#i wonder who originally put it there and what it was originally used for

[delopsia]

nosedive | rhett abbott x reader

Word Count: 18,900 Cross Posted on AO3 Warnings & Notes: 18+, AFAB!Reader. Storm chasers AU, Kate, and Tyler appear but are so inconsequential that they can be read as OC's. You do not need to watch Twisters to understand and read this fic! Arguing, brief food mentions, undisclosed past trauma, storm chasing, vehicle accidents, anxiety attacks, friends to lovers, grinding, unprotected sex, includes a sketch that I traced from stock photos I stitched together. Brief Summary: You swore off storm chasing a long time ago. You haven't been able to look at that old truck since the accident, and if you could have your way, you'd never think about that part of your life ever again. You've moved on. Every time you touch that damn truck, something goes wrong. But when your friend and her so-called business partner become wrapped up in a never-ending quarrel, it's Rhett who becomes your biggest supporter. You think you're beginning to remember why you used to love this. How you used to live for your out-of-this-world builds and ideas. Or maybe…just maybe, you're beginning to fall in love with something that isn't a truck.

"So, at what point are we going to tell them?"

"What would that be?" Speaking with the straw against your lips, seconds away from taking another sip of that cheap gas station coffee. "That I'm the one who keeps filling Rhett's truck with tiny ducks?"

"No," Kate's eyes roll, her head shaking ever so slightly, not quite ready to admit to her part in it. "About Dallas."

A gust of wind blows past. Entirely invisible to the eye, and yet you catch Kate's head following as it twists through the field, the wheat rippling in waves. Strange how something you can't even see can cause so much trouble, ripping up the garage roof, blowing Rhett's hat down the driveway, and taking that long-awaited Amazon package across the lawn.

Worse, it blows your straw around, leaving you to gape like a fish as you blindly try to find it again. "Do we even want to tell them?"

Her brow furrows. Confused.

"You can't convince me it's not entertaining to watch them puff up like a bunch of peacocks when we mention him," you can't help but giggle, memories flickering through your head like a slideshow. Rhett grumbling about Dallas under his breath. Tyler pulling up his YouTube channel to prove he's done bigger things than this Dallas guy ever could. Overhearing them griping about him in the hotel gym. "Can you imagine the look on their faces when they finally see him?"

A smile bursts onto her face. "You drive a fair point."

Something clangs to the left. Appearing so suddenly that both of your heads swivel toward it.

Speak of the devil.

Rhett and Tyler. Hauling some kind of unnamed contraption to the trucks. You're pretty sure that it's supposed to put extra weight on the chassis to prevent them from being blown around as easily. Rhett's been muttering about having to build a new one ever since his original build cracked a few days ago.

If you weren't distracted, you think you would be able to recall more of the details, but all you can focus on is...

"Are they allergic to shirts?" Kate chirps after a long moment, but she's not making any effort to peel her eyes away.

Neither are you. Too wrapped up in the way Rhett's bicep flexes as he readjusts his grip on the steel frame. Not quite as bulky as Tyler, but he's got a wiriness to him that almost seems to hypnotize you, stuck staring until you run the risk of being caught. "Are we complaining?"

"Absolutely not," and you only peel your gaze away when you realize that they're walking toward your little afternoon coffee party. You're not dealing with the misery that is Tyler's cockiness again.

Kate's got the same idea, her cheeks dusted with a subtle shade of pink that wasn't there a few seconds ago. Something flickers behind her eyes, the same kind of glint you're used to seeing when she's caught the trail of a brewing storm, but she doesn't say anything.

You wonder if this new frame means they'll focus on upgrading those drills next. Anchoring two feet into the ground was likely an impressive feat when they first installed that onto the rigs, but the technology has progressed so much further since then. Longer augers would be a start, twisting deeper into the earth, harder to be ripped out by high winds. 

"So, do you know when Dallas is coming in?" Kate asks once the boys are within earshot, like she doesn't know the answer to her own question.

Rhett's head perks. Tyler peeks over his sunglasses.

"Few more days, I think," feigning interest in your drink, swirling the straw in circles, anything to pretend that you haven't noticed them yet. "Sunday at the latest."

"Dallas!" Tyler crows. So loud and sudden that you jolt in your seat. "Finally comin' to meet us, huh?"

Rhett peeks at you through the corner of his eye, either too focused on the task at hand or not quite bold enough to match Tyler's antics. Even from a distance, it's difficult to miss the way his gaze rakes up and down your frame as if transfixed by your pajama shorts and the beauty that is your half-awake face.

"He was supposed to be here earlier, but..." motioning toward the empty beer can blowing past. Budweiser's aluminum version of a tumbleweed. "Another wind delay."

Tyler scoffs, the heel of his boot thunking against the can and sending it flying. "How many more times is he gonna use that excuse?"

"As many times as he wants," Kate's stolen the words right out of your mouth, her shoulders shrugging as she turns her attention back to her cell phone.

Wind howls in your ear, rolling the ballpoint pen across the table and right into your cup. It tips before you can even comprehend what's happening, the remnants of your coffee spilling into the dirt. 

"I reckon that's my sign to head inside," you sigh, defeated. This battle was lost the moment you quit paying attention to your drink.

There's not much for you to gather, but nature herself had might as well be interfering with your every move. Blowing the cup toward the garage, rustling your notebook pages when you scoop it up, the pen jumping off the edge of the table just to rub salt into the wound. It's not bothering anything else, not Kate's hair, not the dumb hat on Tyler's head, just your things.

Talk about a personal vendetta.

At least the garage has never betrayed you like this. Cozy and windless, albeit a bit dusty, depending on the day of the week and what project Rhett is working on. The loveseat tucked into the far right corner is much softer than that sunbleached wooden chair, the beaten cushions enveloping you in a loose hug. The thick armrest is the perfect size to fit your notebook. Doesn't have you trying to cram yourself into an itty bitty space. 

And with the back of the couch being up against the wall, there's no opportunity for someone to mosey up and peek at your notes, either. 

The side of the pen is dented, the groove creating the perfect space for your finger to settle into as you begin to draw. This must be the pen that you forgot on the roof of your car and wound up driving overtop of. 

Ink drips from the tip in spurts, scattering across the page in small, ugly blotches. What's supposed to be your delicate sketchings of an idea are starting to look more and more like an interpretive art piece in a museum. Is it a component for one of the storm vehicles, or is there an underlying message about the beauty of mistakes and brokenness?

Whatever. The answer only matters if it's attached to a big, fat check from a private collector looking to hang it next to a myriad of other, questionably produced works. 

"Whatcha ya doin' over there?" Rhett's voice echoes through the garage, seems to come from so many directions that you don't realize where he is until you spot him in your peripheral. Red dirt and grease smeared across his forearms, sweat glistening in the overhead light. You already know he doesn't smell the best, but you can't say you hate the sight of him.

Your pen drifts across the paper once more, streaking through a blob of collected ink in your efforts to build the general shape of a truck. "Sketching." 

It's such a bland reply. Shouldn't intrigue him in the slightest, and yet you can hear the soft thunk of his boots against the cement floor, drawing closer. "Sketchin' what?" 

"A fantasy for an advanced anchoring system," your pen darts across the metal arms, extending from the roof of the truck, one on the passenger side and one on the driver, anchored into the ground. "Buildable, but it's not a feasible idea." 

The light reflects off of his rodeo buckle. Amelia County's bull riding champion. "Can I see?"

You're not sure why he wants to look at your fantasy sketches, but you don't have the energy nor the will to tell him no. Certainly not when he's bending down next to you, so close that his bicep bumps into your arm, hot and swollen from hauling around that heavy frame. You're making no effort to move away, either. If anything, you're moving closer, turning the notebook for him to see.

As if to guide his thoughts, his index finger traces across the lines, grease-stained and so, so much thicker than yours. "What's makin' ya think it won't work?"

"It's not realistic." Easy answer. There's a reason why nobody else has done this. 

But Rhett's head just tilts to the side, a thought visibly crossing his mind. You know it's there; can see it glisten in his eyes as it passes by. "Yes, it is." 

You feel the tug of your arm and the warmth of his hand around your wrist before you realize that he's pulling you up from the couch. There's a creak in your knee as you rise, helplessly stumbling after him.

"What are you doing?" You're chirping, but Rhett doesn't reply, too dead set on hauling you to the other side of the room.

He spins. So do you. The garage blurs into streaks of gray.

Then your back bumps into his sweaty chest, and you're staring at...a newly built drill for the frame. 

"Does this look unrealistic to you?" His voice rumbles straight through you, low as the thunder that you've spent too much of your life chasing. 

"Well...no," you croak after a long moment, "but you already know that it—"

"What about that?" His hand darts out, pointing toward the old radar, built out of scrap material and the sheer power of will. It doesn't work anymore, not after that hunk of debris split it down the middle, but it did for a good few weeks. 

Rhett isn't waiting for you to reply, already pointing toward another contraption. The roll cage, and the rest of the steel exoskeleton frame that hasn't been welded onto Tyler's truck. Then he's guiding your attention to the windshield and window cages; lord knows those glass replacements are getting expensive. The armor plating that has yet to be welded to the vehicles, the reinforced overhead spotlights, the custom grill guards, and all of the little, unnamed crafts that you have yet to see in action.

"None of this was feasible, either," his words are solid, fleeting things, dancing around your head like words from the gods above, "but we still gave it a shot." 

A puff of air breaks past your lips. 

All of that happened long before you and Kate stumbled across them crammed into the corner of a Waffle House. Their trucks were already built. Field tested beyond belief. But...well, you suppose his ideas had to have started the same way yours do, a random thought that evolved out of control until it became a reality.

"Your ideas are no more unrealistic than these were," Rhett murmurs, and it almost sounds like he's sharing a secret. A whimsical little thought meant to stay between the two of you.

...maybe he has a point. 

You turn, twisting to face him. The tips of your noses bump. Piecing blue eyes staring right back into yours, wide as can be. Too close. Way too close. But you don't make any effort to move, and neither does he. He should. Fuck, any closer, and you'd be kissing him, can already taste his minty toothpaste on his breath. 

"Rhett!" Boone's voice arcs across the room like lightning, sends you jumping apart as if struck by it. "You fixin' to bring that upper frame or what?" 

Whatever that moment was, it's gone in an instant. 

Your head comes so close to hitting the ceiling that you can feel it graze past. Seatbelt cinching tight around your chest. Ass bouncing against the seat. Struggling to keep both your hands on the shivering plastic handle overhead. Something clatters across the floor, landing in the mess of components and contraptions that met their maker three bumps ago.

You'd complain, but Tyler's rollercoaster of a truck looks even worse than whatever the hell you just experienced. 

"I'm shocked this old truck has survived this long," you're trying to sound calm, but it comes out resembling a yelp more than anything else. "I remember you driving to high school with this thing." 

Rhett's hands flutter across the wheel, a wave of mud kicking up from under the back tires. "These ol' ranch trucks last forever if you take care of 'em."  

"Doesn't care involve things like...not driving into ditches?" Your shoulder presses against the glass, sliding around as the truck veers to the left, loosely chasing Tyler's messy trail. 

"Probably," he laughs, "but we survived, didn't we?" 

"I'm not too sure about that," frankly, you think half of your soul may still be sitting on the road, milliseconds away from experiencing the horror of Rhett's truck diving into the ditch.

"Oh, c'mon," his hand darts out, nudging your arm, "ya worry too much."

You haven't forgotten about the clouds twisting up ahead, downward spiraling, growing thinner and thinner as it nears the earth. A plume of red dirt rises, staining what was once a perfect, white funnel cloud. Wind squeals around the edges of the truck, wedging its way through the nonexistent gaps between the windows and wailing in your ear. 

Tyler's truck rips straight into the center, unhindered by the mud and soybean plants being hurled against it. There's already a drone dancing around the upper part of the funnel, bobbing and weaving, serves as the eyes for however many people are watching the live stream it's broadcasting. 

Rhett's a little more conservative, looping out to the side and into the path of the tornado instead. Leaves scatter across the windshield, wedging beneath the windshield wipers. But the nose of the truck turns to face the cyclone, and the wind is already beginning to tear them away. 

"Wanna press the button?" You can hardly hear him. Only realize he's talking when you notice his mouth moving.

You're already reaching out, pressing the little green button on the dash. 

The drills whir to life, entirely inaudible, but it's impossible to miss their vibration as they dig down into the soil, the truck gradually sinking lower. 

One blink and the world around you turns to dust. The little ranch truck shivers under the battering of the wind; feels like you're going to blow away at any moment, but nothing around you is moving. 

Hesitant, you peek out the passenger window up at the tornado overhead. It's almost calm. A little quieter now. The crystal sky peeks through the twirling clouds, and if you tilt your head just right, it kind of looks like one of Rhett's gentle blue eyes. 

Rhett's elbow nudges yours as you settle back into your seat. 

You know what he's going to say before he's even opened his mouth. 

"Now, is this more fun than it is with Dallas?" Always comparing your ventures together to what you've done in the past, like he's aiming to jump up to the top of your 'Best Experiences' list.

"Nah," repeating the same thing you always tell him. He should have expected this answer from a mile away. "Dal still has ya beat."

His eyes roll, but he laughs nonetheless. Defeated again. "One of these days, I'm—"

Bang.

The truck jumps. 

Something sharp scatters across your face. Wind screams in your ears. 

The world flips on its head. Upside down. Rightside up. Upside down again. It jars you so hard that your teeth snap together, head smacking against the seat, and there's something yanking against your chest, and your ears are popping and, and, and—

You should have known that was coming. 

Why didn't you know that was coming?

You don't feel the pressure on your shoulders until it's gone. Replaced with something warm that you can't identify. Can't think to try and identify where it's coming from. Something about your head doesn't feel right, but it doesn't hurt. Tickles. Like something is running down the side of it.

The truck flipped. How did the truck flip? 

Fuck.

You, from three years ago, would have seen that coming from a mile fucking away. How have you gotten worse at the one thing you're supposed to be good at? You should've checked the drills, the circuits, the wires. Why didn't you run through any of the safety checks before you left? What if the tornado had been stronger? Sucked you up and spit you out several hundred feet into the air? 

Did you not learn from the last time? 

This was entirely avoidable.

There's something muttering near you. Sounds like thunder in a strange sort of way. Deep rumbles, rolling in one ear and out the other. But thunder doesn't pause in the middle of its booming, not like this. 

"We're okay."

Your throat is so raw that you can hardly speak. Dry, too. Chest heaving, sucking in air faster than your lungs can handle it. What, what...what...

"We're okay," Rhett. That's Rhett's voice in your ear. "We're okay." 

And he keeps saying it. Over and over, like he's trying to convince himself just as much as he's trying to convince you. But it's not working. You're still shivering, and his voice is lodging in his throat, and...

Your head goes dark. 

You don't necessarily know if you pass out or if your memory decided to stop writing things down. 

One moment, you're in the truck, and the next, you're sitting in the middle of a hospital room, squinting as a nurse shines a blinding light directly into your eye. She hums something to the woman next to her, then turns the light off. 

There's a spot in your vision now. Dead center, lingering as you turn your head to look at whoever is sitting next to you, entirely blocking out their face. Their hand over top of yours, thumb swiping idly across your skin, back and forth in a rhythm that you haven't figured out yet.

"What failed?" You know it's your voice, can feel your mouth shaping around the words, but it sounds nothing like you. 

"Hm?" Rhett's hum nearly disappears amongst the commotion going on around you. 

"The truck," trying again, a little more specific now. "What went wrong back there?"

Stitches line his forearm, probably sliced open by the same thing that left the cuts on the left side of his cheek. Glass from the shattered windshield, you think. 

"You'll never believe this," he leans closer like he doesn't want anyone else to hear what he's about to say. "We got hit by a tree."

That doesn't... "A...tree?" Parroting him. You're expecting for him to furrow his brows and ask how in the world you've managed to mishear him, but all he does is nod. You heard him perfectly. 

All of that was because of a tree hitting the side of the truck. Probably struck hard enough to rip the drills from the ground and gave the tornado all the leverage it needed to start throwing you around like a children's toy.

...huh. 

"Hey, is there a lug wrench sittin' over there?" Rhett asks, his foot kicking out toward the tool cabinet as if to try and point you toward it. Whatever he's doing up under the truck, he must not be able to see that you're already standing in front of the damn cabinet. 

You already see them, sitting amongst the mess of tools resting on top of it. "You've got two." 

His head pokes out from the side. "I do?"

"One is silver, the other is black," lifting them both for him to see. You don't see a difference between them; they both do the same thing, but you're not the one needing them.

"Give me..." his lips purse, "the black one."

