#i like literally need a whole wikipedia on this character

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[wrenhavenriver]

[mathmusicreading]

@yummysuika @ospreywhite I really appreciate your translation work; can you explain more about shichen timekeeping to me? Because I know a tiny bit of modern Mandarin Chinese, but I can't recognize the shichens as the zodiac animals:

Zi (I don't know "rat", so I actually can't make any argument here.)

Chou (I don't know "ox", but I reasonably could have expected "niu" for "cow".)

Yin (I know "tiger" as "hu".)

Mao (I don't know "rabbit", but to me "mao" is "cat".)

Chen (I know "dragon" as "long".)

Si (I don't know "snake", but now I find it interesting that it sounds like death, like snakes could be seen as evil in Chinese culture similar to how they are seen in the Christian world.)

Wu (I know "horse" as "ma".)

Wei (I know "sheep/goat" as "yang".)

Shen (I don't know "monkey", but I would have expected "Sun" or "Wu" or "Kong" because of "Monkey King".)

You (I know "rooster/chicken" as " ji".)

Xu (I know "dog" as "gou".)

Hai (I don't know "pig/boar" unless "pork" and "pig" are the same "siu".)

I tried asking my parents, but they just starting talking about how the Chinese zodiac is actually a 60-year cycle with the 12 animals and the 5 elements. So are these shichen names the "Pre-Han dynasty semi-descriptive terms"? Is it kind of like the difference between "midday" and "noon" in English? The former is a "descriptor", the latter is a "name", but they "mean" the same thing?

(I tried checking the etymology for "noon" on dictionary.com, so to be fair "ninth hour" is a descriptor, but in Modern English it's not really recognizable as such and so for the sake of my shichen question, I'm calling "noon" a "name".)

Or is this another language/dialect or due to the evolution of language (changing words and pronunciations)?

I was also looking up the Dragon Boat Festival being on the unluckiest day of the year, and it says, "The Chinese name of the festival is pronounced differently in different Chinese languages. Duanwu (端午) literally means 'starting horse'—i.e., the first "horse day" of the month according to the Chinese zodiac." so I was able to get the exact character for "wu". I think it's interesting that Wikipedia says "literally ... horse" but putting 午 into Google Translate yields "midday, noonday, seventh earthly branch, 11 a.m.-1 p.m." It's unfortunate that Wikipedia only says "different Chinese languages" for "Duanwu" instead of specifying them or time periods, but I appreciate it listing different romanizations by country for Cantonese.

Would you say there's any pattern to Chinese writers or English translators using the above terms vs. using "hour/time/head/body/tail of the (insert zodiac animal here)"? Like if one sounds better for a historical fantasy setting, or choosing to use the pinyin in English instead of translating to not be translating literally? ETA: I should have gotten onto a computer sooner. I asked my parents and then you guys because searching "shichen" in Wikipedia just resulted in https://en.wikipedia.org/wiki/Chinese_units_of_measurement. But further digging took me to https://en.wikipedia.org/wiki/Traditional_Chinese_timekeeping. I'll probably get answers there (Maybe I'll even be able to explain to my dad why he was thinking of ten stems and not matching mathematically with "60 is from 12 times 5, not 10 times 6" when he was trying to lecture on the 60-year cycle for the Chinese zodiac, lol.), so my apologies for bothering you. I'd still appreciate your thoughts on what was formerly the last paragraph about writing and translation choices!

[blueepink07]

Yuno: her struggling relationship with autonomy

(character analysis)

One aspect I have always loved about media characters is their attempt to be perceived as mature, despite their young age. Some succeed, others struggle to hide what they see as their childish side.

Yuno is no different in this context and I'm surprised that people don't talk about it enough.

Beginning with her age 18, it's truly a controversial age, if I may say. It's a confusing age, because you are technically considered an adult, but, at the same time, your mind is not fully developed to actually be one. In the end, you are still a child at heart and mind, despite the fact that you are legally an adult.

We don't know much of her home life and honestly I don't think it would do any good for me to make assumptions, since it's pointless in the long run and it would just lose credibility. However, one thing it's for sure based on Yuno's actions. She desires autonomy.

Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.

I'm the one who chose, let you and you and you all in ~🎵

She highlights quite a lot with these phrases… She chose for herself, she is an adult who willingly decided to partake in compensated dating. Being called naive or innocent, two words that usually are used to describe little children, surely infuriated her… and she shows it.

It's funny now that I think about it. Fuuta also has the same problem, but his reactions are more childish, in the end, not doing him any justice. However, Yuno is no different. Of course, she does it in a more subtle manner, but she really does get worked up quite a lot when it comes to her being perceived more as a teenager than an adult. Her whole song it's literally about this idea. Yuno being infuriated that she is infantilized by the audience, making a sad backstory for her so they can dismiss the idea that there wasn't necessarily a big factor that provoked her to partake in compensated dating, but it's only her own free will.

I might add that the compensated dating itself is a way for Yuno to feel that she has more autonomy and she no longer needs to be treated as a child.

"An adult is a human or other animal that has reached full growth.[1] The biological definition of the word means an animal reaching sexual maturity and thus capable of reproduction." ~ wikipedia

Moreover, even the media promotes the fact that sexual content should strictly be watched by adults. And Yuno does end up having sex during some of these dates…

And if this idea isn't convincing enough… I think that Yuno likes to partake in compensated dating, because she knows the clients don't consider her a child. They are interested in her, in a way that makes Yuno feel satisfied with herself (at least, for a short period of time, when she is in their presence) she feels grown up and mature. She also receives money for her services, providing her with enough financial resources for Yuno to consider that she finally managed to complete one of the first steps of adulthood, to be financially stable.

Doing something that is not really socially accepted, again, can be considered as autonomy, because you do not follow the same rules that the society obligs. Yuno knows how compensated dating is perceived, but she still does it, because she thinks this action provides her "warmth".

The "warmth" that Yuno speaks about is a vague term to describe her desires. Based on her interactions, I would like to think that this term refers to genuineness and mutual understanding. Yuno, in the first VD, describes the society as being a place where "everyone eats each other". People need to point fingers at others who made a mistake, who did something that's not socially accepted to make themselves feel better.

Yuno: That’s right. You know those people who just wanna convince themselves, so they intrude in other people’s affairs even though it’s not their place—I despise them. That’s what I was saying. They only do that to make themselves feel better, don’t they? Those people don’t actually end up doing anything.

And you know what is interesting? The fact that Yuno finds more closure being in the company of some murderers. Why? Because they can also be considered some outcasts of the society that she pretty much dislikes.

Es: However, it also explains why you’ve given up. About yourself, human beings, even the whole of society, you’ve realised everything—that’s why your expression is so cold.

Teenagers usually have little power in our society. They can achieve great things, but have to go through more hardships due to the limited freedom. They need an adult to actually help them. That’s just how society is built.

Yuno's distaste for the society can explain why she has grown so fast, or, at least, thinks that she has matured enough. She was tired of the society inflicting on her rules that she, as a simple teenager, had to oblige. So, going into Milgram, starting to hear people crafting a sob backstory for Yuno, treating her like a child, despite the fact she has already done a few steps in order to sustain herself financially and emotionally as a young adult, it's truly insulting.

