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silverwhittlingknife · 1 month

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How would you describe Tim's people skills? Especially when you compare them to Dick's?

Hi anon, this was a fun ask!! I picked out a few panels for each of them (comforting friends, a bit out of sync with friends, fighting with friends, and offering practical support to friends) just to get a quick look at their people skills in action, and then I rambled on about my thoughts on their strengths and their weaknesses.

(Caveat: I'm going to try to focus on my ideas about differences between the two of them, since we're comparing, but I do think they're socially more similar than not, so you might also want to check out @bitimdrake's post on Dick and Tim's similarities for the big picture!)

Short version: I think they've both got good people skills. Dick's are a bit better and more natural, whereas Tim's are more practiced and learned (in ways that sometimes show).

Let's start with Dick first, and then I'll get back to Tim.

Dick

Comforting friends in Titans Secret Files:

Dick: Will you go back in there and sit down? This is my house. You don't need to clean up after me! Donna: I know, I just... I just ... Dick: Hey, hey... what's the matter? Donna: Nothing. It's nothing. Dick (reaching out to supportively grip her shoulders): Donna, this is me here, remember?

A bit out of sync with friends (but still getting along well) in Titans 3:

Dick: The movie runs 98 minutes. So if we fast-forward past the coming attractions and watch only half the credits, I can still make it back to Blüdhaven in time to - Roy: Nightwing, chill. Team morale demands that you relax and enjoy yourself.

Fighting with friends in Titans 13:

Dick: We haven't used it much, Changeling. But that's gonna be different. Starting right now. Our performance against Tartarus and the HIVE was unacceptable. Each and every one of you should thank God you weren't killed. Kory: How dare you? How can you just stand there talking to us like we're a military detachment -

Giving support to relative strangers in Nightwing 87:

Neighbor 1: Oh, he - he's a true gentleman, you know? Always holds the door, or helps me up the stairs with my groceries if we both come in at the same time... Neighbor 2: ...used his motorcycle to jumpstart my car one morning and even got my brother-in-law a job with Wayne Enterprises when he got laid off... Neighbor 3: ...and he's very, very, very nice and doesn't talk down to me. Plus he lets me use his basketball.

Offering practical support (making dinner) in Prodigal:

Tim: I can't believe you can actually cook... Dick: I like to eat. Tim: So does Bruce - but he had to order Chinese last night. Dick: That's where I'm one up on him - I've lived on my own without an Alfred. Still miss him, though... He was good for a lot more than cooking and cleaning. Tim: Yeah. But at least we don't have to miss him on empty stomachs.

Strengths:

I think Dick's people skills are pretty simple: he has them! He's good at people! And I tend to think of Dick's people skills as so automatic they're mostly instinctive. It's not something he really has to think about because it's so ingrained in him. A combination of natural talent plus a childhood spent around sociable performers means Dick's just really highly attuned to the people around him.

And I don't think he's particularly obvious about it. So e.g. you could be having a conversation with Dick where he didn't seem like he was paying close attention, but if there was An Important Moment where you got anxious for a moment or let something important slip or let a bit of anger show through etc. - Dick will have picked up on it, even if it's unconsciously, and it'll stick with him and come back to him later.

And just generally - I think Dick has good instincts for who he can trust and who he shouldn't trust; when he's treading on conversational landmines he'll often pick up the unease even if he doesn't have the context to know why there's a problem; if he's trying to comfort and trusts his instincts he'll often do the right thing even if he can't justify in words why he felt like that was the right thing to do.

So I think for Dick, there's always the level of conscious awareness - the things he's aware he knows, if you will - and the level of unconscious awareness - things he senses, but maybe can't explain, or maybe doesn't want to know so he's suppressing the thoughts.

So he's good at leading, and he's good at comforting, and he's good at listening, and he's good at figuring out the right thing to say...

Like, he's good at all of it, so it's actually sort of difficult to elaborate because there's just not that much nuance? Given any particular interpersonal situation, Dick has an excellent chance of getting a quick read on some random guy he's just met and then getting the reaction he wants pretty fast, whether it's intimidating the guy or comforting him or getting him to cooperate or taunting him until he loses his temper, etc etc etc.

Obviously Dick's not a mind reader, and he can get things wrong, especially when he's in the throes of one of his own personal crises, but generally I think Dick's very very sure-footed with people, even with strangers.

Weaknesses:

This isn't a weakness precisely because Dick's usually doing it on purpose, but he'll sometimes have fights with his friends because they think he's acting overly professional/detached and he thinks they're not being professional enough. So e.g. in Titans 13, you can see Dick's set up the room almost like he's leading a business meeting, and he's the boss lecturing them, and they're reacting by getting mad at him. Part of this is basically a Traditional Bat Problem - Tim's friends also balk because they feel like Tim's keeping them at a distance - but Dick tends to lean especially hard on "I'm The Leader Here So Shut Up And Do What I Say" professionalism / distancing.

