#i just think thoma is a very interesting character

[friendly-emerald-emily]

molly is such a fascinating character to me. and surprisingly, not because of her content in the show. but her lack of content. molly really felt like to me she was supposed to be the break-out star of the HiT era. let me explain why.

in short, it's all down to marketing and merchandise. i'm a massive HiT era apologist, mostly because it's the era of ttte i grew up with, but as i was looking through my catalogue of merch, i noticed something...molly was popping up. a lot. weirdly so.

i have a good amount of those briarpatch ttte board games, and typically they were for 4 players, and as such 4 engines were provided to play as: thomas, percy, james, and...molly? at first it seems weird, but when you think about it, it makes sense. molly rounds out a quartet themed around red, green, blue, and yellow, and also adds in a female character. i think that last bit is important, but i'll get to it later.

so i went digging, and the 4 player briarpatch games pre-molly usually had mavis in her place, likely also to add female representation, just swapping yellow for black. there are a few exceptions, i recall seeing toby and harvey instead, but again, it was mostly mavis.

looking at more merchandise outside of board games in this era, molly got quite a bit of focus. she was part of a set of 4 bath squirters along with thomas, percy, and james, and what i find most shocking, she was one of VERY few engines to receive a trackmaster remote control engine. molly also was featured on a 2008 great discovery trading card, even though she only had one line in the entire movie.

after this, i went digging deeper into the world of the thomas microsites and online games, where molly also had a strong presence. the quartet of thomas, percy, james, and molly continued in the simon-says type memory game (i think it's called 'peep peep!'?) and molly also appeared in the emotions game, but this game featured 5 engines, and the fifth...was emily. remember my point theorizing that molly was focused on because she was a girl? here's where it's important.

this five engine ensemble of thomas, percy, james, molly, and emily is repeated again in the plug n' play game 'right on time', a game that i own and remember fondly. emily was chosen again to fill the fifth slot, and i think it's because HiT wanted to have a gender-equal ensemble a la bwba. and i think molly was chosen specifically not only because her yellow paint is unique and for her gender, but because she is probably the girl character at the time that had the most opposing personality to emily. as we all know during this time, emily was interesting and had flaws unlike SOME OTHER ERAS- portrayed as having a very strong and opinionated personality, which would easily contrast towards molly's more shy and sensitive personality. both have also been described as having sisterly attitudes towards other engines. i think HiT wanted to prove in this 5 engine ensemble that they had varied writing for their female characters.

for all of this, i think that molly WAS supposed to be a much more important character than she turned out to be, mostly because she was marketed so heavily and disproportionately than her screen time would lead you to believe. molly also appeared more often than the other HiT newbies (bar rosie), but that isn't really saying much with how little other characters like neville or billy appeared. i don't know why molly was dropped so suddenly when the set up for her seemed to be there? only thing i can think of is that emily had just been moved to tidmouth sheds right before series 9, and that they didn't want to repeat that process?? idk i'm just spitballing because i've been thinking about molly a lot recently. on a small related note, her basis is also very specific and her design is SUCH a standout compared to other new characters at this time, so clearly effort was put into her. i wonder how different the series would have been if molly was elevated to prominent secondary character status like salty or mavis, or even main character status!

tl;dr i think molly was originally going to be important but then she wasn't :(

[cluescorner]

Randomized Robins AU - Ages + Worst Trait Exercise:

Steph (25):

Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)

Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)

Her worst trait really is her spitefulness

Cass (26)

Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.) 

Thinks her worst trait is her self-righteousness. 

Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)

Tim (24)

Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)

Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)

His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)

Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!”)

Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this). 

Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)

His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)

Dick (17) 

Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)

Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)

His worst trait actually is his anger issues.

Barbara (18)

Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)  

Thinks her worst trait is her disability 

Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)

Damian (16)

Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)

Thinks his worst trait is his perfectionism 

His worst trait actually is his perfectionism

Duke (16)

Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)

Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)

His worst trait actually is his impulsivity in his words

Jason (14)

Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne). 

Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)

His worst trait actually is his reactiveness

[not-poignant]

Hiya Pia. I know you've said you will never write f/m or f/f stories but what about ftm/m? Would you ever write a main character who was a transman or is that in the same nope category? Thanks

Hello there!

I have written f/f, just not in a dedicated fashion. It's only ever been in oneshots etc. But there's at least one Fenwrel/Gulvi oneshot out there. :D

I've definitely considered writing trans characters, and nonbinary characters, at the moment it doesn't really jangle around in my brain the same way mostly because of my own trans/nonbinary experience, and I often try and avoid writing /thinks/ my gender experience into stories, because of complexity and dysphoria and a few other things. It's also a reason for example why I don't really write many fat MCs either. The 'it hits very close to home and I still have stuff I'm unpacking around it' thing makes it not easier, but harder.

I've noticed that some authors find it a lot easier to write that stuff into stories, but I've talked to a friend who similarly struggles (who is also transmasc) about how much we sort of...have had issues writing these sorts of characters if they just hit too close to home. And I think it's partly that while my writing allows me to explore things, it does need to feel at least a little escapist to me too.

Anyway, what you've listed above would to me still just be straight up m/m, it's just a flavour of m/m that I don't really write at this time.

Kimerrin/Gwyn is probably the closest version of it, right now. But the vench aren't human, and don't have human gender (which honestly helps a lot).

I do read quite a few stories with trans characters, but writing it feels different. I'm definitely not ruling it out, it's not a hard no or anything, it's just not where I'm really pulled for my future stories right now, I apologise!

[lovegasmic]

  MILF CHASER

──── ꒰ kaveh , childe , thoma , zhongli x milf f!reader ꒱ 

꒰ nsfw : although no specified, this was written with a chubby reader in mind, and if you have a husband or not it's up to you◞ blowjob w kaveh◞ semi public outdoors sex and cheating on your husband w childe ◞ creampie w thoma◞ breeding kink w zhongli ꒱ ★ taglist

( might make another post with other characters once I find the time, comment who you’d like me to include ^_^ ). jjk version

 ✶  KAVEH

a consultancy, that should be no problem, the lady was willing to pay a good sum for a quick couple of questions, or at least that was what Dori had told him, along with a brief description of your physical appearance before she dismissed the blonde for an important client.

but as soon as Kaveh stepped into Puspa café, he found you immediately, and fuck, the description did not do you justice.

he’s a bit, —very much, awestruck, mouth going dry at the sight of your pretty self sipping on a drink, plush hips and soft boobs strained under that dress, he gulps, fixing his clothes before meeting with you.

apparently your kids have moved out from home already, and you were quite loaded, thanks to a very successful divorce with your ex husband, managing to get lots of money from the bastard. and Kaveh was happy for you, happily offering to check your house that was begging for an update into a more personal and comfortable home for one.

he was happy for himself too, one, because you were going to pay nicely, finally getting out of Alhaitham’s hair for a while, and two, because you were sex with legs, swinging your hips so seductively that his cock was already starting to ache.

“this is not professional, this is not professional” he thinks to himself, two drinks in and you’re already on your knees, “we shouldn’t be— a-ahh?!” that pretty and lipstick stained mouth of yours wrapped around the leaking tip, tongue tapping on the underside as if to taunt him, and it works, forcing a bubbling whine from the blonde’s mouth, who curls over your head, hands on the kitchen counter, —the one he suggested demolishing— but not it was a lifeline for his knees not to buck.

“oh, archons, oh... f-fuu-ck, guh... —ah...” he’s so messy, so whiney and pretty, with flushed face and tip splurting pre onto your tongue, the one that eagerly laps and sucks, more and more until you’re just letting out choked ’hmph’s around the base, “this woman is going to fucking kill me” his mind repeats and repeats, with one hand already coming to hold your head, just to fuck tiny thrusts into your eager mouth that slobbers all over his cock and balls and drips saliva down onto the floor.

to be fair, Kaveh is not interested in the money anymore.

 ✶  CHILDE

“i already told you no” it was perhaps the third time in the same day, that Childe decided to continue his never ending pestering.

“just give me one chance!” his steps are quick to follow you around Liyue harbor as you scanned the stalls with different products, the red head was not worried about who might hear, he never did, carrying that confident, cocky smirk with quick but light steps, “i promise you won't regret it” finally you stop, and Childe is quick to lean against the wall with a look that was almost undressing you.

with a sigh you turn, managing to take the man onto a more secluded spot, worried about people overhearing and running to your husband, whenever he returns from his work trips.

“what do I have to do to make you stop?” hands on your hips like you often spoke to your kids when they were younger, not as if the man in front of you was much older than your oldest either way.

a click of his tongue and the smirk is back, not giving you a moment to think before guiding you to a spot behind several houses, steps quick and easy until you’re backed against the wall, “just one tiny, innocent kiss” what a good liar, plastering that good boy look.

but do all liars kiss so good? losing track of time as his tongue explores your mouth, and although he looked a little too thin, his strength was astonishing, lifting you as if you weighted nothing.

a single orange falls from the groceries bag, rolling down the floor against Childe’s feet, not even registering the touch from how dumb your cunt got him, leaving open mouthed grunts against your neck as he fucks you silly.

his hands are on your hips and tits, squeezing the flesh like he’s addicted, “good... fuck...” his grunts are low compared to your almost sobbing mewls, it’s been so long and he knew, “i told you... i’m better than your stupid husband” his tongue meets your throat.

“don’t... hngh... say that— ah!” the thrusts so precise you became a mess, gushing so much slick down his cock, but you can’t stop, his pretty and veined cock rubs on every delicious spot, keeping you spasming and squeaking like a needy little thing.

he’s going to make you cream his cock until all thoughts are gone from your pretty head, until you can only think of him.

 ✶  THOMA

Ayato was a good head of the family, you always believed in him, having practically watched him and Ayaka grow since you and his parents used to be friends.

so of course, they were like your kids, and soon... you met him.

Thoma was new, a bit shy at first, always eager to please, and that behavior did not change through the months, but his stares were definitely new.

you found Thoma’s eyes lingering on you, on your body, whenever you spoke or walked, and an almost permanent blush on his cheeks.

“you should stay the night, it’s raining” he said, a bit too enthusiastic to be hidden behind a mask of concern, and who were you to refuse that pretty boy’s almost begging request.

not even because you decided to chat at the Kamisato state spare room, did Thoma’s blush subside, fidgeting with his fingers at the proximity, at the scent coming from your body.

you wondered what would make him completely let his guards down, not really expecting everything it took was a mere kiss for the blonde to melt, with eager hands tugging on every bit of clothes he could find, and soon, he was panting, with a cute blush on his chest, bright green eyes glossy and staring up at you in sheer adoration as you bounced on his cock.

“s’ good, so good...” Thoma’s babbling grows, unsure whether to stare at your cute face, jiggling tits or soft pussy swallowing his cock down the base, it was too much, his body too hot and cock twitching precum.

“you feel so good too” the fact that you were slightly less affected than him was so hot, almost smiling as you rode him, with swift eager hip movements, keeping his tip lodged pretty nicely into the depths of your pussy, “so good, baby”

you were a praiser, showering him and his cock with cute, soothing petnames, one after another that only turned Thoma into a bigger mess, with his back almost arched and hands gripping your hips, “cu— ah... cu... mming!” he warns, making you just redouble the efforts until he’s shooting a thick load of cum into your womb, with choked whimpers escaping those plump red lips of his.

 ✶  ZHONGLI

the rumor that Zhongli was quite well versed was soon heard all around Liyue, reaching your ears and of course, you had to contact him.

“a... tutor?” that’s what you needed, a tutor for your son who was in need of a little push in his knowledge, and what best that from the most smart man in the whole city.

it didn’t take long to convince Zhongli, truly your charm took part in it, so he does as told, and days pass with the man’s curiosity about you just growing, you were so sweet to him and your kid, offering drinks and snacks after every session.

until one day, he decided to cut the lesson short, your son was too eager to go out to play, so Zhongli used the spare time to engage in a chat with you, having you open up.

he was a good listener and you really needed some sort of relief, the house was empty and quiet for a good while, until the sound of clothes shifting and lips crashing filled the espace.

“stay still” he mutters against your mouth, parting your lips to gracefully suck on your tongue while a hand slides under your panties and rubs on your clit, too painfully swollen and needy, “ah, beautiful” is more of a purr to himself, finding your wetness tantalizing since you got so aroused just from a few kisses.

the world spins, and Zhongli is too hot for your own well being, tall, broad, easily manhandling you against the table where you shared an innocent tea, now spilled and creating a pool atop the creaking wood that scrapped on the floor with each thrust of Zhongli’s fat cock into your soaked cunt.

“ha... ah...” you can only beg, nails on the surface and back arched like he wanted, with breathy and throaty groans echoing.

“so perfect, a body so perfect like yours needs to be filled all the time” words like honey drip onto your brain, sucking on your earlobe and making your pussy flutter, “your son is so lovely... perhaps...” his hips turn slightly, purposely hitting deep and onto your g-spot, “... you can make another one that looks like me this time?”

[mypoisonedvine]

"I think we're on a first name basis by now." with tommy shelby

kinda went crazy with this one idk what happened lmao

warnings: dubcon smut (18+ only), dark!tommy, innocent/virgin reader, very rough sex, implied age gap, possessiveness, dom/sub dynamics, touch of misogyny kink, degradation, a little spanking

100 random prompts - send me a number and a character!

You only waited tables a few nights a week, just to make ends meet. You spent more time in the kitchen, actually, than you did in the part of the pub where the rowdy men would gather and drink and start trouble.

So, it was probably just your luck that whenever you were out there among them, Thomas Shelby was, too.

His eyes were always on you-- or it felt like that, sometimes. You looked at him, too: you couldn't help it, after all you'd heard. You couldn't really believe those things were true, that he was really that dangerous... he had kind eyes, you thought, and a nice smile. He looked strong, you couldn't deny that, nor could you deny the strange feelings you felt when his eyes drifted over your body while you wiped down tables and chairs. Your thighs seemed to press together each time he did that...

You almost hoped he wouldn't come tonight. As much as you had a growing interest in him, you always had this guilty feeling inside you after you got home on the nights you saw him. Maybe because, on some level, you knew what it was you felt when he looked at you.

No, he wasn't there when you arrived to the pub-- and you sighed with relief-- but your boss appeared rather suddenly when you stepped inside.

"Need you to go to the back room tonight," he told you firmly.

"Huh? Why?" you wondered.

"Just wait back there," he said simply, giving you no explanation, before walking away to deal with something else. Unsure what he could mean but not wanting to question it further, you went back through the kitchen to the back room of the pub.

It was small, and dark-- you flipped on the lamp, but it wasn't much to look at. A small couch, and a chair and desk, with various papers and letters strewn about. This was where the owner kept track of his records, managed shipments and costs-- probably where he kept track of your hours and compensation as well. You rocked back on your heels for a second before deciding to sit in the chair as you waited.

You couldn't say how long it was, probably only a few minutes, before the door opened and you stood up instinctively; you eyes widened when you saw who was stepping in with you.

"Oh, Mr. Shelby," you greeted nervously, "er-- what are you doing here?"

"I called ahead," he explained simply, shutting the door behind himself, "I told the owner that I wanted to see you."

You chewed your lip nervously. "Oh?"

"Yes," he nodded, approaching you but staying a healthy distance-- for now.

"Well... you can see me almost any night," you noticed.

"But I wanted to see you alone," he clarified.

"Does the boss mind? He must be working all the tables by himself," you wondered aloud.

"He'll be just fine," Tommy assured, "he's being compensated for his time."

Your stomach turned a bit when you realized Tommy had paid your boss to keep you back here for him. You knew then what he wanted, but you were still in denial about what was going to happen here.

He stepped up to you, almost too close, but you didn't have the bravery to take a step back.

He kissed you. It was far too sudden, far too forward-- but his hand slipped around the back of your neck and you felt entirely trapped. You did your best to kiss him back, but you weren't entirely sure how to do it well; you got the sense that things wouldn't turn out well for you if you disappointed him somehow. As he kissed you harder, his tongue slipping into your mouth, you whimpered and pushed him back by his shoulders.