Es: This is just popular belief, but the law is also something the people have decided. There’s nothing, which can satisfy every single human being, now is there?

Yuno: That’s right.

However, even after all these, that doesn't mean she doesn't actually struggle with this new found autonomy that she craves.

I actually think that this autonomy is the cause of most of her suffering.

As I stated before, compensated dating is something that she decided to partake in, in order to prove her independence. She thinks that what she has chosen for herself is healing, helping her. But, if it's that the case, then why do we have these scenes?

It's difficult to admit that one of your decisions was actually… Quite wrong. Especially, when it's one of your first one's as an official adult, in the very first stage of your life when you finally have enough independence.

“Cognitive dissonance is what we feel when the self-concept — I’m smart, I’m kind, I’m convinced this belief is true — is threatened by evidence that we did something that wasn’t smart, that we did something that hurt another person, that the belief isn’t true,” said Carol Tavris, a co-author of the book “Mistakes Were Made (But Not by Me).”

She added that cognitive dissonance threatened our sense of self.

To reduce dissonance, we have to modify the self-concept or accept the evidence,” Ms. Tavris said. “Guess which route people prefer?”

So which one does Yuno prefer? To convince herself that what she is doing makes her happy.

Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.

Yuno: I’m not pitiable. My family gets along super well. And I’m not particularly struggling for money. I decided, of my own free will, to do it because I felt that it was necessary for me.

Sometimes, considering how many times she mentions it, for me it feels like Yuno tries to convince herself that what she is doing is good for her.

But you know what is funny to me?

She is good at making herself enjoyable for others as well as giving somewhat good advice:

Mahiru: My birthday…… the day I was born……But was there really any reason for me being born? Lately I’ve started to wonder that. Do you ever think about stuff like that, Yuno-chan?

Yuno: Eh? Not really. I mean, Mahiru-san, you’re really the romantic type, right? Not that I have anything against that. But isn’t it a bit much to think that everything in life has a meaning? If it makes you happy to think like that then go ahead, but if it doesn’t, then isn’t that in itself meaningless?

Mahiru: : ……you might be right. I’ve always just lived my life like this, so I don’t really know.

Yuno: We’ve all just gone through a bunch of things in life that happened to lead us here. It’s nothing more than a coincidence. Definitely not fate or anything. Probably. Even if there isn’t a meaning, you can still be happy that it’s your birthday. That sort of thing’s all you need in life really. So happy birthday, Mahiru-san.

Mahiru: ……no, I’m fine. As long as I don’t move too much I don’t even feel any pain. Sorry for making you worry.

Yuno: Oh, really? That’s good then. Mahiru-san, if there’s anything you want then just ask. It’s not like it’s a huge burden, I can just ask for it along with my own stuff.

Mahiru: Ok…… I’m fine for now. Sorry, for making you worry. Ah, Yuno-chan…… Today’s your birthday, right? Happy birthday.

Yuno: …Haha, thanks. Thank you, but y’know. Is it really ok for you to be saying that to me when you’re in that situation?... you really aren’t suited for Milgram, huh, Mahiru-san.

Amane: What is it… Kashiki Yuno. Don’t sit so close to me. Go away.

Yuno: Sorry for barging in when you’re getting into your worldview thing. But Mahiru-san’s finally managed to get to sleep. Humour me with some small talk while I take a break. By the way, Amane. Have you ever wished you were never born? I’ve thankfully lived a pretty fun life so far, so haven’t really. But you seem to be struggling with something. So I kinda wondered if you thought like that.

Amane: ……I don’t think that. Being born into this world is the first miracle any person experiences, and is something to celebrate. Even if after birth I was put through trial after trial, the value of that will never disappear.

Yuno: Hmm. Ok…happy birthday, then. It’s good that you were brought into the world, I guess.

But Yuno has a big, and I mean a BIG tendency to self-destruct, not intentionally.

Wanting to be independent comes with its own downfalls. At the beginning of the trial, Jackalope states that Yuno has distanced herself from social interactions. So much so, that we have never seen her actually confiding to someone else, in any of the portal timeline translations. She might have her reasons, either minimizing her problems, and using her energy to help the ones she deems to have worse than her, or, this is simply her nature to bottle up her own sadness. This again might also be the cause of her wanting autonomy and proving to herself and others that she is mature enough to manage her emotions.

Not confiding in someone else for a long time can cause depression. Something that Yuno might be struggling with during trial 3 or she is already struggling with it a bit.

Furthermore, it's interesting that Yuno admits disliking behaviors that she deems childish. For example, she doesn't like the way Haruka and Muu behave, because they are ignorant of the problems in prison and have a really childish way of thinking. Amane's hate towards Shidou, might be often wrongly interpreted as a simple child's tantrum. Kotoko's actions, responding with violence to violence, it's again, an aspect often deemed as childish and immature.

Yuno: Really? If you ask me, Kotoko is someone I would never want to make my friend, though. She’s the type who picks a conclusion from the very beginning and won’t actually talk with you.

Yuno: Well, I guess it’s arbitrary who one gets along with. But Mahiru-san in particular is something. I think both her body and mind are at their limits. Also, Mikoto-san was also attacked but apparently it ended up in something of a draw. That guy was strong, huh—how unexpected. Also Haruka and Muu-chan have become kind of bothersome. And additionally, Amane-chan and Shidou-san too, huh.

Lastly, her second MV also shows her desire of autonomy in Milgram, not only through lyrics, but through visuals too.

Beginning with her door, it looks a lot like a medieval castle door.

Her room, the way it is designed, especially the bed and the chair, also resemble a princess' room.

However:

Despite the important role that princesses played in courtly life, they had limited personal freedom. They were often kept under close guard and were rarely allowed to leave the palace or castle where they lived. This was done to protect them from danger and to prevent them from engaging in political activities that might undermine the authority of the king or prince.

Medieval princesses had little to no autonomy most of the time. Their life was dictated from the start, having the only purpose to be betrothed and give birth to children.

That’s why the design choice is intentional. Yuno feels like a princess trapped in her pretty room (the MV is quite claustrophobic, the only outside elements being a few memories), exposed to the world (the many windows imply this), the voices that keep demonizing her.

That’s why the scene where she starts breaking things in her room is so important. It serves as a sign of rebellion, to show that she is not the perfect, helpless princess that people like to portray her as. She is an adult who makes bad or good decisions, who thinks for herself. She is proud of her autonomy and is tired of constantly proving to others that she is not capable of taking care of herself.

[so-this-is-hell]

Ok I watched the leaked episodes

Let’s start with the positives! I love positives!

- Alex Brightman put his whole Alexussy into this shit oh my god, Pentious and Adam actually sound really good. Adam singing is also really really good. Alex can sing in character and carry things well and I’m glad now he’s part of the project. Because at least it’ll be bearable if I see the other episodes.

-Vox is actually weirdly really compelling? Like I actually ended up enjoying the vibe he’s got and his own voice grew on me, I know it’s not what people wanted but it works well.

-Nifty’s voice is pretty ok, so is Charlie’s. They’re some of the better voices of the cast, Alastor’s performance was uh. It wasn’t bad so there’s that!