When things are going well, Dick's friends may grumble at his intense professionalism but basically appreciate it (this is basically how things go in their reunion in TT vol 2); when things are not going well, though, it becomes a point of tension. Generally, Dick gets extra-professional as a coping mechanism when under stress, as here in TT vol 2 12:

To the extent that Dick falters with social skills, it tends to be almost exclusively with people he knows well, not with strangers. Dick sometimes struggles with maintaining relationships, largely because he's often juggling multiple responsibilities; he'll sometimes get hyperfixated on something and deprioritize his more stable relationships (so e.g. when he gets fixated on trying to fix Blüdhaven and gets distracted from his relationship with Babs).

Somewhat relatedly, if things start going wrong in his own life, he tends to self-isolate out of shame and avoid everyone he thinks of as more put-together. So, for example, in the aftermath of Blockbuster, he's a self-destructive mess who's trying to dodge and/or drive away Clark and Roy and Tim (all people who care about him and would want to help), but Sophia Tevis and Rose are two messed-up young strangers in trouble and their obvious neediness trips his "urgency" meter, plus he may be a mess but they have no context to realize that so he doesn't feel so self-conscious, and he's able to be drive-by super-helpful to them and then dive right back into privately self-destructing.

Also not a weakness per se, but he tends to be a bit of an introvert in general - he and Wally are close, but they go long stretches of time without catching up; when he's spending time with friends, usually it's Donna / Wally / the Titans / Tim visiting Dick rather than the other way around; he's more likely to get cajoled into joining a team than the other way round - Wally talks him into rejoining the Titans and Roy talks him into joining the Outsiders. He likes people and likes spending time with friends, but he's usually not the one initiating a social gathering. He's self-aware about this; in Titans 9, he muses, "It's not the newness that's the problem. The problem is the old stuff. The ruts. You know someone long enough - well enough - and you fall into a rut with them... you completely take the relationship for granted..."

Relatedly, because Dick's pretty self-contained, he has a recurring problem where loved ones interpret him as distant or detached or indifferent even when he's still passionately attached - both Kory and Babs break up with Dick in part because they feel like he's not really that committed to them (also there are mmm Problematic Plotlines involved but I'm ignoring those for the purposes of this post), and in both cases IMO they're misreading him. He's deeply upset by both breakups and responds with big declarations of feeling and, uh, proposing marriage shortly afterward. (Okay, so he's not ALWAYS sure-footed sdfdsfs)

When Dick's getting something wrong, it's usually because he's upset and overcompensating - when things with Kory and Babs are tense, he tries to fix it with Big Gestures; when Vic's mad at him about spying, he missteps with an elaborate secret plan culminating in a big dramatic offering of a new body which Vic does want... but he's still understandably miffed at Dick for making a bunch of decisions behind his back instead of talking to him. Dick guesses right about something Vic will want, but because Dick when he's feeling guilty tends to slide into I-Am-The-Leader, I-Must-Fix-Everything-By-Myself, I-Am-Responsible-For-Everything mode, he forgets that the whole original problem is connected to not respecting Vic's autonomy / right to make decisions for himself, and that a better gesture would be asking Vic what he wants instead of once again making decisions on his behalf without consulting him. (I'm sympathetic to Dick's spying-on-Vic plan on account of how Vic did turn into an evil moon for a bit - comics are bonkers, you guys sdfdsfs - but I'm also very sympathetic to Vic feeling that he deserved fuller disclosure here.)

And you can see similar patterns in lower-key conflicts too: every time Dick gets accused of being just like Batman, it's usually because he's coming off as harsh or detached or uncaring (sometimes on purpose because he's pushing people away; sometimes just because Dick handles grief and fear by shutting down; sometimes because his the-buck-stops-here leadership style can come off as overly-detached), even though Dick actually cares SO SO MUCH, all the time, about everyone he knows.

But honestly... these weaknesses exist, but they're minor in comparison to his strengths?? Dick's a guy with a lot of very strong friendships for a reason. He's true as steel and once he cares about you, he cares about you forever. <3

OKAY! So that's Dick. Let's finally move on to...

Tim

Comforting friends in Joker's Last Laugh 3:

Tim: Babs? Is everything okay? (hugs her)

A bit out-of-sync with friends (but still getting along well) in Young Justice 7:

Cassie: A campout isn't a campout without a real fire. It's no fun at all. Tim: But the generator is far more efficient, Cassie. It's non-polluting, it poses no threat of forest fire, and it's... it's ... (taking in everybody else's expressions, sighing, reversing course) It's no fun at all. Impulse, can you...?

