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#i do think i missed a few people but not many
paarksunghoon · 2 days
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FIXED COMFORT | SUNGHOON
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SUMMARY: typically, sunghoon’s the one who takes care of you when you’ve had one too many. but once in a blue moon, he lets his guard down and allows you to care for him the way he does for you.
or, the one where sunghoon’s drunk at a bar and misses his girlfriend a little too much.
NOTES: idk I just feel like someone should let him sleep for six months straight!!!
PAIRING: sunghoon x fem!reader
WORD COUNT: 4.4K (4444 exactly—she’s a shortie).
WARNINGS: fluff on fluff on fluff.
***
“Hey, do you think you could come get Sunghoon from the bar? He’s been asking for you for the past hour.”  
Jay’s phone call pulls you out from a deep slumber on a Saturday night that falls on a day with no plans other than pure relaxation. Sunghoon had been preoccupied with work and classes this past week and wanted to unwind by drinking at his favorite bar with his closest friends and all you wanted to do was sleep the weekend away. 
Since the two of you started dating six months ago after being friends for a little over two years, you both agree on the notion that you’ve found a good balance between time spent together and apart respectively. Nothing fundamentally changed with the exception of kissing and touching one another in the way a couple would. He still respects your independence and you respect his time away from you as well. 
Sunghoon learned quickly that you’re the type of person who values your alone time more than anything else. When he first started developing feelings for you, grappling with your absence wasn’t easy. He initially thought you weren’t interested in getting to know him the way he was with you because you weren’t afraid to decline invitations and telling people ‘no.’ Slowly, over the course of many months of pining and late night conversations, did Sunghoon learn that you’re typically your best self after a moment of isolation. 
Your boyfriend is somewhere in between an introvert and extrovert. He tends to be shy when he meets people he isn’t familiar with while his loud, rambunctious attitude is typically reserved for those who know him best. He likes to keep to himself for the most part, giving some of his personality away when he feels his walls start to crumble naturally. You love that he has a good head on his shoulders and that he’s able to tell you about his feelings while maintaining an air of confidence. He doesn’t inherently need anybody; he likes your company and will do anything to keep it.
Moments like this are when your heart feels softer for Sunghoon than when the two of you were just friends.
“I know you wanted to spend the weekend alone but Hoon’s been saying your name all night,” Jay says. “I’m sorry for waking you up.”
“No, it’s fine.” You’re sure Jay can hear your brittle voice. “Are you guys at the bar near your place?”
“That’s the one. Thanks again and I’m really sorry for waking you up.”
“Don’t sweat it. Cook me something next week if you still feel bad.” 
“I can do that. Chili oil noodles with shrimp sound good?”
“It’s almost like you know me.” He laughs at your sarcasm. 
“Drive safe.” 
When Jay hangs up, you allow yourself a few minutes to adjust and wake up, stretching your body from the warm comfort of your blankets. You change out of Sunghoon’s shirt to put on pajama pants and another one of his stolen shirts, opting not to take a jacket since you figure you won’t be out for very long. 
You thank your past self for filling up your gas tank before tonight after having put it off for a few days. Knowing Sunghoon, he would still scold you for allowing yourself to run nearly empty before filling it up even if he was inebriated. Somehow, knowing this about him brings a smile to your face.
Sunghoon’s the kind of guy who likes to have some control over certain things. He likes order and structure, often waking up at the same hour every weekday to build a routine his body can remember. He’s been like that since you first met him but you think it’s part of his charm. Even from two years ago, when you met him through Jake Sim, Sunghoon has maintained a level of confidence and control that he does now. On the heels of an impressive skating career before pivoting to focus on higher education, Sunghoon had his preferences and will stick by them. 
His discipline is the first thing you noticed when you met him for the first time. Jay, someone you were already familiar with, agreed to cook dinner with your friend group under the condition that everyone helped him shop and chip in for the meal. Sunghoon held Jake back from buying unnecessary things like boxed chocolate milk and candy because Jay had desserts back at his place. He held a checklist of items whereas the rest of your friends ran up and down the aisles without thinking much about what needed to be purchased.
Sunghoon’s near-meticulous behavior is juxtaposed to your chaotic and rambunctious nature. You often follow your gut instead of setting a solid plan because you’re not concerned with meeting deadlines, sans education. Whereas you tend to lean towards a go-with-the-flow attitude, Sunghoon is the opposite. But that’s something he loves about you.  
At a surface level distinction, it didn’t seem like the two of you would get along as well as you did. It surprised Jake when Sunghoon asked for your number so he could text you about seeing a comedy film with him as no one else in the group wanted to see it. Including you at an impromptu study session with him (Sunghoon was organized and neat while your pens were spread all over and your study methods, haphazard) felt like watching two people clash. 
Rather, you and Sunghoon complement one another. 
The idea of letting himself go with someone who wasn’t part of his friend collective was unheard of. Getting to know a girl who didn’t share similar lifestyles didn’t appeal to him before meeting you, and you’re inarguably the most chaotic person Sunghoon knows. But he finds that there’s order within your chaos—you know who you are and what you want, and you will not compromise yourself just to please other people. 
It’s what Sunghoon loves the most about you. There’s a boundary you never let anyone cross under the assumption that your own safety net feels compromised. He’s watched you lose friends for this same reason and has always admired the way you carry yourself like you know you deserve better than people who disrespect you. He’s witnessed the grace you maintain when people who call you a friend voice words of kindness but speak ill about you behind your back. If anything, Sunghoon feels pity for anyone who crosses you to the point of anger. To be envious of another’s confidence is one thing. To make that known is another. 
Sunghoon learns that you let your inhibitions go because holding control over yourself feels like a burden. It feels like setting a standard you will never be able to meet. He never thought of order in that way before getting to know you. Your approach to life sparked a new wave of emotions within him to the point where he was open and willing to let you farther into his life. 
His days were ruled by guidelines he had to maintain and proper etiquette that followed him even off the rink. The poise he carried from his career on the ice bled into his personal life too. Although, he doesn’t mind that it does. Sunghoon values any form of structure because it makes him feel like he has a purpose and that there’s something to be accomplished at the end of the day. 
Most times, Sunghoon’s feels like people judge him for his regimen and can’t fathom why he appreciates control so much. They tell him to let loose and enjoy his time away from his career. People always think he simply doesn’t know how to have fun because he’s set in his ways and won’t let other people coax him into doing something he’s not comfortable with. But not you. Sunghoon has never felt like you‘ve judged how he chooses to live his life. 
Before he knew it, a year had passed and he started to call you one of his best friends. The friendship was gradual. Sunghoon didn’t have many close female friends in the way he does with Heeseung, Jay, and Jake. You’re the first person since ending his career who hasn’t tried to pry into the why. In fact, Sunghoon enjoys that you didn’t bring it up. 
(You did, in the form of cooing over his younger self skating in competitions for the first time or roasting all of the outfits he had to wear. But somehow, all of your jabs made him feel happier than when people complimented his performance.)
Eventually, being around you felt too right. He loved it when you took naps on his bed and felt comfortable raiding your kitchen pantry without permission. Sunghoon could leave you in his apartment without him being in it and feel at ease. In fact, he started to look forward to coming home to you. All it took was seeing you wear his hoodie because you got too cold and forgot your jacket, to make him drop his bag by the front door and ask you to be his girlfriend. He hasn’t regretted anything with you since. 
The weather is cold outside since it’s approaching the middle of autumn. You let your car warm up and blast the heat all the way up while adjusting your defrosting settings before heading to the bar to pick up Sunghoon. You sift through your playlists and settle on soft indie melodies before you drive away from the curb. 
You’ve never seen Sunghoon get drunk to the point of needing extra help. Usually, you’re the one who goes a little too hard whenever Heeseung brings out the alcohol or if Jake offers an edible or two. Sunghoon likes to sit back and stay sober (or sober up by the end of the night) when he notices you having too much fun. He doesn’t mind, though. Sunghoon likes taking care of you because sometimes it gives him purpose. You’ve never understood that sentiment but to each their own. 
The only times you’ve seen him completely wasted are usually when you’re equally as gone, like on your first road trip as a couple. The five of you rented a lakehouse a few hours from Seoul and spent an entire weekend basking under the hot sun and chose to forget about university stress before finals would inevitably kick everyone’s ass. All five of you were cross-faded (but not without Jay and Sunghoon both prepping water bottles and snacks for when the munchies would hit prior to taking anything). You watched Sunghoon relax to the point where he was much quieter than he normally was and when you asked if he was doing alright, he looked you in the eye and told you he loved you for the first time. 
I always have, I think, he said as he brought your hand to his chest. You might not believe me because neither of us are sober but I swear I’ll tell you in the morning. 
Sunghoon gets affectionate when he’s drunk or high, often to the point of asking for reassurance. The rational side of his brain is temporarily disfigured. You don’t mind being there to tell him that he’s the love of your life and you’d never go anywhere when he gets like this. Although, you’re usually just as gone and gush all of your hidden emotionally-charged feelings, which pair well with Sunghoon’s need for validation sometimes. 
Your friends love your relationship. They don’t think it’s too much or too little, going so far as to take photos of the two of you when you aren’t looking. Some are funny like the pictures of you sleeping on his chest with drool pooling out of your mouth. Others are romantic and whimsical, like the pictures of Sunghoon looking at you like you’re the sunshine to his moonlight. They can’t get enough of you two. Your friends love knowing people they care about are deeply in love with one another and your relationship is somewhat of a reminder that true romance does exist. 
Thinking about this makes your heart swell as you park your car and tuck your keys inside your purse. The bouncer checks your ID and lets you inside the bar, and you already spot Jay off to the side. 
“Thanks for coming,” he says as he gives you a loose hug. “And sorry for waking you up.” 
You wave him off. “It’s fine. I’ve probably woken you up for worse.” 
“Yeah, like the time you and Jake wanted ramen at 3am and wouldn’t stop calling me because both of you got a little too high.” 
“Can you blame us?! You were like, two blocks away.” 
“Yeah, but did you need to eat with me?” 
“Duh. You’re like, the best person to eat a late night dinner with.” 
The two of you laugh as he leads you to the group. You see Sunghoon slumped over the table with his head in his arms and the rest of your friend group tries really hard not to seem too excited when they see you standing next to Jay. 
“Fucking finally.” Heeseung stands and gives you a quick side hug before Jake does the same. “Love you guys and all but he started to become unbearable when he kept showing us photos of you.”
Jake snorts. “Poor guy was almost about to cry.” That makes your heart soft. 
“He looks so cute,” you coo, tilting your head to savor this moment. It’s abnormal for you to be the sober one but you’re starting to understand why Sunghoon doesn’t mind taking care of you when you’re like this. 
Jay comes to stand next to you. “He’s not cute when he drank half his weight in alcohol and wouldn’t shut up about how pretty your hair is.” 
“What, do you don’t think my hair’s pretty?” The messy, unbrushed hair is enough to make the guys laugh. 
“Nah seriously, thanks for coming,” says Jake. “We felt bad calling you but he refuses to get out of his seat.” 
“It’s fine.” You wave him off and step closer to your boyfriend, who still hasn’t moved from his position. 
“Do your thing and we’ll be here if you need help bringing him to the car.” Heeseung smiles gratefully at you. 
Even the back of Sunghoon’s head is unfairly gorgeous. His hair always looks nice, although you credit that to his younger sister introducing him to a world of hair care products during his skating years. It feels soft to the touch as you stroke the back of his head until Sunghoon slowly comes to. You feel his body start to stir.
“Baby,” you say quietly, bending down until you’re next to him. “Wake up for me.” 
“Hm?” Sunghoon mumbles from his arms. He feels the sensation of your fingers carding through his hair and pulls himself from the table, wiping the spit from the corner of his mouth before realizing you’re standing next to him. “Y/N?”
“I’m right here.” 
He pulls his head up until he’s sitting upright in the booth, squinting up at you to adjust to the bar lights that disappeared when he closed his eyes. Your boyfriend looks so innocent like this. He looks at you with a wide, round gaze as if you’d appeared out of thin air and he’s trying his hardest to figure out how you’re standing in front of him. 
“Is it really you?” Sunghoon asks in a quiet voice. His tone makes your heart flutter and you reach your arms out until you’re cupping his jaw and rubbing the pads of your thumbs over his cheeks. Sunghoon melts into your touch and you feel his body start to relax. “I missed you.”
“I missed you too, bug. Did you have fun tonight?”
He nods in your hands, “Mhm. Just tired now.”
“Jay said you were asking for me.” 
“I always ask for you.” Your cheeks heat up and you try to ignore the snickers from behind you. 
“Why don’t we go back to my place, yeah? You can sleep in my bed instead of this bar.” 
“Can we? I love the guys but I just missed you.”
“Simp,” Heeseung whispers before coughing into his fist. 
Sunghoon stands from the booth once you’ve taken a step back to give him the space to move. He’s surprisingly able to stand on his own and clutches onto his jacket as he makes his way to the door. 
“Sorry guys,” he mutters to the guys. 
“Yah, it’s fine,” Jay says as he waves Sunghoon off. 
“Get home safe,” Heeseung says as he opens the door for the two of you. Sunghoon waves behind him until you guide him to the car. 
“Can you put your jacket on for me?” You catch it in your hands after he nearly let them fall from his grasp. 
“Shit, sorry.” You watch Sunghoon put on one arm and then the other. He looks so childlike in this moment as he concentrates his hardest to put the jacket on without stumbling. 
It reminds you that he doesn’t show you this side of him often. Sunghoon, ever the poised individual who likes to know what’s ahead of him, has let his inhibitions down. Seeing his figure slowly push his body through the warm fabric has you biting back a smile. 
“Need help?”
Sunghoon looks down at his hands that are trying to zip his jacket up to no avail. He feels like his hands are too big and the zipper is too small. “Please.”
Your steady fingers cover Sunghoon’s and take over the tedious task. The metal is warm from his fingertips. You can feel him looking down at you and you temporarily fumble with the zipper, which makes him laugh.
“Silly,” he mutters. “Ah, fuck. I don’t know if I can open the door.”
You roll your eyes and open it for him. “You’re funny.” 
He slides into the seat as gracefully as he can without hitting his head on the roof. Sunghoon struggles, but manages to buckle himself in and grins up at you when he hears the click of the buckle. When you look down on him, the lamp post from above casts a soft glow on his face. He looks so youthful at this moment. Sunghoon has let go of his thoughts and couldn’t think about anything but the present moment even if he tried. 
He waits for you and mumbles about how cold it is when you turn the engine on. The warm air starts to uplift his spirits and he looks at you with us head pressed to the headrest.
“I’m sorry you have to see me like this.”
“What?” you ask. “Why?”
He shrugs. “Dunno. Usually I’m the one taking care of you.”
“You don’t always have to be brave, you know.” 
Sunghoon doesn’t say anything. He reaches out to envelope your hand in his and squeezes it until he’s holding it loosely in the quiet of the evening.
“I love you.” 
Your heart blooms. “I love you right back.” He seems satisfied with your response and lets go of your hand so that you can drive back to your apartment. 
When you park on the curb, Sunghoon’s sober enough to unbuckle his seatbelt and wait for you to turn the engine off before opening his door carefully. He steps outside and leans back on the car door until you walk around the hood of the vehicle and grabs your hands to pull you into him. 
You feel his lips on your before you register what’s happening. He tastes faintly of pineapple soju and beer, and his mouth is warm. Despite his inebriated state, Sunghoon’s able to hold you between his hands as he moves to place them on your hips to balance your body after you’ve stumbled into him. 
The kiss itself is slow. In fact, it feels as though Sunghoon has slowed time around so that the two of you could enjoy the late night kiss uninterrupted. You can barely hear anything besides the ringing in your ears after being caught by surprise due to your boyfriend’s abrupt movements. Your mouths move in slow tandem and Sunghoon nearly pushes his tongue inside your mouth before pulling away to rest his forehead against your own.
“My baby,” he whispers against your lips before giving you another quick peck. 
“You are so cute.” You blurt out this confession like you’re still pining after him. “Let’s go inside, yeah?” 
The apartment is warm compared to the environment outside and Sunghoon slips off his shoes in favor of wearing his designated slippers. He doesn’t let go of your hand the entire time he does so, letting you pull him into the hallway until the two of you reach your bedroom. The hardwood floors feel better than the uneven pavement from outside.
He loves it here. It’s a sanctuary away from his apartment with the friends he will probably invite to his wedding. But something about your green comforter and hand-painted artwork adorning your walls makes Sunghoon feel like he would live by your side for the rest of his life. The scent of your room–warm peaches and vanilla–tugs at his heart strings. This is where he belongs. 
Likewise, you love seeing Sunghoon behave like this. It’s not commonplace for him to let people take care of him in the way you are now. He’s used to people looking out for his career and best interest but he struggles with allowing others to handle him with such care. After a decade of enduring harsh criticism and physical endurance, Sunghoon struggles to relax and allow others to take the reins. It’s partially why he loves taking care of you. Being able to provide that kind of love and support makes him feel wanted and needed, even if you tell him he’s more than enough a thousand times over. 
You leave him in your room to change his clothes taken from his designated drawer while you prepare skincare and the works. You hear him shuffle outside and fall onto the bed once, prompting you to hold your laughter in as you wash your hands and pull out hair clips for him to use. 
“I can’t lie,” Sunghoon says as you emerge from the bathroom to see him in a big t-shirt and pajama bottoms, “I’m really looking forward to you doing my skincare.” 
You snicker and pull your desk chair into the bathroom. “Now you know exactly how I feel every time I beg you to do mine when I’m drunk. Sit and close your eyes, please.” 
He follows your instructions and leans his back against the furniture. Sunghoon doesn’t fuss when you pin his hair back until it’s secure and allows you to make him feel pampered in a way he typically wouldn’t. 
“Did you have fun tonight?” 
Sunghoon hums. “Yeah, I did. The guys picked me up from my place and we had lunch at that seafood spot we’ve been meaning to try.” 
“Was it any good?”
“So good.” He licks his lips. “God, I’m still thinking about that shellfish soup. We ordered enough food to feed a village but it was so worth it. I wanna go with you.” 
“We can go wherever you want.” He smiles at your soft tone. 
“We also went to the beach and met some guys at the skate park by the highway. They were pretty nice and let us use their boards for a little. Heeseung got along with them the best, I think.”
“Heeseung makes friends with everybody.”
“He says he’s not social but that’s a lie.” Sunghoon twitches his nose when he feels a damp washcloth on his face. “We went to the bar afterwards and split it by round. I got the first and honestly, I don’t remember much after that.” 
“How are you feeling now, though?” you ask as you finish patting his skin dry. “Do you still feel dizzy?” Sunghoon opens his eyes and watches you apply a serum before dabbing it all over his face. 
“Not as much as before. I think I’m just tired.”
“And clingy, apparently.” 
Sunghoon smacks the back of your thighs. “Shut up. You love it.” You silence him by kissing his nose. 