It was an automatic response, but your heart pounded with nervousness as you looked up at him for his reaction: but he seemed oddly calm, not offended by your hesitance. "I-I'm sorry," you mumbled, "you just surprised me..."

"Didn't you want me to kiss you?" he asked.

And, well, that was sort of a complicated question. You had to admit, you'd imagined it before. But something about this felt wrong, even if you found yourself craving more. You'd never felt a heat between your legs quite like this one...

"You thought about more than that, didn't you?" he presumed with a raised brow, and you bit your lip and looked away.

"E-erm, well, I--" you stammered, but that was apparently answer enough for him.

He laughed a little, moving in even closer to you. "You're such a sweet girl," he cooed gently, running his hand along your waist as you shivered. "And pretty, too-- I know all the boys are lookin' at you. But you don't look at the boys, do you?"

You opened your mouth to respond, but failed completely when his fingers nimbly began to untie your apron.

"You just look at me," he continued, his voice getting a bit deeper as he finished.

"M-Mr. Shelby, I--" you started to weakly protest.

"I think we're on a first name basis by now," he said through a smirk.

"Tommy..." you mumbled shakily. "I've... I've never, erm, known a man before..."

He smiled even wider, the sharpness of his teeth seeming predatory. "Would you like to?" he asked, making your throat a little dry.

"W-well, I always thought I'd... I'd wait until I was married."

"Not all of us have that sort of patience," he explained, suddenly pulling your body flush against his and latching his lips onto your neck. You shuddered and whined, wrapping your arms around his neck since you weren't sure what else to do with them; whenever his tongue danced along your pulse, it sent a shock through your whole body and you whimpered with need.

You barely noticed he was guiding you back, not until he broke away and tossed you down onto the sofa suddenly, making you gasp.

You thought he would lay down on top of you, set himself between your legs-- but instead he roughly turned you around, shoving your face down into the old sofa at the same time that his other hand forced your hips up towards his.

You hadn't even had a chance to think-- he was already shoving your skirts up, yanking your undergarments out of the way, leaving you bare to the drafty air of the room. "T-Tommy, wait," you mumbled weakly, but he either didn't hear you or didn't care. He only growled lowly as he examined you; you both knew, then, how wet you'd become.

"Fuckin' dripping," he observed, seemingly to himself, though you heard him loud and clear as you shut your eyes tight.

He let go of your hips a second later and you heard him taking off his suspenders, but you couldn't look back at him with that other hand still tangled in your hair.

You heard him pushing his trousers down; you heard him spit into his hand and rub it over himself. You still couldn't quite process that this was all happening to you. What happened to that kind-looking man in the pub who would make your heart flutter by brushing his hand over yours? He didn't seem to have that sense of discretion now...

You gasped just from him pressing the tip up to your opening-- you couldn't even describe how you reacted when he actually shoved it in. (Yes, it took a real shove, because you were anything but prepared to take something inside you, let alone something like that.)

"O-oh, no-- oh, it hurts," you whimpered, wincing at the burning sting, holding on tighter to the cushion under you. "Tommy! Y-you're hurting me!"

"Shh, shh," he soothed sharply, groaning as he went deeper inside you, holding on tight to your waist again-- conveniently keeping your back from arching up the wrong way.

You let out a shuddering sigh and tried to relax when he slowed down. "I-is it done?" you asked nervously.

He laughed darkly. "No, sweetie, it's not even halfway in you."

He went a bit deeper again and you choked on a sob. "P-please, don't put in anymore," you begged.

"It only hurts at first," he assured, "then it feels good. It's what it's made for, love. What'd you think was supposed to go up there?"

He was joking, but it still made you feel dumb and shy, and your face heated up even more.

"I'll put the rest in now-- no cryin' this time, be good," he warned. Sliding deeper with one long stroke, until the tip of him reached so deep your stomach started to hurt, he let out a long sigh of satisfaction. "Fuck, nice and warm."

You were thankful he didn't start to move right away, because you were breathing heavy and fast like it was the greatest physical challenge of your life... it probably was, honestly. How could anything like that fit inside you? It felt like he was creating something entirely new inside you-- he certainly made you feel things you'd never felt before.

He started to move, slow and methodical at first, sighing as he savored the feeling of you. You shivered, toes curling in your shoes, trying to stay still and not tense up inside. It was hard to relax, though, in a situation like this... with a man like him.

Each thrust was a little faster than the last; he never quite set a reliable pace, just getting used to the feeling of you.

"So fuckin' tight," he praised deeply, digging his fingers harder into your skin. "The way this cunt grips me... she never wants me to leave, I bet."

He guided you to stay partially upright again, and you put your arms out under yourself to try to stay on your hands and knees. His fingers traced up your back through the dress, before holding onto your shoulder for leverage as he began to really fuck you. Hard. Still slow, but it seemed like he was only going that slow so he could put all his energy into each deep thrust.

You yelped with every slam forward, legs shaking constantly, the sound of his skin hitting yours making you feel a bit... filthy. All of this felt filthy. You felt cheap and disgusting and used. So why in God's name was it beginning to feel good?

He noticed the change right away; he couldn't have felt the difference that you did, the way the sharp pain melted into a pleasant, numbing stretch-- but he could hear it, your moans getting deeper and more confident and needier.

"See? Fuck, knew you were just a little whore," he growled in your ear as he leaned down over you, making you shut your eyes and moan lowly. "Knew you were a cockhungry little cunt like the rest of 'em. You can act innocent all you want, sweetie, but you wanted me to ruin you so badly..."

He was fucking you faster, a little more eagerly, trying to see how hard he could push you. You dropped your head limply but he put a hand on your forehead and pulled it back up, keeping you against his shoulder as he fucked you senseless.

"It's so fuckin' deep in you now, love," he growled. "Can't believe you made it this long without somebody breakin' in this cunt. And now it's mine, huh? Property of Tommy fuckin' Shelby."

You whined, losing the last bit of strength in your arms as your face fell down into the sofa's cushions again. He didn't seem to mind this time, taking a hold of your hips and staying upright as he set a brutal place of slamming thrusts into you. You cried some, but you weren't sure if it was from the pain or pleasure or shame or joy of it all.

"Nobody else s'gonna ever touch you," he promised roughly, delivering a harsh smack to your ass for no good reason except to make you jump. "Nobody else will ever get inside this pretty cunt but me."

You whined, but the way you clenched around him gave away how you really felt about the idea.

"You want me to own you, huh?" he noticed with a dark laugh. "You want to belong to me. Be my little whore, my dumb fucktoy--"

"Oh, Tommy," you whimpered, not sure if you loved or hated him talking like that. It made you feel a little awful, but you were so wet that it was running down your thighs now...

"You'll let me come and fuck you whenever I like," he decided-- or maybe he was explaining it all to you, the new rules of your life as his belonging. "You'll give me whatever I want. And you'll fuckin' thank me when I'm done."

You whined loudly.

"Yes?"

You tried to nod, but he grabbed your hair.

"Say it, whore," he demanded.

"Yes! Yes," you sobbed, "I'll be yours, Tommy."

"Good," he purred. "Hold on tighter to the cushion now, love-- I'm not gonna be gentle with ya anymore."

You hadn't realized that everything up until now was what he considered gentle... and your heart twisted with a sickly pleasurable fear of what was in store for you from now on.

[liyawritesss]

𝐛𝐚𝐭-𝐛𝐨𝐲𝐬 𝐰/ 𝐚 𝐛𝐨𝐨𝐤𝐰𝐨𝐫𝐦!𝐬/𝐨

Characters: Bruce Wayne, Dick Grayson, Jason Todd, Tim Drake, Duke Thomas

Type: Headcanons

Synopsis: You digest books just as frequently as you eat, so what would life be like for the men of the infamous Wayne family with a lover who can never be found without a book?

Warnings: some cursing maybe? Very brief and vague allusions to canon accurate violence

A/N: whoohoo, my first introduction into DC! My family has always liked Batman so I guess it's natural that him and his family lore are what drew me into DC in the first place lol. This is my first time writing for the Batfamily, specifically the guys so please go easy on me 🧍🙏🏽

Tags: @honeypotsworld @honeybleed @insomniac-jay @punkeropercyjackson @badass-dora-milaje

Sign Up For My Taglist Here!

Bruce Wayne

He’d be very intrigued by the amount of intellect you have from the amount of books you read. Not a lot gets him interested in people, but being able to engage in a conversation about classic novels or even plays and/or essays piques his curiosity.

When he comes back from a day of being Bruce Wayne or a night of being Batman, nothing warms his heart more than seeing you tucked away in a nook in the parlor or the windowsill of your shared room, all cozy with a hardcover and warm loungewear on and a cup of tea.

On the occasion when he's not busy (which is fairly rare, a once every three months kind of ordeal) he'll ask you to read something from one of his favorite books. The parlor would be closed off for the evening so it's just him and you, with the occasional appearance from Alfred to provide food and drinks. It's his idea of a date in a sense - and nothing beats a good five course meal by the fire place with a good book and greater company.

Dick Grayson

He thinks your little obsession with books and reading is cute! A smart and intelligent young woman with excellent taste in literature? Oh, his heart is already swooning. 

He's the type that you can't bring into the bookstore with you, because he can and will buy anything you look at, even if it's just a display book not for sale, he'll bargain his way to getting it. Literally anything for his little bookworm. He'll literally sit and listen to you rave on about the latest romance novel or have critical conversations from whatever philosophy journal or article you've just read. Even if he has no clue what youre talking about, he'll engage with you the best he can to let you know he's paying attention and interested in your hobby.

You definitely helped him in that one semester of college he was in, and you literally saved him by the skin of his ankles because he was failing miserably beforehand. After you read the material from his classes that he was struggling with, you were able to regurgitate the information back to him in a way he understood it. You're truly a lifesaver to him, you and all your smartness. Shit, you.might convince him to pick up a book or two every now and then!

Similar to Bruce, he'd like for you to read to him. While it's also a winding down together ordeal for him, he just likes your voice too much to not hear it every second of every day.

Jason Todd

Oh boy. Oh. Boy. I feel like the second you tell Jason you're an avid reader, or he finds you reading at some point, his interest in you skyrockets. He's so deep into literature and has yet to find someone on that level as him, so when you appear it's like he can be his geeky literature self to his hearts desires.

Reading dates, library dates, coffee shop dates just to read in the ambiance, they are DEFINITELY a thing with Jason. He may lean more towards the secluded ones though, where you both can be cuddled up together and just enjoying the others presence while reading. I can vividly picture the both of you on a bed by the window, your legs thrown over his and your head on his shoulder while his hand is caressing your calf or thigh, thumb swiping over the skin there every now and then. It's literally the most perfect thing for him.

I headcanon that one of his favorite contemporary novels is “Chronicle of a Death Foretold” by Garbiel Garcia Marquez, and I feel like it's one of the first books he introduces to you. He's honestly kind of nervous when he does and really hopes you like it as much as he did the first time he read it. And when you're done with it, the both of you talk for hours about the magical realism of the book, its journalistic writing style, the characters, the themes, the philosophy, oh he's so enamored with it AND enamored with you.

A cute tradition you both start is reading the same books or book series together, and he does get pouty and upset when you read faster than him or read without him. He'll scrunch his nose and pout so hard, “we're so suppose to be doing it together, why're you ahead of me already?!” But he never stays upset at you for long. He'll be right back n3xt to you on the couch for your evening reading session (when he's available of course) after a kiss or two and a promise not to do it again. And you better not!

Tim Drake

Like his older brothers, he finds your affinity to books and reading rather adorable. He likes the idea of having someone he can stay up for hours with just doing your own individual things. I feel.like a Tim loves parallel play, so you being up reading with him while he's doing God knows what on his computer set up, it brings him a bit of solace. 

Though, yes, you do have timers set and a specific time limit to make sure that both of you are getting something to eat, even if it's just a granola bar, and to get some decent sleep. Yes, you're the main one enforcing this (though Tim has his moments too where he take initiative, especially if he notices a book's got you emotional). It works pretty well, better than what you both originally thought it would, but maybe it's because wherever you go, Tim will follow you like a lost puppy with his big adorable eyes.

Tim, much like him, would definitely put in a lot of research to any books you're interested in so he can have meaningful conversations about them with you. He'll be up till late hours reading things like summary pages, analyses, author's notes, and he finds himself getting wrapped up in the books he's researching, too. And yes, he'll read them digitally on some sort of reading tablet or iPad while you've got your physical copy. You know he's always gotta have some kind of tech in his hands!

Ironically enough I think Tim would be more into poetry books than regular novels and such? He likes cryptic things and is more than happy to put in the extra thinking on a piece of poetry. That being said, he'd definitely read you poems from said poetry book, and would like to talk about their meanings with you too!

Duke Thomas

I feel like Duke would love someone who's deep into reading too, because much like Bruce, it's a quality in a person that he finds interesting and attractive. He may tease you about it sometimes but he genuinely thinks it's pretty cool how many books you can read in a month. 

You actually slowly turn him into an avid reader as well. At first it would just be books for class that you'd need to read for the semester. Then he'd start a collection of said books from said class at home just to have around, because ironically they were some that you really enjoyed yourself. Then, the collection would start to grow, and Duke would tell himself it's just so that you've got a good selection to read from whenever you visit. He knew he couldn't deny it anymore when Bruce had commented on his sudden interest in literature after one day coming across him with a book in had an the parlor. Yes, his brother teased him for his sudden interest in reading due to a special lover of his, and he wasn't able to live it down for weeks after it became common knowledge of how much of a reader he was turning into.

Like Jason, I definitely see coffee dates and bookstore runs as part of your dating routine. He treats them very important to; buys a bouquet of flowers before the two of you stop by a local coffee shop before heading to the bookstore to browse. And if it's a nice day, you guys will find a park to read at!

If you enjoyed, please leave a like, comment, and reblog for others to see! And don’t be shy to send in a request!

[little-mari-on-a-roof]

Along with finally airing the season 5 finale, Tfou released a version of the two last episodes commented by the writing team!! So, as I already did with the commented version of Evolution, here's an overview of what they said!! It’s quite long given that it was two episodes and they talked a lot so I will put the parts I think are the most interesting in bold!! Obligatory disclaimer, this is my own interpretation and translation so take everything with a grain of salt!

At the beginning, the writers recall that the first episode of the season 5 finale, Conformation, starts with Adrien and Kagami supposedly arriving in London "like rock stars". However, it is actually just an illusion made from the scanned version of them and the two teens are actually being sequestered in London. At this moment, Thomas says "talk about good parenting" in English, which I think is very funny. The team explains that they were first put in regular apartments in the previous episode but are now in rooms without windows after both of them escaped. This is also done to protect them from what will happen, as Gabriel is about to put his plan of akumatising the entire world into action.

The writers say that Gabriel had been imagining his plan ever since Animaestro when he was seen signing contracts with Tsurugi, and has been putting it in place since the second episode of season 5 (Multiplication). They say that he also tested the first part of his plan, to put nightmares in everyone's heads, in a previous episode.

The rest is under the cut!

Talking about previous episodes, they then say that as was the case with the Risk - Strike back - Evolution - Multiplication - Destruction series of episodes (aka the longest day ever), the 5 last episodes of season 5 (Collusion - Revolution - Representation - Conformation - Recreation) go together and there is a direct continuation between them. (However, one of their rules as Miraculous writers is that these episodes can also be watched and understood independently.) Therefore, season 5 both starts and ends with a series of 5 episodes (quintologies as they call them).

They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is. (They say that to highlight the fact that even though this is the 4th episode of a quintology, all episodes can be understood on their own as mentioned before.)

They then talk more about Gabriel's plan. He gives everyone nightmares on the same day and we can see the different characters suffering because of that (for example, Marinette's mom who thinks Tom is overprotective). He will then offer a solution which a sort of relaxation application directly inspired by the different yoga apps people have on their phones nowadays. This app helps them relax, but also makes people addicted since their nightmares come back as soon as they don't use it anymore. They joke about the relevance of this in today's world with people being "addicted" to their phones or people in positions of power spreading poisons and then monetising the antidote, or the corruption of capitalism selling things we don't need or causing mental illnesses to make people addicted. They ironise that nooo they couldn't possibly be referring to all of that, not in a children's show!!