-the opening exposition was needed but also a bit hamfisted- wait shit the positives- uh, I love the direction it went? Art wise?

-the songs are pretty good, they get you from point A to point B, and at least wasn’t Poison levels of cringe in writing.

-Charlie actually helping Pentious in episode 2 try to repent and be a better person actually feels nice, like a crumb of what the show should of be-

…

Ok let’s get to the point.

-the episodes clearly are trying to shove as much of the plot as humanly possible, to the point that you get whiplash.

-Angel Dust, Vaggie, Valentino, Husk all have voices that either do not fit, crack from the pressure to perform, or are trying so hard to mimic the previous voice that it’s actually worrying. The Angel dust one in particular I’ll get to when I get to the point.

-The plot starts with the main antagonist, literally telling Charlie that her plan is pointless and she should give up. There’s no actual “I want” song to counter this, unless you count the song where Adam mocks her for trying and tells her the exterminations will happen twice a year now.

-Pentious at least wasn’t a creep like i was fearing in the script, but he comes off too pathetic? Like I know he was pathetic and that’s the point but why the fuck does he want to be equal to the Vees now? Didn’t he want to rule over hell himself? I know the instagram had him crop himself into pictures with the Vees but remember those aren’t canon!

-I realized I was able to hop in because I had Wikipedia level knowledge of these characters to the point they click in my head (and enough to where Alastor, Charlie, Vaggie and Husk all felt a little off but that’s neither here nor there). But god I cannot imagine being a new person trying to jump into this show, this is bad. None of the characters get actually introduced outside of Charlie, the show references the pilot which isn’t part of the show so new audiences have no idea what they’re talking about, and the staff gets actually introduced in episode 2. EPISODE 2, TO PENTIOUS!? GIRLIE POP HAVE HIM COME EPISODE 1 THEN?

-Animation that’s either too floaty, too janky, too stiff or straight up traced. Which I don’t blame the animators for, Mammon was busy buying 10,000 dollars worth of peacocks to bother paying them more than a dollar per frame. There’s no charm here.

-Where did the fucking cat key come from? No I’m serious. Where did it come from? It just kinda exists now.

-Alastor’s commercial is just straight up MEAN and he’s often more mean than chaotic, which I know is ironic since he wasn’t a good person and I wasn’t expecting him to be but it’s to a point where it’s not even fun mean. He literally called Charlie’s endeavor “Daddy issues”. It felt like he was just there to slap Charlie in the face.

-Angel Dust rant is gonna be so long that I saved it for last.

I have to put it under the read more because of talk of SA! Fun!

Ok.

I’m saying this as someone who loved him from the pilot and was willing to excuse his behavior as “flaws he can work on” since Addict and everything else proved that there was more under the surface and he was a character that could change and grow and-

…

…

Angel dust, the rape victim… the guy running away from his abuser…

The Angel dust who has traumatic episodes so fucking graphic that he flashes back to them when he’s performing.

Saying “yeah no, fucking sexually exploit me! It turns me on!”

Viv, I know you’re not reading this but I mean this genuinely.

Fuck you.

As someone who’s family has experienced sexual abuse, as someone who’s family still has CPTSD because men in power decide to exploit them… how fuckin dare you make a character enjoy their own exploitation.

This isn’t me kink shaming a sexual character! He can be sexual and like sex! It’s never been the problem and hell it could of been liberation to have sex he deserves.

But no.

Let’s make the SA victim into the sexual harassment character, let’s make the SA victim the Stolas of the show where he wears down his love interest so thin that they have to give up.

Let’s make the SA victim still work under his shitty abuser, and make that into a joke as the abuser mentions wanting to rape everyone in the hotel.

Don’t pay to watch this show, I mean it.

Pirate it.

Hell don’t even watch it, find something better to watch. I’ve been binging anime as of late and I still like captain lazerhawk.

[hotvintagepoll]

Propaganda

Greta Garbo (Camille, Anna Karenina, Queen Christina)—Enigmatic and alluring and made me bisexual. The perfect example of the eroticism in silent films that literally transcends text. Could literally not change anything about her expression but you knew by looking at her eyes what she was thinking. She’s so gorgeous.

Kay Francis (Jewel Robbery, I Loved A Woman, British Agent)— kay francis was an icon of glamor in her time and a top star of the 30s - she was the highest-paid actress at warner bros from 1930 to 1936. she tended to play characters who were charming, sophisticated, and elegantly dressed, and starred in at least one legitimate masterpiece, the sublime 1932 comedy trouble in paradise. her first big role was in the marx brothers movie the cocoanuts in 1929, and she and william powell made seven movies together between 1930 and 1932. even in her sillier movies she always elevates the material with her charm and presence - she never phones it in and there’s a sort of warm, knowing wittiness about her. a really good short promo from a retrospective of her movies that i think really gets her Vibe across

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Kay Francis:

Jewel Robbery clip

"From 1932 through 1936, Francis was the queen of the Warner Bros. lot, and, increasingly, her films were developed as star vehicles. By 1935, Francis was one of the highest-paid actors, earning a yearly salary of $115,000, dwarfing the $18,000 Bette Davis – who would one day occupy Francis's dressing room – made. From 1930 to 1937, Francis appeared on the covers of 38 film magazines, second only to child sensation Shirley Temple's 138." Source: Wikipedia. Kay Francis is like the MOST FAMOUS Actress from the 1930s you've never heard of--and it was her and Norma Shearer who wore and made classic the 1930s tall, slim, bias cut silhouette. She ALSO has a WHOLE PODCAST episode devoted to her life and career in Hollywood--it's fascinating! She is both tough and a total wet cat.

One of the TALLEST Warner Brother stars at 5’9” and known as a “clothes horse” for her glamorous roles wearing the height of 1930s fashion. She fell out of popularity in the 40s, but her 30s work sizzles. The scene with her and Herbert Marshall in Trouble in Paradise where she says she doesn’t care about his reputation (because she’d rather sleep with him?) HAWOOGA

melted my gay heart with her butch look in stolen holiday

"My life? Well, I get up at a quarter to six in the morning if I'm going to wear an evening dress on camera. That sentence sounds a little ga-ga, doesn't it? But never mind, that's my life ... As long as they pay me my salary, they can give me a broom and I'll sweep the stage. I don't give a damn. I want the money ... When I die, I want to be cremated so that no sign of my existence is left on this earth. I can't wait to be forgotten." —From Kay Francis's private diaries, c. 1938

Garbo:

A cold-ass Swedish WLW Sphinx. Had plans to murder Hitler that she never got around to. "She will remain always a child of vikings, moved about by a snowy dream."

First of all, she's on the money; that's how much of a treasure she is. She's beautiful in such a distinct way you need very few lines to draw her. (Drawing by Einar Nerman) She managed to be mesmerizing in both silent and sound films. She kissed a woman in Queen Christina (and probably several more in real life). She was super dry and really funny in Ninotchka. She got the hell out of Hollywood and stayed out, living for almost 50 years after her retirement.

