#he's a fascinating character that gets a lot of hate

[cool-island-songs]

Analysis of ALNST Character Relationship Metrics

My art book won't be here for a minute, but I ran some screenshots I saw on twt through an image translator and have a lot of thoughts:

TILL: Despite claiming to hate everyone in the world, Till ranks Ivan at 70% intimacy even as he identifies perturbing behaviors of Ivan's going back years and refers to him as "a bother". He also ranks Sua at 10% in spite of having little to say about her and finding it uncomfortable to be around her.

Though he postures at being misanthropic and has all the manners you'd expect of a boy who was half off at the human child pound, he's actually quite gentle and sensitive. This is reflected in one of the graduation messages he's left by a classmate as well:

The person he feels closest to is an unattainable crush, and someone who doesn't feel that close with him in return, likely because he's too shy to really approach her or carry on a conversation.

MIZI: That's Mizi, of course, who's rather childlike and naive initially. She likes everyone, but since Till chokes when he tries to speak to her and often keeps his distance, she wonders if he's avoiding her because he dislikes her.

Mizi gravitates towards people who she sees as "perfect", which is how she describes Ivan and Sua in her graduation message to Ivan:

She doesn't see the darker side of Ivan's personality (which has been described on several occasions, even by himself, as "twisted") because he's attractive, successful, and helpful to her.

Though she likes everyone, Sua is her "God", and the only thing that can keep them apart is the tragedy of their situation, which forces Mizi to grow up in a brutally painful way.

SUA: Sua is far less idealistic and naive than Mizi, and has clearly thought about sacrificing herself to save Mizi, since Ivan picks on her for thinking of doing so in an official comic. Accordingly, her feelings about Mizi are far more tinged by the knowledge that they will one day be torn apart by external circumstances. She laments that reciprocating her feelings will one day cause Mizi great pain.

She's always been more somber, and despite her surface similarities to Ivan (which he notes in a follow-up comic wherein he realizes he was wrong about Sua's feelings for Mizi being unrequited), she's quite different on the inside. Sua's more sensitive and thus her colder exterior serves to protect her, whereas Ivan's outward persona creates an illusion of normalcy that doesn't reflect his reality.

Sua views Ivan and Till as a threat and a nuisance, respectively. Like Till, she senses something strange about Ivan, and when it comes to Till, it's just one person too many around for her. This is fascinating to me, because I thought she might pity Till! Her feelings about Ivan were already pretty clear from this panel of the 'piggyback' comic, and she seems deeply hurt in the first comic linked by his prodding.

IVAN: For his part, Ivan is fascinated by Till even though he's content to sit back and observe, pestering him to get a reaction or his attention for a brief time. He doesn't expect anything in return but wants more than anything to be on Till's mind (hence behaviors like stealing Till's belongings and returning them to him, pretending he had found them).

He prefers Sua to Mizi despite his awareness that Sua doesn't particularly like him, seeing her as a sister and even telling her she's "twisted" like he is. He likes Mizi well enough, especially her sincerity, but seems to find her optimism a bit much at times.

The fact that Mizi and the others would likely consider Ivan and Mizi quite close while Ivan does not reflects how much he postures even in his closest relationships. He struggles to connect with those he's most compelled by and it's not clear if he really wants to.

Some Ivantill thoughts before I go:

There seems to be a common sentiment that it's tragic Till was unable to see how much Ivan loved him, and I think we'll likely get more of Till's perspective on Ivan and their relationship in round 7. But it may not be the case that Ivan even wanted his true feelings to be seen, or would have known what to do if Till had reciprocated them.

There's something almost voyeuristic and self-negating in his feelings for Till (see: "I can’t reach you, so I imagine alone/You who shines, I stand next to you" from 'Black Sorrow'). He has far more self-awareness and willingness to accept things as they are than Till, who doesn't see that Mizi only has eyes for Sua and who would likely struggle to accept that reality.

Ivan, on the other hand, is well aware that his feelings for Till are "shallow", a bright fantasy to get him through his dark reality, and he seems to sincerely believe that his death won't scar Till because he's never really broken through to him. He's a schemer, and comments he makes in his graduation message to Till and the interview he gives in advance of round 6 suggest that he may have been planning to sacrifice himself for some time.