During the scene that leads to Adrien wearing the Alliance ring after being reticent to it, they say that they had a conflit when writing it as they had to find a way for Adrien to not become his superhero self, cataclysm the walls and go help his lady in Paris. The end result is that Adrien is reminded of the devastating effect of his power by the nightmare and would therefore do anything to avoid hurting people, and so he wears the ring. Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Thomas mentions that Plagg (who he calls "Plaggo" and "Plagounet", which are sort of funny and affectionate nicknames) doesn't show up on cameras, and Sébastien jokes that there could be kwamis around them as they're talking but we just can't see them. Speaking of Plagg, Sébastien jokingly calls Fred the "queen of cheese" as she's the one writing the cheese puns and mentions that there are way more cheese jokes in season 5 than there were before, which makes him think that she is getting retributed by cheese industries in exchange for writing them. Fred then replies that she's getting paid directly in cheese.

The writers say that while the episodes are often narratively dense with science fiction elements, Plagg allows them to add humour in the scene and keep a lighter atmosphere for small children (you know, when he shows his butt to the camera while Adrien is having an existential crisis).

Anyway moving on lol, the writers then say that they had actually planned since 2014/2015 that Chat Noir would not be there to defeat Hawkmoth as they wanted a very particular power fusion to happen (aka Marinette wielding both the ladybug and black cat miraculous and becoming Bug Noire).

Fred then talks about how ever since the start of the series, they have incorporated the symbolism of fairy tales with the sleeping princess and the knight coming to save her. However, they're switching the genders in Miraculous as Adrien is the princess and Marinette the knight (while Gabriel is the evil dragon). They add that they already explained this in a previous episode (in season 4) but they're showing it again now in Marinette's nightmare.

In the scene where we can see that Tikki ate all the croissants, they joke that she did well given everything that is going to happen afterwards. They also jokingly tell the kids watching that they shouldn't do like Marinette and hide in trash cans but eating bananas and croissants is ok (trust me it's funny when they say it). They add that if Fred is the cheese queen, Mélanie is like Tikki because she loves cakes and anything sweet.

We then see Nathalie's nightmare in which Gabriel successfully makes his wish, and therefore manages to accomplish his evil plan which Nathalie knows about. We can see that she's looking very bad and the writers again jokingly give recommendations to the children watching, here to not use a damaged peacock miraculous.

They then talk more about Natalie's past, in which she was a treasure hunter. They say that someone should let them show the fabulous story of Nathalie, Gabriel, Émilie, Audrey and André when they were younger. Indeed, they already wrote what happened in their youth as it is the origin story without which they couldn't have written Miraculous. When Natalie looks at the picture of her in her "Lara Croft outfit", as they call it, from when they were chasing the miraculous and found the peacock and butterfly ones, they jokingly ask what they were chasing and why and say that you have to watch the rest of season 5 to know (basically, they're strongly hinting at sentiadrien).

They say that Gabriel/Hawkmoth and Tsurugi have been allies for a very long time, but it has only been revealed rather recently in the show and we can see it now in a scene where they're plotting together and rising the tension.

In the following scene, we can see all the kids ready for the "miraculisation", except Mylène who is not wearing a ring because while she is not fully anti technology, she is more wary of it and vigilant of its excesses. They then focus on Ivan, who would also like to resist like her but for whom it is too hard. They add that he has "things stressing him out" but that we will only learn about them in later seasons 👀👀.

They take a moment to appreciate the "exceptional" direction and lighting done by Wilfried in the scene where Nathalie threatens Gabriel with a crossbow. Thomas also makes a reference to Citizen Kane but I've never watched it so idk what he meant by that sorry I'm uncultured haha. The writing team says that while they are the ones writing the scenes, they need a director to make the scenes look like what they imagined, and that it's not always easy.

In the next scene, we can see Ladybug looking around in Nathalie's room to find hints about where Adrien could be and finding her tablet with all the information about the miraculous, which makes Marinette realise that Nathalie was Monarch's accomplice right before they enter in the room. They joke about how OMG THEY NEVER COULD'VE GUESSED that Adrien's father was actually Monarch the whole time. We can see Ladybug recording a message for Chat Noir where she reveals his identity, but she never ends up actually sending it.

They talk about how this scene is a huge climax as it is rare to see Ladybug in the Agreste mansion. It had already happened in season 1 during the episode Simon Says where they already played on the dramatic irony of Hawkmoth being Gabriel (which people did not know at the time). This is the second time that Ladybug is in the mansion, while Marinette has been there before a few times (including the iconic pancake moment). While they talk about Simon Says, Fred looks really smug saying that they had planned everything since the beginning.

They say that the scene during which Nathalie gives Ladybug her phone with the pictures and videos of Émilie explaining all of Miraculous's backstory is beautiful, and that if we as viewers had this phone, we would know everything about it (👀👀👀). In addition, they mention that since this is the final episode of the arc, a lot of things happen to get all the final outcomes of the different relationship between characters.

When Gabriel shows the video of Ladybug and Chat Noir kidnapping Adrien and Kagami on everyone's Alliances, the writers explain that people are so disoriented and stressed that they'll believe anything we tell them. They are therefore receptive to any controversy presented to them, just like how people nowadays will engage in numerous sterile debates on social media.

We can then see Monarch using things he obtained in previous episodes: the cataclysm dust from his deteriorating hand and the magical charm Ladybug gave him. We can see that Gabriel had been planning everything from a very long time but that because of the cataclysm he suffered from, he has no choice but to carry it out now. Coincidentally, it is this very cataclysm that allows his to have Chat Noir's quantic signature and put his plan into action. They jokingly compare what he is doing to making a dog sniff a sock, but in a cyberquantic version.

The quantic signature allows the miraculised people to find Ladybug and Chat Noir, and the team says that when they were writing the scene where they detect Ladybug in Gabriel's mansion, they were all going omg omg omg trying to figure out how they were going to get away with it. They say that while Ladybug is trapped in the villain's lair, the writers trapped themselves with the story.

They once again give a shout out to Wilfried's direction when we can see Ladybug getting attacked from all sides by the miraculised people, notably because of the camera motions. They also acknowledge SAMG's amazing animation especially in the scenes including a lot of characters.

My unculturedness shows again when they say that Marinette hiding in a cupboard under the sink is a reference to Jurassic Park. The reference I do get however is when they say that Plagg not being able to shift through the door with his ring was the plot of Mr Pigeon 72.

The action then reaches a maximum as Monarch knows that Ladybug is hiding somewhere in his house, detransformed. We now get to THE moment they had been waiting for since the beginning: when Monarch discovers that Marinette is Ladybug and she transforms into the fabulous BUG NOIRE!!! They keep talking about how cool she is and that they left the best for last: the final fight with Monarch does not happen with Ladybug, nor with Chat Noir, nor with Chat Noir and Ladybug but with BUG NOIRE!!!!!

Fred says the season has a particular taste of closure, even though there is still a next part, and warns to hold on because the latter will hurt a lot 🥲🥲.

🐞🐞🐞

Now, onto the the second episode, Re-creation !! (Yeah the first 2k words before that were on Conformation alone. I am bad at summarising. 😭)

At the beginning of the episode, when we can see Lila laughing when she sees Alec having an akuma induced nightmare on TV, the writers say that it is because she has known who Monarch is for multiple episodes now. They mention that it is because she read something on people’s lips in Evolution (episode 501) which allowed her to discover things. She also stole a case from Tsurugi so she knows who Gabriel really is.

Then, they focus on the fight we "had all been waiting for", and Mélanie mentions that her favourite lucky charm is the piano crashing on Monarch. They say that while they have spent multiple hours finding intelligent and sophisticated lucky charms for years, this one is just simple and exhilarating.

They then talk about how the resistance is fighting against the miraculised people, and how this happens all over the world (in China, Rio, New York) and includes a LOT of different characters. This explains why it takes a long time to deliver the episodes and they joke about how they’re blowing up their budget. However, despite all the superheroes fighting all over the world, it is still not enough.

Indeed, the outcome doesn’t play out in the giant arena outside, but in the KITCHEN. They joke about how they waited long enough to finally get it and that the resolve should therefore happen there, and even nickname the episode a « kitchen-two-room episode » (the joke makes more sense in french since we define homes according to their number of rooms, not just bedrooms).

They say that in the fight between Bug Noire and Monarch, both are so evolved in mastering their powers that neither of them have limits (Monarch can use as many powers as he wants at once thanks to his rings, and Bug Noire can use as many lucky charms and cataclysms as she wants). They lovingly say that our little Marinette from season one has grown a lot 🥺. She’s now super badass (they kept talking about how cool she was) and has learned so much.

They add that the scene where Bug Noire uses her handcuffs lucky charm is a reference to Kung Fu movies where characters fight while being chained to each other (once again, I’ve watched like zero movies so I’m gonna trust them on that lol). They once again mention the amazing direction and get very excited when Bug Noire slams Monarch through the wall.

During the fight scenes outside, they joke that Doorman (the USAmerican superhero whose power is to open doors) and Fang (a literal crocodile who knows Kung Fu) were essential in saving Paris. However, despite all the people fighting outside, the miraculised people remain too many and there is only one person who can save everyone from Monarch’s perfect plan.

Back in the Agreste mansion, Bug Noire is losing and her only escape is to cataclysm the floor which makes them land in the crypt (which was right under the mansion all along !!!). She then sees Emilie’s body and understand why Gabriel is doing all of this. When talking about his motive, the writers joke that if he succeeded, it would be hard to explain to Adrien why his mom, who has been dead for a year, is suddenly back and that while it would be unjust for Gabriel to trade her life for someone else’s, he doesn’t care and would just make Ladybug go away.

The team explains that in the following scenes, there is an alternance between the outside (in Paris) and inside (in the crypt) fights, with the dialogue happening inside continuing while we see what is happening outside on screen. They don’t do that often, which gives this scene all the more impact during the finale. They talk about how this kind of thing is a trademark of Miraculous: the episodes are quite dense despite their short length, thanks to the fact that the story continues when the action is taking place and the emotion continues to be conveyed. They oppose it to classical action movies where some scenes are dedicated to dialogue/story while fight scenes are just about fighting.

The writers say that from the moment Bug Noire gets her glue tube lucky charm, they are already working on the plot of season 6: when she manages to steal the butterfly miraculous from Monarch, she does not actually retrieve it because of how far away she is and it falls in the water below (cf Lila retrieving it which will be relevant in season 6).

At this moment, Gabriel loses and the resolution of the battle is not what we could’ve expected: we don’t have Ladybug winning by thrashing him, but she instead simply talks to him and even detransforms in front of him. It is not Ladybug who defeats Monarch but Marinette. This echoes to a message they have been trying to convey since the beginning : that in the end, it is not violence or strength that wins, but people talking to each other and opening up about their feelings. It is when people are not subject to their emotions, but instead try to understand them to think better and take the right decisions. And this is what Marinette is hoping for here by showing Gabriel the video of Émilie saying that she never wanted him to become evil, and instead just hoped for him to take care of Adrien (which he didn’t do lol).

In the end, Marinette and Gabriel’s main goals are the same : making Adrien happy. She takes a huge risk and detransforms to see how much he loves Adrien, or on the contrary how much he would rather bring his wife back. This is the only moment where we see Gabriel being truly emotional and understand why he has been doing all of that. Fred adds that he is a character who thinks love goes beyond good and evil, and oversteps every boundary, including moral ones. Therefore, Marinette is trying to solve a crisis of feelings by using feelings.

Back to the episode, we can see Marinette taking the biggest risk in her life and extending her hand to her nemesis, even the kwamis tell her that she’s insane. The writers joke that well, they were right, as Gabriel steals both miraculous and it does not end well (or at least not for now). Gabriel has now won as he can do what he has been wanting since the very beginning.

The team mentions that the next scene is one of the biggest reveals of the show, as we can finally see how the wish happens. We discover that the kwamis are not actually little plushies but take this appearance to avoid scaring their wielders, and the writers actually hinted to that in Dearest Family when Tikki ate all the galette des rois. One member of the team jokes that when the kwamis reveal themselves, they become a Swedish hit from the 70s : Gimmi (as a reference to Gimme ! Gimme ! Gimme ! by ABBA of course).

Moving on from the dad jokes, when Gabriel removes all of his miraculous rings, Marinette is released from the bee sting and can now witness her defeat. But the fact that Gabriel laid down his weapons shows that she has actually won, even though it is only shown and not said.

However, they say that there is still some doubt : we do not actually know what he wishes for as his words are cryptic and we only see the outcome of his wish. They do say that Émilie will not be brought back to life as Gabriel has finally mourned her death, which Adrien has already done for a long time. But Gabriel cannot live without her and decides to die with her.

In order to accomplish the wish, they explain that the world has to be destroyed and then re-created, which leads us to the aftermath of the wish a few weeks later and the pool party where everything seems to be going well. Then comes probably the most enigmatic shot of the episode with Nathalie and Amélie/Émilie. The writers say that they’re not telling us who it is but I think we can guess pretty easily based on what they said right before 😭😭. They also add that with Nathalie next to her we can guess what Gabriel’s wish was, but that it is "not what we think" and that there is a trick.

They say that with the final wish, they have arrived at the end of what they wanted to tell in this arc, which is a revolution of the minds. They said that each played their role, including the villain because he gave up on his power with which he could do anything to make his son happy. They add that the new world we are seeing shows the premise of season 6, which will have a "different taste" and in which they will talk about different things.

They say that at the end, some lies remain as Gabriel is presented as a hero. They say that Marinette gave Adrien the twin rings, in what frankly looks like a wedding proposal lol. Then they go insane because it’s time for LE BISOUUUU, and a real lovey kiss that they remember for once, not like in Oblivio, and not a desperate kiss like when Adrien left for London. However, even with all this cute romantic stuff, we can see some ominous butterflies flying around them…

In the next scene, we can see Marinette taking the miraculous that have been standardised and industrialised by Gabriel and putting them back in shape. The writers specify that this is a parabole about craftsmanship vs industrial production. The miraculous will now be adapted to every person, but we can’t see what they look like just yet! In this new world, the powers are all shared, among people who they trust and know will work for the common good. They joke that the "Avengers" shot at the end with all the heroes is something they’d been dreaming of.

In the last scene with Lila, they joke that it’s never really finished because there’s a bunch of epilogues one after the other. Thomas add that the school described at the end is how he thinks all schools should work!

And we’ve finally reached the end!! They don’t reveal anything in the scene where a weird flash appears in Lila’s room to keep the suspense, and just all scream going OMG WHAT’S HAPPENING!!!

🐞🐞🐞

I hope this was helpful to learn more about the writing team and some stories behind the episodes!! Don't hesitate to add stuff if you think I forgot something or ask questions if I wasn't completely clear :)).

[lc-holy]

Conférence Masterclass 808 (Translation)

I've taken the liberty of translating the conference that took place last year with the writing director of Miraculous (Sébastien Thibaudeau). It was only made public when someone posted a video of the conference a short while ago.

In this conference, Sébastien Thibaudeau will talk about the creation of Miraculous and his work on the series. He is joined by Chloé Paye, a new scriptwriter working on Miraculous season 6.

Sébastien talks a lot and repeats himself a bit, so the summary can be a bit confusing.

I strongly advise you to go and listen to the video if you understand French. There are a lot of details I'm going to leave out, and Sébastien is very funny.

Photo belongs to mlbfanfr on twitter.

Please be respectful in comments or tags. If you want to debate on things related to this conference, please make your own post. I apologize if there are any mistakes, I'm French and I'm not fluent in English.

-12 years ago, Sébastien arrived at Zagtoon, a studio that was just starting out and had yet to produce and broadcast any series. The producer (Jérémy Zag) and Sébastien hit it off and decided to start working together. Zag decides to give Sébastien total freedom over his projects. Sébastien then decides to put the spotlight on scriptwriters, because in this profession they are unfortunately poorly paid and never stay on the same projects.

So they produced a cartoon called Kobushi. A little-known series that did rather well, even if it didn't stay on the "Gulli" channel for long. The scriptwriters and producer were happy with the end result, as it was produced in a very short time.

