please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!
do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!
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When people talk about my favourite minor character: omg Hiiiii do you like Blorbo Dongus too? That's soo cool! I love talking about them! Doesn't matter that your interpretation is different than mine, isn't it so cool that such a minor character can still have such varied interpretations?
When people talk about my favourite popular character: Everyone But Me Is Wrong, This Place Is A Freakshow And I Respect None Of You, Next Person To Misinterpret The Source Material Gets Executed On Sight, You'll All So Fucking Stupid–
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it seems the more i do gifs the more hate what is going onnnn
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Hi queer fans of queer stuff! How are we feeling with today's TV industry? How about really bloody angry?
Look, the recent cancelation of Dead Boy Detectives is obviously personal for its fandom, but it's also one more nail in the coffin and I think we have to start doing something about it together.
I went through this with Sense8. With Our Flag Means Death. With smaller but also amazing shows like The Bastard Son and the Devil Himself. Not to mention when it's not cancelled yet but it's boycotted with seasons cut in half or zero marketing. *I am tired*.
If you are too, I ask you to join the campaign. This is specifically about increasing views and attention, not because Netflix is necessarily going to change their minds (we know that's unlikely), but because we want to prove that we exist as a group.
So even if you don't feel like actually watching right now, we ask you to give it a stream if you have a Netflix account, with headphones connected or low volume. If you don't have a Netflix account, and honestly good for you, you can help by boosting us in social media.
I do recommend Dead Boy Detectives for real, it's REALLY good, but this is more about joining forces. They want numbers, so we give them numbers in the most petty way: after they cancelled so that other networks will get interested. At the very least, the crew and creators might get some royalties and they deserve it after busting their asses for years to give us this season.
TL;DR: stream dead boy detectives as a community to shove it in their faces
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this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.
good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.
sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.
so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.
one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.
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The difference between Season 1 and Season 3 of the Bad Batch
Season 1:
Omega: Crosshair, can I have a hug?
Crosshair: The audacity??? Of this Child??? Nothing would revolt me more than to show any kind of weakness to sate your neediness.
Season 3:
Omega: Crosshair, you're getting a hug.
Crosshair: The charity??? Of my Sister??? Nothing would give me more joy than to be hugged by the Literal Angel that you are, though I am a lowly worm.
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I want to make something super clear: all of Brennan Lee Mulligan’s battles are to the death. It is kill, or be killed and that extends to the Rat Grinders.
I like them just as much as the next person but I knew they’d die. They’re amazing antagonists and it’s great that we like them but this is their fate. They were doomed the minute they chose Porter, and yes they chose him and to come back.
Lucy didn’t. It was painful but she didn’t.
The others did. They were doomed by the narrative the moment they got the mark on themselves.
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