Part of me wonders if he hoped it would leave a mark on Till. Choking, kissing, and violently sacrificing oneself are all aggressive, forward acts, especially from someone who used to toy with people to get his kicks but was otherwise quite passive and unfeeling.

There are a lot of parallels in the one-sided loves, like Till acting out of his usual character for Mizi, and Ivan doing the same because of Till, putting all hopes of being saved in something just out of reach, staying in chains for that one special person. But Ivan's psychology is quite different from Till's, and in fact closest to Luka's re: low or no empathy. Both Ivan and Till are significantly traumatized by their upbringings but Ivan's difficult early life in the slums and his experience being dangled off that rooftop seem to have damaged his ability to connect to others or feel much of anything.

Till is the first person for whom he feels anything while for Till, Mizi is an early crush he puts on a pedestal in a much more commonplace way. I think the shared trauma of competing on that stage makes it much more difficult for either of them to imagine moving on, but Ivan is not wrong in identifying that he won't find that feeling again.

The thing that intrigues me most about this series is the way the contestants' differences play out, particularly with regard to how they view love and how they respond to their individual and shared challenges. I'd love to get into it further another time but this is quite long already so thanks for sticking with it if any have (haha)

[hollowed-theory-hall]

this is probably stupid to ask, but do you like snape? or the marauders? there's always fanwars happening between marauders stans and snape stans. tbh i'm just curious where you stand (i like both, and prefer their canon selves rather than the fanon which is btw really stupid. they feminized sirius so much its not even sirius anymore.) what made you like snape? if you do, or are you neutral with him? just for a change of question since i always ask about harry.

Thanks for the ask! I don't think it's stupid.

I prefer their canon counterparts as well, the Marauders fanon has so little to do with canon I can hardly call the characters by the same name. They just aren't the same characters. Anyway, I'm gonna try and summarise my highly subjective opinions about them here.

1. Sirius Black

He's my second most favorite character and my favorite among the characters you mentioned. I wrote about him a lot on this blog, so I don't really feel the need to write more.

But, he's smart, resilient, and goofy on occasion. His love for Harry is one of my favorite aspects of his character because he loves Harry so much. And he has his flaws. He can be cruel, cold, and arrogant and I wouldn't like him as much if he wasn't visibly a member of The Noble and Most Ancient House of Black regardless of how much he tried to get away from his legacy. I love how messy his feelings about his family are. He left Regulus' room as it was, even though the rest of the house got cleaned by the Order. He stayed in his mother's bedroom even when all the conversations he had with her portrait were in screams. I love his distrust in Dumbledore after everything he's been through and how he chooses to remain for Harry's sake — he's willing to do anything for Harry's sake.

I just truly love Sirius.

2. Severus Snape

He's the next on this list because I do like Snape, he's not a character I'm passionate about, but I like him. I think he shouldn't be a teacher (I think he hates being a teacher more than his students hate him teaching them) but he's a talented potion maker and wizard. And he is a very entertaining character, even without knowing everything about him.

But what really makes me like Snape is that I find him interesting. I think his psychology is interesting, as is his dynamic with Lily, Dumbledore, and Voldemort. Snape is a fascinating character to study from a lot of angles, and even as a reader, there is quite a bit that's up in the air about him because he's that good at being a spy and not giving us anything.

The other major thing I like about him is his competence as a spy and wizard. If there's one thing I love in my fictional characters — it's competence (and intelligence). I often joke with my irl friends that Snape is the only competent Death Eater and the only competent member of the Order of the Phoenix. We then joke that if we were in his shoes, surrounded by a lot of people who don't actually do anything and we're the only ones affecting this war from both sides, we'd probably be bitter too.

A little note that seems overlooked about Snape often in the fandom, in general, is how we think, "Oh, he's so great at Occlumancy and not being emotional" — that's not strictly true. When it comes to Lily or the Marauders all his well-crafted Occlumancy kinda goes out the window. In books 3 and 5 he throws actual temper tantrums about Sirius Black. Like, I feel Snape, deep down is actually super not well adjusted and is an emotionally unstable mess, but he learned to pretend otherwise. Basically, all the cold facade is just that — a facade. He isn't really that stoic.