Jeremy Zag then proposed another project, which he thought was quite good, but which he was unable to sell to broadcasters. At the time, the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience than a children's audience. Sébastien had to make sure that the project could be broadcast on Disney and TF1.

There was only a "trailer" also called "Ladybug" (but you'll find the video under the title Ladybug PV) animated by Toei animation. At the time, Sébastien had not yet been hired by Zagtoon. It was Jérémy Zag who convinced Toei animation to work with them (no mean feat, since Toei animation doesn't work with anyone).

So Sébastien started working with Thomas Astruc (the man who wrote and created the "Ladybug" project). At first, he didn't want to work on this project because he found it complicated. Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted.

-What Sébastien appreciated most in this project was the romantic comedy, the love square between the two main characters.

To meet the requirements of the cartoon industry, "Ladybug" had to be set in a neutral universe, in other words, in an imaginary country or the USA, but Zag, who loves Paris, declared that the cartoon had to be set in Paris.

In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

------------------------------------------------------------------------------

-Sébastien explains how he writes Marinette's first dialogues: He says he talks a lot in real life, so he writes Marinette like him. She says out loud whatever she's thinking.

For Chat noir, he makes him tell his father's jokes. Something TF1 doesn't accept. The TV channel went so far as to refuse to validate the Bible (a collection of information on the series and episodes) until it had removed the sentence: “Chat noir makes jokes”. Sebastien has therefore removed the sentence, but will continue to make Chat noir tell jokes.

-The writing director's job is to get the producer, creator and broadcaster to agree. The series broadcast on TF1 and Disney are very different. TF1 wants series whose story can be told in a single episode, unlike Disney, which wants series whose story spans several episodes.

Sébastien and TF1 agree that Miraculous will be a series with one story per episode, a "Formula Show".

He cites the example of Dora the Explorer episodes, where every episode is the same: Dora goes on an adventure from point A to point B, she has to find 3 clues, then she meets Swiper, she sings a song to make Swiper go away, she uses the talking map to get from one place to another, then Dora manages to get to point B and the episode ends.

This episode format is used for children, to give them a reassuring framework, as they build themselves up through repetition. That's why series like Dora work so well with young children.

So Sebastien sold the Miraculous series to broadcasters as a formula show. A person gets angry, is akumatized, then marinette transforms into Ladybug then frees the person from the akumatization and… The End.

It's also for this reason that Marinette tries to confess her love for Adrien in every episode, but is unable to do so.

But he tried to go against what he had planned with TF1, by slipping little extra stories into certain episodes. Audiences were receptive to these slightly hidden stories. The TV channel even asked Sébastien if there really were hidden things in the series, but he denied everything. Thanks to the positive reception from the public, TF1 agreed to develop the characters of Marinette and Adrien and flesh out the universe a little more.

------------------------------------------------------------------------------

-Once the bible is written, they have to write a script. But first Sébastien, as writing director, needs to know the mood of the series, and to do this he calls on Thomas Astruc, the series creator. Thomas is a great fan of classical painting. A single painting can tell a complex scene with lots of detail. He wants the episodes of miraculous to be like these paintings, there will be very few shots, but in a single shot a lot will happen.

-Sébastien explains that one of the things Thomas wanted to convey in the series was emotion. They didn't want to do what a lot of children's cartoons do, which is to beat the bad guys and win at the end of the episode. They wanted to tell kids that it's normal to have negative emotions. We can also become better people, learn from our mistakes and so on. It also reassures TV channels by setting up scenes that are repeated in every episode: people get angry, people akumatize then people deakumatize, end of episode...

Once the TV channels had been reassured, they set about writing a script.

-Sébastien asks Thomas to write the ending, as they're not sure the series will work. They also wondered what the aim of the series was, and what they wanted to say to the children. The two of them sat down in an office and wrote the ending, which turned out to be just the end of an arc. He even adds that now that they've written a lot more, it's important for them to write in advance so that everything is clear to them.

-The first season was written by 19 authors, from home. He found it interesting that the series was written by several different authors, even if some of them didn't quite understand the premise of the series. One episode that Sébastien particularly appreciated was written by two “autrices” (I think it's weird to say “two female authors”, so I'll use the French word): the refletkta episode, with the story of Juleka who couldn't get into the photos. (Note that all the episodes were proofread by Sébastien and Thomas).

After that, they kept a few people on to work together on the scripts for subsequent seasons.

Sébastien explains that he keeps a close eye on the production of the episodes, to make sure that everything that goes into the picture is as faithful as possible to what they've written in the script.

------------------------------------------------------------------------------

-The kwamis exist thanks to Toei, who wanted funny little animals to sell plush toys. So the scriptwriters had to find a way to integrate kwamis into the story.

-(Again, Sébastien advises people to check out the Kobushi series if they can still watch it somewhere, or ask the leaker who leaked the whole of season 5 to give them the episodes (that's a joke, of course)).

-Sébastien talks about the Ikari gozen episode, which could have been a total failure because the storyboarder didn't fully understand the scenario. Sébastien asks Zag to redo the storyboard, which will add 10 weeks to the episode's deadline. The storyboarder admits that he's always done storyboards mechanically, without worrying whether the episode is good or not, whether the jokes are funny or not. Eventually, the episode was redone by the same storyboarder, resulting in the episode we all know today.

- They still have a lot to tell with Miraculous, to the point where they're wondering if they'll have enough seasons to tell everything they want to tell. Sebastien says there will be a season 6 and 7, and probably a season 8 and 9.

------------------------------------------------------------------------------

- Chloé Paye met Sébastien when she was looking for an internship. She had never worked in animation, and knew nothing about Miraculous. She tells us how the scriptwriting team works. Each time, all the scriptwriters in the room have to be convinced of the script. They can sometimes spend hours on details to get everyone to agree.

------------------------------------------------------------------------------

- The driving force behind the series is that there must always be a secret between Marinette and Adrien. The lovesquare can never be broken, otherwise there's no series. Sébastien knows that some people are worried about this. Will they continue the lovesquare for another 4 seasons or more? How will they evolve? Sébastien says not to worry, they know where they want to go.

-It takes them 14 to 16 months to produce an episode, but it's often much longer due to unforeseen circumstances. And they don't work on one episode at a time, but on several at the same time. One episode takes a long time because of the 3D animation.

One of the things that's complicated with Miraculous 3d animation is that they can only display 3 characters at a time on screen, whereas the series requires them to display many more characters. It's also very difficult to correct animation errors, as this takes a lot of time.

-The TV networks were very surprised by the success of miraculous. They didn't think adults and children alike would watch the series. The TV channels were a little confused because they usually make series for a specific age group, but since miraculous had people of all ages watching, they weren't sure what to do.

- Sébastien says he's very happy that miraculous inspires a lot of people to create things, like writing fanfiction, however he's not interested in it because he doesn't want to be influenced by certain fans who would love to see certain things in the series.

- Writing direction also means paying attention to how the characters speak. They all have their own way of speaking. For example, Adrien will never say "j’te parle", but rather "Je te parle".

- During the writing process, the writers sometimes act out scenes to make the dialogue more natural. This is what happened with the episode "Gang of secrets". They felt that, with the success of the show and the pressure it was generating, they needed to write something to relieve their stress. So they wrote about Marinette and the enormous pressure she was under to keep all her secrets. The final scene, in which Marinette tells Alya that she's Ladybug, came naturally when they performed it together.

[calmcoldevening]

Pov: You knew slashers, when you was a child (Slashers x fem!reader)

I'm back! Well, it os a lazy post from my drafts, until I end my new idea <3

TW: no

Characters: Thomas Hewitt, Brahms Heelshire, brothers Sinclair

P.S.: English is not my native language, so lot of these words was translated by simple translator, sorry for misspells and e.t.c.

Enjoy this!

Thomas Hewitt

The transition to a new school has always been a great stress for a child, especially in the middle of the school year.

You and your parents often moved from city to city. Maybe it was their work, or maybe they just wanted to show you as many different places as possible so that your childhood would remain really memorable — you didn't know. But the constant moving was followed by a change of schools and kindergartens. On the one hand, you liked it — new acquaintances, interests and a lot of positive emotions, after all, you were a cheerful and active child — but it also brought its inconveniences — you didn't have "best" friends, you had no more than a couple of months to communicate with each of them, and multiple the change of the team has made you a real chameleon in society.

You were ten years old when you and your parents moved to Texas. The age when most classes have already been divided into peculiar interest groups, which are quite difficult for a new person to join. That's why your mom decided to bake cookies that you could distribute to new classmates. Who doesn't like homemade cakes? You actively participated in the cooking process. A little more practice, and you could learn these cookies on your own. As soon as the treat was ready — several pieces were successfully taken away by your father — your mother beautifully put it in a colored box, now tied with a ribbon. The inscription "Welcome" was painted on the lid in gold paint.

It was very hot in this area of Texas. Therefore, on your first day of school, you decided to limit yourself to a beautiful white T-shirt with some simple pattern and black shorts. The first impression is the most important, right? Your mom took you to school by car. At the reception desk, your mom introduced you and found out the number of the right office. After kissing you goodbye on the cheek, she left you to your own luck. Although you were already used to it, a nervous feeling of anticipation bubbled somewhere in your chest; your palms were sweating.

After a good seven minutes, you were standing in front of the right class, 212, clutching a box of cookies to your chest. Adjusting the strap of the gray backpack, you exhaled anyway.

Your homeroom teacher, Mrs. Sullivan, introduced you in the office. A lovely woman with curly locks hanging down on both sides of her face and freckled cheeks. Her soft figure, dressed in a white blouse and a black pencil skirt, caused a surge of strength and confidence in you. The woman lightly put her arm around your shoulders, so motherly, and asked you to tell about yourself.

"My name is Y/N Y/L," your voice trembled slightly while your gaze ran over the children sitting in the classroom, "I'm ten. I like animals and beading... Mm, my parents and I move around a lot, so I don't think I'll stay here for more than two months. I hope we'll become friends."

You ended your performance with a sincere warm smile. Mrs. Sullivan asked you to take an empty seat. Your choice fell on the farthest place by the window; a guy was sitting behind it, hunched over and staring at the street. Was he weird? No, rather unusual. He had long black hair, so unusual for a boy; his gaze was lowered somewhere on the dusty road near the school, so you couldn't see his eyes. Sitting down next to him, you quickly took out a notebook and pencil from your backpack.

"Hello?"

The boy seemed startled by your voice. He looked at you uncertainly, and you saw a face wrapped in bandages. Sad cornflower blue eyes peeked out from under the white cloth.

"I'm Y/N," you whisper, holding out your hand to the boy, "And what's your name?"

There was no response. Disappointed, you lowered your hand, now paying attention to the teacher's explanation. The woman was writing down her words on the blackboard, and you quickly began copying them into your notebook, clutching a pencil until it crackled.

There was something about this boy that attracted you. It doesn't matter if it was his shyness or isolation — you decided that you definitely want to make friends with him.

At recess, you approached a group of girls. They were dressed up like girls from fashion magazines that you often saw in kiosks by the road.

"Hi," — you said with a light smile.

"Well, hello," said one of the girls, popping a bubble of gum.

"I want to ask. M, that boy," you pointed to the long—haired boy, "What's his name? I asked, and he ignored me."

"Haha, he won't answer you. That's our little Tommy," another girl hissed sarcastically, giggling, "Thomas Hewitt is weird. Very strange. I heard that his father is his brother!"

"And he's also a terrible freak!"

You awkwardly put your hand in your hair. Thomas didn't look as disgusting as the girls described him. It's all rumors. And what to take from these children, they probably didn't even try to talk to Hewitt!

You didn't talk to this company anymore. After waiting for lunch, when all the children went out to the garden at the school, you again approached the boy. He didn't budge. It seems he hasn't even written anything since you sat down next to him.

"Hey, hello?" you waved your palm in front of the guy's face, "Thomas, right?"

This time the boy paid attention to you. There was no emotion visible under the thick layer of bandages, but you were sure that he arched an eyebrow questioningly. He's wondering how you know his name?

"You were sitting alone, so I came over. Your name is Thomas, right?" you repeated the question, finally the boy nodded, "That's wonderful! I'm Y/N, let's get acquainted."

Smiling happily, you hand the guy an open box of cookies. Golden crust with chocolate chips. You had no desire to share such a delicious thing with such terrible and tactless people. And Tommy. Tommy was different. He was timid and calm, unable to cause harm.

"Help yourself," you babble, sitting down next to Hewitt, "I made them myself! Not without my mommy's help, of course..."

You blush slightly and see Thomas's eyes narrow. He smiled! He seems to be starting to like your company.

"Can I call you Tommy?"

• Thomas has become noticeably happier since you met him. The boy began to spend more time outside the house, in your company (Luda was very surprised by this, because usually after school Tommy always came home and sat in his room).

• For your birthday, Thomas himself sewed a soft toy for you, a fox, as he found out later, this is one of your favorite animals. The toy was sewn from different, but matching pieces of fabric, a little sloppy, but quite skillfully. It made you smile. You threw your arms around Hewitt for joy.

• Once you praise him, Tommy immediately blushes a lot. It's good that it's not visible under the layer of bandages. From the moment you became friends, Thomas's self-esteem has risen a little.

• When you first offered to help Thomas change the bandages, he strongly refused. The boy just couldn't let you see his face. But when he finally gave up, Hewitt was pleasantly surprised that you didn't scream and run away. You didn't call Tommy a freak or a monster, but only sympathetically stroked his scarred cheeks.

• Over time, you began to understand Thomas without words, absolutely. You found the right answers in his movements, grunting, awkward head turning or excessive gesticulation. Even Luda was a little amazed at your nonverbal communication, but the woman was glad that her son finally found a real friend.

• Tommy often showed you his drawings. It was like the scribble of a five-year-old child, but you were always happy to accept the leaves and hang them over your bed. Basically, Thomas drew his family: angry Charlie in the corner of the paper, Monty sitting next to him in a chair, a little further away, Luda was cooking, and in the center of the drawing you and Thomas holding hands and smiling.

• It was the first time you begged your parents to stay in this city longer. Fortunately, they agreed after seeing your enthusiasm for the "strange boy".

Brahms Heelshire

• Your parents and the Healers kept in touch for a while, you can say your families were very close. You first met Brahms on his fifth birthday. He was a very well-mannered but private boy, so Mrs. Heelshire was only too happy to introduce you.

• At first, your communication did not work out. Brahms was a rude child in places, took away your toys and teased you.

• His true attitude towards you showed up when you didn't come to his house, although you were visiting the Heelshire family every Monday and Wednesday. He was seriously worried. All morning Brahms sat in his room by the window and looked at the road going through the forest, waiting for your little body in your favorite blue dress to appear from behind the trees. But you were never there. It turned out that you were just sick. That day Brahms went to your house and did not leave your bed, squeezing your hot palm.

• Your parents worked most of the time, so they were not against your games with Heelshire Jr. You stayed in their house more and more often, sometimes even overnight, and you and Brahms made noise all night, forcing his mother to swear. But still, the woman was glad that at least Brahms was behaving quite comfortably and boldly with someone.

• You were only a couple of months younger than Brahms, but you thought it was a good reason to tease you.

• The boy allowed you to enter his room without knocking, consider it a worthwhile privilege, because Heelshire does not let everyone into his personal space.

• When you were sad, Brahms brought you bouquets of flowers hastily made with his own hands. That's why his palms were green most of the time.

• Brahms makes wonderful sandwiches. He often makes them when the two of you are having a "picnic" in the garden. Although in fact he agrees to it only to admire you.

• Heelshire loves sweets very much. Very. His mom doesn't allow the boy a lot of sweets and cakes, so you secretly bring them to him from home. The boy is insanely happy.

• Brahms loves kissing. This habit, or rather the need, appeared in him because you praised the boy in this way. Has he finally cleaned the room? A kiss. Did he break his mom's precious vase during the catch-up today? A kiss! So now he can demand them for any reason. He especially likes it when you kiss him before going to bed, and Brahms falls asleep hugging you.

• You're his best friend. That's why Brahms trusts you with all his secrets. You are the only one to whom he has told about the strange and frightening thoughts that sometimes sound in his head.

