#help me choose what you can draw :3

[mitamicah]

Alright now I am here with the promised poll:

After drawing four pages (A5) of brainstorm sketches I've chosen my favourite 8 as possible DTIYS pieces (all previous ideas I've wanted to draw for a while, your+IG suggestions and recent ideas)- I will like to introduce you to those eight now and then ask you to choose one of your personal faves ^V^

Sorry this is long btw :'D

No. 1 - Bojere piece inspired/based on this picture (will probably play with red + greens for this one instead of b/w)

No. 2 - Bojan in one of his Stoice outfits (the one with the snake vest) focus will be on the lace, the bg snake and Bojan's white stribe :3

No. 3 Jere with flowercrown + fan from one of the fall gigs (x) - bg will be a rose

No. 4 Kris with bunny ears from one of recent Europe tour dates (x) - bg will be a carrot

No. 5 Jere inspired/based on this picture - may add some fancy lighting :3

No. 6 Kris eyeing a ball at Stoice inspired by/based on this gif

No. 7 Bojere in the titanic pose inspired by/based on this picture - may either do a bg similar to the HHH cover or titanic scene (aka blue sky)

No. 8 KHäärijä posing at (I believe) Tavastia inspired by/based on this picture - can go heavy on symbolism :3

Now having been introduced to all the entries - happy voting ^V^

Bonus under the line (short about the other sketches I made)

Other sketches

Top left: Bojere in the Dirty Dancing pose (IG suggestion)

Top right: More peacock!Jere being sassy

Mid left: Bojere being adorable together

Mid central: Jan caressing Nace's tattoos as suggested by @lintubintu

Mid right: Bojan looking sort of mysterious - based on/inspired by this picture

Bottom left: Jance smiling at one another - based on/inspired by this picture

Bottom right: Jance being dorks - based on/inspired by this picture

[doodleodds]

Happy Valentines, Akira. Happy Valentines, Asshole.

If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.

I don’t want your shitty gift. Oh- haha! You’re so sweet.

I hope I choke. They’re lovely, thank you.

Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.

[fisheito]

hey. hey you. yeah, yoU!! the one who actually looks at clothing!!! i request help. i need images of wedding dresses that you think would fit the starter trio [yaku, ed, oli]. pls send images........ of any ideas you have🙏

[thecassafrasstree]

Had a few folks interested in how I made the patches I posted for Solarpunk Aesthetic Week, so I thought I'd give y'all my step-by-step process for making hand-embroidered patches!

First, choose your fabric and draw on your design. You can use basically any fabric for this - for this project I'm using some felt I've had lying around in my stash for ages.

Next, choose your embroidery floss. For my patches I split my embroidery floss into two threads with 3 strands each, as pictured. You can use as many strands in your thread as you prefer, but for the main body of my patches I prefer 3 strands.

Next you're going to start filling your design using a back stitch.

First, put in a single stitch where you want your row to start.

Poke your needle up through the fabric 1 stitch-length away from your first stitch.

Poke your needle back down the same hole your last stitch went into so they line up end-to-end.

Repeat until you have a row of your desired length (usually the length of that colour section from one end to the other). Once you have your first row, you're going to do your next row slightly offset from your first row so that your stitches lay together in a brick pattern like this:

Make sure your rows of stitches are tight together, or you'll get gaps where the fabric shows through.

Rinse and repeat with rows of back stitch to fill in your patch design.

When you're almost to the end of your thread, poke your needle through to the back of the fabric and pull the thread under the back part of the stitching to tuck in the end. Don't worry if it looks messy - no one's gonna see the back anyway.

This next step is fully optional, but I think it makes the patch design really pop. Once your patch is filled in, you can use black embroidery floss to outline your design (or whatever colour you want to outline with - it's your patch, do what you want). I use the full thread (6 strands, not split) of embroidery floss to make a thicker outline.

I use the same back stitch I used to fill the piece to make an outline that adds some separation and detail. You could use most any 'outlining' stitch for this, but I just use back stitch because it's just easier for me to do.

Once you're finished embroidering your patch, it's time to cut it out!

Make sure to leave a little border around the edge to use for sewing your patch on your jacket/bag/blanket/whatever, and be careful not to accidentally cut through the stitches on the back of the patch.

If you have a sturdy enough fabric that isn't going to fray, you can just leave it like this. If not, I recommend using a whip stitch/satin stitch to seal in the exposed edges (I find that splitting your embroidery floss into 3-strand threads works best for this).

And then you're done! At this point you can put on iron-on backing if you want, or just sew it on whatever you wanna put it on. Making patches this way does take a long time, but I feel that the results are worth it.

Thanks for reading this tutorial! I hope it was helpful. If anyone makes patches using this method, I'd love to see them! 😁

[ardensregias]

somnophilia (with or without consent you choose) with aventurine or sunday...

alright 👍🏻 i'm going with aventurine for this one, since his banner is tmrw yippee :3 may all avennie wanters become avennie havers ╰(*´︶`*)╯♡

nsfw, consensual somnophilia, afab!reader, reader wears nightgown, fingering, spooning fucking (i have no idea what it's called (u_u)), established relationship, petnames used: darling, baby, sweetheart, little bunny.

"...my love?"

rubbing his tired eyes to prevent them from closing, aventurine enters your shared house together—only to find you asleep on the couch, filling the otherwise quiet living room with the soft rumble of your snores.

his lips slowly curl up to form a faint smile, little hearts dancing across his beautiful pupils as he steps closer to you, getting a good look at the way the silk gown highlights your curves—all the stress he accumulated from working instantly disappears into thin air the moment he came home to this, like something served only for him in a silver platter.