Fighting with friends in Adventure Comics 3 (stonewalling, avoidance, and lying!)

Conner: You weren't picking up. Tim: I didn't know it was you. Conner: I turned off my caller ID blocking. Tim: I was busy. I am busy. Conner: Too busy to talk to your best friend? Tim: Yes. No.

Giving emotional support to relative strangers in Robin 98 / 100 / 156:

Wesley: I just wanted to thank you. They tell us at the meetings that it's important to let people know how you feel. You did a lot for me - making me sober up. If you hadn't taken the time to notice - (Later) Tim: You're gonna stay strong, right? (Wesley: Right.) Tim: You're gonna stay sober, okay? (Wesley: Okay.) Tim: You're gonna do it 'cause - Wesley: 'Cause if I don't you'll come back and kick my butt all over campus. Tim: Uh huh.

(The redhaired guy was about to jump. Tim convinces him to sit down and talk first.) Tim: So, you're in college? Guy: Yeah, I'm a freshman. How'd you know? Tim: Just a hunch. I'm guessing you don't like it much. Guy: I always hated high school. Always felt like I was outside looking in, never part of any group or anything. I was on the diving team but even then I didn't feel like part of it. The only good thing was that was where I met Lori, my girlfriend.

Offering practical support (medical care and tea) in Batgirl 59:

Tim (treating her injury as she shares her traumatic past): Whoa. That's ... horrible. Cass: That's nothing. Stephanie and I used to laugh about - oh... uh... never mind. Wait, Tim. I... I'm so ... stupid, I don't - Tim: You're not stupid. Want some tea? Cass: I ... uh... yeah. Thank you.

Strengths:

Tim! I think Tim's also pretty decent at people - not as good as Dick, but hardly anyone is?

I tend to think of Dick as instinctively good at people, and Tim as more consciously good at people.

Tim spends a lot of time being intentionally watchful: observing, spying, psychoanalyzing people, paying careful attention to what they say, thinking about what makes them tick. (And Tim psychoanalyzes himself, too. Tim is studiously engaged in the study of Tim, and of Tim's friends, and of Tim's family. He's often playing a role, even when that role is "Tim Drake.")

So e.g. in Red Robin, at one point Tim has an elaborate domino-falling database where he's compiled a list of villains he wants to fight and how he wants to fight them, all leading up to a very careful takedown plan for Boomerang where he's thought through and anticipated Boomerang's every move ahead of time... and he's basically right! He gets it all right!

And this kind of intensely-studied logical chess-game of "he will do this for this reason, and then this for that reason, and the other people will respond in this way, like a series of dominos, and I've thought through all the possibilities" is Very Tim to me, and I feel like... this is just the sort of thing that Dick would never ever do?

And mostly Dick wouldn't do it because he wouldn't have to. When Dick's skeptical of James Gordon Jr., he goes to talk to the guy and feel him out, and he ethically feels obliged to give him the benefit of the doubt because there's no evidence against him, but he's got a bad feeling and doesn't trust him and secretly slaps a tracer on him because he's got an instinct he'll want it, and he's right: James Jr. is up to something, and that tracer is exactly the thing that Dick needs.

And similarly if Dick wanted to goad James Jr. into doing something, I think he'd go off and meet him and goad him into doing it, and he'd have an instinct for what to say to make that happen - I think the whole elaborate domino plan that Tim comes up with for Boomerang would feel unnecessarily complex to Dick. Not that Dick doesn't make complicated plans, because he absolutely does, but Dick doesn't usually overthink people.

Similarly, if Dick had been the little kid in Lonely Place of Dying, he'd have gotten worried and gone straight to Bruce and talked to him, not gotten worried and taken photos of Bruce from a distance and then come up with an elaborately overthought plan to go to New York and track down his estranged son and fix him that way. And, like. Kid!Tim's not entirely wrong! He's correctly picked up on a very real and very strong connection between Bruce and Dick even though he doesn't know either of them! And given how little actual information Tim has, this is actually an impressive plan (it's a bad plan, because Tim doesn't know about their fights, but it's an impressively solid plan given that his entire information basis is "watched them from a distance and collected news reports"). But this isn't how Dick thinks about people.

