#i really am NOT a writer

[impostortale]

Distant [AO3]

Summary:

Impostor doesn't understand why his birthday affects him so much. Emission can't help, he isn't a therapist or a therapy friend… but he tries to be there. It's the least he can do, y'know?

So, remember the poll I did ages ago about me writing Impostor birthday stuff? Well, I did it!

You guys asked for fluff but I found myself bored so uh... slight hurt/comfort, anyone?

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[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[brujahinaskirt]

arthur is rude to that one sex worker because the guys are fucking around as they oughtn't be and he actively wants the source of their distraction to go away. that is how he operates through the entire game: deliberate, utilitarian intimidation and strategic unpleasantness to achieve a goal. it is an early game commentary on arthur meant to position him as a big dog that barks. it is not a commentary on his views about women which are clarified many times afterward. you guys realize that right

[andromeda-aim]

Finished persona5 royal with a friend and i'm continually losing my shit over how much the game hammers home to the player that Akechi's life is the most persuasive bargaining chip that Maruki had to convince Akira to accept his false reality. Beyond the lives his friends were living, nothing changes for him. His family never apologies for sending him away, his classmates still make snide comments about his criminal record, not to mention this is still a world that had him tortured and nearly killed in an interrogation room not too long ago. His life is virtually identical, which can imply that Akira has made peace with what has happened to him. None of that changing would ultimately give him his happy ending or ideal world. Akechi being alive is what gives Akira his happy ending, the person who a literal fucking god of control pitted against him. Because at the end of the day, Akechi doesn't see him as the delinquent with a criminal record, or the savior leader of the phantom thieves. Akira is the product of a cruel unjust game, like himself, strung along by happenstance. Neither boys became strong because they wanted to, this world molded them into weapons to fight each other and see who could make a victim of the other. Akira needs Akechi for his ideal world because to look at Akechi bleeding out in Shido's palace, hear his ragged breathing from the other side of that wall, and pause, is to realize that it could have been him there instead. Which is to say, "I am thou, and thou art I."

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[frownyalfred]

Alcohol tips for newbie writers (or non drinkers!):

At bars, people who order “chasers” after their shots are ordering something to wash down the taste of their shot with. This can be juice, soda, more alcohol, or even pickle juice

Hard liquor is generally sold in stores as shots (tiny bottles), fifths, liters, and handles or in ml (50, 100, 200 etc)

Most people can’t finish an entire fifth of hard liquor (vodka, etc) on their own without being very ill

Conversely, many people can finish an entire bottle of wine on their own without being ill

Liquor can be “bottom shelf” or “rail” or “well” -- all synonyms for the cheapest version of alcohol a bartender has. Bars generally keep several “levels” of alcohol stocked

You order a drink with the alcohol first, then the mix -- e.g., a “vodka soda” or a “Tito’s and tonic”

When you “close out a tab”, you pay for all of the drinks you’ve had that night. Either the bartender already has your card (you “opened a tab” earlier) or it was quiet enough that they just kept an eye on you and tallied your bill up at the end

“Doubles” are drinks or shots with double the standard pour of alcohol

In the US, most shots (pours) are 1.5 oz by default. 

Mixed drinks (gin and tonic, vodka lemonade, cosmos, etc) are generally made up of 1-2 shots and a mixer 

If you don’t specify which type of alcohol you’d like in a mixed drink (vodka cranberry, for example) the bartender will put whatever the “house” liquor is -- and this depends entirely on the establishment. A dive bar will pour rail by default, whereas a nicer tavern might make all vodka cranberries with Tito’s

PLEASE TIP YOUR BARTENDERS THEY WILL REMEMBER YOU I PROMISE

[deoidesign]

I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.

I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.

This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.

When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.

And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.

It's unsustainable and untenable, and it's also the expectation our audiences have.

If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.