You bend down, handing the tool off to him, but the silver one is still in your other hand. "Remind me again what drawer these belong in?"

He taps the thing against his chin. "Any of the middle ones is fine." 

"And here you wonder why you can never find anything," you tease, an ache blooming in your chest as you laugh, still a bit sore from being rolled around like Mother Nature's bowling ball.

Something metal hits the floor, audibly rolling away. A bolt, you think. Rhett swears, boots squeaking as he clambers out from beneath the vehicle. "'ts hard to stay organized when ya share a garage with someone like Tyler."

"That bad?" You would look to see what he's chasing, but organizing this mess is higher on your priority list. 

There's so much junk on the top of this cabinet that you can't figure out what is what, in such a disarray that it seems to swallow up everything you sit on top of it. Somewhere in here is your ten-millimeter socket. 

Kate's voice echoes from outside, loud enough for you to hear her but not enough for you to understand her. Tyler shouts back, the slam of a truck door punctuating whatever he has to say. You think he's still talking when Kate blurts something that sounds like an "I don't care!" Tyler doesn't seem to like that at all.

You turn to look at Rhett right as he does the same. Defeat. Confusion. An overall look of being absolutely done with hearing it from them. You recognize it all; you're feeling the same damn thing. 

And here you thought you'd found a place to escape from them.

"Are those two ever gonna get together?" Rhett whines after a moment. 

Your head shakes, "Kate's got a strict 'no dating business partners' clause." 

They're getting closer now, slowly but surely carrying their argument to the garage. You're not sure why. Everyone was there when the argument started in the restaurant, gradually clearing all of you out of the booth with to-go boxes and a migraine to boot. 

Rhett reaches through the open truck window, pressing the garage door opener. With a groan, it starts to close, taking away your fresh midnight air but granting more silence in return. "Does that rule apply to you, too?"

"I'm not sure," you'd never actually...considered if you were wrapped up in that law or if it was Kate-exclusive. "Why?"

Rhett's eyes dart away. 

Have his ears been red this whole time? Or maybe it's a trick the light is playing on you because it seems to disappear as he rushes toward the side door, sliding the deadbolts into place and twisting the locks. 

There's no way that he's... "Are you seriously locking them out?" 

"Do you wanna hear them argue for another hour?" He doesn't need for you to answer that; he already knows the answer. "Get me that padlock off the table."

Padlock. Shit, where did you last see that?

There's so much on this table. Jumper cables. Tools. Tools. More tools. Bolts. A box of nails. Your missing socket. A chocolate candy wrapper. Tootsie rolls. Another box of nails. Shit, is that a broken phone case? You push your hands through the mess, shoving it all to the side, but you don't see it. Where is it? Where is it? 

Someone knocks on the garage door. Rattling across the garage.

Fuck, fuck, where is it? You don't see—

There it is.

You don't feel it in your grasp until you're halfway across the room. Shoving it into Rhett's open hands. The garage door rattles. But Rhett's shoving the hook through a hole in the tracks, squeezing it closed until it clicks. 

"Are y'all in there?" Tyler's muffled voice is the last thing you want to hear. 

Something moves in the window. 

Your body moves on its own. Grabbing Rhett by the bicep. Diving toward the couch. 

He's too big to be tumbling after you, but he does, the loveseat squealing as he lands on top of you. An elbow finds its way into your ribs. Your knee slots between his thighs. His hair is in your face, and you can smell the vanilla of his cologne, and his hand is on your waist—

"Rhett?" Tyler tries again. Knuckles tap at the window. 

You know they can't see you. If they could, then they would be calling you out on it. 

This couch isn't wide enough for you and Rhett to be lying on it like this, your shoulder hanging off the edge, his knees awkwardly bent to make room for your legs. He's finding a way to make it work, though. Wedging himself up against the back cushion, granting you enough room to roll onto your side without falling off. 

You're not sure if you want to comment on the arm that drapes around your waist, securing you to him. 

"I entirely forgot about the window," he whispers. Does he think Tyler can hear him talking from outside? 

Laughing, you tap him on the nose. "I know you did." 

So much of his hair has fallen into his face that you can no longer see his expression, concealed under a mass of unruly, brunette curls, untamable by any means of the word. He can very well push it out of the way himself, but for some reason, you find that your hand is beginning to do that for him. Collecting locks of it with your fingers, sorting them to their respective sides, tucking some of it behind his ear. 

"Watcha doin'?" He asks as you unveil his hidden eye. It looks bluer than it was before.

Your touch falters. "I wanted to see your face." 

"Yeah?" The corner of his lip lifts a little. 

"Yeah." Nodding. 

And your hand just...falls onto his cheek. Idly resting there, like this is exactly where it belongs, where it's always gone after you've finished fixing his hair. 

Worse. He doesn't make any effort to stop you, lets your thumb swipe up and down his skin, meandering across the tiny cuts that linger there. If you didn't know any better, you would think he nicked himself while shaving, but there are far too many of them for that. Too high, too. There's even one up beside the corner of his eye.

"No!" Even the garage door isn't enough to muffle Kate's voice. "We're not doing that, Tyler!"

Tyler isn't quite as loud. You can hear the general sound of his voice, carrying through a sentence or two, but you can't make out a single word. 

"Because—because it's ridiculous," Kate's still going. Tyler says something a bit louder.

You don't know when Rhett started moving, but all of a sudden, you're way too aware of how close his face is getting. Inching closer and closer until...

He rubs his nose against yours. Slow little motions that don't stop until you can no longer fight off your smile.

"What're you doing?" You giggle, making no real effort to stop him. 

He's too close for you to see his mouth, but you recognize the way that the corners of his eyes turn upward with his grin. "Distractin' ya." 

It must be working because you no longer have the capacity to think about what's going on in the driveway. His hand smooths up your back, making its way up to your face, and he's so warm, heat radiating off his palm like he's got a small fire burning in his veins. Rough fingertips brush against your cheek, hesitant to make any solid contact. 

"Your cheek is still swollen," his palm gradually comes to flatten against your cheek, his hand so big that it seems to cover your entire face. 

Kate's voice echoes in the back of your head. No dating business partners. But something about his touch...it's addicting. "Well, that's what happens when you get thrown around by a tornado." 

He doesn't seem to have much else to say to that. 

To be fair, you don't know what you would say to that, either. 

His thumb swipes across the upper portion of your cheek. Your fingers find their way down to his jaw, pushing through the stubble there. It's soft, has had time to lose the stiffness that comes with being recently shaved. 

It seems that you may have finally lost Kate and Tyler; you don't hear them bickering outside, at least. You lift your head, craning to look over the arm of the couch and at the door. The window is impossible to see from this angle, but you get the feeling that they're no longer standing outside. 

"What's that?" You ask, nodding toward something that you know he can't see.

Rhett's fingers trace their way over to the shell of your ear, not interested in trying to look at what you're asking him about. "Hm?"

"The little contraption sitting next to the door," clarifying, "it looks like a bunch of pipes welded together."

"Oh, that's...supposed to be a tree to hold a bunch of different instruments," he tilts his head back a little, realizes he can't see anything without sitting up, then immediately lets himself fall back against the couch. "I can get everythin' on it, but I can't get it to stay on."

"Industrial glue and steel hose clamps." You have to pause for a moment, sifting through dusty memories, trying to recall how you used to protect Kate's old contraptions. "Maybe build a thin cage around it in case those two things fail."

Rhett's quiet again, his brows knitting together. 

Is he confused, or is he just thinking about what you said? 

It takes him some time to find his words, half-built sentences flickering behind his eyes. You can practically hear the gears turning up in his head. And then, hestiant, his lips part. "I feel like you know a lot more 'bout storm chasin' than you let on."

Something in your lower belly twists. "What's telling you that?"

"You're confident when you're in here," he doesn't need any more time to think on this, his thoughts flowing off his tongue like a waterfall, "most of the folks who walk in here don't have the slightest clue what we're building, but you recognize almost all of it." 

Your eyes dart away, looking down at your intertwined legs, bent and crammed onto this tiny little couch. His fingers curl around your jaw, gently guiding you to look him in the eye.

For reasons unbeknownst to you, you don't fight him on it. 

"You draw up some of the coolest concepts I've ever seen, you...you..." the corner of his lip wobbles up and down. The sight of it makes your head feel funny. "Shit, you make me feel like I'm not the only person here who knows how to do this kind of stuff." 

You suppose you should have expected this. It takes one to know one, and you haven't done yourself any favors by always working with him in this dingy old garage. But you don't entirely know how to respond to that or where you should even start...

"I used to work on an old storm truck that Kate and I owned," it comes out so easily that it almost surprises you, "but that was...god, that was forever ago."

Rhett's eyelashes flutter, his head tilting like that of a curious puppy. "Why'd you never tell me?" 

Shattered glass. The snap of hydraulics splitting in half. Blood blurring your vision. Ear-splitting howling. The world flipping on its head. Rain in your eyes. Steel digging through your back. Your chest tightens. Hail pounding into your skull. The screaming. It's your fault. It's your fault. It's your fault. 

And you're...warm. 

"'m sorry," Rhett murmurs, and you don't know when he got so close, but you can feel the vibration of his voice against your nose. A careful hand smooths up your back, another arm securing you to him, tucked up under his chin, shielded from the glaring openness of this too-big garage.

He doesn't move, and neither do you. But this time...this time, you think you know why. 

Rubber squeals against the pavement, so shrill that it soars above the roar of the engine. Your shoulder slams into the window, seat belt cinching tight as everything spins into a blur. 

"Tyler!" Kate yelps.

"Kate!" Tyler. Ever so mocking.

"You're gonna get another ticket." Her hand darts out, smacking his arm. Tyler's got something clever to say about that; you don't hear any of it. If you start listening now, you'll have a migraine before the funnel cloud touches the ground.

Rhett meets your gaze out of the corner of his eye. Telepathy must be real because you know exactly what's running through his head.

Here we go again. 

If you'd known this would start up again, then you probably would have faked an illness to stay home. A headache, an upset stomach, or a sudden onset of death that will miraculously cure itself when the storm chase ends. Anything.

Tires squeal again, the truck seeming to tip onto its front wheels. The seatbelt yanks on your shoulders, throwing you back into the seat. Rhett's phone smacks against the console. A scattering of papers, nameless weather instruments, and unlit rockets scatter across the floor. 

Wind rocks the vehicle back and forth. Squealing through the crack in the window like a kettle boiling over. Or maybe you're just hearing things because nobody else seems to hear it. Tyler's shouting into his camera. Kate's rattling something off about how the tornado is forming directly above the town you're driving through.

A wave of rain pelts the windshield. Hail pattering on the roof. Something silver flies past the nose of the truck, striking the building to your right. The brick splinters, debris falling like rain. Kate yells something. Tyler shouts back at her.

"Hang on, hang on," Rhett jumps in his seat, blindly smacking his hand on the console, looking at something you can't see, "stop the truck."

But Tyler is saying something into the CB radio, veering the truck to the right with one hand. Kate doesn't lift her head from the scanner. And they're still fucking arguing. You don't know if they even hear Rhett over the clash of their own voices, nevermind the storm.

Rhett yanks on the door handle. It peels open, rain spewing through the gap. "Ty, stop the damn truck!" 

"Rhett?" You yelp. Scrambling.  "Rhett, wait!" 

You can't stop him. 

He's jumping out of the truck before it's even stopped moving. Bricks and sheet metal hurl past. The door slams closed. You don't see where he went. Where is he? Where did he-where did he go? Why is the truck still moving—

"Stop the goddamn truck!" Screaming so loud that it doesn't even sound like you. 

The truck lurches. The seatbelt rips the air from your lungs. Taking it off is the last thing you should be doing, but it's already unclipped. Papers crunch as you scurry into Rhett's seat. Wind beats against the door. Does everything in its power to keep you from forcing it to open. You can't see a thing. Not even with the damn door halfway open.

"Where's Rhett?" 

You don't know which of them asked that. You don't care to figure that out. "If you two could stop fighting for two fucking seconds, then maybe you would know!" 

It's like someone flipped a switch. The wind and rain just...dies. There's a reason for that, a term and definition that Kate probably memorized in college, but you're not sticking around to hear it. Slipping out of the truck, you dart out into the mist. Fog already licks at your heels, so humid that it feels like you're wearing a second skin out here.

"Rhett?" Calling out. 

You don't see him. There's nothing but debris and disheveled produce stands, all the cracked open watermelons and runaway apples in the world, but no cowboy. But where did he... Turning around. Where did he get out of the truck? It was further back than this. Yeah. He must be further down the road. 

"Rhett?" You're trying again, toeing through the mess. 

There goes the rain again. Starting up so quickly that you wonder if Mother Nature accidentally pressed pause on her remote. Something carries over the rumbling thunder. Something that sounds like your name.

You hear him, but you don't see him. "Rhett?" 

"I'm over here." He's already walking toward you, must have seen you coming before you even realized where he was. The rain thickens, but you can see the rip in his shirt clear as day, blood pouring from his shoulder like the water falling from the heavens. 

"God, Rhett—don't do that!" It comes out a little too loud. A little too quick. "You can't just go hopping out moving vehicles—"

He throws his hands behind him, gesturing at something. "She needed help!" 

You hadn't seen the little old lady standing on the other side of the road until now, being helped back into the safety of an untouched house. You suppose that's who he's talking about, but... "And what if something happened to you?" 

"Nothin's gonna happen to me!" Thunder booms behind his words. Just as irritated as he is. 

Your hand flies out, gesturing to his bloody arm. "Clearly, it already did. Look at your shoulder, Rhett!" 

"God, why are you always so worried?" He spits. Doesn't hear a word you just said. 

"I don't know; maybe it's because we almost got sucked into a tornado three days ago?" You can feel your face getting hot. Teeth grit, jaw popping under the strain. "Maybe it's because I've seen storms kill people, Rhett!"

He stiffens. 

So do you. Glued in the middle of the street. Even the rain stabbing at your eyes can't make you blink. But the wind is one of those things that forces you to move—swaying sideways, shielding your gaze with an arm. A horn honks, headlights piercing through the silver veil. 

Getting back into the truck with him is the last thing you want to do. 

Gravel crunches beneath your feet. Shifting under your weight, seeming to drag you in like a thin layer of quicksand. Tiny little pebbles leap into the tops of your shoes, wriggling down through the gaps and working their way up under your foot. Walking barefoot would have been more comfortable. 

Ugh, but then you would have to worry about dodging the sharp metal hiding beneath the rocks, leftovers from experiments gone wrong, and backyard-tested explosives. 

The spare garage isn't much further up the driveway. Smaller, built to hold only one or two vehicles, depending on their size. There's no point in adding all of the extra space, not when the main garage is on the same property, fully decked out with its fancy tools, wifi, and air conditioning. 

Understandable, but you wish someone would have stopped to consider installing a light all the way out here. You can't see a damn thing this far out. Is there a bobcat standing between you and the building? Nobody knows!

There doesn't seem to be anything lurking in your path. You certainly don't feel anything brush past, even when you peel open the door and blindly feel along the inside wall, looking for the light switch. 

The grill of a truck glares back at you. Same old golden paint, still the same diamond-shaped chip beneath the left headlight. The dust is new, and yet, somehow, it's the same too. Exactly how it's always been.

And how it will stay if you can help it. 

It's a beautiful truck, really. Only one previous owner, still relatively new, decorated in gadgets that you've long since forgotten the specifics of. It's got everything. A roll cage. Bulletproof glass. Window cages. Augers hang on either side of the vehicle, in combination with the overhead arms, and those are only the things you remember installing.

There's a wire sticking out of the cables for the drills, has inexplicably wriggled its way out of the covering. That's what you get for choosing the cheapest company to haul this piece of junk all the way out here. You don't want to touch it, but...it's a simple fix. You've just got to slide this strip of metal up and—

Sparks scatter. A shock bolts through your fingers.

"You mother—mmh!" Yelping. Yanking your hand back. A twitch runs up your arm, the muscles in your hand shivering. 

And here you wonder why you quit messing with this goddamn truck. 

You peel the door open, blindly feeling around the console until you find the stupid tool you came all the way up here for. This old hunk of metal can sit here and rot for all you care. Why did you even try to mess with it? You know full well what will happen if you do more than open the door. 

Something always has to go wrong. 

You don't even feel your hand touch the light switch, but the room plunges into darkness all the same. To hell with—

"Am I interruptin' anything?" 

The door slams shut behind you, the knob jabbing into your spine. "Rhett?"

It's so dark out that you nearly miss the way his hands twist together, his head tilted toward the ground, not quite bold enough to look you in the eye. "I just...wanted to come and tell you I'm sorry," he pauses, peeking up at you through his lashes. You've never seen someone look more like a kicked puppy in your life. "I was actin' just like Tyler back there."

