#i had to write something about this

[majorbaby]

Stephanie Hsu was great in EEAAO but her performance was (IMHO) the weakest of the cast, and for an actress of her age, who has probably been denied opportunities to grow her craft because of her race, I think that is completely fair. I'm wary of the expectations placed on racialized women to always perform at an extremely high level in comparison to their white peers. And the pressure was really on Hsu to do that, in spite of all the barriers she faces.

With that said, the hackademy also gave 22 y/o Jennifer Lawrence the oscar for best actress for Silver Linings Playbook 10 years ago.

it's the racism, it's the bias, moreso than it's a nod to Jamie Lee Curtis' performance and that's to say very little of the snub to Angela Bassett, who in my not so humble opinion, deserved to win. It's the idea that Hsu can be told to wait for a turn that may never happen and she's expected to accept her lot in life and the film industry without complaint. This is what racialized girls and women are told every day of their lives.

"JLC only won because she's white" comes from a tradition of awarding white mediocrity and the denial of racialized women's right to exist in varied ways. It doesn't actually matter whether JLC gave the best or the worst performance of her life because merit isn't the only factor at play. That's overwhelmingly clear to me and it's true of other selection processes: the casting process, all hiring processes, academic acceptances processes, dating 'preferences', etc - these things are all affected by traits that people possess, whether they are mutable or not, and denying that just ensures we can never address it meaningfully.

JLC has had and likely will have ample opportunities to win future awards. Whereas, in a way that actually speaks directly to the themes of EEAAO and in addition to the blood, sweat and tears shed by whole generations of asian Artists (and the ongoing work of black artists who paved the way for racialized people to take up space in hollywood) the stars had to align just so for this to be a world where a movie by and for Asian people could win the highest honours offered by the film industry. We don't know if EEAAO is a replicable experiment.

When Lupita Nyong'o won best supporting actress for 12 Years a Slave, (saying in her acceptance speech, "No matter where you are from, your dreams are valid" - echoed by both Quan and Yeoh last night, retaining Nyong'o's meaning), amidst all the fanfare, her co-star Alfre Woodward said all too knowingly, "You know when we’ll know that things have changed? You know that brilliant, stunningly beautiful, and poised Lupita Nyong’o? 12 Years a Slave is an incredible launch of a career … ... We’ll see the trajectory of her path and what she’s offered after that. Then we’ll know whether things have changed or if Lupita is consigned to playing second banana."

I'd say the same of Hsu. We'll see how it goes.

Meanwhile, Angela Bassett is already being crucified for her reaction to her loss. Thus she is reliably cast in the role of the angry black woman as much in the real world as she and women who look like her are frequently cast in film. A win for her wouldn't even begin to put a dent in the problem, but at least it wouldn't double down on the same tired narrative for the billionth time.

There was a lot riding on how EEAAO performed at the Oscars last night, and it's important to keep the pressure on, because it's not really about the award, it's about taking up space in the collective consciousness and fighting unconscious bias. I'm sure there are racialized people who'd disagree with me on this, but I think this is worth noting.

For all my cynicism about Award Shows and the film industry, there's a reason why EEAAO makes such waves amongst Asian people and why, regardless of how you feel about the technical prowess of that movie and all the performances in it, it touches us. The movie, the people who made it, and the award acknowledges the asian experience and by extension, our existence.

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[hrokkall]

Mama gave me music lessons,

now I play the saddest songs

[da-birb-writes-sometimes]

Feelings Thawed

Character; Cater Diamond

Content; Fluff, gender-neutral reader, pining, ice skating (to various degrees of success)

Word Count; 650+

Author's Note; This is a present/thank you to my mutual @i-like-forgs. I hope you enjoy this ice skating scene with Cater, and that you get to skate soon!

As a reminder, do not put my work — or others for that matter — into AI as it steals. Link to Masterlist

The brisk wind bit at your nose, and you pulled up your scarf, trying to keep away the offending wind. Around you it was a winter wonderland, all made possible in the temperate conditions thanks to Cater, who was filming you skating around on the frozen pond’s surface.

“You know,” you hollered, making sure that you caught his attention, “you should join me! It’s fun!” You came to a stop by the pond’s edge, where Cater was standing with a large thermos.

Cater just shot you a wink, handing you the thermos. “This is for you though, silly!” 

He was deflecting, you could tell; behind that bright and cheery smile that he always seemed to wear around others, you knew when there was something off with Cater. You accepted the thermos though, and took a sip of the spicy apple cider, still piping hot.

You gave him a look and pulled lightly on his coat sleeve. “Yes, but it’s more fun with others, come on Cater!” You stepped back onto the ice, and slowly skated near him, waiting with an eager smile.

He looked at you, and then back at the ice, but he stayed standing in the light snow, shooting you that smile. “But I can’t take photos if I’m out there with you!” He scratched at the back of his neck.

Liar. “Cater,” you looped back around and stepped onto the bank, balancing on your skates, “do you not know how to skate?”

