#how do you foster a community like this? can you?

[grison-in-space]

Question about dog breeding/breeds, if you’re ok with answering:

I’m a would-be dog owner, never had one before, and I really want to get a companion dog from a breeder/group that is ethical and aims to produce healthy litters, but… I also understand that healthy litter =/= healthy gene pool, and it would be great to support breeding efforts that promote the welfare of the breed as a whole rather than the specific animals they sell. How the HECK do I identify breeders that promote ethical breeding for both healthy animals and population diversity? (I live in Australia, not sure if that makes this harder to answer or not)

(I mean ideally I’d adopt a rescue but there are pros and cons to that and, as a newbie, I’m not going to take on an animal I can’t adequately care for. And also I can never find rescue dogs of the breeds that work for my lifestyle)

So I don't know Australia as well as some other folks (@farm-paws?), but I do know that the best way to figure this out is to find out where breeders are talking to one another and listen to the things they say. The second best thing to do is to just ask breeders producing dogs you like: how do you breed with an eye towards producing the dogs you want, and how do you breed with an eye towards making the whole breed better?

The thing about this question is that there's lots of ways to answer it, but how a breeder answers that question given your breed's context will help you figure out how much they're thinking about each. And it does mean thinking very clearly about things you value. Any person trying to achieve a goal with limited resources, which describes many passionate breeders, is going to have to make trade offs based on resource limits. Increase the genetic diversity of the population as a whole, or win big at a given sport?

Let me get you some examples under the cut.

Here are a couple of examples of what I think of as pretty nice kennels I would be happy to consider approaching for a dog, if they bred dogs of a type I currently want to own and I wanted another dog. (Some do, some don't, and I won't have space in the inn for several years yet anyway.) They are unfortunately American--without knowing your breed of choice it's hard to figure out how to navigate the Australian scene--but most of the tips should carry over okay. Because Dog Culture can sometimes be really black and white and mistake cultural markers for meaningful ethical distinctions, I'm going to try and share a wide range of perspectives, orientations, and viewpoints here from breeders who think about long term breed improvement.

Wayout ACDs: This post on the importance of collecting and storing semen from older, sometimes long dead dogs is a great green flag that this breeder thinks deeply about the long term future of the whole population--especially given her emphasis on these older dogs who might not have contributed heavily to the gene pool in their younger, living days. Collected semen from old dogs who aren't closely related to younger dogs can be a great way to help broaden and revitalize a larger population.

Border City Bullies, coming from a breed with a relatively low incidence of health testing and some big cultural variations, has a ton of resources available on how health testing works, what to do about it, and how to responsibly move forward even if a dog fails a test. The breeder here clearly feels very strongly about teaching and encouraging other American Bully breeders to start monitoring longer term health as a breeding goal and fostering a community of breeders who want to work with each other to make the dogs healthier. I love this approach. Especially when population bottlenecks are not a major problem but health monitoring is, building a better breed community is also a signal of someone who is thinking about their breed over the very long term.

Woodpont Beagles. I really like this breeder as an example of someone who keeps his dogs differently to mine, but who has firm standards for their comfort and care nevertheless. I also admire this breeder's ability to assess two "camps" in his breed that don't communicate much and do his best to take the best from each perspective. Finally I really like the emphasis on the successes and failures of breeders from the past: a good vision for the future often includes a deep knowledge about how we got to the present.

The Functional Dog Collective is probably a good place to check on, even if it's heavily North America based; my understanding/experience is that while there is certainly a lot of disagreement within the broader community of breeders, that's a spot where anyone with an interest in long term breeding for health in particular is going to pop up. The Institute for Canine Biology is another good place to look around for people in your breed of choice who are broadly interested in evidence-based approaches to more healthy breeding, too.

[spacedlexi]

as someone who likes to occasionally look through the blogs of the accounts that show up in my notifs it really is sad to see so many blogs now just be personalized empty spaces :(

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[wellfine]

Hey I found ur art uncredited on tik Tok

https://vm.tiktok.com/ZMreQSnaw/

They said they "found it on Reddit" so they just decided to steal it and post it ig?? Ugh!!

Wow, that's a whole other repost to the one I thought it was going to be, lol. It's been reposted to TikTok once before, and I'm also not surprised this person got it from Reddit, where I doubt I was credited either.

At the end of the day I appreciate the heads up but there's nothing I can really do about it. The most helpful thing anyone can do is to leave comments on the reposts to provide credit,* because if artists ever try and comment then we pretty invariably get attacked. Don't be mean or aggressive, that just builds their animosity towards the artists, but I do think people respond positively to outside pressure to do the right thing 🤷

*Remember to make sure there's enough context - eg. something like "art by @ landegart on Twitter" is more searchable/useful than "artist is Landeg" to someone on TikTok who has no idea who I am haha

[cassandracain52]

My shipping guide for the Batfam fandom because some of these ships are getting out of hand

(This post goes out to the person who told me they legitimately didn’t know Tim and Jason were brothers and thought they were a canon couple🤢)

Acceptable/non-incest/legal ships:

Tim and Stephanie, Barbara and Dick, Bruce and Selena, Bruce and Talia, Basically Any Pairing That Is Not Adopted Relative/Adopted Relative or Child/Not Child Is Ok It's Not Rocket Science, Dick and Kori