Backing up to a more general point: Tim values people skills really really really highly. I think "uses interpersonal skills to help and comfort other people" is one of Tim's highest values and arguably the highest value - he imprinted on Dick because he was kind, and then imprinted on Batman because he was comforting Dick. And he has six million After-School-Special-style plotlines where he tries to comfort / advise / rescue / etc. people in various stages of emotional distress and who are using bad coping mechanisms. His very first outing as Robin involves talking down a semi-suicidal shooter; the big finale of YJ has Tim talking Secret down from her rampage; he's very gentle when he's comforting his girlfriend after she confides in him about a maybe-attempted-rape; he talks down a suicidal college student in Robin; plus there's the entire concept of "Batman needs Robin" in the first place; not to mention his obsession with the importance of friends; and so forth.

So it's something that he's good at because it's something he values and works at. His people skills are conscious and learned. He does a fair bit of amateur psychoanalysis of other people's problems, and he's generally good at identifying the problems, even if he's not always great at fixing them. And he's often playing a role, or imitating other people, rather than being himself; he invests a lot of time constructing alternate identities; he's often more comfortable wearing a mask. (It is just so typical of Tim that his civilian friendship group is the DCU version of D&D players.)

So his practiced-people-skills work decently well, because he's diligent and he cares a lot, and he's better at people when he's older than when he's younger. And he's extremely good at things he's had a lot of practice with, like meeting new schoolmates, or making small talk, and he's friendly and he likes people, and he's good at learning scripts and following them, and he only tends to misstep when he's distracted or unusually anxious or when he's in a situation where normal social norms don't help. (Of course, since he's a vigilante and not an ordinary person, distracted / unusually anxious / weird situation are all things that happen more often than you might think!)

I also think Tim has a few caretaker instincts that have become automatic - generally he's hyperaware of when people are upset and usually tries to reach out or fix it, and even when he's trying to keep himself at a distance he'll slide into caretaking sometimes - so e.g. there's that moment in Batgirl with Cass when Tim's kinda upset with her for siding with Batman (and distancing himself from other people in general), so he's not intending to get close to her, but also what we see him doing is treating her wounds and then getting her tea. And meanwhile Cass actually wants to reach out, and she's intensely observing him and worrying and wanting to help, but what she actually does is... drink the tea. That Tim got her. While she stays firmly on her side of the couch.

(I tend to think of Cass as slightly similar to Tim but at the very very very beginning of her learn-to-people journey here? Like Tim, she cares!! A lot!! And she's successfully understood that Tim's upset, and she knows when she's put her foot in her mouth. But she's not sure what to do yet.)

Weaknesses:

Tactless! This is a tricky word because I think people sometimes hear 'tactless' and misunderstand it as 'generically rude,' but that's not quite the issue - Tim's quite polite most of the time; his problem is that his default mental monologue is very detached / psychoanalyzing / analytical, including about himself and things he's emotional about. He'll often be analyzing his own emotions even in the process of having them (I also talk about this a little here, though it's mostly a post about Dick and anger), and Tim's also constantly analyzing other people.

This means that if he doesn't edit his brain-to-mouth filter, he can come off as too detached or professional or calculating.

This is obviously similar to Dick's problem of coming off as too detached / professional - again, they're both Bats - but it's not quite the same thing, and I think this distinction is most obvious if you look at the places where they're doing it on purpose and picking fights:

Dick's most likely to pick fights by pulling rank: "I'm the boss, you all fucked up this mission and you better not do it again, shape up or shut up." This is a kind of distancing that's about Dick-the-impassive-boss and you-the-subordinate.

By contrast, Tim's more likely to pick fights via hostile psychoanalysis: "I notice you're being snide about Cass again, but we both know you're actually just mad that Bruce cares about her more than he cares about you." When he's miffed, both his inner monologue and the things he says tend toward 'uncharitable analysis of your emotional weaknesses,' and this is something he periodically directs at Bruce / Jason / Damian. This is a kind of distancing that's about Tim-the-hostile-analyst and you-the-unfortunate-target-of-analysis.

(Caveats: I don't think Tim's above trying to pull rank if he can, but he rarely has the opportunity; Dick's not above jabs at other people's weaknesses when he's very defensive and feeling attacked - junkie, elevator - but IMO he's more likely to pull rank, whereas Tim's jabs are more likely to be wrapped up in insulting psychoanalysis, so e.g. Jason's insecurity is his problem. The Jan Brady of the Batfamily.)

You can see related similar-sounding-but-different issues if you look at some of their respective breakups. So e.g. Dick has a breakup with Babs in which she thinks he doesn't care about her, and Tim has a breakup with Cassie in which she thinks he doesn't care about her. And these breakups are different for six million reasons (among other things, Dick and Babs have a pretty intense romance, whereas, uh, Tim and Cassie have had one date and IMO she's very right that they're better off as friends).