While he brushes his teeth, you situate yourself underneath your plush covers and allow the weight of the blanket to fall on top of you. The sweet promise of a good night’s rest feels imminent, especially when you see your boyfriend emerge from the bathroom. He turns off the light and walks towards the empty side of the bed before he’s slipping himself beside you. 
Sunghoon’s an equal opportunist when it comes to sleeping positions. He loves it the most when your head is on his chest and when your arms are tangled in one another because he likes knowing that the two of you yearn for each other equally. But when he gets like this, Sunghoon takes initiative to maneuver himself until half of his chest and head are on top of you. He situates his arm around your waist and pulls himself closer to your body until a deep, satisfied sigh comes from the back of his throat. 
He hums in appreciation when your fingers begin to massage his scalp. Sunghoon’s hair is soft and silky and on most days, you’re the only person who gets to touch it. The slowness of your movements paired with the soft kiss you place on his temple makes his eyelids feel heavy. 
“Sorry you had to come pick me up,” Sunghoon mumbles against you. “I know we agreed to give each other some space this weekend.” 
“You should know by now that I’d do anything for you.” He feels you kiss the crown of his head. “Plus, we both know you’d do the same for me.” 
Sunghoon nods. “I would. You’re my girlfriend. Duh.” His sleepy nonsense makes you laugh. 
“You can go back to hanging out with the guys tomorrow if you want.” He shakes his head. 
“I want to get breakfast with you.” Sunghoon finds your free hand and presses a sleepy kiss to the back of it. 
“Whatever you want. We can get breakfast.” 
“If we wake up early enough.” 
You laugh again. “Yes, if we wake up early enough.” 
Sunghoon mumbles a few incoherent words that you can’t quite make out because of your own tiredness. When your own eyes start to droop, Sunghoon feels your fingers start to falter and looks up at you to see you’ve fallen fast asleep. 
He kisses the underside of your chin and falls asleep too.
***
comments and reblogs are appreciated! x
734 notes · View notes
In response to the Mile High Job post, I hate that Parker implies that poor flight attendant slept her way to a promotion/better shift. Her day is super weird but her cat is fine and her life is saved. That rumor, however, might stick and that didn't really feel like Leverage to me.
Agreed!
The thing with Leverage is that it's a show from the late 2000s; it feels contemporary, but actually it is a bit dated. And, like all shows, it had some problematic elements, which get a bit more Obviously Problematic as time goes by (I am just waiting for someone to write a lengthy call-out post in 5 years' time and for the Discourse to start.) For example, Tumblr loves to declare that Leverage has a "canon" throuple, but if anyone read that and then watched the show they would be profoundly disappointed - while it's a fantastic ship with a great many shippy instances, Elliot has a lot of onscreen No Homo moments, and frequently is shown sleeping with random women (I personally read him as aromantic). Similarly, there are two big relationships in that show: Nate/Sophie, and Parker/Hardison. And we all wax lyrical about the brilliance of Parker/Hardison and how healthy it is, and for good reason; but we gloss over how unbearably "I hate my wife/father I cannot click the book" Boomer humour Nate/Sophie is.
(He literally calls her a shrew in one episode. She throws a tantrum and sulks if he doesn't remember the exact details of how/where they met. She's stereotypically 'romantic' and he's stereotypically 'cynical' and she has to Save Him From Himself, and he self-deprecatingly says he should just know when to stop arguing because she's always right. Like... it is a grubby and uncomfortable dynamic; but, it's also aimed at a different segment of the audience that is older than me, and that's okay, actually. It just means I don't much care for the ship myself.)
Anyway, this is one other such instance. Clearly someone in the writers' room thought that was a funny joke, and not enough people disagreed, and so in it went. What's nice is that Sandi McCree, who plays the other flight attendant that stays on the plane, actually kind of saves that joke for me with her performance. When Parker first boards and declares that her co-worker is not coming in, McCree looks disgruntled at the sudden change to her staff list when she wasn't informed; she's annoyed at management. Then Parker makes the sleeping-with-pilots comment, and McCree looks disgusted and furious -
An expression she then pulls at Parker every time she sees her for the rest of the episode, even when Parker is technically not doing anything particularly weird. It's not necessarily intentional on McCree's part (Parker IS very weird in this episode, so it very much can be a response to that), but to me it means you can read it as "This woman is absolutely furious at the lateral sexism of this white girl because We Love And Support Each Other On This Plane." So, for me, between that and the aforementioned revelations of the day (the plane was brought down by the domestic terrorists of a Fortune 500 company, but saved by... a few unexplained Official People who snuck aboard??? And the other flight attendant was made to miss the plane after all under mysterious circumstances and was not promoted??? What???), I don't think Sandi McCree's character wouldn't put those pieces together.
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quitesins · 2 days
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Deku’s Type!
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Masterlist
Tags: 18+, Sfw-ish, short drabble, fem!reader, aged up! characters, teacher! Deku, kinda vulgar and fucky, im gonna tag misogyny, reader is implied to be “fucked in the head” whatever you want that to mean ^0^!
The boys gather round for drinks and discuss the type of women Deku seems to be fond of, much to his dismay…
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“Sounds like Deku’s type,” Katsuki says, smirk in his voice.
Izuku frowns. “I do not have a type.”
Now that makes the table still for a second, not long enough for Izuku to predict the thoughts of his friends, but enough for the rest of the guys to come to the same conclusion.
Katsuki, Denki and Sero are the first to burst out in laughter. Katsuki’s cackle the loudest of them all.
“Are you fuckin’ serious?” Katsuki laughs so hard he doesn’t even care that Denki is half laid over him, “You don’t see that shit?”
“Come on…” Denki says, still slapping Katsuki’s thigh as he laughs, “you have such a type!”
Izuku frowns, sterner, deciding to ignore the immature three and turning to his other friends for support. Both Iida and Shouto look away, their expressions telling.
“I do not have a type,” Izuku reiterates, firmly.
Katsuki shakes his head, finally shoving Denki off him. “All those girls you’ve dated? Exact fuckin’ same.”
Even Tokoyami turns his head, eyes never leaving his drink but a twinkle of unfamiliar mirth evident within them.
“What does that even mean?!” Izuku exasperates, looking around for a single ally.
“It means,” Mineta chimes in, and although Izuku enjoys his company, he already knows he’s about to hear something deplorable, “you like them sick in the head!”
Shouto can’t hold in his sputter, finally contributing to the conversation— with a laugh. The rest of the table is hooting, a few groans at the wording but nothing at the sentiment. All while Izuku looks absolutely scandalised, clutching his chest, eyes wide open.
“That’s horrible!” Izuku cries, so stunned he can’t even trail off into one of his signature rambles in defence, “that’s- that’s. What?!”
“All the girls you’ve liked man…” Sero starts, “they’re not exactly little miss sunshines are they.” He stops, which Izuku almost takes reprieve in until he continues, “you seem to like them a little off putting.”
“Yeah so he can fucking fix them,” Katsuki snorts.
“It’s your saviour complex,” Denki adds, chin tilted up, trying to look profound.
Izuku is quick to interject, waving his hands around. “You’re the pro heroes.” The poor boy tries his best to convince. “We all have saviour complexes!”
“Not like you do, mon chéri,” Aoyama tuts, then winks before saying, “Hero of Japan.”
“Izuku, They do still call you an honorary pro.” Shouto is trying to be nice, Izuku thinks. “And I’m sure your students think the same.”
Izuku grimaces, he knows he’s always had a complex that encompassed so much more than just his dreams to be a hero, but he doesn’t need it sullied by… that.
“Don’t ruminate.” Katsuki presses a drink into Izuku’s hands. “You like women a little fucked up, so what.”
Katsuki’s words do nothing to comfort Izuku, instead it has Denki and Mineta laughing all over again while Kirishima attempts to calm them down. Iida scolds Katsuki a little, doing a half bow in apology to the passing waiter clearly peeved by all the noise. Deku pays no attention, beginning to spiral in his head.
It feels wrong to view you that way. To view the women he’s loved that way. But he’s not an idiot, maybe a little blind at times but now that the proof is there— oh god—
“Listen, Midoriya, I am sure there are many reasons you have loved the women you have.” Iida notices the growing dread upon Izuku’s face. “You also like to save people. There is nothing wrong with that.”
Tokoyami and Shouji nod in agreement, Ojiro giving his own sympathetic smile.
“Yeah bro.” Kirishima raises a fist in camaraderie, though it’s definitely out of pity. “It’s manly to want to care for others.”
“Think he more than cares for ‘em,” Katsuki slickly adds, in an artful voice that Izuku is more that familiar with, “the fucker get off on that shit.”
This time, it’s Shouto who scolds him, Katsuki’s implications clear enough for even him to catch on. They rest of the guys begin to bicker in the background, one half in defence of Izuku’s less than innocent tastes in women, the other intent on making fun of the golden boy for once.
Though the attention is finally off him, it does not help Izuku feel any better.
Because there’s a thought that lingers… it’s a sick thought, a terrible, horrible, awfully honest thought.
Shit, he does like them a bit fucked up.
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My truth is i still don’t know how to punctuate dialogue… pleek don’t look and none of dat…
Anyways I kind of wanna elaborate on Deku’s hero complex coming out in other ways in the 8 years of studying and becoming a teacher, like someone has to deal with it…
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Text
Mad Season 2
Warnings: non/dubcon, social anxiety, chronic illness, and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Character: Bucky Barnes, Peter Parker
Summary: a class project gets messy. (short!reader)
Note: yes I'm being irresponsible.
As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️
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‘So sorry I’m running behind. May forgot her wallet’. You reread Peter’s message for the fifth time and check the time under the bubble. More than forty minutes ago. He has to be close. 
You thought of checking but you don’t want to pressure him. Besides, he is doing a favour by bringing you to Stark Tower to let you use the space with him. You turn and pace along the wall, out of the way of the New York pedestrians who wouldn’t even notice if you got underfoot. 
You thought of waiting in the lobby but that’s too much. You focus on breathing. You feel alright for the moment, but a few times, you’ve reached for your inhaler just out of habit.  
“Hey,” a voice draws you out of your mounting anxiety, bringing you back down to just above neutral. “Door’s open, you know?” 
You face Bucky as he holds open of the many glass doors. 
You nod and teeter on your heels. “I know, sir. Just waiting.” 
“Bucky,” he corrects you. Like last time. Oops. “Waiting on the kid?” You gesture affirmatively again. He waves you over casually with a gloved hand, “come on. I can get ya into the lab.” 
“Mm, ahem,” you clear your throat, it’s getting tight. You get closer as the noise of the street makes it hard to hear your own thoughts. “That’s nice but I said I’d wait here.” 
“Busy,” he comments and his eyes roll around derisively. “Should be out here on the street. Let the kid know you’ll be upstairs.” 
There’s no arguing with him, not that you would ever dare. You’re not afraid of him. Maybe intimidated but who doesn’t make you feel small. No, he’s Bucky Barnes, an Avenger. You have no ground to tell him no. Besides, he’s being nice even if his tone remains mostly indifferent. 
“Thanks, s—Bucky,” you muster a tight-lipped smile. 
He holds the door and you flit in ahead of him, your wool jacket flapping and brushing against him. He follows. You hurry ahead then stop short as you realise you don’t know where you going. As you do, a man in a suit huffs and nearly knocks you over with his arm. 
“Watch it, little girl.” He sneers. 
“Hey,” Bucky catches him by his tie, “what’d you say to the lady?” 
You spin around in shock, rubbing your arm at the suddenness of it all. 
“N-nothing, I--” the man blinks in fear. “Nothing, she just got in my way.” 
“You knocked into her and you can’t say sorry?” Bucky pulls him closer, glaring at him with a furrow of his nose. 
“N-no,” the man shows his palms, “no.” 
“Look at her. She’s half your size, pal. You think she could hurt you?” 
“No, no, look, I’m sorry. I’m sorry!” The man sputters. 
“Not to me,” Bucky slides his hand down the man’s tie and pulls him like a dog on a leash toward you, “her.” 
The man blanches and gulp, “look, miss, I’m sorry. I didn’t see you. I shouldn’t have... I should look where I’m going.” 
“Good boy,” Bucky’s snarl comes close to a smirk as he lets the man go and taps his cheek lightly. “Go.” 
He shoves the man by the shoulder and you bat your eyes dumbly. You watch him go as Bucky looms close. You look at him and reach for your bag. You unzip the pouch at the end of the thin strap and pull out your inhaler. You take a puff. 
His expression softens, “oh, is that me?” 
You shake your head, “too many people.” 
“Ah, right,” he points toward the elevators. 
You follow him as he bulldozes through the bodies and pushes the button. You stop beside him and fidget with your inhaler. You peek over at him again. He looks down at you and you wince. 
“Sorry... I...” 
“People usually only stare when I got the arm out,” he shrugs. “I got something on my face? Damn beard catches.”  
Brushes his fingers over the thicket of hair across his jaw. You shake your head again. 
“S-sorry. I... I...” you sniff as the doors open and he beckons you ahead of him. You scurry on and he follows as a slow pace. He spins and jabs the buttons.  
“Thanks for... for helping.” 
“Not at all,” he says. Silence rises with the elevator. He coughs. “You know, I had a buddy with ashthma. Still my buddy but he don’t got the asthma no more.”  
He snorts. You mull his words. You think know who he means.  
“The stuff or whatever... got rid of it?” You ask meekly. 
“Yeah, the stuff. Serum. Poison,” he scoffs. 
“Oh,” you hum. 
“Guess I take it for granted. Never had to worry about much of the being sick part. Sister did. Yeah, she used to always have something,” he clicks his tongue. “Tell me when to shut up.” 
“No, no, I wouldn’t... wouldn’t ever,” you stutter. 
Another lulls fills the elevator as it opens, but the tension remains trapped inside. He points you out first and waits to trail after you. You come out onto the floor. You vaguely recognise some of the acrylic decor and the stiff looking chairs but you don’t know where to go. 
“Left,” he directs you with a gentle caress down your sleeve. “Easy to get lost when you don’t waste your life here." 
You let him guide you. You’d lose yourself without him. It’s exactly why you’d been out on the street.  
That reminds you of Peter. You reach for your bag again and pull out your phone. You check for a message. 
“Kid standing a nice gal like you up?” He asks. 
You flinch, “uh, no, his aunt... there was an emergency.” 
“More important than you, huh?” He pivots and presses his finger to the keypad. The door opens. 
“I don’t... I don’t know. It’s not a big deal.” 
He looks at you, his eyes narrowing, “you’re not a big deal?” 
“No, waiting isn’t... isn’t that bad,” you stammer. “Uh, thanks, again.” 
“Well, you know, in my day, we treated ladies with respect. Let me know if the kid needs a lesson or two,” he taps the doorframe. “I’ll check in, just in case.” 
“You don’t have to.” 
“I know I don’t,” he says. “Go on,” he nods through the door. 
You don’t hesitate. You enter the lab with another thanks, eager to have some time to yourself. You go to the table and untangle your knapsack. You look back just as the door starts to slide shut. You only get a glimpse of his eyes before he’s blocked out by the metal barrier. You can feel his gaze staining you. 
You know it must be all in your head but he is so intense. Not as angry as last time but still... a lot. 
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liloinkoink · 1 day
Text
hey guys, someone just sent me a weird ass ask claiming my incredibly close friend cherri @cherrifire secretly hate me and is talking abt me behind my back. i was not the only person to get one of these identical slanderous asks. i’ve already blocked the anon but like. open letter to them, and for the benefit of anyone else who gets an ask like this….
1) anon, you’re genuinely fucking stupid
2) hysterical to send this when i was actively chatting w her, while we were in the process of fleshing out yet another renchanting au, something we have done all day every day for… gosh, how long has it been now? nearly two years? i would say that it was really bad timing to send this ask to me while i was actively chatting aus w her but there really isn’t any moment you could have sent this that i wouldn’t have been.
3) if you thought i wasn’t gonna call bullshit and snitch immediately you don’t know shit about me or cherri, which, granted, is evident by the ask in general, but you really are stupid
4) if a gc like this existed—which it does not, bc cherri is not like this and would not do this—i would be in it. this idiot doesn’t even know im cherri’s emotional support writer. do you have any idea how many gcs and servers she’s dragged me into w her.
5) get your facts right cherri talks shit about me to my face. this is mutual. fake ass fan. if you were a real cherri friend you would know this smh
6) no, actually, you’re right, she definitely hates me. that’s why i met her irl literally like 3 months ago on her invitation, we hung out for a genuine week, spent basically the whole time arm in arm or hand in hand. this is also why we were planning a second meetup last night. you idiot. you fool. you complete and utter moron
anyway, if anyone gets this ask:
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it’s complete bullshit. theyre sending this to cherri’s best friends for some godforsaken reason. it’s very weird and deeply cringe. also incredibly poorly planned. idk how many ppl you sent this to, but a few of us are in a gc and we have been making fun of this ask for like an hour (anon, im one of cherri’s friends and she’s been telling a small group of friends about you— lol. lmao even)
anyway like. to reiterate. cherri’s one of my best friends, she’s absolutely lovely and i’m lucky every day to know her. we hang out and chat constantly and we’ve met irl and it was an incredible experience i would love to repeat. i have told her things i have not fuckin told anyone else and you could not otherwise waterboard out of me. i love talking to her all the time and i miss her when she’s busy for even like, an hour. i love writing w her and creating things w her. she’s an incredibly bright spot in my life, often the first person i think of upon waking and the last i think of before i sleep. she is kind and funny and i love her a lot.
i’m a bitch tho so like @ this anon go fuck yourself. you better hope that when you die that the devil finds you before i do. sending this ask to a bunch of our friends, trying to turn the people she cares about against her, and for what? you clearly don’t know her well enough to be talking like this. trying to ruin my friend’s reputation and friendships w a vague as hell and entirely baseless copy paste is super fucking weird. why would you do this? and like, do you think we were born yesterday to fall for this? i’m insulted for her for whatever it was you were trying to pull and i’m insulted on behalf of myself and everyone else you sent this to that you think we’re as stupid as you are. what is your damage. get a hobby.
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mehiwilldoitlater · 22 hours
Note
Now hear me out,what if. What if we did get Sent back to our world. But. Our monke was sent with us. Pretty please 👉👈🥺 We gotta fuel the shenanigans of things somehow. I wanna see him get whiplash from both technology and culture shock. We've been nice to our boi for a good while,it's time to bully him finally.
When you both wake up in the middle of the city, with people standing, asking if there was a con around or something, you know that you both are in something big.
You needed to find a good hiding place, but you knew what was happening: you and the Destined One were now in your own world.
The buzzling city, the cars, the technology—everything made his poor brain scrumble. You cane from this?! This chaos?!
The smell for him is difficult to handle, the absence of trees, and the strange behavior of the people...
///
"This is...your home?"
"Yup."