...huh. 

Can't say you were expecting that. 

"It's...uh..." What do you say? You can't say that it's okay. It's not okay. "Thank you?"

That seems to be enough for him. Shoulders falling, finally lifting his head to look at you properly. But then, his brows knit together. It's too dark to see where he's looking, but you can almost feel the heat of his gaze fixating on the garage behind you. "What're ya doin' out here?"

"Working on something?" This is what you get into focusing on creating an excuse and not rehearsing it beforehand. An amateur surrounded by Hollywood stars would be more convincing than you are.

"Top secret stuff, huh?" Is he buying it? He sounds like he is. "Somethin' broke on that gold truck of yours?"

...

Son of a bitch.

"How did you..." you don't...you don't know what to...say... "know about that?"

He jams his thumb over his shoulder, pointing blindly toward the heap of metal a few hundred feet away. "Was over in the scrap pile when ya brought it in a few weeks ago."

He's fucking with you.

He's got to be fucking with you.

"And you never said anything about it?" You feel like a deer caught in the headlights of a bullet train. Nowhere to run. Facing down your doom as it barrels toward you at a hundred miles an hour. 

"Figured you'd talk about it when y' wanted to," Rhett says it so matter of factly. Like this isn't a big deal. Like you haven't had Kate thinking that the truck has been delayed for the past month and a half.

It takes a moment to gather words on your tongue. It takes even longer to arrange them into a comprehensible sentence. "Does anybody else know?"

Rhett shrugs. "Not that 'm aware of."

You don't entirely know what it is that leads you to reach for the doorknob and twist it again. Nobody is forcing you to show him the truck. Hell, he's not even asking or acting like he wants to see it, but your body seems to be moving on its own accord. Maybe it simply can't handle another day of carrying around the secret, or maybe it's something else. Something that words aren't capable of describing. 

Rhett doesn't say a word. Quietly following you into the dark garage, winces when you flick on the overhead lights without warning. 

And then his eyelashes begin to flutter in that dumb, endearing sort of way. Intrigued. "What made ya wanna hide this?"

"Because if Kate finds out it's here, I'll have to work on it," you almost lean your hip against the front bumper. Almost.

Damn thing would probably blow up if you actually followed through with that impulse.

"I'm not followin'." Rhett runs his fingers across the hood, leaving behind little trails amongst the collection of dust. 

"Every time I touch this truck, it ends badly," now that you're saying it out loud, it sounds like you're trying to convince him that the thing is haunted. "I drove it here, and a headlight blew. Tried to fix that exposed wire on the driver's side and shocked the hell out of myself."

"What, two—"

"Time before that, the hydraulic arm snapped, and we turned into an EF3's playground toy." Not giving him any time to wiggle into the gaps of your argument. You're not touching it. End of story. 

He doesn't push it any further. Doesn't downplay what you're trying to tell him or try to sell you on the novelty of coincidences and misinterpretations. No, he just...hums and nods his head as if this is a story he hears all the time. 

A part of you hates that you ever expected anything less of him.

The cicadas take over. Singing their shrill, repetitive tune that somehow manages to get louder when you're inside. You don't know if it counts as silence when there are hundreds of bugs screaming the song of their people, like nature's rejected choir.

"Do y' want me to fix it?" Rhett's voice is like silk against the grating little pests lurking outside.

"Fix what?" You're lost.

"The headlight," he taps his knuckle against it, visibly disturbing the dust there, "and the wire that shocked ya." 

You're not entirely sure if you want to put the time and effort into this old piece of junk. There's a fairly large possibility that something internal has dry-rotted over the years and is bound to break at any moment, something that will cost a whole lot more than a cheap little headlight. But...

"Only if you want to," you don't mean for it to come out so miserable. Like you've had to strangle the words out of your own throat.

Rhett doesn't seem to notice it, his lips pulling up into a meager smile right before he moseys off to mess with the exposed wire. He taps his finger against the metal casing, following it up to where it ventures over the roof, then follows that until it guides him toward the driver's door. 

It's like he's got a blueprint of how you rigged this together, knows exactly where you've got the electric control box sitting, and which of the wires belong to the exposed one. The cover snaps back into place with the slightest bit of pressure. Easy as can be. No sparks, no shocks. 

The headlights are a bigger pain in the ass than they should be. You remember that all too well, the tediousness of removing the internal cover, several screws, and the grill, all to reach what should be an easily accessible headlight. 

"At the risk of soundin' dumb," Rhett's talking funny with that screw resting in the corner of his lip, "but you really built this thing?" 

"Once upon a time, yes." It doesn't even feel like you were the one who came up with all of this.

 The countless sleepless nights spent tweaking and redrawing plans. Building or scouring the ends of the earth for specific little parts. The perpetual stiffness in your neck from building your inventions into the truck. God, the grease stains that claimed so many of your t-shirts. 

The memories are all there in your head, and when Rhett tugs at the grill housing, your hands still twitch with a muscle memory you've yet to lose. He needs to tilt it up and towards himself. It's easier that way. But the memories don't feel like your own. Belonging to a past life, a glimpse of something that was never really meant for you. 

A stray thought draws to the forefront of your mind. "How's your shoulder?" 

"Hm?" He lifts his head, staring at you. Then, realizing what you said. "It's a'ight, jus' needed a couple stitches." 

You wonder what he defines as 'a couple'. But he doesn't push for any more history between you and the truck, so you don't push him for anything, either. 

There's a bunch of spare bulbs hiding in the main garage, and that really should be the end of it. Once the hood slams shut, there shouldn't be anything left to tinker with. The light works, the wire is no longer exposed, and everything is in order. You have absolutely zero reason to lay eyes on this truck again. 

To be fair, that's exactly what happens. 

For a day. 

"I thought they were s'pposed to quit arguin'?" 

You hear Rhett before you see him. Half-open eyes and messy hair stumbling down the unlit hallway, his arms full with his fuzzy brown blanket. Must have had the same idea that you did, seeking out the room furthest from Tyler's, hoping for another minute or two of sleep. 

You hate to tell him that there's no peace to be found in this damned house. 

"Bold of you to believe them," your attention darts back to the notebook resting in your lap, pen idly drawing across old lines, darkening them. Four in the morning is too early for creativity, but you can't fall back asleep, and you didn't bring anything to distract from the never-ending quarrel.

The couch cushion dips, Rhett's heavyweight settling in next to you. His cheek finds its way to your shoulder, landing there so naturally that you hardly even question it. "What're ya drawin'?"

"Same thing as before, just making it look a little less..." You don't know where you were going with that. Rhett isn't awake enough to catch it.

His gaze is so warm that you can feel it following your hand around the page, drinking in the careful strokes of the pen. 

It's almost enough to distract from Kate's muffled swearing, but nothing short of a speaker at full blast is going to drown them out. So the pen continues to dance across the paper, and the silence remains battered by two people who need to suck up their pride and kiss already. If not for the sake of their own mundane love lives, then for the sanity of those around them. 

"Have ya ever considered buildin' this idea?" Rhett reaches out to trace his finger around your crudely drawn wheel, the only spot he can touch without getting in your way.

"I started on it a long time ago," rattling it off without much thought. You don't have the capacity to consider what you're saying right now. "The sockets and connections are already built into the roof, but I could never get the hydraulic arms right." 

"I could help."

"Yeah?"

He tilts his head up to look at you, and you're just awake enough to realize that those aren't actually stars sparkling behind his eyes. But damn, does it sure look like tiny galaxies are lurking beneath the sea of blue. 

You don't know why you let him lean up and rub his nose against yours, but it must be the reason why you nuzzle him back. 

If there is one thing more awkward about sitting through Kate and Tyler's never-ending argument, it's having to survive their new form of fighting—the silent treatment. Each refusing to say a word when the other is in the room, resigning to comments filled with double meanings and glares out of the corner of their eyes.

You, quite frankly, might combust if you have to sit through another silent meal. If you wanted to be put in timeout, you would go back to elementary school.

"I see we had the same idea," you yawn, fighting to keep your eyes open as it takes over. One wrong step and your food is going to find itself in the gravel, and you're not looking to brave the wall of silence for a second time. 

"Great minds think alike," Rhett kicks his foot at you, perched up on the tailgate of his truck. "Unless your mind belongs t' two people I cannot name."

The initial plan was to wait until the weekend before you spent any time working on your truck, but it's hard to put it off when Tyler and his fleet of vehicles tear out of the driveway before noon, taking away damn near ever project Rhett had on the drawing board. You don't see Kate leave, but her car is missing from its usual spot, and you're in no mood to learn any more than that.

They'll get over it.

...once hell freezes over.

It's like you become caught up in a time loop. Every day, you wake up expecting to be put to work, to chase a storm, or to go on a supply run for weather equipment that you don't know the name of. Every day, you eat breakfast in the back of Rhett's truck and watch as every vehicle on the property flees the premises. Every day, you walk into that spare garage, roll up your sleeves, and begin tinkering with last night's project.

And Rhett just keeps coming around. Always the one to attach your creations to the truck, races you to pick up the heavier things around the shop, pokes at your sketches until you've explained every little thought and whim that went into why you created that particular part. 

Working with him is so much different than it was with Kate. She was never difficult to work with in the past; nothing big stands out in your memory, but you distinctly recall every frustrating moment she asked to change something that she didn't fully understand. Builds like these were nothing like what she was familiar with. She knew weather, not cars, and that was okay, but...

Fuck, it's like Rhett shares a brain with you. It's strange; he looks at what you're doing, and he just...understands it. Like you've finally found someone who understands a language that only you have spoken until now.

It's two weeks before the parts begin to fall into place, but once they do, it's all uphill from there. The hydraulic arms fit like a glove, and the batteries built beneath the seat offer more than enough electricity to operate them without sucking power from another operation. The drills spin as they're supposed to; they don't even warp when they sink into the rocky Arkansas soil for the first time.

Sunlight reveals that the cage protecting the windshield has rusted to hell. Rhett's sputtering about an improved design before you've even realized how bad it has gotten. A few of the tires need replacing, and if you don't let him fix those mismatching rims, he might just lose his mind.

"How d' you just let it look like that?" He's gotten heated so quickly, but that growing smile suggests he's only trying to bother you for the fun of it, "'n how did I miss this for so damn long?" 

"It doesn't affect the performance," you shrug, don't really recall when or how you wound up with one rim that doesn't match the others. Don't particularly care, either. 

"It's affectin' mine!" 

Your afternoon plans didn't originally include running between three shops in search of rims that match the aesthetics of the truck, but it's hard to say no when Rhett grabs you by the hand and guides you along like he does. 

And he...doesn't really let go. 

Maybe he does a few times, but he's loosely holding your hand in his while you walk from one store to another, and he's grabbing it to show you a set that he thinks is perfect for the truck's aesthetic. He's squeezing it when someone starts eyeing you up in the checkout lane. He's toying with your fingers at the stop light. And he reaches for it again at the end of the night when the rims are finally, finally on.

Now that you think about it, 'no dating business partners' almost definitely applies to you, too, but...

Oh, what the hell, why do you care? 

"Do you...want to try something?" Rhett's thumb swipes across your knuckles, idle little motions that seem to burn into your skin. 

You think you know what he's about to try and do, but... "Okay." 

He's gentle about it, guiding you forward toward the shimmering gold vehicle, sparkling in all of its post-bath glory. His other hand finds your waist, drawing you to stand in front of him, back kissing his warm chest. 

"What are we doing?" You know what he's doing. 

"Nothin' huge," he murmurs, voice low in your ear, so close that you can almost feel his lips brushing against the shell of it, "just...touchin' the door, a'ight?" 

His hand slips behind yours, grasping it from behind. Gently, he pushes it forward, so light that you can hardly feel his touch at all. Your stomach twists. That paint is too close.

Your arm stiffens. He doesn't push any further.

 It's too...well...if Rhett's not afraid of it, you suppose that...

It's cool beneath your touch, like ice, when you compare it to the burn of Rhett's palm. There's a scratch in the pain that you hadn't noticed up until this very moment, just deep enough to feel when the pad of your finger drifts across it. It feels...well, like a perfectly normal truck. You're not sure what else you were expecting. 

Your eyes dart to the window, peering at the silhouette of the steering wheel. 

Rhett's hand disappears from behind yours, leaves you cold and alone, up against this truck, but he makes no move to step away. Still here, even if you can't necessarily feel him. "That's not so bad, is it?"

"You're not gonna make me drive it next, are you?" You don't mean for it to come out sounding so annoyed, like a petulant child. 

His laugh echoes through the room and out the open door; doesn't seem to mind your tone at all. "Nah, we can wait on that." 

You don't touch it again until a few days later, your hip idly coming to rest against it during a conversation. And again, when Rhett's on the roof of the vehicle and needs you to climb up and hand him something. It doesn't shock you. The door doesn't magically slam shut on your fingers. It's...normal. Hell, it's at the very bottom of your list of inconveniences.

That's mostly because two names have taken over the rest of the page, but you digress. 

There's a moment when you catch yourself climbing into the driver's seat; you accidentally spilled a jar of bolts all over the floor, and the only way to fully clean it up is to get the truck out of the way. The key finds its way into the ignition without question, twisting so easily that you hardly realize what you're doing.

But then the engine rumbles to life, vibrating beneath your feet and echoing around the tiny garage like thunder, and ice forms in your joints. Stiff, freezing you into place like someone's pressed the pause button. 

Rhett tilts the broom handle toward you; those blue eyes are warm enough to melt you back into motion. Something about him keeps reining you in. Stops you before you can force yourself beyond your boundaries before you're ready. 

You're starting to love that about him. 

"I thought we were past this," you mutter, chin resting heavy against your knee. 

A midnight breeze swirls past you, bringing a chill that has you drawing your legs closer to your chest. At least the night is quiet, even the chirping cicadas have turned themselves down, nothing but a distant melody that you can hardly hear. Your ears catch the sound of a fork striking a plate, so sharp that it carries through the window and out into the parking lot. 

"'m sorry," Rhett's knees crack as he bends down to sit next to you, back coming to rest against the cool exterior of his truck. He's so close that you can feel the heat radiating off his arm, warm and cozy like the flames of a campfire. 

"You've got nothing to apologize for," it's not his fault. Nobody could have expected that bringing up the YouTube channel would end in...that. 

He hums. "I know."

Wind slams against the truck behind you, rocking it just enough for you to feel the motion against your back. Rhett's hair lifts. Dancing. Twisting along with it. Blowing into his face until he sputters and forces it behind his ear once more. If you had known you would be sitting outside, then you would have grabbed your coat before you came all the way out here.

But hindsight is twenty-twenty, and you've got nothing but this thin t-shirt and the warmth of your own body to get by on, hugging your legs even tighter. They've been in this position for so long that they've begun to go numb, but you prefer this to shivering.

"Cold?" Rhett leans over, nudging you with his elbow. You think he leaves a small fire behind, burning a little spot into your skin.

"Little bit," biting back the waver in your voice. 

"C'mere," and he's not really waiting for you to give him a yes or a no, already lifting his arm, beckoning you into his warm side. You shouldn't, but...

Oh, what the hell.

One little motion is all it takes to scoot under his arm, your head dropping to nestle against the expanse of his chest, and fuck, he's burning up. It's like snuggling into a big, cozy flame, one that envelops you before you can think twice about it. His head tilts, his chin coming to rest against your forehead, freshly shaven and a little bit prickly. 

You can hear his heartbeat right here. Deep little thump, thump, thumps, following an unnamed tune that you've never heard before. It seems the cicadas have drums now. Performing their little melodies for their barely-there audience, punctuated by the drone of a car crossing through the lot.

"What if I drive us to McDonalds?" Rhett's voice vibrates through your skull. Your head goes quiet. "Think there's a Taco Bell down the road, too."

Finding the ability to speak is...hard. "I'm not sure if I'm ready to move yet."

"That's a'ight," his lips press to your temple, "we can stay here, too." 

He doesn't say anything about what he just did. Neither do you, but it sticks in the back of your head like glue. You could convince yourself that it's just a ghost, one who has decided to follow you around and kiss the side of your head every time you think about him, the lingerings of a memory that refuses to leave. 

It's there when you lean up against the passenger side door, bent legs lazily slotting between Rhett's as you eat your greasy fast food. It bubbles to the surface when you run into each other in the living room and become sucked in by the Dr. Phil episode blasting from the neglected television. You can feel its presence when you spot him outside the garage while you and Kate are having coffee on the porch. 

You don't know if she realizes that you tune out of the conversation right then and there, mindlessly following the sight of his pale shoulders as he hoses something off. Muscles flex with the mundane effort, thick enough to cast a shadow. 