"you'll catch a cold..." he sighs, stepping closer to take you back inside your shared bedroom—while his eyes gawk at your body, glancing at your chest and legs, before he looks away and try not to act on his desire; you have said that it is fine for him to relief his stress by using you, even in an unconscious state—still, he'd rather not disturb your beauty sleep. slowly, he places you down on to the mattress and kissed your forehead, wishing you a good night's sleep before he stood up, attempting to leave and change his clothes first.

that is, until you decided to roll over, causing your dress to hikes up your thighs, revealing the skimpy and lacy panties underneath—aeons, how could you possibly be any more alluring? he wouldn't be able to hold back himself if this persists.

aventurine gently pushes the silky fabric further up, finally caving in, "'m sorry..." he murmurs, his gloved fingers slowly making their way inside your puffy folds, stimulating the sensitive nerves and getting surprised when he hears the squelching noises, already so loud when he barely does anything—he's starting to suspect that you may have been thinking of him a lot... probably not in an innocent way too (neither did he).

"are you dreaming of me, baby?" his lips curl up to form a small smirk, pumping his digits in and out of you faster, drawing out that little whines of yours that he loves so much, taking them as a sign to continue. he knew very well how skilled his fingers are, after all.

and continue, he did—laying down right behind you, slotting his erection between your thighs as the blunt head slowly slides into your tight little pussy, sucking him in so nicely as if this is the last time you can feel it. you're still so responsive, he thinks, groaning whenever you unconsciously push your ass against him, meeting his thrust while also arching your back.

the blond man tries to be as quiet as possible, burying his face into your nape and trailing kisses down your back with his arms settled on your hips to help him reach deeper and deeper, until his tip finally touches that one gummy spot—one that always makes you moan louder and beg him for more.

"fuck—i'm gonna cum, darling... ah—you're always so good for me..." he stammers, hips stuttering as the slapping noises intensifies, bouncing off the walls along with your soft mewls and his ragged breath.

it doesn't take long before the knot in your stomach snaps, your walls pulsating around his dick before he soon follows, stuffing you full with hot and sticky ropes of cum—so full that some of it form a ring around the base when he attempts to pull out. it surprises him to see just how pent-up he's been, but a sudden whimper from you brought snap him back to reality.

"'venturine... more, please..." for a moment, he was stunned—are you awake? or are you simply dreaming of doing this with him? the thought of being in your mind 24/7 easily flusters him, making his still-erect cock twitch inside you.

well, as a good boyfriend, what else can he do except to fulfill his little bunny's wishes?

his thumb finds its way back to your swollen nub, rubbing patterns across the sensitive area before he shoves his shaft back in, "as you wish, sweetheart,"

[maryrouille]

Toxic romanticization of studying

In a word of introduction, my profile partly shows that studying and exploring is wonderful. But as a person involved in science*, I would like to show healthy and true patterns of this beautiful adventure in acquiring knowledge.

The inspiration for writing this post this time was not the phenomenon from Tumblr (although you can also observe it here), but from Pinterest. There you can come across cycles composed of quotes and photos whose aim is to motivate young girls to learn, succeed and get good grades. These images often also show examples of characters from movies, TV series or real life that you can aspire to be like. Overall, I have to agree that it really works! But I would like to draw attention to certain elements that need to be verified.

1. You shouldn't get up at 5am

First of all, the correct amount of sleep is one of the most important factors affecting the proper and effective functioning of our brain. During sleep, nerve cells regenerate, organize information acquired during the day and consolidate memory traces, which is directly related to learning. Lack of sleep increases impulsivity, deepens negative thinking and slows down the body's reaction time!

2. You can be a genius without good grades

Of course, good grades are a pleasant confirmation of our knowledge and praise for hard work. However, sometimes it is worth considering whether the structure of exams themselves, especially those with closed questions, affects the results. We often study for one specific exam, the knowledge of which may be very… limited and sometimes not useful, so it is worth prioritizing the topics that we study hard.

3. It's not cool to think you're better than others

We are different and have different priorities in life. It is also worth considering how many people escape from the rat race and start a slow, stress-free life. So we have to agree that judging people based on grades or responses under stress (sic!) is not cool.

The good thing about romanticizing studying

As I have already said, these types of collages are really motivating. So let's talk about what's great about them and what's worth highlighting and saving for later.

1. Knowledge is beautiful, but your outfit and surroundings can also be

We know that we should never judge a book by its cover, but… the issue of social perception painfully confirms that we do and will continue to do so because this is how our brains work. And isn't it nice when someone looks at us and thinks this girl is so classy?

Moreover, a nice outfit that makes us feel good gives us a lot of self-confidence. There are also many studies confirming the positive impact on motivation and concentration of a neat and aesthetic workplace.

2. Not just cramming, but also discovering

Broadening your horizons is easier with passion and real commitment. And to achieve this, the topics must really interest us. Not everyone has yet found something that they are extremely passionate about in science, so that is why you have to dig deeper and discover different areas.

3. Don't be afraid to use your knowledge in practice

Schools and universities, unfortunately, have their own rules and they do not always allow you to show your 100% potential. Thus, share your knowledge with others externally, write essays, blog and social media. This form of activity also makes you learn things faster and easier. In addition, contacts with others will expand your knowledge.

Therefore, I must say that it is worth choosing your inspirations carefully. Nothing helps you enjoy studying better than a clear head and lack of prejudices.