Hiding in a tree, the two of you admired the small portion of the city that the park hallowed you to observe. While you remembered what it feels like to breathe the same air where you were born, Yuán Fèn couldn't take his eyes off the palace in the distance.
"Are those... pagodas?"
"Oh no, those are skycrapers. People live and work there."
"Oh..."
Everything was out standing. And the mortal did it without the help of gods or others! They did it themselves! He gasped again, his tail swaving excited.
"We should go now! ...Maybe you can finally meet my family!"
///
That's your plan...until you find out what's really happened to you.
You were wondering if the car that had crashed into you was some sort of allucination or something like that, but when you reached your home, you could feel all the pain that you hadn't felt the day of the accident.
When you knocked at your door, you guessed that your mother could feel dizzy. After your disappearance of months, what you didn't expect was her tò Just faint on your porch, right in front of you and Yuán Fèn. You both were able to bring her into her room, and after that, you started to notice a pattern that scared you.
While Yuán Fèn tried to make her come back from the world of the living, you noticed the door of your room locked; many of your photos were missing from the usual spot. And there, in the living room, a photo of you at your prom, in an intricate frame. Written in silver ink, the lines "in loving memory.".
You really wanted to faint at that moment.
///
It feels so strange looking at your own grave. You guessed that they would you in this one particular spot. It was a family place there.
"I told them that I wanted to be cremated."
Yuán Fèn was more interested in trying to decipher your mental state. You were just there, watching at your own photo. He felt so strange... so that was what Mitraya meant when he said you were rebuking everything in your real world by choosing him. He looked again at that stone block, your name carved in there... then moved away.
"Okay, I think I'm in need of... What are you doing?!"
You spotted him taking a few flowers from one spot to another.
"Playing respect!"
"To Who?!"
Then, with the small bouquet in his hand, he put the flowers in the small pot near your photo. 
"..oh ..." That was the only word that you said after that.
///
Three things were clear to you:
1) Going back to Mount Huaguo was the priority;
2) You needed to find some money since you were basically broke;
3) Need to keep the monkey away from every electrical device.
The first one was based more on a sense of morality. After all, you made a choice, and that was the choice to stay in that world full of magic because you fell in love with the destined one and a simple cane back home wasn't enough to move you. 
Not to mention that you have nothing that came back anymore, so...
The second, hard but not that much. You have nowhere to go, so you were forced to stay in a cheap and very not so sanitary motel that you both found. 
Luck were your side because that place needed someone that could clean or fix staff and you two? We're the masters at fixing staff...sorta.
But the third one...oooh boy...
///
You were drinking coffee, how much did you miss it, trying to schedule the next day of work for you and Yuán Fèn. You could clearly hear him doing something in the small kitchenette, moving staff, putting them somewhere, opening things, cutting them...
Then you heard the roar of that old blender that you both found around.
" DARLING?" You used your very sweet tone, a sign that you were expecting the worst for him. "What are you doing?!"
"Nothing."
"That doesn't sound like a -"
And there, in front of you, he putted a very strangely colored liquid, viscous, and with some strange objects floating here and there.
"What Is It?"
"A bunch of staff!"
"I know that; it's clearly a bunch of different staff."
"You should try it, then talk!"
"I genuinely want it five meters away from me."
"Suit yourself!" And then, in your horror, he proceeded to drink the staff. 
///
After days of adjusting and trying to get used back to the modern world, when you both got inside your shared room and found no one but Maitreya himself, you both got a huge shock. You don't know what was the most unrecognizable scene—the actual boy in the room or the fact that he was reading a comic book that talked about the Monkey King or the Yankees cap in his head.
And he just waved! Like nothing! 
He decided to give some explanation, but the most important was why you were sent there and how to. come back.
The first was more for the two of you. After your decision, you decided to leave your world behind, but you did know what that really meant? He wanted to know that and gave you a free way out, a small taste of your original world, and the thought that even this could sway you away from the destined one, and he received a slap on his head by you, and he admitted he deserved it. Another test of loyalty? They really believed you were so easy?!
Well, many were before you...
As for coming back, it was easy, of course! Did he not do it himself right now? 
When you and Yuán Fèn looked at each other, Happy Tò was able to finally come back to Mount Huaguo, but you were stopped by the kid.
"You have to finish your schedule this week! And, oh, won't it be better if you gave a notice?"
How the heck did he know these things?!
"Aaand," he continued, holding an old toaster, "explain to me this little miracle."
@sun-jglim @crimsonflameproxy
@everlastingmoonlightsworld @biankanoir
@miraclecherryblossomsblog @sleepingdramaqueen
@certifiedsimpinggalore @cromboloni
@masksandfeathers @cinnamonroll-anon
@justrandomlypassing @cute-angi
@luckyangelballoon @dressycobra7
@naarra @virtualexpertanchor
@phoenixeclipse-lmkau @szynkaaa
@kirax-the-lazy-girl. @sleepydang
@weaverworks @kishimiest
@marcu-bug @thepoweroffiction
@riolu4 @angryvampire
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cloudraker · 3 days
Note
What would the tfp autobots (your pick) reactions would be if their neutral NB cybertonian ally goes, "Oh? You didn't know? I have a Conjux now :)" and brings the motherfucker predaking.
But hey! Atleast the predacon is a green flag. The man would do anything for the reader, respects them, and is utterly smitten. At that point the autobots wouldn't have to worry about him anymore since reader is their ally
This has been rotting in my inbox for so long,, anon if you see this thank you for your patience
TFP Preadaking with a Neutral S/O
Under the cut :)
Setting this after the war/the return to Cybertron
Assuming you didn't fight in the war, you're probably the most normal person he knows. You're probably the most normal person on Cybertron at this point. The others don't think much of it when you start spending more and more time out by yourself- there's a lot to take in now that the war is over and cybertron is so different
Your little adventures start at a few hours, then it's half a day, and before long you're gone for days at at time. That's when they start asking questions
Where have you been going? What could possibly be so important that you go missing for days at a time when there is- what do you mean you met somebody?
Having to explain that yes you met somebody and yes they're on Cybertron and well you don't know if it's a good idea if they all met him. It's all very "he goes to a different school you don't know him"
They eventually get you to agree and when you actually bring him around the Autobots are.. well they sure are there and that sure is a guy you've brought home
Predakind, to his credit, is on his best behavior. He's standing behind you (a respectable distance away from them) as you talk the others out of shooting him then and there
He doesn't stay long, much to your disappointment. A few conversations with both sides reveals their past history, leaving you caught in the middle.
The overall consensus on the Autobot side is "you're an adult, we can't stop you but it's also a really bad idea-"
Ratchet would be the most understanding- which isn't saying much. He's upset but he also knows you don't have the same feelings towards Predaking as he and the other Autobots do- to you, he's just some guy you met. While he makes his many grievances known, he also makes it clear that if anything happens you'll still have people supporting you
Magnus is.. conflicted. On one hand, part of him is glad that there's some sense of normalcy for somebody- a hope that things will be okay. On the other hand, he doesn't have an other hand
He doesn't count as an Autobot but Knockout would warn you against the predacon, calling him things like dangerous and a brute while also trying to dig any gossip out of you. Will begrudgingly make sure you're polished and shiny before you go out if you ask him for help. Very "you're going out dress like that?"
Once they get more familiar with the idea, Predaking starts making the occasional appearance
At first it's just flying by overhead, letting you know he's still around even if you haven't been able to see each other much lately. Then it's coming to meet you when you've got plans and then he's making very awkward small talk with Bulkhead while he waits for you to come out
Everybody starts to relax a bit when they see just how good he is to you. This hulking beast of a robot, built for fighting and dragged into a time not meant for him, bending to take your hand and kiss your knuckles whenever he sees you. How you never come back with a so much as a scratch on your pain and only with good things to say
He gets some serious side-eye when he enters the base for the first time, and everybody is a bit tense, but it (thankfully) all goes well
He's eventually asked to help with some repairs or some mundane task and- while somewhat reluctant- he complies. For you, of course, in an attempt to make life just a little bit easier
It's a very, very slow journey to having both your partner and the Autobots start to build even a semblance of trust, but you're willing to put in the work and Predaking is willing to put in the work for you
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Text
Gentle On My Mind - Chapter 5
Initially set in 1967 when Elvis is filming Clambake. Feeling miserable and trapped after the Colonel banishes Larry and the spiritual texts, Elvis invites Gloria to keep him company through the last five days of filming. Gloria is an aspiring movie editor and more importantly she's a lot of fun. Will she be what Elvis needs to get him out of the depressive funk he's in?
Catch up with the other parts here.
Many thanks to @sissylittlefeather being my beta reader on this one.
Pairing: Elvis x OC - Gloria, a budding film editor.
Word count: 4.2k ish
TWs: Gloria's filthy mouth, angst, infidelity, blowjob, fingering, p in v sex, possessive kink, size kink, spanking, Elvis is quite dominant, think that's about it.
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Elvis spends that afternoon’s filming trying very hard to concentrate on his lines and not daydream back to his lunch break, him almost dragging Gloria back to his trailer, both of them giggling like naughty kids and probably making what they were about to do incredibly obvious to half of the film crew. Going through additional takes of some of the opening scenes in the gas station, he fights the urge to think about the feeling of Gloria’s mouth all around him as he leant breathless up against the wall. Tries to forget for a few minutes the puzzle of what it was she’d done with her mouth and hands that had made him come so quickly right down her throat. Between takes, chatting to Shelley about how hot it is and whether that makes LA seem more like Florida, he repeatedly pushes the thought that this was the second time he’d left Gloria full of his come out of his mind. 
Gloria also finds herself a little distracted, her mind drifting back to the fun they’d had at lunchtime. But, as she walks back to his trailer at the end of the day, a little later than usual because she’d got so stuck into what she was doing, she reflects that maybe she’s actually learning enough to get herself a proper job. Or at the very least, enough to make those stuffy old men think that she knows what she’s doing. She bites the skin beside her thumbnail a little, thinking briefly about going back to San Francisco, and then her mind drifts back to Elvis in the trailer earlier, his hand over his mouth so everyone on the film set wouldn’t hear him moaning as she sucked him off. She’s pretty impressed with herself for somehow stuffing all of that dick into her mouth and down her throat, it’s definitely a record. 
“Where you been, honey?” 
Elvis is sprawled on the couch, taking up the entire thing. She looks down at him. 
“Got sucked into editing. I’m really enjoying it, I can’t believe how interesting it is when people actually let you do things rather than just making you get them coffee.” She picks his feet up just enough to give her space to sit down, replacing them on her lap. “Thanks for making it happen it for me.”
“No problem, Glory.”
She tilts her head to the side. “You okay?”
“Hmmm. You ever been to Hawaii?”
“Family vacation in Honolulu a few years ago.”
“Did ya like it?”
She nods, her hands resting on his shins. “Mmm yeah. Beach life. It’s definitely a nice vacation spot. But there are beaches here!” 
Elvis frowns. “Can’t really go to the beach here. Too busy.”
Gloria doesn’t miss a beat. “Not if you went in disguise,” she suggests. “Why don’t we sneak off now and go to the beach and get dinner there? Instead of just sitting in here and eating burgers again.”
Elvis is briefly completely baffled by this turn of events, and he’s about to say he probably needs to take at least one of the guys with him, and that he doesn’t know if there will be food he wants to eat at the beach, and that he really doesn’t go places that are so busy… and then he just doesn’t say any of those things and instead just says “okay.”
Gloria sits for a few seconds blinking in confusion. She had been expecting a little more resistance, but since she hasn’t got it she just pushes his legs out of the way and leaps up off the sofa. 
“Let’s go!”
***
They take her car, and he hides in the backseat as they drive off the set. Gloria has a hard time keeping a straight face driving through the gates, thinking of him in shorts and a denim jacket she’d somehow found for him to wear, lying down as flat as possible. Once they’ve got far enough up the road she pulls over and he gets out and into the front seat. She can’t help giggling at him. She’d jammed a baseball cap on his head and made him wear his shades too, and he looks successfully nothing like himself. He had complained a lot, looking at his reflection in the long mirror in the trailer, but he relented when she put her arms around him and kissed his neck and told him she thought he looked sexy. She wasn’t lying. Looking at him now, once the giggles have subsided, she thinks he looks really good. More casual than usual, which she likes. And he’s not wearing too many clothes. One of her main gripes with the movie, whenever she stops to watch a take or two, is that they’ve over-dressed him. Since it’s meant to be set in Florida, she’d have expected him in shorts and a t-shirt a bit more often. And more sensible shoes. She does have a soft spot for that all-denim outfit, especially remembering him changing out of it and giving her her first glimpse of the outline of that fucking huge dick, but it still seems an odd choice for the movie. 
“What’re you thinking about, Glory?” 
She shakes her head a little and looks over at him. “Your fantastic outfit.”
“I can’t tell if you’re making fun of me.”
“I like it.”
“Even this?” Indicating the baseball cap.
“Even that. In fact, you can leave that on later if you want, in bed.”
She starts to giggle again. Elvis shakes his head. “You’re unbelievable.”
“I know.”
He smiles as he looks across at her. She’s just put the top down on her car so her golden hair blows gently around her face under her sun hat. Her hazel eyes are shining with amusement and he watches her tanned arms on the steering wheel. She drives comfortably, seat back, keeping her eyes on what she’s doing but never looking remotely bothered by anything that happens. The car never jolts, the whole journey is a very smooth ride and Elvis wonders if he’s ever been driven by a woman who is this good at it. 
“God must’ve sent you to me,” he murmurs, almost to himself. 
“God?” She asks, spinning the steering wheel quickly as she looks for a space to park. “I’m agnostic, I don’t know if he’d have sent me. Probably would’ve wanted you to have a true believer.” 
She sticks her tongue out slightly in concentration as she backs the car up into a space. Elvis frowns slightly. 
“Agnostic?” 
“Hmm yeah. C’mon, we’re good, I’ve just seen a hot dog stand over there too. I bet you like hot dogs.”
“You don’t believe in God?” Elvis asks, following her as she bounds out of the car, barely stopping to lock it before she runs over to get in the line for the stand.
Gloria shrugs her shoulders. “Don’t think we can know so I don’t try. Maybe there is one, maybe there isn’t. Presumably I’ll find out eventually. Two hot dogs please, one with extra mustard.”
Elvis blinks at the heady mix of theology and fast food. He puts his arm around her as they walk down to the beach together. There are a lot of people, but none of them give him a second glance.
“I read the bible every day,” he tells her, somehow becoming deadly serious. “God is an important part of my life.”
She nods. “That’s cool. I wish I could believe in God but I just don’t have it in me. What about here?” She gestures to the bit of sand just in front of them. 
“Sure.” 
They sit down and start to eat. “You just believe in that white bearded guy up in the sky, or anything else?” She asks, with a mouthful of food. 
Elvis laughs and finds himself suddenly less serious again. “I’m interested in a lot of things. I’ve got this book which shows you how to calculate your number, and once you do that you can find out about your destiny and…”
“Numerology!” Gloria declares, completely interrupting him. “I love that shit.”
Elvis is immediately torn between loving her enthusiasm and being embarrassed by how loudly she just cussed.
“I’m a five, look,” she shows him the bracelet on her arm which has the number 5 hanging off it in the form of a golden charm. “What’re you?”
“An eight.”
“Oooooh we’re so compatible!” 
Elvis laughs. He finishes his final bite of hot dog and looks into her eyes. “Well it makes sense that you’re a five. It’s the number of freedom.”
“Yeah and I am still free from my panties, which I have to say is a very dangerous situation on this beach.”
“Oh. You could’ve brought a swimsuit.”
“Well no-one told me that!”
Their eyes sparkle as they tease each other back and forth, getting in a little play fight which ends with Elvis lying on his back in the sand, his cap knocked off, and Gloria half-sprawled on top of him. 
“Okay, so what are eights like then?” She asks, once she’s got her breath back.
“Great leaders,” Elvis replies, then giggles. 
“Oh, great leaders. I see. I’m just a mad impulsive girl who came to the beach with no swimsuit and you’re gonna be the president or something.”
He pulls her closer to him with the arm that’s currently wrapped around her shoulders. 
“It doesn’t look like I’m going to be the president right now, does it? No-one here has recognised me. Not one person.”
She puts her chin on his chest. “You’re in disguise.”
He huffs. “I was wearing a hat.”
They lie there for a while longer, talking about their respective numbers and debating whether Elvis wants to be recognised or not, and then he looks at his watch. 
“Think we should be getting back, Glory. The guys will be wondering where I am.”
***
Gloria notes the look of disappointment on Elvis’ face when he discovers that far from sending out a search party for him, no-one had even realised he hadn’t been in the trailer for the whole evening. 
“Can’t even pay people to give a shit about you,” he mutters, throwing himself melodramatically onto the bed, even though it's still early. 
Gloria kicks off her sandals and tries to dust the sand off her feet before getting onto the bed next to him. “I give a shit about you,” she says quietly, into his neck. 
Elvis is startled into looking down at her. He can’t see her face, buried as it is in the crook of his neck, but she sounds sincere. “I’m sure you do, honey.” He runs his fingers through her hair. 
She doesn't like his tone. It sounds like he’s dismissing her feelings, which had sort of snuck out of her when she wasn’t looking. She does give a shit about him though. It’s hard not to. 
“Well I wouldn’t be here if I didn’t.”
Elvis isn’t sure how to respond. He had thought that she just liked sleeping with him. But she has spent a lot of time listening to him over the past few days. 
“Um, thanks,” he mumbles, awkwardly. 
Gloria sighs quietly. Never mind her feelings then. Back to being her usual fun, sunny self. Only one day of filming left anyway. There’s no point in getting deep. 
***
The final day of filming is a busy one for Elvis, and he barely has a moment to himself. He looks longingly at Gloria from time to time, but there’s no opportunity to talk let alone anything else. He keeps thinking back to what she said about giving a shit about him. Running the conversation over and over again in his mind, he feels like he should’ve said something better than thanks, but once he’d missed his initial opportunity she had just started prattling on about numbers again. And not long after that she’d taken her dress off and he’d forgotten all about anything she might’ve said. 
“That’s a wrap!” 
Elvis sighs with relief at the words. It’s fairly late and he’s desperate to be alone with Gloria, on their final day together. Then he remembers the wrap party. There’s no way he’s going to get away without going, and probably staying for most of it. He doesn’t have any excuses. 
***
Gloria flits about the party, talking to anyone and everyone. She loves an opportunity to socialise, and this is even better because she’s making contacts in the industry too. Contacts outside of her daddy and his friends. And because no-one knows who she is, they treat her differently. With respect. She can see Elvis out of the corner of her eye, his flirting with Shelley getting almost completely out of control. She knows he’s trying to get her attention, but she doesn’t care about him flirting with actresses. After all, it’s not as if they’re going to be together after tonight. He’s going home to marry Priscilla. 