"Good night," Mrs. Heelshire said, turning off the light and closing the door behind her.

You smile and blow her a kiss, covering your mouth with your palm. When the woman's footsteps recede, you exhale with relief, plopping down on the pillow with force. Squinting your eyes, you wrinkle your nose, trying to blow away the stuck strands of hair from your face. Brahms giggles and gently tucks your hair behind your ear.

The room is cool. The window is slightly ajar, letting in a light autumn wind. The curtains are swaying from side to side, taking chaotic frightening shadows.

You get under the covers up to your nose. Brahms follows your example, pressing his whole body against you, and you stroke his head.

"If I ever do something very, very bad, will you stay with me?" Heelshire whispers, looking up at you.

You look into his sad emerald eyes and laugh. He likes to put pressure on your pity, because he knows that at such moments you see him as a tiny abandoned kitten.

"I don't think you'd do anything so bad, Brahms."

"But if I do. What if everyone turns away from me. Even mom and dad. Will you stay with me?"

You pressed your lips together, frowning. Brahms had never asked such strange questions before. And how can a child who is only eight years old think about something like that after a while. Looking down at the ceiling, you turned your head, looking into Brahms' eyes.

"Yes. I'll stay."

"Honestly?" Heelshire asks incredulously.

"Honestly."

"Promise?"

"Yes, I promise you, silly boy!" you abruptly cover his face with a blanket, holding the edges on both sides of his head.

The boy was kicking, trying to get out from under your weight, while you tried not to laugh. Taking pity on his futile attempts, you took off the blankets, admiring Brahms' flushed face. Heelshire was breathing heavily, and his cheeks and nose were burning like Chinese lanterns that your parents launched on your birthday.

"I won. Again," you grin.

Brahms is silent. You sigh and lie down again, turning your back to Heelshire. Your eyes are shining with joy, and your lips continue to curve in a smug grin. You know that Brahms will not dare to do something to you in return. He always let you get away with such antics. Absolutely always.

When you are ready to fall asleep, through the chatter in your head you hear a plaintive whisper. Having opened your leaden eyelids, you groan with displeasure.

"Kiss me," Brahms whines, and you get up on your elbows, chuckling softly.

"Okay," you kiss Heelshire on the lips, "Good night, Brahms."

• "Now I've won," Brahms croaks, pressing you against the wall and spreading his hands on both sides of your head. Just like a child. Except now he's not the victim here, but you. Although was he ever a victim in your games? Rather, he always played the role of a presenter, you just didn't notice it, as if you were looking through your fingers. And who would have thought that that innocent little boy would ever stand in front of you, towering over your body by a good two heads, and grinning with eyes shining in anticipation through the black slits of the mask.

Sinclairs

Christmas is the most mysterious and magical holiday of the year; the day when the whole family gathers at one big table to properly celebrate this moment together; the day when you receive a lot of gifts from all kinds of relatives, which you sometimes did not realize; the day when all wishes come true.

You clumsily shuffled along the road, shaking your back every now and then to adjust the heavy backpack. Things inside rattled a lot, and you tried to straighten your back faster to avoid crumpled packages.

Christmas was your favorite holiday. And although your parents have been working constantly lately, you were glad that you could spend this family holiday with your friends.

You met not so long ago, only about four months ago, when you first moved here. Ambrose turned out to be a very nice and cozy city with friendly and caring people. Mrs. Sinclair, Trudy, and your mom became friends right away— their interests converged on art. That's when I met her sons, the woman suggested that you make friends with them because of their similar age. And it turned out to be a very good idea. The boys quickly became addicted to you.

Once again adjusting the canvas straps of the backpack, you quickly climb the steps requested by the snow and knock on the sand-colored door several times. On the other side, there is a fussy shuffling and dissatisfied grumbling.

"Hello," you say, smiling, when the door swings open in front of you, revealing a view of the timid Vincent.

The guy nods to you and opens the door wider, motioning you to enter. You kiss Sinclair on the cheek of the mask. Brushing off your feet at the threshold, you quickly take off your shoes and leave your backpack at the shoe shelf. Music from an old radio is coming from the kitchen, some station unknown to you is playing old songs from the seventies. As soon as you entered the room, Vincent stood at the stove again, frying something in a frying pan. Whenever Trudy was busy making figures and arranging a museum that she someday wanted to open, it was Vincent who did the cooking and other household duties. Bo was stubborn and didn't want to do "women's" work, and Lester was still too young for such a large-scale activity. The latter was now sitting at the table and skillfully sliced an apple with a hunting knife into neat pieces.

"Morning, Lester," passing by the boy, you leave a small kiss on his forehead.

"Hi, Y/N!" Sinclair winces contentedly, flapping his big copper eyes.

You sit down next to the boy and imperceptibly take a piece of apple from under his nose, throwing it into his mouth contentedly. There were already several plates and cutlery on the table. Vincent loved order, so he prepared everything in advance.

"Where's Bo?" you ask, rocking slightly in your chair, for which you get a menacing look from Vincent.

"Mom asked him to help at the museum," Lester replied, "He should be back soon."

You notice how Vincent turns off the stove and turns his whole body in your direction. The guy takes a notebook lying on the table and quickly scribbles something.

"Have you had breakfast?"

"Yes," you say shortly, when Vincent closes the notebook and puts it back, "Honestly."

Sinclair puts the hot omelette on plates and pushes you a bowl of oatmeal cookies. You happily take one piece. Vincent sits down across from Lester and lifts the mask just enough to see his mouth. You frown, noticing the edge of his deep scar.

"Hey everyone," it was heard from the threshold, when the front door slammed shut with force, "Oh, honey, and you're here," Bo walks past you, lightly touching your shoulder in greeting, and sits down next to Vincent.

During brunch, you watch Lester and Bo actively negotiate. When their plates are empty, you decide to step in.

"Since everyone is here," you babble happily, clapping your hands to attract the attention of the guys, "I want to give you gifts a little earlier than planned, do you mind?"

"Of course not," Bo abruptly pushed away from the table, "I'm all for it, babe."

Bo winked at you playfully, to which you rolled your eyes. Vincent signed something, and you looked at Lester. Your sign language was not yet good enough to understand most of the phrases, you barely remembered the words of politeness. That's why you've always relied on little Lester at times like this.

"He said: "Why are you doing this so early?"", Lester explained, innocently blinking his eyes.

"What's the difference," Bo frowned, "Sooner or later — the main thing is that she gave."

You didn't comment on the elder Sinclair's words, but just got up from the table and went to your backpack resting in the hallway. When you came back, the brothers were already sitting in a kind of semicircle on the floor. Bo sprawled impressively closer to the sofa and grinned in anticipation; Lester, in his usual manner, sat cross-legged; while Vincent tucked his knees to his chest.

You sat down between the twins and put the backpack next to you, unzipping it. You said "Close your eyes" and, as soon as the boys fulfilled your request, you began to take out colorful boxes. All packages had the same color, different sizes. Alternately, you put the gifts in front of them and allowed them to watch. Lester giggled when he saw that his box was the biggest.

"Merry Christmas," you drawled, spreading your arms out to the sides.

The very first gift was opened by Lester. The boy happily tore open the package, scattering the paper around him, and screamed when he saw the cherished surprise. A big stuffed fawn. He had a soft beige body and neat brown horns sticking out in different directions. The muzzle was cheerful, with a big nose and shiny button eyes.

"I knitted it especially for you," you babble, smiling, when Lester looks up at you with an enthusiastic look.

"Thank you!" the boy throws himself on your neck with lightning speed, squeezing your body until the bones crunch; you stroke his back.

Bo was a little surprised when he saw a set of tools under the wrapper. He loved tinkering and was well versed in mechanics; the fact that you remembered about this hobby touched the guy a little; his lips curved in a slight smile.

"Well, thanks, babe," Bo grins, patting your hair.

You're pouting a little. All the time spent in the morning combing this tangled nest has gone to waste. You are dissatisfied with blowing off a few strands that caught your eye.

The last person to open his gift was Vincent. The boy very tenderly unwrapped the package, not trying to tear it, as if stretching and savoring this moment. You watched the deft but careful movements of his fingers with burning impatience. Finally, Sinclair took off all the paper, removing it from the side, and looked down at what he saw. A large set with colored pencils. Exactly the one that the boy looked at with undisguised envy in the window of an art store about a month ago. Did you remember that? With slightly trembling hands, Vincent takes the box and turns it in his hands. There were several more drawing pads under it.

Vincent looks at you, and you see the trembling gaze of his azure eyes in the slits of the mask. Such unbelievers, but at the same time grateful. You crawl up to the boy and hug him tightly, nuzzling his neck. Vincent lets out a ragged sigh.

"Merry Christmas to you, boys," you congratulate them once again, seeing the boys' satisfied smiles.

"So why did you decide to give it to us so early?" Lester asked, clutching the toy to his chest.

"Oh, that," you awkwardly fix your hair, "Well, my parents decided to leave. To another state. We'll leave tonight. So I thought I could have some fun with you now."

There was an oppressive silence in the room. You were afraid to look up, but you could feel the disappointment on the boys' faces. Your heart was painfully squeezed in your chest, from which you gritted your teeth with a creak.

"Will you come back?" Bo broke the silence.

"I don't know. Dad was offered a job in another state. Mom just said I wouldn't be able to see you."

You looked at each of the boys in turn. Vincent's head drooped, Bo's brows furrowed, and Lester's lips tightened into a crooked thread. The elder Sinclair sighed heavily.

"We'll be waiting. All together," he looked at you from under his brows, "Just try not to come back to us."

• Vincent loves sweets; but, often, Bo takes most of the goodies. That's why you put an envelope with several edible bracelets in one of the donated notebooks. Bo will probably consider them girly and will not take them away from his brother.

• You have been knitting a fawn for Lester for about five days; the boy is very happy with your gift. Your relationship is like a brother and a scary sister. He is always ready to rely on you; Sinclair is glad that he has such a caring person, unlike the same brothers (in particular Bo).

• Trudy adores you. You could say that in these few months she began to perceive you as her own daughter. You even know where the spare keys to the back door of the house are.

• Bo always tries to impress you as a self-sufficient high school student. He saw his father's old magazines with tackles, seduction and other materials not for children, so he decided to train on you. He didn't notice how he fell in love.

• Vincent is a good cook.

• Most of Vinnie's drawings in the new notebooks are you. He will paint your portraits for many years after your leaving.

[azullumi]

jealousy — various characters ☆彡

summary — how does jealousy feels for him and how does he deal with it?

characters — kaveh, tighnari, thoma, cyno, wanderer, alhaitham, ayato, kazuha, diluc (w/gender-neutral reader)

tags — kind of fluff, jealousy, possessiveness, i want to kiss diluc so bad, not proof-read; headcanons

words — 1204

note — this was supposed to be longer but my brain is fried and bondee anyone? :D if anyone wants to be neighbors, just tell me

KAVEH — It's obvious when he gets jealous, you could just immediately tell if there's envy and jealousy brewing in his mind whenever he sees you with another person—specifically someone who is obvious with their intentions to you but you're oblivious to it—because of how he shows his emotions and is usually expressive about it. Rolling his eyes as he replies once you have touched upon the topic of what he felt as he knits his eyebrows, and everything, he's conveying it all. However, he would still refuse at the end of it, he won't even admit to it but you'll know. He’ll even lean more on the petty side, making remarks like how you should ask that ‘friend’ you’re so close with but once you’ll go and turn around, he’ll ask you where you’re going and tell you to not leave. 

TIGHNARI — He’s very much open with his emotions to you and doesn’t hide anything from you so when he's feeling something, whether it be sadness, happiness, or anything, you’ll know it immediately. This also applies to that bitter and burning feeling in his chest. At times he doesn’t verbally convey to you about what he feels, he shows it through the subtle actions he makes—wrapping an arm around your waist and pulling you close, showing off that you’re taken and you have him whenever he sees you talking with someone who is showing clear interest to you and giving off a scary presence that he’ll only show towards the people he’s scolding. “I don’t like them,” he’ll say as a remark while donning a calm demeanor, and you’ll either think it’s just that or he’s trying to say something more.

THOMA — Gets extremely affectionate and sweeter than usual. He'll silently beg for more affection from you by being more clingy than he already is—he’ll be all over you like some sort of object or item taped or glued on your body, as if he’s part of the design of your clothing because of just how much he’s sticking to you. The intimacy, fondness, and love that you receive from him on a daily or usual basis? You’ll get triple that amount once he gets jealous, the intimacy and closeness being there but overwhelming. He’ll even bluntly tell you, rubbing it all over your face, that he’s jealous, that he’s really and extremely jealous while pampering you with kisses and what can I say besides you have to deal with it?

CYNO — He places so much faith in you, trusting you and being confident with himself thus he doesn’t get jealous easily. However, when he does—on rare chances— he’s grumpy and much more intimidating than usual. Even if he's known to have a good control with his emotions, dealing with it properly, and placing it where it’s supposed to be, when he gets that feeling, all of those are thrown out of the window and somehow, he find himself twitching his eyebrow and giving death stares to the person acting way too close to you. He does get clingy though, staying closer to you, lingering touches, intertwined hands, and longer gazes, and everything, as if he’s trying to say something through his caresses and strokes on your skin.

WANDERER — Understanding and patience is what you need. He gets irritated or irked off once he gets jealous and you’ll first think if he’s just having his mood swings or something. He’ll leave you thinking and confused, basically not admitting that he’s jealous and would get more irritated if you won’t be able to guess or know what he’s feeling. He just refuses to talk about it, rolling his eyes and turning his back away when you'll ask him if he's jealous or what, and you can’t help but scratch the back of your head upon recognizing the feeling being expressed by him. He’ll be salty for a few days, just give him a little bit of time—he secretly wishes that you'll woo him and give him more of your attention and time instead.

ALHAITHAM — He doesn’t even know it—or more like he just ignores and fans off that feeling in his chest which will slowly grow, as moments pass by. He's the type of person whose jealousy will start really small, letting it pass, until it becomes something he can't completely turn a blind eye to. At first, he could have an inner monologue wherein he’s in conflict with his emotions and thinking him being jealous is impossible but then he imagines you with someone else and he’s irritated. He reasons that perhaps he was envisioning you with Kaveh that’s why he’s displeased so he thinks of another person and the annoyance persists. He tries to create logic out of what he is feeling before giving up and admitting that he is, indeed, jealous.

KAMISATO AYATO — The clingy possessive type of jealousy is what you’ll get from him. Through his actions and simple words, he'll tell the other party to stay away from you before he'll have to deal with them himself and you could and probably would think 'awww, that's so sweet and cute to see that he's jealous.' Not when you'll come home and he's all over you, lips all over your skin, kisses all over your face, and hands all over your body. However, once the two of you are in bed and you have already fallen asleep, he'll admire you for a little bit longer before pulling you close as if he's afraid that you'll leave him, was he being too much? Well, he just can’t help it when he holds so much adoration and love for you.

KAEDEHARA KAZUHA — Communication is the key so when he’s upset or jealous over something, he’ll tell you about it. Not in a way that it feels like he’s reporting some sort of news or topic to you, straightforward and clear—”I am jealous because of this guy that was starting at you,”—but in a roundabout way: asking so much questions, going back and forth a certain event, his mouth lingering on the topic that made him jealous without saying he’s jealous. He just gets repetitive, hoping that you’ll realize and thankfully, due to the fact that he keeps on talking and speaking over something, you’ll eventually realize what’s going on and once he sees that you do, he just laughs nervously and says: “I’m being childish, aren’t I?”

DILUC RAGNVINDR — He silently looms his jealousy over. Silence, silence, silence, that's the only treatment that you will get from him at first except for the short responses and such as he’s busy dealing with his own emotions, his mind muddled with the thoughts that he shouldn’t get jealous over something so small or petty. He just doesn’t know how to act and what to do, resulting in you receiving the silent treatment from him. However, he would then succumb to his emotions after minutes, suffering more from what he’s giving and not talking to you than the feeling of jealousy itself which will lead to him eventually telling you about what he felt and seeing how adorable he is, how he tries to maintain his demeanor and composure, kissing him would be inevitable.