Cater’s smile turned sheepish, and his ‘ahahaha, looks like my gig is up’ chuckle made its appearance. He had been found out. “Never got the chance to,” he hid his face slightly in his scarf, either to keep the cold at bay or to hide that his cheeks were turning pink. “So I’d just slow ya down.”

You took his hand into yours, “Well, I could teach you if you wanted. Just a warning though, you’re gonna fall on your butt a lot, might get a few bruises.”

Cater looked down at your entwined hands. Mittens and gloves separated your skin from touching one another, but Cater could swear that he could feel the sensation nonetheless through the layers of fabric.

“You would? Even if I pull you down with me?” 

The last question wasn’t just about the ice skating; Cater didn’t want to force you to do anything that you didn’t want to… and that included being his friend. His heart seemed to whisper stronger emotions though, but he didn’t want to ruin what the two of you had.

You walked him out to the ice, and the both of you swiftly fell down on the ice, hard. But you just laughed and got right back up again, “Well, we did just fall. There isn’t anything scary about falling down; yes it stings and might leave a gnarly bruise, but in order to move forward we have to fall and get back up. So yes, is what I guess I’m saying.”

Cater looked up at you, the sun illuminating you and the snow glittered behind you. You were holding your hand out again, waiting for him. And Cater took your hand. 

It took him a while to get the hang of it, and he fell down quite a bit, but every time he fell down you helped him back up. And by the time that the sun was setting in the west, the both of you were cold, and both were going to wake up tomorrow with some bruises. It was fun though, which is all that mattered… but that whisper in Cater’s heart was by now singing, and maybe he would listen to it, but for now, he was happy with how the way things were, and he wouldn’t trade it for anything in the world, especially with how much you had smiled today. Your smile and knowing that you had fun with him was enough.

~ ~ ~ ~ ~ ~ ~

Tags; @eynnwwyjth, @ithseem, @krenenbaker, @silvers-numberonefan, @twistwonderlanddevotee, @xxoomiii

[captainswan618]

there is a person standing 73 yards some distance away, watching you. they look like they’re trying to tell you something. you can’t get away from them, nor can you get close to them. they’re just...standing there.

so your friends and loved ones try to help you by talking to them, and the person must be saying something to them, because they look at you differently now. but you have no idea what it was, all you hear is static.

you try to tell them not to listen to the person, but no matter what you do, no matter how much you plead with them, they look up at you with suspicion-hatred-fear and just run. they don’t care where they’re going, just that you’re not there. and you can’t do anything to stop it.

the more that the people in your life care about you, the worse it is, because anyone who tries to help is turned against you. so you are just gradually shut out of your own life by the people you love the most, until eventually you no longer recognize your surroundings.

there is a person standing 73 yards some distance away, watching you.

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[coffeebanana]

Sorry if some of these overlap a little/if I left out something obvious kajbdsjkd I tried my best haha. And that's why there's an "other" option!

[royalarchivist]

Ramon: So opinions on [Bagi]?

Fit: She's legit, we can trust her. We can trust her.

Ramon: Would you rather a dad or a mom [for me?]

Fit: Uh- I- no one! No one. Let's- let's get over to Felps' Square, Ramon. [They head to the warp at Spawn, then Fit hesitates] Um, wait- Ramon. [He pauses, briefly looks at the camera, then says in a rush] If I had to choose between the two, it'd be a dad. Alright, let's go. Let's go, let's go.

[sugarcoatednightshade]

thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.

And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.

And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.

And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?

Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.

Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.

[magpie-trinkets]

continuing that "maya tries to contact claire" post, i present you the post-Spirit of Justice follow-up

[corvidcall]

None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

[literallyjusttoa]

"Sunny!" you cry, "Why did you draw the entire Trojan royal family from oldest to youngest in two days? That seems wildly unhealthy!"

"hurghhhhhhhh" I reply.

Anyways here's the full family portrait

(Only four of these people survive the Trojan war btw :D)

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by

[polinsated]

disappointed when he seeks out his friend and can't find her guilt-ridden when he realises that his words have hurt his friend nervous when he's about to apologise and try to get his friend back —or colin bridgerton went through it in 3.01

[delta-piscium]

Steddie | 1.7k words it is (swedish) midsummer so I wrote this based on my favorite old tradition because I can and will make anything steddie, so like glad midsommar (happy midsummer)

“What are you doing?” Steve asks as he follows Eddie to the hallway where he’s frantically putting on his shoes. 

“I almost forgot,” he mutters under his breath not acknowledging Steve at all.

“Forgot what?” 

“I can’t believe I almost forgot.” 

“Eddie,” Steve says a little louder, more adamant.

He does look up at Steve then and almost looks surprised to see him. As if he’d forgotten he was there, as if they haven’t been hanging out for hours. 

“Oh,” he says. “Uhm,” he squints at Steve who waits for him to continue, to explain. He doesn’t.