***
Elvis is pulling out all the stops with Shelley. Laughing loudly at everything she says that’s remotely funny, leaning in close to her when she’s talking quietly, carefully brushing a strand of hair from her face. Even going so far as to wrap an arm around her waist. Shelley’s enjoying herself but she’s not daft. She can see Elvis’ eyes flicking across to the pretty blonde on the other side of the room to see if she’s noticed what he’s doing. Shelley is amused that Elvis Presley is trying to get a girl’s attention, and in such a roundabout way. She decides to help him out a little. 
“Do you think it would help her notice if I did this?” She asks, putting both of her arms around his neck and looking up into his slightly surprised face. 
“Ah-I-I… I dunno what you’re uh… talking about,” he replies, stumbling over the words but putting his hands on her hips instinctively. 
“Ah come on, yes you do. You’re flirting with me to get her attention!”
“Oh no, baby, I wouldn’t do that… I-I-” 
“If you wanted to talk to me you just had to come over.”
Elvis looks away from Shelley’s amused face to see Gloria standing next to her. 
“Oh-Ah-I… honey, I jus’...” 
Both women laugh as Shelley removes her arms from around his neck. “See you later. Nice working with you again,” she tells him, giving him a kiss on his now burning cheek. 
“You looked busy,” Elvis tells Gloria, sheepishly. 
“I was networking.”
“Networking?”
“Yeah, you know. Making friends who don’t know who my daddy is.”
He nods. “I’m dying to get out of here.”
“Me too. Think you have to do a bit more though,” she nods at a man with a moustache making a bee-line for them. “Let me know when you’re ready to go. You can just come over and tell me this time.”
***
They finally get back to the trailer in the early hours of the morning. They’re barely through the door before they start pulling at one another’s clothes in an attempt to get them off. 
“I’m disappointed I was too busy filming to do this earlier,” Elvis pants, between frantic kisses. 
“Me too,” Gloria moans as he starts to kiss her neck. “And I hate that the party went on for so long. God, I thought we’d never leave.”
He unclasps her bra now that he’s taken her dress off. “When Bill started that speech…” he groans, then slides his mouth over her nipple. 
“The world’s longest, most boring speech, you mean?” She arches into his mouth as her hands find his belt and undo it. 
“Mmmm. Worst. Speech. Ever.” He punctuates each word with kisses that get lower and lower until his mouth is just above her clit. 
She squirms, her hands in his hair trying to push his head further down. He smirks and kisses his way back up her body again, lips finding hers. Moaning into his mouth, she grabs one of his hands and tries to guide it to where she failed to get his head to go. He chuckles as he pulls away from her again. 
“Needy little girl, aintcha?” He teases. 
She nods. “Been needy for you all day, big boy. Feel.” Finally managing to get his hand between her legs, she directs his fingers to run over her soaking pussy. 
He groans. “Bet ya ruined that skirt you were wearing earlier.”
“Yeah, it’s actually a great way to give yourself extra laundry,” she jokes. “As I’m sure you know, Mr. I Don’t Wear Underpants.” 
“Don’t do my own laundry,” he replies, before picking her up and putting her over his shoulder. “Right, you. Bed.”
Gloria squeals and kicks her legs and he gives her a quick sharp slap on the ass. She squeals again, in surprise and delight. Walking the few steps to the bedroom, he throws her down onto the bed so hard she bounces back up slightly. 
“Oooh Mr Dominant!” 
He shakes his head, trying to look stern but unable to keep himself from smiling. “It’s Mr Presley.”
She throws her head back and laughs uncontrollably. “Oh, is that what you want me to call you?”
Still giggling until she finds him on top of her, pinning her hands above her head, his eyes full of lust. “No, you know what I like you to call me. My needy girl.”
She moans a little at the name, trying to wriggle her hands free but unable to get away from his firm grip. “I want you… so bad… big boy,” she whines, arching towards him, desperate for more contact. 
“Think I might want to tease you a little first.”
She can’t resist trying it, despite what he just said. “Yes, Mr Presley.” 
He feels his dick get immediately harder at her words. He hadn’t thought he’d like it, usually people calling him Mr Presley made him feel old. But her cute west coast accent, her fluttering eyelashes and the slightly desperate tone in her voice have changed his mind. He leans down, kissing the skin just beneath her ear. 
“You can keep doing that.”
She bites her lip and rolls her body into his, now he’s that bit closer. “Yes, Mr Presley.”
He groans. Fuck. It’s going to be more difficult to tease her than he thought, if she keeps saying that. It’s going to be very hard for him to not just come in his pants. He kisses her again and then shifts so he can take the rest of his clothes off. Leaning back over her, he starts kissing gently down her body, enjoying watching her squirm trying to get him to move more quickly, deliberately stopping and peppering her with kisses just below her belly button until she’s groaning in frustration and begging him to move lower. 
“Please. Oh fuck. Please. I’m dripping for you.”
His eyes roll back in his head at the description and he decides to give her what she wants, spreading her legs with his palms and kissing her soaking wet pussy. She moans pornographically, hands grabbing his head as she grinds her hips up into his face, completely ignoring the fact that he’s only gently kissing her. He growls against her, vibrations making her moan even more loudly. Grabbing her hands and pulling them off his head, he looks up at her. 
“Don’t think my girl is doing as she’s told.”
She whines and wriggles. “I just want you to touch me…”
Shaking his head, he suddenly grabs her and wrestles with her until he has her over his knee. He brings his hand back and then slaps her hard on one ass cheek. She squeaks. 
“Feel like my girl needs to learn her lesson.”
Gloria rubs her thighs together, desperate for some friction. She’s so turned on she can barely stand it. She’s starting to wonder if she could just just come from him spanking her and calling her his girl. 
“Yes, Mr Presley,” she breathes. 
He bites his lip and tries really hard not to let on how much he’s enjoying this, though he’s sure she must be able to feel his erection digging into her. Slapping her ass again, he watches it jiggle and get red and listens to her moan and whine. Then he slides two fingers into her pussy. 
“Oh, fuck.”
Her head flops down onto the bed as she feels his fingers slowly thrust in and out, pleasure building inside her. Just as she’s starting to really enjoy herself he removes them and slaps her again. She screws her eyes shut and tries to control the noises that are coming out of her mouth as he continues alternating between touching her and spanking her. Eventually she completely loses control. 
“Oh fuck please Elvis please I want you so bad I’m sorry for being a bad girl.”
He chuckles and gently lifts her head with his other hand. “I better put ya out of your misery, huh?”
Her head flops back down again as he starts rubbing her clit quickly, pushing his thumb inside her, listening to the pleasured noises she makes as her orgasm builds quickly and then completely overpowers her. 
“FUCK.” 
If he thought her cussing on the beach was too loud, this was on a completely different scale. He puts his hand over her mouth as he gently rubs her through her high, shushing her. Her hot breath and mumbled curses against his skin. He doesn’t let her lie there for long though, he’s so desperate to have his fill of her.
“On your knees, baby.”
She gets up slowly until she’s kneeling on the bed, looking up at him expectantly. 
“No, not like that. Hands and knees.” He gestures at her to turn around so she’s facing away from him. 
He strokes her ass with one hand and his dick with the other. “All that looking at your ass made me want you like this.”
Her moans start off soft and soon crescendo again as he starts to push inside her. Groaning as he finally bottoms out, he pushes her head down onto the bed. 
“I need you to be quiet.”
She whimpers a little at the feeling of being so stretched in this position. “Yes, Mr Presley.”
Trying his best to hold it together at those words, his hands grip her hips as he starts to move inside her. She presses her face into the bed to muffle the noises she makes as he pulls almost all the way out and then slides in again, repeatedly. Elvis is driving himself crazy too, the intensity of the feeling of her all around his dick is almost too much. He gives up on moving slowly, his thrusts hard and fast now, making her body rock with each one. Her fingers dig into the mattress, trying to stop herself just collapsing on the bed with the force of his movements. He’s pounding her so hard she can feel tears gathering in the corners of her eyes. But it feels so good too. So good that she can feel her second orgasm building in the pit of her stomach.
Elvis is so close it’s almost killing him but he really wants to feel her walls squeeze him again. “Is my good girl going to come again?” He pants. 
“Y-yes… yes Mr Presley…” she pants back, getting up onto her forearms and pushing back against him with every thrust. 
His eyes roll back in his head and then all of a sudden he feels it, the squeeze of her walls around him as she falls forward onto the bed, only the force of him gripping her hips keeping her from collapsing completely. 
“Oh fuck,” he murmurs, and just like the last time it’s only one or two more thrusts before he’s coming too, deep inside her. Letting go of her hips they both collapse in a heap, breathing hard. 
He rolls off her and then pulls her into his arms, covering her face in kisses. She smiles and wraps her arms around his neck. Breath still uneven, he looks at her with grave seriousness. 
“Are you okay Glory? I don’t know what came over me then…”
Her mouth curls into an even bigger smile. “I’m great, thank you, Mr Presley.”
Wrapping a leg around his waist as she watches him cringe a little and blush.
“Oh God you’re never going to stop with that now, are you?”
“Never. Thought you were enjoying it. I know I was.”
He moves to kiss her neck. “Yeah I was,” he murmurs against her skin. “You sure I didn’t take it too far?” He looks up, his face worried. 
“No way. That was so hot. You can throw me around like that any time you want.”
She watches as his face changes from worry to a look that’s almost pride. Then it changes again to sadness as he remembers that “any time” will be over in a matter of hours. 
“Do you have to go back home tomorrow?” He asks, urgently. 
“I don’t have to do anything,” she replies. “But um, no I can stay, if that’s what you’re asking?”
Is that what he’s asking?
“Yes please. Please stay.”
***
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folk-enjoyer · 17 hours
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Song of The Day/history of cotton eyed joe
do you want the history of a folk song? dm me or submit an ask and I'll do a full rundown
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"Cotton Eyed Joe" Terry Callier, 1963
As a disclaimer, "Cotton Eyed Joe" is my least favorite American folk song and I'm going to talk about why, and I'm going to talk about why Terry Callier's version is subversive and good.
The Earliest date we have for the song's origins is from 1882 when it was Published in "Diddie, Dumps, and Tot, or, Plantation child-life" by Louise Clark-Pyrnelle. This book is a nostalgic recollection of her childhood as a plantation owner's daughter. She reminisces fondly about slavery, missing the old plantation days. Honestly, some of the quotes within this book are beyond parody, in one sentence she says "... My little book does not pretend to be any defense of slavery" and in the next sentence when referring to the morality of slavery she writes, "there are many pros and cons to that subject", later at the end of the chapter she laments about the forever lost emotional connection between the Masters children and the enslaved people. hate this woman and her little book.
It is also important to note that this book goes out of its way to caricature black people, throughout the book she exaggerates accents and dialects to dehumanize them. This is a recurring theme in early publications of this song. Another early publication of the song comes from Dorothy Scarborough in "On the Trail of negro folk-songs" 1925 who got it from her sister who also learned it on a plantation, in Texas. She writes "This is an authentic slavery-time song" This book, if you can believe it, is remarkably racist and dismissive of black music, even as a more "progressive" songbook of black folk songs.
In 1922, the song's history was documented a bit more extensively by Thomas W. Talley in his book "Negro folk rhymes". He writes that it has "deep roots in black traditional lore". Thomas W. Talley was also just a cool guy in general, this book is one of the first compilations of African American folk songs, and it has been a pioneering book in its field. Even today, this book is still one of the best sources for the history of African American folk songs.
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So, this is a black song. This was a black song whose first wave of popularization was through the caricature of black people to be amusing for white folks. Let's move on to its second wave of popularization.
The song was first recorded in 1927 by "Dykes Magic City Trio" (all white band) then about a week later by Fiddlin' John Carson (white performer) then in 1928 by Pope's Arkansas Mountanaineers (all white band) then in 1929 by Carter Brothers and Son (all white band) and then it wasn't really recorded for a while because of the great depression and the war but the times it was recorded, it was by white people. We know this because it was mostly recorded by John Lomax and despite documenting southern folk songs, he almost went out of his way to avoid recording black people singing them. Then, in 1941, it was recorded by Burl Ives (painfully white).also covered by a few white country singers like Adolph hofner bob willis but I think you get the point. It wasn't until later that year that it would be recorded by a black person, performed by josh white in 1944-45, who covered it as a lullaby.
However, it wouldn't be until the 90s, during its 3rd wave of popularization that it became its most grotesque. "cotton eye joe" was recorded and released by Swedish Eurodance band Rednex in 1995 as a, to paraphrase reviews, 'Way to make fun of backwater southerners'. This song became incredibly popular throughout Europe and in the USA as well, charting as a number-one song in several countries, sometimes for weeks. Not only is this song incredibly classist, it is, whether by omission or deliberately, fundamentally racist, adding to the whitewashing of black folk and minstrelsy of black people. The attitude and humor derived from the Swedish version are the same as the version in 1882 when it was a "classic slave song".
So, why is Terry Callier's version important, why talk about it? Terry Callier's version is the first version of the song that I have heard and it is not a comedy. It isn't meant to be funny. It slows the melody down and draws attention to itself. It's almost a ballad, showcasing Joe as a tragic but mysterious hero, maybe a love song. His voice is angelic as well. Terry Callier once again, subverts expectations and creates something beautiful out of a song that has been so whitewashed and appropriated that no one remembers its tragic origins.
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Thomas W. Talley
some other versions by black folks Josh white 1944-46 Nina simone 1959 The Ebony Hillbillies 2004 Leon bibb 1962 Ella Jenkins 1960 Josh White Jr 1964 Queen Ida 1985
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cazzyf1 · 16 hours
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The other day on my tiktok I created a simple post about how James Hunt is more than just the Playboy persona that is associated with him. This flew over someone's head who commented about how he was a Playboy. I responded explaining the point of the video but instead they doubled down saying that James didn't care about F1 only about partying.
So today I went through some of my books and gathered a load of quotes to show the James Hunt that most people do not know about, the one outside of the Playboy perception. I've posted it on tiktok but figured I'll upload it here as well so the true James Hunt can reach more people and slowly we can dismantle the reputation 'Rush' gave him ❤️
TW: Depression, unhealthy coping mechanisms/addictions
When you think of James Hunt you think of the 'playboy'. The guy who partied, drank lots, took drugs and slept with lots of women. Its true he did that, and a lot but to dismiss him as just that is wrong. He was a good driver, a person who tried his best, a kind man who cared for human & animal rights.
The next few slides I've compiled quotes from a few books and website to show what kind of person he actually was and what he went through in life and that less people will dismiss him as just a Playboy.
James Hunt's first marriage was rocky because James was already very involved in his addictions and he knew he didn't love Susy because he felt that he wasn't capable of love. But he felt responsible for her and wanted to look after her. Here is his own opinion from his book ->
"It was really THE problem. I thought that marriage was what I wanted and needed to give me a nice stable and quiet home life, but in fact it wasn't and the key mistake was mine. I really wanted to go racing on my own, and it wasn't much fun for Susy to sit at home and wait for me all that time. It was also a terrible hassle for her to come racing because race meetings were probably the most relaxing time in my schedule. The rest of the time you tend to be leaping on aeroplanes once a day and that made it even worse because it's bad enough organizing one person to get on an aeroplane. Organizing two gets to be twice as much hassle. It got to the point where it was a problem for Susy to come travelling and a hell of a deal for her to stay at home. It was making life miserable in the extreme for her and since I felt responsible for her it was making me miserable too. So we had agreed to split up and then Richard Burton came along and solved all the problems. We had had an immensely successful marriage because I learnt an awful lot about myself and life and I think Susy did too. We all ended up happy, anyway, which is more than can be said for a lot of marriages" - p14 Against All Odds
Much is said about James Hunt and the ladies he kept company, and without knowing anything about James you might assume the worst, but here's some quotes about what he was actually like with the ladies ->
"I don't usually have sex before a race because I am very definitely concentrating -I find that it is the communication between two people that makes it worth- while, and before a race I am pretty uncommunicative. However, if say I have an hour or so to spare before dinner on the night before a race then I can enjoy the physical release. But I will only do it with someone who is fully understanding" - p15 Against All Odds
"He was always attentive to his partners needs. Indeed much of his satisfaction came from giving pleasure. The only problem, some of them confessed, was that his desire to please often out-stripped their needs" - p264 James Hunt: The Biography
"I was sure he was gay, because he never made a move on me for so long" - p278 Jane Birbeck, long time partner, James Hunt: The Biography
"He missed the actual skirmish - he was inside getting drinks at the bar - but had to be forcibly restrained from going after the policeman who hit his girlfriend" - p284 James Hunt: The Biography
James Hunt had many affairs in his time, because he had become an addict to many things including women (more on this later) He was aware of his and it plagued James that he couldn't control it ->
"One evening she returned to their London home to find James in tears. He was tormented by feelings of guilt caused by his lust for other women. He confessed the full extent of his unfaithfulness, that it was unfair to her and that for her sake they couldn't remain a couple. It wasn't that he was bored with her, but that his desire for other women was insatiable and uncontrollable. He held Jane in his arms and they both wept" - p320
One thing that helped James in his life time was his love for animals especially his pet dog Oscar. Here are some quotes about his love for animals and how far he would go to help protect them ->
"I think in a way Oscar was the child James never had at that stage. He was a remarkable dog, no question, but James thought a lot about animals and their requirements and was very concerned about their needs. He gave Oscar the very best treatment and also was keenly intrested in the welfare of other dogs. He would look at a dog, wonder if it's owner was treating it well and bringing it up properly and if the dog was getting everything out of life that it could" - p281
"Before he came to know James better, the journalist Nigel Roebuck was pleasantly surprised by an incident involvinged stray dog. It was late in the evening after a Grand Prix and tha teams were packing up to leave when James, while talking to Roebuck, saw the dog wandering around the paddock, shiver-ing and obviously very hungry. Roebuck, also sensitive to the needs of an animal in distress, went with James to several of the team motorhomes where they got food and fed the dog. But that wasn't the end of it as far as James was concerned. He insisted that they should take the dog up to the race control centre.
Roebuck: 'He took the dog in there and would not leave until he was sure it would be looked after. James actually made this official sign a piece of paper saying he would take care of the dog and see that it was housed and properly cared for. I was very impressed with this. James was probably one of only a handful of people on this entire planet who would even give that sort of thing a second thought." - p281
"He also thought the wild animals residing on his estate should be left alone. If vermin had to be controlled it should be done in the most humane way possible, and he strongly dissaproved of blood sports. The very thought of fox hunting he found horrible and he vowed not to allow it on his property" - p308
James was also incredibly caring towards the young people in his life such as his sons and his younger siblings. Here’s an extract from his first GF about James and his siblings ->
".. the way he expressed his concern for the emotional youngest members of his family:
He really enjoyed looking after them, and just seeing the way the behaved with his little brothers and sisters you knew was instinctive in him. He was always going to be a good father.