3. James Potter

I'm weird about James. Like, he's almost a nonentity and what we do hear about him is either negative or comes from biased sources.

I do tend to give him more of the benefit of the doubt than a lot of other fans who prefer canon James do. He was awful when he was younger, he was a bully and he assaulted Snape and there is no excuse for his actions. That being said, I can believe he changed. War changes you and you'd be hard-pressed to find a 21-year-old who isn't ashamed of a lot of what they did or said when they were 15. And yes, some of what James did is definitely more extreme than that of the average person, but it isn't that extreme compared to the environment he grew up in. Remus tells Harry everyone was casting Levicorpous on each other in the halls. I'm not saying any of the bullying is okay, I'm just saying it probably seemed normal to him and this is important context. Same as I don't think Snape is abusive towards students when put in the context of their culture and environment where, until recently, they caned students (Snape actually seems very averse to corporeal punishment. He also likely treats Harry very different than he does literally any other student, but this is the James section).

I just, like the idea of James changing for the better. I'd like to think he did. That life and war and loss taught him something.

4. Peter Pettigrew

Probably an unpopular opinion, but I like Pettigrew more than Lupin. He's awful, he's pathetic, he's a cowardly rat man and I find his sniveling funny. Whenever I try to think of a what-if scenario in my head, Pettigrew is somehow the key to it. Because he's a character that affects so much of the plot in some incredibly crucial moments — he betrayed James and Lily, he resurrected the Dark Lord, and later, he allows Harry's survival. Idk, I just find his situation and just how pathetic he could get fascinating. It's, like, there is no rock bottom for this guy, he keeps digging. Like, you can't get more pathetic than living as a rat for 12 years when you could've moved to Argentina or something.

And at the same time, he clearly has some residual care for Harry for his father's friendship. He has so many opportunities to kill Harry or kidnap him when he runs away to join Voldemort — but he doesn't. Even after Sirius escapes and he knows his time is up, he still leaves Harry alive. When he is supposed to kill him in book 7, he doesn't, he again lets him go and pays with his own life for it. Like, again, idk, it's just how I feel.

5. Remus Lupin

I know I placed Lupin last, and it's because I don't personally like him that much. Pretty sure this is a little controversial, but I don't really like book Lupin, he does not vibe with me, at all. (Though I'd choose book Lupin over Marauders fandom Lupin every time)

Like, it bothers me that he doesn't actually care about Harry (the only one on the list who willingly physically harmed Harry, in a moment of anger, but still). It was Harry who asked to be taught the Patronus, if it was up to Remus, he wouldn't be involved in Harry's life at all. He tried to run on his wife when she got pregnant because he was scared. Like, Petttigrew is given shit for being a cowardly Gryffindor, but, look, you need some guts to betray your friends, so I'd argue Remus is the most cowardly Marauder (it's easy to be brave when you don't care for your own life).

But, all of this is part of his character and the story wouldn't be what it is if Remus bothered to get his head out of his own ass and check up on Harry. How he behaves makes him my personal least favorite Marauder, but I want Lupin to be a cowardly guy who runs away from attachment and responsibility because he doesn't trust himself with anything (especially not anything good). He's not cool, or suave, and he's desperate for people to like him but without actually knowing him because he thinks that if they do they'd run away screaming like he wants to run from himself. Honestly, I don't get why the Mauraders fandom made James the people-pleaser when Remus Lupin is right there always telling people what they want to hear so they'd like him.

Again, these are all my own personal subjective opinions, but yeah.

[bougiebutchbitch]

I'm not in the ofmd fandom but I am intrigued by the drama. spill the tea?

OH GOD OKAY

Where do I begin lksdlgkfds

Okay so

There’s this nasty little gremlin-man in ofmd called Izzy Hands. He’s a sour, mean, skrunkly, disabled little cunt who is a firm believer in Respect and Discipline (in a very queer subby way).

This is to say: he is. Explicitly. Queer. He does drag on the show, and has a whole coming-out scene. He is a kinky masochist. He confesses his love for another man, and basically ruins his own life & everyone else's, because he is sooooo pathetically jealous about this man (his captain!) falling for some milquetoast loser white rich guy, when Izzy, a badass leather-wearing working-class sword-swinging swashbuckler, is right there making puppy-eyes at him.