*This post was inspired by my own experience with studying. If anyone is interested, I think I can share my mistakes that did not help me in an academic adventure :)

[physalian]

Your colloquialisms are ruining the immersion (or, non-contemporary dialogue)

I am no expert here! Whenever I wrote historical fiction it was anachronistic historical fiction. This advice is from a reader’s perspective and from my experience writing high fantasy.

So what’s the deal with immersive dialogue? I’m going to ignore writing dialects and accents and so-called “old English” with the thee, thy, thou and such. Solely focusing here on the narrative telling me this isn’t set in present times, and yet the dialogue being painfully colloquial like present times.

This is coming from a book I had to read set in HRE times. In it, characters were spouting modern curse words, tacking on verbal tics and crutch words like “or something” and “um” and drawing out words like “daaaamn” and “nooooo”. Rip out the dialogue and toss it in a script with zero context and it would read like two high schoolers from 2009, not two adults from the Holy Roman Empire. Which is a problem, because it completely shattered the immersion. —

1. On so-called “formal writing”

Everybody knows that nixing contractions doesn’t do a damn thing to help your writing look more “formal”, it just looks robotic and stiff, right? We’ve gotten past this as a society? There’s a time and a place for replacing contractions with the full words, but not for every single sentence.

I swear this show keeps creeping into my writing advice but here we go. Transformers Prime. The context for Optimus’ dialogue has a lot to do with his aging voice actor, Peter Cullen, and the perception of the character over the decades from the corny 80s paragon hero everyman type leader to the grizzled and wizened old soul type leader. Optimus isn’t “one of the guys,” he’s old. Very old. He’s the dad of the group (one dad, his grumpy medic is the other dad).

So he gets lines like:

“I fear Megatron’s ambition is at its zenith.”

“But if his return is imminent as I fear, it could be a catastrophic.”

“I bore Skyquake no ill-will.”

He doesn’t curse like the other Autobots. His voice only raises in surprise, horror, or rage. He doesn’t go “um/ah/so/but/eh” and always thinks about what he’s going to say well before he says it. Despite him, Ratchet (the dad medic), and Megatron all being very old, Optimus is the only one who’s “proper” and collected and dignified with his lines. The writers didn’t achieve this simply by omitting contractions, he gets them where necessary and removes them when effective (e.g “We do not.” / “We don’t.”)

2. Thesaurus Rex

Continuing with the Optimus example, no other character in that show would use “zenith” unironically. Or “ill-will”. This doesn’t mean crack open and abuse a thesaurus but there’s a huge divide between:

“Megatron’s gone crazy and he’s going to implode soon” and “Megatron’s ambition is at its zenith”.

I can’ think of a better word to use than dignified, perhaps distinguished to describe his dialogue.

He doesn’t say “what?” when he’s confused, he pauses and says something like “please elaborate”.

This is both word choice and a syntax issue so if you’re struggling to fit a non-contemporary vibe for your work, pay attention to both.

3. When to abstain from cursing

There’s something very special about the dialogue in the Lord of the Rings movies: It’s PG-13 so they can’t curse, but if they had, it would have probably ruined the trilogy. These characters are able to yell in rage and anguish, spit vicious insults at their enemies, and stare down armies that are determined to kill them, all while never breaking the immersion.

Insults like:

“Late is the hour in which this conjurer chooses to appear.”

“Keep your forked tongue behind your teeth, you witless worm.”

“Your words are poison.”

And all three were said by or about Grima Wormtongue.

Characters aren’t dumbasses, they’re fools, with the exception of Gollum’s insults toward Sam, the “stupid, fat hobbit”.

Even devoid of name-calling, Denethor absolutely trounces his second son by asking (and I’m paraphrasing) “Is there any man here willing to do his lord’s bidding?” right after Faramir expresses some apprehension about a suicide charge with his remaining soldiers, completely ignoring him and implying that he’s not a real man.

LOTR is full of juicy lines beyond curse words, too. One of my absolute favorites is: “Dark have been my dreams of late” as opposed to “I’ve been having nightmares lately.”

Do you see?? It’s poetry. The motif of Shadow and Darkness as if they’re real, physical things, all the lines of poetry pulled straight from the books like Theoden’s “where is the horse and the rider” monologue just before Helm’s Deep.

It’s dignified.

—

This one was a bit harder to, ironically, put into words without doing a full-blown case study into either franchise’s ability to write dialogue and monologues. I didn’t even talk about Ratchet’s several monologues (one of which was done perfectly in the sound booth on the first take) because Jeffrey Combs has a voice like ambrosia.

TLDR: Immersion goes far beyond your vivid setting descriptors and the clothing or the names and languages. I mostly write fantasy and sci-fi and whenever I read or watch fantasy and sci-fi that isn’t meant to be a world different from our own, or about characters who don’t speak modern English, and they go off with modern slang, syntax, and verbal tics, it just feels sloppy and weak. Pay attention to the following:

Syntax

Modern slang and jargon

Filler words/verbal tics

Curse words/curses

Flat, unmotivated vocab

*All of the quotes were from memory because I watch both of these franchises way too often. So apologies if I got any wrong.

[violentdelightsandviolentends]

hii congrats on 5k!! i love your writing ! if you’re still celebrating could i request a carmy blurb where maybe you’re syd’s besite and carmy has this biggggest crush on you (im talking this mf is Yearning) and she gets on him sooo hard about it like teasing him and reader and him end up together ? TIA <3

Not So Secret.

carmen berzatto x female reader

warnings - cursing.

written for my 5k celebration- post here, masterlist here, inbox here.

“You’re gonna stare a hole through her fuckin’ head.”

“Shut up.”