One evening he invited her home where he was babysitting Jo Jo, Dave and Tim. When James had tucked them in he left Ping to read them a bedtime story. When Ping came downstairs James asked her if she had helped them say their prayers. When I said no, James said: "Right. You've missed out hugely there. Come on, we'd better go and do it." So they did. His attitude was that he was taught to do that by his parents and it simply had to be done.'
But he also practised what he preached, and he believed in the power of prayer. In the troubled years to come James would pray to God for strength and help, and he eventually passed on the bedtime prayer ritual to his own two boys, to whom he became completely devoted.
During his time with Ping he had talked about having children, and she thinks fatherhood earlier in his life would have prevented James from sinking into his period of decadence.
I felt so sorry for him then because I knew underneath it wasn't the real James doing this. I think he was trying to make life happy, the wrong way. If he had settled down earlier, had a more normal home life with children of his own when he was younger, one could have seen a totally different James.' - p26
James Hunt cared for human rights especially taking a stand against the Apartheids in South Africa. The Apartheids in short was a system of racial segregation. In protest most sports were not going to South Africa but Formula One still was, and James Hunt made it clear his thoughts
->
“We were once covering the South African Grand Prix during the days of apartheid. All of a sudden, and for no particular reason, he launched into an attack on apartheid.
“It was nothing to do with the Grand Prix, nor would it do British-South African relations any good. Our producer pushed a piece of paper across saying: ‘Talk about the race!’
“And then James blurted out on air: ‘Thank God we’re not actually there!”
But simply calling out Apartheid on the air wasn’t enough for Hunt. He sought to have his race commentaries blocked from being broadcast in South Africa, but was unsuccessful.
When that didn’t work, he instead — and secretly — gave financial support from his income as a race broadcaster to groups struggling to end Apartheid in South Africa."
"His deeply compassionate and loving nature was something that, unfortunately, wasn't adequately conveyed to the public, who only ever heard about the sensational side of James Hunt" - p282 John Watson
As mentioned earlier James Hunt was an addict. His playboy lifestyle was his addictions and this is all rooted back to the fact that James Hunt had depression which grew stronger and stronger. He relied on his additions to get rid of his depression which meant he kept doing more and more. Here are some quotes about his struggle with it and eventually how he overcame it ->
"At home James became increasingly introverted, uncommunicative and reclusive. He gave up golf and spent more and more of his time in the aviary tending his budgies. While the parties continued he would often leave the guests to Sarah and closet himself in the aviary for hours on end.
It became obvious that James was very troubled, but only Sarah and his closest friends knew the full extent of the anguish and despair James suffered during his bouts with what he called his 'dippers'.
Black dog' was the term Winston Churchill used for the recurring 'depressions which afflicted him throughout his life. Bubbles Horsley thinks James was 'born with a "black dog" on his shoulder. His racing pushed the "dog" away far enough so that it was no longer visible. But underneath that wonderful joie de vivre, the laughter and enjoying life, he was given to black moods. He was fearful of them and maybe it was that fear that drove him on. Perhaps without it he would never have been World Champion.
'And I think after the initial "honeymoon" of retirement from racing the black dog came and sat on his shoulder and wouldnt go away. So he became more fearful and sought distraction in various ways, through sex and drink and drugs and rock and roll, as it were." - p323
"At home Sarah watched her husband's condition worsen and desperately sought to help him. She thought his depressiond might partly be due to a chemical imbalance that James was born with, a theory that James explored himself. Then, too, to keep his dippers at bay he consumed too much alcohol and marijuana, both of which can temporarily bring relief but over the long term on have depressive effects.
Like others, Sarah felt that another reason for his 'dippers' might have been because he cut off his emotions early in his life and never learned how to open up to people, or to need them. He was essentially a lonely man and his inability to form close relationships made him despair. His depressions further deadened his feelings, and when he was unable to respond emotionally to marriage and children he grew progressively more despondent.
Sarah: 'He was at war with himself. His depressions became Intolerable and towards the end he stopped trying to fight them coming on because he knew they would take over for two days or week. His face would go black and he would take to his bed and stay there, even on Christmas Day. He'd gone to bed two days beforehand and we had Christmas stockings for the boys. I said, Come on, Beast, the boys are waiting." And he said, "Beast, i can't do it." And he was crying" - p333
"When James felt a "dipper" coming on he would go on two- or three-day benders, mostly drinking vodka. He would just keep going and going, which was always a bit terrifying, and after these deep, dark blank days he would suffer real self-loathing. He could forget his trouble with drink, but it always came back.
For many years trying to get rid of his depression was his major concern, which is why he got the budgerigars. He thought it would be such a huge amount of effort that it would distract him and they became an obsession rather than a hobby. He would sit in the aviary for hours, but he would come back still in the grip of gloom. And for a long time he was so down it was very hard to even converse with him." - p326
"He tried different treatments acupuncture, Chinese herbal medicine and looked into every possible theory. He went to different healers, therapists, psychologists, psychiatrists, psychoanalysts, the lot, to try and find the root of his depression. And in the end he cracked it" - p337
"He began to become more diet-conscious and to eat healthy foods. He also consumed information, in books and magazines, on overcoming addictions, and sought more professional help.
He knew he should stop smoking cigarettes and reduce his marijuana consumption, and he told some friends he thought he might be an alcoholic. He worried that his need for women was another form of addiction and feared he might contract AIDS and infect someone else.
John Hogan: 'So he stopped it all. Straightened himself out by absolute willpower. The strength of character of the man enabled him to get out of it. He cut out the cigarettes, the dope and drugs. the booze and the womanising and his sense of priorities became more well-balanced.' - p338
As he started healing himself of his addictions he became serious about F1 again. He always cared for the sport, doing everything he could to race when he was younger and now though he was retired he still commentated and took part in other ways to stay close to the sport ->
"James became serious about strengthening his position in the media side of Formula 1 racing. He took on an internationally syndicated newspaper column and spent many hours gathering information for it. Working with a journalist he applied himself conscientiously to making sure that every word was written to his satisfaction" - p338
James started to heal his relationships as well, becoming an amazing parent to his two boys and finally meeting a woman who helped him feel loved and be able to love after so long of not being able to ->
"The boys were real handfuls to look after but he was awfully good with them and he really fathered and mothered them extremely well. He was always up early in the morning cooking their breakfast and then the four of us would go off salmon fishing. James would fish properly and I would fool around fishing with the youngsters. And then in the evening we used to settle down and he would tell them stories." - p343
A letter James sent to his girlfriend Helen:
"I went to the parents' 50th in a totally negative frame of mind, feeling very much an outsider and wanting the floor to swallow me up. As the day went on, although I remained 'out- side', I could see and feel lots of generous, undemanding love around me. Something changed for me there with my family. Everyone was exuding love and I saw the wonder of it and want to be part of it, but firstly with you.
I realise now that the feeling of not being loved as a child made me close up to any incoming love projected onto me. I do see that I cannot live on without love. You brought it home to me when you pointed out how well I'm doing with the boys. Well I have had to work at that and I've got better at it and I have to do it with you. You are the girl of my dreams. Without you I have no future. I want to make you happy and continue to do so until I die.
All my love for the love of my life,
James"
- p350
Finally James was happy. He was healed from his addictions, in a healthy relationship, had two lovely sons and a job he loved. And best of all he was able to be open with Helen ->
"James confessed to Helen that he was unable to be faithful to anyone in the past because sex was for him just another addiction and he needed women to get his highs. He disliked social gatherings and only had parties or went to them to pick up women. Helen was willing to forgive and forget what went on before, but told him she wouldn't tolerate it in their relationship and he agreed to be faithful to her." - p350
Helen went away on a girls holiday before her and James were going to start trying for children. James proposed to her over the phone on the holiday to which she said yes. But she would never see her finance because he passed away from a heart attack. Unfortunately the previous life he lead caught up to him.
Thank you for reading all of this and I hope you now know more about James Hunt than you already did! It's sad that James is best known now for his unhealthy coping mechanisms for his depression, especially with the film 'Rush' romanticising it. But even if just one person reads all of this it means one more person knows the truth of James Hunt and that makes it worth it ❤️
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luxmoogle · 17 hours
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I've just seen the post about being visceral horror fan and need to ask: what are your favourite horror titles? 💜 Do you have any recommendations? 💜
Beware, long post below..
This is honestly quite a hard question, and recommendations hinge on what kind of horror one would prefer, and in what medium..! Books, movies, manga, audio tales even! A lot of my personal horror tastes weigh on the side of psychological horror or ones with supernatural or mystic features, less of slashers and violence, though I do enjoy quite a few of such titles as well.. I'll try not to mention all of the most obvious stuff everyone's already seen.
When it comes to games, I always say that if Kingdom Hearts didn't exist my favorite game of all time would be Bloodborne. The gothic style, vague storytelling and existential horror really speak to me. The Project Zero (Fatal Frame in the US) -series is dear to my heart, specifically the third one. The Forbidden Siren -series was also quite a treat in it's time. Honorary meantion to ObsCure, a great game to play with multiple people at a time, but unfortunately I think it's one of the rarest games ever now, so finding a copy/playing it might be quite the challenge..
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In literature, I'd recommend getting into classic horror short stories, especially from the eighteen-hundreds! The setting and time they were written in often give them an automatic edge for a spooky tone.. They're fun stuff to read on a moody afternoon, and don't require the bandwidth that a full book might, if you're not such an avid reader. Some suggestions:
The Vampyre, John William Polidori (1819) The Monkey's Paw, W. W. Jacobs (1902) The Room in the Tower, E. F. Benson (1912) Kerfol, Edith Wharton (1912) Afterward, Edith Wharton (1910) The Empty House, Algernon Blackwood (1906) Sir Edmund Orme, Henry James (1891) The Body-Snatcher, Robert Louis Stevenson (1881) The Yellow Wallpaper, Charlotte Perkins Gilman (1892)
With horror movies, I think anyone with an interest in horror already know all the typical classics and modern favorites, so I'd recommend something a tad more obscure.. The asian horror scene, especially in the late 90's and early 2000s was littered with great techno ghost punk flicks. Many of these are favorites from one of my best friends, who really has a taste for this type of movie, but I'll highlight the one's I'm also very into and would especially recommend.
Kaïro / Pulse (2001), Whispering corridors -series, Dark Water (2002), Saiko! The Large Family (2009), A Tale of Two Sisters (2009), Bunshinsaba, The Wailing, The Complex, One Missed Call (2003), Shutter (2004)
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This one's probably a very tired answer but with manga I just have to say the obvious, which is Junji Ito. His body of work just really scratches the itch I have for a nice tight scary story and gives a vague uneasy vibe.. Both his storytelling and art is something I love.
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One of the main features of horror is suspense, so I would recommend always going in blind, stop with trailers, synopsis etc. and really sit in a dim room on a calm day or evening and get into it! You can only be horrified if you let yourself be.
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thestrangesthell · 2 days
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Afterlife Jobs and Civil Service
Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.
This will contain spoilers for Beetlejuice Beetlejuice.
TW: This post will discuss suicide. Please only proceed if you are comfortable.
The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.
Now, for the long version (and it really is long), read on!
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Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.
What we as the audience do see is people working in the afterlife that could have died by suicide.
There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.
It's a weird thing to pick up on, but what about the skeleton workers?
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Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).
Well, that clears things up, right?
Maybe not.
For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.
Why?
Betelgeuse himself.
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Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.
Why is this an issue?
Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?
I have two theories for that.
Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.
Then there's my second theory, which muddies the waters quite a bit.
We didn't actually see him die after he was poisoned.
I'll let that fester for a bit...
Ready to move on?
Let's talk about *Juno!
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Juno, my beloved.
Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.
The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.
(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)
The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.
This is where my theory really comes into play.
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I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.
(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)
When looking at these new characters, here's what I theorise for each of them:
Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.
Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.
Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.
The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).
The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.
Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?
Speaking of ready to go...
All aboard The Soul Train!
Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.
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(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)
WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲
After all that, here's what we do know:
If you died within a certain radius of your home, you're left to haunt it for 125 years.
If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.
If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.
You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.
In summary:
Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?
Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.
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But hey, what do I know? I'm only living.
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nitrowyverine · 12 hours
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I think I write dating sim/VNs/etc reviews now? Anyway,
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LOST IN LIMBO REVIEW/THOUGHTS
This VN piqued my interest, so I gave the demo a shot! This review will follow the same general format as my Obscura/Touchstarved review, except there's 7 (!!!) romance options.
Since I totally loved this game, I'm going to put the conclusion promo up here too: if Lost in Limbo interests you, consider playing it Here, Here on steam, and/or backing it Here!
ALSO! THIS REVIEW CONTAINS SPOILERS FOR THE DEMO!
My (long winded) thoughts are below:
(Banner image courtesy of the Ravenstar Games tumblr account pinned post. Individual character pics courtesy of tumblr posts from the studio. Individual posts are linked in character titles.)
Gameplay design thoughts:
the plot immediately sucked me in, I'm pretty invested in whatever the hell is going on with the protag, the realms, the lords, etc. I think the setup/land are deep enough to draw me in, but not so intimidating in it's depth that I'm afraid to explore more.
I always enjoy a little bit of nightmare fuel in my games, so the voidbound are perfect. They're so gross and horrible, but not just a stock zombie/nightmare creature design. Whenever the voidbound pop up, it makes the back of my neck itch, which is perfect.
I have no idea whose route I'll pick first. Usually I have one candidate that I can pick out as number 1. This game however? I go back and forth all the time, since I love all of them. I do think I have bias for Ara/Gael/Amon/Envy, maybe?
I really want to design an MC to doodle for this, but I feel like I don't know enough about other people in the realm. (Mostly, I'm assuming that standard humans don't have pointy ears? how close to our reality is the regular world?) I might say "screw it" and design an MC anyway (with some speculative clothing for once they get cleaned up)
The backgrounds have been great set pieces so far. Sometimes I catch myself just kinda staring into space at them. They've got a fantastic flavor.
Misc. Thoughts written during a replay
Fun touch to have Evie's rock image from the beginning fortune shop scene line up with the 7 LI's color schemes.
Each of the VA's does a lovely job with their voices. I've been turned off of certain dating sims because of bad voice acting, but the acting in this game is superb so far. It really helps set the richness of the story.
I have a theory that the LI's (and possibly people in Limbo in general) experience pain differently. The characters seem largely uninterested in the MC's stabbed, weakened state, beyond a "Oh that sucks....we'll clean you up later" mentality. I wonder if they have different pain tolerances, or are just less attached to such things. (Then again, Amon and Raeya have full missing limbs/eyes, so they probably have a decent perspective on pain altogether)
What does wielder/non-wielder mean? Xal says the MC "Can't wield, can't see." What do the LI's see that we don't? Ara mentions that the MC seems "Completely normal". Many mysteries.
I need those monster forms like crazy oh my goodness. Please devs PLEASE SHOW THE MONSTER FORMS
Now, to the lovely love interests!
Amon
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WHO LET THIS MAN BE OVER 7 FEET TALL? PRIDE YOU HAVE SOME EXPLAINING TO DO
I only just noticed he also has a few freckles, *chefs kiss* (Waaaiit do all of them have little freckle skin textures??? Oh this is a glorious day.)
It's hard not to love a big friendly guy. I was honestly relieved when he first showed up, because I did Envy's route first, and I was thrilled to see a friendly face in the big dark scary woods.
This does not mean, however, that I'm not excited to see what this guy turns into when he's mad.
I like that he has pity for MC when they first show up, but I do worry it makes his resolve weaker. I'm not as confident that he could handle society/reality breaking down as well as the others. Can he put aside his affable nature for when shit hits the fan?
Question: What level of fight had to happen for Amon to lose his eye? He's already huge, and has some sort of telekinetic powers. My theory is that he was taken by surprise, maybe by someone close to him.....(Envy I'm looking at you)
RIP Amon you would have loved Hawaiian shirts
Conclusion: Most likely to be the camp counselor who hurts his back from always giving piggy back rides. Least likely to keep his composure during a badly timed pun/dad joke.
Raeya
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I'm fighting for my life whenever shes on screen good LORD
Similarly to Amon, I GOTTA know the story behind her prosthetic arm. Its so rad looking, but how did she lose a whole arm? (I am also considering that she was also not born with one)
Playing the demo again, she makes a specific comment about the monsters having not "infected a limb" of the MC. My bet is that's how she lost her arm.
I wish I could have spent 1:1 time with her, but it wasn't offered in the demo. I'd love to have like, a sit down discussion with her about history. (Well I'd be fine getting lectured about history and drinking tea and hanging out)
Out of everyone's motivations, I think I understood Raeya's the most. Even if she was against MC, I think her concerns are completely valid. If an alien fell out of the sky from a different reality to earth I'd ALSO be taking every precaution
She and Amon have matching ear chains, that's adorable....
I hope I can take her on a nice date and spoil her and let her relax in the full game, pretty please. Nothing bad will happen right???
Conclusion: Most likely to gently remind the waiter that you said NO pickles with your order, thank you very much. Least likely to admit to being the one who farted in a crowded room.
Envy
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every other line from him is "UGGGHHH" and i love that for them.
After playing, I think I've finally realized that I've got a soft spot for grumps. just grumpy lil friends with their pouty faces
I want (vivi's) Envy's nails SO BAD. I need him to do my nails because theirs are perfect. Envy, envy PLEASE
They pretend not to care, but are already getting attached to the MC by the end of the demo. I can't wait to see what they're like when they actually DO get attached
Elephant in the room, what could he have possibly done to get himself demoted so severely? Everyone seems to be fine with him being demoted except Amon, who sheepishly vouches for him when he can.
I just wanna wrap him in a blanket burrito like you do with a spicy kitten. and then give him little smooches
Conclusion: Most likely to be they guy who gets one drink at a party and sits in the corner with the dog/cat all night. Least likely to allow their partner to willingly boop their nose with any regularity.
Pride
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Old man yells at cloud? No....old man IS cloud.
The dev's tumblr has mentioned that he's a pathetic old man, but for now at least, I am afraid of his authority and power. since hes like. yaknow. the big god of this world
The VA did some fabulous work for his voice. I definitely got actual chills in certain parts. 10/10
Okay, so WHAT is this guy's deal with mirrors? He looks great, why is he worried about it. I sincerely doubt he's just 52 though, if he's a god. (as a note for all these interests, I have a feeling that the ages are their physical ages, and not their actual ages. Or at least, age relative to ours. I think they're much older in our years than in their years.)
We also didn't get any 1:1 time with Pride in the demo, so I'm fascinated to see what alone time with Pride would be like. Is he quiet? a chatterbox? Just a guy??? does he only play piano and not talk to you. (power move)
Conclusion: Most likely to show up WAY over-prepared for Parent-Teacher conferences. Least likely to understand and survive the cinnamon challenge.
Ara
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Certified CUTIE PIE
We got a pretty clear demonstration of everyone's powers in the demo, except for Ara. Unless it was too subtle for me to realize, I'm not actually sure what her cool powers are yet.