Garbo is one of the many reasons why I'm gay. If you haven't seen Queen Christina please do, She is so gender in that film. Also her accent makes it sound like she's always talking in cursive and it's so hypnotic (or at least I think so).

She's a gay introvert, like all of us here on Tumblr.

Mysterious and aloof, charismatic and enigmatic, with beautiful androgynous characteristics, Garbo is undoubtedly the most eccentric and unique Hollywood vintage star. Her aversion to fame and stardom makes her even more desirable to the audience, and her insane chemistry with the camera, an actress one of a kind! Her particularity and her oddity is what discerns her strongly from her hollywood co workers at the time, noone was like her and would never be like her. I think, to the utmost extent, that she deserves the title of the hottest vintage star, even though that would be an understatement of what she is!

SO gorgeous, her thick Swedish accent makes will turn your brain into pudding

Probabaly a lesbian, absolutely a mood when she retired

[biocrafthero]

Why Sunny’s Halloween costume is a mummy instead of a vampire

Okay strap in guys this is a long one

(Under a read more because I have lost my mind)

(Also for some stuff I’m using Wikipedia as a source this isn’t a professional essay or anything)

Something I have noticed with Omori fans is that, much like with other fandoms, people like to assign fun Halloween monsters to their favorite characters. For a character like Sunny, I have noticed that many people opt to make him a vampire, which is a choice that seems quite understandable. The idea of the modern vampire can be traced back to many different authors, the most popular one in the minds of most being Bram Stoker’s Dracula, which was published in 1897. Some of the visual and behavioral trademarks of a vampire has to do with things such as aversion to sunlight, pale skin, fangs, and the need to feast on the literal blood of others to stay alive. Vampires have always been considered undead, which aligns with their history throughout folklore; there were several instances where corpses were staked after being accused of vampirism.

Reading this, its easy to see why fans would assign a character like Sunny to the idea of vampires based on all of the common traits of vampirism. However, while I do enjoy AUs and such of a vampiric Sunny, I disagree with this common interpretation and instead propose the idea of Sunny being associated with a different kind of undead monster: the zombie.

(“But Kaun, didn’t you say in the title of this post that Sunny is associated with mummies?” Yes, but we’ll get there.)

The origin of the zombie can be traced back to several different sources throughout the world, the most well-known one being Haitian folklore during the 19th century. Regarding modern depictions, popularized by the film Night of the Living Dead, zombies tend to be slow, rotting, human undead (while it must be noted that undead animals isn’t particularly uncommon either). Much like vampires, zombies need to consume humans to survive, but the difference is that, while vampires only need blood in most depictions, zombies tend to eat all parts of the body. The idea of the brain being the specific target is something that’s only come up within the last fifty years throughout pop culture; adding to these newer additions, it was only within the last twenty or thirty years that the idea of the running zombie was introduced and subsequently popularized.

So what does any of this have to do with Sunny?

Well, thought Omori, we are shown clear evidence of why the idea of the zombie resonates with his character. The most obvious example is with Hellsunny, who can be found throughout the entire truth sequence, in some parts of Black Space, and in a very particular cutscene in the Hikikomori Route.

Now, while its easy for us to assume things from the POV of Sunny himself, sometimes its important to take into account the intent of the creator in order to interpret things such as this. So, once again, why a zombie?

Well, the choice of the zombie is quite obvious to me: the fact it is commonly referred to as the living dead. Now what does this allude to regarding Sunny? It most likely correlates with his emotions in the wake of Mari’s death, especially considering he’s the one who killed her in the first place. It is commonly said by people who have experienced the loss of a loved one feel as if they’re just drifting through life after their passing, and the same can definitely be said for Sunny. At the time the real world sections of the game take place, its been four whole years since the incident had occurred, and Sunny has both figuratively and literally wasted away in his own home. Characters comment on how he seems very skinny and/or frail, and how he clearly hasn’t been taking care of himself. In a way, its like a part of him died alongside Mari.

This is where we get to what some would consider to be an extension of the zombie archetype: the mummy.

Regarding its depiction in horror since the history of real mummies is an entirely separate conversation, the modern depiction of the (male) mummy can be found dating back to the 1932 film The Mummy. While most historical, real life mummies had their organs removed before burial, the mummy from the film (named Imhotep) was deduced to have been buried alive after it is discovered that its organs had not been removed at all. Now while the rest of the film’s plot isn’t quite as relevant to our analysis, I believe these details are important to note. The idea of the mummy being something sealed away, only later to be awoken again as some kind of living dead, is very interesting considering the parts of Omori that make this comparison to Sunny. The allusions to the idea of Sunny’s own home being some kind of coffin or tomb adds to these ideas.

This is why I think the vampire comparisons simply do not fit. The idea of the vampire inherently implies that the afflicted needs to take something from others in order to survive, and while the same can be said about zombies it must be noted that within recent years the idea of a kind zombie has been slowly making itself known. Additionally with mummies, aside from the blatantly orientalist bullshit regarding its history in pop culture, don’t tend to be depicted with having to consume any physical part of the human body (but physical violence in general is still on the table for them. They tend to be depicted as more on the level of vampires in terms of their intelligence).

In contrast, the living dead (referring to both zombies and mummies) tend to be much more passive. Most don't go out of their way completely to hunt humans, only hunting if one crosses their path—mummies even more so, with them not even needing human flesh to maintain themselves. When not hunting, these monsters tend to just... exist, not doing much of anything at all. They don't expend energy on actively looking for what they need to survive, instead opting for what they need to find them, wasting away all the while. And the thing is with zombies: they rot. They decay, bound by more realistic things than mummies are (which tend to be sustained my more magical elements in pop culture).

While the idea of having to actively go out and hurt others to sustain yourself is very interesting, when specifically regarding Omori’s canon, it doesn’t quite fit in line with Sunny’s character and his arc. In contrast, him neglecting his own needs and wasting away is more in-line with all of that, which is why he’s more commonly depicted as being a zombie or a mummy by official material.

I know this post is extremely long-winded, but I think this kind of analysis is very fun. Additionally, you don’t have to take my word as gospel, either. I enjoy AUs where Sunny is a vampire, since he’s in a position where he has to violate his own morals in order to sustain himself. I think it acts as a very interesting way to deconstruct his character, and to push him to his limits (including the brink of death if he refuses to hunt).

[rubberduckyrye]

I'd like to point to interpretation that Angie isn't portrayal of a native Polynesian islander because almost all the evidence around her character and what she says suggests she's not living in a village that has cult-like practices, but that she is in a straight up cult and is unaware of it. It explains a lot of stuff from the odd monotheism, why her "village" seems to only employ seemingly dark web shipping company, the police apparently bothering her "village" or her having an English name.

Referencing this Ask

I mean. That is one interpretation, sure, but to deny the fact that Angie is heavily coded to be Polynesian/Native Hawaiian is unfortunately ignoring the problem. Which is the problem I am trying to address itself.

Right in her promotional art, you can see that Angie is carving a statue--and it heavily resembles a tiki statue. Specifically this kind of Tiki Statue. Though since it is unfinished, it could be a full body version, but I digress.

She also mentions living on an island.

And the "natural disaster" that made the island smaller--that is probably heavily inspired by how Hawaii was used by US military and bombed frequently--which, naturally, made the islands smaller.

