to meet you, I am Charlotte but you can call me Charlie.” Charlie said and [y/n] just grinned as Vaggie decided to just watch the two, still cautious. The older woman's eyes landed on Vaggie and she gave her a grin, “And who might you be?” she asked her and Vaggie just glared at her before avoiding her gaze, “Vaggie.”

[Y/n] just grins, her eyes analyzing the gray haired woman before letting out a small hum before shifting her gaze to the princess. [Y/n]'s heart ached a little to see how much the girl looked exactly like her father. [Y/n] misses him, she wished she did something that could have prevented his fall. Regrets always comes last. She took a deep breath then once more wore a bright smile on her face. Charlie noticed the shift of her mood but decided not to question it.

“So Charlie, I came here as I was curious what your plan for hell is about.” [y/n] says softly, she wasn't there during the meeting Lucifer requested for hell and this time, she promised to be there for his daughter instead. Charlie's eyes sparkled excitedly, excited that an angel aside from that bitch ass Adam would finally listen to her. “Really?!” The princess asked excitedly and [y/n] can only let out a soft chuckle, “Of course, why don't we take a walk while you tell me about it? Your friend can join us too.”

Charlie calmed down and gave the older woman a smile, “Vaggie here is actually my girlfriend.” she says, expecting the older woman to judge her but she was surprised when [Y/n] just ruffled her hair. “My apologies, I didn't know.”

The younger girls were surprised, that an angel didn't show any disgust to their relationship and she even looked like she approved.

“Now then, how about that walk?”

“And that's what I'm planning, I wished for my people to find redemption and join heaven.” Charlie explained softly, taking a bite of her strawberry cheesecake. Both [y/n] and Charlie sat in a rather peaceful cafe in heaven, angelic sigils circling around them as [y/n] casted them for their privacy. [Y/n] can only smile as she listens to the younger girl who rambles about her plans for her people, [y/n] can't help but remember how similar Charlie is to her father, oh heavens... She missed him so much.

Vaggie didn't join them unfortunately, she said that she wanted to rest a little bit in the guest room.

[y/n] gracefully placed down the cup of coffee she was sipping and gently wiping her lips with a napkin, “That is truly admirable Charlie, to see you have so much hope for your people really reminds me of your father. I really hope it will come to life.” the compliment was almost enough for Charlie to burst into tears, to hear someone praise her plans and believe in it, it felt like a mother praising her.

Though, she was able to stop her tears as she realizes something. Reminds me of your father. [Y/n] and her dad knew each other.

Then Charlie remembers, the stories her dad told her about heaven and the stories he told her about his closest angel friend—the only one who believed in him. She remembers thinking that she felt her dad loved that angel in one way or another, with how fondly he spoke of her—with so much adoration.

“I remember now, you were my father's best friend!” Charlie gasped, a hand over her mouth and [y/n] can only chuckle, a hint of sadness in her eyes. “Were? I still think of him as my best friend.” She chuckles softly, “Though, I don't blame him if he doesn't think the same way as I wasn't able to help him back then.” she continues sadly and Charlie had to wave her arms around to stop her, “Nonono, my father doesn't think like that. You're still his best friend.” Charlie reassured the older woman.

“Really now? How is he these days? I haven't heard from him after so many eons.” [y/n] asked softly with a slight chuckle and Charlie can only sigh with a small smile on her face, “Well... He's still how he usually is. Kind, trying his best for me, and lately he had an obsession with making rubber ducks.” she says with a small giggle making the older woman chuckle, “Thay sounds like him, though surprised that he still loved ducks. He used to ramble to me about random duck facts when he was still here. He was such a dork, I truly missed him.” [y/n] says with a chuckle, a longing look in her eyes.

Charlie was able to put two and two together, her father and this woman loved each other and she can only assume they didn't confess in the fear of ruining their friendship. Charlie loves her parents but a part of her is hoping in a different universe, her father and [y/n] are happy together.

Charlie decided not to mention it to the woman and just continued hanging out with the older woman. “I am sure he misses you too.”

“The meeting will start in a few hours and Charlie?” [y/n] says softly before summoning a wax sealed white envelope out of thin air, gold sparkling from where the envelope is as it slowly falls into her hands. Charlie looked at her in curiosity, “Can I ask you a favor?” [y/n] asked her hesitantly and Charlie just nodded, “Of course!”

“Can I ask you a favor of delivering this letter to Lucifer?” She asked and gently extended her hand towards the younger girl in which the girl accepted the letter and placed it in her chest pocket. “Of course! My father would be delighted to hear from you.”

“Thank you, Charlie. I appreciate it dearly.” [y/n] smiled softly as she stood up from her seat, extending her hand to help the hell princess up from her seat. “Now, let me walk you back to your room so you can get ready for your meeting.”

Now the princess of hell wishes the other angels were just as understanding as [y/n]. Even though the meeting didn't go as planned, she felt reassured as both Emily and [y/n] were there in the court room.

“What are we even talkin' about? Some crack-whore who fucked up already? He blew his shot, like the cocks in his mouth. This discussion is senseless and petty.” Lute sneers with an annoyed glare, putting on her mask. Though, Charlie can feel her patience thinning, her eyes glaring at the angels.

The other angels looking down on the scene happening below, [y/n] looking worried for her while glaring at Adam and Lute. “There's no question to be posed, he's unholy, case closed. Did you forget that 'Hell is forever'?” Adam and Lute sang mockingly and [y/n] could feel her anger starting to boil. She always hated Adam, that egoistical prick, she looked up at Sera as if asking her to stop this nonsense.

“A man only lives once, we'll see you in one month. Gotta say, I can't wait to—” Adam sang and [y/n] noticed Sera getting worried, “Adam.” Sera says sternly but it seems the man was too busy to hear her, “Come down and exterminate you!”

At that moment, loud ringing was only what [y/n] heard as she was shocked to hear him say that. Exterminate...? Don't tell me...? [Y/n] asked herself before glaring at Sera, the other angels were also shocked by the reveal.

“Wait!” Emily exclaimed, shocked by the reveal and Adam just noticed his slip up, “Shit.”

“What are you saying? Let me get this straight, you go down there and kill those poor souls?” Emily asked, horrified as she slowly flies down towards Charlie, holding her hand, “You didn't know?” Charlie asked and Emily shook her head. “Whoops!” Adam says, not a care in the world, “Guess the cat's out of the bag.” Lute says with a smirk, “What's the big deal?” Adam asked with a condescending smirk and [y/n] wished she could go down there and punch him.

“Sera, tell me that you didn't know...” both Emily and [y/n] asked simultaneously, though, Sera was just looking at Emily. [Y/n] was pissed at this whole revelation, human souls are killed in heaven by the hands that are supposed to be pure holiness. To think about blood staining those hands, fills her with disgust.

The whole courtroom was a mess, [y/n] doesn't remember what exactly happened. The reveal that Vaggie was an angel didn't surprise her, she can sense the girl's angelic blood but the reveal that Sera was the one who ordered for the extermination to happen, filled her with rage.

“Charlie! Don't lose hope! We will find a way to help you!” Emily says as we watched Vaggie and Charlie be sucked by a portal back to hell, “Don't give up! We'll find a way!” [y/n] added, making sure the two girls heard. Sera glared at her and [y/n] glared back.

That's what Charlie last saw, Emily looking worried and disappointed but what worried her was Sera and [y/n] started arguing, angelic powers starting to spark between them and that was the last thing she saw as she returned back in hell. Thankfully, the letter was safe in her pocket.