© azullumi — do not plagiarize, copy, repost, nor translate any of my works.

[thatscarletflycatcher]

The problem with discussions about Henry Crawford is that there are two different questions being asked at the same time: 1) Can Fanny reform Henry? and 2) Can Henry reform?

Austen answers negatively to the first one, but I'd argue she's very ambivalent in her answer to the second.

Austen is not in the habit of "punishing" her villains; none of them are struck by accidents of fortune or anything the like, but we commonly perceive the downgrade between what they could have had and what they end up having. Edward Ferrars is an infinitely preferrable husband to Robert Ferrars, but Lucy Steele never seems to become aware of that fact. Isabella tries to get Captain Tilney over James Morland. Mr. Elliot is not crying by the corners over the fact that he lost Anne Elliot. Even Willoughby's regret is not about Marianne's actual goodness, but his personal convenience. Austen's "villains" as a rule are morally stupid people.

When Aristotle says that no one can be good who is stupid, he doesn't have in mind things like being good at Math or being well read or quick-witted; he's thinking of a certain intuition, clear-sightedness about what is good, what contributes to human flourishing, and this seems to be a strong component of what Austen calls sense. Sense is almost convertible (if not completely) with prudence, and prudence is a rather intuitive virtue, as it regulates the when, the how, the how much, etc of the other moral virtues. (and there goes my first thesis topic that I never did!).

In that way it is interesting that only 4 characters are said to possess sense in Mansfield Park: Edmund, Fanny, Henry, and Tom (and Tom doesn't even fully count, because his is expressed negatively: instead of having sense, he doesn't lack it). Here are the Henry instances:

"He did not want them to die of love; but with sense and temper which ought to have made him judge and feel better, he allowed himself great latitude on such points." "Henry Crawford had too much sense not to feel the worth of good principles in a wife, though he was too little accustomed to serious reflection to know them by their proper name; but when he talked of her having such a steadiness and regularity of conduct, such a high notion of honour, and such an observance of decorum as might warrant any man in the fullest dependence on her faith and integrity, he expressed what was inspired by the knowledge of her being well principled and religious." "That punishment, the public punishment of disgrace, should in a just measure attend his share of the offence is, we know, not one of the barriers which society gives to virtue. In this world the penalty is less equal than could be wished; but without presuming to look forward to a juster appointment hereafter, we may fairly consider a man of sense, like Henry Crawford, to be providing for himself no small portion of vexation and regret: vexation that must rise sometimes to self-reproach, and regret to wretchedness, in having so requited hospitality, so injured family peace, so forfeited his best, most estimable, and endeared acquaintance, and so lost the woman whom he had rationally as well as passionately loved."

(I'm not counting the one time Edmund calls him a man of sense, and the one time Sir Thomas does the same, for obvious contextual reasons).

It's not only interesting that he is the only rake to be called a man of sense by the narrator (Mrs. Smith calling Mr. Elliot a man of sense in Persuasion is clearly not meant to be taken straight), but that it is always specifically tied to moral perceptiveness; he was morally perceptive enough to know he shouldn't have played the way he did, and he chose to ignore it. He perceives Fanny's moral worth, and it is the core reason why he wants to marry her.* He also perceives William's moral worth as something both good and desirable:

"To Henry Crawford they gave a different feeling. He longed to have been at sea, and seen and done and suffered as much. His heart was warmed, his fancy fired, and he felt the highest respect for a lad who, before he was twenty, had gone through such bodily hardships and given such proofs of mind. The glory of heroism, of usefulness, of exertion, of endurance, made his own habits of selfish indulgence appear in shameful contrast; and he wished he had been a William Price, distinguishing himself and working his way to fortune and consequence with so much self-respect and happy ardour, instead of what he was!"

Both here and at the end of the novel, Henry's moral perceptiveness leads to remorse for his own moral wrongdoings. Compare this to Willoughby's regret over Marianne:

"Willoughby could not hear of her marriage without a pang; and his punishment was soon afterwards complete in the voluntary forgiveness of Mrs. Smith, who, by stating his marriage with a woman of character, as the source of her clemency, gave him reason for believing that had he behaved with honour towards Marianne, he might at once have been happy and rich. That his repentance of misconduct, which thus brought its own punishment, was sincere, need not be doubted;—nor that he long thought of Colonel Brandon with envy, and of Marianne with regret. But that he was for ever inconsolable, that he fled from society, or contracted an habitual gloom of temper, or died of a broken heart, must not be depended on—for he did neither. He lived to exert, and frequently to enjoy himself. His wife was not always out of humour, nor his home always uncomfortable; and in his breed of horses and dogs, and in sporting of every kind, he found no inconsiderable degree of domestic felicity."

This sense/moral perceptiveness of Henry Crawford, and his experiencing remorse for his own wrongdoings sets him apart from the other Austen rakes. He's also not a drinker or a gambler; he does take at least minimal care of Everingham ("Everingham could not do without him in the beginning of September. He went for a fortnight") and did some modifications to it as soon as he got it. The same way Darcy's character is revealed as we see Pemberley, so the inflexion point of Henry's redemption attempt is his trying to become a better master of his estate:

For her approbation, the particular reason of his going into Norfolk at all, at this unusual time of year, was given. It had been real business, relative to the renewal of a lease in which the welfare of a large and—he believed—industrious family was at stake. He had suspected his agent of some underhand dealing; of meaning to bias him against the deserving; and he had determined to go himself, and thoroughly investigate the merits of the case. He had gone, had done even more good than he had foreseen, had been useful to more than his first plan had comprehended, and was now able to congratulate himself upon it, and to feel that in performing a duty, he had secured agreeable recollections for his own mind. He had introduced himself to some tenants whom he had never seen before; he had begun making acquaintance with cottages whose very existence, though on his own estate, had been hitherto unknown to him. This was aimed, and well aimed, at Fanny. It was pleasing to hear him speak so properly; here he had been acting as he ought to do. To be the friend of the poor and the oppressed! Nothing could be more grateful to her; and she was on the point of giving him an approving look, when it was all frightened off by his adding a something too pointed of his hoping soon to have an assistant, a friend, a guide in every plan of utility or charity for Everingham: a somebody that would make Everingham and all about it a dearer object than it had ever been yet. She turned away, and wished he would not say such things. She was willing to allow he might have more good qualities than she had been wont to suppose. She began to feel the possibility of his turning out well at last; but he was and must ever be completely unsuited to her, and ought not to think of her.

I have half an idea of going into Norfolk again soon. I am not satisfied about Maddison. I am sure he still means to impose on me if possible, and get a cousin of his own into a certain mill, which I design for somebody else. I must come to an understanding with him. I must make him know that I will not be tricked on the south side of Everingham, any more than on the north: that I will be master of my own property. I was not explicit enough with him before. The mischief such a man does on an estate, both as to the credit of his employer and the welfare of the poor, is inconceivable. I have a great mind to go back into Norfolk directly, and put everything at once on such a footing as cannot be afterwards swerved from. Maddison is a clever fellow; I do not wish to displace him, provided he does not try to displace me; but it would be simple to be duped by a man who has no right of creditor to dupe me, and worse than simple to let him give me a hard-hearted, griping fellow for a tenant, instead of an honest man, to whom I have given half a promise already. Would it not be worse than simple? Shall I go? Do you advise it?” “I advise! You know very well what is right.” “Yes. When you give me your opinion, I always know what is right. Your judgment is my rule of right.” “Oh, no! do not say so. We have all a better guide in ourselves, if we would attend to it, than any other person can be.

This is even more hammered in by the narrator: "Had he done as he intended, and as he knew he ought, by going down to Everingham after his return from Portsmouth, he might have been deciding his own happy destiny."

All these elements seem to point towards his being redeemable; he almost managed it! If only he'd gone to Everingham instead of London, catastrophic failure would have been averted! And yet at the same time we are told this:

Henry Crawford, ruined by early independence and bad domestic example, indulged in the freaks of a cold-blooded vanity a little too long. Once it had, by an opening undesigned and unmerited, led him into the way of happiness. Could he have been satisfied with the conquest of one amiable woman’s affections, could he have found sufficient exultation in overcoming the reluctance, in working himself into the esteem and tenderness of Fanny Price, there would have been every probability of success and felicity for him. His affection had already done something. Her influence over him had already given him some influence over her. Would he have deserved more, there can be no doubt that more would have been obtained, especially when that marriage had taken place, which would have given him the assistance of her conscience in subduing her first inclination, and brought them very often together. Would he have persevered, and uprightly, Fanny must have been his reward, and a reward very voluntarily bestowed, within a reasonable period from Edmund’s marrying Mary.

Ruined by early independence and bad domestic example. Mansfield Park is in a way a rather pessimist novel: it is a novel about education, and once your education has "set", your character is fixed, and your fate determined. Much of Maria and Julia's disgrace was also directly caused by their upbringing in a household where all importance was given to superficial qualities, and very little effective affection was shared; one can compare the restrained calm of Mansfield as a reflection of Sir Thomas' own unwillingness to see reality and give himself some discomfort in making others comfortable, with the bustle of the Musgrove household, and connect the dots to what makes the relationship between sisters Maria and Julia so different from the one between Louisa and Henrietta in similar situations.

In the end, it's a bit of a Schröedinger's cat situation. Can Henry reform? Yes, says Austen, he has the qualities needed for moral improvement, but no, his upbringing ruined him, and his character is fixed.

While this idea is the strongest in MP, it is present one way or another in all Austen's novels. Characters reforming is usually more about one specific quality or moral tone not being fine tuned than proper metanoia. Darcy was taught to do right, and did right; what he needed was to add proper humility and kindness to his practice. There is an exception, though, the one thing Charlotte Brontë and Jane Austen agree upon: a close brush with death is the best recipe for moral cure in the otherwise incurable.

Maybe the key is to wish Henry a good pneumonia, or a strong horsefall-induced concussion.

_____________

*On a side note, it's interesting that before he proposes, he considers how attached Fanny is to Mansfield, as undeserving as he thinks the Bertrams to be of her affection, and even draws a plan that contemplates giving her pleasure that way too: "I will not take her from Northamptonshire. I shall let Everingham, and rent a place in this neighbourhood; perhaps Stanwix Lodge."

[impactedfates]

so like i was thinking of scenarios where genshin or also hsr men whichever you pick <333 could we get some Christmas hcs :)) please 🎄

★ A/N: I decided to do Genshin characters for this request :)) Why not spend Christmas with the fandom that my account started off with hehe. Here's the Xmas special!! Hope you enjoy :>

☆ Genre/Trope: Fluff + Platonic (But can be seen as romantic if you want)

★ Format: Mini Scenarios (Characters Included (Separate): Diluc, Zhongli, Ayato, Alhaitham, Lyney + Childe)

☆ Warnings: None

★ Extra: Reader is NOT traveler // Some brief mentions of my OCs in some // Possible OOC Lyney

I don't think Diluc would necessarily spoil you but he wouldn't exactly NOT spoil you. We know he's rather rich and he can likely get you whatever you so wish however I believe Diluc's one of the types to not want to spoil people too much especially as many likely try to be his friend due to his income.

You'll get multiple gifts from and likely one or two of them are rather expensive things you once expressed an interest in liking, there's also smaller gifts like perhaps a plush of your favourite animal but there's also some homemade gifts he made. A good mix.

I feel like Diluc is someone who usually enjoys spending Christmas alone or just with a few close friends, when or if friends are over he enjoys sitting by the fireplace and chatting. He's not the type to do any of those Christmas games but there is a chance he could get roped into it one day.

Definitely doesn't drink, we all already know he doesn't like the taste of alcohol, besides. Even though he technically has the day off, I feel he'd rather not have a hangover the next day, whether or not he's off.

Speaking of a day off, once the maids/butlers finish their work. Which for that day would be small, just cleaner around the house and maybe cooking a Christmas dinner if friends are over, they can all go home. I also feel Diluc lets them have the next day off as well but for the whole day. He can deal with the housework.

At the end of the day, I think spending Christmas with Diluc means a very peaceful and quiet day. He wants to relax and he'll let himself, you and his workers relax just so they can spend time with those they hold close to their hearts.

Zhongli knows about the things people do on Christmas and he's more than happy to join in if it makes you happy. He goes out shopping for things for his friends (this time he DOES remember his wallet) and ensures it's the best quality while also ensuring it's something that would make you and others happy.

Hu Tao decides to hold a party, inviting you and Zhongli both! There's party games set up, a dinner made and also she insists on not handing out presents yet as she decides to do it near the end of the party, allowing everyone to give out their gifts and they can either open it or open it later at home.

If you decide to open it once you've been given the gift, Zhongli watches your reaction to see if he made a right choice in gifts and sure enough, with the way your face lit up tells him all he needed to know.

Once gifts have been given out, he excuses himself and leaves the party, bidding everyone a farewell. Why? Simple, he must spend some time with the Adepti as well right?

Ayato prefers spending Christmas with mainly family, of course he's not opposed if Thoma or Ayaka wishes to bring along a friend to join their celebration however he's not one to do the same himself.

This doesn't mean he won't give you a gift however, he still does. Ensuring it's wrapped with care before giving it to you. He knows what you like and likely gets exactly what you want.

It's not likely to really hang out with Ayato on Christmas unless Ayaka or Thoma invites you to celebrate with them. Christmas with the Kamisatos is a mix between peaceful and chaotic. We have the hotpot game where Ayato feels a bit more devious in what he adds but there's also the gift giving where people share smiles and thanks over what they got.

Sadly though, I feel unlike some characters, he's one of the few who still has some work to do despite the day. He gets them done quickly so he can hang out with family but the day after it's straight back to work.

But just seeing the smiles of his friends and family make it worth it for him, even if he can't celebrate the whole day and might only get a few hours and he needs to work the next day as well. Just seeing people he cares about being happy is enough for him.

For Alhaitham, I feel like he isn't one to really celebrate Christmas, not like his roommate anyways. Like he'll buy presents for friends but he won't really participate any further than that.

You can try to drag him to a Christmas Party, to have a Christmas dinner or whatever Christmassy thing you do but he'll refuse each time. While he does understand why people enjoy it and it's not that he doesn't enjoy it. He himself just prefers spending time alone.

You'll likely find him using the fact that many people are at home with family and friends to maybe take a peaceful and quiet walk, use the library to read, maybe he might go to the museum if it's opened or he might just be in his room for the rest of the day.

Overall, it's not that he doesn't like Christmas or anything like that, he just prefers to use the day to get time for himself without annoying scholars, he'll still make sure to get gifts for everyone and give them to them however aside from that, don't expect him to respond if you try to call him, he probably has his noise-cancelling headphones on.

(*Something to note: If you are his lover then he would like to spend time with you as well*)

I see Lyney performing a magic show, free of charge. He wants people to see the magic of Christmas. Well...as Christmassy as he can get it, it's your regular magician tricks with maybe some Christmas themed props.

He does this every year, and he'll also pick random kids from the audience and give them a gift. Kinda like a lucky draw! He adores the way the kids face lights up in delight as they quickly rush beside him and he asks them to choose a gift.

After the shows over, he disappears home so he can celebrate with you and his siblings, still doing magic to do so however haha. He'll make your gifts appear in your hands. He ensures you all have fun on this day as he believes that's what Christmas is about. To have fun with family. He even gets gifts for everyone in the orphanage!

However, you may find him on the floor wrapped in wrapping paper the morning of Christmas as he tries to struggle his way out.

"I was trying to wrap a teddy bear"

Is all he could say as he worms his way towards you so you can free him.

I think most of us can agree Childe is big on this day. Especially when it comes to family. He doesn't care how much something is, if his siblings want it he'll get it. No questions asked...although perhaps you could convince him not to get a "Mega Mr Cyclops" for Tuecer, I highly doubt Zakhar would want to see a certain redhead in his office when he's meant to have a day off.

He also spoils you as well actually! Let's say you went window shopping with him one day, not buying anything but just pointing out various things you seem to like. As long as you end up never getting them, expect each item to be in your Christmas present.