If she DOESN'T have plant powers I'd be very surprised.
I keep wanting to think things like "I have to protect her" or "keep her safe at all costs". But then I remember she's likely absolutely terrifying, and I honestly should be actually afraid for anyone who gets in her way.
I would like to remind/inform everyone that so far, she is the only member of the cast who is visibly armed at all times. (Raeya doesn't count even if her arm claws look really really sharp.)
If I have to pick anyone to party with, it's probably Ara. I know she'd throw an absolute rager, but would also make sure you stay hydrated. I wanna hold her hand too. Please?
I'll go butch for her, i'll do it if thats what she wants. I'm weak
Conclusion: Most likely to be able convince you to give her your kidney. Least likely to let you skip a bloodthirsty game of monopoly because you "Have a headache"
Gael
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where did he find pants long enough for him.
Okay. So its HIS fault that Amon has the deepest V-cut since time immemorial. Do you think Amon and Gael had an extensive argument about the minimum amount of clothes Amon has to wear at any given time? Because I do.
His powers certainly did not. Awaken anything in me. Nope.
he has the shortest and most perfect arc from stranger -> friendly -> ???? -> BETRAYAL
I am MASSIVELY curious about his dissociation/spacing out during the demo. He was 8 million miles away in the tower for some reason, and I HAVE to find out why. I just KNOW this man is doing some questionable shit with good intentions and I can't wait to find out what it is.
So, he has SOME issue with touch. No idea what it is, but I can't wait to find out what it is. Also noting he's the only one with full-coverage gloves in the cast. Interesting...
Conclusion: Most likely to cry after being sent those sad FB/insta animal stories. Least likely to let you open your own car/carriage/etc door under any circumstances.
Xal
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He looks so soft. I have to bully him, in a good way. (Like grim from Date with Death)
I am fascinated as to why he would lie for MC. That's such a great hook to his character. What does a guy who so desperately wants to be left alone have to see to stick his neck out for a stranger?
SOMEONE get this man a NINTENDO DS POST HASTE
THIS GAME HAS TO GET FUNDED BECAUSE XAL SAYS HE HAS A CAT AND I WANT TO SEE IT!!!!!!!!!!!!!!!!!
I will do it, I will be the one to tuck him in when he is too eepy. I will carry him to bed and kiss his little head good night
Wait, if he can "Figure something out" by touching it, he could be like, the worlds greatest doctor. Xal please get off the couch and help me diagnose mystery ailments in a medical sitcom
Conclusion: Most likely to injure himself rigging up a Rue Goldberg machine to scratch his back. Least likely take it easy on you once he learns how to play super smash bros. (He's a fox/falco main)
Concerns:
What the Ravenstar team has already been able to accomplish is incredible. I'm worried that with 7 whole love interests (with a possible two more on the way if the kickstarter goes well), i'm worried the devs are taking on a whole lot of work. I think they're fully capable of taking this on, but I hope they don't burn themselves out in the process.
I'm pretty happy to see the kickstarter is moving along, but there's always the chance that something happens, and/or the kickstarter goal isn't met. BY THE TIME I FINISHED WRITING THIS IT GOT FUNDED LETS GOO!!! I still hope this project makes it all the way to completion beyond the kickstarter. Things can always happen, so Ive got my fingers crossed for the Ravenstar team!
OVERALL CONCLUSION:
I loved the demo, and I have now backed the project! The team is trying to hit stretch goals now, so share Lost in Limbo with your buddies! I crave content for this game like nothing else.
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utilitycaster · 20 hours
Note
(you don't need to publish this because a) it's not a question and b) I don't want that maybe you're getting attacked/vagueblogged over it) I just wanted to say, that I originally came to your blog because of your nuanced, deep and really really good Caleb meta and that Imogenfans are missing out big time. I think, if Im/odna fans wouldn't have acted the way they did and talented people hadn't stopped writing meta about them, at least I would have warmed up to the characters way more....
Hi anon,
I hope you don't mind me publishing it anyway just because it's a good opportunity to elaborate on a few rather fanwanky feelings in one brief-ish statement.
I don't really care if people vague me and I think people who don't like being vagued are valid, but people who don't like being vagued, whine about it, and then continue to vague others are, understandably, idiots making the situation worse. Most people who had issues with being vagued re: the above simply stopped writing meta, which is why there's not much of it. Also a lot of what people call vaguing is just meta that disagrees with theirs, to be honest. I mean I do vague, a lot, and I'm very good at it, but I've also written 100% good faith meta about things I was thinking about the narrative without consideration of other peoples' opinions and it was called vaguing because I used aggressive tactics like citing my sources.
I've covered the fact that Imogen was actually treated very similarly to Caleb with the key difference that people who wrote meta about Caleb were treated badly by his haters, whereas people who wrote meta about Imogen were treated badly by her then-supporters who are now mostly defending Ashton and Dorian because Imogen started saying things they don't like and don't want to address. I just want to reiterate that if someone ever says that The Male Characters Played By White Actors Never Receive Hate you should just block them and stop taking them seriously. The hate is obviously not motivated by bigotry against real people, typically (though some criticism of Veth was certainly misogynistic even though Sam is a man, for example) but they still did receive pretty intense hate. It is kind of telling, personally, re a certain lack of backbone that people will bring up the horrible things people said about Liam or Travis or Taliesin in their own defense and then turn around and willingly engage with the people making these accusations they clearly know to be false, but you know. Unsurprising.
I tried to write something longer that really dug into the outline of events but it really comes down to this: a lot of the direct harassment (not vagueing) of meta writers, especially with regards to Imogen or Laudna, occurred during episodes like...20-50 of this campaign, and I think those doing the harassment either thought this would somehow make meta writers go "oh my god you're so right about the thing that you said I should die for not agreeing with, I'm going to write meta for you now" or that this would shut them down but wouldn't make other meta writers say "oh this environment has become hostile", which obviously it would. Coupled with the fact that this is when a lot of meta writers realized the campaign pacing was fucked and the party wasn't clicking in the same way past ones had and it really turned into a case of high risk of unpleasantness for a not really worth it reward for many of the meta writers who were around in earlier campaigns, and that in TURN meant that it's harder to have a good conversation without having existing chats so it's a less pleasant place for new fans. Anyway uh. I think the lesson here is that those C2 meta writers ARE around for Midst and Candela Obscura so it's also kind of a waiting game in the event that there is a future campaign (and if not, they will still be here for Midst/Candela/Possibly Daggerheart or future EXUs); they're just not here to write about Imogen or Laudna because it's not worth the trouble.
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poorly-drawn-mdzs · 26 days
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Ghouls night out
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#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#Scopophobia#Don't be mean Lan Wangji - the dead girl aesthetic is a curated one. Support women's rights to look dead!#I have been waiting for this scene for ages...the ghost girl entourage is such a good look for WWX.#And by gods does the audio drama actually do something interesting with one of them.#Namely that we actually get to see WWX talk with them and learn about who they were and what they left behind.#I love necromancer characters but it's way too common for them to be like “Go! Ghost no.145!” like they're a pokemon#and not...you know...someone who had a whole life that they left behind.#I love me a necromancer who has an awareness to whose soul/body they are using. It adds a lot of flavour!#MDZS is a little hit or miss with this. I think the fans do a lot of the work with making Mo Xuanyu a bigger character.#Yi City has this in spades. Even though we don't individually get character backstories#We get many painful reminders about how these 'corpses' were people.#We also get a few lines about how WWX used whatever corpses he could get his hands on (including grandparents - Woof!)#MDZS often (but not always) likes to remind us that every sacrifice and every ghost was a person.#It is so close to nailing the landing regarding the deconstruction of the necromancer character.#Anyhow. You may have noticed the uptick in quality in the last two comics. Rule of three means next one is going to be a treat B*)#See you all very soon!
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batsplat · 4 months
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hello!! i hope you're having an amazing day 🥹💗 do you have any vale's races masterpost?? thank you so much in advance!!
*takes deep breath* *cracks knuckles* *cracks knuckles again for good measure* *rolls up sleeves* *cracks knuckles one more time* yes of course anon. no problem. let's do this
going to forgo any extended intro as this post will be long enough as it is - though it wasn't always easy to both represent the scope of valentino's career and make picks based on actual race quality. there will be a skew towards the early years of his time in the premier class and there are a few obvious fallow spells, but I hope I've adequately done justice to most of his very, very long career... and used the asterisk system to do my quality control for me
speaking of - another rec post, another escalation of the asterisk system (luckily, we have reached the final boss of motogp and it is impossible to escalate beyond this - here are the casey and marc/dovi lists). * means check it out, ** personal fave, *** classic, **** if you watch nothing else please watch these
I also need to mention mat oxley's 'valentino rossi: all his races', which is an excellent reference book that I consulted a fair bit when compiling this list. it's especially invaluable in making sense of the early years - where the archives unfortunately are sorely lacking and I'm grateful for every bit of additional context I can get. about those early years, a little bit of housekeeping with the codes I'll use to indicate in which form these races are available:
ITA: only italian commentary, which means I've found them on youtube. this is relevant only for the very early races. there's upsettingly few of his 125cc and especially 250cc races available even when you include these (though I haven't included all the ones that are available)
HL: only highlights, which is specifically about some of the 2000-01 races. there's only three full races of valentino's first premier class title available in their entirety on the motogp website, which is unfortunate (technically four including valencia, but who would want to watch that). now, the highlights they provide for all the other races aren't actually bad - they're around twenty minutes long for the race themselves so you will see most of the exciting action and the overtakes and all that (though it does raise the question of 'why don't you just upload the full races')
NC: no commentary, and is mainly an issue for the 2002 races that are all uploaded in their entirety but... well, only a few with commentary. obviously not ideal especially with older races. my recommendation would be watching the very short highlights (aka 2-3 minutes of actual race footage with commentary) available on the website for each of the 2002 races - either after or even before watching the race - to just give yourself a better sense of what you're watching
as ever, the descriptions will frequently provide spoilers for the result. my spoiler-free top ten recommendations are: donington park 2000 suzuka 2001 phillip island 2001 brno 2003 phillip island 2003 welkom 2004 donington park 2005 laguna seca 2008 catalunya 2009 assen 2015
and here, ten more spoiler-free recs because it really is a bloody long career: sachsenring 2003 mugello 2004 phillip island 2004 jerez 2005 sachsenring 2006 sepang 2006 catalunya 2007 motegi 2010 argentina 2015 assen 2017
**brno 1996: I find it very charming when riders have early career races that tell you everything you need to know about them. this is valentino's first grand prix win, achieved from his first pole position. he has an awful start, ends up way down the order, fights his way through, is eventually caught by this 34 year old former world champion who he does not like, fights him for a bit, stalks him and lets him draw them away from the pack in what the commentators consider remarkable confidence and poise from a seventeen year old, loses touch enough with the race leader that it looks like he's surely lost the race before pulling out a crazy last lap with some hard racing™ to overtake that other bloke. after he crosses the finish line he's so excited he almost rides into the wall. deeply excessive celebratory fist pumping that just goes on and on and on. angelic smile on the podium as the bloke he's beaten looks rather peeved - and apparently complained about valentino's riding afterwards. what more is there to say, really
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^driving his elders to drink. here's a video where valentino is talking about the race: "and from there a fight to the death came out because we didn't get along very well. we weren't very nice to each other because we were bothering each other throughout the championship". like I said, tells you everything you need to know about him. just watch this one and call it a day
nurbuergring 1997 (ITA): an early strong wet weather performance, at a time when he was still a bit of a wimp about the whole riding in the rain thing. granted, he was a little lucky when the runaway race leader had a mechanical dnf, but he got into a nice little scrap with a few other riders to claim his fourth consecutive victory
rio 1997 (ITA): the thing about 125cc/moto3 races is you kinda know what you're getting, and more often than not what you're getting is a fun time watching them go at it. valentino's first, he's third, he's first again, they're having it out... and then on the final lap, he's taking advantage of the backmarkers to secure the victory. which is so sneaky and so valentino that it obviously deserves to be mentioned here. incidentally, his last ever win at assen 2017 had a controversial involvement of a backmarker on the last lap, which is a nice little full circle moment twenty years later
brno 1997: in many ways, this was a more impressive ride from his title rival ueda, who came back from thirteenth on the grid to take the win. which meant that valentino had to finish on the podium to claim his 125cc title at the same venue where he won his first race... and he just about managed it, with the entire leading group of riders headed into the final corner together
there are race highlights in the 5-10 minute range from his 250cc race years which... well. since they're not anywhere close to full races and this is a race recs list, I can't exactly give them their own bullet points, but I'll just rattle through a few highlight videos here I enjoyed from 1998: jerez (features a nifty overtake with four blokes entering one corner together, also harada fucked with valentino despite being a lap down to help capirossi win?? anyway vale's first 250cc podium, to which harada showed up to clap for capirossi specifically???); mugello (featuring his controversial beachwear celebration); paul ricard (see below); catalunya (he spent a lot of that year crashing but towards the end of the season finally figured it out - works his way back from thirteenth place to win), argentina (controversial title decider claxon; valentino found the whole thing so "hilarious" he was giggling when the drama was going off in the garage. he also referenced the jerez incident in his post-race interview, because of course he did)
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^the three protagonists of the 1998 250cc season: valentino, harada and capirossi, all part of the same nightmarish aprilia 'super team'. everything I've read about that season makes me want to break into dorna hq and get my hands on the full race footage. both images are from the paul ricard race, in which valentino was trying to figure out how to stop harada from continuously outsmarting him. they kept slowing down the pace further and further, with harada running his bike comically wide to let valentino through and valentino doing a massive wheelie down the straight (image on the right) to force harada to go back past - but harada still eventually managed to best him on the final lap. valentino was heavily criticised in the press for wanting to 'humiliate' capirossi by letting capirossi catch up to the pair, but really he was just getting creative in his tactics. I may not have been able to 'watch' this season but I love it dearly
donington park 1999 (ITA): the ONE 250cc race I've been able to watch in its entirety. it was stopped and restarted due to the weather and the final outcome was decided on aggregate time across the two races (yeah, this does feel weird but they used to do that). a close fight especially in the first part. not too wet, presumably, given his 250cc performances in the soaking wet were often. hm. not great
1999 highlights I enjoyed: catalunya (was riding with a suspension glitch but kept his main title rival ukawa behind him anyway); sachsenring (won an intense battle with capirossi, admittedly you do not see much of him in the highlights); brno (another intense fight, this time mainly with an older rider in waldmann after they both worked their way through the field); phillip island (worked his way to the win from seventh on the grid and one of those phillip island races)
jerez 2000 (HL): valentino's initiation to the premier class wasn't... the most dignified thing you'll ever see... two dnf's in the first two races by which point he was so bloody terrified of the bike he was just very slow in the third. in his defence, those 500cc bikes were pretty scary, but also it was time to get his act together. which he did in jerez! this was another one of those weird ones where the rain interrupted the race and then the whole thing was decided on aggregate time, but a good ride to bag his first premier class podium
**donington park 2000: maybe it was the bikes, maybe it was experience, maybe it was a mindset thing, but eventually he would get over his moral objections to 'getting wet' and develop into an excellent wet weather racer in the premier class. this was his first premier class win - and a pretty neat way to seal it too. had an awful start, took a while to figure out the grip conditions, and then he was off. the second half of the race involved a fun fight between valentino and both roberts jr and mcwilliams for the victory
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^almost gave the commentators a heart attack by running a defensive line through the final corner that took him completely off the dry racing line
rio 2000 (NC/HL - as in, both are available): valentino's second win of the year and his first in the dry, the race after his late charge to a rookie title was scuppered by a crash in valencia. he made some adjustments to his riding style after the valencia fiasco and really started to get to grips with the 500cc, which would stand him in good stead the following year. as is traditional, he makes a truly horrendous start, dropping back from the front row to find himself briefly outside of the top ten. from there, he gets to work. it's confident stuff, getting himself to the lead by about half distance and pulling away from there
**suzuka 2001: the first race of 2001 and a clear statement of intent. as ever, valentino had to work his way through the field... which took him right into the path of max biaggi, a man who had already been his enemy before they started actually racing each other. now, it has to be said, biaggi is a dick here! quite literally elbows valentino while running him off-track and could easily have caused vale to crash (as valentino said afterwards, "I had to learn how to ride motocross-style at 140 mph"), he continues using various body parts rather creatively in defending his position. when valentino finally gets past, he sticks out his middle finger. set the tone for that season rather nicely
jerez 2001: this is the cool-headed, calculating valentino who would prove such a formidable foe over the years. having already won the first two races of the season, he's high on confidence as he engages in a duel with the man who had so captured his imagination as a teenager: norifumi abe. valentino takes his time - but when he finally makes the decisive pass, he pulls clear so easily it feels like valentino may have just been toying with his hero all along
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^valentino and norick, the inspiration for 'rossifumi'. in 2008, valentino paid tribute to the other man a year after his passing: "norick for me was a hero. I grew up watching the suzuka 500 race in 1994 with the great battle he had together with schwantz and doohan. last year was a shit year for me when I heard of the death of norick and colin mcrae, for me it was not a great year. I think it is possible to dedicate this championship to norick”
catalunya 2001 (HL): I don't care if there's only highlights - I am not leaving out a race that sparked a fist fight. honestly if I were biaggi I'd be pissed about this race too. valentino was twelfth at the end of the first lap and ended up winning... painful, truly. a really good scrap, plenty of fun to watch as valentino always is at catalunya, and obviously you've also got to watch the presser clips with the knowledge they were throwing hands a few minutes earlier
assen 2001 (HL): this one was low-key kinda stolen from valentino. it's good fun - y'know, one of those assen battles, valentino's doing the stalking and lurking thing and it starts raining and valentino takes the lead and... whoops! time to call off the race due to the rain so let's take the results from the previous lap! biaggi win! imagine getting into a fist fight with someone and losing the very next race to them on a technicality. oof
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^post-fist fight handshake to show how it's all fine. they're totally fine. completely fine. no problems here
*donington park 2001 (HL): I'm gonna be so real, if I'm on pole and my title rival starts eleventh and he ends up beating me to the win by 1.8s, I think I just call it a day after that one. valentino had a bad crash during practise where he was lucky to not really hurt himself and then obviously had a pretty terrible qualifying, so a great opportunity for biaggi to claw back some points. worst bit is, vale didn't even make a good start - he was still in eleventh place halfway through the first lap. good fun to watch him pick his way through the field, and in his autobiography he ranks this race near the very top in terms of ones that gave him the most "satisfaction"