Incest/Batcest ships:

Jason and Tim, Dick and Jason, Tim and Damian, Jason and Cass, Dick and Cass, Tim and Cass, Bruce and any of his children that is their FATHER, Bruce and Alfred, Bruce and Kate, Mari and Damian

Ships that should be illegal/personally give me the ick:

Barbara and Bruce, Jason and Barbara, Tim and Barbara, Duke and Cass, Jason and Talia

Ships that are a whole ass felony:

Dick and Damian, Damian and Stephanie, Honestly Damian and Most People He's a Child, Bruce and Stephanie

[iknowwhereyousleepatnight]

yea i literally have one less cat than you and probably the only reason we don't have the same amnt is bcuz my sister is out of vet school and isnt takin care if adoptable cats anymore. anymore time there we'd have at least 2 more istg. i dread the day my BiL brings home another stray.

so real. the only reason i haven’t adopted more is because i got out of a school program that had a tendency to go ‘hey someone wants to rehome this cat’ and i, obsessive email checker that i am, would always see it first and go CAT and talk with whoever needed their cat rehomed and i didn’t even take the cat each time but i love cats sm and i mean, what’s one more? <- belief that has led to having so so many cats. besides. i’m not the only one who does it. my mother adopted a cat who’s owner moved out through work friends and we’ve all brought in a stray at some point. we try to get them rehomed before we get attached but…. that happens pretty quickly and also no one wants cats around here? that we know at least. and even with all of our cats we still will go to the shelter and foster queens/very young kittens (separate from our cats ofc) because we have so much experience with newborns and let’s be honest, kittens are so fucking cute. like. there will be points where it feels weird to not have fosters. but we need to take breaks else we’ll get too attached

[cinnabeat]

workplace drama 🙄

[skrunksthatwunk]

ranting for like an hour with my roommate about rascal's owner bc i do not understand her behavior (<- furious).

[sylvies-chen]

I think there’s something so deeply and intimately and morbidly true about The Last of Us’s primary thesis which is that humanity’s fatal flaw, in that very Shakespearian way, is that we are destined to care too much about one another so much so that we discard the collective entirely. like we have such a capacity to love the human race and humanity as a whole, to grow our communities and govern cities how we know best and foster such connection with the masses which we are part of, but it’s overtaken by our capacity to love even just a single other person. like one human can come into your life that creates such an intrinsic and passionate love in you— or maybe two people or a family’s worth or any small number— and you suddenly would burn entire villages down just to keep them safe.

joel doesn’t blink twice murdering to find ellie. he doesn’t look back when he decides to do what he does at the hospital later on. he has no remorse about any of it it, because this one girl has grown to mean more to him than any possible greater good could ever mean. and it’s reciprocal. ellie would— and does— do anything she can to help him, save him, protect him, and, eventually, to avenge him. because that’s what you do when you love someone. not when you love people. when you love someone.

and it’s selfish, in a way??? because we love these people and would do so much for them because they mean more to us than other strangers do. it’s exactly like an iteration of the trolley problem, actually. one track has your daughter on it and one track has fifty people. don’t even try telling me you wouldn’t go onto track B if it meant saving your daughter and her puppy dog eyes from the whimpering and pain and fear. The Last of Us says yes, you would. I would. we all would. and like yeah that is our greatest weakness, that we have such a unique ability to love a handful of people so deeply that our compassion towards community and strangers and the bigger collective starts to slip from view. but goddamn what a fucking great fatal flaw it is to have. we are all going to die and the world will burn because we loved another person too much.

[unadulteratedsoulsweets]

A DC X DP IDEA #27

They’re the strongest?!?!

Imagine dis…

You know … I read too much humans are space orcs fic, prompts, ideas… etc.

But I still like Danny Phantom and DC…

And I remember that one A03 fic…

…

Another alien invasion is another Wednesday for the JL but it seems like they are quite different. Not only they are known as invaders in the Green Lantern Corps but they also have some sort of code among warriors, they give a chance to the species they are invading to fight back. By having their strongest fight against their strongest. It is not through fighting to the death as different planets have different climates and terrains and thus have their version of the Olympic games but instead of rewarding the participants medals, they were rewarded their planet's safety, but Hal commented that the challenges are too staged, too well known to the invading aliens. Since the ones defending have no idea how to approach the challenges, they always end up losing. Green Arrow commented that since they can just send out the Big Blue boy scout, Hal shook his head as they have to be the same species one planet already tried it by asking aid from another planet and not only lost but the invading aliens got 2 planets, plus they’ll bring it up to the galaxy court system and put them in a tight spot. Of course, Aquaman blinked with confusion and asked if there was a court system for the galaxy.

…

So of course, when the said invading aliens landed on the Milky Way and broadcasted their intentions. The JL already have a team to fight them, of course, we have Batman with his cunning mind, Wonder Woman for her chivalry and strength, Flash for his speed, Doctor Fate for his mastery of magic, and Cyborg for technological skills. Just as they were about to tell the invading aliens that they had already picked their strongest, another announcement popped out. Apparently to even out the playing field they have a new technology to help them pick out their strongest for them. As if they were talking to kids and promptly pressed the bottom to automatically select the earth’s strongest.