On one hand I feel he would have a day off, on the other, there's still that chance that Lady Tsaritsa needs him to do something, and he hates when that happens cause all he wants to do is be with his family and friends but his loyalties to her must come first.

He tries his best to get it done fast so he can come home, let's hope you have spare clothes for him encase and red stains catch on his clothes yeah?

Overall, he is probably the most enthusiastic about the day out of everyone listed.

Happy holidays everyone!! I hope this year has been going on well and I hope next year goes great for youse as well.

Honestly seeing how much my account has grown since my first post compared to now is almost unreal for me but I'm so grateful you all seem to enjoy my work ^^

As it's Christmas (where I am rn) I hope you enjoy today guys :))

[chastiefoul]

telling them that they're pretty.

characters: xiao, zhongli, thoma, alhaitham, itto.

tags: fluff. and very very self-indulgent.

Xiao

He was just standing there, looking over the scattered fields below from the balcony of Wangshu Inn, the breeze swayed his hair gently. With the pouring leaves around him, he looked like a still picture. A beautiful piece of picture.

“Xiao, you are so pretty.” You blurted out, his splendor just somehow overwhelmed you that you could not help but to say. A soft color of pink descended on his cheeks, making what was already an amazing view somehow breath-taking.

“What a ridiculous thing to say to someone such as myself.” He coughed a little to his fist, an attempt to calm his flustered-self. “It’s not, I’m just speaking the truth!” You fumed, crossing your arms, turning  your gaze elsewhere. It eventually reaches the seemingly infinity falling leaves, you could not help but stare in wonderment, the banter long forgotten. At this sight Xiao only shook his head, a burst of fondness tickled his chest.

Is it not you, who’s so incredibly stunning? He thought in silence, a soft smile displayed across his feature.

Zhongli

It was without question that Zhongli is an attractive man. You honestly could not think even for a time where he does not look presentable. But right now, seeing him sipping on a cup of tea so elegantly and gracefully, it was a quite dazzling picture. The loud evening atmosphere of the restaurant and the storytelling was a buzzing noise on the back of your head, his gesture had captured you completely. The almost to no sound clink of his cup snapped you out of the trance. To be this smitten over someone who’s just drinking tea.. you could not help but laugh to yourself softly. “Would you mind sharing what is so amusing to you, dear?” He asked, feeling pleased to see that you’re enjoying yourself.

“Ah, it’s nothing. I just thought you were especially pretty just now.” You brought your own tea to your lips, perhaps the cup would at least hide a part of your embarrassed expression. He just chuckled, “How amusing indeed, I was just thinking the same thing about you.”

Thoma

Thoma is always smiling. Whenever you looked at him doing something, he was smiling as if thoroughly enjoying every single thing he intend to do that day. However, there seemed to be something different about that expression of his when he’s around you. It’s softer and so so warm you could not help but turn into a mush when you’re starting to be more and more aware of it. 

“Good work today, Thoma.” You said as you enjoyed a leisure walk with him at the garden of Kamisato Estate. He smiled brightly, the evening sunset would be envious in gazing that shine of his.

“Thoma, how does it feel to be the prettiest man to exist across Teyvat?” You feigned a serious tone at the innocent and light-hearted question. At this, the golden-haired man blushed. “That is.. too much of an exaggeration love, don’t you think?” He put a hand on his side neck, embarassed. The orange hue complimented his face nicely. You leaned closer, resting your head on his shoulder.

Exaggeration? Not at all.

Alhaitham

Alhaitham is certainly not a man with many words. Most of the time he's quiet, his mind would be the one working all day. So when you asked him to stroll around the market to buy something with you he just tagged along, sometimes picking up an object that interest him, didn't really offer any reason as to why that piqued his curiousity.

Although when he does this, you couldn't help but stare. His eyes narrowed slightly, punctuating that lush lashes of his, the corner his lips twitched slightly as if amused. "How pretty," you sighed out, as if running out of contemplation as to how someone so beautiful can exist like this. The compliment broke his focus on an object that looked like an ugly voodoo doll. "This?" He asked, slightly confused. 

"No, you." You stated, like it should've been obvious. Alhaitham put the doll back to its place, the slightest smile emerged from his lips. "Such nonsense." Still with the same soft expression, he brought his hand close to your face, the back of his index finger glided along your cheeks.

Him, pretty? Have you seen yourself? He thought.

Itto

Itto is his best when he's carefree and unrestrained. Not the times where he loses self-control and cause excessive disturbance in public and got himself arrested, mind you. It's more when he's laughing out loud without a care, happiness in its purest form engulfing him. And thank heavens he's not stingy with that since he's always such a ball of joy especially around you. 

"As i thought Itto, you're the prettiest when you're happy." You said at the end of yet another laughter session with him, talking about nothing particularly, just enjoying the other's presence. Itto grinned, "My baby is a smooth talker huh, I can't lose then!" He said energetically then went to kiss your face all over, you laughed at the contacts. Itto stared at you who's still mid-giggle. "And as I thought, I'm the happiest when you’re with me!!!"

[morgana-larkin]

Ok for the next prompt, the person asked for me to post it separately instead of with the prompt to not spoil anything, so I’ll post the fic and I’ll post the prompt a few minutes after. So pretty much the summary is: The Abbott crew tries to set you up on dates with men, Melissa finds someone to set you up with around the same time she catches feelings for you. Unfortunately for Melissa, you seem to actually like your date she set you up with. But maybe there’s something that Melissa doesn’t know about you and your date…

I have no clue about the title, that was what my brain came up with on 2 hours of sleep. I may or may not post a part 2 with jealous smut. Not edited in the slightest and I hope you like it!

On another note: so this got the most votes in the poll. I literally started writing this, Mine part 5 and my first Marilyn x reader fic and didn’t know which one to finish lol. My ADD got the best of me. So I’m almost done Mine and the Marilyn x reader fic so keep an eye out! Also for the Marilyn x reader fic, anyway want to be added to the taglist? My current one is my Melissa and Chessy taglist that I will not put with my other character fics.

I Feel A Rainbow In You

Warnings: jealous Mel, very clueless reader, angst

Words: 4.1k

“No women? Nobody else? Ever?” Melissa says.

After a bit more questioning, Janine gets a bit upset and walks out. Before Gregory follows her out, you pipe up.

“I don’t get what the big deal is? She has someone, I’ve never been in a relationship.” You say and they all turn to look at you in shock.

Gregory follows Janine out and everyone stares at you in shock.

“Girl you’ve never been in a relationship? Like ever?” Ava says and you sigh.

“Nope, never.” You say and you see Melissa raise her eyebrows.

“Dear, is there a reason you haven’t had a relationship?” Barb asks and that’s when Janine and Gregory walk back in. Gregory told Janine what you said and how everyone looked at you in shock.

“I just haven’t had someone interested in me to date me.” You tell her and you see Melissa looking at you with sympathy.

“What if we helped?” Ava pipes up and you whip your head at her. “We can set you on dates and help you find Mr right or at least someone to start your dating path.” Ava adds and you sigh, finding no way out of this, you agree.

So everyone seems to find a nice man to set you up with and you’re not even remotely interested in them. Then Melissa says that one of her sisters has a friend who agreed to go on a date with you. You put your forehead on the table and slam it a few times. Melissa looks at you and she thinks it’s cute and she giggles. She catches your forehead and brings your head back up.

“Hon, if this date doesn’t go well then we’ll give you a break alright?” She says to comfort you as you’ve been on 5 dates this month. You nod your head at her and she rubs your shoulder. You blush a little bit at her touch and go back to eating.

Melissa has been starting to develop a tiny crush on you. She realised it when you went on your last date a few days ago and she got a little jealous. When you texted her after the date saying there wasn’t going to be a second, she breathed a sigh of relief. You and Melissa became friends rather quickly, you were part of one the people that started with Janine and Jacob and part of the few that remained. When you saw Melissa take an interest in you and no one else that was new, it made you feel really special. Instead of forming a friendship with Janine and Jacob and others that were new, you formed one with Melissa and Barb, mostly Melissa.

On Saturday, you went out with the man that Melissa set you up with, Thomas.

Melissa gets a text from you after the date saying there’s a second one and she feels a stab in her stomach. She obviously was the supportive friend and told you that that’s great.

On Monday, everyone was asking how it went and then there was more questions once you said that you and Thomas were going out again on Friday right after school. Melissa stayed quiet throughout the entire conversation, just kept stabbing her meal and taking angry bites. Everyone noticed this and didn’t say anything, the only one who didn’t notice was you. You were either talking and turned away from her or on your phone texting Thomas. You and Thomas exchanged numbers on your date so that you can keep in contact during the week.

During the week, you and Thomas kept texting and it was driving Melissa up the wall. Not only did you find someone to keep going on dates with, but it was taking her time with you away.

On Wednesday during lunch, you and Melissa were talking. Melissa was giving you her full attention and taking in your every word, and smiling at you as you were talking about your favourite tv show. You then get a text notification from your phone and you pause and look at it.

“Oh sorry, it’s Thomas.” You tell Melissa and her smile drops. She silently stews as she sees you smiling while texting Thomas. You then laugh at something he says and Melissa can’t handle it. She quickly packs her things up and storms out of there.

You watch her walk out of there and you look at Barb for an answer for Melissa’s behaviour and she just shrugs. Everyone feels bad for Melissa, she has a crush on you and it’s at the same time you start dating someone.

On Thursday morning, you burst in to tell Melissa about the newest episode of your favourite show. A smile makes it way to her face and like always, gives you her full attention, even if she hasn’t taken a sip of her coffee yet. She puts her elbow on the table and her head in her hand and stares at you, almost with heart eyes. You then get a text and sees it’s from Thomas.

“It’s from Thomas, he hasn’t said where he’s taking me but says to dress kinda fancy but not like rich fancy.” You say to them and you have no idea what he means.

“Oh girl, he might be taking you to a club.” Ava says, interested in the conversation.

“Oh, well I did mention that I like dancing so it could be.” You say and you don’t notice Melissa hiding her anger while she taps a big sip of coffee. You turn to Melissa and tilt your head. “Melissa, what do you think I should wear? You’ve seen my wardrobe.” You ask her and she turns to look at you and her mind comes up blank.

“I think just wear what you want, you look beautiful no matter what you wear.” She responds with and you blush.

“You’re very sweet.” You tell her and she smiles at you.

“So tell me more about the episode.” Melissa tells you, wanting your attention back on her. She goes back to watching you with a smile as you continue talking. Barb looks at Melissa and prays that this ends well. She knows how Melissa can get when jealous and doesn’t want you or her getting hurt.

In the break room on Friday morning, Barb and Melissa were talking before you got there.

“Melissa dear, you should tell her how you feel, who knows she could be into women as well.” Barb tells her and the trio hears it and agrees.

“And what if she’s not? I’m not going to risk ruining the friendship over my feelings for her.” Melissa says with a pout.

“But Melissa, it’s hurting you. Everytime she gets a text from Thomas, you get jealous. And at some point she’s gonna notice.” Barb says and Melissa is about to say something when you walk in. Her jaw drops as she takes in your appearance. You come in with a black wavy skirt on that stops mid thigh and a dark purple crop top that clings to your body in the best way. The crop top isn’t too short that it’s inappropriate for school but can still see some skin from your belly. You finish the look with some black heels and black tights. You get a whistle from Jacob and Ava and you do a little spin.

“Daaammmn girl, you got that body working for you!” Ava exclaims as she dumps a bunch of sugar in her coffee.

“Thanks! Thomas is picking me up right after school so this is my outfit.” You say as you sit at the table with Barb and Melissa.

“You look wonderful y/n! Thomas will think so too!” Janine says and everyone else but Melissa agrees.

Melissa was shamelessly checking you out until you mentioned Thomas. When you did the little spin, she licked her lips.

“What do you think Melissa? You think it’s good?” You ask her, you value her opinion the most.

“Ya, like I said yesterday, you look beautiful no matter what.” She says and you blush.

“Thank you.” You tell her with a smile.

After school on Friday, you and Melissa are walking out while in conversation. Melissa nudges your shoulders softly as a response to what you said as you walk out of the building. You then see Thomas there to pick you up and you wave at him.

“Hey Thomas!” You say and make your way over to him. “Oh this is Melissa.”

“Hey! There’s the girl of the hour!” He says to you. “Wow you look amazing!” He says as he takes in your appearance. “Hi Melissa, it’s nice to finally meet you. Your sister and y/n here have talked about you.” He says to her.

“Nice to meet you too.” Melissa says with the best smile she can force out of herself. She wasn’t going to ruin this for you, she was going to be as supportive as she can, even if she has to fake a bunch of smiles. Inside she was seething though and it may have come out a little bit in her tone. She didn’t realise it but she was glaring at him every time she looked at him. You didn’t notice it but Thomas sure did and inside he was smirking.

“So y/n, I was wondering if you wanted to hang out on Sunday?” Melissa says and turns to you. “I’ve been forgetting to ask you.” In reality, she didn’t forget, she wasn’t originally going to hang out with you but after meeting Thomas, she feels like she has too. She wants to spend more time with you while she can.

“Oh sure, I’m not doing anything on Sunday. What time?” You say with a smile and she smiles back at you.

“Is noon ok with you?” She asks and you nod.

“Noon sounds perfect.” You tell her and she blushes.

“Alright well I’ll see you then.” She says and waves to you then goes to her car. While she turns to go to her car, she spares a glare at Thomas. You get into Thomas’s car and he drives out of the parking lot:

“Girl, she was jealous!” He tells you and you look at him and scoff.

“How would you know that? You barely even know her.” You tell him.

“You might not have seen it but she was glaring at me the entire time. Do you know how much control it took me to not jump up and down for you?” He says and you roll your eyes. “Come on, you like her and she obviously had feelings for you.” He says to you.

“What if you’re wrong?” You tell him.

“Well how about we keep up this pretend dating situation going on for a bit longer. Maybe she’ll actually confess.” He tells you.

“I don’t know.” You tell him.

On your first date with him, you guys were talking and confessed that you only went on it because of coworkers. You both also confessed that you’re both gay and haven’t come out to your coworkers yet. The entire week you’ve both been texting about your crushes, you about Melissa and Thomas about a guy named Bobby.

“Just a bit longer ok. And besides, I don’t think she was forgetting to tell you about wanting to hang out on Sunday. I think she thought of it after seeing me.” He tells you and you look at him. “I’m just saying.” He tells you and you snort.

He brings you both to a gay bar and you watch a drag show there. You both end up having a really good time. You may not have a relationship yet but you got a new friend out of this that you can be yourself with.

On Sunday you video chat Thomas around 10, you’re wondering what to wear to see Melissa.

“Just go with something similar to what you wore on Friday. Girl, she was checking you out hard.” He tells you dramatically and you roll your eyes with a smile. “Although if you want to be a little spicy, wear a shorter skirt and shorter crop top. Flash her some cleavage, she’ll go crazy.” He tells you and you smile. It wasn’t a bad idea, maybe you’ll see if she’s actually interested in you.

You end up wearing a pleather skirt and red crop top where it shows some cleavage. You see her wearing leather pants and red a lot so maybe if she sees you in something similar then it’ll catch her eye. You top it up with tights and heels that stop just below your knee. You show Thomas the final product and do a little spin. He claps at how you look with a big smile and does a little cat call whistle.

“Womaniser here, you go get your girl.” He says to you. You see the time and say goodbye to Thomas and go to Melissa’s house. You stopped to get her her favourite donuts from her place and then arrive at her place a couple minutes before noon. You grabbed the donuts and your purse and then go and knock on her door. Melissa opens it and she goes to say hi but then sees your outfit and she freezes. You look sexy to her and she unconsciously licks her lips. The action isn’t lost on you but still not enough proof that she likes you. She lets you in and you give her the box of donuts and she opens it and lights up.

“Omg! You got me my favourite donuts! Thanks hon.” She says and gives you a hug. You lean into her touch a little bit during the hug and you feel all warm inside and you have a smile on your face.

You two spend the day talking about anything and you munch on some snacks after you both finish the donuts, she of course offered you half. Melissa is having a great time listening to you talk and she never asks once how your date on Friday went, she doesn’t want to know.