He's wrong! He's horrid! He's a bastard, pickled in piss and vinegar! He's five-foot-nothing of spite and gay self-loathing! He's very fun to watch, and very, very queer.

People still insist that he’s straight. And racist. Despite there being 0 textural evidence to support this, and the creators of the show repeatedly saying that this is absolutely not what they wrote.

Why do people hate him so much? Simple! Because he ‘got in the way’ of the main ship.

Yup. It’s basically ‘bash the girl who gets in the way of our m/m otp’ only the girl is a grizzled 50-something year old pirate.

The main ship, btw, is between Ed Teach, an awesome complex flawed hopeful beautiful character of colour; and Stede Bonnet, another awesome complex flawed character. Who is a white guy. And who happens to be a rich plantation owner from the 1700s. Based on A LITERAL SLAVE OWNER. Who is explicitly shown to be a Problematic White Guy with fucked-up racist views.

Like. He’s not a perfect guy. The show makes this very, very clear - to the point where Stede pushes Ed into sex super-fast immediately after Ed says he wants to go slow, and this makes Ed run away and freak out.

But somehow, Certain Fans still insist that Izzy is to blame because :checks notes: he makes one cheeky, friendly joke about them finally getting together that is clearly given & received in good spirits.

Yeah.

There's a lot of this cognitive dissonance going on. And it's very, very wilful.

Basically: a certain subset of people who ship Ed and Stede refuse to exercise the slightest bit of critical thought of Stede’s views and actions (which are a representation of the white landed gentry!) but insist on maliciously twisting literally everything Izzy says or does to cast him as The Ultimate Villain. Whereas anyone watching the show can tell that he starts off as an antagonist-with-a-deeply-hidden-heart-of-gold, whose entire arc is about growth and redemption.

I think 99% of this is projection. Stede and Ed are not perfect by any means, but these people are so dead-set on shipping a Cute Fluffy Romance (when that. Really isn’t what the show gave us) that they have to create a villain out of Izzy and blame all of Stede and Ed’s fucked-up choices and actions on him, in the most contrived ways. Which has the added bonus of them deciding that Izzy, a white guy, is somehow responsible for literally ALL of Ed’s genuinely awful, abusive, and interesting choices in S2, where he went on his villain arc. Even though Izzy was the main victim of this villain arc. Rather than, y’know, giving Ed the agency to make his own damn decisions and acknowledging that he is a flawed and fascinating character who Hurts People but still deserves a happy ending, like literally every other main character on ofmd. Nope. Gotta infantalise that man of colour and pretend he has no control over his own life and his morality is goverened by the white men around him!

Then, they get to portray Stede as his white saviourTM who swoops in and saves Ed from ‘his own darkness’ with the power of love. 😊 because that’s not Problematique in the slightest 😊

It’s… fucked up, to put it plainly. But honestly, as much as there is a problem with their dogged insistence that Izzy is the root of all iniquity on the show, and that Ed and Stede are pure perfect angels who never did any wrong... what was worse was the relentless harassment enacted by that side of the fandom against anyone who dared show a liking for Izzy’s character. Like, it’s not the worst fandom out there by any means, but it really did make the fandom feel hostile to anyone who didn’t ship the main ship.

SO - yeah. That's the tea! OFMD was a fun show with lots of cool flawed characters. But the fandom was a cesspit, fuelled mostly by a Certain Group Of Fans' desperation to make their ship Perfect and Morally Pure - which resulted in them throwing an interesting, well-rounded, morally grey queer disabled character under the bus, and harrassing anyone who enjoyed him.

[all-pacas]

i think you're deeply in denial about being a chase/cam shipper or you gotta change your definition of shipping or something. because whatever you're doing here absolutely 100% looks like shipping them. to the untrained eye

in reality i have this very multi long paragraph disclaimer that's too convoluted to even explain but here ya go:

they are my two favorite characters

i like seeing them interact because of this fact

i find their deeply complimentary set of flaws fascinating. i love seeing cameron in a Relationship because she's such a fucking unreliable narrator about herself. i like seeing chase in a relationship because the very concept of "putting someone besides yourself first" is so antithetical to him and the opposite of what he has learned his whole life. i want to put them in a room together. i want cameron to talk at glowing length about her soulmate dead husband and how she watched him die and i want chase to talk about watching his mother die and how much he hates and resents her. i don't know where that conversation would go but i Want It. it's like how i want chase and 13 to talk about murder and redemption together. it is a platonic smashing together of fake people, not about making them kiss

i think they were badly written in the sense that like. there's no writing. they're just together. now they're not. now chase has feelings. do we see them? no. now cameron has feelings. do we see them? no. now they date for three years. as someone who likes writing and narrative this drives me insane because it's so lazy.