Richie laughs, following Carmens eyeline to where it’s fixed on you.

You’re stood in the restaurant with Sydney, both of you giggling at something she’s showing you on her phone. When you look up, you smile at Carmy, all soft and sweet and like butter wouldn’t melt. He almost melts, a puddle of yearning on the kitchen floor.

Sugar appears next to the two of you, holding out a piece of paper.

“This is a really rough draft of what we kind of want them to look like. Obviously you have full control, but this is kind of the vibe?”

When Carmen mentioned wanting a more personal touch on the menus, Sydney quickly offered your services. You’re the most artistic person she knows, gifted with naturally gorgeous handwriting that almost looks like calligraphy. Plus, she knows how much everyone at The Bear likes you, having been a part of their transformation. It’s a win - win.

“Yeah, I get you. So you want the title words like Dessert in more of a cursive, and then the actual dishes and descriptions in a typeface?”

“Yes! Do your thing. We trust you.”

She gives you a side hug, careful not to hit you with her bump.

“I’m gonna need some nice paper, and probably a new calligraphy pen so I can start from scratch. I’m gonna head to the craft store, and I’ll be back.”

“Carmy will go with you!”

Richie shouts it from the doorway, where he’s been not so subtly watching the conversation. Carmy blushes, clearly caught off guard.

“He needs to go to the craft store too, right Cousin? Good. Go. Bye!”

Carmy’s practically being pushed out the door, uncomfortable and flustered. You smile reassuringly, grabbing your bag and walking over to your car.

“You’re okay with me driving?”

“Course. Shouldn’t I be?”

You laugh, and he can’t help but grin, the sound settling nicely into his ribcage to warm him up.

“I’m a good driver, I promise. Despite what Sydney might say.”

He looks worried but gets in anyway, ever trusting you and anything you do.

He can’t help but sneak glances at you as you drive. You’re completely focused on the road in front, bottom lip pulled between your teeth as you concentrate. Carmy feels heat bloom across his chest at the action, wishing he could reach out and release it for you before you draw blood.

A text chimes through the air, startling you both. You press the button on your steering wheel so your car can read the message out loud.

From Sydney: Carmy. Tell her immediately or I’ll lock you in the walk in freezer. Sick of you acting like a lovesick puppy. This is your chance. Don’t blow it, asshole. We’re all tired.

Both of you freeze, your hands tightening on the wheel. Carmy wants to throw himself out of the moving car, but decides against it at the last minute.

You pull the car into the craft store parking lot, choosing a space and yanking the handbrake on. You turn to him, looking at him for the first time since the bombshell.

He’s blushed all over, chest heaving and bottom lip pulled between his teeth. You almost want to reach out and release it for him, before he draws blood.

“Carmy.”

“I think, uh, yeah, I just - that was clearly sent to the wrong person. Not meant for you.”

You laugh, suddenly, and it spooks Carmy so much that he jumps out of his skin.

“Yeah, Carm. That I figured.”

He laughs with you then, unsure and nervous. You reach out and place a hand on his knee, trying to calm him down. It just makes his heart lurch.

“What’s Syd talking about? Tell me what?”

He looks down at his lap, hands knotted together.

“I think you know.”

“Wanna hear you say it,” you whisper.

He finds the courage to meet your gaze, taking a deep breath.

“I like you. So much. I can’t stop talking about you to anyone and everyone that’ll listen - to the point that everyone at The Bear gives me so much shit for it. Sydney won’t get off my back, either. She says I’m ‘yearning’.”

You chuckle, rubbing patterns into the material of his jeans with your thumb.

“They’ve all made bets,” he continues, “about if I’ll ever tell you or not.”

“Who bet on you? And who against?”

“Syd and Richie against me. Marcus too. Tina and Sugar are on my side. Not sure why.”

“Wanna make Tina and Sugar some money?”

He quirks a brow questioningly, eyes going wide when you lean over the centre console and plant your hands on either side of his face. You’re so close to him that your breaths tangle together, one set of lungs working overtime.

“Kiss me, Carm.”

He doesn’t think twice, closing the gap and pressing his lips to yours. You tangle your fingers in his hair, trying to pull him impossibly closer. His hands find your back, tugging you into him as much as the limited space allows.

You whine when he bites at your lip gently, and he has to pull away to take a steadying breath before he passes out.

“You should get your eyes checked.”

He tries to process for a moment.

“Huh?”

“You must be blind if you can’t see how much I like you, Carm. How much I’ve always liked you.”

He grins at you, bright and white, and you shake your head before leaning in to kiss him again.

When you don’t make it back into the restaurant that day, everyone has never been happier to not see the both you.

[pomefioredove]

hello hello! i see that the headcanon requests are open, so i have arrived 🐺🐺 i'd like to request the housewardens + chenya, neige and ortho with a reader that's mute! i feel like this would be an interesting thing to go off of. feel free to write it as something reader gained after a certain event, or as an illness that they were born with. platonic would be great, but i think romantic would be absolutely adorable too (minus ortho obviously) so go wild, do whatever you want >:) if this is fine for you to write of course!! love your writing, youre my favourite blog on tumblr hehe (runs away)

thank you so much!! and ofc ofc. I'm writing this based off my own experiences with being semiverbal so if I get something wrong,,, that's on me 😔

summary: nonspeaking reader type of post: headcanons characters: riddle, che'nya, leona, azul, kalim, vil, neige, idia, ortho (platonic), malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu

I think Riddle is more adaptive than others give him credit for

it's not like there's any rule about not speaking

(and if there was, he would make an exception for you. he's not completely unreasonable)

I can see him learning sign language with you

and if that's not your thing, he'll figure something else out

he's a fast learner, after all

and he wants to make you comfortable, too. not that he'd ever outright admit it...