“Yes?” Steve implores because he would really like an explanation. Eddie had just abruptly stood up halfway through telling Steve about some folklore he’s using in his new campaign, just cut himself off mid-sentence and walked off. Steve doesn’t think it’s especially weird or demanding of him to have questions. 

“Did you have other plans that you just now remembered?” Steve frowns, starting to feel unsure when Eddie still isn’t saying anything. It’s just past eleven at night and Steve doesn’t know what plans those would be but he had showed up unannounced earlier in the evening so it’s not impossible that Eddie had plans that Steve interrupted. 

“No, no, no,” Eddie assures him finally breaking his silence, “it’s- okay it’s a little silly but I read this thing researching and I want to try it.” 

And well, okay then.

Steve raises his eyebrows and waves his hand gesturing for Eddie to go on. 

Eddie’s cheeks turn a light pink and he resolutely looks somewhere above Steve’s shoulder instead of at him. 

“Midsummer, which is today, is supposed to be this magical night and there are all these traditions and old myths about it.” 

Eddie glances at Steve and he smiles. Tries to show he’s listening and wants to know whatever thing Eddie read about. 

“And well, okay so there’s this one tradition where you pick seven different kinds of flowers before you go to bed and then put them under your pillow and you’re supposed to dream about who you’re gonna spend your life with.” 

Steve blinks, wasn’t expecting that and doesn’t know what to say about it, so, he blinks again. 

“Maybe it’s dumb, but with all we’ve seen magic and folklore don’t seem so far-fetched and,” he shrugs, “I wanna try. And like, it’s close to midnight and I don’t know if that’s a rule but I don’t wanna risk messing it up.”

“It- huh,” Steve frowns slightly and looks at his shoes then back at Eddie. “Yeah alright, let’s do it. Can’t hurt right?” 

His voice is light, like it’s not a big deal and just a fun thing Eddie read about because that’s what it is, isn’t it? But something about it settles deep in Steve’s gut. Makes it feel important in a way he’s not sure he could explain if he tried. Maybe it’s just the fact that Eddie is getting so worked up about the possibility of dreaming about the person he’s gonna spend his life with when Steve maybe a little bit wishes it would be him, but like, only a little. 

Eddie looks at him with wide eyes like he didn’t expect Steve to want to join, like maybe he expected Steve to make fun of him for wanting to do it. But then something seems to switch in him and a slow smile spreads over his face and he gives Steve an exaggerated once over. 

“Looking to find your true love huh, Harrington?” 

“I thought you said it was the person you spend your life with, not the same as true love necessarily.” Steve quips back because technicalities are easier to argue over than answering that question, especially when Eddie is the one asking.

Eddie shrugs. “Different sources say different things, sometimes it’s true love sometimes it’s who you marry.” 

“Well, then I guess we’re both looking to find our true loves?” Steve hedges, drags Eddie down with him if they’re gonna go there. 

A soft look passes Eddie’s face before a responds, voice quieter. “Guess we are, yeah.” 

They pick their flowers in silence, something about the magic being broken if you speak. Walking around the edge of the woods behind Eddie’s trailer a couple of feet apart, every once in a while coming together or crossing paths. 

After, Steve stands in between Eddie’s trailer and his own car. Holding on to his bouquet of seven flowers unsure what to do. He could go home, he should go home, but he doesn’t want to. He did have some beers hours ago and if he was allowed to speak he’d use that as an excuse to not drive and ask Eddie to crash on his couch. Right now he can’t though so he sighs inwardly and turns to his car. 

He makes it about two steps before a hand reaches out and grips him around his free wrist stopping him. When he turns around Eddie is giving him a look that very clearly says ‘stop being stupid’ and jerks his head towards the trailer silently telling Steve to go with him. He doesn’t let go though and uses his grip on Steve to drag him along like he can’t be sure Steve will actually listen and follow. As if Steve would ever not follow Eddie. 

They quickly get ready for bed. And again when Steve walks toward the couch Eddie grabs him and shakes his head. He waves his arms around a bit like that’s supposed to explain anything but Steve isn’t too bothered about an explanation anyways and easily follows Eddie to his bedroom. 

They’ve shared a bed before but always when they’ve been drunk or high so this feels different. Steve is a little glad they can’t speak or he’s sure he’d blurt out something way too revealing about it all. 

He avoids looking at Eddie as he tucks his flowers in under his pillow, knows Eddie is doing the same next to him. Is aware of it only being an old myth from a region halfway across the world but there’s a weight to it. Something real and tangible. 

He expects it to take a while for him to fall asleep like it always does. For him to twist and turn and lay awake until the early morning. For once though, that doesn’t happen. With the weight of Eddie next to him and to the sounds of his soft breathing and small movements, Steve falls asleep.

And he dreams. He dreams of big brown eyes and bright laughter. Of wild hair and warm arms embracing him. He dreams of growing old next to someone and how every wrinkle on their face tells a story of their shared love. 