i think i could do it better, not in a "because i want to write uwu fixit fanfic where they kiss" way but in a "this sort of writing drives me insane" way. like. huddy was badly written too but it very much existed. cameron and chase are just "oh btw chase fell for her at some point for some reason during fwb." why???? we can handwave but there is NOTHING IN CANON. cameron likes him too! why??? WHO KNOWS

however i also find it annoying when people go "solution: they never dated, we pretend it never happened" because that's ALSO lazy and retcons several years of canon including cameron's exit from the show. including the actual character development chase gets, which i actually do like. i think i'm a rare person who almost prefers late series chase. i like short haired chase. and i don't like the idea of erasing all that canon development just because "uwu i don't like it" (or, more petty, because "uwu i think cameron should have kissed x -- usually house -- so i hate this canon relationship that like it or not did exist")

this ties in to my actual fairly complicated feelings about cameron and how a lot of fandom tends to Girlboss her up in obvious and admirable contrast to her years of reddit-ish character bashing. where i admire the Spirit but deeply dislike this Girlboss characterization.

basically i am a deeply contrary person by nature

so whenever i see this ship i go IT COULD HAVE BEEN BETTER, and OUT OF SPITE I WILL DEFEND IT, which is a whole perpetual motion machine of feelings

i honestly could not care less about them kissing. except for the specific episodes where they allude to having a sex life and foreman all but flees the room. i actually care quite a lot about that, i think it's super funny. so in that context (in front of foreman, to troll him) i want them to make out.

i've gone and read old ffn stories from when the show was airing that featured them as a couple. like from true fans and believers of the ship. i disagree with almost all of it and think usually cameron and usually chase are ooc in these stories. but in different ways. this also triggers my spite

so sure. yes. i ship it. probably,

[ben10appreciation]

Anyone else wish there was an episode where Ben just snapped at Azmuth for some of his BS? Or is it just me?

dude. the amount of times i WISH ben snapped. like... even setting aside azmuth’s and ben’s relationship, i wish azmuth was snapped at by someone.

he’s the smartest being in the universe, blah blah blah, and yeah he’s got his own issues (namely the horrible, crushing weight of being smart enough to understand how truly meaningless both life and existence is. like damn, albedo instantly lost ALL will to fight as soon as he had azmuth’s intellect), but that’s no excuse for how he treats others. just like all toxic actions, there’s plenty of reasons for it, but no matter how heartbreaking they are, that’s all they are—reasons. they can never stand in as an apology and NEVER an excuse.

though i admit that that’s half the reason i enjoy azmuth as a character. of course i don’t condone his actions and he’s high key a piece of shit, but he’s fascinating as a character. as the smartest being in the universe, it’s easy to take advantage of others and throw around your “weight.” it’s probably even easier to be toxic, because knowing that everyone around you is dumber than you? knowing that you’re better than them on a chemical level?

that’s not healthy.

i got a bit off-track from the ask, but someone needs to snap at azmuth to get his shit together, and azmuth needs to get that log out of his ass and get some therapy. he owes a lot of people a lot of apologies.

[pmpknsoup]

i actually am a defender of georgie and melanie and basira being mean or rude to jon bc that man really needed to be put in his place sometimes. like i understand that they were also wrong sometimes— basira is hypocritical and the other two could be nastier than necessary, but i literally cannot blame them at all. jon was so out of line sometimes

[eggbagelz]

gale voice here feel the pulse of the magic in my heart that will eventually be the end of me. im on my knees before you like an animal showing its belly. im in excrutiating pain bc of the contact with the magic in my heart but please dont take your hand away please dont stop touching me

[dont-leafmealone]

On the topic of the last post I reblogged, I feel like a lot of people get Ozai's personality and feelings toward Zuko confused with Zhao. Ozai really doesn't care about Zuko, just wants him out of his way so he can abuse his power in peace without being embarrassed by his dumb kids.