(obvious favoritism)

*ੈ✩‧₊˚

Che'nya is always quick on his feet

or... on air?

anyway

that means that he isn't one to let the absence of conversation stop him from his usual mischief

and he does love charades...

it's almost like he can read your thoughts. or your... hands? expressions?

whenever someone is giving you a hard time, they miiight just end up talking back to a floating head

*ੈ✩‧₊˚

Leona actually never really... brings it up

before he had the full story, he just figured you were shy around him

(which went straight to his head, of course)

so he was already used to it when he found out it's not something you can control

and... he treats you no different for it

he knows you're not stupid or rude just because you're not yapping all the time

and if anyone else gave you a hard time about it... they'd be answering to him

*ੈ✩‧₊˚

no worries with Azul

I mean, the guy can really do it all

sign language, pen and paper, text-to-speech, body language...

he's rather adaptable, and, trust me, being unable or unwilling to speak won't stop him

the offer to give you the voice of a beautiful singer is still on the table... but he can't blame you for not taking the deal

of course

in the meantime, you can come to him for anything and he'll help you out

on the house <3

*ੈ✩‧₊˚

Kalim's heart is in the right place

is he disappointed you won't be able to talk and sing and cheer with him? a little

you're used to the disappointment, unfortunately

but he doesn't give up so easily

or... at all

no singing? he's handing you an instrument

no talking? no problem, he knows you're still listening!

no hummin, shouting, cheering? he can make enough noise for the both of you

he makes sure you're included in everything

very sweet

*ੈ✩‧₊˚

Vil has high expectations, but he isn't unreasonable

if you can't talk, you can't talk, and that's final

that doesn't excuse you from everything else in his strict regimen, though

what may be a weakness to others is a strength to him

you can improve yourself tenfold by focusing on what you can do rather than what you can't

writing, dancing, music...

however you choose to express yourself, he's very supportive

much like Kalim, he includes you in every conversation, every decision, every yes/no question

he's pretty great

*ੈ✩‧₊˚

Neige! Neige is a sweetie

I like to think of Neige as someone who's actually quite timid in person, despite his career

it's probably your quietness that draws him to you in the first place

he is so very supportive

he's the kind of introvert to suddenly become extroverted when someone needs help

"excuse me, they asked for no pickles" type of guy

he'll hold your hand through everything if you need it, and remain by your side if you don't

*ੈ✩‧₊˚

Ortho and Idia are probably the best people to have on your side

Idia just feels so much more... comfortable around you, since he struggles with speaking, himself

he'll let you use his tablet if you need it to speak

...and then he'll get you one of your own, so he doesn't have a heart attack when you accidentally switch tabs

he'll even program a custom voice or two for you

Ortho is a walking translator for you

with a database full of information on body language and expression, he can determine your emotional state in a single glance

he's happy to help in any way he can, of course!

*ੈ✩‧₊˚

at some point, Malleus needs a shirt that says "#1 Prefect Defender"

you haven't said a single word to him but if anything happened to you he would curse everyone in this room and then himself

(he means well, I promise)

he's never minded, nor questioned your silence

certain fae communicate through lights or movement rather than sound, so it isn't even anything strange to him

you fit right in at Diasomnia

and you're welcome to stay here for as long as you please

(hint hint)

[ironmanstan]

desperate to be a man in art forced to be a woman in stem

[just-a-ghost00]

Do you know them? What do they admire about you? (possibly 18+)

This is part 2 of the secret admirer PAC. To check part 1, click here. You can either choose the same group as for the first part or choose another. It's completely up to you. For the first question, I will only be drawing one card to get a simple yes or no answer.

Group 1

Do you know them ? - The Star

That's a yes. You possibly interact with this person online and/or they live at a distance from you. They could have Aquarius influence in their chart.

What do they admire about you ? - 2 of pentacles, ace of cups, 9 of pentacles, page of pentacles

They admire your youthfulness and your giving nature. They like that you try to remain impartial and never judge a book based on its cover. They like your independent thinking but also your independance in general. You work very well on your own and you're not needy, which they value. You can think for yourself. They like your analytical mind, your curiosity and your ability to learn in any circumstance. They like how honest you can be about your feelings, your experience and difficulties. You wear your heart on your sleeve and are easy to be around. You're very laid back which gives them space and security. You make them feel safe and cared for. They like your enthusiasm and openness to life. You have a good balance and your heart is pure. They admire how you're always in a good mood and seeing the glass half full. This gives me Dean/Castiel dynamic vibes. In this person's eyes, you are a Castiel.

Song : (You're the) Devil in disguise - Elvis

Group 2

Do you know them? - Knight of pentacles

That's also a yes for you. You either know them through work or your studies. This person could be an earth sign. They like horses. They may have recently made an offer or given you a gift. They walk slowly.

What do they admire about you? - 5 of pentacles, 8 of cups, 3 of swords, 2 of cups

Okay this may be a bit weird but they like your clinginess and also when you complain to them about things that upset you. They admire your ability to ignore what doesn't serve you or would only bring you down. They admire that you're still standing strong despite all that you've been through. They admire your kindness and ability to connect with all people, to love them unconditionally. They like when you ask them for help or rely on them when you're feeling down. They like to see you sad. They think you're beautiful when in pain or crying. This may be a little triggering, I'm sorry. They like that you also don't deny your help and guidance to people in need. You're a good samaritan. You can't say no. They admire your resilience. Also your ability to know when to give up or to delegate. Your ability to rely on your peers or know who to find when in trouble. They like your moodiness and your bad temper. They like to see you upset. It's entertaining to them. They admire the emotional responses they can get from you because it's something they fail to understand or are unfamiliar with. This energy is rather disturbing. This gives me Crowley/Aziraphale dynamic vibes. In this person's eyes, you're an Aziraphale.