He wants to stay in the dream forever, desperately tries to hold onto it even as he floats into consciousness. He turns and groans, gets a mess of someone’s hair in his mouth and nose and that’s enough to startle him into full wakefulness. 

Eddie grumbles next to him, clearly also just waking up. Steve looks at him, with his wild hair and his big brown eyes that are slowly blinking open and of course. Of course, it was Eddie he dreamed about.

Their eyes meet and Eddie freezes. Eyes widening as he looks back at Steve. 

“Oh,” he says. 

And yeah, oh.

“Eddie?” Steve asks, unsure of how to bring it up, to ask about it. If he even should? 

He puts on a teasing smile, even though he feels like goo inside, but making it lighthearted is all he can think of because what if he’s taking this whole thing way too seriously? Jumping to conclusions? 

“Dream of anyone?” 

Eddie nods and looks away, “I did.” He says it simply, voice careful. 

And maybe it isn’t just Steve.

“Who?” He asks, dropping the teasing tone. 

Eddie swallows and looks back at Steve. “The person I wanted to dream of,” he says and it’s not really an answer but he’s looking at Steve so intently he thinks it still might be. 

He thinks about Eddie’s quiet but delighted surprise at Steve wanting to join him yesterday. About Eddie dragging him first into his trailer and then into his bed. How they’re so close on Steve’s side of the bed and Eddie must have drifted towards him in his sleep.

He bites his lip to stop his smile from spreading too wide, there’s still a chance he’s misinterpreting things, “yeah?” 

“Yeah.” 

“And who would that be?” Steve asks, leaning in even closer until he feels Eddie’s small puffs of breath across his face. 

“You,” Eddie whispers but Steve hears it clearly. 

He takes a moment to bask in it, to let it wash over him before he responds.

“That’s good,” Steve tells him eventually and Eddie’s eyes are so wide and open, and so pretty, “because I dreamt of you.” 

He knows it’s cheesy so he doesn’t give Eddie time to respond, just leans in and closes the remaining gap between them. Slots their lips together. Eddie gasps into the kiss, grabs Steve by the hair, and pulls him in. Makes all these cute noises that make Steve want and want and want. 

He shifts, goes to put his leg in between Eddie’s to move on top of him and get a better angle. But he only gets halfway before Eddie grabs his hips and twists them around. Pushes Steve flat on his back and straddles him. 

He grins down at Steve. 

“You think the Scandinavian magic worked or was it just dream psychology and wishful thinking?” 

“Does it matter?” Steve asks, way too earnestly. But like, they’ve just spent this whole time doing some true love magic so he thinks it’s fine, “got what I wanted.” 

“It’s forever though,” Eddie points out, bending down to bite at Steve’s jaw, “if we believe the old Norse people.” 

Steve hears the question there, thinks this might be Eddie’s way of asking what this means to Steve. His way of telling Steve this isn’t just a hookup for him.

“God yeah,” Steve exhales, “I fucking hope so.” 

He feels Eddie smile into his neck and grabs his hair, uses it to pull him back and steer him into another kiss. 

[plush-rabbit]

Foggy Minds

Word Count: 4.7K A/N: I dont know his body!! So I tried to leave it ambiguous and yeah!! i also wrote this just for the ending bit

-

It’s a fucking joke. A cruel one. Angels- or at least Exterminators- are known for their cruelty. Raining down from above, a storm cloud that leaves red behind. Even after the destruction and death, the guts and gore that leave a lasting stench, the cruelty isn’t done. The angel Adam still has to bring torment down to Hell.

A wolf in sheep’s clothing is what he is. He can pretend he’s higher than the sinners down below, but he’s just as crude, if not more so than the worst of them here. It’s a tradition at this point for both you and him. He brings hell on hell, and a week later, he flies down once more, calling the club that you work at, demanding for you to be sent to the Heaven Embassy. However, as the next Extermination Day comes close, he’s called for your services once again. You wish you could say no, but he pays quite a lot for you, and you could always use the money.. 

You hate the walk there more than anything. It’s like everyone knows you’re off to go fuck the Exorcist. You look both ways before disappearing through the doors of the Embassy. Maybe they think you’re getting a meeting with- someone. 

The Embassy is empty, and every step you take echoes out in the room. You’re terrified. You always are. It never stops feeling like a trap. Even in the elevator on the way to the suite, you can only stare at the golden doors in front of you, your reflection distorted and twisted. 

If you’re going to be honest- you aren’t sure why it’s you who has to come up. It’s Adam- he’s bragged enough about how he can have anyone, and yet, he pays for a sinner’s cunt. You make sure to not feel special, to squash any pride down. Perhaps it’s too tedious to pay for another sinner or hellborn, and it’s best to just get what he knows will be a good fuck. You sigh and look away from your reflection and the glowing numbers. Still, you show up and do your job. You've taken better and worse clients. The angel is just someone in between. 

The doors open and you pass a few doors until you reach his suite. You don’t know why the Embassy has so many rooms, and when you tried to ask Adam, he made a comment about how you could have a fuck-a-thon, doing it in each room, and you sneered at the idea. 