Zhao is the one brimming with a concerning amount of excitement at any excuse to kill Zuko; while I'm sure Ozai doesn't *care* all that much if Zuko ends up dead, he's probably not gleefully helping Zhao plot his Next Grand Scheme To Kill The Prince. If anything he probably thinks it's weird how preoccupied he is with it, like dude, you have a job already, go do that instead of getting your ass kicked by my dumb kid.

[tls123]

Oh my god HOW DID YOU LIKE SVSSS!!!!!

i liked it more than i thought i would but overall less than i might have given the potential of the story, i think in general i really enjoyed the characters (mxtx never goes wrong with characters, she creates them in a way that makes me feel unhinged) and the world building but the pay off to the set up—which i really liked!—felt a bit........ i mean, just alright.

the dynamics too are pure mxtx, personally the bin/gqiu dynamic specifically really was the least interesting part of the whole story. to me!! but individually i loved both characters. my interest was just elsewhere because """elsewhere""" felt way more fascinating idk how to explain it

was very, very happy about the extra with airplane and the yue qingyuan / shen jiu one because that's exactly what i wanted more of in the story itself as well as just more shen yuan/qingqiu interacting with cang qiong mountain

maybe it's my orv brain but like i told jana a while back i think i would have enjoyed svsss way more if it was more about shen yuan (loner; hater; etc) suddenly finding himself among all of these people (disciples looking up to him; sect siblings relying on him one way or another; common folk admiring him; etc etc) and starting to.... live? again?

Shen Qingqiu hadn't noticed that, unconsciously, he no longer considered the disciples around him (...) to be mob characters the novel had described in a scant number of words.

^from volume one, he starts seeing them almost immediately because he's not actually that separate and he genuinely cares. all the time. about everything. even before that we get:

This was only a book, and all the people were constructs, imaginary characters. Logically, Shen Qingqiu was very clear on this fact...but when a character was actually being taunted and bullied right before his eyes, it was just flat-out unrealistic to expect him to be completely unmoved.

like why are you lying, shen yuan (<- svsss tagline if there ever was one)

just the idea of this really lonely detached guy finding a community, i know it's not the story mxtx was trying to tell but again, with the set up i really wanted to see it go in that direction.

there's one line from vol two where liu qingge goes "you fear becoming a burden to cang qiong mountain (...) but cang qiong mountain fears not your burden"

and basically what i'm saying is that i wish the story had been about THAT

(and also ning yingying's lines in that same chapter about shizun always taking on everything himself and why is it always you like that whole moment with the cang qiong mountain almost begging him to see that they care. idek what i'm saying but you know)

(also foaming at the mouth that we only got tiny tiny glimpses of shen yuan's life from before, those handful of times he mentioned his siblings i wanted to take a bite out of my kindle. tell me more!! dear fucking lord tell me more!! keep talking! elaborate!! he really felt very "kim dokja and his fourth wall" at times, sorry once more about the orv brain)

tldr: i guess i wanted a story about shen yuan/qingqiu but mxtx created svsss to be a story about bin/gqiu. and i just have to be okay with that.

[mybrainproblems]

thinking about how 5x04 birthmarks actually sets up house's childhood as being more fucked up than i think the writers intended.

like okay. to run down: john house is abusive towards his son. house deduces that his dad isn't his biological father when he's 12 and confronts him about it. as a result, his dad proceeds to not speak to him for months besides leaving notes at his bedroom door. house's belief that his dad isn't his biological father is eventually vindicated after john's death and he realizes that his mother didn't like his father much either.

which. jesus christ. can we just take a step back and let that sink in? his mother had an affair and house is the result of that. and his mom just..... lets her husband abuse her son? it doesn't sound like she really stepped in at any point to stop it and the only time we see his parents together she makes excuses for her husband's behavior. and like. house is born in 1959 so yes, it's not like his mother could easily leave her husband and i'm not saying that blythe house is evil bc it is a difficult situation given the time period, but the way the narrative frames her (lack of) action in such a passive way vs acknowledging that she's complicit is... really fucked up tbh! and i'm not saying that a victim of child abuse can't love their parents bc it's really complicated! but it's just such a weird thing to toss out there like a dead fish to fester in the sun and do absolutely nothing else with it.

i really don't know that the writers fully thought through the implications of the back story they set up even tho it ends up explaining why house puts up with a lot of really messed up shit from the people around him.