Song : I wish I didn't love you so - Betty Hutton

Group 3

Do you know them? - 10 of wands

You don't know them on a personal level. You are aware of their existence but it would be very hard for you to figure out who they are. You wouldn't suspect this person to admire you. You know them either from a time of your life when you were in trouble or through a common responsibility you share. So this could be worked related, but not just that.

What do they admire about you? - 9 of wands, 8 of swords, knight of swords, 7 of cups

They admire your ability to get out of any situation and slither your way through obstacles and people's BS. They admire your feisty nature and your honesty. They think you are brave. They admire how you always keep your options open and stay alert, ready to strike at any given moment. How you never stay stuck in one spot. This person would like to tie you down so they can pick your brain apart. You're a mistery to them. This gives me Will Graham/Hannibal dynamic vibes. In this person's eyes, you're a Will Graham. Constantly thinking, constantly moving, unstoppable, impossible to get a hold of or manipulate. Hard to read. Always one step ahead. Too clever for this world. They admire how stubborn and reckless you can be at times. You're unpredictable and never boring.

Song : Eye of the tiger - Survivor

[moonstruckme]

Hi, I love your writing, I recently read your James Drabble about reader and James being domestic and reader eating all the blackberries. It gave off such summer comfort vibes, I was wondering if you would be able to write something with either James or Remus (you choose I love them both) and reader going to a farmers market or just laying in the summer sun while reader reads and maybe tracing lines on her back. I know I gave you a few ideas, but if you’re comfortable writing something, anything thing would be good, your writing’s always good.

Hope you’re having a lovely day :)

Thanks for requesting, hope you're having a lovely day too <3

James Potter x fem!reader ♡ 794 words

The sun is warm on your back, beating off the white of your book’s pages so glaringly you’ve had to put on your sunglasses to read comfortably. The top you’re wearing is cut low in the back so you can soak in the rays, and you’ve laid a blanket down on the grass to do just that. James is meant to be running the trail around the park, but he’d announced his break twenty minutes ago to snack on the strawberries you’d bought at the farmers market and has somehow fallen into tracing shapes on your bare skin. 

You’re pretending to still be immersed in your book, but it’s growing difficult. 

“What are you doodling back there?” you ask him. 

“Working on my cursive,” he says, drawing a loop next to your spine that makes you shiver despite the warm day. “My teachers were right, I lost the skill once I stopped practicing.” 

“You’re writing? What are you saying?” 

“Nonsense, really. But—hold on, I’ll try to write something and you tell me if you can understand what it says.” 

You laugh. “Okay,” you say, but James presses a hand to your back to still you, shushing with mock seriousness. 

“Shh, lovie, you’re shaking my canvas.” 

You set your chin down on the blanket, giving up on reading and closing your eyes to decipher James’ messages. 

His finger makes a couple of odd loops on your back, and you guess, “Do?” 

“Yes!” 

Another series of loops. They tickle as they get lower, and James tuts when you wriggle slightly. 

“Wait,” you say, “I didn’t get that one.” 

Your boyfriend sighs heavily. You think you can hear a smile in the sound. “Fine,” he says with great reluctance, “I’ll do it again, but please try to pay attention this time. I’m trying to ask you something urgent.” 

You smile to yourself, but focus in as he traces the letters again. 

“You?” 

“There we go! Knew you could do it. Alright, stay with me…” 

James makes it fairly easy on you. The majority of the words are short and simple, only a few letters. Do you want some…

You get stuck on the last one, making him repeat it a few times, slower and slower, until you guess, “Strawberries?” 

“Finally.” James lets out a big breath, drooping forward so he’s laid across you with his chin digging into your back. “Angel, you know I love you, but I don’t think that was my cursive’s fault. I think you need to work on your reading comprehension skills.”

You roll your eyes. “How is asking me if I want strawberries urgent?” 

“Because I’m about to finish them off.” 

“Wait, actually?” James’ weight lifts off you as you push yourself up on your elbows, turning to see the container of strawberries you’d bought only an hour ago. It had been heaping then, but now there are only a handful left. “Jamie, really?” 

He at least looks appropriately abashed. “You weren’t reaching for them,” he says, tanned shoulders creeping upwards, “and they’re really good! How much restraint am I expected to exercise here? I’ve left you five.” 

“I haven’t been reaching for them because I don’t want to get my book sticky.” You pout, exaggerating your distress for what you know it’ll get you in return. “I didn’t expect them to all be gone by the time I was ready.” 

“Aw, sweetheart, I could’ve helped you with that.” He picks up a strawberry by its stem, holding it out for you. “Here, open.” 

You sigh but tip your mouth open obediently, biting off the tip. Sweet, slightly sun-warmed juice explodes into your mouth. 

“That wasn’t hardly a bite at all,” James chides. “Have another.” 

You do. “I’m beginning to resent you more now that I know how good these are,” you tell him. The sweet tang lingers on your taste buds even after you’ve swallowed. “We should only get our fruit from that vendor from now on.” 

“They clearly know what they’re doing,” he agrees. He gives you another strawberry after the first is finished, musing while you crunch, “Come to think of it, I’m starting to suspect you only pretended not to know what I was writing so I’d give you a back massage.” 