"I mean, can you believe he said that?" Kate's still going, the ice rattling in her cup as her hand moves about. "Yes, I'll admit I have feelings for him, but you know how that would affect the business!" 

"Who says that kind of thing?" You wonder what it would be like to dig your nails into those shoulders. What it would feel like for those jean-clad hips to slip between your parted—

"Exactly!" Kate hasn't the slightest clue what kind of daydream she just interrupted.

The memory of a kiss has zero reason to make itself known in the middle of an auto parts shop. When your hands are stained in indescribable grime that has no doubt managed to mar your face, the rattiest clothes you own hanging from your body with all the grace of a cardboard box. If you don't already look your worst, then you certainly feel your worst.

So why do you have the audacity to think about crossing the aisle and kissing him until you get kicked out? What provoked you to start thinking about this? You're supposed to be looking for that stupid...battery...damn which of these...did... 

"Which brand were you looking for?" The question is so prominent in your mind that it slips out of your mouth before you can realize it, already turning to look in his direction.

"The purple one," he rattles off, staring down at something in his palm. 

The...purple one? 

Huh, you'd thought it would be a lot more complicated than that. 

"I..." Rhett lifts his head, a lone curl casting across his cheek, wide blue eyes staring back at you. There's not a thought behind them. "I...forget the name." 

Not your truck, not your fight. If he wants the one with the purple label, then that's what you'll pull off the shelf—

Shit, you forgot how heavy these damn things are. Your elbow pops, shivering under the sudden weight. It's not too heavy; you were just...not ready to actually carry something heavy. If you'd remembered, then you would have lifted it differently.

Rhett's arm drifts past your chest, his hand curling around the plastic handle, taking it from you so easily that you hardly feel it leave your grasp. "I got it." 

You understand why you were so unprepared now. 

It's because he makes the thing look light as a feather, only needs one hand to hold it as you walk to the checkout together. He doesn't even need help to put it up on the counter, so nonchalant about it that he doesn't even pay attention to what he's doing.

An ancient little television buzzes in the top right corner, directly above the chair of the missing cashier. You don't think it's been touched since it was hung when this place was built, a mountain of dust resting atop its boxy shape, but it still plays. A blurry newsreel crosses the screen, a bald-headed man pointing at a live weather radar. 

The nameless man waves his hand across a patch of red and purple on the screen, rattling off words that take you a moment to process. "As this growing storm bears down on—"

"Y'all ready to check out?" The cashier is right in front of you all of a sudden. Rhett says something that you don't entirely catch. 

This is the storm Kate was muttering about earlier, up in the northwest corner of the state, projected to produce conditions ideal for one of her beloved little tornadoes. The tiny ones that do nothing but rock the trucks back and forth, maybe striking a few unlucky houses but not taking out entire towns.

Your lower belly twists. 

You're not entirely sure why it happens, but it does. Stomach churning back and forth like you're about to be sick, all over the sight of a television screen. Something in the room begins to ring, quiet but gradually growing louder, right in your ears, this piercing noise that you can't seem to shake. Your tongue is numb in your mouth, the air cold in your chest. 

The scene changes. A woman in a raincoat, holding a microphone to her lips as she gestures broadly at the road behind her. Cars rush past. A Prius, a minivan, two Volkswagen Beetles, a silver truck, a red truck, an ancient motorhome...

"There they are," Rhett mutters, just barely audible over the ringing. You and he are supposed to be out there with them. 

You think your hand is shaking. 

Again, the cameras change, jumping back to the same bald weather forecaster as he points to something you don't understand. But they've laid it out for people like you, all of Kate's unexplained terminology has been dumbed down into vague, simple terms that you recognize loud and clear.

"That storm is gonna be too much for their trucks to handle." It darts out of your mouth before you can think about what you're about to say, teeth chattering around the letters.

Rhett tilts his head. "What do you mean?"

"The storm trucks," your jaw shivers, muscles fighting to disobey your every command. "Are any of them rated for tornadoes stronger than an F2?"

"None of 'em are," he reaches to pull his card from the reader, then, pausing, "the only rig that can handle that sort of thing is..." 

You tear your gaze from the television, the reporter's voice droning on and on about something you don't entirely understand. Rhett's already looking back to you. Still frozen in place. You think you catch one of your own thoughts flickering behind his eyes. 

But you can't help yourself, looking back up toward the grainy screen. The weatherman is still talking, his warbled voice drowning in the squealing filling your ears. You think you catch the card reader beeping, yelling about a forgotten credit card. The storm wasn't this big when it crossed Kate's screen; you remember it fit perfectly between these two towns. The forecast entirely covers them now, extending out to the areas nearby.

Something warm curls around your hand.

The ringing stops. 

You don't know where the cashier has gone or when Rhett walked up next to you. But you can hear the shallow sound of your own breath, the sharp ins and outs that mismatch with the slow puff of Rhett's. 

It's still audible, even as the room changes. Ever so present when the tile floor morphs into smooth concrete, that familiar musty scent swirling around your head, assaulting your nose and drying your mouth out. Shimmering gold paint glares back at you. But your right hand is still warm.

"You've got this," the keys jingle as Rhett talks, awkwardly holding them out with his other hand. They're right there for you to take. You don't even have to reach. "I know y' do."

You're still not so sure about that. But the radio in the corner is blaring its muffled severe weather alert warnings, the old television screen is burned into your retinas, and this damn old truck isn't going anywhere, regardless of how hard you glare at it. 

Rhett's shoulder nudges yours, his hand squeezing a little tighter. "It's just a grumpy ol' truck."

The truck roars. Back tires squealing as your hands fly across the wheel. Cinching all twelve thousand pounds of machine to the left. The guy behind you blares his horn.

"Prick." Rhett snarls under his breath. His hand on the overhead handle tightens. Muscles and veins flex so harshly that you can see it in the corner of your eye. The front right tire dips off the pavement, the steering wheel almost ripping itself to the right. 

Where are they? Where are they? 

"I thought you were navigating!" You don't mean to yell. Too focused on jumping your foot between the brake and gas pedals, fighting against a speed limit that you know isn't being enforced right now. 

"I am!" Rhett's nail taps angrily at a screen. "Wherever they are 's got no fucking service."

The storm seems to be further to the east, right might be your best bet. But this road doesn't look like it goes on for at least another mile, and you can't take another dead end. Not with the rapidly darkening sky overhead. Looming. Waiting for the right moment to drop an ocean's worth of hail and rain upon you.

"Right!" Rhett yells. "Go right!" 

The tires scream. Foot tapping the breaks. The steering wheel spins. You're vaguely aware of your body tilting in the seat. Shoulder bumping into the glass. 

But you never teeter off the road. 

Even if you come close to it. 

"What made you decide that?" You feel as if you're still spinning, even as the road straightens out in front of you. 

His hand lifts, middle finger pointing toward something you don't have time to identify. "I remember them passin' them grain silos before the live stream cut off." 

You see them. A cluster of six, up in the distance, towering over the corn fields that have swallowed you whole. Maybe a mile or two up the road, give or take. Plenty of time for you to lean on the gas pedal again, the floorboard rumbling as the speedometer crawls back up to seventy. 

Everything still seems attached. No sensors are going off on the control panel crudely built into the center console. You know Rhett would have said something if one of them lit up, but you're looking at them anyway. Just in case one magically decides to light up with a catastrophic error in the next thirty seconds.

You've already got to tap the brakes again. Stupid, winding country roads forcing you to crawl back under fifty to avoid tipping over. It would be so much easier to cut through this patch of field that has already been harvested, barren, until spring rolls back around. Dodge the curves and jump right back onto the main stretch. Actually...

If Kate can accidentally drive this truck into a small river and come out fine, then a little offroading shouldn't hurt it in the slightest.

What's stopping you? 

"What the hell?!" Rhett squeals. "You coulda damaged the damn—!"

"Dallas has handled worse." There's no way you're doing this. There's no way you're really driving this rig. Never mind hauling it straight through someone's old cornfield. Bouncing up and down with every little bump in the soil. 

Rhett's head whips toward you. Still clinging to that oh-shit handle. "Dallas?"

...well.

He had to find out eventually.

All it takes is the slightest nudge to the left to jump back onto the road. And you never realized how quiet driving on the pavement is until now. Virtually silent as you reach for the turn signal, easing through a turn that you were definitely supposed to stop for. 

The cornfields break apart up ahead, diving down into the much shorter soybean crops, expanding as far as the eye can see. No police cars around to catch sight of you blowing through another all-way stop, straddling the thin expanse of pavement. 

There's a van parked on the side of the road, tucked away in a little patch of gravel. Lights and cameras flash. Yellow and white ponchos scurry back and forth. Dressed in t-shirts and shorts and flip-flops, not one of them prepared for more than mild rain. 

"There's no way they didn't come this way," Rhett's echoing the very thought that just crossed your mind.

The first drops of rain come in one thick sheet. Slamming against the windshield. Blurring sight of the rapidly deteriorating road. You've only just turned the windshield wipers on, but they're still not enough. Whirring back and forth as fast as they can possibly go.

Everything around you has gone white. You can't—shit, you can't see the road. "Can you see anything?"

Rhett leans forward, chin bumping the dashboard. The tablet in his lap beeps. Once. Twice. Three times. "Not a fuckin' thing." 

The console lights up. Purple in color. The wind gauge. 

"What does...?" Rhett doesn't finish that question. Doesn't really need to.

"The wind speeds are higher than a hundred-fifty miles an hour," your mouth is moving, but you don't recognize what you're saying. Don't have time to focus on that. "Tell me if the green one comes on."

Gravel abruptly appears under the tires. Panging against the sides of the truck like hail. 

Rhett reaches for something on the dash. "What does green mean?"

"That we should go in the opposite direction." And you don't want to remember if that light is meant to detect two hundred mile-an-hour winds or two hundred fifty. 

Fog melts from the windshield. You didn't recognize it was even there. Fading away into a clearer world. You can see the fields again, mere feet away from the vehicle, as you tear down a road too tiny for your tires to fit on. 

Clouds stir overhead, so dark that they're visible even through the rain. Twisting in a slow spiral, gradually descending to the earth below. But she's not here yet. She still needs a minute to gather her momentum before the clouds can kiss the ground. 

Red flashes up ahead. 

Your stomach drops.

"Take this left!" Rhett's order is your command. Shooting off onto an even smaller dirt path. A windmill shudders to your right, swaying back and forth. 

There they are.

Drills whir on either side of Tyler's truck. Digging deep into the earth. But there's nothing to help the aluminum trailer hitched to it, shivering violently under the wind. 

"You're sure they don't have this covered?" Rhett has to shout for you to hear him. Even then, you don't think you do. 

The back of your throat is sour. It's crawling into your eyes, clawing at your belly. Your hands shiver. The steering wheel briefly slips from your grasp. 

Something isn't right.

Your foot slips off the gas pedal. Sporadically tapping around, struggling to jump back on. Dallas's engine roars louder than the winds squealing past. 

"It's not working!" Tyler's voice arcs across the radio.

Hail crashes into the roof. Scattering across the windshield cage.

"The barrels aren't deploying!" Kate. 

The backend of their trailer jumps. The left auger slips through the soil. Tyler's truck twists a few feet. Was never meant to withstand this kind of wind. 

Dallas is slipping. Tires fail to cling to the ground as you rush forward. 

"Rhett—"

"I'm on it." He's already got his hand on the overhead button. Thumb hovering over the red light.

You're almost—you're almost. Just a few more yards is all you need. Almost. Tyler's door parallels with your passenger side. Little more. Little more—

The brake pedal spurs beneath your foot. Kicking back. Dallas lurches. Something internal shrieks. 

"Now!" 

Drills spin. Digging into already saturated ground. The engine roars impossibly louder, and the lights begin to flicker. All power concentrates over your head. Groaning to life, the hydraulic arms resting overhead begin to extend. Arking high into the air. Twisting outward. The tip of a drill bumps into the trailer, but it's still moving. Swinging over top of Tyler's rig, drills sinking into the ground on the other side. 

A blackened wind takes hold of the outside world. Dallas shudders. But the steel arms never let Tyler's truck out of their hug. You don't think they're slipping any further. Fuck. Fuck you couldn't tell even if they did. Why did you think this was a good idea? Why did you think this was a good idea? Why did Rhett let you do this? It's too loud to hear if they've blown away. And you can't see a single—

"Hey." 

Your shoulder is warm. And that sensation is crawling up the back of your neck, forcing your head to turn. Rhett's hands crawl up to your cheekbones, blocking out your surroundings. You're trying to look out the windshield, but he's not letting go. 

He's the only thing in existence. 

The console digs into your side as he pulls you toward him. His forehead kisses yours. Noses resting against each other. It's so dark, but the blue of his eyes is still as bright as the sky lurking above the clouds. The howling tornado softens into a hum. 

"We're okay," it's nothing but a whisper in the rampage, "we're okay." 

You hear him. There's no reason you should be able to. His mouth is moving. The words never greet your ears. Lost. Drowned out by a muffled sound that you're no longer capable of comprehending.

But you hear him. 

This mattress...is the lumpiest thing you have ever felt in your life. A bed made of bubbles would be more even than this is, digging into the curves in your spine and nudging awkwardly beneath your hips. But you can't bring yourself to move. Not when the tension is easing from your back and shoulders. Has been there for so long that it almost hurts to let it slip away.

The television is on, multicolored lights flickering across the screen, playing what you think is another newsreel, but you can't look at it. Not today. Not tomorrow. You're dying here in this cheap motel bed. The last thing you plan to hear is either the slow drone of the weatherman or the boom of thunder outside. 

Someone knocks at your door. 

Once. 

Twice. 

Three times. 

"Who is it?" Using your voice requires far too much effort on your behalf.

A muffled sound works its way through the scratched wooden door. You don't know what he says, but you know who it is.

Your body tells you that getting up is impossible. Your heart already has you sitting up, sore feet falling onto the thin carpet without complaint. Something twitches in your back as you walk toward the door, wordlessly begging for the comforts of that shitty bed.

"Hey," you breathe.

Rhett's eyelashes flutter. "Hey."

Neither of you say anything further. It's as if all of your words have spilled out of your brain and carried off with the breeze, venturing off into the storm, never to be seen again. You think the same thing must happen to Rhett because he doesn't seem to have any words left, either. 

Wind twists through his hair, whirling past and into your hotel room. Its invisible hands find your backs, pressing until you fall together like a pair of dolls. Like two trucks who needed one last nudge to nosedive off the cliff. His arms curl around your waist, and your nose is buried into his shoulder, and he's so warm and real. 

"So Dallas, huh?" His breath tickles your ear, almost enough to make you shudder.

"You gotta admit, I had you convinced," talking into his shoulder, unbothered by how muffled it makes you sound.

"Sure y' did." It's his laughter that does it, sends a shiver racing down your weary spine. You think you're going to collapse into a million tiny pieces. "I would've never guessed that it was your fuckin' truck." 

There's a part of you that wonders how he never figured that out; you're pretty sure that you scribbled Dallas's name into the license plate of your sketch that he's looked at so many times. Or maybe he did and simply didn't make the connection that Dallas was a truck and not another man.

"Found out why those two losers were always arguin'," he makes no effort to draw away from you, his arms remaining comfortably looped around you.

"Really?" Perking up. Maybe you've got a little bit of energy left after all. "What was it?"

Rhett leans back a little bit, enough for you to see his face, but he's yet to let you out of his grasp. "Dallas."  

"Oh, so you both fell for it!" You giggle, and you're only vaguely aware of the door slamming shut on its own, cutting off the shrill embrace of the midnight air. 

"Hey, at least I didn't make snide remarks about 'em," but you can still see the lingering embarrassment coloring his cheeks, unusually rosy. He fell for it, hook, line, and sinker, but...

Your hand darts up, pushing a strand of hair behind his ear. "To be fair, you have always been the sweet one."

The corners of his lips quiver, gradually curving upward, but his eyes refuse to meet with yours. "Y' think so?" 

You know so, but those words don't dare to make their way out of your mouth. Even if they did, it would be no use because they fizzle away the moment the bridge of Rhett's nose bumps into yours. He's been eating those butterscotch candies again; you can taste them on his breath, sweet as can be.

You could kiss him if you wanted to. 

All it would take is the littlest nudge forward for your lips to collide. A clever gust of wind could even do it, forcing you to take that final step forward, throw yourselves into fate's palm, and see what she decides on the matter. You could spend the rest of your life doing just this, gazing into soft hues of blue, kissing him through every storm that will ever pass. Or, this could be the only night that you ever experience this. 