[gesturesweirdly]

kakagai first kiss sketch please :)

I was tempted to do a joke w an accidental kiss (like naruto n sasuke) But instead I decided to be weirdly angsty ! I think their first kiss would be really vulnerable and they would not talk about it for like. a long time. Anyways!

[bahoreal]

Question for fic writers!

[raetttriestowrite]

Me, an author, side eyeing my WIP: you're not going to do anything weird, are you? We've discussed this. There's a plan. We're going to stick to the plan, aren't we?

The WIP: *presents subplot, presents additional conflicts, presents character development, laughs in my fucking face*

[szynkaaa]

Zhu Bajie: do you exercise Travel Companion: I like to run away from my problems and feelings

The dialogue is based off a scene from Doctor Who. I don't think that my OC would be going with Zhu Bajie and the Destined One into the rock for the final battle (probably cause she is not able to enter) so she has to sit outside and wait anxiously for them to return.

She is happy to see them return but then also immediately notices how the Destined One's whole demeanour and aura changed. She knew that this point was going to happen where he inherits everything and becomes the new Monkey King, but I also think that she has a hard time wrapping her head around the concept of reincarnation and struggles with accepting it.

So yeah, I imagine the moment after new Sun Wukong comes out of the rock, it's an angsty moment. He just wants to see his best friend and tell her what happened, and now that he is finally "whole" again be able to propely have conversations with her and ask her about all the weird things she says and does, but instead she looks at him like she is very unsure of everything.

Sun Wukong doesn't really have the temper imo or at least here things get a bit heated and he snaps and well, she does what she is best at in situations like this: fucking book it :)))))

Obviously SWK wants to chase after her but Zhu Bajie helds him back and says "ayo kiddo give the lassie some time to process everything, she will come around" he doesn't want to but he knows that is what she needs atm.

Where is Travel Companion hiding meanwhile? In the Zodiac village, the Yin Tiger offered her a spare bedroom, and in exchange she helps around, with the crops, bringing materials back and forth and also has some good times drinking and sharing stories with the villager. Maybe also crying about her woes, and I think that the villager sharing their stories about SWK and explain more about his backstory and stuff helps the her to come around more.

also SWK knows she is there and comes by every day to get his harvest and the free medicing from your local meth dealer Xu Dog. She is hiding in Yin Tiger's lil blacksmith hut everytime he is visiting, but she knows that he knows that she knows that he is there.

And then one day when he is visting Yin Tiger, SWK sighs and goes all "hey bud can you pass this message to Travel Companion," and inserts some very sweet and sappy stuff, knowing that she is there and can hear him. Just as he is about to leave she decides to come out of her hiding spot and go "Hey... let's go talk somewhere more private".

SWK is not showing any emotions but you can tell by the flicker of his tail that he is relieved to see her. Bit worried about the dark eye circle and how not well-rested she looks like, but he will make sure to fix that soon.

[casualavocados]

You should stay away from me. I'm no longer with the gang. I didn't agree. Our boss already agreed four years ago. Pull over and let me out of the car. I'm your boss!

KISEKI: DEAR TO ME Ep. 01 / Ep. 09

[selenekallanwriter]

Every single time

[marlynnofmany]

First typo of the day: "crowcar" instead of "crowbar."

I will not get distracted by the idea of a crow steering with its beak. I won't. I will be strong.

[mugwot]

rotating this crossover in my brain. again. i am not gonna say that the kitty is unlucky Because it is a black cat But. it sure is in situations often. lower are vague end-game Ghost Trick spoilers, go play the game! (or you know, watch a lets play) its short and sweet and has a good resent remaster for pc.

my current thought is that sissel got lost on a road trip? maybe fell through a portal? and is kinda stuck in the middle of nowhere usa. Shenanigans ensue. that happens when you have an increadibly powerful energy source stuck in a kinda defenceless body (not counting the time powers. which i am sure clockwork has nothing to say about and danny specifically doesnt have any negative experience with.)

[shootingstarrfish]

i love when my wife tries to kill me