She also greets people in Salmon mode with "Alola," which is a reference to Pokemon Sun and Moon, which has it's main location heavily based off of Hawaii. Alola is a butchered way of saying "Aloha", which is a Hawaiian greeting.

Also, Angie having an English name matches with historical oppression in Hawaii. Where Hawaiians were forced to name their children with Christian White names and their Hawaiian names be their middle names. It was literally a law, at least, according to Wikipedia, for quite some time. (The fact that this is not easily verifiable is the very reason why having this discussion is so important--and why people need to stop trying to avoid the conversation.)

I understand the desire to want to dismiss the fact that she is a racist caricature because it sucks to enjoy a character who is one. I get it. However--trying to deny the fact that she is heavily coded to be Native Hawaiian/Polynesian is just sweeping the racism under the rug, and is a major problem when you have people like me who want to discuss the topic and how one should handle rectifying the canon narrative's bigotry.

The mere fact that she is so heavily coded to be Native Hawaiian/Polynesian makes the whole cult thing part of the racist caricature. Indigenous people (especially Indigenous Polynesian cultures) are subject to extreme racist stereotypes that include human sacrifices and savagery--and while Angie's culture isn't developed in canon enough to know for sure if it was truly as savage as, say, the King Kong Indigenous folk, the cult behaviors are a sort of "cousin" to that savagery. We as a society see human sacrifices as barbaric, as savage, and even when in a cult setting, we still present these topics in that fashion.

I'm sorry, anon--but I'm going to ask you only this one time to not derail the conversation I'm trying to start. I understand that there are interpretations that help explain away the bigotry--and this is one legitimate way to deal with bigotry in canon media, or so I've been told--but what I want is a full blown discussion on the subject. I don't want people trying to tell me "Oh b-b-but she can't be a racist Caricature, because (X)!" Because that is dismissing the problem to begin with.

This is a problem. This is a discussion about racism in V3's narrative. There is no getting around it--no matter how much you explain away the writing with headcanons and theories, these problems are still here.

So please stop trying to sabotage my desire for a discussion.

I'm going to note that I LOVE Angie as a character. I think that, when you remove the racism in her character stories, you have a very interesting and compelling female character of color who's intelligence rivals that of the smartest V3 characters. These aspects of her character I adore--but to ignore the racism, for me, is to just turn away from the problem and, in turn, contribute to the racist way fandom treats these kinds of characters.

So let me speak. Let me find people who will talk to me about it. Let me grow and learn. Please, for the love of god, let me learn.

[dootznbootz]

I fully blame the Telegony for starting this. It was the first to break up OdyPen and starting the whole "Odysseus is willingly unfaithful" interpretation

EUGAMMON OF CYRENE, WHEN I FUCKING GET YOU!

He needs to be thankful that history is keeping me from yelling at him. 👀 I would leave a book review that would make him CRY. HOMER would leave a book review that would make him cry. My gosh, I wanna see something silly like a meme of some sort with Homer about to fucking WRECK Eugammon, that's so funny.

like it's just such a mess. not only against his character but there are so many points that go against the Odyssey.

1.) Odysseus' line is supposed to only have one son each time. That's Telemachus. You can't just retcon shit to have your OC exist in canon, Eugammon. At least admit it's an AU (Joking...Kind of. 👀)

2.) Tiresias' prophecy. (even fucking wikipedia mentions this fuck up!)

3.) Ultimate wife guy/family man, whose marriage bed is literally a symbol on how he's rooted like a tree on Ithaca, rooted to his marriage, where he belongs, apparently needs to do fuck all and wander about.

4.) You're telling me, Penelope, Queen of Ithaca, was into this marriage circle bullshit? That she would marry he beloved husband's murderer??

Also with the whole "he had a new wife and was with until she died." HOW OLD WAS ODYSSEUS?! HOW OLD WAS PENELOPE?! Odypen were both probably around mid to late 40s when they reunited (at least that's how I see them lol) FOR ANOTHER WOMAN TO GO THROUGH HER WHOLE LIFE WITH HIM???? ARE THEY 150 YEARS OLD????!

And honestly, I think you're right, if it weren't for that stupid poem, I think people would actually study the Odyssey and look through it like, "huh...You know, he seems pretty scared of these goddesses...And really obsessed with this cool as fuck woman. Neat." BUT NO!!! SOME DINGUS HAD TO WRITE BAD FANFIC THAT FOR SOME REASON PEOPLE ALWAYS BRING UP IN YOUTUBE COMMENTS!

You know what? Yeah. Meme time of Homer wrecking Eugammon.

[ur-dad-satan]

Bill Cipher is taking over my brain <3

Okay so ever since I hear that the Book of Bill was coming out, that stupid little geometric dream demon has been bouncing around in my brain nonstop. And then with the thisisnotawebsitedotcom website coming out and being live for a few weeks now, I thought I'd infect you all with this little demon as well.

Maybe spoilers if you haven't been on the website

One thing I've noticed is that a lot of the commands from the computer seem to be from Bill himself. Like of course there's the Hectoring thing from McGucket to show you how the computer works, but there's also so very many more prompts that work. I literally have over 100 prompts written down ranging from character names, Disney themselves, random words that work for some reason, and even fucking MatPat. Some of these bring up little things on the website, some bring up phrases on the computer screen, some take you to different pages, and some even download things to your computer/phone/device.

Now, I want to share some of my favorite prompts and what they do when they're typed into the computer.

Axolotl- "You ask alotl questions" Soos- a note for you and Soos is THRIVING (I'm so happy for him) Gideon- a Google search for sweat resistant bolo ties Bill Cipher- eye of providence Wikipedia page (changes sometimes) McGucket- Cotton Eyed Joe by Rednex on YouTube Disney- "Rat.GIF censored for your protection" Weirdmageddon- A newspaper denying it happened Deer teeth- "For you, kid!" Season 1- Season -1 Antigravity falls MatPat/theory- MatPat saying thet we're on our own Mason- Dipper and Ford message about making anagrams History- (actually gives you several things the more you put it in) Giffany- (just put it in several times) One eyed king- Bill convincing you to pledge your soul to him Babba- Dipper singing Disco Girl by Babba (the whole thing)

You can also pledge your soul to him too! (I've pledged mine to him) A lot of the things I have were found online because for some of them you need the Book of Bill and Journal 3. Before I go though, have some out of context pictures from the website. <3

If y'all want, I can do a big post of all of the prompts and not say what they lead to. But, I just needed to get Bill out of my fucking head.