The heroes at the space station as well those around the world who were debriefed about the situation a week before are already bracing themselves to be picked, while the citizens around the globe are all now watching and anticipating as not only this a new thing as the majority of their alien invasion they immediately went to evacuation.

Who appeared/ chosen immediately made both sides' jaws drop….

Three?

Only three are chosen…

An adult, a teen, and a child?

A man who wore a blue rental suit with glasses, blue eyes and black hair. Which the Metropolis recognizes as one of their own. Clark Kent, a reporter with fame and reputation on par with the famed Lois Lane. The ideal model of someone who came from the countryside and made a name and life in the big city.

An 11-year-old boy with blue eyes and black hair who wore a red hoodie, faded jeans, and red shoes, in which the city Fawcett knew of. Billy Batson was, a former foster kid on the run until he found his forever home with the couple named Victor and Rosa Vasquez who also fostered a couple of kids, which Billy claims as his siblings. A kind kid who kept doing good around him and his community.

Lastly, a teen, again with blue eyes and black hair wore a faded NASA hoodie, and blue jeans with faint eye bags which was a small town in Amity Park where he came from. Danny Fenton, the only son of the two leading scientists of ecto-biologists in ecotology, the one who realized that one of the two purple-back gorillas is a female thus avoiding extinction.

…

Clark Kent by day and Superman by night knew about the invading aliens. He also knew that he could not participate despite being raised on Earth made him unqualified to join. So, imagine his shock when he suddenly found himself with two earth children in the middle of a large arena with futuristic cameras looking at them. He is now in an internal dilemma; how can he save the two kids, while he tries to save Earth altogether?

This train of thought also passed by the young Billy Batson on the said teen, Billy already knew that Superman was already thinking of saving the both of them. Now his priority is to survive and keep his secret ID a secret for a bit longer.

…

Danny on the other hand has a completely different train of thought, he was just about to reach his room. His beautiful room where his bed is, he had just finished a four-hour exam to bring his grades back up to an acceptable level, 9 continuous ghost attacks, another nonsense quarrel between the observers and he is close to committing anarchy just so he can have the same treatment to Pariah Dark, an eternal sleep in a comfortable looking Sarcophagus of Forever Sleep.

So imagine his surprise when he is suddenly teleported to what looks like an alien ship, Danny would usually be ecstatic but they have interrupted him, he is so close to his bed. He knew that there would be some sort of an invasion as he remembered the bits and pieces from Tucker’s ramble when they last hung out together.

He doesn’t care if aliens invade Earth, but if you come between him and his bed. He will make sure of what he will do to those who disturb him, he will make his fight with his future self and Pariah Dark like child’s play.

…

The Justice League kept on insisting that they had already chosen their fighters and those who appeared in the middle of their arena were civilians, not warriors. But the invading aliens stayed on their decision and immediately began the games.

The rest of the heroes are now scrambling to not only stop the invading aliens but also save the 2 civilians who were randomly selected.

While the rest of the League is now panicking the rest of the world is now in an outrage. Sending out a civilian man and children by the alien's weird machinery.

The Fenton couples are especially rabid as, if there is anything that tops their ghost obsession, it would be their children’s safety. The family of Batson are on the edge of their seats as they worry for Billy.

…

The games begin with an opening of rules and such, as well as an introduction to the alien’s warriors who are big and full of muscles making the Earth team look so tiny.

The first game starts with a simple hunting game with very minimal clues and tools at their disposal to find what they seek. Clark can crack the code on to where to hunt but it is a dangerous environment, Clark discusses it with his teammates on how to catch it, Clark is already thinking if he should reveal himself as a meta with strength but Danny just glares at the man and grabbed capturing tools form the table and sought out the thing they are designated to hunt.

The other team took a glance at Team Earth and warbled some snickers at how they took looking/hunting too fast without any plans and went back to their planning.

Clark and Billy are worried for their other teammate but after a few minutes, they hear a roar some shuffles, and then silence.

Back on earth, most people are horrified a what could be the teen’s fate but when footsteps were heard they saw the teen again scathed, with a few scratches, and a hulking beast all tied up from its muzzle to its tails.

Clark nervously asked, still maintaining his civilian identity, how on earth Danny had caught such a beast. Danny’s only response was, back from where he came a certain ”friend” really wanted “someone’s” pelt on a wall and learned some things while HE was chasing that “something”.

That starts the Danny effect…

…

A tag sort of game as there is a hunter to hunt them down and their objective is to hide longer than the other team, with both Billy and Danny a part, while Billy lasted a few hours with his wit and skills that he honed during his time when he ran from CPS and the police during his days as a foster child, which is impressive itself as he got two of the other team’s members to be captured first before him. Danny outlasted Billy and the rest of the other team won the game in a landslide and gained some bonus points by not only redirecting the hunter and leading them into a false trail or a dead end but also messing with the said hunter without being spotted by him.

Cooking with live and weird ingredients? Clark initially volunteered to do it as he has a stomach of steel being an alien but cannot cook as he has no idea which ingredient is edible as all alien dishes and ingredients come from Krypton and he has to impress the judges who put them in a disadvantage as the judges are from the same race as the opposing team. Danny just shook his head at Clark quickly put on an apron and set to work.