But you also get some useful character notes:

Babs is wrongly anxious that Dick's mostly in love with nostalgia for their past rather than the person she is now (he 100% does love the person she is now!) and she's being unfairly bitchy about Catalina, but she's also correctly noted that he's gotten into the habit of deprioritizing their relationship in favor of vigilante busywork & that he's been a bit pushy in swooping in protectively rather than letting her fight her own battles, so when she's accusing him of being a control freak it's not completely coming from thin air; Dick responds by getting hurt, upset, and direct (he gets furious and punches something, but then makes a big sweet sincere emotional speech to her about how much he cares and values her, albeit one that's so caught up in his own emotions like wanting to "protect" her that he's not slowing down enough to take in her insecurities).

Cassie has correctly realized that dating Tim is a bad coping mechanism and she really needs to just deal with her grief over Conner; when she starts crying, at first Tim moves to comfort her, but when she actually clarifies the breakup, an upset Tim responds by aggressively de-emotionalizing the conversation and pretending he's being totally logical and not emotional about it - he first wonders aloud if he's a bad detective for not seeing it coming and then attempts a bonkers guilt-trip suggestion that it's their duty to date in order to uhhh avoid turning evil in the bad future (sdfsfdsfdsfds sure tim nice try)

This isn't because Tim literally doesn't have feelings, because of course he does! But often, the more upset he is, the worse he gets at clearly expressing those feelings, and the more he intellectualizes them or avoids discussing them.

(Caveat: The trouble with any distinction is that it's easy to exaggerate it in ways that are oversimplified, and I want to emphasize that this doesn't reduce to "Dick always expresses emotions, Tim is never emotional," or anything like that. Dick has a bunch of complicated feelings about the intensity of his emotions because he values control and detachment and often is trying to be more detached (I talk more about this in the context of anger here and here); Tim often retreats to faux-analytical detachment when he's actually very emotional; and these are tendencies rather than one-note 24/7 truths - Dick is completely capable of intellectualizing away his emotions; Tim is completely capable of just getting straightforwardly and directly upset. But if you're looking for broad distinctions, I think it's fair to say that Dick's usually better at directly using his words and expressing his emotions, even if he sometimes feels self-conscious shame about it later, whereas Tim tends to self-sabotage and deflect and hide by producing intellectualized faux-logic instead of just being direct about what he wants or what he's feeling.)

An unrelated issue is that Tim also tends to get intrusive when he's anxious, and it gets worse the more he cares about you. Tim really really really wants to know what's going on and has an intense Need To Help, which generally works out for him - this is the entire reason he pushes his way into the Batfamily! - but it's easy to imagine Tim running into people who might not appreciate his busybody sneakiness; so e.g. secretly stalking your friend because he has a bruise, or running your friend's DNA, etc., is... stuff that all comes from how much Tim cares, but also it involves a very fuzzy relationship with other people's privacy, so Tim's friendships that stick around tend to be with people who find this kind of intense observation to be caring rather than pushy. Relatedly, Tim's version of "be protective" can overlap with "be condescending," which means he tends to get along best with confident people like Bruce, who could punt him into a wall and who thus finds Tim's 'disapproving medic' shtick endearing instead of insulting.

Tim also struggles to connect to people for whom he doesn't have an obvious "script" or who don't respond to his usual scripts. So e.g. offering Gar a "you don't like me but let's be friends" handshake worked; offering Cass a "let's be friends" handshake worked; offering the same thing to Damian did not go over so well; and I think this kind of "it usually works so this is my habit now?" thing is very Tim, and I don't think it's the sort of mistake that Dick would make.

More broadly, because Tim's people skills are conscious and learned - the effort sometimes shows! He stares at people. He secretly spies on them. He pokes around in their secrets. Dick can be paying close attention to you and seem like he's not, so that his awareness seems effortless and less intrusive. I think Tim's awareness tends to be a bit more effortful.

That said, though, I don't think that Tim's intensely-observing-you shtick is necessarily obvious except to people who are fairly socially-skilled themselves. When I write fanfic, I generally write from Dick's POV, and I tend to write Dick being hyperaware of when, say, Tim's observing him, or trying to figure out what's going on with him. But I think of that as more "Dick's good at reading Tim and really aware of being watched, so every attempt at subtlety stands out in neon lighting," and I think to someone who's less good at reading people than Dick is, Tim is a lot subtler.

And I think for e.g. someone like Cass, who really struggles with people skills, Tim seems impossibly and naturally good at interactions in the same way that to Tim, Dick seems incredibly good at it.