[lokh]

Im gonna need your like, whole musical rec list, bc literally every song you have posted has not flopped once, give me your faves i need to eat them

OUGHHH YOUVE UNLOCKED THE BEAST ARGSHHFHJDF....

in the interest of making this both easily accessible but not stretching the dashboard, im embedding bandcamp links when i can, otherwise linking to youtube when unavailable

in no particular order, inclusion based mostly on what im still actively into LMAO but also just things you should give a go at least once:

list of artist recommendations

zeal and ardor: described as a mix of african-american spirituals and black metal. try devil is fine, you aint coming back, wake of a nation or church burns

bloodywood: indian folk metal, literally nobody is doing it like them. recently featured in monkey man (2024), try chakh le, yaad or dana dan

stromae: if youve never heard any of his songs WHAT ARE YOU DOING..... incredible lyricist, described as a blend of hip hop/electronic. papaoutai made the rounds on tumblr a while back, but you should also try santé and l'enfer

alamat: pinoy pop. a youtube commenter described them as sounding like 2nd gen kpop which probably also explains why i took a shine to them LMAO, notable for the amount of filipino culture on display and the diversity thereof (singing in different languages, themes). first heard them thru kasmala either here or on twitter lmao, try aswang or maharani

andy bull: alt-pop. a lot of poppy and upbeat songs with a melancholic undertone imo. an australian artist, try it's all connected or keep on running

cosmo sheldrake: electronic, wikipedia also lists him as folktronica and baroque pop. you may have heard the song come along on an apple ad - hes known for sampling sounds from nature. pliocene for example features sounds from endangered ecosystems.

if you like cosmo sheldrake, you might like hidden orchestra (electronica, ambient). also making use of field recordings, i really love the archipelago mixtape but its a hard sell at about an hour lmao. if you like the following song then i implore you to give it a go

son lux: experimental, you may have heard from them in the entire soundtrack for everything everywhere all at once (!!!!!). try dangerous, dream state (brighter night) or live another life.

ammar 808: electronic/world fusion, also behind bargou 08 (folk rock you should also listen to). i just cant get ain essouda out of my head, but i also love geeta duniki

miyavi: j-rock, used to be a visual kei artist. these days he might be known more for anime openings like flashback (kokkoku) or other side (id:invaded), or for work like snakes in arcane (or actually inspiring and voicing a character in it), but ive always been partial to his early work like sukkyanen myv or ashita, genki ni naare

songs/albums

'threads' album by now, now (indie rock).

'dream to make believe' or 'what to do when you are dead' by armor for sleep (rock, emo). here's the truth about heaven from the latter album

i already posted about it but denzel curry's 13lood 1n + 13lood out mixx (rap, trap) is extremely good

the guilty gear soundtracks and im so serious im not fucking joking. different kinds of rock and metal and all sorts of influences put in, a genuine labor of love. xrd and earlier games are mainly instrumental with some vocal tracks (try give me a break or big blast sonic), while strive pretty much always includes vocals (of course i need to rec rock parade, but also try requiem. its genuinely hard for me to pick and choose lmao)

not an album and not an artist

coke studio pakistan and coke studio bangla knocking it out of the fucking park, im particularly a fan of harkalay and kotha koiyo na. you could try the other coke studios too (tamil, india, etc)

triple j like a version is when the radio station triple j brings in artists and has them do a cover of a song (artists choice). i liked denzel curry's cover of bulls on parade and flume's shooting stars (video for this one is incredible, man had a vision you just have to stick it out), but you get a lot of interesting interpretations like the wombats' running up that hill, gordi's in the end or, infamously. the wiggles' elephant

ive DEFINITELY missed out some, but thats what my music tag is for LMAO i hope someone discovers something they like here!!!!

[puffyducks]

DCRC Week #8 (Part 1)

ODIN WEEK! ODIN WEEK! ODIN WEEK!!! It's PKNA #5: Portrait of the Hero as a Young Duck btw. Please enjoy my epic edit- I mean real panel I mean totally real screenshotted and unedited comic panel.

Also, I try to put spoilers for the comics I'm reading about as they happen in the story, but this time I couldn't help myself so beware of reading this if you haven't read the whole chapter yet.

I already have this panel saved in my folder, it's so iconic in my head. He wanna be Batman sooooo bad.

Gotta love these military guys opening fire like their lives depend on it and PK is just behind them making silly little jokes like :D

Wow this guy seems interesting I wonder what his opinions on AI art are

Gorgeous panel and some gorgeous one-point perspective here. Sorry for being an art student but we made a lot of drawings like this and it made me learn that drawing buildings makes me want to die. So this is even more impressive to me in that regard.

Lowkey cute asf for Odin to just put a whimsical little garden in place of where Ducklair tower used to be

Donald is so SAD it breaka my heart 💔 RIP Uno who is totally super dead 💔💔💔

Donald is SO SMALL. Shoutout to the PKNA writers for pushing the entire main Duckverse cast to the side so that they could create an all-new roster of characters that all fucking TOWER over Donald in height. Lyla, Angus, Xadhoom, Styvesant, soon to be Odin in like a few pages. If you need to know anything it's that Paperinik is a little SHRIMP and he is so tiny and small and the most specialest boy ever.

haha..... yeah..................

DEFEND UNO'S LEGACY DONALD!!!!! Also Lyla... okay and I guess Geena cause she's the ACTUAL robot he's defending-

This is the part where I look at the camera like it's an episode of The Office btw. If you know you know.

babygirl

OOOOH SHIT IT'S YA BOI!!! I forgot about him trying to meet Donald by just slamming his ship into theirs. Like I GUESS that's a surefire method to speak to someone...

Cheeky son of a-

GEENA YOU FUCKING NARC

Snitches get stitches Geena... (imagine a little text pops up on screen like in a video game and says "Geena will remember that")

Hmmmm where have I seen this shot before.... *flashback to issue #0.1 which I put a filter over to make sure you know it's a flashback to an earlier chapter*

oh right.

Crying over this shot they BOTH wanna be Batman man 😭 two dumdums that were made for each other

He's so cheeky I hate him (affectionate)

So obviously they bring up that Odin just means "One" (or Uno) but it's also worth pointing out what an Eidolon is. Eidolon is a Greek term, meaning "a spirit-image of a living or dead person; a shade or phantom look-alike of the human form" (at least according to Wikipedia).

"ODIN EIDOLON" LITERALLY TRANSLATES TO "UNO'S GHOST" I FUCKING HATE HIM. I'M SMASHING HIM WITH HAMMERS. AFFECTIONATELY.

Anyways to wrap up with some final thoughts-

Something that doesn't really get addressed in this comic (probably for plot reasons, it's not super relevant) is just how comforting it must be for Donald to travel to the future and see that the Evronian Empire is all but wiped out, a shell of its former self. Obviously timelines can still change, we saw that in Day of the Cold Sun, but it still must be nice to see that all the fighting he does is going to pay off in a big way.

Btw remember that bit in an earlier chapter about Uno finding Lyla attractive? Yeah well I should think so considering that YOU'RE THE ONE THAT BUILT HER- Okay well he's not the DESIGNER but still I think that connection is funny ok. I wonder if Uno scanned Odin's gun and was like "oh"

I like this comic, I think it's another really good one. I mean it's no Earthquake but still, between Day of the Cold Sun, Earthquake, and then this volume I feel like we've just had banger after banger after banger. I'm also super stoked to have Odin in the story now, even if thinking about Uno way outliving Donald and being excited to see him again after 200 years makes me really depressed if I think about it too hard. I'm happy that he got to escape the confines of Ducklair tower and even got a cunty green suit in the process though, good for him. Donald is REALLY gonna regret not accepting that explanation from Uno though, RIP 🙏 SUUURELY he'll figure it out one of these days guys. Like EVENTUALLY. Right???