[suffarustuffaru]

ok but im getting emo over heinkel again so im gonna talk about him again because yeah hes yet another sad character in a sea of sad characters and i love rezero for that but like he is a character consistently characterized by one loss after the other. it's a rollercoaster and its going straight fucking down and he is so miserable and absolutely alone and its both his fault and not his fault at all. but the way it starts is - its all out of his control. the more you think about the trajectory of his life the sadder it gets.

imagine you are heinkel and your parents are the sword saint and the sword demon and you come from a long line of knights and sword saints so thats almost definitely where youre headed, right? thats whats expected of you. you are nineteen years old and youre a knight in the royal guard, which was expected of you, and you have a wife and a beautiful baby boy, which was also expected of you, but at least you have so much joy and love for the latter while the former is just another chain on the astrea family line of people who are stuck to knighthood whether they like it or not. but your family is also just another chain because youre nineteen and your mother is still the sword saint and youre playing with fate here because either youre going to be the sword saint or your son will be.

your wife, the only equal you have, falls asleep one day and never wakes up. you are twenty-one years old and a single parent and then you are twenty-three years old and your son's fate is so much bigger than youll ever be. having the worlds love means that your love pales in comparison, doesnt it? everyone knows about your comatose wife because you keep searching so much for a cure that its just another thing to gossip about. every year that passes by she just continues to look the same as she did when she was awake and alive and loved you. (you dont know it yet but your son is going to reach the same age as her, because you dont find a cure for another sixteen years and you know that she wont love you anymore because who does? theres no one left because your son doesnt count.)

and everyone knows about you because of your family. because yeah, youre a good swordsman, but youre not liked by anyone in the knights. youre not a friend and youre certainly not a sword saint or sword demon. your son mind controls someone because he loves you so much that he would do anything for you and looks up to you like youre some hero, but youre just a wreck whos scrambling to keep what little you have. youre twenty-four and you lose your mom because you were too scared to go on the mission you were assigned on, because youre a coward and youre in over your head and you know, because everyone knows, that you dont measure up. you could never be prepared for this. in a long line of people who have to carry the weight of the world, you crumble easily. your mom goes on that mission and dies and your son becomes the sword saint like this was always going to happen. this is what being loved by the world means. you just killed your mom because you just couldnt suck it up and die on that mission instead. on top of that, your dad says that your five-year-old god of a son killed your mom. its just you and your son and the two of you both killed your mom but youre the worlds biggest laughing stock and your son is the up and coming hero and monster. but you still love your son. you really do.

right?

[tranakin-skywalker]

I'm pretty sure I've admitted it on here before, but I actually do really love The Last Jedi. I think it's a really good movie! Well made, well acted, beautifully shot, the characters and their development is compelling. I enjoy it!

I do not, however, think it's a very good Star Wars movie.

[orcelito]

honestly there's smth rly nice about fellow creators who r obsessed with the same fictional character. how our interpretations are all slightly different. but we r just nodding at each other like Good Portrayal, my dude

idk, it's nice

[yo9urt]

finally we are entering the Majima Zone (the post-dinner pre-bed hours that are exclusively designated as video game time)

[tofixtheshadows]

Sorry but Kabru is so fascinating to me as a character, in a pure mechanical sense, because of what Ryoko Kui does with him. Everything about him is a red herring. He's deliberately introduced as some kind of rival for Laios, a party leader who is hopeless against monsters but absolutely brilliant with people both in and out of combat, and who has good reason to oppose him.

By the end of chapter 31, you might even think Kabru's going to end up as some sort of anti-villain, an antagonist with the best of intentions who nevertheless tries to foil our hero's plans. He wants to defeat the Mad Mage himself, he suspects Laios of being too irresponsible to be trusted with control of the dungeon, and his crew even thinks that Laios's party stole from them (and they're kind of right!). All signs point towards an inevitable showdown.

And then ... none of that happens.