Thunder rumbles outside, the overhead light flickering with it in perfect synchrony. There's no stopping this one. No amount of magic powder can ease up the onslaught of rain and hail raging outside of your window, pelting everything in its sight. 

"'s probably my cue to get out before the rain picks up too much," he says, so suddenly that you're almost shocked to realize that this isn't a dream. 

He disappears so easily. Slipping away as easily as an afternoon daydream, those eyes daring to linger for a second longer before he turns to reach for the door. That big, bruised hand of his dwarfs the knob, gingerly wrapping around it like it'll break at any given moment.

Your lower belly coils. Sour. 

You should kiss him. 

And that might be how his name tumbles out of your mouth. That might explain where you get the nerve to grab a fistful of his t-shirt, yanking so hard that he stumbles. His gasp is the last thing you hear.

It's messy. Chapped lips collide, and noses crash. His chin bumps into yours too hard, and his chest hits you with the force of a freight train. But he exhales when you do. He tilts his head forward, and you think you're beginning to fall, plummeting off the cliff and into the nebula. 

Rhett draws back just as quickly. His eyelashes flutter. You release your grasp on his shirt. Maybe you shouldn't have—

The corners of his eyes curve with his smile. You blink, and he's leaning back in. 

You're not falling into the abyss alone.

Except, you literally might be falling because you're vaguely aware of the world spinning around you, seemingly weightless for a few fleeting milliseconds, before your back finds home in the lumpy mattress you paid fifty-something dollars to sleep on. 

"Shit—" Rhett blurts, jerking away as if burned. "'m sorry, I..."

You only realize you're moving when you see your hand coming to rest against his cheek, coarse and unshaven. It's been a few days since the last time it was trimmed, has had time to soften and lose that sand-papery texture. 

"I don't mind this," you confess. Lightning crackles outside, so bright that you can see the flash of it through the curtains. 

Rhett meets you in the middle. Your noses bump once more as teeth unexpectedly clash, such a disaster that it ought to make you embarrassed, but you don't have the capacity to think about that right now. Not when he's letting himself settle against you, his heavy body slipping between your parted legs, fitting against you like he was built just for you.

Kissing him is...kissing him is like running into a tornado head first. He's so strong, pressing you down into the bed, anchoring you here with his weight alone, and he's just...Fuck, he's everywhere. His hand is curling around your face, and his belt buckle is digging into your lower belly and he smells like the rain that has enveloped the outside world. 

He's traveling. Working his tiny, open-mouthed kisses across your cheek, the tip of his nose tickling the side of your neck as he finds his way to a spot beneath your ear. 

Your hips jerk up into his.

He gasps.

"Is this...can I...?" Breathy. Hesitant. Like he's lost the ability to think.

It must be contagious. All you can do is nod. Dumb. But it's enough. It's more than enough.

No dating business partners, but surely they'd make an exception for a pretty cowboy, right? Kissing him doesn't count. Tangling your fingers in his hair doesn't count. It doesn't count if they never find out. Whatever the repercussions may be, they're not enough to stop you. 

They would understand if they knew he tasted this sweet. If they knew that he hums when he tilts his head, leaning deeper into you, as if he hasn't gotten enough of you yet. His chapped lips tangle with yours so easily that you almost think you've danced to this tune before, falling into a routine that you haven't thought about in years.

The hand on your cheek disappears, fingertips idly tracing across your skin, down your neck, and then up to the corner of your eye, doing nothing but feel you. Something rumbles outside, in perfect tune with the slow roll of his hips, grinding down into you.

"Rhett," your head is spinning, idly grabbing at his biceps like that will somehow anchor you down. 

"I ain't goin' nowhere," uttered like a sacred promise.

But the need for oxygen strikes you at the same time. Reeling back. Gasping. Eyes peeling open for what must be the first time in hours. Days, even.

Oh, he is something. Swollen lips and pink cheeks, his unruly hair ruffled and stubbornly falling into his face, so long that the ends of it tickle your face. You can only tuck so much of it behind his ear before some of it escapes and falls forward again.

Your eyes meet.

He laughs. "I feel like a damn mess."

"I'm sure I don't look any better," your thumb wanders out, tracing across his bottom lip. His tongue darts out, timidly wetting the pad of your finger. It's the last push you need to lift your hand and tap him on the nose with it. 

Those eyes scrunch shut. Overreacting just a little bit.

Thunder slams into the ground with its heavy iron fist, shaking the motel and rattling you back into motion. Leaning back up to drown in him once more, almost sighing as he meets you, grants you the luxury of settling your head against the pillow. You think he only means to shift his position, but the bulge in his jeans grinds into you all the same, a little spark of heat bolting up your core.

"This is okay?" He whispers against your lips, those big forearms settling on either side of your head, seeking more leverage.

Your tongue is limp in your mouth, distracted by how the dim light catches on his bicep, illuminating a bulging vein there. Thick, winding down into his forearm and into his big, meaty palm. 

Rhett's nose finds your cheek, gently nudging. 

It takes a moment to recall his question. "More than okay." 

Rhett's chuckle is a fleeting thing. There one moment and dissolving the next, overtaken by your sudden movement, too impatient to wait any longer. But you miss. It's hard to find any leverage when you've got him between your legs. 

His hips roll down; you're convinced that you feel him twitch in his jeans. "That what yer after?" 

There's no reason why this should work the way that it does. These layers between you should be making this harder to feel, but you're nearly convinced that the clothes are a minor hallucination because they do nothing to stop the feeling of him slowly rutting against you. The coarse material of his jeans drags against your thighs, the tent in his jeans heavy against your core.

You can't help yourself. One of your hands are tangling in his hair, and the other is grabbing hold of his bicep, greedily squeezing the thick muscle that you've spent too much of your life staring at. It flexes in your grasp, shamelessly showing off. You'd call him out on it if not for—

"Your ass is vibrating," you can feel it against your knee, a steady buzz that wasn't there before. 

"Think it's Ty," he doesn't reach for his phone. Instead, his finger curls into the pearl snap buttons of his flannel, raking down and popping them open one by one. 

His pale chest is...distracting.

"Are you gonna answer?" You croak, already fixating on that bucking bull tattoo. Old. Faded. Some little thing he picked up right after he turned eighteen, a discount job that has already begun to wear down. You recall him saying that his momma almost kicked him out of the house for it. 

"Nah," the thin fabric falls from his body like a distant memory, landing somewhere on the floor. "Whatever it is can wait 'till mornin'." It's the tiniest motion, reaching into his pocket and tossing his phone off to the side, but the light catches on his chest just right, and...

"Rhett, this is..." You had a feeling it was worse than just a few stitches, but the image in your head wasn't this.

It's just below his collarbone. Healed at the top but opening up into a wide gash that is far too wide to be stitched closed, scabbed over, and surrounded in a sea of yellow and purple. You can see where the stitches once were, little red dots following the space that has already scarred.

"I know," he mutters, almost sounds ashamed. 

You don't know what makes you do it. But you lean up, lips delicately pressing to the thin line of pink skin. Just two slow pecks, steering clear of what you know is a sore wound.

"'re you kissin' me better?" His voice is right in your ear, his smile shifting the tone of his words. 

"S'ppose I am," there's an unexpected twang to your tone; you're starting to sound like him. 

Your foreheads meet. Softly thunking together, noses rubbing back and forth in their own unspoken dance. He squirms, pulling himself a little higher on the bed, and—

"Shit." He's hissing, dragging his hips against yours again—something about that angle, fuck. 

Rhett's the one who's taken charge of this, deliberately grinding himself into you like he can't think of doing anything else, but it's you who pushes things further. Craning your head up to find the prickly underside of his jaw, pressing your lips to the space beneath his ear. It's just so hard to stop yourself, lightly sucking on the skin there, enough to hear him gasp and leave a faint red patch in your wake.

One after another, gradually making your way down his neck, his heavy breaths enough to make you dizzy. Only stopping when you can no longer reach, forced to reel back before the ache in your neck begins to grow. 

Rhett picks up right where you left off, his tongue poking between his lips as he kisses down your neck, leaving behind little wet spots that seem to freeze over in the chilly bedroom air. His big hands dip beneath your shirt, callouses dragging against your sensitive skin. You know what he's about to ask, and you're already arching your back off the bed.

But he doesn't take it off. Stops right as he pushes the fabric up to your neck, skipping across it, lips finding your naked chest instead. "You'll get cold if I take it all the way off," he murmurs as if he can hear the question floating through your head. 

Without warning, his mouth finds your nipple. Delicately pulls it into his mouth like you'll shatter if he's too rough, his tongue swirling around the little bud in such a way that your head spins in tune with it. Your hands are in his hair, clinging to those curls resting at his nape, a little noise whistling out of your throat. 

He draws away, and—shit, it really is cold in here. 

Your hips jerk on their own accord. Impatient for something you weren't thinking about. 

"Hang on, hang on," Rhett's chuckling at your antics like this is a little game you've been playing for years on end. 

You're playing into it. Lifting your hips when his fingers curl beneath your waistband, shyly drawing your legs together when you realize that he's taken your underwear with your shorts, all in one go. It's easier to ignore the sudden over-exposed sensation when he reaches for his belt, pinching it open and squirming out of those too-tight jeans that have no right to cling to him like they do. 

He's here before you hear the clothes hit the floor. Slipping between your legs once more, his body so warm against your chilly skin. Melting away the metaphorical frost that has already begun to call you home.

Oh.

You didn't realize he was—fuck, that's so much better without clothes in your way. His cock slipping between your folds, the thick underside massaging against your swollen clit so easily. 

"Rhett..." aimlessly babbling, grasping at his biceps before you can think twice about it. 

You don't know if it's because you never gave it much thought or if it's because it's been a while, but he's so much bigger than you thought he'd be. Just the sight of his thick, weeping tip is enough to make you dizzy, the kind of size that almost makes you feel minuscule in comparison.

"So fuckin' wet already," you don't know when he got so close to your ear, a violent shiver quaking across your body as he whispers in that stupidly low voice of his. "were y' wantin' me that bad, sweetheart?" 

You can't respond. Not when he's using his own body weight to keep you pinned to the mattress as he ruts his big cock against your pussy, deliberately targeting your poor clit over and over. Little fireworks rattle up your spine and explode in your head with every motion, glittering behind your eyelids, staining your view of his face. 

"I...shit, Rhett..." speaking is like swimming through a tsunami, words there and gone in a matter of milliseconds, washed away to the back of your mind. "Rhett..." It's no use. You can't...you can't...

The bridge of his nose kisses yours, one of his stray brunette curls coming down to tickle your cheek. You fear the day he cuts his hair short. "Say it again." 

He's said...something, you know he did, but it's so—it's so hard to focus. Too distracted by the way precum obscenely spills out of his slit, mixing with your own wetness, sickening the glide of his length, his every motion punctuated by a quiet squelch that's too loud for this little hotel room. Kate can hear it from down the hall; you're sure of it. 

Hell, maybe she's too busy with Tyler. Maybe she'll throw that 'no dating business partners' rule to the wind and shut that loud-mouthed cowboy up once and for all.  

"...huh?" You think you were supposed to be figuring out what Rhett said. Still haven't done that. 

"Say my name again," he sounds a little breathier now, his sharp hips forcing your thighs to rise and fall with the motion of his body, clinging to him like he's the only stable thing in this big, blinding world. 

"Rhett." It slips out like you've been uttering it your whole life, tongue hand-crafted to do nothing else but form the shape of his name. Can't really stop yourself now that you've begun to say it. Mindlessly mumbling his name with every long thrust. "Rhett...Rhett!" 

Pressure unexpectedly blossoms. Air catches in your throat as his cock head dips into you. 

"Shit—!" Rhett's yelp dissolves into a muffled groan. "I didn't mean..."

But your legs are curling around him, your heels digging into the swell of his ass, urging him deeper. More. You want more of this. 

Oh, and he gives you exactly what you want. Softens and lets you draw him in, so overtaken by the sensation that he visibly fights to keep his eyes open. You weren't ready for this at all and you don't even care. It's hard to think about the ache when he's already dragging against a sensitive cluster of nerves, his cock so thick that it rubs against them without even trying.

"'s it feel good or 'm I hurtin' ya?" Rhett's voice is like gravel. So much lower than what you remember it being. 

"'s good," you're whining, absently squeezing at his biceps as he sinks further and further into you. There's just so much of him to take, slowly splitting your poor pussy wide open inch by fucking inch. 

Thunder booms outside, but it's not near as scary as the monster between your shivering thighs. Lightning flickers as you feel him bottom out, buried to the hilt, and you don't...you don't know if you have room left to even breathe. 

There's no real waiting. He can't, with you taking it upon yourself to dig your heels into the bed and impatiently rutting yourself against him. Shallow little ins and outs that very nearly punch the air out of your lungs.

"So fuckin' impatient," his chest settles against yours, anchoring you into the bed and forcing your squirming hips to hold still. "Needin' my cock that bad, baby?"

You've got just enough of your bearings left to glare at him. No, you were wanting him to buy you a snack out of the vending machine. What else could you want?

"Hey, I didn't say I wouldn't give it to ya," he chuckles like he can hear every little snarky thought that crosses your mind; maybe he's been reading your mind ever since the day you met. 

All of a sudden, he's moving, drawing those strong hips back, only to rock back into you, doing nothing but shallowly rut his cock into you. If it were anyone else, this wouldn't work, but fuck he's already got this figured out. Massaging against those little nerves you haven't touched in so, so long, such a simple thing that has you clenching around him. 

And you're helpless to do anything but cling to him and take it. Pinned to this shitty motel mattress as the storm rages on outside. 

"'s that better, hm?" He coos, nuzzling your noses together as if to soothe the pitchy noises he's gently punching out of you. "I can feel your little legs just a shakin'."

There's nothing you can say. Stunned into mindless sounds that you can't seem to stifle, all too aware of how he's beginning to pull out further, fucking you in long, heavy strokes that leave stars sparkling in your vision. 

Your hips involuntarily buck. The angle shifts. 

"Aha—!" You're crying out. Way too loud. The neighbor absolutely heard that.

But you can't think about that because Rhett's caught onto it, swiveling his hips. Misses on the first try. Drifts closer on the second—

Not a thing escapes your lips, but your back rises up off the bed, clenching around him as he strikes that spot again, and you're only vaguely aware of how you're getting wetter. Absolutely dripping around him, every little motion punctuated by a sickening squelch that you can't possibly ignore. 

"This poor lil pussy of yours," he's so talkative, purring those filthy words against your lips like they're gospel. "Gonna have ya limpin' all tomorrow."

You can't...you can't keep still. Wriggling helplessly, not sure if you're pushing up into him or trying to pull away; whatever it is, it's not working. That fat cock of his is still sinking into you at his own pace, balls lightly smacking into your ass, heavy and full and...

"Probably have to tell 'em a little lie or two," kissing him only briefly shuts him up. He's talking the moment you part ways. "'s not really acceptable to tell 'em the shop mechanic was—mmh between your pretty little legs all night long." 

Your hand finds its way up his arm. Crossing his shoulder blades. On a one-way track to tangle in his messy hair and pull. It's enough to yank his head back, that pretty, pale throat on full display as a warbled moan jumps out of him. 

Rhett's teeth sink into his bottom lip, muffling something you wish you could hear. "Talk to me, baby."

"Wanna...wanna hear you," that doesn't sound like your voice at all. If you couldn't feel it coming out of your own mouth, you'd think it was someone else entirely. "Please." For extra measure. 

You'll fuss about begging on another day. When you're not—oh, when you're not...

The tiniest noise stumbles out of Rhett's throat. Music to your fucking ears. You want more of it. 

It takes a moment. Gathering the strength to use the rest of your body. But then you do, and you're deliberately clenching around him, shivering thighs squeezing his pistoning hips as tight as you can, and he whines.

"Fuck, I...I..." Stumbling out of him. Aimless, but it's damn near enough to make you dizzy.

"Uhuh," is all you can utter. Dumb.

Lips collide. Crashing so clumsily that it's a wonder you don't knock a tooth out, nothing but open-mouthed entanglements and tongue. Calling this a kiss would disgrace the very word. Kisses are meant to be elegant. A beautiful sort of dance that no language will ever be able to properly describe. 

Soft little whimpers creep past his defenses. Faint at first, but it's so hard to stop once he starts crying into your mouth when you clench around him once more. You don't know if it's the sound itself or the delicious drag of his cock that sends the wave of heat roaring into your lower belly. Hell, maybe it's both. 

"Sound so fuckin' pretty." He's the one who says it, but you utter it in the back of your mind, too.