[homestuckreplay]

The Time Traveler's Can Opener

(page 498-509)

8/18/2009 Wheel Spin: Character Switch Verdict: Oops, All John!

8/19/2009 Wheel Spin: being silly :3c Verdict: CORRECT (Gamer Refrigerator!)

500 pages!! I can't believe how fast these numbers are going up, I'm learning that most webcomics cap at one page a day at most, so feel genuinely lucky to get all this.

I thought John was going to get a Badass Moment where he totally owned those imps in the living room, but he totally biffed it :( but if he'd won against so many enemies so soon, the victory might have felt unearned. I am really noticing the improvement in Rose and John's Sburb abilities - their teamwork in these pages is so good, with John absconding to the study and then Rose sliding the refrigerator into the cranny so the imps can't follow. Rose has great instincts here and is in such a stressful situation herself that I can't help but give her props for her work here.

I do think dropping the safe from so high was overkill, and that destroying John's house is literally the opposite of her job right now. I also think that if the refrigerator gets one more kill it will probably out-level John and therefore take over as both the client player and the main character of our story. So the two of them both have things they still need to work on, but, reading this gives the real sense that they're making progress, and that gives the story a nice momentum.

I also LOVE how the imps, collectively, have a lot of personality. Real video games can often struggle with this, where low level enemies are mindless things to kill that leave no actual impression, but Sburb has really cracked it. The gag where the imps will replace their jester hats with any other hat or hat like object is very entertaining to me, and the fact that they're really invested in the pogo ride for some reason is curious. Most likely they just think it's fun to play with, but I like to imagine that Slimer from Ghostbusters is a god in their society.

I've been thinking recently about what wikipedia terms the 'sad clown paradox,' where comedians have an above average chance of struggling with issues like depression. It's really easy to read John and his prankster's gambit through this lens, but part of me wants to read John's whole house through the lens. From its multiple generations of inhabitants to its decor to its new invasive species, it feels like the essence of the clown is infused throughout this ultimately sad and lonely house.

Under the safe in John's dad's study is a captchalogue card and a note taped to the wall. Inside the safe is another, scuffed up copy of Colonel Sassacre, along with some old papers and an unidentified grey object in the back. I don't know what I expected to be in here, either money or an authentic Joseph Grimaldi jacket, but it seems like the Sassacre book is a really important heirloom that each person in the Egbert family gets to own. I'll probably speculate some more on why Dad wants to save these items specifically once we've seen the papers.

From the antiquated politeness of the new commands, I figured the Wayward Vagabond had read the human etiquette book, but I did not know they'd eaten it. It seems counterproductive to eat information that might be helpful. Unless that's how their species learns and retains things, in which case, great work and it's clearly paying off. Kind of sucks how the author of the etiquette book is British though.

Even now the Vagabond is being polite, it seems really dangerous to have these commands coming to John from an outsider, given how he loses all awareness of his surroundings when he's being commanded like this. But given the logo on the outside, the computer and bunker the Vagabond inhabits were built by someone, for some intended function. So what's the deal? Is the system of giving commands built into Sburb or not? Is there somebody else more competent who is intended to use this command panel, and the Vagabond has stolen their place somehow? Does Sburb really feel like it needs to mind control its players directly? Is the game going to get so difficult and complicated that this is the only way to win? The Vagabond doesn't seem like they have a goal with John beyond obtaining a can opener, but what will happen if whoever's supposed to be using this computer shows up?

[studywgabi]

I'm a Method Cashier!

And this was a role I could really sink my teeth into.

Okay, so, first of all, to work at Store there are 2 online applications, an online training course, 3 questionnaires for your references to fill out, 3 interviews (2 alone and 1 group), a background check, an unpaid 4-hr. orientation, a drug test, a pacer test, a polygraph test administered by an F.B.I. agent (and not like the sexy ones on Criminal Minds), a blood oath, and you have to be able to put on lipstick like Molly Ringwald in The Breakfast Club. Jesus, there are less requirements to be elected president. And a cult wouldn't make you jump through this many hoops to join.

My Marketable Skills: I'm a warm body and I'm not an asshole. I'm not going to say "we should hang out outside of work" to my coworkers or mouth off to the customers. Basically, you should hire me because you could do a whole lot worse.

But I couldn't just say that. I couldn't just be honest. It had to be, with tears glistening in my eyes: "It has been my lifelong dream to be a cashier at Store. Cashiering is my passion. I have 3 Ph.D.s in Applied Cashiering, Cashiering Theory, and Experimental Cashiering from Harvard University's School of Cashiering, and I completed a postdoctoral fellowship at Oxford University's St. Cashier Cashiering College. I have 97 years of experience in the field."

So, I get there, for the first interview, in my silly little outfit, mostly stolen from my mom's closet. I walk in and say excuse me to the first employee I see. She clutches her chest, looks bewildered, and says "excuse me" back.

Gabi, apprehensively: "Hi, I'm here for an interview, could I speak to a manager please?"

Employee #1, startled: "Yeah." She walks off and I assume I'm meant to follow her.

My dead name sounds vaguely similar to the name of a character from a classic poem you read the Wikipedia summary of in ninth grade English class. The first five letters are the same, but the character's name ends with an a, and mine with an e. Anyway, while we were walking, we introduced ourselves and she said, and I've never have cause to use the word "chortling" before, but if there was ever a time, it was then, "Well, your mother must have been a big The Poet fan, huh?" (as if I've never heard that one before). I mustered a polite chuckle and said nothing.

Employee #1, sneering: "You have no idea what I'm talking about, do you?"

Gabi, wishing for death: "No, I know the poem."

Employee #1, under her breath: "Big deal."

The rest of the walk is silent. We turn a corner and see a boy about my age. She starts calling his name, he fully makes eye contact with her, and then turns and speedwalks away. She keeps calling after him and picks up the pace to reach him, but he outruns her. No need to watch the documentary through your fingers, the antelope is safe this time. It turns out he wasn't even the manager, because I meet her next. The interview goes okay and I get the second one. I ask a different employee this time. She says into her walkie-talkie, "Anthony, Daniella is here for an interview, do you want to deal with that?"

Anthony comes be-bopping up to me at 1,000 mph. When he's still several aisles away, he calls out "Hi, Friend!!" in an acoustic guitar-playing youth pastor voice. He leads me to the office, racing down the aisles like there's an serial killer revving a chainsaw behind him, and by the time I catch up in my pencil skirt and heels, I'm panting and sweating. Maybe this is part of the interview: seeing if you can keep up metaphorically and literally. The weakest shall be sacrificed.

Tony asks me, not why I want to work at Store, but why I want to work in general, as if earning money to eat is a casual hobby, like knitting. He asks me if I've applied anywhere else, like Store is a jealous girlfriend. Then he asks me if I have any questions, and I know you're supposed to have something, so I pull a couple out my ass. After he answers them, he asks if I have any more, and, thinking I'm out of the woods, I say not for now.

Anthony, ominously: "You sure?" Slowly pan back to Gabi.