****phillip island 2001: look, if you've seen one of those classic multi-rider dogfights at phillip island, then, here, I've got a version of that for you from 2001. it's just so much fun to watch, with so many different riders and rider constellations and run orders at various parts of the race, riders looking like they'll break away and getting caught again etc etc etc. and it is also a match point race for valentino - a relatively comfortable one given his formidable championship lead. he didn't need to win the race to take the title, but would you want to see your greatest enemy take the spoils on your big day? in the most dramatic fashion possible, valentino ends up right behind biaggi on the very last lap and makes a daring overtake for the victory. hard to beat that as a way of sealing your first premier class title
*suzuka 2002: you know how I said in the marc rec post that I found it tricky to pick out a few for 2014 because a lot of the races were good without being all timers? this is valentino's equivalent season - he's winning, life is great-ish, tricky to differentiate, and if you enjoy any of these races you'll probably enjoy them all. mostly I'm just going to include the ones with commentary available, even though I'm too stubborn to let dorna completely make my choices for me here. anyway, this one is available with commentary and it's a good watch... valentino hadn't had the easiest weekend to start off his title defence, crashed badly twice, bloodied his hands, all that. he had a sluggish start in the wet conditions and worked his way up the field, before sitting on the rear tyre of the japanese wildcard akira ryo for a while - who knew the track well and knew where all the puddles were. a smart and composed win and feels very typical of his wet weather performances over the years
jerez 2002 (NC): in my head, this is the sister race to le mans 2014. valentino is pushed down quite a few spots to ninth early on (kenny roberts jr just. shoves him aside and does the thing where he gestures back to apologise, but that doesn't really help valentino when half a dozen bikes have passed him) and then he gets down to business. that whole season really does have that 2014 vibe of 'right this is fun but also feels a little too easy' - but hey, the way valentino picks his way through the field is satisfying to watch. and valentino did always like to play with his food, so he sits behind barros for a fair bit before doing the inevitable
*assen 2002: so, the thing about 2002 is that it was the first year of the rebrand to motogp and the introduction of the four-stroke bikes... but you still had two-stroke bikes on the grid, which tended to be tragically outgunned. the circuits where they were competitive tended to be the ones where they could take advantage of how 'nimble' the old bikes were, with more corners and fewer straights - and honestly, if you go on a race-by-race level you could make the case that on-track barros on his two-stroke machine (for most of the year) was valentino's most important rival that season. this is a head-to-head duel with barros that nicely showcases the respective strengths and weaknesses of two such different bikes and riders riding them, and barros manages to mount a stern challenge to valentino for most of the race
*sachsenring 2002: I do find it a little funny that this is one of the ones with commentary they've provided, because there's a bit of an anti-climax close to the end and I'm not sure valentino should have won that race. anyway, similarly to assen, this is another week where the two-strokes can put up a proper fight, and it's an engaging scrap that involves a lot of riders and quite a few nice little shifts in momentum. like above, another interesting study in how the different bikes compare in direct combat
phillip island 2002 (NC): always fun when someone builds up a bit of a gap on valentino. as was so often the case that year, it was barros (now on a four-stroke) who served as valentino's closest challenger, and valentino took his time hunting him down. from there, it's familiar material from the rossi playbook, stalking and studying before making his move - but barros sticks very very close to valentino until he makes an error on the last lap
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^is it a bird is it a plane etc etc... don't think this was supposed to mean anything, just being silly
okay we're now headed into the 2003-05 stretch and I should mention that most of the races in that era will also have been featured in this post, which might also be useful to put them into context
*le mans 2003: valentino tries to make a break for it, but the rain denies him. he raises his hand to get the race called off (you could do this as the race leader back in the day, or I suppose also not do that if you wanted to be an asshole)... and immediately almost falls off his bike so. uh. probably a good idea to get it called off. when the race resumes, it's a three-way tussle between valentino, barros, and new challenger sete gibernau, even if at times it's less tussling and more wobbling. in the last couple of laps, it's down to sete and valentino to have it out in the treacherous conditions - and the last lap is proper dramatic. sete had already gotten one over valentino in welkom... but this defeat, coming after valentino had led the race, must surely have stung even more
*catalunya 2003: I feel a little mean making my first three 2003 picks races valentino all lost in quite painful fashion, but, hey, it's character building and really set up his whole arc for the next season-and-a-half. this one is... well. it's both embarrassing and kinda neat from vale. most of this race consists of a duel with capirossi - and when valentino hits the front, you do think that's going to be it. capirossi keeps close, however, and valentino eventually makes an error, running wide to let him through. shortly afterwards, he makes even a worse mistake and runs off into the gravel. once he's fucked up it's a pretty fun performance, where he starts posting pleasingly insane lap times to recover from sixth back to second
***sachsenring 2003: this race will always be remembered for valentino's penultimate corner overtake followed by his last corner mistake that resulted in sete's unlikely victory, but the race before that is good fun too! valentino looks like he'll make a break for it, and obviously miserably fails in his attempt - this time he's the one to be slowly, slowly, slowly caught by a persistent rival who eventually manages to get the better of him again. after this race, valentino vowed he wouldn't be taking any more prisoners. he didn't
****brno 2003: after a horrifying four race losing streak and the humiliation of sachsenring, valentino came back from the summer break with new determination and hunger and a mission to not let anyone get in his way any more. he does not have an easy time of it at brno, with a classic multi-rider dogfight that features regular and dramatic shake-ups of the riders' fortunes. the finish is incredibly close, and vale could have easily been denied the opportunity to pull out his elaborate victory celebrations: dressing up as a convict to symbolise how he felt imprisoned by his own success. here is a more in-depth post about the race
****phillip island 2003: this starts off in classic phillip island fashion, with a bunch of riders having it out in the early laps. then, valentino takes the lead and makes a break for it, and it looks like the excitement of the rest of the race will be all about the fierce fight for the remaining podium positions... except there's a twist. valentino overtook another rider under yellow flag conditions - and unlike donington that year where he was retroactively slapped with a ten second penalty that denied him the win, this time he is informed of the penalty during the race. this race is about as exhilarating as it is possible for a race to get when you're watching someone riding alone in the front - and you'll be provided with some added spice with the scrap for the last podium place. in the end, valentino crosses the finishing line with an obscene margin of over fifteen seconds
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^think I already posted these notes somewhere but I can't NOT mention the commentary for this race. bottom of this post I included the autobiography excerpt about how valentino channelled his fury to win this race - very revealing!
****welkom 2004: still perhaps valentino's favourite victory of them all, and with good reason. his first race with yamaha and one that the entire paddock thought he didn't have a hope of winning... until they hit the track that weekend. valentino led every single session and qualified on pole: he said the pole position felt as good as ten with honda. better yet was still to come, with valentino claiming a victory following a thrilling duel against his old foe biaggi that raged on until the very last lap. such was the pace that third-placed sete was seven seconds down on the top pair at the chequered flag
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^valentino stopped at the side of the track after his win, kissing his bike and sitting down for a moment to soak in the moment. he says he was laughing into his helmet: "'and so in the end I was right!' I thought to myself. 'I can't believe it, I screwed them all... what a show!'"
****mugello 2004: this race has so much going on, and all of it is highly enjoyable. valentino might have won the last two races at mugello - but off the back of two fourth places and with mugello's famously terrifying long straight, it felt like surely the more powerful hondas would have the decisive edge. and this one is a hard fight for valentino. it's a hard fight with several riders, it's a hard fight with sete and, following an interruption due to the rain, it's a hard fight in mixed conditions where valentino initially drops back to seventh to figure out the grip levels - before speeding off to the win. all the best types of races rolled into one
***catalunya 2004: right after mugello, it's time to visit sete's home - and here valentino kicks off a bit of a tradition of memorable one-on-one catalunya duels... as well as a habit of beating spaniards at the track. it's hard fought, it's challenging, but again valentino emerges on top
***assen 2004: the third consecutive race that featured an extended duel with sete. initially involving barros too - but he crashes, and it's down to the familiar protagonists. this really works as the last episode of that mini-trilogy because you can tell how badly sete felt he needed to reassert himself in that title fight, and conversely how little interest valentino had in letting him do so. involves a hard last lap overtake that resulted in contact. sete was not best pleased, but valentino had secured the win and the championship lead
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^left: catalunya, where valentino dons the doctor's garb to perform a series of 'medical checks' on his yamaha, feat. stethoscope and thermometer, before declaring it fit for duty. right: assen, where yamaha staff dress up as doctors to pay tribute to him
qatar 2004: a good old-fashioned hubris ride. valentino was slapped with a back-of-the-grid penalty for some midnight grid cleaning shenanigans and is furious about this. he gets quite possibly the best start of his career and is eighth after a few corners, continues charging and barging his way through the field... before crashing and mashing up his finger and reopening that year's championship fight. the race does get a little dull after valentino does his thing - here are the ten most relevant minutes of footage as well as some more details about the penalty and the race. the weekend that irrevocably damaged his relationship with sete
***phillip island 2004: an underrated spite ride. if you're in the penultimate race of the season and you know a second place is enough to clinch the title and you're over a second behind your title rival and you historically suck at the circuit where title deciders are held, the sensible thing to do is just ride home in second place when it becomes clear the third-placed guy is not catching up. obviously, valentino does not do this, not least because he is determined to stop sete from ever winning a race again. this goes down to the very last lap and it is either a very cool or a very dumb way to seal a title, depending on how you look at it
****jerez 2005: both protagonists make very little secret from the start of the race of just how much they want to beat each other: this is war. and it's a war in which sete has the upper hand for most of the way through (as much as you can really feel you have the 'upper hand' with valentino sitting on your rear tyre) - until valentino makes his move with three laps to go. it takes an error from valentino on the last lap to set up the dramatic and controversial finale, with the infamous valentino block pass that sent his bike careening into sete's. the actions of a man who had decided neither of them finishing the race was a more acceptable outcome than his enemy taking the win, and the relationship between the two riders manages to improbably deteriorate still further
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^satisfied with a good day's work as the furious spaniards jeer. if anyone had any lingering doubts about valentino's trademark ruthlessness, they were dispelled that day
**mugello 2005: another year, another thrilling mugello battle. it's looking increasingly clear that this will be a one-rider title fight, but luckily that isn't impacting the race quality (think marc's 2019, where he was incidentally the same age as valentino is here). similarly to the year before, there's cause for concern whenever you're fighting more powerful bikes at mugello, but after a dramatic multi-rider fight valentino is not to be denied
**catalunya 2005: back on sete soil and oh god how much he would have loved to win this race. it's the tension and hatred and desperation that makes these races so exciting to watch - though sete is hardly helped out in his mission of revenge by teammate marco melandri who keeps sabotaging sete's attempts to defy valentino's curse. but melandri has whatever the opposite of main character energy is and the race ends up being another valentino/sete duel. some excellent riding by the pair of them, valentino is particularly fearsome on the brakes that day, and sete has truly taken his gloves off when fighting valentino. but of course, valentino denies sete once again and makes a break for it shortly before the end
****donington park 2005: the defining wet weather ride of valentino's career - even though it got off to a shaky start (literally) and continued to be pretty shaky most of the way. this race was held in truly appalling conditions that they probably would not race in these days, and it's reflected in the number of dnf's - one of which was courtesy of poor sete gibernau once again crashing out of the lead. for most of the way, valentino is wobbling his way into the lead and wobbling his way out of it again... but after some big scares and some time spent nicely sheltering behind other riders, he finally figures out the grip conditions - and he's off. it's one of those rides that is just demoralising for everyone else in how good it is, with valentino pulling insultingly far clear from the other riders with insulting ease
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^valentino plays a violin after crossing the finish line. teammate edwards: "I looked at his data and it was scary. he was locking the front in the rain on a shitty track that was slicker than snot, at every corner. this guy's crazy!" not pictured - valentino hugging himself and shivering while parking the bike... and being provided with an anorak and gloves that he only very, very, very reluctantly relinquishes when stepping onto the podium
*le mans 2005: you realise fairly quickly that this one's building to something juicy. colin edwards, valentino's teammate, takes the lead and heads out on his own, as valentino sets off after him - eventually slotting into his favourite position sitting right on the leader's rear tyre. except, he can't afford to hang around - because sete is going faster than both of them and is rapidly catching up. this one really gets going when the inevitable happens and the three of them collide on track, and of course we end up with another sete/valentino duel. cruelly, it's another one where the winner is still not entirely decided when they enter the very final lap... but the curse will not be denied. valentino breaks the circuit record on the last lap
*sachsenring 2005: the problem with watching these races is that even if you would prefer not to know the result going in... well, every single time the race comes down to a duel between sete and valentino post-qatar 2004, however strong sete looks, however confident, however near he is to the victory... you know he's obviously not going to make it. my advice is to really lean into it - the joy/horror of it all is in discovering how it's going to go wrong this time. this race features another lovely duel between valentino and sete, at a track that suits the honda far better than it does the yamaha. valentino leads early on before sete manages to catch up and overtake him. two laps to go and sete is still in the lead as valentino stalks him around... you know how this story goes
*brno 2005: ah, the misery. listen, if you enjoyed the previous sete/valentino duels I listed, then you're going to enjoy this one too. it's the race immediately following sachsenring and it feels like basically they just continued the last one, and boy are they going at it from the very start. sete determinedly sticks with valentino and surely one of these has to go his way... includes a particularly cruel twist on the final lap
qatar 2005: one year on from the race in which valentino put his curse on sete, and it feels like this might be sete's best chance for the remainder of the season to free himself. he gets perilously close to making a break for it ahead of the battling melandri and valentino... but of course, he can never run far enough. another painful defeat (if one caused by melandri more than valentino) and eventually valentino claims victory at the circuit that had caused him such trouble the year before
qatar 2006: valentino's 2006 season got off to a tricky start when toni elias rode into him in the very first corner of the opening race, and his luck didn't get much better from there. still, the year featured plenty of excellent valentino rides - including the second race of the season, where he fought his way through from sixth on the grid. features his first tussle with the rookie pole sitter, one casey stoner, who defends sternly against his future rival. eventually, valentino faces off against nicky hayden in a decent extended scrap that went on for much of the race
***mugello 2006: boy, did valentino get himself involved in some banger races at this circuit during his time. sete tries to escape at the front, and even in a tough year like 2006 valentino will not allow that man a moment's rest. a duel between sete and valentino ensues (featuring melandri and casey), then valentino suddenly drops down to fifth, then the race turns into a three-way encounter between capirossi, hayden, and... still valentino. he emerges from the feisty fray with a much-needed win
***sachsenring 2006: you could copy paste 'much-needed win' any time valentino won this year, and sachsenring is no exception. not traditionally his strongest track, valentino's urgency produced one hell of a race ripe with tension throughout. the yamaha's struggles made for a difficult qualifying and he fought his way through from eleventh on the grid. even when he caught the leaders and passed them, he couldn't just clear off like in times past, dragging three dogged riders along with him - but he just about managed to hold them off for the win
****sepang 2006: one of the best valentino duels, this time featuring one of his oldest rivals in the form of loris capirossi. part of his remarkable late season charge that brought him within kissing distance of the title. the entire race is enjoyable but the final lap is one for the ages, with valentino vicious in both attack and defence
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^no hard feelings: capirossi hugs valentino while vale is still on the bike. 2006 is a rare title fight in which valentino genuinely liked most of his major rivals. vale was exhausted after the battle in the gruelling sepang conditions and had a little sit down after hugging his team
phillip island 2006: the first bike swap race and quite frankly the whole thing is a mess. a lot happens and it's classic late season chaos where the championship standings and implications are chopping and changing by the lap. when the dust settles, valentino has snagged third place on the last lap off poor sete gibernau and chips away a little more at hayden's championship lead
***estoril 2006: sure, valentino lost the 2006 title when he crashed at valencia, but he also lost it by .002s in estoril. this race featured a dramatic twist in the title fight when rookie dani pedrosa wiped out his teammate hayden, and suddenly valentino had to consider just how much risk he was willing to take. he had mostly decided to play it safe - but then couldn't help himself and ended up attacking toni elias on the very last lap. if he had managed to bag the extra five points, then even with the valencia crash he would have won the title on countback
valencia 2006: everyone thought valentino would be winning the title again headed into the weekend, and they became even more certain of it when valentino qualified on pole. but in the end, it was not to be. valentino got a poor start and felt something was wrong with the bike (or maybe it was the tyres, if one casey stoner is to be believed), but admits the mistake that left him on the ground was his own. a bitter pill to swallow after a season plagued by misfortunes, though valentino had always gotten on well with title winner nicky hayden and was sincere in his congratulations
****catalunya 2007: from the start of 2007, it was clear that new ducati hire casey stoner would be a problem. with yamaha's struggles continuing into the new 800cc era, ducati had gotten it spot on at the first try... even if it was only casey who could completely tame their troublesome bike. for a while, it seemed easy to dismiss casey's victories as built primarily on the back of the infamous ducati horsepower, but at catalunya casey proved he was far more than just a powerful engine. one of the true classic catalunya duels, with both riders displaying dazzling race craft, and one of casey's finest career victories
***assen 2007: valentino's season wasn't getting any easier - the yamaha was one thing but his continued struggles with the michelin tyres if anything frustrated him even more. he qualified in eleventh place and doesn't get a particularly good start while casey streaks off in the front. casey is over five seconds clear at one stage, but valentino manages to hunt down his title rival anyway. it's studying and stalking and lurking and all the rest of it, and as ever casey doesn't make it easy for him - but eventually valentino manages to pass him and pull clear
*estoril 2007: casey's championship was more or less wrapped up by this point, though valentino was able to deny him just a little longer at the first match point race. this features a nice scrap between casey and valentino, and then an extended duel with dani that is perhaps the best fight the two of them ever had. it was a much-needed win in a rough patch for valentino on- and off-track - and he dedicated it to one of his idols, the rally legend colin mcrae who had just passed away
**catalunya 2008: yes, okay, I know he won the three races before that one - but this one's a more fun race! after an initial adaptation period to his shiny new bridgestone tyres, his season had finally properly kicked off with the aforementioned three race win streak. at catalunya, valentino only qualified in ninth, and pedrosa streaked off in front - but valentino and casey engaged in a highly enjoyable rematch of the previous year's duel. in the end, it was valentino who prevailed, but casey and ducati had clearly gotten their own house in order...