Clark and Billy immediately turned green at the sight as Danny nonchalantly battled the live ingredients, from the meat section to what seems to be the fruit and vegetable section, It is bloody as it is and quite fascinating as it is disgusting. All their years in the Justice League they have seen some twisted and weird things but seeing their third teammate casually stab what looked like an unholy cross hybrid between an octopus and a shark trying to crawl away from the carnage, cleaned the weird animal from the inside out and fillet it.

Of course, they are in disbelief when the judges practically moan the moment, they taste Danny’s dish. Clark and Billy are pretty sure one of the judges is planning to spare Danny and turn him into their chef if the invasion continues, with the way they look at Danny. The judges reluctantly let Danny’s dish win.

Billy reluctantly asked Danny where he learned to cook like that, Danny’s only response was a grumble of a sound that seemed to sound like at home but that cannot be, right?

Trying to survive an onslaught of hypnotic plants native to the alien’s home world, Danny once again won and even began criticizing the plants for how their music was so horrible that it would not even wake the dead.

Play some sort of FIGHTING VIDEO GAME that is popular in 5 sectors in their part of the galaxy, Danny wins and repeatedly shoots the aliens with pure hatred and anger in his eyes, Clark has to physically drag Danny out of the arena to stop his onslaught of firing to the poor guy who was already on the verge of crying.

And so on with the Earth’s team leading COUGH Danny COUGH and demolishing the invading aliens from their games.

After a while the games are done and Team Earth wins with a massive gap to the invading aliens. They returned the three in the middle of the Metropolis and went away without so much a fuss…

Well, expect that one chef in their midst how begged the leader to take Danny and only him with them but the leader is already fearing for his life as the last few games that humans began to be more feral by the second and he was sure he is also a second away from being the one at the other end of his chopping board.

…

Back on earth everyone cheered on the three and began flashing them their camera lights to get a new scoop, and one brave reporter even tried to interview Danny but when people tried to look for the elusive teen he seemingly disappeared.

Clark knew Danny was, sleeping peacefully in the middle of the bushes a few feet away from them, and kept quiet as he was late to realize that Danny was on the verge of a crash like Red Robin is when he pulled something like this when Conner invited him.

…

PS: If someone out there wanted to continue or make a fic about this you are free to do so, don’t forget to tag me though.

[raining-its-pouring]

A little tired of people saying Moon can’t stand up for herself. Like yeah I think one of the flaws she has is she is too lenient and forgiving, but also in her situation it’s VERY HARD not to be. And it’s very situational, usually manifesting with Five Pebbles.

She stops talking to you if you annoy her enough, and only starts again if you win her back over. You have to put in the work. She isn’t “rolling over” and letting things happen to her, despite the fact that she is in absolutely no position to bargain. As stated by her, her kindness and her words are the ONLY thing she has. So her taking those away from you, the player, is absolutely her standing up for herself.

Everyone brings up how she handles Five Pebbles (esp the comms thing) and it is incredible to me just how many people lay this entirely at her feet when the game states over and over again that even despite Moon’s intentional feather-light influence over him, he still resents her for being his superior. He seeks out a mentor who is her opposite.

He wants to be something more than what he is, wants to be detached from her, and she can’t do anything about that but do the best she can to exert as little influence over him as possible.

She is stuck between a rock and a hard place here, and was betting on her kindness to have fostered enough mutual respect that she wouldn’t have to resort to forced communications. She was wrong. He was driven by fierce desperation, something that she wasn’t privy to. And she paid for it.

Yes, this is a flaw of hers. But it’s not a universal one. (the rest of the iterators look to her for help- she’s the group senior for gods sake- and people act like she can’t take a stand) I genuinely doubt Moon would’ve waited so long to used forced comms if it were happening to anyone else. If it were being committed by anyone else. And that just makes the tragedy even sweeter.

[physalian]

What No one Tells You about Writing Fantasy, #2!

I did this list about 7 annoyances about fantasy, but I write in this genre for a reason! Fantasy knows no bounds, it can encompass all other genres within it. You can write a fantastical murder mystery, fantasy horror, fantasy romance, political drama, slice-of-life, comedy, whatever you’d like!

Whether it’s urban or high fantasy, supernatural or scientific, here’s seven great benefits of writing in this genre:

1. No modern means of communication

Unless you’re writing a world with phones or phone-adjacent devices. Phones and instant communication seriously inhibits the plausibility of dramatic irony and tension when you have to keep coming up with reasons to keep your characters from calling or texting each other everything they know. It’s exhausting, I tell you, and such a relief when phones aren’t a factor.

With that said, without phones, you have complete freedom to design your own magical channels of supernatural FaceTime, as weird and zany as you want. But without instant connections? Your character who knew too much can’t pass on the intel before they die. Your hero team can’t call for backup in their darkest hour. Otherwise easily preventable tragedies and deadly miscommunications are now very real.

2. The Monster Allegory

Fantasy and sci-fi tend to overlap more than they’re set apart, and in that overlap sits the monster allegory. Everything from werewolves to vampires to witches, reapers, demons, angels, goblins, trolls, wraiths, fairies, mermaids, ghosts, to Eldritch horrors and your classic Hollywood cast of mummies, creatures from the black lagoon, and Frankenstein.