This room is so damn hot all of a sudden. A familiar pull has you fluttering around him, spasms that you feel just as much as he does. And he's driving directly into those little nerves so easily that your entire body is beginning to tingle with it, his weeping cock head striking them over and over and over.

Rhett shivers. A bead of sweat runs down his flushed face. "Fuck, I'm—"

"Close!" You blurt. Didn't mean to finish his sentence for him, but it's already out there, and oh, oh, oh.

His motions are quickening, unexpectedly thrown off of his rhythm, only for his hips to slam into you so hard it rocks the headboard. An unfamiliar heat blossoms, and you can feel his cock twitching inside of you and—Oh, he's cumming in you. 

That's all it takes. 

Your ears go numb as your back arches. Heart hamming in your chest. Crying out something that you never get to hear as you cum around him without warning. Little sparks firing across your nerves, and for the briefest moment, you think you've been swept up into a twister. Swirling 'round and 'round, nothing but Rhett's sweaty body to keep you from flying away entirely. 

And the storm whispers your name, barely audible over the hammer of your own heart. Echoing as the color drowns to black, warping until you can't no longer hear that, either. 

One of your eyes peeks open. 

Did you fall asleep? 

Because you feel like you fell asleep. Don't quite recall feeling so groggy, gravity weighing heavy on your eyelids, fighting against all odds to stay closed. Your tongue is almost stiff in your mouth, difficult to move. 

Rhett's hand has long since curled around your face, his thumb stroking the thin skin beneath your eye. Delicate. You don't think he's realized you're back yet, so distracted that the proof of it is evident in his face. Those deep blue irises flickering across your face, trailing across your forehead, your cheeks, your bitten lips, cracked and dry from the elements. 

You're far from looking your best. That you know for sure, but something about the way he looks at you...has you feeling like the prettiest thing this side of the country.

The corner of his lip rises the moment your eyes meet. "There ya are."

"I think I fell asleep," you croak. That still doesn't sound like your voice, but there's nowhere else it could be coming from. 

"'s only been a few minutes," pausing to press a kiss to your temple. That might be a faint hickey forming beneath his ear. "had me thinkin' I killed ya."

You can't help but giggle, an image emerging to the forefront of your mind. "Could you imagine having to explain to everyone that your dick killed me?"

His eyes roll as hard as they possibly can. You're almost disappointed that they don't get stuck. "'s not that big."

"You'd sing a very different tune if we could swap places," you mumble, reaching for his hand. So much bigger than yours, you can hardly even cover half of it. 

"Who says we can't?" He says it so...bluntly. 

...is he already implying that pegging is on the table?

You can't find your words. Neither can he. All too quiet as you stare back at each other. 

You crack at the same time. Sputtering into laughter like a pair of dumb kids, collapsing into perfect synchrony as you scramble out of the bed. Don't need to utter a word to Bare feet stumble across horrendously patterned carpet. His hand guiding you along on a one-way race to a too-small bathroom.

You're beginning to realize that cowboys and mechanics are just nerds with a very specific niche. 

There's no way that Rhett is still out there poking at Dallas, running his hands over the different components, pressing on buttons just to see what they'll do if anything at all. Even from the door, you can see the gears twisting and turning in his head, processing every little detail and scratch like it's a work of art he's never laid eyes on before.

Except he has laid eyes on Dallas before. More times than you can count, and that beat-up old thing is far from a work of art. At least it's still prettier than Tyler's rusty old rig over there in the back...

No, it's not there anymore. 

Did they leave already? 

"Where's thing one and thing two?" You hope he doesn't notice the way you waddle across the parking lot, an ache plaguing you with every step. It was cute, the idea of being sore from a night in bed with him, but hell, is the actual experience a lot less romantic to deal with. 

"They ditched us fer a date at some kind of storm chaser convention."

And here you thought Kate would at least give you the luxury of sticking around to tell you where she was going. Better yet, sending a text. 

"A date?" Tilting your head to the side, like that'll somehow make you hear better. 

Rhett presses another button. Every light in the truck turns on. "'s what it looked like on Ty's Instagram story."

You've already dug your phone out of your pocket, thumbs fumbling over each other as you search for your friends. Kate's account is the same as it was three days ago. No new posts since July of last year, but Tyler's...

There they are. Posing in front of the camera, spinning it around to unveil a line up of storm trucks. There has to be at least two dozen of them, sidled up next to each other in a perfect line with little white boxes resting on their hoods. A blurry sign sits behind them, forces you to replay the video and squint in order to read it. 

Voting opens  @ 4 PM.

"You have got to be kidding me," deadpan. Damn, not even an invite? After all that arguing? After yesterday? They wouldn't even have a truck to enter if it weren't for Dallas! 

"Hm?" Rhett blinks at you. If this were a cartoon, he'd have a question mark hovering over his head right now.

You turn the phone around, showing him the video he's already seen. "They entered a competition for the best storm rig in the state!" 

He bites the inside of his cheek, watching it again. After a moment, those big blue eyes flicker up to you. "...we could beat 'em." 

"You think so?" Is this what you're doing now? 

"I know so." Grinning.

They'll never let you hear the end of this. 

And that's exactly why you find yourself bouncing up to him, your hands bracing themselves on his chest as you lean in to steal a kiss from his waiting lips. Curling a fist in his t-shirt, don't even need to tug for him to fall into line, boots thumping along as you dart back into the room. Scrambling to collect your bags, tripping over him in your effort to shove your pajamas back into the suitcase. 

"Who's drivin'?" He giggles, leaning across you to get the room key. 

The answer is obvious. "I am!" 

Kate and Tyler don't realize you're there until it's too late. 

[bpmiranda]

The Bodyguard II |l. howlett|

A/N: slow burn, friends to lovers, angst, 21y/o f!character, bodyguard!logan x original character, flirtationship, drug use, depictions of violence, mentions of organized crime

The Bodyguard

Mercedes had imagined a proposition like this would occur when Emilio had begun to pay for her to go to nursing school, but she was far too excited at the time to question it. As she was nearing her graduation, it was beginning to sink in that this might be the life she was stuck with and it didn’t sit well with her.

“You would basically be on retainer for the cartel.” Logan concluded.

“Yeah, some dream job,” She muttered as she set her empty coffee cup down in front of her to run her fingers through her hair. “Logan, I had plans to leave Tijuana. I wanted to go to the States and start my own thing over there. If I get caught up in Emilio’s business…” She trailed off, fidgeting nervously with her cuticles. “I don’t want to get hurt.”

“You won’t get hurt,” Logan reassured her as he placed a comforting hand on her knee and squeezed it. “I wouldn’t be doing my job if you did. And you could still go anywhere you want to go.” He said with a shrug as he leaned back in his chair and watched her shake her head.

Mercedes gave him a doubtful look, those deep brown eyes looking at him sadly and he hated to see her like that. “No one says no to the cartel, or my brother. Do you really think it’ll be that easy for me?”

Logan couldn’t help but be sympathetic towards her. Maybe it was the years that they had known each other that made him grow soft for her. Maybe it was that little pout on her lips as she confided in him, trusted him entirely with her issues. Maybe he just enjoyed being useful to her. “I’ll help you figure something out, sugar.”

Over time, and with a lot of effort, Logan had earned a certain amount of authority within the Vasquez cartel, mainly over issues of security, but Emilio had come to trust him as a confidante. Especially when it came to anything dealing with his sister. After dropping Mercedes off at the clinic where she worked part-time one morning, Logan arranged to meet with her brother.

Emilio was having breakfast with his wife at her family’s restaurant which Logan knew well. Her name was Clara Espinoza, the Espinozas’ were old family friends of the Vasquez’ and she was a long time lover of Emilio’s. “Logan!” The drug lord greeted him with a strong handshake and a hug. “Come, eat with us.” Logan was guided into a chair across from the couple and he thanked them for the invitation. “What to drink? Un café? Una cerveza? (A coffee? A beer?) Whatever you want, amigo.” Emilio gestured at the waiter standing over Logan.

“Beer’s fine.” Logan said gruffly and the waiter nodded before retreating. “Thanks for meeting me. I won’t take too much of your time.” Logan returned his attention to his boss who waved him off as he sipped his coffee.

“No, no, you’ve caught me at a good time,” Emilio said with a grin and Clara chuckled softly beside him. He smiled, kissed her cheek and gestured to her. “How can I be in a rush when my lovely wife is sharing this wonderful meal with me?” Clara blushed, scoffing lightly at her husband as she shook her head. “Dime, Logan, que sucede con Mercedes?” (Tell me, Logan, what’s going on with Mercedes?) Emilio asked as he sat back and wrapped an arm around his wife.

“Seems like she’s got different plans than those that have been made for her,” Logan said to which Emilio gave him an understanding nod and he continued. “She told me she’d rather find work in the States after she’s graduated nursing school.”

“Hm,” Emilio nodded as he took in a deep breath, rubbing his chin with his free hand that wasn’t caressing his wife’s shoulder. “That puts me in quite a predicament. You see,” Emilio set both his arms on the table as he gestured with both hands. “My men cannot heal as quickly as you, am I right?” Logan nodded, knowing exactly where the conversation was heading, but not daring interrupt, not because Logan couldn’t hold his own in a fight with Emilio - it was a matter of respect. “And more often than not, I cannot have my men checking into a hospital after getting shot in the arm or the leg or wherever. Too many questions.” Emilio thanked the waiter who suddenly appeared and placed Logan’s beer in front of him. Logan took a long swig as his boss continued talking. “And so, I need a nurse available to my men. You see my predicament, don’t you, Logan?”

“Sure.” Logan said.

“What is she really worried about?” Emilio asked.

Logan clicked his tongue as he shrugged. “She’s scared of getting hurt, and I can’t blame her. With all due respect, I’ve tangled with some of your men. They’re not exactly the picture of chivalry.”

“Lo sé, lo se,” (I know, I know,) Emilio sighed, rubbing his jaw pensively and he turned to his wife. “What would you advise me, amor mío (love of mine)?”

Clara smiled appreciatively at her husband and she looked at Logan. “Mercedes wants to pursue her career in the United States?” Logan nodded. “Would you go with her? To protect her?” Another more eager nod. “So then my Emilio must fund a trip for two across the border without her being seen because everyone knows who she is and in turn who her brother is, which will not come cheap.” She explains, looking over at Emilio who nods, following his wife’s train of thought. “Then if you make it across the border, we pay for housing, supplies, maybe Emilio sends an extra man for the love he has for Mercedes. However, we have already lost you, Logan, and you are worth twenty men and she cannot very well live on her own in a country where we have no strings to pull. Does this make sense?” Logan nods, his jaw tight and his hold tighter on the beer bottle.

Suddenly, Emilio clapped, laughing lightly while he looked at Clara as if the problem had solved itself. “Ah, pues ahí esta!” (Ah, well, there it is!) He exclaimed happily and Logan stared at his beer bottle, wondering how Mercedes would react to him giving her the bad news that she’s already got the job she doesn’t want. “(My sister) Mi hermana has nothing to worry about because she has you, amigo. You will be with her the twenty-four hours of the day, seven days of the week. Twenty-four, seven, si?” Logan nodded. “She comes in to patch somebody up, you come in with her. I send her to one of my safehouses, you go with her. Easy peasy, done.” Emilio dusted off his hands and raised them up. “Algo más?” (Anything else?)

“Nothing.”

While Logan was waiting outside of the clinic later that day for Mercedes, he smoked a cigar and wondered how he would break the news to her that she did not in fact have a choice. It felt awful to bring her bad news, but there wasn’t much he could do short of running away with her. Running off would mean she would be hurt, and staying would mean only possibly getting hurt. Logan felt more comfortable with possibilities than playing around with her safety across the border.

“Hey,” Mercedes suddenly greeted him with a kiss on the cheek as she slid into the passenger seat and she buckled her belt. “Did you talk to Emilio?” Her eyes were wide and expectant and Logan sighed.

“I did.” He said as he started the car.

From his tone alone, she knew he didn’t have good news for her. It wasn’t like she expected anything different, at least not the realist part of her. The dreamer side of her had held onto a little bit of hope, however. “But he said you’ll be with me the whole time?” She asked after he had explained how the conversation had gone.

“Twenty-four, seven.” Logan nodded, looking over at her as they stopped at red light. “Is that a little more comforting?” He asked with a smirk and she rolled her eyes playfully.

“I guess.” She teased and he chuckled. “Was Clara there?” Her foot was tapping anxiously in the air as she had her legs crossed. Logan hesitated, but he nodded, keeping his eyes on the stoplight and hoping it would turn green before she asked him a more uncomfortable question - which she did anyway. “What did she say?” Mercedes asked in a bitter tone because she knew Clara would always put in her two cents simply because Emilio couldn’t live without them. Logan cleared his throat and looked over at her with a little shake of his head. “Tell me. I won’t be upset.” She lied.

Mercedes and Clara did not get along, this was a fact Logan knew and he’d be a fool to add fuel to that fire. It began with some dispute not long after the wedding about some items in her father’s home, the home Clara was now living in which Mercedes couldn’t stand. Another reason she decided to move to the other side of town.

“Sweetheart, just know Emilio’s keeping you around, okay?” Logan almost sighed in relief when the light turned green and he pressed on the gas to get her home as quickly as possible. Her hand suddenly rested on his thigh and she lightly drummed her fingers on his strong muscle. “Stop that.” He barked and she only continued, lightly rubbing his knee as she gave him a doe eyed look. “‘Cedes, I’d take a bullet for you, but I’m not getting between you and her.” Logan said firmly, a sad attempt at saying no to her.

“Was it her idea to keep me here?” She asked and he sighed, her grip tightened on his leg at this and he nodded. “Mierda!” (Shit!) She punched his thigh which made him chuckle and she crossed her arms furiously. “That bitch.”

While she stewed in the passenger seat, Logan finally parked outside of her apartment building and he walked her inside, up to her door where he leaned against the frame and watched her angrily fight her key into the lock of her doorknob. “Don’t think about it too much, alright, kid?” He told her as she finally got the door open. Mercedes turned to him with an unamused expression. “The guys your brother’s got running for him are professionals. What are the chances you’ll have to patch someone up very often anyway?”

It was more often than either of them thought and being on retainer for her brother had worsened Mercedes’ attitude. Logan noticed she seemed to hide in her apartment aside from going to work or school. It concerned him, but she kept pushing him away, telling him everything was fine when he had come to know her so well that he knew she was lying. But what more could he do if she didn’t want to talk to him about it? There was still a job to get done.

“‘Cedes!” Logan was pounding on her door, glancing at the time on his wristwatch as he continued knocking until she appeared in front of him with an annoyed expression.

“Logan!” Mercedes scolded, her brows furrowed as she stared up at him in disbelief. “I have neighbors.” She said as she pulled him into her apartment and shut the door behind him. “What the hell’s going on?” She asked him, crossing her arms over herself and it was then that he realized she was wearing only a tank top and some panties. Her hair was frizzy as if she were just getting up and he chuckled.

“You’re sleeping in now?” He asked, sounding more like a father figure than he intended to and she rolled her eyes as she walked into her kitchen. His eyes fell on her ass, not failing to notice how it moved with every step and he found himself following her.

“Is that what this is?” She asked as she filled a glass with water from the faucet and turned back around to watch him as she drank it. “A wake up call?” She asked as she set the glass down. Logan shook his head, not necessarily in a big rush now as he was looking at her. Mercedes suddenly snapped her fingers at him and his eyes met her deep brown ones. “Que paso, Logan?” (What happened, Logan?) She urged in an irritated tone.

“Emilio needs you. Someone’s been cut up pretty bad and they need stitches.” Logan answered and her eyes widened.

“You’re fucking kidding.” She groaned in disbelief as she hurriedly ran to her room to get dressed and Logan took his sunglasses off to rub a hand over his face. Pull it together, he thought to himself as he refilled the glass she had used and chugged down some cold water.

At the safe house, Logan kept her shielded behind him while guiding her into the rundown, empty home which sat in the middle of a sketchy neighborhood. His gaze seared every guy that watched them come through, protectively holding onto her waist as he led her into the bedroom where a young boy was sobbing and wincing from the pain of some deep slashes he received in an arm and a leg. “Oh, shit.” Mercedes breathed out as she quickly knelt beside him on the makeshift cot.

“Oye, amigo, para fuera!” (Hey, buddy, get out!) Another guy in the room tried to shove Logan out and he simply punched him in the face, his knuckles didn’t even bruise while the guy now had blood spurting out of his nose. Mercedes looked over her shoulder at them and Logan shrugged it off, leaning against the door and crossing his arms.

“He might need you to take a look at that when you’re done.” Logan said and she only gave him a little incredulous head shake before returning her attention to the boy bleeding out.