Confrontation over the stolen treasure? Kabru is literally too smart to fall for the classic miscommunication trope and correctly decides it's not worth making a big deal of.

Kabru's deadly PVP skills? Aside from trying to take down Falin, he never fights another human again.

Wanting to be the one who defeats the dungeon? Turns out he was only doing that because he didn't think any other adventurer would have people's best interests at heart, and he's more than willing to play a support role in the whole affair.

Thinking Laios is up to no good? He really did just want to get to know the guy more. He has his misgivings, but ultimately ends up trusting Laios with his life.

Is Kabru going to get some sort of comeuppance for hating monsters and not appreciating their ecosystem? Well no, he has good reasons for hating monsters. He ends up wanting to learn about them through Laios's eyes, but he's never forced into any "Wow, guess I was wrong about them!" revelation.

Hell, even his implied ladykiller ways, which might lead you to think he'll end up being the stock "chivalrous lech" type of character, don't really manifest. He has a lot of opportunities to act flirtatiously around women, but doesn't. He's just a guy whose natural charisma makes him into human catnip.

And that's all hysterical to me, to pull it off. It's a fascinating way to tell a story. To introduce a character explicitly as a rival, potentially even a villain, and instead make them a deuteragonist. It's like a magician making a coin disappear, then slowing down their trick to show you the misdirection. "Did you see what I did there?" they ask with a wink. "The coin was in my other hand the entire time."

[heartless-curr]

i want to talk about the moment that both made me fall in love with atsushi nakajima as a character, and which made me realize that I was probably going to get obsessed with BSD.

specifically, it was this moment.

words can not describe how important this moment was to me, and how vital this is to both atsushi as a character and his relationship with dazai as a whole.

as someone who is currently living with my abusive parents, this was something that resonated with me a lot — oftentimes, media when attempting to portray abuse (specifically parental abuse) and victims of abuse, does 1 out of 2 things:

1. Tries to justify the abuse and protect the parents — having the kids be okay with the treatment they recieved.

2. Has the kids utterly despise their parents with no shred of good feelings.

And whilst, sure, both of these can happen — and I'm sure there are victims who actually feel like this — it's not the most common response.

Speaking from my own experience — I don't know how to feel about my parents. If they died, I wouldn't know what face to make. I hate them more than anyone else, but at the same time, I grew up with them. I hate them, but I also love them. If they died, I don't know how I'd feel about it. And we get to see Atsushi having that exact breakdown — the elation over the person you hate dying, versus the grief and frustration and confusion. Abuse isn't simple, and feelings aren't simply — your abuser dying isn't something that's clean cut, it comes with a million different conflicting confusing emotions.

And the fact that Atsushi is allowed to have these feelings, is allowed to hate the headmaster, is allowed to grieve without forgiveness, is so important. BSD doesn't try to justify his abuse — it's okay to mourn someone that hurt you even if you don't like them. Their death — or their intentions — don't make forgiveness a necessity.

And even moreso, the fact that he gets explicitly told that regardless of the fact that that abuse was what molded him into the person he is today and has helped him survive, and the fact that the headmaster had good intentions, it was bad and unforgivable, is extremely important.

dazai not forcing atsushi to feel a certain way about his abuser, and encouraging him to mourn without forgiveness and to actually feel, is an incredibly important moment — i doubt that i'm only speaking for myself here when i say that when dealing with these subject matters, these are the types of things we'd like to hear.

the fact that dazai is the character telling atsushi this isn't lost on me, either — considering that earlier on this chapter, he sent ryuunosuke to tell atsushi about the headmaster, and they had this interaction:

everything about this is so fascinating and well written — from atsushi having an extremely realistic breakdown over the death of his abuser, to dazai telling him that he has zero obligation for forgiveness — and the implications that he's aware that what he's done to ryuunosuke is wrong regardless of intentions, is fascinating.

to me, atsushi nakajima has always felt human in a way most protagonists don't — his trauma impacts him, he has complex messy feelings that can't be easily resolved. it's his choice what to do with his emotions, and all others can do is give advice, and let him figure out how to deal with them.

atsushi nakajima crying over the man who simultaneously raised him and made his life a living hell is accurate in a way that almost hurts.

(slightly unrelated, but i sure was accurate with this prediction from a month ago, huh!)