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^the version of valentino that marc first met, before vale's race in his special football-themed livery and leathers
****laguna seca 2008: after catalunya, casey stormed on to win the next three races on the trot, typically by ominous margins. heading into laguna seca, a race casey had dominated with ease the year before and valentino had never gone particularly well at, valentino knew casey might be in danger of running away with this championship... and he was determined to do something to finally conduct this rivalry on his terms. nobody expected there would be a contest for the victory, let alone one valentino won - but he did, in a brutal encounter that served as a masterclass in psychological intimidation. the relationship between the two rivals did not emerge unscathed
*indianapolis 2008: another race, another mediocre start, if this time from pole. it sets up a fun (to watch) race in worsening conditions, as valentino takes his time to get comfortable with the grip levels before slowly and surely working his way through the field and stalking first casey then nicky hayden around the track. he makes it to the front before eventually the race has to be called off - and, in a rare moment of unity, valentino and casey are seen briefly talking to ezpeleta together, presumably to tell him they have less than zero interest in going out again in that weather. they get their way and the race is called off, with valentino bagging his fourth consecutive victory - a streak he of course started at laguna. his second and last win on US soil
motegi 2008: the title-sealing race and fifth consecutive win - not the most exciting entry on this list, but earns its place by featuring a bit of a duel between title rivals casey and valentino for the lead (after they both get past dani, casey in a rather rude way that he apologises for with a hand gesture) (not that he gives the position back and valentino immediately swoops through too). motegi had always been one of vale's weakest tracks, and it must have felt extra sweet to clinch the title at the home race of his perennial enemies at honda (as he miserably failed to do in 2005 in a deeply embarrassing performance)
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^'scusate il ritardo', or 'sorry for the delay': this title was special given the heartache of the two previous years. all smiles with casey and jorge (who comes to parc fermé to congratulate his teammate)
*sepang 2008: as was sometimes rare in that era, this race involves several good fights going on simultaneously down the order. the fight for the victory ends up coming down to valentino and dani, and it's a nice little duel they put on - plus there's also dovi's dramatic fight for the final podium position to enjoy
jerez 2009: dani and valentino's young teammate jorge lorenzo are the clear pre-race favourites and there's a slight fear one of them will run away with it... but jorge never quite finds his groove and ends up crashing, while dani very much does not run away with it. valentino finds something extra after being absolutely nowhere all weekend, as he had a habit of doing. features valentino shadowing first casey and dani - and a particularly nifty contact-free block pass at the infamous final corner on casey. valentino's first win of a tough season
****catalunya 2009: one of valentino's finest career victories - and another example of his ability to wrest control of a season when he needed to. off the back of two tricky/embarrassing races at le mans/mugello, it felt like the time had come to demonstrate he was a serious contender in that year's championship... as well as assert himself within yamaha over his increasingly troublesome young teammate. the stakes are clear: jorge sorely wanted to win in front of his home crowd and valentino sorely wanted to beat him there. after a strong start, the physically ailing casey falls back, letting jorge and valentino soar off and fight it out as they take turns to tail each other around the track. a duel for the ages and the victory that transforms his fortunes in that season (some more details in this post)
**sachsenring 2009: a few races after catalunya, it was once again jorge and valentino to fight it out for the win - unusual for two yamahas at that track. it's a duel that has been overshadowed by catalunya, but this is another gem: a close and dramatic battle at a time when it felt like jorge was the one who had something to prove. but valentino demonstrates how hard it still is to best him in head-to-head combat, and he ends up beating the number 99 bike by the pleasing margin of .099s (listen I have no evidence for this but in my heart of hearts I 100% believe he noticed and appreciated this fact)
misano 2009: this race followed valentino's massive error in indianapolis, crashing and reopening the championship fight at a time when it looked like he had things perfectly under control. his traditional special home race helmet is dedicated to taking the piss out of himself - featuring a donkey because of how "stupid" he had been. but in misano he was the "flying donkey"... look, it's not the best race you'll ever watch, but after a poor start (surely not), he does do quite a nice job to overtake dani for the lead. in parc fermé, his team dons donkey ears, and he gets his own pair to wear to the podium as he greets his ecstatic fans
**sachsenring 2010: valentino's early season was troubled by a motocross shoulder injury he'd picked up after qatar, and he had to push harder and harder to keep up with an ever-improving jorge. eventually, he pushed too hard and broke his leg in mugello. this was his first race back, returning sooner than anyone had expected (except casey, who thought people were making too big a deal out of the whole thing) - and he immediately was on the pace, to everyone's surprise (not casey's, who thought valentino's main problem was just losing a bit of muscle mass). this race features an excellent duel between casey and valentino in the closing stages for the final podium position, with casey stealing it from valentino at the very last gasp. it was an impressive performance by the pair of them, a heartwarming demonstration of how mediocre bikes and broken legs can be overcome by the power of mutual contempt
***motegi 2010: do you ever feel overcome by the sudden urge to watch someone be an absolute asshole for no good reason? if so, then I have the perfect race for you. jorge is very close to clinching that year's title, and in truth it's a pretty sure-fire thing given dani is out with injury. still, it's generally not considered good form to ride into your teammate at the best of times. valentino continues to struggle with his fucked up shoulder late into the season, but spite will do all kinds of magical things for you. it's a race-long battle for third place between the yamaha teammates, and the last few laps in particular are uh. intense. features valentino dangling out his leg to increasingly comical extents - whether to try and mitigate the shoulder issues or whether to physically block jorge is anyone's guess. jorge basically rides right into the leg more than once. there are at least three separate extremely dubious moves valentino pulls on jorge. you can tell jorge is losing his mind. you can feel the sheer concentrated malice radiating off valentino. when valentino gets off the bike, the mic picks up how he tells the yamaha team that it "was fun". not everyone would agree
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^you'd think a season in which valentino had broken his leg might be one where everyone lays off the dramatics a little, but somehow this year was the one in which valentino's relationships with both of his main rivals soured considerably and made the final step from 'rivalry' to 'feud'. there'll always be a slight air of unfinished business to the casey rivalry in particular, but 2010 did end up unwittingly providing us with a few gems. in the motegi qualifying press conference (pictured above), vale talks about how he knows he needs shoulder surgery - but is determined to delay the surgery until the end of the season. it wasn't a good decision for his shoulder
**sepang 2010: the race that immediately follows motegi. valentino doesn't qualify particularly well and starts worse, dropping back to 12th during the first lap as jorge and dovi set out in front. but valentino determinedly sets after them - and when he catches up, they engage in a lovely three-way scrap in the race in which jorge can seal the championship... as long as valentino doesn't knock him off. this doesn't reach the viciousness of motegi, but it still involves three riders who clearly really want to win and also really want to beat each other. his first victory after the broken leg - and his last one for a long time
jerez 2011: thing is, right, if you just ignore the bit where he wipes both himself and casey out and then has to pick the bike up and start again, it's actually a really good ride! can't fault it! did his thing in the wet again! just one little. uh. blot on the copybook. I wouldn't even say the ambition outweighed the talent as much as it was his patience, given he knew it might be the only chance he'd get for a big result for a while on the struggling ducati. it's the kind of misjudgement he makes relatively rarely in his career, and speaks to his frustrations with the continuing shoulder problems as well as the underperforming desmosedici. casey was less than sympathetic
le mans 2011: it's le mans, it's raining, you know how it goes... these conditions were pretty much the only times valentino could manage a decent pace in his ducati years. this one should've gone on the dovi list too actually, not least because jorge executes an extremely rude move on dovi I feel confident in saying dovi did not appreciate (he gets jorge back with a far more polite and civilised move). casey runs off with the win by a fairly obscene margin but behind him there's plenty of talking points - not least the hugely controversial clash between dani and sic that leaves jorge, dovi and valentino fighting for the two remaining podium spots
*le mans 2012: valentino might have expressed mixed feelings over the course of his career about riding in the wet, but it sure did its job during the ducati years as the great big equaliser. now, point of order: in my casey rec list, I described this as 'not a great casey race', which I don't stand by at all. the last casey/vale duel (that also heavily features a vale/dovi/cal crutchlow tussle), with valentino stalking and harassing casey both at the start and the end of the race - though he did exercise some advisable caution... initially. involves a last lap overtake and is valentino's best ducati performance
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^the last podium valentino and casey shared, in the race after casey announced his retirement. usually it's a bit easier to tell when a valentino feud is at its worst, and the two of them joked in the press conference about how they were thinking back during the race to their 2011 jerez clash. ducati were in such a miserable place in those two years that in truth, nobody could have done much with that bike - casey certainly could have done more, but by 2010 the bike so awful that valentino outscored casey that season even after fucking up his shoulder and breaking his leg. vale's sole dry podium in the ducati seasons came at an emotional home race in misano the year after sic's passing, though unfortunately it's not a particularly watchable race. there are some other rides in those two years that are strong in isolation, but valentino isn't the star of the show - and really, it'd be a waste of our precious time to talk any more about two years that were a waste of valentino's precious time
qatar 2013: the first race back with yamaha and the first race of a 'qatar trilogy' of sorts, i.e. 2013-15, where valentino just keeps executing extremely watchable races by qualifying poorly/dropping back at the start and then fighting his way through. by the time he catches up with the pack, race winner lorenzo is long gone - but valentino can still have his first fight with the next big thing in motogp, the rookie marc marquez. there's an optimism to this race, the hope of new beginnings in a series that perhaps needed some life breathed back into it... and so did valentino. all three men on the podium have good reason to be delighted, and show it. valentino truly had not known if he could be competitive again after the dark ducati days, and he looks happier here than he has in ages
*assen 2013: his first victory in the post-ducati days and a track at which he had always been strong. partly helped out by jorge's collarbone injury (though assen had always been a bit of a bogey track for jorge), valentino overtook stefan bradl, marc and dani for the win. it's not the most thrilling of races, but is still perfectly enjoyable - and you can tell by valentino's reaction how much it meant to him
qatar 2014: bar a few high points, valentino's 2013 season had been troubled and frustrating as he found himself unable to match the top three in the championship. he decides to make one more big move - this time not by switching teams, but instead by firing his long-time crew chief jb. the start of 2014 is all about seeing if he can become competitive once again... and if he cannot then he will retire. qatar is a promising start, coming back from a poor qualifying to engage in a tightly fought duel with marc that lasts until the penultimate lap
misano 2014: valentino clearly stepped up his game this season, making him decide to continue on racing in motogp in a year in which marc was dominating the competition. race wins, however, remained elusive - but there is nowhere valentino would have rather emerged victorious than his own backyard. the opening stages are a proper fun three-way tussle between valentino, marc and jorge. valentino gets to the front and marc pursues him, so doggedly determined to get the better of valentino that he ends up crashing. the rest of the race isn't all that exciting, but it's notable as the first race in which valentino directly outperformed both marc and jorge when they were fully fit. the ranch visit happens after this race
phillip island 2014: never the most gifted of qualifiers, valentino would continually struggle to get to grips with the new qualifying format introduced in 2013 - and his grid position of eighth was typical of the time. but you can't fault him for his ability to pick his way through the field as he does here, which culminates in his enjoyable duel with jorge for what was then p2. he got lucky with marc's crash out of a sizeable lead, but it was still a good ride to ensure he would be the one to take advantage
***qatar 2015: it takes one corner for the 2015 championship to be blown wide open, when two time defending champion marc marquez goes off and drops to the back of the field. for much of the race, it looks like jorge will be the primary benefactor, battling it out with two revitalised ducatis. valentino starts badly and drops to tenth, but he works his way through the field - and eventually it is he who fights the ducatis for the win. this is actually a really nice marc comeback ride too, even if he never comes into victory contention. it is also a statement victory from valentino. game on
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^valentino started the season on a high, daring to hope that the elusive tenth title might finally be his. the optimism would last roughly until they got to europe and jorge hit his stride, after which it was a gruelling defensive campaign to try and cling onto his points lead
**argentina 2015: the thing is, right, qualifying poorly isn't great. starting poorly also isn't great. but if you want to be fighting for titles, you should maybe pick a struggle and stop doing both. valentino's championship bid that year has all these charming races where he's still at the fuck end of nowhere after the first lap before heroically picking his way through the field, which feels needlessly exhausting but there we are. it is, however, exciting to watch how he creeps closer and closer to marc - and he eventually catches up on the penultimate lap. the resulting duel is short but memorable
****assen 2015: a duel that will always be remembered for the controversy surrounding the final chicane, but the whole race is a fantastic watch. valentino needed a result after jorge had won four races on the trot and had led 103 consecutive laps - and he played the weekend perfectly to achieve it. his only pole of the season and, excitingly, actually a good start too... but marc quickly slots in to sit on his rear tyre and it's a fight that continues the entire race. did valentino know what marc had been intending to do at the final chicane, given marc had admitted to repeatedly executing the move during that weekend's practise sessions? or was it just quick thinking that allowed him to read marc's move and realise he only had one counter available? we'll never know for certain - though marc was suspicious of valentino's motives and eagerly made his thoughts on the matter known in the post-race press conference. the beginning of the end
**silverstone 2015: after brno, valentino had surrendered the championship lead for the first time that season on countback and it was obvious he was in serious trouble. silverstone had proven a fairly happy hunting ground for jorge over the years and it looked like he would continue doing his thing that weekend... but then the rain came to the rescue. valentino spends most of the race with fellow wet weather expert marc stalking his every move, until marc goes down and valentino is left managing the gap to a late-charging petrucci. one of the finest wet weather performances of his career - and in several ways jorge got lucky to limit the points damage
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^valentino's shadow, until marc pushed it too far and crashed. was marc more determined to beat valentino here than he would have been anyone else? valentino sure seems to think so - he later references both this race and misano as ones where marc aroused his suspicions. who knows, he might be right, but there's still a sizeable difference between competitive fervour and conspiracy
****phillip island 2015: one of the classic multi-rider fights. what valentino lacked in outright pace, he made up for in wheel-to-wheel skill and fighting spirit... except in the end, he couldn't completely make up for the deficit. all year, valentino had been fighting against the odds to keep his championship dreams alive - but at last, they were truly slipping, slipping, slipping away
**sepang 2015: one last roll of the dice, classic rossi-style... but this time it all goes horribly wrong. when the duel between marc and valentino arrives, it has an air of inevitability about it - as, perhaps, does the final outcome. but the fight itself is captivating to watch, in a raw brutality that befits the tragedy we are watching unfold. the penalty that valentino receives after the race is what truly dooms any remaining title hopes
valencia 2015: another doomed title decider, though valentino's race itself cannot really be faulted. he picks his way through the field from the very back and makes it to fourth, but he could never have hoped to catch up to the top three. quite a boring race afterwards bar some late marc/dani scrapping
jerez 2016: it is admittedly hard to vouch for the quality of this race precisely because it is such an extremely non-valentino way to win. clear and complete domination of the race - in a way he had otherwise been incapable of doing post-2009. while the title fight ended up being a bit of a dud for various reasons, early 2016 held promise that this year valentino would be able to match his two enemies on raw pace
***catalunya 2016: after the dramatic closing stages of the 2015 season, everyone was of course waiting for the first proper on-track duel between valentino and marc. it took a while to get going at catalunya, with valentino getting a typically poor start and having to ruthlessly work his way through to even get to the marc fight. but it's worth it once he gets there - like all their on-track encounters, it's a fierce battle of wills nicely complemented by the contrast in styles, and you can tell how ferociously determined they are to get the better of each other. the race that prompts the slight rapprochement between the pair of them
silverstone 2016: maverick vinales ran off in the front to claim his first premier class win, though the fight behind him is well worth watching - and warranted a mention on the marc list too. the first part is good, but the final laps are what it's all about, as the multi-rider scrap distills into another vicious little encounter between valentino and marc. as ever, with these two it's personal, and they're hardly shy in their ferocity fighting each other. but valentino makes clear afterwards he has no complaints... even if marc always reserves a "special treatment" for him
cota 2017: a lovely whiff of controversy to one of the better races cota has produced. valentino is involved in a feisty clash with the rookie johann zarco, who was well on his way to acquiring a certain kind of reputation within the premier class. it's fair to say valentino was not a fan, and he's certainly not a fan of zarco's attempted overtake that valentino argued forced him off-track to avoid taking them both down. he's slapped with a three tenths penalty his team decided against informing him of - which he's still unaware of when closing up on dani with a few laps to go
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^not quite the hand-holding of yesteryear, but it was something. the pair of them disagreed in the post-race presser about zarco's aggressive riding - and, perhaps, valentino's off-track excursion that supposedly granted him an unfair advantage reminded marc of a certain other previous incident. riding standards remained a major talking point for all of that season, most notably in assen and phillip island (though valentino himself ended up coming under some criticism, in particular by pedrosa after aragon). the two rivals agreed more often than not, even if valentino still had his reservations. after phillip island: "all riders are very aggressive, so you have to be more stupid than them"
**assen 2017: his last grand prix victory and it's as true to him as brno 1996. a rough, bruising tussle between riders who aren't afraid to exchange paint, with plenty of high quality racing on offer. some rain adds to the excitement - and valentino still faced a sturdy challenge on the very last lap. he remains the only rider in history to have recorded a grand prix win over twenty years after his first. he said afterwards that "sincerely I race with motorcycle for what you feel the five, six hours after the victory". in many ways, it feels like a scarcely believable amount of commitment for so fleeting a reward
****phillip island 2017: multi! rider! scrap! in! australia! valentino's strongest result after a broken leg in a motocross accident took him definitively out of the title hunt (the second serious motocross-related injury that year for him). anyhow, they're at it again and it's a brutal battle between several protagonists who are happy to get their elbows well, well out. valentino's leathers were marked by rather a lot of rubber by the end of the race - but the most important thing is that everyone had fun!
sachsenring 2018: valentino's 2018 performances were generally stronger than the results would suggest, with yamaha increasingly out at sea in a new era hurried along by the return of the michelin tyres. still, he put together a strong first half of the season and was marc's main challenger points-wise. even this late in his career, he demonstrated his willingness to continue to learn and improve by studying satellite yamaha rider jonas folger's performance fighting marc the year before at the circuit, joking after the race that nobody had ever told folger the yamaha wasn't supposed to be good around there. while in the end valentino couldn't really pose a significant challenge to marc, he gives it a good go and gets involved in a fun fight with jorge along the way
****assen 2018: one of the classic multi-rider dogfights, and valentino contributes very nicely to the drama of the race - not least as a result of his deep love for the final chicane. while the winner always had something extra in his back pocket, a rather unfortunate late coming together ends up (probably) depriving valentino of what would have been a deserved podium place
argentina 2019: marc disappears the moment the lights go out, but the battle behind him provides plenty of excitement. there's a bunch of riders fighting for the remaining podium places, elbows nicely out, but eventually valentino and dovi have it out in an entertaining contest that goes down right to the very last lap
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^winning a last lap duel against andrea dovizioso... what, like it's hard? a year on from an eventful argentina grand prix, marc memorably likens his handshake with valentino to kissing a girl. the last podium the two of them share
andalusia 2020: some silly good defending against his teammate throughout the race that mainly had the effect of allowing fabio to escape. valentino's result was quite the heroic feat given the gruelling physical conditions: 36 degrees celsius with horrendous track temperatures, with only 13 of 21 riders making it to the end. the blistering heat also hardly helped with the tyre preservation that plagued this portion of valentino's career; managing these tyres was one development too far for his ever-evolving riding style to adjust to. two academy riders could have denied valentino's final career podium, but both their bikes had the decency to break down
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^three yamaha's stood on the podium that day for the first time since 2014 phillip island, and presumably for the last time until around 2064. valentino celebrated enthusiastically to the empty jerez grandstands, 21 years after his infamous visit to the portaloo at the same circuit. valentino's decision to retire was complicated by the pandemic, his past ability to bounce back from rough patches and - most of all - his inexhaustible passion for racing, but eventually he called it a day after the 2021 season
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