No one tried to tell Logan anything once he made it clear he wasn’t leaving the room while she was still in there. Logan watched her easily calm the young boy down with chit chat and explained what she was doing before she did it. It seemed second nature to her to care for others and he wondered if she was like this at the clinic as well. This was the Mercedes he had come to know, sweet and gentle. It confirmed for him that there was something else going on with her that made her turn to smoking and lacking in the general upkeep of her space.

After about an hour, she finished stitching the kid up. “Ahí está,” (There you go) Mercedes said as she snipped the thread in the boy’s arm and wrapped a bandage around the wounds. “Change them every two hours and keep them clean, okay?” She said and the boy nodded, thanking her in Spanish and squeezing her hand gratefully as he rested back on the cot, sighing in relief that he wouldn’t be bleeding out today.

The guy whom Logan had punched approached them suddenly and Mercedes quickly placed a hand on Logan’s chest as he made a move towards him. “Wait,” She told him as she dug in her medical bag and pulled out an ice pack. “No está rota,” (It’s not broken,) She told the guy as she inspected his bleeding nose while she shook the pack before handing it to him. “But next time it might be if you try anything like that again.” She warned and he nodded as he backed up.

Mercedes then turned to Logan with a little smile as she zipped up her bag. “Ready?” He asked her with a bit of a proud smirk, stepping away from the door as she nodded and he guided her back out. The guy running this safe house stopped them at the front door and he looked Mercedes up and down quizzically before taking her hand and sticking a wad of money in her palm. “Gracias, doctora.” (Thanks, doctor.) He said and then he looked at Logan and nodded towards his car parked in front. “Now get outta here.”

The car ride was silent and Logan was curious as to what was going on in her mind. “Wanna get a drink?” He asked, looking over at her and she nodded with a small smile.

The bar they stop at is one on Emilio’s payroll and Mercedes is immediately greeted and tended to when they walk in. Logan follows behind her as he eyes the other patrons, making sure there isn’t an unfamiliar or unwelcomed face in the bar. Once seated in a corner booth, they order their drinks, and Logan notices her mood is more uplifted than before they arrived at the safe house. “Thanks for staying with me.” She says suddenly, her hands folded in her lap as she looks at him across the round table.

Logan lights a cigar while he shrugs. “Just part of the agreement with Emilio.” He says and she only smirks. “What?” He asked her with a raised brow as he closed his zippo lighter and stuffed it back into his pocket.

“Was part of the agreement to punch anyone that tried to keep you from me?” She asked and Logan chuckled as he blew out a cloud of smoke above them.

It wasn’t, but she didn’t need to know that. “Would you have preferred that I left you alone in there with him?” He asked and she rolled her eyes as she shook her head, still smirking as she knew he was avoiding the obvious.

The way he stared at her this morning was no slip up. “I’ve seen how you look at me, Lo.” She said, resting her hands on the table in front of her and he moistened his lips as he waited for her to continue. “I look at you sometimes.” She said with a nonchalant shrug, and he felt a connection between his pelvis and his heart, aching for the girl across from him.

“Sugar,” Logan said with a sigh as he ashed his cigar in the ashtray sitting on the table. “You don’t want to go down that road with me.”

A small frown turned her lips and she asked, “Don’t you think it’d be fun?” Her elbow propped up on the table and she rested her chin on her palm as she gazed at the handsome features of his face, wondering what his lips might feel like on hers or on her neck or somewhere else. The adrenaline is this afternoon was still pumping through her and she desperately needed a way to release it.

Logan wasn’t sure what her game was, but he figured he’d play along. “Say we fuck tonight when I drop you off,” He says and she bites her lip at the thought, closing her eyes as she makes a show of really thinking about it. The thought aroused her and Logan pretended not to notice, pretended his mouth didn’t water from her scent. “What happens in the morning when I pick you up?”

“So you wouldn’t spend the night with me?” She asked, her eyes opening and feigning to be hurt as she placed her hand over her heart to which Logan rolled his eyes.

“Forget it.” He smirked, thanking the waitress as she dropped off their drinks and he noticed she gave him a flirty look as she mumbled a soft ‘my pleasure’ while also setting down a napkin in front of him with her phone number.

Mercedes noticed too and she couldn’t help the light scoff that left her lips. Logan downed his shot of whiskey and he avoided looking at her as he knew exactly what she was thinking. “Clearly you’ve got choices.” She said as she sipped her drink, eyeing him over the rim of her glass. Logan could’ve sworn he detected a hint of jealousy, but he decided not to pull at the thread. He had to remain professional, had to get her home at the end of the day without fucking her, or he risked everything he had built.

They had a few more drinks over which they talked about the general stuff which they usually do; her schooling, their work, Emilio’s work. It interested her more than anything, however, to know more about his life before her, the centuries he had spent wandering around, and how things had changed. Meanwhile, everything before meeting her was slowly beginning to matter less and less to Logan.

“When exactly did you get into that stuff?” He asked as he watched her roll up after he swallowed his fourth shot of whiskey.

Mercedes shrugged as she finished sealing the joint with the moisture of her tongue and she slid around the table towards him, holding the spliff between her lips while Logan lit it for her. As she was about to slide back around to her seat, his arm came down around her shoulders and he kept her there beside him. She smiled to herself and rested against him. “This girl at college always had some and we would smoke from time to time.” She said after blowing out a cloud and ashing in the same tray he was using.

“Is that the friend that’s got you behaving differently?” He asked as his thumb gently caressed her bare shoulder and she looked up at him.

“Different how?” She asked, hitting her joint again.

Logan shrugged as he toked on his cigar, doing another scan of the patrons in the bar around them before ashing. “Your room’s messy which isn’t normal for you, you’re smoking weed and drinking which isn’t something you’ve shown interest in before recently, you said you were scared of working for the cartel, but I seem to remember you didn’t want to let fear control your life. Something changed.” He pointed out.

Mercedes was quiet for a moment before saying, “You’re the first person that‘s asked.” She said softly. Logan looked down at her and leaned away from her a little bit. “I’m not a normal college student, Logan.” She sighed, resting her elbow on the table and her head in her hand as she turned her body towards him. “I just want to be a normal girl with friends who do drugs and has a messy room and doesn’t care so much about trying to please someone who isn’t even paying attention.” Logan realizes she’s talking about Emilio and he frowns when her eyes water threateningly. “My dad used to call me everyday and talk to me. We’d have conversations that normal fathers and daughters have, you know?” Logan nodded even though he didn’t. “I just miss that. I miss just being his daughter and him telling me how much he loved me; he was the only one that unconditionally supported me.”

Logan should’ve realized she had not properly processed her father’s death. It was quite sudden and tragic, and he recalled now that she had been away at college when it happened. Mercedes didn’t get to say goodbye like Emilio did and that was clearly taking its toll on her now. “Wanna go home and talk about it?” He asked and she gave him a little playful look.

“Don’t you have a waitress to see about?” Logan smirked and glanced over at the waitress who was already smiling sweetly at him.

“I’ve got her number. I can just call and apologize later.” He said as he nudged the young girl and she smiled bashfully, nodding as he guided her out of the booth. He set some cash down on the table before her leading her out to his car - forgetting the napkin with the waitress’s number.

At a stoplight, Logan looked over Mercedes having gotten the feeling that something was on her mind and he placed a hand on her knee. Her sweet face looked over at him and he gave her a nod. Her eyes moved away from him and onto the stoplights. “Are you going to leave me someday?” She asked quietly. Logan raised an eyebrow curiously as she picked at her cuticles. “My dad passed away, Emilio got married and stopped calling me all together,” Her teary eyes looked over at him and she gave him a sad smile. “You’re the only person I’ve got left.”

Logan’s heart ached as he heard her confess that she felt abandoned, cast aside, and her attempt at distancing herself was beginning to make sense now. “I’m not going to leave you, ‘Cedes.” He told her, taking her hand and kissing her knuckles. “You’re mine to take care of, aren’t you?” He teased and she couldn’t fight the smile on her face.

In her apartment, Logan was sitting at the kitchen table while she paced around and talked about how it felt to have missed the funeral, to not have been at her father’s deathbed to share her last words to him. Slowly, through the night, he could see her coming back to him. That sweet girl he had first met five years ago, every tear seemed to be washing away this new persona of hers that pretended not to care when in reality, she cared a lot.

“You know what the weirdest part is though?”

They were on her couch now. She was sitting with her legs criss crossed, facing him while he sat back on the other end, smoking his cigar, his thighs spread out as he sat comfortably. “Tell me.” Logan said, looking at her as she picked at her cuticles.

Mercedes looked back up at him and shrugged. “I thought I’d be scared of the men my brother works with, but I think I was more scared that I couldn’t sympathize with them.” Her eyes searched his face for understanding and he nodded, wanting her to continue. “Seeing that boy today, it made me realize he and I aren’t cut out for this life, but maybe that’s because people like my brother need people like us around. People that can care for them without judgment.”

There was a moment of silence during which Logan considered telling her that he thought she was perhaps the most compassionate person he ever knew, that he couldn’t have ever imagined he would come to care this much for her. But what would that do?

“You’ve got a good heart, kid.” He said as he took another puff of his cigar. “Even better head, don’t stop using it, yeah?”

A soft laugh left her lips as she began to lay down. “Thanks for listening to me ramble, Lo.” She whispered, looking up at him with sleepy eyes as they had been talking for almost two hours now. Her head was lying on the couch’s arm rest while her legs were now draped over his lap and he couldn’t stop staring at her.

“My pleasure.” His tone was mocking of the waitress, making her chuckle and she playfully pushed on his ribs with her foot which made him laugh as he caught it and caressed it softly. “Get some sleep. I’ll spend the night.”

🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼

🏷️: @dontfeedthebigbadwolf @peterparkernotfound @httpsells @evasmlp @ayatotiddies @thatlittlered @seasonofthenerd @littlemisscantloveyouback @scorpiosaintt @simpingfor-wakasa @spencerswh0r3 @thatweirdtheaternerd12 @shybluebirdninja @iamburdened

[come-chaos]

So, uh,

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[rosewheresheshouldntbe]

Rose on the bridge of the starship Enterprise? (Star Trek)

Rose shouldn't be a crewman aboard the Starship Enterprise, but she sure does look the part!

@hs2-rips for the original sprite, sprite edit & recolor by me. Background is from https://memory-alpha.fandom.com/wiki/Bridge

[dropthecop]

saw a dracula daily post saying it was like a timeloop story the way people were reading it year after year and the characters were going through The Horrors again and again the same way as before, and the post asked which dracula character would be the one who knows about the timeloop and tries to break it, and i would like to submit for consideration that none of them know about it because WE are the ones who know

[flash-from-the-past]

Rufus Snackdown

[mxdotpng]

best part abt having an ff14 oc is creating side content for ur wol's character development, completely unrelated to the msq going on

[kuromi-hoemie]

fictional or not, dragon lore is always so interesting.

[noxtivagus]

i'll read more from now on again

[victory-cookies]

god I’m so torn. I have a few things I really buy rn but realistically I don’t think I can afford all of them. So I’m trying to weigh what I should let myself but bc I haven’t bought myself anything nice in a while

[secondbeatsongs]

as a bi person, the bisexual flag brings me infinite joy and always puts a smile on my face, however as a person who has a Passion for Graphic Design, that undersaturated shade of purple infuriates me when it's used digitally

like, on an actual flag - which was its original purpose - it looks great!

those look fine! lovely, even! with the semi-transparent fabric, the way it catches the sunlight, it looks beautiful!

but now look at how it looks digitally

the pink and blue are so vibrant compared to the sad, lonely lavender!

and let's look at this statement from Michael Page, the creator of the bi flag:

(sidenote: he created this flag in 1998, so if his takes on bisexuality is different from yours, it's okay to notice that! a lot has changed since the 90s when it comes to lived experiences and the way we describe them. but, it's also important to respect his thoughts about this and the way he presented them, even if today, we'd probably not say that bi people "blend unnoticeably into both the gay/lesbian and straight communities.")

so in pantone colors, the pink is 226 C, the blue is 286 C, and the purple of the flag is 258 C.

but...here's the deal

Michael talks here about how the key to understanding the symbolism is to know that the purple blends into both the pink and blue. and on a physical flag, I think you can see that!

but digitally, it absolutely does not blend. it clashes badly, and looks oddly separate from the other two colors.

which got me wondering...what purple do you get if you actually blend 226 C and 286 C?

oh! oh, my god.

look at that! look at how nicely it fits between those colors!

look at it next to the original color scheme! look at how much more vibrant the purple is!

and friends. this is just blending through rgb! you get even more purple variations when you use other color spaces!

let's compare all of them:

(top: original, lab. middle: lrgb, lch. bottom: rgb, hsl)

look at all of the different purple options you can get just by combining these two colors!

if you want almost too-vibrant saturation, you can go hsl, if you want something more relaxed that's closer to the original, you can go lab or lrgb. and if you want to split the difference, lch is bright and violet, while rgb is there with its saturated but darker purple.

anyway, I guess I don't really have a point here? this isn't so much an informational post as it is Me Getting Weird About Colors, but I think it is a useful lesson about how colors look very different on screens compared to how they look on objects in real life.

and sometimes, I think it's okay to compensate for that.

out of all of these, this is my favorite bi flag:

it's the one where the colors were blended in lab color space. for me, the lighter, softer purple is close enough to the original bi flag purple, while also feeling like a smoother blend of the blue and pink

but that's just me! and it might not even look the same to you, since every screen is different, because technology is a nightmare!

anyway, thank you for coming with me on this colorful journey! I will now retreat back to inkscape and make pained sounds about inkstitch gradients until something tangible pulls me back into reality

[hoshigray]

𝐏𝐥𝐞𝐚𝐬𝐞 𝐋𝐨𝐯𝐞 𝐌𝐞 [𝐍𝐎𝐓]!! | a JJK series

𝐒𝐞𝐫𝐢𝐞𝐬 𝐒𝐲𝐧𝐨𝐩𝐬𝐢𝐬: “GO FUCK YOURSELF, SATORU GOJO!” “BETTER THAN FUCKING YOU!” It’s no secret to anyone on this Earth that you and Gojo cannot stand each other. Despite that, the world seems amused to put these two star-crossed lovers haters in the same space. Or worse, have them dwell deeper into their feelings for one another…

𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬: Gojo x fem/afab! reader - explicit content; minors DNI - modern + college AU - frenemies to lovers + mutual pining - fluff + angst + misunderstandings - first kiss - virginity loss - Gojo and reader are at least age 20 - secret relationships; implied friends-with-benefits - sex in shared rooms; college dorms + hotel suite - college parties - use of party games (seven minutes in heaven) - confessions - mention of drug/alcohol abuse - humor bc Gojo and college, lol - Gojo is a cocky, tactless sweetheart, nothing new - cameos of other characters + explicit content will be listed in their respective fics (within the contents).

𝐀𝐮𝐭𝐡𝐨𝐫'𝐬 𝐍𝐨𝐭𝐞: when I say that I had this series planned out, I mean like mid-October last year planned out, lmaoo!! I'm honestly so psyched to do this series, as it's one of my favorite tropes + relatively short as I'll be busy irl, but we'll do what we can!! i was lowkey feeling this concept when i was re-watching Ranma 1/2 and figured it would work great with Gojo. So, here's to hoping i can properly execute my thoughts with this series, hehehe~

reblogs + comments are appreciated wholeheartedly ❤︎ gif header made by me + fic dividers used are provided by the wonderful @cafekitsune and @animatedglittergraphics-n-more!!

𝑳𝒐𝒗𝒆 𝑰𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑨𝒊𝒓...

All the material below contains explicit 18+ content, so minors do not interact.

₊˚⊹♡ 𝐒𝐞𝐯𝐞𝐧 𝐇𝐞𝐥𝐥𝐢𝐬𝐡 𝐌𝐢𝐧𝐮𝐭𝐞𝐬 𝐨𝐟 𝐇𝐞𝐚𝐯𝐞𝐧 (Feb 1st)

The start of the spring semester is supposed to be fresh and new, not be cramped up in a closet with your frenemy at a party! And what's worse: you actually like the feeling of his lips on yours!?

₊˚⊹♡ 𝐇𝐚𝐭𝐞 𝐭𝐨 𝐋𝐢𝐤𝐞, 𝐋𝐨𝐯𝐞 𝐭𝐨 𝐇𝐨𝐥𝐝 (Feb 7th)

Is it possible to wish to be in the embrace of someone who makes you want to throw them off a cliff? You seem to think so, and the same goes for Gojo. But alas, good things always come to an end, even when not meant to be...