Your suite- or rather his suite- is unlocked like always. You waste no time, stepping into the shimmering room. It’s livable. A kitchenette on one side, a bathroom with a wonderful shower tucked in the room, and a massive bed pushed to the end of the room. The room is bright, golds and blues, a deep dark wood carved into ornate decorations, and you feel out of place. It’s nice- far too nice for you to show up and defile it with what you’re going to do. The room never ceases to amaze you. There aren’t many places in Hell where the colors are bright and soft at the same time, where things look so pristine and untouched. When you once mentioned to Adam how nice the room was, he laughed and told you that there were far better rooms in Heaven. A part of you still wishes that he would have offered to show you- something, pictures, descriptions, anything. 

“Took you long enough!” The angel says, leaning back on the bed. “I pay for your entire time, ya know? From the walk from your whore house to the embassy, the least ya could do is hurry it up. I’m a very important angel, ya know?”

“You ordered me like last-”

He clicks his tongue, shaking his head. “I don’t want excuses.” His hand waves in the air, and he sits on the bed. “Come on, let’s get to it.” You roll your eyes at him as you walk closer. “Oi! Don’t roll your eyes at me,” his voice is laced with disgust, and you remember that he looks down on you- in more ways than you would care to admit. “Come on, strip.” Your hands go to unzip your skirt. “And make it good!”

You bite your tongue. Your shirt is the first to go. The action is slow, tantalizing as your fingers skim over your bare skin, and your skirt follows suit, pooling on the floor. You step out the fabric, and your heels click on the floor. Adam watches you, his hands scratching the bed covers. You spread your legs over his right, and grab his hands, letting them touch your ribs and then moving towards your back. 

You can feel the tips of his claws scratch at the clip of your bra. You press your cunt over his robe covered thigh, and grind over it softly. “Please, Adam,” you beg. “Take it off for me?” Your hands rest over his chest, and he watches as you grind yourself over him, your hands fisting over his robe, and you wonder for a moment if maybe you did a bad thing- if this was the wrong move. But then your bra straps fall down your shoulders, and it’s discarded somewhere in the room.

You hiss when his mouth suckles on a breast, the other breast being pinched and pulled at. He sucks so softly, letting his tongue roll over the swelling bud, teething at it so you hiss and arch yourself further into him. You can feel a wet spot grow, and you can’t help but rock yourself over your thigh. The other breast is manhandled, twisted and pinched that has you gasping and fisting holy fabric in your sinner hands. 

You're pushed off and his hands claw over your hip. You get the memo, and peel off your underwear, the wetness of it noticeable, and the only mention of it is when Adam pockets your underwear. You wish you bought another pair with you. The heels are tossed aside, and strong hands push you down from your shoulders. You fall onto your knees with a hiss, and you know what you have to do.

-

“And- And- Oh fuck, that’s it, baby-” He hisses, his head tilted back. The hand fisted into your hair tightens, sharp stinging encouraging you to swallow more so he could let go. “I’m just saying that why would you settle for anything less than-” A moan interrupts his monologue and you look at him through glossy eyes. “Oh fuck. It’s like a fucking gift to suck me off.”

A string of spit and pre-ejaculate connects to your lips as you pull away. It’s thick and white, and you’re gasping for hair, a hand wrapped around the base of his cock and you push yourself to swallow his package, fitting the pair into your mouth as your hand pumps his length. He’s breathing heavily, and you know he's upset at the loss of contact with your mouth with the way that his hand tangles itself into your hair, but his mask is twisted, and you pop them out of your mouth. Your mouth feels dry despite the excess spit- you suppose it’s the salty taste that lingers. 

You take him back in your mouth, eager, and begging for him to just spill his seed already. Your cheeks hollow, and he’s heavy on your tongue. Your tongue swirls over a vein, and you can feel him twitching.

“Fuck, I’m close,” he hisses, his hands cradling your head. You hum, and brace yourself, your hands holding at his thighs, bracing yourself for him to thrust forward. His hands tighten, and he thrusts into your mouth. You gag around him, your throat constricting around him. It’s a horrid sound, loud and hollow, and acid threatens to bubble over. As he continues to pump himself into you, spit dribbles from the corner of your lips and you’re grateful that you were ordered to remove your clothes. 

“That’s right, take it. Oh fuck, fuck-” a string of curses fills the room, and he’s unrelenting, pushing deeper into your throat. A hand slips to grab at your breast, eyes squinting when you can feel the spit coat over your chest. Your other hand tightens around Adam’s thigh, your nails pinching into him.

Your fingers pinch over your nipple, rolling it over, desperate to take your mind off of the assault of your mouth. His thrusts get deeper and harsher, and he’s still in the back of your throat, holding you down. Curses mutter in the air, sharp and slurring together, and he keeps his eyes on you. The eye contact is far too much, the piercing eyes boring into your entire being, and it must be some type of power play for him. You choose to focus on the base of his cock. With your nose pressed into his pubic bone, you cough around him, and finally he pulls away, his seed laying thick on your tongue. Tears wet your face and mix with your spit and the drops of his seed. 