Most of the time, the monsters aren’t just monsters, they represent a monstrous aspect of society the author wants to challenge and caricaturize in a fun and entertaining way. Or, the monsters are the good guys and the humans are the real terrors. Or, you’ve got two kinds of monsters to allegory two human sides. Sometimes they represent metaphorical demons, like vampires often representing addiction and werewolves repressed identities.

What all of this boils down to is the hyperbolic nature of science fantasy that allows you to go over-the-top with your metaphor and allegory in a way that a book grounded in reality just can’t.

3. Magic Systems!

Do you love world building? Do you love filling pages upon pages with your cool and unique set of superpowers you want your characters to have? Do you dream about your fight scenes and dramatic slow-mo shots?

Then Fantasy is for you!

There are zero limits to how you want to define your magic system. You can go classic with the familiar archetypes of elemental magic, wizards, sorcerers, and witches. Or you can step off the beaten path and design a whole new funky system of power sets. Best part? Your readers will have an awesome time imagining themselves with those powers, and debating endlessly about how it works.

4. Real-World Politics, who?

Amazon’s Rings of Power was twice-doomed when they only got the rights to adapt the appendices of The Silmarillion and when they decided to inject current political problems into a timeless story written purposefully to be divorced from those politics. You *can* write about human politics, but in fantasy, you don’t have to. You *can* interpret Lord of the Rings to be an allegory about the World Wars, but no matter how hard you argue, it wasn’t written with that intent.

Which means: Even if your story is set in the reality-adjacent fantasy version of 1543, you are free from the following: Racism, homophobia, sexism, religious bigotry, mental health bigotry, gender norms, anti-feminism, toxic masculinity, and more. “But that’s how it was-”

Nope. This is fantasy. You built this world, you decided to keep in the discrimination. Or… You can fill your fantasy world with a rainbow of gays, POCs in power, women in power, men unafraid to be compassionate and caring, a religion that doesn’t foster hate and division, the list goes on. You. Are. Free.

5. Nothing is too “unrealistic”

Both that you will always have people whining about how X would never happen so write the book you want to read, but also because fantasy is fake. Fairies aren’t real. Mermaids aren’t real. There are no rules for how they must be written and that’s how we have so much variety with so much room for interpretation by so many creators. Twilight made how much money writing about vampires that sparkle like diamonds in sunlight and crack like marble?

This is fantasy, it’s supposed to be unrealistic. Yes, your plot should make sense, but don’t be afraid to get weird. Write at least some of your story dependant on those fantasy elements. Write a story that can’t just be told in the real world minus the spectacle. Don’t be afraid to be sincerely fantastical and weird. People love weird. People love loving weird.

6. You are in complete control

But you do still need to research, unfortunately. Unless this is urban fantasy that depends at least a little on the human world, yours is completely your own to govern like a god tweezing weeds from their garden. You get to design your own geography and weather patterns and seasons. Your own countries and kingdoms and politicians. Your epic pre-canon fantasy war and the stakes that it was fought over. Your species, races, and ethnicities.

It’s a shame that a movie like Avatar (2009) set out to be this wholly unique take on aliens with music completely divorced from earthly bonds, new languages and a visually and culturally distinct alien species… and ended up a largely generic blue Pocahontas in space. It forgot that it was fantasy and didn’t go weird enough. They have horses, monkeys, wolves, rhinos, and deer just re-skinned with some extra limbs and colors. It’s pretty but it’s so, so shallow.

It could have become a cult classic like many a positively *weird* 80s off-beat fantasies, and now it just… exists. It makes a whole lot of money but its impact on the cultural zeitgeist is negligible. I’m the only person I know that can name every major character in the movie, and I’m no Avatar obsessor. They had complete creative control, and this is what they did with it. Don’t be Avatar. Take your creative freedom and run.

7. Even if it has been done before, do it again

You can say this about any genre, particularly romance, but fantasy and sci-fi, by the gatekeep-y nature of their fans, can be a lot less forgiving when it comes to claims of “unoriginality”. No one hates Star Wars more than Star Wars fans. Fans of these genres can get… concerningly attached to their favorite stories (mostly because the people who like them had only their fictional heroes to protect them from very real bullies).

But Game of Thrones exists because the author likes Lord of the Rings and went “yes, but what if it was an R-rated parade of misery?” Dungeons and Dragons exists because people wanted to roleplay in an LotR-esque world. Legolas and Gimli single-handedly defined what a badass elf and dwarf looks like in high fantasy. And people still gobble up media ripping shamelessly, or even good-naturedly, from this one story.

So on my other list, I argued that the sum of your parts is still original, even if the components aren’t. On this list, I implore you this: It’s not stealing or appropriating to write another Legolas if you love Legolas. Everyone loves Legolas. How many generic buff action heroes do we have and love? How many Hallmark romances tread the same predictable path? Who gives a damn if it’s unoriginal? Just make it entertaining and have something fresh to say in the end (or don’t, that’s fine too), and people will read it.

And when people say “Oh, you mean like Legolas”, take it as a compliment, not an insult. Yes, exactly like Legolas. Here’s my new elf because I adore this other book, now watch him go on a new adventure that I wrote for him.