You laugh. The thought actually hadn’t occurred to you, though his touch had felt nice moving over your back. “Write me another message, and I’ll let you know.” 

James swipes a finger up the length of your spine, laughing when you squirm at the odd tickle. “Would you like me to bring you a glass of lemonade while I’m at it?” he asks.

“Mm, that’s alright. We just need to find some palm fronds for you to fan me with, and I think I’ll be set.”

[lazyleafeon]

[ID copied from Alt text: the first photo has the text, "sketch commissions for Gaza." Next to it is a drawing of the artist drawing on their art tablet.

second photo: 4 examples of commission prices and art, modeled by Kim Dokja from Omniscient Reader's Viewpoint in his demon king form. For one dollar: a rough chibi sketch. for 5 to ten dollars: a rough but more detailed sketch. there is more motion in his pose. for 10 to 15 dollars: a cleaner lined sketch with more detail given to the silhouette. for more than 15 dollars: a cleaner sketch with more attention to volume and detail in his outfit and wings. End ID]

For now up until March 10th I'm taking pay what you want sketch commissions for donations to Help Gaza Children, managed by @fairuzfan and Hussam, since from March 4th to the 10th all donations will go to families in Northern Gaza.

Their site is here where you can find more information, like their FAQ, and proof of purchases from donations they've received so far.

You can donate to Help Gaza Children's paypal here. The paypal link is also on their site.

guidelines:

To be upfront, I am a full time college student so expect a two month turnaround. I will give you an update around a month in and again at two months if I don't finish by then.

Please include a visual reference or detailed text description of the character(s) you want drawn, unless I've drawn them before and you're okay with me going with my design.

I can draw OCs, mechs, and furries.

I won't draw real people or anything nsfw.

I reserve the right to refuse a commission and may ask you to choose something else. If you want to know in advance if I'll take it, feel free to DM or send an ask.

Extra characters will be half the price as one character. Please only request up to three characters per category (ex: if you pay $35, you can get 3 characters: 1 for $15 and the other 2 for $10 each. if you pay $6 you can get 3 characters: 1 for $3 and 2 for $1.50 each)

don’t use these for commercial use. personal use (like as icons or headers, or like printing it for yourself) is okay

if you're paying in a currency other than dollars you can let me know and I'll try to adjust the pricing so you get a drawing equivalent to what you paid. I don't want people to pay the equivalent of $20 and get a rough sketch or something.

To get a commission, email me at desklamprey @ gmail.com with a screenshot of the receipt of your donation made after this post was made (3/5/24 at around 2 pm PST), and the details about your request. please censor any personal information in the receipt.

If you have any questions feel free to DM or send an ask!

[erika-xero]

Apparently my how to avoid getting scammed by Ai-bros when commissioning artists guide is making numbers again. First of all, good: there are numerous ABHORRENT guides harming REAL artists are out there right now. I literally saw people on twitter telling others that thin line-art is a red flag, gradient is a red flag, wonky anatomy is a red flag. So I am happy that my guide focused on Ai's lack of fundamentals and consistency is still relevant/helpful. Second of all, to all people telling me that "you can also pick up a pencil and draw yourself, y'know" - oh hell yeah, I of all people DO know. That's what I did back in the day when I had no money to commission artists and now I draw commissions for a living too. Almost 1/3 of my commissioners are artists too, so, you know - it's not EITHER you draw OR you commission. People out there still enjoy seeing other people's interpretation of their characters. Some of my commissioners have quite a collection and make sure to commission all the amazing folks they encounter on Tumblr. Some of my commissioners commission art to SUPPORT their favourite artist. And finally - while you definitely CAN pick up a pencil and draw for yourself, you are not obliged to do so if you don't want to. Some people don't like drawing at all (or don't have time to learn, because they work a lot), and you know what? It's cool that they choose to support real artists instead of mindlessly drying out the resources of Mother Earth generating Ai-slop. Yes. YOU CAN pick up a pencil. But you can also hire a professional and support a living human being. I think that's neat.

[alicenthighstower]

TILE TRANSITION TUTORIAL

a couple of people have asked me for a tutorial on how I did the penultimate gif in this set, so here goes! this is my first tutorial, so please feel free to reach out with further questions if anything's unclear.

note: this tutorial assumes you know the basics of gifmaking, can create the base gifs, and are familiar with timeline mode.

STEP ONE: create the base gifs! I'd recommend staying between 25-40 frames for each gif, since the transitions we'll use later tend to increase gif sizes. these are the ones I'll be using for this tutorial:

STEP TWO: create the guide layouts for both base gifs. for this panel, I chose a 4x4 grid — I would recommend keeping the number of "tiles" low because it can get tedious, but have a minimum of 9 (3x3 grid).

now your canvas should look like this:

STEP THREE: create the tiles. this is where the going gets rough; there might be easier ways to do this that I couldn't think of 😭 if there are any please send me an ask!

essentially, in this step we'll cut up the base gifs into smaller squares so that each tile can be manipulated separately when we put both gifs together. to do this, first create a square using the rectangle tool and the guides. then duplicate the base gif, move it above the square, apply a clipping mask, and then convert the clipped gif and square (selected in the image below) into one smart object.