Gabi, brightly: "I'm sure I'll have more during orientation if I'm hired, but I think I'm covered for now. Thank you!"

(Beat.) Anthony: "Well, you know, I'm just gonna give you some advice: you really should have more questions. But don't worry, I'm gonna go ahead and tell you a little bit more about how the Store family does things."

45 minutes later, he asks for a third set of questions, and then, believe or not, a fourth. Sir, this is my interview. You're not a celebrity guest on The Fucking Tonight Show. If you're so desperate for me to ask you questions, why don't you apply to this job? Or do like the rest of us and pretend you're on Ricki Lake talking about how brave you are to share the story of your divorce from Tim McGraw and how it inspired your new album, "Warm Regards, Gabi," currently topping the country charts while you shampoo your hair.

Three business days later, my email: "Congratulations! You have been selected to join the Store Family! Please report for orientation next Wednesday at noon."

Another day, another dollar.

[insufferableprotagonistpoll]

Propaganda why Anakin Skywalker is insufferable:

It's less about his character and more about the way ppl talk about him and narrative around him in a lot of current stuff. The way everyone try to bend over backwards to prove how his reasons to turn Darth Vader were somehow noble or good when almost every single bad guy in Star Wars (expect Palpatine and that guy who taught him) have much more sympathetic history and reasons and how he's not a bad person bc he cried a few times while doing atrocities. And how everyone else gets the blame for all his shortcomings ('they did it but never taught him!!!' -he literally parrotos this same lessons to his own student, it's obvious he knows better but chooses to not apply to himself anything that is slightly uncomfortable to him). Like, I love characters being genuinely not good people as much as a next guy but let's not pretend they're good people actually

the guy has zero critical thinking skills, he whines about everything all the time. I love him, but he’s awful to listen to. THIS BITCH. I HATE HIM. NO CRITICAL THINKING. NO SELF AWARENESS. WHINY MURDEROUS ASSHOLE. LIKE SERIOUSLY. He's a JEDI. LIKE. THEY HAVE HISTORY CLASSES!!!! He should have KNOWNNNNNN that when he had prophetic dreams they're not necessarily true!!!!! Also like. In the Star Wars universe, do Jedi just not have imaginations that can create NORMAL dreams when they sleep??? Do Jedi just not usually dream??? If he hadn't gotten paranoid from the dreams of Padme dying in childbirth

BILLIONS OF LIVES WOULD HAVE BEEN SAVED. FOR THAT MATTER, if you're gonna have A SUPER ILLEGAL SUPER SECRET MARRIAGE, wouldn't you, I don't know, USE PROTECTION SO THAT YOUR WIFE WHO IS SECRETLY AND ILLEGALLY MARRIED DOESN'T GET PREGANANANT????? LIKE LOOK I LOVE LUKE AND LEIA MORE THAN LIFE ITSELF BUT THEIR PARENTS WERE SO FUCKING STUPID. ANAKIN SKYWALKER HATES CONDOMS BECAUSE THEY DONT FEEL AS GOOD I DON'T FUCKING KNOW. Man is an IDIOT. How can you have had a role model and father figure like Obi-Wan for most of your fucking life and grow up to do the shitty, STUPID things Anakin did. Ok this is way too long I'm sorry but I love Obi-Wan so much and Anakin ruined his fucking life and hes just such a little DICK. MURDERED A WHOLE VILLAGE OF SAND PEOPLE. AND DOZENS IF NOT HUNDREDS OF CHILDRENNNNNNNN. ANGSTY WHINY TEENAGER. FUCK HIMMMMMMM

Yes he was probably directed to act that way but the way his lines were written did not help

Propaganda why Tim Jackson Drake is insufferable:

oh man. i've had enough of this duckboy (as the protag, he's tolerable in yj and stuff.) like when tim is the protag every character in the story becomes Worse. lady shiva gets nerfed. steph is turned into jealous hormonal catfight girl. helena is dumbified and too womanly to function (they have a nice dynamic as long as tim isn't the protag). cassie and tim were great in yj98, but as soon as he is The Protag then she is his best friend's girlfriend and they're barely friends anymore. cass is turned into a rapist. dick is turned into a lazy mediocre robin. jason turns into fucky wucky dumb brute yaoi stalker boyfriend who is suddenly obsessed with tim's awesome skills. 10 y.o. damian somehow deserves to be put on a hitlist because he's a savage and tim is civilized. Sometimes the story is bogged own with tim's internal or external lectures about their flaws and how they need to be better (better like him), except for dick HMMMM wonder why that is. probbly wouldn't be so bothered if tim wasn't crammed into the spotlight of every crossover in the 90s and early 00s and then so much of dc and the fandom wave it around as the peak era of comicbooks. like im sorry. he is not a relatable protag. like the editors literally told newspapers that he was created for gen x white dudes who blow their money on comics and merch, the info is on wikipedia.

White twink rich boy who always has to be smartest bestest boy even when he is a part of a whole group of smartest bestest ppl (aka bat family as a whole, like he's literally THE Mary sue of a group of Mary sues) at expense of literally everyone else

His definitive writer is a conservative Republican. His series is full of moral PSAs, *dumb* *hormonal* girls getting into catfights over him, and blatant sexism and racism. He gives anti-marijuana speeches to a standing ovation, he lectures about how babies need a father and a mother, and sex is for marriage. Other characters suddenly become stupid around him so that he looks smart. The other characters talk about how he is the best, nicest, smartest Robin ever and ALL the others were dumber and meaner than he is, even the one that mentored him. He as a grown adult man is canonically still bitter about ""his"" child sidekick role being given to an actual child (fans pretend he is the victim of this on both sides—nope he's the adult fighting a child for the child sidekick role, no adult wanted to replace him). Did I mention that this character is the amazing pure white boy, and his 10-year-old successor is painted as a savage Arab terrorist who needs to be put in his place? T*m is a 5'9""+ adult grown man, not a delicate sensitive baby boy.

[burningvelvet]

reading about edmund curll, an important figure in erotic literature, and didn't know i was about to stumble across the most chaotic wikipedia page ever... i love historical literary drama

critics have always been the same

and of course where there is 1700s literary drama, alexander pope is always involved. no wonder byron idolized him and was involved in a seven-year long public debate concerning him... honoring him the way he'd like to be remembered (see: the pope-bowles controversy). don juan rly was a tribute to him. we need a series about the restoration era (behn/wilmot/dryden/etc) & of course the young romantics (byron/shelleys/keats/etc) and now we also need the augustan era (pope/montagu/now curll, etc.). someone please pplease please let me do an anthology series (in the vein of ahs or black mirror) about literary communities throughout history already!

cartoonish levels of opportunistic behavior. manipulating every situation to work in his favor like a sitcom character...

the most informative thing i've learned from edmund curll's wiki page is that in the 1700s, the name of the U.S. state "maryland" inspired a whole genre of erotica novels based on puns of the idea of a "[woman's name]-land," as evidenced by "bettyland." staples of the genre included colonization as a metaphor for patriarchal sexual conquest, & erotic descriptions of the female body which borrow from descriptions of natural landscape. much to think about re: postcolonial feminism - this quite literally proves the idea that colonization is inherently patriarchal