He grabs your chin and you open your mouth, showing the mess that he’s made. Letting go, you stay still, as he taps his cock on your face. It’s tacky with your spit and leaves you feeling much filthier than you would like to admit. You hold the seed in your mouth and he gives a nod, and you make a show of swallowing, and open your mouth to show him. “Did you want me to do a blessing before you swallow?”  He teases. “With my holy cum, I grant you the opportunity to fuck me.” He chuckles at his joke.

“Thank you, Adam,” you murmur, hoping that the soreness on your jaw will go away.

“You know, you could learn how to relax your throat. You’d think after doing this for a living, your gag reflex wouldn't be a thing.” You send him a dirty look, and his grin widens. “So fucking sensitive. What did you want me to tell you? That you were good?”

You aren’t sure what mood he’s in at the moment. Sometimes you can tell when he wants to fight with you- where he wants to punish you and call you a sinner as he ravages you, but then there are moments when he wants you to beg for him, to tell him how good he is, how you want his cock more than anything. But at the moment with your skull pounding and jaw sore, you spit out a simple, “Fuck you.” His grin widens, and he hoists you up onto the bed. The stickiness on your face ruins the soft comforter, and you feel too dirty to even touch something so nice.

“I was going to be nice and just fuck you, but shit, you had to talk back.” 

A hand grips at your rear, and a finger teases at your hole. You hiss at the contact, and you're glad you’re face down or else you’d never hear the end of it of how flustered you must look. As if reading your mind, he flips you over, your face exposed and your hands immediately cover the lower half. 

“Adam-” you squeal, instinctively trying to close your legs only to have them pried apart. 

“Don’t worry,” he says casually. “I just wanna look at how wet you got just from sucking on me.” A finger traces against your slick and you watch as he tastes the finger. “Damn, I should have let you keep your panties on if I knew you were going to get this wet.” A finger enters and you squirm, suckling the intrusion further into your softness. “You’re soaked. And all you had to do was suck me off. You know, if I could keep you, I would.” He enters another finger, pushing the two inside until he’s at the knuckles. “I’d give you a nice collar, a nice bed, and all you would have to do is be my little cocksleeve.” He pulls out, and thick strings of slick connect his fingers back to your cunt. He returns his fingers to your cunt, now with the addition of a third. It’s a wide stretch, a sharp pain being overridden with pleasure. “I bet you’d like that. You’d live a pampered life, and all you have to do is keep your pussy spread open for me.” 

With a yank, you’re pulled further into the bed. The comforters make a soft noise, but the bed itself doesn’t creak. You watch with half-lidded eyes, focused as he rests on his knees beside you, his cock growing, the scent of it enough to make you go dizzy. You brush your cheek against it, licking at the side of it when he thrusts his fingers into you.

You sit on the bed, his cock pressed against your face, and with a mind too delirious to think of anything else, you pull him into your mind, lazily bobbing his head, as his fingers scissor inside of you. 

You breathe heavily, your mind growing fuzzy with the stimulation. He’s slow and lazy, massaging the inside of your gummy walls as he looks down at you taking his cock once more. A hand brushes your hair away from your face, and you pull away, pecking at his cockhead, nuzzling the glistening head against your lips. It isn’t enough for you, and you swallow him once more, humping into his hand when he gives a smart smack to your cunt. 

“Turn around,” he orders, and you scamper to do so. You don’t get a moment to prepare yourself, until he’s bullying himself inside of you. Your hands claw at the comforter, and with watery eyes, you see the fabric tear apart underneath your claws. “You’re clamping down hard around me,” he breathes out, and you buck your hips, trying to feel him deeper into you.

Above you, he's heavy, and selfish, pumping into you relentlessly. The sound of skin slapping against skin is harmonized by your moans. He grunts above you, whispering strings of obscenities and few words of praise linger in the air.

“Oh fuck,” he grunts out, “so fucking good.” His breath is hot against you, fanning out into feathered tickles that touch at your body. He’s never been one for intimacy before reaching his peak, always preferring to be lustful, so you never expect him to actually kiss you, but in moments where he rights just at the right spot, you’d wish he do a little more to make it feel something other that whatever this all is.

His body is pressed against your back, hands squirming underneath to grab at your breasts. His hands are rough and unforgiving, pulling and pinching his nails into your soft skin, You can feel the warmth of his breath against your neck, puffing and huffing, murmurs about how you feel wrapped around him, and you bury your face into the comforter. Your mouth is slacked open, spit pooling down, as your moan helplessly around him, body taut and nerves feeling as if they’re on fire. 