#ask tag #dick grayson #tim drake #hi anon this is SO OLD i'm so sorry sdfdsfds #i am very slow & this is very long because i kept adding things to it but this was a very fun ask thank you <3

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python333 · 10 months

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your writing is literally the best in the cod fandom. we need more injured reader angst. it's too good

don't breathe — python333

— — — —

synopsis [reader] gets buried alive after refusing to give intel to enemy soldiers and *slips up and writes reader almost dying again* oops how did that happen haha

relationships platonic!price & gn!reader.

characters cap. john price.

word count 2.7k

warnings suffocation [reader], just generally really depressing thoughts, near death??, 2nd person pov [you/yours/yourself], usage of c/n [code name/call sign].

note aww tysm :(( dont say its the best im gonna get a complex LMAO but i appreciate it!! and yes i agree injured reader angst ftw :3 i present to you: reader gets very injured and theres a lot of angst and its basically just you suffering for a good 3/4 of the fic while the last quarter has the actual comfort!

“Hello?” You try again, your voice cracking and your tone as desperate as it can get, “Please, God, say someone can hear me.”

You’ve been trapped in a casket for about five minutes now—at least, you woke up five minutes ago. God knows how long you’ve been stuck in the stupid thing, but realistically, it’s probably been much longer than five minutes.

The last thing you remember from before you were buried is being in the interrogation room of some small terrorist group’s facility, one you and the others were led to believe was abandoned weeks ago.

Unfortunately, whoever gave you the information must’ve either had incredibly outdated information or was setting you all up for failure, because the facility was very much not abandoned and was instead full of enemy soldiers.

You all had already gotten into the building before you knew that, because of course you all had to be in the same spot at the same time—practically sitting ducks for the enemy—and of course you all had to be clueless about the possibly hundreds of people in the facility until it was too late.

As far as you know, everyone managed to escape. Everyone but you. They didn’t mean to leave you behind, of course they didn’t, they were more focused on just booking it out of the facility. However, because of that, you were now stuck—you assume—several feet underground in a casket that has a limited amount of oxygen that drops every time you take a breath.

You let out the breath you’re currently holding and suck in another deep breath, holding it as you think. Your strategy of holding your breath until you no longer could mostly worked, but it wouldn’t for long, you knew that soon you’d suffocate in all of the carbon dioxide gathering in the enclosed casket.

You don’t know how long you’d been unconscious in the casket, breathing in oxygen carelessly in your slumber, which made the whole situation worse. You didn’t even know how much time you had left.

You hate to waste your breath checking your comms, but the enemy soldiers had accidentally left your earpiece in your ear—the small device apparently going undetected under their radar—and you wanted to make the most of it. You move your arm from your side and press onto the PTT button on your earpiece, wincing a little at how cramped the casket was.

“Does anybody copy?” You ask again, staring up at the almost pitch black space above you, “I repeat, does anybody copy?”

It’s a vain attempt at contacting your team, really. You don’t know if they’re thinking about you, if the signal is going through, if they even have their earpieces on—you know nothing, and that terrifies you because you really don’t want to die right now but there’s literally nothing else you can do besides helplessly talk into your earpiece, not knowing if anyone’s listening.

Your lungs start to burn and you let out the breath you were holding, taking another deep breath and beginning to hold that one. The air feels… thick. It’s starting to get harder to breathe, and you know you shouldn’t panic but you can’t help the few worried thoughts that come to the forefront of your mind.

What am I going to do when I run out of oxygen and the only thing left for me to breathe in are my own discarded breaths? What will I do when all there is to do is suffocate? Am I going to try, in one last desperate attempt, to break out of the casket, or am I going to just lay here and die? Will my team try to find me, or will they forget about me? Have they already forgotten about me?

Before you can listen to any more of those depressing thoughts, a voice comes from your earpiece.

“H—lo? [c/n]?” It’s hard to tell with the static and the cuts in between the words, but you think it’s Price talking.

“Price?” You ask immediately, all thoughts of preserving your breath forgotten. “Holy shit, you can hear me?”

“Je—s— whe—e—” He cuts out for a moment and your stomach drops when all you can hear is static for a moment.

“You’re— You’re cutting out, Captain, what did you say?”

“Wher— —re you?” It takes you a moment to realize what he’s saying, your mind working much slower than it usually does, but once you do you shake your head negatively despite him not being there to see you.

“I don’t— I don’t know,” You respond, taking a deep breath before adding on, “I think I’m underground, I just know I’m in a casket and it’s getting harder to breathe and—”

“Okay, o—y,” You hear Price’s voice crackle, his voice becoming more distant and sounding almost muffled to you, “Sa— —ur bre—th, I’ll try to g—t some—e to track your— —tion.”

With the constant cutting out of his words and the distortion of his tone, you can barely register or process what he’s saying, and that only panics you more but you refuse to let your emotions get the better of you even in the state of disorientation you’re in, so you keep holding your breath.

A minute later, Price’s voice crackles through your earpiece again.