She talks to you at some point about which one of her siblings has annoyed her during the week. It seems her second youngest sibling Toni has annoyed her the most this week. You giggle when she goes on about it and she blushes at you giggling and smiles. She finds you so adorable and she wishes you were hers and not with Thomas. She likes to think that the fact that you haven’t brought him up is a good sign. Melissa invites you to stay for dinner and you always accept.

“Hell ya, I would never miss an opportunity to eat your food.” You tell her and she beams.

She makes you your favourite Italian meal and you have a huge smile when you realise it. She went out and got the ingredients for it this morning, hoping to make it for you since it’ll make you happy. She gets butterflies in her stomach when she sees your big smile and how happy you were and she wants to do this more often. She wants to spend days like this with you more, and she wants to be able to lean in and kiss you when you’re this happy.

You watch a movie while you eat dinner and you let her choose the movie. She ends up choosing a horror film, knowing you like to cuddle into her during them as you get scared. You groan at her movie choice and she smirks at you.

“I’m sure it won’t be as bad as the last one.” She tells you, the last time you hid your face in her neck as you got really scared. Melissa knows it’s as scary as the last one but wants to be able to hold you again and have your face hiding in her neck. When you both finish dinner, it got to the point where the scary scenes were starting and you curl up beside her and she puts an arm around your shoulders. She sighs in content and rubs your arm a bit.

You whine a bit at a scary part and she brings you closer to her and you let her. At another point you jump and hide your face in her neck and she smiles while stroking your hair.

“It’s alright, I got you. You’re safe.” She tells you when you whimper in her neck. When the movie is over you don’t bother to move from your head on her neck and she doesn’t say anything. She just continues stroking your hair and you end up falling asleep on her. She hears your soft snores and she tucks the hair in your face behind your ear. She puts both her arms around you in a hug and sighs.

“Oh how I wish you were mine y/n.” She tells your sleeping form. She ends up putting a blanket on you two and manoeuvres you both so that you can both fall asleep on the couch. She doesn’t want to let you go and she falls asleep with you curled up in her arms, she kisses your head before she falls asleep and then has one of the best sleeps in her life.

Her happiness crashes down on her on Monday during lunch. You and Melissa are talking when Thomas comes in to surprise you and attempts to make Melissa jealous to get her to admit her feelings.

“Hey y/n!” He tells you and you turn around to look at him in shock.

You mouth ‘what the hell are you doing here?’ To him and he just comes over to you.

“I wanted to see you today and got the opportunity so I came to surprise you.” He says with a big smile.

Melissa feels her rage increase by the second. Thomas spares a glance at Melissa and sees the anger radiating off of her. Everyone tries to keep Melissa from doing anything by talking to Thomas to keep his attention off of you. Janine ends up doing most of the talking with him. His attention however turns to you and includes you in the conversation. Melissa finally snaps and storms over to put her lunch in the fridge and slams the door, then she storms out of the break room without saying a word.

Thomas turns to you with a smirk and you give him a glare. “What are you waiting for? Go and get your girl and calm her down before she retrieves her bat and hits my deeply moisturised face.” He says to you and everyone looks at you guys in shock. You hide your face in your hands before Barb pipes up.

“What’s going on here?” She asks and you sigh before turning to everyone.

“I’m gay alright.” You say and everyone gasps.

“So am I.” Thomas admits after you.

“We haven’t been dating, we’re friends and he took me to go see a drag show on Friday.” You tell them all. “Also, what the hell are you doing here?” You turn to him.

“Melissa got jealous, I told you she was jealous when she saw me on Friday.” He tells you and you sigh and cross your arms, he puts his hand up in surrender. “Hey, you wanted to know if she liked you back and girl, she got the feels for you.” He tells you and you miss everyone’s grin when he admits you like Melissa.

You go to find Melissa and when you get to her classroom, you find it locked and you go and knock on it. “Melissa, you in there?” You knock a couple of times and no one opens it so you assume Melissa isn’t in there and you go and check other places she could be.

Melissa was inside her classroom but chooses to ignore your knocking and just stews in anger in her classroom. She realises she can’t be around now if she reacts like that whenever Thomas is around. She doesn’t want to admit her feelings either so she chooses to do everything to avoid and ignore you, starting immediately.

You don’t get the chance to talk to her for the rest of the day, and at the end of the day you go to her classroom only to discover she’s already gone, she always waits for you. You run into Barb and she tells you to just give Melissa some space as she’s dealing with something. The something is her feelings for you but Barb doesn’t tell you that.

You take Barb’s advice and give Melissa space. You don’t try to start conversations with her, you sit with the trio at lunch instead, and you don’t bother to go see her at her classroom after school. This goes on for almost 2 weeks and you’ve had enough.

After school on Friday you go to her house, you knock on the door and she doesn’t answer. You then do insist knocking until she answers,

“Ok I’m coming I’m coming!” You hear from inside and then the door opens. Melissa sees you standing there and she’s shocked, you were the last person she expected to see. “Y/n.” She says softly and surprised.

“What the hell is going on with you?!?” You ask, a bit angry and upset with her. You see Melissa looks stunned at your mini outburst but she doesn’t say anything. “I mean we’re really good friends and all of a sudden you start ignoring me like I’m a fucking plague and I don’t even know why. You act the same with everyone else though, everyone except me! So what the fuck Melissa?” You add and she looks down for a few seconds.

“I’m sorry.” Is all she says.

“You’re sorry? I don’t want an apology Melissa, I want an explanation.” You tell her and cross your arms. She steps aside and lets you in, she’d rather do this inside instead of at her door where people could watch. You go inside and stand beside her couch. “So? What’s going on with you?” You ask her and she cautiously steps closer to you.

“I’m jealous ok.” She says and you look at her with wide eyes.

“Jealous? Of who?” You ask her.

“Thomas.” Is all she says and looks at your reaction and you’re surprised.

“Of Thomas? Why would you be jealous of Thomas?” You ask her. You know that Thomas thinks Melissa likes you and you have the idea that maybe she is but don’t want to get your hopes up.

“Because I have feelings for you and you’re dating him.” She says like it’s obvious and you gasp.

“You have feelings for me?” You ask her and she nods. “Melissa, Thomas and I aren’t dating, we’re both gay.” You tell her and she looks at you stunned.

“What?”

“Ya, we’re both gay. Wait, Barb didn’t tell you? The day that Thomas came, we told everyone we’re both gay after you stormed out.” You tell her.

“She didn’t tell me. She did try and push me to talk to you though for these past 2 weeks.” She says with a small smile.

“Melissa, I have feelings for you too. When I hang out with Thomas or text him, I mostly talk about you, and he talks about his crush on this guy named Bobby.” You tell her and she sucks in a breath.

“You like me?” She asks and you nod.

“How could I not like you? I mean you’re the whole package. You’re short tempered, big heart, amazing cook, you’re ginger, into women, and also drop dead gorgeous.” You say and walk closer with every word until you’re right in front of her.

You can see her blush at your words and looks down at the ground for a second then looks back up at you, with a smile on her face. “You forgot one.” She tells you and you tilt your head at her. “You forgot that I’m crazy about you.” She tells you and you smile. “You know I’m surprised that you’ve never had a relationship before.”

“Oh ya? And why’s that?” You ask and she takes your hands in hers.

“Because, you’re kind, gentle, stubborn, into women as well, stunning, and you love cuddles when watching a horror movie which is cute.” She tells you.

“Hmm, did you pick horror movies just to cuddle with me?” You ask her and she nods proudly. “I should have known.” You say and lean into her and cup her cheek. “You forgot one as well.” You tell her as she leans into you. “I’m crazy about you.” You tell her and she blushes then she closes the gap.

Taglist: @esposadejoyhuerta

@imaginesmultifandoms

@idonothingalldays-blog

@sexysapphicshopowner

@dvrkhcld

@lilfartbox1

@ricejucie

@unicorniusfallapatorius

@a-queen-and-her-throne

@sleep-deprived-athlete

@og-kxsh-420

Let me know if you want to be added!

[miraculouslbcnreactions]

This thoughts still cooking, so it might not make sense, but I think Thomas (Tomas?) Astruc is a very good case study on how being too attached to your own ideas can hinder your story telling.

I don't mean this in a "Thomas's original idea for the series was bad", but rather that he seems so attached to this concept that he can't stand other people having a differing view from him.

Chloe's the titular example here. Some people thought she deserved a redemption arc, and instead of just saying "nah, I don't think so" and continuing to write her the same way he had been, he had to prove them wrong, prove that his idea was the only correct one, and so turned her into the spawn of Satan and let her rule over Paris for some reason.

Instead of making Marinette less stalker-y, he wrote an entire episode poorly justifying it. And, imao, somewhat diminishing what PTSD actually is and does to people.

I'm not saying he has to make any change (though I think making Marinette less stalker-y would be a good change), but instead of 1.) sticking to his resolve or 2.) taking the criticism, he clung dearly onto this perception of his characters and his writing suffered because of how much he had to twist things to "prove" that his original assertions were right. And also that everyone who disagreed with him was wrong and didn't understand

idk if that makes sense, but the concepts been lingering in my head recently

It makes perfect sense! I've had similar thoughts. It's hard to say for sure, but Miraculous may be a case study in "kill your darlings". I'm not deep into the behind-the-scenes lore and I was not here in the early fandom, but I do know that, at some point, a much darker version of the show was pitched. That's why these exist (image source):

[Image description: two sketches styled like comic book covers. Both have the title "The Mini Menace Ladybug". The left cover shows Marinette's silhouette in a doorway. The door's glass and the glass of a nearby window are broken. In the foreground lies a hand holding a ladybug charm. The hand is limp and surrounded by blood, implying that someone is injured or dead. The right cover is Ladybug doing a spinning kick while looking angry.]

We also have this evidence of the darker original concept:

Jeremy Zag then proposed another project... which he was unable to sell to broadcasters... the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience... Sébastien had to make sure that the project could be broadcast on Disney and TF1.... Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted... In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

I've been aware of this darker origin story for a while due to Tumblr and, because of this knowledge, I have often had the thought, "are the writers trying to sneak elements from this darker version into canon?" Because that's the most likely explanation for what's going on here.

If I'm right, then I think that was a terrible move on their parts. They needed to let go of the story that they couldn't sell and embrace the story that they're being allowed to tell. It's why "kill you darlings" is such good advice. Many good stories have been ruined by writers clinging to an idea that ultimately doesn't work for some reason.

It's why the sitcom How I Met Your Mother has such a universally hated ending. The show was originally supposed to go for two seasons and so they wrote an ending that would fit the second season. The show ended up running for nine seasons and, by then, the ending didn't fit, but the writers kept it and left everyone with a bad taste in their mouths, which is not what any writer wants. That's why you have to do what's best for the story even if it means abandoning something that you really love.

This early version of canon may also be why the writers are so obsessed with Marinette. My understanding is that this concept had her mainly acting as a solo hero and, oh look! What is one of canon's biggest problems? Marinette being treated like a solo hero even though she has a partner and, later on, a team!

Not saying that this theory has to be true, just saying that it would explain some things. And if they're poisoning canon by trying to include elements from their darker original? Then it makes sense to assume that they're also doing it for smaller stuff. Like I'm pretty sure I've read that the head writer wanted Chat Blanc to be a lot darker originally, but no one would green light it, so we got an incredibly lackluster episode that spat in the face of the genres Miraculous' is trying to be part of while also falling to have the sort of impact we'd expect from an episode like that. It's a good example of a darling that really should have been killed. It just doesn't fit.

(Totally unrelated sidenote, but is your blog name from Tangled? Because that's what I immediately thought of and it made me smile!)

[electrosair]

Jealous headcanons dendro + pyro ver.

english isn’t my first language, sorry for mistakes

characters: al haitham + baizhu + kaveh + tighnari + diluc + lyney + thoma

word count: 1k

Alhaitham

how jealous is he from 1 to 10?

2/10 He's not really a person who worries too much about those topics, he trusts you enough to date you, so he understands that he doesn't need to be all over you about what you do or who you do it with.

how possessive is he from 1 to 10?

6/10 But even if he's not jealous, there's no doubt that he likes people to see that you're his and that you're going out together, taking you on dates or bragging about what a great partner he has.

what is he most jealous of?

When someone dares to make any move on you while he is in front of you, he can understand that people approach you because they find you attractive, but while you are next to him? That makes him rethink whether people really notice his hands on you and the looks he throws at them.

Baizhu

how jealous is he from 1 to 10?

5/10 It's kind of uncomfortable for him to see other people trying to hit on you when you're already with him, but he doesn't really like to spend his time thinking about how he should take it. He sighs and keeps it to himself.

how possessive is he from 1 to 10?

3/10 You may notice him a little more distant but only if he knows that you have kept information from him about going out with other people, he doesn't understand why you wouldn't want to tell him in the first place when you know he's not going to make any complaints.

what is he most jealous of?

He doesn't like to see you going out alone too often, he worries about you all the time and the last thing he wants is for something to happen to you. So when you do and it's not for a very important reason, he will most likely reprimand you for it or bring up unrelated issues.

Kaveh

how jealous is he from 1 to 10?

8/10 He wants attention, he needs attention, and he wants yours. Try not to make it seem so obvious so you don't get mad at him or feel uncomfortable, but he gets upset when you spend more time with someone else.

how possessive is he from 1 to 10?

4/10 As much as he gets jealous he knows that you are you and he can't control what you do or say, but whenever he can he will hug you and hold your hand in public.

what is he most jealous of?

Hearing you laughing at stories of yours that you tell other people that he thought you would only tell him, or plans that you've talked about and ended up doing with someone else, he would go straight to the bar to calm his thoughts.

Tighnari

how jealous is he from 1 to 10?

4/10 Unless someone approaches you and is too clear with their intentions he will not react. He leaves it up to you on most occasions to tell the person that you are not interested in anything of the sort.

how possessive is he from 1 to 10?

6/10 I want to blame it on him being a hybrid and not anything else because Tighnari is usually very nice to you, but he certainly likes to let people know in subtle ways that you're already with someone.

what is he most jealous of?

That you speak with admiration for people who are not close to him or whom he does not know. He always tries to put up the best image with you and teach you everything he knows, so why do you have to talk that way about someone other than him?

Diluc

how jealous is he from 1 to 10?

3/10 Normally he doesn't get jealous, but when he does, it shows. He would talk even less than usual and you would notice how he rolls his eyes every time someone walks towards you to talk (flirt) to you.

how possessive is he from 1 to 10?

8/10 Small details, just to show everyone how capable he is of dating you and that he takes good care of you. He would give you jewelry that would be visible and from time to time he'd run his hand around your waist to hold you close to him.

what is he most jealous of?

If people come up to you drunk while he's working at the bar, he won't hesitate for a second to throw someone out if necessary or to give harsh answers if they ask for more drinks, even make you stay behind the counter with him.

Lyney

how jealous is he from 1 to 10?

5/10 It's not that he doesn't trust you, he just doesn't trust the rest of the people around you. He knows you and knows what you're like, so he wouldn't hold resentment or anger towards you, but he would towards people who try to have their way with you.

how possessive is he from 1 to 10?

7/10 There are a lot of people who know him and therefore if you start dating him, people would start to know you, so if he sees any strange moves towards you he would be thoughtful and try to get you out of wherever you are.

what is he most jealous of?

He can't stand people asking him about you when he sees that they have other intentions and are not friends that you have already told him about, he doesn't trust them and doesn't want them near you. Especially when they treat you as his assistant, you are his partner, not anything else.

Thoma

how jealous is he from 1 to 10?

2/10 There are a few times when he gets jealous, and it doesn't really last very long. He would usually only get upset if someone is not able to respect your boundaries, such as trying to kiss you or following through after a 'no'.

how possessive is he from 1 to 10?

4/10 He wants to give you space, as much as you need as long as you tell him how you feel and don't hide things from him. So he doesn't really mind seeing you with other people as long as you tell him and at the end of the day you come back to his arms.

what is he most jealous of?

Watching you spend time with other people outside, eating food or taking walks, his heart aches at the thought of you and someone else doing things you could do with him. He can't bear to think that you might have a better time with them or that you don't enjoy your time with him.