[unboundprompts]

Hello!!! I hope you don't mind doing this one,

Can you help me write a traumatized person who's having trouble talking because of past trauma? (They can still interact with people, but only with signs and movements, not voice) and also a little anxious

Tell me if you need more details =)

How to Write a Mute / Non-Speaking Character

-> healthline.com

-> verywellhealth.com

-> descriptionary.wordpress.com

Types of Mutism:

selective mutism: having the ability to speak but feeling unable to.

organic mutism: mutism caused by brain injury, such as with drug use or after a stroke.

cerebellar mutism: mutism caused by the removal of a brain tumor from a part of the skull surrounding the cerebellum, which controls coordination and balance.

aphasia: when people find it difficult to speak because of stroke, brain tumor, or head injury.

What Causes Selective Mutism in Adults?

having another anxiety condition, like separation anxiety or social anxiety

experiencing physical, emotional, or sexual abuse

having a family history of selective mutism or social anxiety

having fewer opportunities for social contact

having an extremely shy personality

having a speech or language disorder, learning disability, or sensory processing disorder

parent-child enmeshment, or lack of clear boundaries in the relationship

traumatic experiences

Traumatic Mutism vs Trauma-Induced Selective Mutism

if you have traumatic mutism, you may be unable to talk in all situations following a trauma.

with trauma-induced selective mutism, you may find it impossible to talk only in certain situations-- for example, in front of the person who hurt you or in a setting that resembles the circumstances of your trauma.

Different Ways Individuals with Mutism May Choose to Communicate:

Nonverbal Communication: they may rely on facial expressions, gestures, eye contact, and body language to convey their thoughts, emotions, and intentions.

Writing or Typing: they may use a pen and paper, digital devices, or communication apps to write messages, notes, or responses.

Sign Language: they can convey meaning, emotions, and engage in complex conversations through hand signs, facial expressions, and body movements.

Augmentative and Alternative Communication (AAC) Devices: these devices provide individuals with a range of tools and technologies to support their communication needs. They can include speech-generating devices, picture boards, apps, or software that allows users to select words, phrases, or symbols to generate spoken or written output.

Communication Boards and Visual Aids: Communication boards or charts with pictures, symbols, or words can assist individuals in conveying their messages.

Assistive Technology: various assistive technologies, such as speech-to-text apps, text-to-speech programs, or eye-tracking devices that aid individuals with communication.

Tips on Writing a Mute / Non-Speaking Character:

Explore the vast array of nonverbal cues such as facial expressions, body language, gestures, and eye contact. Use descriptions to convey their intentions and reactions.

Utilize internal dialogue. Offer readers a window into their internal thought process, and turn their internal dialogue into a narrative that reveals their inner struggles, triumphs, and complexities so that reader can connect with the character.

Establish a communication system that is unique to your character (Sign language, written notes, telepathy in a fantasy setting, etc.). Having a communication system allows your character to interact with other characters and contribute to the narrative.

Surround them with Understanding Characters that can aid in communcation and fostering meaningful relationships.

Establish the Barriers/Conflicts They'll Experience. Don't forget to be realistic.

Your character is not defined by their inability to speak. Make sure you do not write stereotypes and cliches. Being mute is only one aspect of their identity rather than their defining trait.

Do your research! Seek out firsthand accounts, experiences, and perspectives. Check out online forums and resources to gain insights into their unique challenges, adaptations, and strengths.

If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.

[botanicalsword]

Indicators for “it’s impossible to ignore you ♡ ” • Astro placements

Harmonious aspect between Sun and Jupiter

Sun conjunct Jupiter + Jupiter in Sagittarius/ Pisces / Cancer

Chart Ruler in 10H + Harmonious aspect with personal planet

Personal planets in 2H / 4H / 10H

Venus in Libra, Asc in Libra w/o challenging aspects

Venus in Leo w/o challenging aspects

Harmonious aspect between Venus and Jupiter

Sun/ Moon / Venus / Jupiter in 11H + Harmonious aspect

11H Ruler in 1H / 4H/ 7H / 10H

11H ruled by a domiciled planet

Chart ruler in 11H / 2H

5H ruler in 11H

Harmonious aspect between Venus and Jupiter

Harmonious aspect between 2H and 5H and 11H (rulers / planets)

✧✧✧✧

Harmonious aspect between Sun and Jupiter - wisdom and compassion

They have a captivating aura that attracts people and ensures their safety. They remain calm, never losing their composure. Their wisdom and kindness secure respect and support from everyone, regardless of the location or situation.

they tend to handle difficulties actively. When faced with difficulties or troublesome situations, those with a positive outlook tend to actively work to find solutions. They don't face major issues often, but smaller problems help them improve.

Easy success can dampen motivation, while challenges fuel drive. Even conflicts can be beneficial. Handling minor frustrations early fosters resilience. A blend of support and issues prevents complacency and maintains goal pursuit.

✧

Sun conjunct Jupiter + Jupiter in Sagittarius/ Pisces / Cancer - they are defined by their cheerful outlook on life. With a harmonious astrological aspect boosting their mood, they tend to see the positive side in any situation. People enjoy their energy and smile easily in their presence. Their can-do attitude also helps opportunities come their way. Their natural luck maximizes when paired with practical wisdom about ups and downs.

✧

Chart Ruler in 10H + Harmonious aspect with personal planet - They are strong, can handle high pressures and challenges, and stay resilient in adversity.

✧

Personal planets in 2H / 4H / 10H - Coming from a wealthy family background, receiving strong support from their loving family circle.