“No fucking wonder you’re a sinner,” he seethes out, his thrusts harsh and deep, enough to have you see stars and think about how as selfish as he can, he feels so good. “With a pussy this good, I bet you had everyone lined up for just a taste.” You let out a low whine. “Yeah, I bet you did. No wonder you were hired at that sex joint. Did you have to fuck the owner to get in? Ha?” His tone is wicked, and you’re unsure if it’s his words or the fact that you’re so close as to what is making you tear up. His weight above you shifts, and by your hair, you’re yanked back. You yelp and tighten around him, tears slipping down. “I asked you a question.”

“I didn’t-” you yelp as he continues to bully himself inside of you- “I didn’t hear it, ’m sorry,” you mumble, your scalp stinging with pain. 

“Too fucked up on my dick to even think,” he hisses, pushing you down onto the bed. He pulls himself out, and you whimper, shaking your head and pushing yourself closer to him, your cunt weeping for more of him. “A cock hungry slut is all you are, huh?” His cock is pulled out, and he watches you whine, your cunt gaping and leaking slick that makes your thighs glisten. 

“Adam, please,” you moan, turning your head to look over your shoulder. You can feel the drool stick to the side of your lips. 

“Please what?” he spits out, his eyes flickering to yours, before returning to your ruined sex.

You let a whimper, high-pitched and desperate. You fall back to the bed, your eyes looking forward, and your hand slips underneath you, fingers peeking towards your cunt, feeling the warmth drip onto your fingertips. “I want more,” you tell him, your words muffled by the comforter. “I want you,” you tell him, hoping that he’d take pity on you for a moment.

The tip of his cock brushes itself against your opening, and you clench around it, your body aching for more. “Nah, you have to do better than that.” Your cries are shushed, brows furrowed and you’re turned over onto your back, “Come on, I’ve heard you beg before.” Two of his fingers enter you, thrusting in painfully slow. “You know what to say already.” Your chest rises and falls rapidly, your fingers twisting the bed sheets into spirals. You shake your head, humping pathetically into his hand. “I promise to make ya feel real good.” 

“Adam,” you croak. He pulls his fingers out, and tears gluten over your lashes. “Please, I wanna be fucked.” Your legs tense when you feel the tip of his cock nestle itself inside of you. “I’m just a filthy sinner who needs-” you yelp when he thrusts himself inside of you, the entire lengths filling you nicely- “needs to be fucked by your holy dick.” His hands curve over your hips, scratching softy over your skin. 

“A little more, honey, and I’ll ruin that demon pussy for you.” His hands curve over your hips, scratching softly over your skin, his voice low and sweet for you.

“Adam,” you plead, your hands curving over your breasts, “I need you,” you whisper in a haze. “I need your cock in me, I wanna cum real bad. I need you. I need you to fuck my sinner pussy.”

He gives you a lazy smile, and gives a nonchalant shrug. “Good enough.” He pushes himself inside of you. Your stomach coils into a heat, and you suck in a harsh breath when his fingers slip to rub at the bundle of nerves between your legs. “You have a fucking grip on my dick. What is it? Are you close?” You let out a broken moan. Your legs kick up, and wrap around him. “If I cum in you, you’re dealing with it.” His grin is sharp and predatory, and it only makes you drag your hands down his arms.

Your hands reach up, and you hold the sides of his neck, your hands curving behind, and you just feel tufts of hair peek from underneath the mask. A hand reaches to grab your wrist, holding it tightly, and you’re sure you’re going to have a bruise afterward. “You fuckin’ slut,” he spits out. “You think just because you got my mask off last time, I’ll let you look at me again?”

“Adam,” you whimper out, scratching at the back of his neck with your free hand, “please. I just wanna look,” you slur out. You know you’ll regret saying those things when you’ve sobered from him, but sex always did make you softer, needier. You think that must be why he decided to continue to hire you- to see you pant for him and stroke his ego. “You’re so pretty, I wanna see,” you lament. “I wanna- I just- I wanna look at you when I cum,” you stumble over your words, your fingertips tapping against the bottom of the mask. The golden eyes narrow at you, and you can only look for so long until you turn your attention elsewhere.

His mask is tossed to the side, and his irises glow. The hand that holds your wrist loosens, and you cup over his cheek, the stubble on his chin scratching at your palm. “Fuck- Oh fuck,” you hiss out, your heart beating against your chest rapidly. “I’m gonna- Oh my- Adam! Fuck,” you hiss, the knot in your stomach tightening, a pressure building more and more until you’re sure that you’ll burst. 

Even as your body shakes, he doesn’t stop. He continues moving his hips, pushing all of himself inside of you, his breath coming out in pants above you, his smile sharp and face flushed. A hand wraps around your neck, and you arch yourself into it, whining and mumbling at how your cunt is still too sensitive, how he has to slow down, but he coos at you, and he tells you how good you’re benign for him, and you hold onto his wrist with your hands. 

Adam places his face close to yours, his lips and breath fanning above yours, and you’re stuck staring at his eyes, unable to look away from the gold in front of you. You lick your lips, and you brush against his. He stares at you, and your face burns. 