“Okay, we’ve got your loc—tion,” Price’s voice sounds… oddly far away, “We can—”

His voice slowly becomes muffled, and you release the breath you were holding without realizing it, slowly blinking up at the ceiling of the casket. A sort of haze falls over your mind and you can barely even hear Price anymore before you suddenly snap back to reality and hear his now much clearer voice loud in your ear.

“[c/n]? [c/n], are you still there?” You recognize his tone now, and you’re just a little shocked at the sheer amount of worry in it.

“Haven’t moved an inch,” You breathe out, before lying, “You cut out for a second for me, sorry.”

“Don’t be sorry, it’s okay,” Price reassures you, “I said we got your loc—tion and we’re hea—g out th— —w. It’s not t— far away from where —e alre—dy are, we’re ba—ely three clicks away.”

“… Clicks?” You ask, your eyebrows drawing together in confusion.

“Yes, clicks,” Price replies, sounding concerned, before hesitantly asking, “… You know what those are, right?”

“I don’t—” You struggle to find words for a moment before you speak again, your own voice starting to sound distant, “I don’t think so?”

“What do y—u mean you don’t thi— —o?” Price asks, his voice sounding freakishly close, “Are you okay?”

“No, yeah, I’m fine,” You lie through your teeth, not wanting to worry Price further, “I just… how far away are you?”

“Just ab—t two cli—ks now,” Price says, before pausing and clarifying, “Two kilometers.”

Two kilometers… how far is that? “And that’s… is that far, or?”

“No, it’s not too far. It’s just a mi—te away, we didn’t ge— —o far before Laswell got your loc—tion,” Price tells you, “We’ll be there soon, ok—y? We’ll get y— —ut of there.”

“A minute—” You cough and feel tears pricking at your eyes from how hard it is to take another breath, “A minute?”

“Yes, a minute— [c/n], are you okay?” Price asks again, before laughing nervously, “You know what a minute is, do— —ou?”

“...” You struggle to answer the question, thinking long and hard for a few seconds before hesitantly answering, “… Yeah, I do, sorry. It’s sixty seconds.”

“Why’d it take you so long to answer?”

“I don’t know, I’m sorry, I—” You take a few shallow breaths, and feel a headache start to build up, “How far away are you guys?”

“We’re alm—t there,” Price promises you, “The heli’s ab—t to l—nd, and we’ll dig you up, and—”

Why is it so cold? Price’s voice cuts off and when he stops talking you realize that you’re shivering. You ball your fists up and can’t even feel your nails digging into your palms, your hands having gone numb from the cold, and realizing that makes you discover that your lips feel numb too.

Your ears start to ring and you feel that uncomfortable pins and needles feeling in your hands, the sensation slowly traveling up your arms, making you both wanting to peel off your own skin and also grateful that you can at least feel something besides the cold.

In the midst of your thinking, you hear muffled thumping coming from above you—whoever buried you couldn’t have buried you anything below six feet.

“—llo? [c/n]? Are you still there?”

You bring your hand up, the movement slow and sluggish, and you try to search around the side of your face for your earpiece. You eventually find it and when you do you press against it until you feel the PTT button being pushed.

“Still here,” You confirm breathlessly, coughing again as you take a few more shallow breaths, “I think I’m running out of— of… what’s the fuckin’ air that you can breath in, it starts with an o…”

“… Oxygen?”

“Oxygen, yeah,” You slowly blink up at the ceiling of the casket, “There’s— I think— I don’t… I think… I think I’m gonna pass out, Captain.”

“[c/n], don’t you fucking dare,” Price growls, “You stay awake, I swear to fucking god.”

“I can’t—” You take a few more shallow breaths, before coughing, the tears escaping your eyes reaching the corners of your mouth.

You can hear Price briefly talk with someone else, his voice the most serious you’ve ever heard it, before he talks directly to you again, “How much longer do you think you have before you run out of oxygen?”

It takes you a moment to register the question, but when you do, you answer, “Uh… I don’t— I think… maybe a few more minutes? I can’t tell, it’s just hard to breathe, I can’t…”

“Okay, okay,” Price softly says, gusts of wind blowing into his mic as he talks, “Give me a second, okay? We’re almost there, kid, we’ll— we’ll be there in just a minute, we just passed over you, I just need you to stay awake.”

“In a minute,” You repeat to yourself, before taking a deep breath, hoping that you have enough oxygen to make it out of this casket because you really don’t want to die here, not when there’s help just a minute away.

After what you assume is a minute or two, instead of thumping, you hear something cut into the dirt above you. The sound, however, is heavily muffled, so muffled to the point where you don’t know if you’re hallucinating or not.