Growing up with financial security provides a solid foundation for success. Their chill, can-do attitude lets their skills and talents to thrive in the work sphere. Recognized for contributions, opportunities come readily - good stuff just seems to find them.

With a little help and faith from the family, they keep their confidence sky high. No sweat, they can handle any bumps in the road.

✧

Venus in Libra, Asc in Libra w/o challenging aspects - elegance and nobility. their gentle temperament makes people feel very comfortable and intimate.

✧

Venus in Leo w/o challenging aspects -When everyone is watching, they stand amidst a vibrant light show, feeling incredibly classy. It's as if they have a unique filter making them look even better. The show is extraordinary, and all eyes are on them. The audience may express approval, jealousy, or admiration, but they accept it all. Because this is their stage, and they are the star of the show.

✧

Harmonious aspect between Venus and Jupiter - Their financial success and enjoyable experiences are like eye-catching flowers. They display their wealth and easily gather attention. It's not just about getting rich, but also about having an impact. They're charmers, kind of like how flowers pull in bees. Living like this, they stand out from the crowd, just like a blooming flower in a field of grass.

✧

Sun/ Moon / Venus / Jupiter in 11H + Harmonious aspect

11H Ruler in 1H / 4H/ 7H / 10H

11H ruled by a domiciled planet

Chart ruler in 11H / 2H

5H ruler in 11H

The 11th house is closely about forming friendships and spending time with your community. It primarily represents popularity and online traffic, both of which are crucial factors. As a social media influencer possess strong likability, their content will attract a larger audience, and they'll attract more views, leading to more clicks. Traffic is also a significant indicator of success in the realm of social media. All of this bodes well for them seeking exposure on their journey as social media creators.

✧

Harmonious aspect between Venus and Jupiter - Venus, as a symbol of aesthetics, grants us a unique perception and appreciation of beauty, enabling us to seek and create elements of beauty in our daily lives.

Jupiter, as a symbol of opportunities and expansion, provides us with the ability to seize opportunities and amplify our influence in the digital age. These abilities are not limited to the physical world; they extend into the digital realm, allowing us to share our creations and ideas with a wider audience through the power of the internet.

✧

Harmonious aspect between 2H and 5H and 11H (rulers / planets) - There will be a more direct relationship between wealth, traffic, and creativity. This means that wealth not only depends on our efforts but also on our ability to create compelling content and generate a significant amount of traffic. The value of such content will be more prominently recognized, and their wealth will more accurately reflect their creative abilities.

The more traffic and creativity they generate, the more wealth they will accumulate. The key is to invest effort in creating exceptional content that attracts a lot of viewers. The value of their content will be recognized appropriately, and the income they earn will accurately reflect their talent.

✧✧✧✧

>> Back to Masterlist ✧ Explicit Content

Quick Access to : ❥ Astro / Asteroid Indicators ❥ Synastry / Composite Chart Observations ❥ House Stellium Observations ❥ Astro basic info / Brief reads ❥ Asteroid database ❥ Personal studies ✧ spiritual journal

Exclusive access : Patreon

/ instagram : @le.sinex / @botanicalsword

[novlr]

Do you have any tips on how to write a character who’s being manipulated?

Your blog has been very helpful to me! :) thanks a lot

Quick Tips for Writing Manipulative Characters

To convincingly write a character who is being manipulated, you must first understand how to write a believable manipulator. Often hidden in plain sight, manipulators pull the strings, guiding the actions of those who are often unaware that they're dancing to someone else's tune.

Let’s look at manipulators as puppet masters, exploring how they function and how their actions echo throughout your story. By understanding the manipulator, you'll better equip yourself to create realistic characters who are unwittingly under their sway.

How do they behave?

Play the victim to garner sympathy

Charming and persuasive

Twist and distort the truth to suit their agenda

Play mind games

Are silver-tongued

Passive-aggressive when confronted

Use guilt to control others

Don’t hesitate to lie or deceive

Demonstrate a sense of entitlement.

Project their feelings onto others

How do they interact?

Play different roles with different people

Prefer indirect communication to direct confrontation

Gaslight others, making them doubt their own perceptions

Shift the blame onto others

Exploit others' vulnerabilities

Use people’s secrets against them

Make others feel obligated or in debt to them

Use flattery to get their way

Create conflict between other characters

Deliberately create confusion and chaos

Describe their body language

Maintain intense eye contact

Use touch to seem friendly and intimate

Facial expressions often don't match their words

Use large, expressive gestures to dramatise

Have a confident and exaggerated posture

Soften expression to look more trustworthy

Smile artificially or excessively

Lean in close, invading personal space

Mirror others’ behaviours to seem more likeable

Mimic emotions they may not feel

Describe their attitudes

Believe they are always right

Feel entitled and superior

Lack empathy

Highly competitive

Often impatient and intolerant

Controlling and like to be in charge

Rarely apologize sincerely

Often play the martyr, acting self-sacrificing

Can be sceptical of others’ intentions

Kindness is often an act

Positive narrative effects

Paradoxically, manipulative characters can have a positive narrative effect on those they manipulate. These characters can act as a catalyst for change, pushing others to unlock hidden potential and indirectly teaching them to be more cautious. In the face of manipulation, characters can mature and grow resilience.