He gives shallow thrusts, and is still inside of you, and you can feel him. You can feel the heat, and the stickiness leaks out of you. He keeps himself there, and hides himself into the crook of your neck. After a moment, he slips out, and you can feel the heaviness of his seed weep out of you in slow and heavy drools. 

You lay in the afterglow, chest heaving and sweat and more sticking to your skin. Your body is on pins and needles, and laying on top of the soft bedding, you could fall asleep right then and there. Nestled into a pile of feathers and gold, you could die- again- and be happy with it. 

But then the man- the first man- groans and you remember that this isn't the time to play house. You have a job. Or rather, you had one, and now you have to return. You lift yourself up into a sitting position, and you stare at the bathroom. A part of you wants to take a shower, but you fear that if you even just tasted what luxury is, you’d have to be pried out of the embassy. 

With a sigh, you lift yourself off of the body and gather your clothes. The lack of underwear is something that you frown upon, but when you look back to the angel, with the demand for its return, you can’t bring yourself to ask for it. You’ve walked around without it before when customers got handsy, this is nothing. Your skirt is tight, and long enough that only a pervert would tell. 

“So,” he trails off, lying on his back, “do you wanna cuddle or something?”

Your eyes widen, and as you flatten your skirt, you thin your lips. “Uh, no. No thanks, Adam. I’m uh- I’m good.” You straighten your top, and tap your heels against the floor, the sharp click echoes in the chambers. 

“Whatever,” he huffs, “I was just gonna psych you out anyways.” He waves his hand, and cool air rushes around you. 

You let out a sigh, looking at the mirror where you stared at yourself just a bit ago. Your hands play with your hair, making sure that when you leave, it won’t look like you just slept with someone. You hum, and tilt your head from side to side, trying to find some sort of mark that would have to be hidden. However, the cool air- his own magic or blessing- has fixed any evidence of indecency on you.

“The extermination is next month,” Adam sighs. Your eyes flick up, and you catch him staring at you- golden eyes piercing into your own, unblinking and unbothered. 

“I’m aware,” you tell him, returning to look at yourself in the mirror. You stand straight and let out a sharp sigh. “I think some of the residents are already panicking.”

“Are you?”

Your stomach knots itself, and you remember when you were first bought by Adam- the nervousness, the disgust, the bile burning your throat. It’s all too familiar at this moment. You shrug. “I don’t think it’s set in yet,” you mumble. 

“I’ll come by the night before.” You look at the white tiles- the grout filled with shimmering gold, and the tiles patterned with silver and gold lines. “I’ll leave the back door unlocked like last time.” He doesn’t say the words nicely, it’s more like an afterthought, as if telling you this is a bother, but still, he tells you this, and one thing you've learned about Adam is that he hasn't lied to you yet. You fist the hem of your skirt in your hands, and nod. It’s silent, and then he starts again, annoyance laced into his words. “What do we say?”

“Thank you, Adam,” you tell him in a beat. 

“Yeah, well, I can't have my favorite whore die.” His wings unfurl and stretch across the bed. The tips of the feathers reach just beyond the mattress, and you shrug. The words hang heavy in the air, and you feel small compared to him. In the mirror, you can see his reflection, his  mouth thinning, and his eyes narrowing. “I- uh- I still have you for ten more minutes.” You make eye contact with him in the mirror. “Get back here. I wanna suck on your tits.”

You stick your tongue out, and your hips sway as you walk towards him, your heels falling carelessly to the floor as you rest beside him. His hands are cold as they peel off your shirt and without a care, he tosses it to the foot of the grand bed. A hand cups at your breast, and you can feel his breath fan over your chest, and you wait to feel his teeth bite at you, but you never do. The wetness of his lips trace over the swell of your breast, a peck pressed against the bud, but never swallowing it. Your chest is heavy with his weight on top of you, and the hand on your breast unfurls and curves over your ribs. His wings expand, and they partially cover you, the softness of them akin to the finest blanket in what only money can buy. 

Realization as what he’s doing has your body heating, and you worry that he can tell with the way that he’s laid bare on your chest, and yet, he makes no snide comments. This is far more intimate than anything you’ve ever done before. With a harsh swallow, your arm wraps around him, your hand reaching upwards to scratch at the back of his head. Your hands knot into his hair, your nails dully scratching along his scalp. He lets out a low hum in response, nuzzling his cheek over your bare skin in approval. 

With a shaky breath, you break the silence. “You know, I was thinking, that maybe I’d uh, give that Hazbin Hotel a shot.” You feel his hands scratch over your ribs, straight, and piercing, and they cling to you as his breath hitches. “I’m not sure I believe in the whole redemption thing, but free housing is nice.” You feel him nod slowly, and you twirl a piece of his hair around your finger. He gives you a short answer, one that is mumbled into your skin and doesn't make its way to you, and his wings inch further up covering more of your body as he brushes his lips against the swell of your breast. You don’t look at the time even when you feel that he’s grown heavier on your body.