ALTERNATELY: you could duplicate the original base gif and use layer masks to isolate tiles. create a layer mask for the duplicated gif layer and, with the layer mask selected, drag your mouse over a square (using the guide layout) and press delete. then press ctrl/cmd + i to invert the layer mask so that the gif only shows in the square of your choosing.

now repeat until you've got the entire gif in tiles, and do the same for the other gif!

since the transition effect is achieved by staggering the crossfades for each tile of the final gif, you can cheat by having multiple tiles "flip" at a time, ideally no more than four. this means you need to cut the base gif up into fewer pieces. to do this, simply draw multiple squares instead of one and then merge the shapes, before duplicating and clipping the gif onto them.

if you do this, it's essential to remember that you have to divide both gifs up in the exact same way. each piece of the b/w gif has to correspond to a piece of the purple gif!

this is what the layers look like for each gif once I'm done:

I have them lettered so that it'll be easier to match them up in the next step.

STEP FOUR: this is the complicated bit that took me two days to figure out. I'll do my best to explain but don't hesitate to reach out if something isn't clear!

to begin, open up a new psd and import both base gifs into it. (remember to click "create video timeline" and ensure that your gifs are all in order before proceeding.)

now, the trickiest part about this transition is ensuring that all the little tiles sync up so that the larger gif is coherent. so first we'll create some markers (just empty layers) to ensure that everything lines up as it should. — marker 1: at about halfway through the first gif (b/w in this case) — marker 2: at about a quarter of the gif length — marker 3: close to the end of the gifs

at this point we're ready to start bringing in the tiles. I'm going to delete the base gifs from this new psd just to keep things cleaner!

first thing to do is import my b/w tile. move the timeline slider over to marker 1 and split the first gif. (if it helps, rename the split gifs and add (start) and (end) to the two halves.) then, move the (end) half to the beginning of the timeline, and the (start) half to line up with marker 3.

the purple tile is easier to manage. simply import it into the psd and line it up with marker 2.

your timeline should now look like this:

notice the overlap between the gifs at their beginnings and ends — this is where you'll be able to cascade the tiles flipping, so it helps to have a significant amount of overlap.

crop the three gifs for this tile as you see fit! since this is the first tile I want to flip from b/w to purple, I'll crop gif 1a (end) all the way to the current position of the timeline slider (red line with blue tip) and leave the beginning of gif 2a uncropped. for the flip from purple to b/w, I'll crop both gifs a bit.

once that's done, drag all three gifs onto the same level in timeline so they form a video group. your timeline should look something like this:

now you just repeat the process for all the other tiles! as long as you made sure that all the tiles in one gif correspond with tiles in the other gif in step three, this should be a fairly painless process. make sure to crop the starts/ends of the gifs separately so that they don't all flip together.

this is what my layers look once I've done all the tiles:

and the gif!

STEP FIVE: transitions! click on the half-white square (top right of the left column in the timeline, beside the scissors) and select the crossfade transition, then drag it between two gifs in a video group. it should create a two-triangle symbol and shorten the overall length of the video group.

apply the transition to all the tile flips, ensuring that the duration of all transitions is constant. this can sometimes be tricky because ps likes to change the duration of each transition, so right click on the transition symbol and manually change all your transition durations to be the same.

your layers should now look something like this:

STEP SIX: draw the grid. bring back the guide layout from step two and using the line tool (I like 2px thickness), trace the grid. adjust opacity as you see fit (50-80% is usually a good idea), so that the canvas looks like this:

STEP SEVEN: export and celebrate! you're done!

I hope this tutorial made sense and was easy to follow, and happy giffing! my inbox is always open for any questions <3

[pinkchrissysposts]

🪷Tips for Lucid Dreaming🪷

Lucid dreaming is one of my favorite method for entering void and shifting. And I would really recommend this method for those who are struggling to enter void.

Before y'all think "how?,I can't do it,it's gonna take a long time" Let me just remind you it's very VERY easy,especially if you use placebo effect,like for me it especially help alot with getting lucid dreams during my journey and altering ego.

I'm gonna share some tips with you that had helped me in the past to get lucid. I used to have a diary entry to write down my progress or write down my whole experience so after going through my progress I am gonna share some tips which can help you achieve a LD.

☆. Placebo effect

It's one of my favourite method to lucid dream or even manifesting,here is an amazing guide by @weirdbraincustard. You can hold an assumption that everytime you study you lucid dream,or every time you help your mom you get lucid dream or you control it. I saw a reddit post where they talk about how everytime they eat banana before bed give them lucid,and many in the comments were telling about the food that help them get lucid.

☆. Altering ego

Another method that I personally love and it helped me realize how powerful I am here another guide to alter ego and my personal experience . So,if you think altering ego is difficult then use PLACEBO to alter that ego it's the same thing.

☆. Dream Journal

Okurr guys keeping a dream journal is also important,y'all probably heard it alot of times. But try to keep some reminder take a piece of paper and write down certain things that shouldn't be normal while you're dreaming example: A car flying in the sky,a house can't melt,etc. Everytime you remember your dream make sure to write down that one weird thing you experienced or saw,write the weirdest part you remember.

☆. Set intention.

It's the easiest way guys,believe me,trust ME🫠. Especially in drowsy state like everynight before going to sleep. Or waking up set a new intention,set intention like "if I see something weird then I'll do a reality check" or try bitting your hand or any other reality check.

My favorite is placebo and alter-ego,it's just make me feel stress free and less worried. What I used to do is,if I had a hard time altering my ego,then I would choose a certain activity that I wanted to improve example: drawing but I'm lazy,my assumption use to be "if I draw 2-3 times a day,then I'll lucid dream BECAUSE I AM VENUS",I don't so those activity as Christina I do those activities as Venus who lucid dream if she draw 2-3 times a day. I hope y'all get what I mean🫠.

Also as you get in drowsy state as you fall asleep,keep reminding yourself to do a reality check,or do reality check if you see something really unbelievable.