Is that a symptom of CO2 poisoning? Hallucinations? You lay still in the casket and can’t help but release the breath you’d only just taken, the ringing in your ears starting up again and growing louder faster than they had before.

Your entire body is numb, your chest is heavy, and you can feel a sort of fog fall over your mind. You can distantly hear Price yelling through your earpiece, but you can’t find it in yourself to respond, instead simply laying there, your blinking starting to slow down before it eventually stops, leaving your eyes closed.

—

For a moment, you think you died and went to heaven, which would be weird, considering all the things you’ve done in your life. Not saying you’d go to hell, just saying God would probably hesitate for a second before letting you in through the pearly gates.

You blink awake, slowly but surely, and the first thing you realize is that you can feel things again. You tilt your head down to the bump under the white bed sheets laid on top of you, and squeeze your hand into a ball, watching the bump move and feeling your fingers dig into your oddly sore palms.

You let out a sigh of relief and pull your hand out from the sheets, bringing it up to your face and feeling the oxygen mask that’s been placed over your mouth and nose.

“Don’t mess with that,” You hear a voice say to your right. You turn your head and see a very tired Captain Price, dark eyebags hanging under his eyes and arms crossed, his hands having a white knuckle grip on either one of his elbows.

“…” You don’t say anything, instead you simply stare at him until he sighs and gets up from his seat. You watch silently as he leans over your bed and bends down, before pausing, and then quickly snaking his hands under your back to pull you up just enough for him to properly hug you.

You reach up with shaky hands and tentatively hug him back, not nearly as tightly—not that you don’t want to, but you physically can’t with how weak your arms are right now—but with just as much sincere affection. You can feel Price’s beard rubbing against your neck and hear his small sniffles as he embraces you tightly.

Maybe it’s his sniffling, or the way you can finally feel warmth for the first time in what feels like forever, or maybe it’s just the fact that he’s holding you with so much care and affection that it almost makes you burst at the seams, whatever it is, it causes you to tear up as well.

Those tears quickly become sobs that bubble up in your throat and crawl their way out of it, forcing you to tuck your head into the crook of Price’s neck and muffle your sobs in it, muttering a small ‘sorry’ after each one.

After each ‘sorry’, Price responds with, “It’s okay, let it out, sweetheart, you’re okay,” and those reassuring words only make you cry more because God, you didn’t even think he’d find you, yet here he is, letting you cry into his neck and is reassuring you after every apology that it’s okay.

“I’m sorry, I’m sorry—” You mumble a litany of apologies into Price’s neck, your breath stuttering and hitching as you try to hold back your sobs. Price only shushes you and rubs his hand up and down your back in a comforting gesture, bringing his head up to kiss the top of your head.

He tucks your head under his chin, “Don’t apologize, it’s okay. You didn’t do anything wrong.”

And fuck, you know it’s just words, but it only makes you cry more.

Your sobs eventually stop, leaving you hiccuping against Price’s neck, silently crying as he continues to rub your back.

“I thought you died,” He whispers, his hand stuttering on your back, “I thought you died and I was going to dig up your dead body, when you didn’t answer me.”

You stay silent, letting him continue, “I thought you were dead when we dug you up and needed to feel your heartbeat for myself to confirm that you were still alive.”

He pauses for a moment before continuing, “I’ve been here ever since they put you in here. I haven’t slept, I’ve just stayed here, waiting for you to wake up so I could tell you that I—”

He chokes up for a moment before taking a deep breath and continuing, “I’m sorry for not even thinking to drag you out of the facility with me when we all ran out. You were— you were right there, and I couldn’t just grab your arm and take you with me, I just had to leave you behind and I—”

“You watched me while I was asleep?” You ask quietly, your eyebrows drawing together.

Price pauses and pulls his chin off of your head, and pulls you away from his neck so he can properly give you the most incredulous look he can pull, before saying, “I’m pouring my heart out to you and apologizing for practically leaving you for dead, and that’s what you’re worried about?”

“Well, I’m not worried, I’m just—” You shrug, not knowing how to explain it. Price sighs and chuckles quietly before tucking your head back under his chin.

“You’re insufferable,” He mumbles, sniffling a bit.

“… I forgive you, by the way,” You say after a moment of silence, “I didn’t really blame you in the first place.”

“You had the right to.”

“Sure I did.”

“But you didn’t blame me.”

“Right.” “…” Price stays silent for a moment before pressing another soft kiss to the top of your head and saying quietly, “You should blame me.”

“Maybe,” You mumble back, “But I won’t.”

Later, maybe an hour later, if the others see you asleep in Price’s arms while he keeps your head tucked under his chin and rubs your back affectionately—no they don’t.

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