Manipulative characters can also reveal people’s true natures by tricking them into revelations or by fostering unity as others band together against them. Furthermore, their actions can create dramatic plot twists, make people question their own perceptions and realities, and add intrigue.

Negative narrative effects

Manipulators can cause emotional and psychological distress, breed distrust and insecurity, and disrupt relationships and friendships. These characters often lead others to make damaging decisions, creating a toxic environment.

By exploiting and exposing others' vulnerabilities, manipulators make individuals question their self-worth. The extent of their manipulation can even cause physical harm and lead to the downfall of other characters. Their lasting legacy? Emotional scars that define their victims long after the manipulator has exited the narrative.

[artbyblastweave]

Frederick Sinclair is a really interesting foil to Mr. House. I mean you start digging into this and it's just parallel after parallel after parallel. Start at the high level. House sinks inordinate amounts of resources into saving the city of Las Vegas - not the people, but the city- from nuclear destruction; as long as the stage endures, he can get anyone to wear the costumes. Sinclair sets up an entirely new "community" totally off-the-grid for the sake of protecting one woman, plasters that place with her likeness. House is a visionary with a 200-year action plan to rebuild society in his image, bootstrap space exploration, and construct an interplanetary empire; Sinclair sank everything he had into building the most secure facility possible for a woman who he knew was terminally ill anyway, just to ensure that her last few years lived in the aftermath of the nuclear apocalypse would be as comfortable as possible- there's a fundamental pessimism baked into what he was doing. Both House and Sinclair relied heavily on automated defensive systems and cutting-edge, esoteric technologies to accomplish their ends, but House built his power base on proprietary robotics and computing technology, much of which he personally designed- an outgrowth of his policy of never widening his circle any more than he absolutely has to. Sinclair, in his naive techno-optimism, outsourced his utopia, grabbing flashy third-party technologies like a kid in a candy store- opening a backdoor for the Think Tank to poison his city and ultimately getting everyone at the Gala Event killed when the holograms malfunctioned and went berserk.

Their management styles are inverse. House allows countless abuses to occur under his aegis because he subscribes to a libertarian-when-convenient philosophy where he doesn't much care what the little people do as long as he gets his cut and they don't rock the boat too much- a hands-off approach that fosters resentment amongst his subordinates, lets the White Gloves and Omertas get up to untold levels of fuckery while Freeside languishes and Benny conspires against him. Sinclair, by contrast, had a sincerely-held utopian-straight-edge safety-first micromanagement approach built into the very bones of the casino, he appeared to genuinely give a shit about the safety of the construction crew on the villa, and he was well-liked by nearly everyone who had any direct contact with him- and yet untold horrors also went down under his aegis, because his myopic focus on building the vault for Vera let Dean Domino and the Think Tank run circles around him, good intentions be damned. Their respective interpersonal dispassion and obsession are on display in how they react to betrayal. House's tone never rises above exasperation when it comes time to clean house of Benny, the Omerta Leadership and the White gloves; he treats them as problems to be solved, gears that are slightly out of alignment; By contrast, when Sinclair learns that Dean and Vera have been playing him, he channels the monomaniacal energy he previously directed towards protecting Vera towards the goal of building the perfect poetic-ironic death trap for her and Dean.

There are some other parallels in their personal lives. For one thing they both trusted a pastiche of a 40s lounge singer a lot more than they should have. They both tried to digitize, immortalize their girlfriends- and the discrepancy in how they went about it is telling. House's recreation of Jane isn't terribly robust, and in terms of House's overall project she's an afterthought. She's more a sock-puppet than a person, a sanded-down copy of a woman who died forever-and-a-half ago, forever agreeable, never saying no. Convenient. Only the most superficial visual elements preserved- an illustration of her face on a robotic chassis. Sinclair was obsessive in recreating Vera, preserving her likeness. It's all over the villa, her hologram is everywhere, her voice is everywhere. The terminal in the lightwave lab in Old World Blues reveals that he was still obsessed with getting her hologram right even after the love curdled into hate. All of it a monument to the real woman, and yet in all of it the real woman is still lost, buried under the mythologized projection. He didn't respect the real person enough to let her know that she was dying. A total failure of preservation from the opposite direction. (Except in the suites, where you can hear her very authentic dying pleas.)

You find both of them in their basements. House only looks a little better than Sinclair, but he's got much more of a voice in the narrative. He took steps to make sure he'd be around to tell you what he thinks about everything, fine-tuned the voice with which he speaks to the world, the face he presents. It matters to him that he gets to tell his own story. We find out a lot about House, from House; but for the kind of figure that he is, a shocking amount of what we learn about Sinclair comes from other people, people who knew him or wrote about him. The only image of him you can find is a downplayed element of a larger mosaic. The two documents you find that're written from his perspective have been buried for 200 years, and they're yards from his corpse. And the more recent of the two is an apology. I mean admittedly at the point where he wrote that apology Sinclair was personally turbofucked regardless. If the cloud didn't get him the holograms would have, or the radiation, or, or, or. You can read some level of ego into what he did in the face of that. But however futile it was, he died in the specific way that he did because he recognized that he'd done something awful, and he was trying everything he could think of to correct it. Somehow I find it very hard to imagine House doing either of those things- admitting fault or putting skin of his own in the game to make it right.