₊˚⊹♡ 𝐒𝐮𝐝𝐝𝐞𝐧𝐥𝐲, 𝐈 𝐇𝐚𝐝 𝐚 𝐕𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞 (Feb 14th)

Going on a date with the guy who broke your heart is something you’d never thought would happen – especially on Valentine’s Day! But it’s just for him to be in your good graces again, nothing more…Yeah, go ahead and tell yourself that.

𝑨 𝑳𝒐𝒗𝒆 𝑳𝒆𝒕𝒕𝒆𝒓 𝒇𝒐𝒓 𝒀𝒐𝒖!

Would you like to be tagged when these pieces get released? Lmk in the replies, please, and thank you!

𝑻𝑨𝑮 𝑳𝑰𝑺𝑻 𝑪𝑳𝑶𝑺𝑬𝑫!!! Have made a list of the first 50 ppl who asked, but don't worry!! Check back for the stories when they're posted on their respective dates!!

© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2024 ❤︎ These stories have been written by the original poster (me). Do not steal, edit, copy/plagiarize, or post any of my works on your own accounts, in or out of this app. Please and thank you.

[calypsocolada]

MISO SOUP AND SWEET POTATOES | g. tomioka

(click here for part two!)

synopsis: you're tasked with convinicing Giyu to join the Hashira Training author's note: hello. this was a days worth of writing. from 11 am to 3 am. i even wrote parts in my notepad at work. i really like how this turned out. i finished the hashira training arc last night and think that final episode might've been the best episode of anime i have actually ever seen. this is a whole ass story cw: slightly suggestive, major spoilers for rengoku and the hashira training arc, character death, gore, ANGST, fluff, happy ending, not proofread, fem reader, use of y/n a lil, lover!giyu, hardheaded!reader wc: 6.3k

click here for my masterlist

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“Would you mind talking to Giyu for me? So that Giyu, who tends to put himself into a negative frame of mind can start looking ahead again. Will you be persistent in your efforts to speak with him?” 

You stared at the letter. You reread it again and again and again. Your body still aches from the previous fight in the swordsmith village and you sort of hoped this was a hallucination. That you were still unconscious. But as your crow beside you squawked and you jumped you knew it was real. The paper crinkled beneath your hands. Kagaya’s handwriting is flawless and script. You followed the trail of his pen again. 

Would you mind speaking to Giyu for me?

You wondered if maybe this letter was accidentally sent to you. Even as your eyes wandered back up to the top of the paper that clearly said ‘Dear Y/n’. Even if it didn’t say your name there were no accidents with Kagaya. 

But… but there had to be. Out of everyone, all the Hashira that were certainly closer to Giyu. But you, the newest Hashira, had been chosen to speak with him? In what world did that make any sense? You barely knew the guy. Granted he had been the reason you joined the corp originally but he’d dodged your very presence the best he could ever since. 

Your village had been attacked about four years ago. Same old story for a lot of people victimized by demons. There was never a happy ending with those monsters involved. Always blood. Always loss. It was no different for you. Half of your family was slaughtered before you could even rouse yourself from sleep. But when you did all you saw was the inkblots of blood on your white walls, the color shining from being hit by the moonlight. You remembered sitting up and feeling numb as you heard someone screaming. The scream that never left you. Something you’d never be able to ingest for as long as you lived. 

When you got to your feet your mother had busted into your room. She looked pale, blood gushing from beneath her white nightgown. She scooped you up and kissed your head as she stuffed you into the closet. She shushed your cry’s and told you not to come out until the sun shone beneath the crack in the door. She gave you one last kiss. You didn’t know then it was the last. You reached for her but she pushed your hands back, silently shook her head then pressed the door closed. 

You’d always been a good kid. You stayed put exactly as you’d been told. Even as you heard more screams. Even as it went quiet. 

Only until that sun shone beneath your door did you move. You busted out of that closet. Your mother’s name is the first thing on your lips but she wasn’t the first person you saw. The scene in your house was horrific to say the least. The sights of the people you loved in multiple torn pieces is something that comes back to you in flashes when you fight demons. 

It spurs you on to do exactly what they did to your family back to them. To tear them to shreds. 

In the middle of it all was a boy. He was sitting so still that you didn’t even notice him amongst the slaughter. Your living room was still dark, dark enough that it kept this monster safe as it rose to its full height. No longer a boy but a creature from your deepest darkest nightmares. It had your family’s blood on its mouth as it smiled a wickedly devilish smile. 

“Hmm. Missed one.” It spoke in a gravelly tone as it swallowed whatever it was chewing on. You could guess what. You stepped back into your mother’s blood… or maybe your father’s? The blood, thick beneath your foot slid out from underneath you and you crashed into their bodies, something sharp sticking into your side as you gasped in sudden pain. Your mother’s hand still gripped a knife that had now lodged itself in your thigh. The demon only laughed. “Clumsy one aren’t you. Mother wasted her time hiding something so useless.” He growled, approaching with a predatory gleam in his dark eyes. 

When he pounced towards you something momentary took hold over you. You, a measly twelve years old, ripped that knife from your own leg and thrusted it into the demon's eye. The creature roared like nothing you’d heard before as it stumbled back away from you. You just blinked as you watched it, numbness contending with your fear. The creature yanked the knife out and tossed it angrily to the side. It growled, fuming as it charged back at you. You raised your hands to defend yourself, screwing your eyes shut. You heard the whoosh of something cutting through the air itself and when you opened your eyes the creature had halted its assault. It locked eyes with you moments before its head toppled right off its shoulder. You stared in abject horror as the creature's body started to burn a blood red color and you saw a figure behind it. You were as still as a statue as the figure behind  it took shape. 

The shape of a boy, he couldn’t have been much older than you. Eyes an indigo blue, dark and almost unfeeling as they met yours. You watched as he gave a quick swipe of his sword to rid it of the demons burning blood as he sheathed it back at his side. 

“Are you hurt?” He asked, his voice young like yours. You weren’t hurt. Somehow. And you couldn’t open your mouth to answer him, not with your body still on top of your parents. You just stared at him, even as your eyesight got cloudy and stinging tears slid down your cheeks. 

The boy walked towards you and remained still, unable to move as he bent down in front of you. He reached and clumsily brushed the tears from your face. It was as if he knew you wouldn’t part your lips to speak because wordlessly he, with immaculate ease, picked you up off the corpses and carried you out of the house. You moved for the first time in minutes as your head tilted to look back towards your family. 

“Eyes on me.” He said and sure enough your eyes snapped to him. To take in his face. Eyes endlessly dark blue as they stared forwards. He had to have been your age, maybe a year older. He had the shape of a young face, with full cheeks and raven black hair to the nape of his neck. You couldn’t look away, it had nothing to do with his looks but everything to do with his command. 

You were a good kid. When someone told you to do something you did it. Years later you would come to thank Giyu for that, for commanding you to look at him instead of glancing back at what remained of your family.

Everything after that was just sort of a blur. You stayed some place warm, a faint fire flickering and that boy with the sword stayed with you until some men in black uniforms found you. You remember not being able to walk, the shock and grief of the night not letting you. You’d held onto your saviors shirt, your fist balled. He let you, in fact he even came along with you and the men in black and when they asked you to let go you blinked at them. You hadn’t even noticed you were still holding on. You let go in an instant. Your hand is sore from how tightly you’d been clenching. The men in black’s hands were on your shoulders guiding you away and when you looked back your voice came to you. 

“What’s your name?” You asked, everything paused for you so you could hear his answer. 

“Giyu.” He answered. You put a name to his face. You parted your lips to thank him but nothing came out again. You couldn’t say thanks. Not when you were the only breathing because you cowardly hid in the closet. You felt you didn’t deserve to be thankful. You met his eyes again and something, somehow, told you he understood. He gave you the softest nod of his head and when he turned to leave you felt your heart drop. Like something had bonded you to this boy. But you turned and let yourself be whisked away. 

A year later you worked for the very same people as Giyu had. You were given a sword and trained thoroughly by a man with red and orange hair. You weren’t ever good with names but the fire in him fueled the fire in you. Which is why you eagerly learned that breathing style and trudged up that mountain to crush the selection test. 

A few years after that you ran into Giyu. You were sent on a mission to help the Water Hashira. You’d never met any other Hashira besides Rengoku so you were sort of apprehensive. You never liked meeting new people. All those years spent with Rengoku and his fiery personality you wished at least some of it had rubbed off on you but… you were still demure and quiet, quick to anger and prone to disappearing. You liked your alone time. You had all but begged Rengoku to let you go with him in his mission, apparently some demon had infested a train, that sounded far more exhilarating than helping some water Hashira you didn’t know. Rengoku did what he always did when you were disappointed. He gave you a sort of unwanted hug, though secretly you wanted and needed it, and ruffled your hair. 

“We’ll see each other in two weeks. Next mission is yours and mine.” He said and then he was gone and you were boarding a train going the opposite way. 

When you arrived, stepping off the train your eyes met the same indigo blue eyes from so many years ago. When you were both kids. Now both adults. You stopped where you stood, unable to walk any closer as everything fled back. Stuff you had managed to keep down deep for so many years. Memories you wanted to erase. All that time wasted and drudged back up in mere seconds. Giyu may have had those same eyes but he was grown now. His hair longer and tied back, his face had lost that boyish roundness. He looked tall and lean. Well at least taller than you. For a moment he looked just as surprised as you but he smoothed over that emotion into something practiced. 

“It’s you.” He said, his voice deep and soft. You swallowed, your hand resting on your sword. 

“You’re the water Hashira?” You asked and he nodded his head as the train behind you dinged and slowly pulled out of the stop, the wind brushing your hair over your shoulders. 

“You’re Rengoku’s tsuguko?” At that you nodded your head back at him. His eyes trailed to your sword, to your haori, and old one Rengoku had lent you. His eyes lingered on that fiery pattern.  

“I never learned your name.” He said and then his eyes flicked to yours. You swallowed dryly, you weren’t sure why he made you so nervous, why your heart was beating so fast. You wondered if he was a part of a life you wanted to die off. The scared girl in the closet was far from who you were now. Rengoku never got to meet that scared girl. No one had. Except Giyu. You told him your name and he repeated it, as if feeling how it felt on his own lips. Your heart skipped a traitorous beat at the way he spoke your name. It felt different coming from him. You grabbed ahold of yourself.

“Shall we?”

But your mission with Giyu was cut off with the sudden death of Rengoku. You and Giyu hadn’t made it back to the village before both of your crows had delivered the news. You still remembered everything about that moment. Giyu walking beside you, your haori catching a gust of wind, cold wind, as if winter was coming. You could replay your footsteps on the dirt road. The distant flapping of wings growing closer and closer and then stopping as they landed. Your initial glance over at the water Hashira before the delivering of the news. The ripple before the crack in your soul. Giyu had been present for the worst two days of your life. Something about losing someone again that felt like family irrevocably broke something in you all over again. This pain you felt before today you wondered for years if it would last. Rengoku had healed some of it. And begrudgingly and foolishly you let him in. But now you have your answer. This pain would last forever. You couldn’t even cry, you just stared blankly ahead, just as you had in your dark house wrecked with the stench of blood. 

You felt a hand on your shoulder, you didn’t want to look at him.

“Go, I’ll finish the mission.” He said, his voice different, there was a coldness before but now only warmth. You still didn’t look at him as you turned to leave.

“Be careful.” You choked out before taking off in a run back towards the train station. 

You’d seen Giyu a few times after that but only in passing, never long enough to start up a proper conversation though both of you hated talking. You never let anyone else in after that. You took up the position of Fire Hashira and the only thing fiery about you was your utter hatred for demons. The other Hashira were sort of weary of you and that kept them at a distance. You only talked when absolutely needed and was the first to leave after Hashira meetings. You liked that distance. You’d do anything to keep it. There was only so much heartbreak and loss you could take. You were at your limit. You didn’t have room for anyone in your scabbard dying heart. 

That’s why receiving that letter from Kagaya had caught you so off guard. He of all people knew who you were and still he asked you for a favor. Probably a dying wish. He had shown you kindness and since it was the only thing he’d ever asked you for, reluctantly, you found yourself at the front of Giyu’s home. It was cold out as your knuckles rapped against the wooden door. You waited, stepped back and looked off to the side, expecting to see Kagaya’s crow lingering around somewhere to report back to him. A minute had passed as you gave one more series of knocks. Nothing. Maybe he wasn’t home. You sighed and turned to leave just as the wooden door clicked and was pulled open. When you turned back those striking blue eyes met yours. There was skepticism on his face as you swallowed. That feeling that met you every time you saw Giyu never seemed to fade. That persistent speeding of your heart. That faltering of words. All highly inconvenient.

“Y/n?” Giyu spoke first, pulling the door open just a tad more. He was in casual clothing, he looked as though he may have just woken up.

“Giyu. I never knew you lived in this part of town.” You lied. You knew. 

“It’s quiet.”

“I can see.” The lack of noise was slightly unsettling, only the rustling of leaves in the wind could be heard. You swallowed. “May I come in?” Your voice was slightly strained and didn’t at all sound like you wanted to do that but to your detriment Giyu moved to the side. Giyu’s home was a reflection of himself. It was clean, almost sterile, with dark walnut furnishings and dark curtains. He really must’ve been sleeping because he reaches over and flicks on a few lanterns, casting an orange glow to his living room. 

“I wasn’t expecting company,” He says over his shoulder and you almost agree.

“Unwanted?” You ask and when he shakes his head ‘no’ you relax sort of. 

“I’ll make us some food. Did you travel long?” He asks as he leads you towards the kitchen. You take a seat at the kitchen island and watch him get to work. 

“Yeah. Long train ride.” You answer as Giyu nods his head. You know he’s probably dying to know why you’re here but you're sure if you told him things would turn sour. You watched Giyu gather ingredients and supplies, he was very orderly about things, kept things nice and clean as he prepared dinner for you both. You had a lot of experience cooking growing up with Rengoku, that man could eat and eat. Just at the thought you felt a pang and forced your face not to show it.

“Do you need help?” 

“That’s alright, you rest.” Giyu intones, setting a cup in front of you as he fills it with hot black tea. You thank him, wrapping your hands around the warm mug. You stare down into the tea for a moment and realize you had no idea how to go about this little favor Kagaya had asked of you. You barely spoke with anyone, you were well out of practice. How genuine would this ask even be coming from you? 

“How’re you?” You asked, not letting yourself be embarrassed by your lack of social skills. Giyu flicks on the stove.

“Do you really want to know?” He asked over his shoulder and stupidly, because he wasn’t even looking at you, you nodded your head before clearing your throat and speaking.

“I wouldn’t have asked if I didn’t.” You hoped that didn’t come out as sharp as it sounded.

“I’m… well. Thank you for asking.” Giyu answered, his monotone answer at war with the words he spoke. He sounded anything but well. You remembered the last Hashira meeting. You remembered Giyu’s back turned as he said, “I’m not like the rest of you.” Unlike Sanemi you didn’t feel angry at that. In fact you knew how that felt. To feel unwelcomed and wanting it to stay that way. 

“If you’re well then I’m well.” You said and when Giyu turned, his eyes meeting yours, you felt a flash of how you saw him that first time. You blinked it away as he turned back.

“I didn’t think… you of all the Hashira’s would be the first to visit.” Giyu said, turning back to the stove. You stared at the back of his head. 

“Me neither.” You said with a soft sigh. “But here I am.”

“Here you are.” He says, his voice soft again. It did funny things to you. Funny things that only he could elicit. It was frustrating.

“Giyu…” You trailed off, unsure how to broach the subject. “Did something happen? To make you not want to help out with the Hashira training?” Giyu was quiet for a long moment. You watched him stir some stuff into the pan and for a moment you thought he hadn’t heard you. 

“Can we not… talk about that?” He asks almost kindly. But that’s all you needed to talk about. If you didn’t stay on topic you’d be doing Kagaya a disservice, though could you count that as a hardy first try?

“Of course.” You answered, fiddling with your hands. You’d left your sword back at the inn you were staying at and wished you’d had it just so you could fiddle with something else. “Though, I apologize but, I almost wish I could sit it out too.”

“Why’s that?”

“Training a bunch of snot nosed kids sounds like hell to me.” You spoke truthfully and watched Giyu;s shoulders rise and fall quickly, almost like he was maybe laughing, but he still wasn't facing you so you wouldn’t know.

“Not a fan?”

“I had my fill with the three from the swordsmith village.” Tanjiro, his little demon sister, Nezuko and Sanemi’s little brother Genya. All a handful. But very capable in a fight. 

“How’re your wounds? I… never got to ask.” Giyu says as he reaches for some seasoning, finally turning to the side to face you.

“Scarring up.” You said and Giyu nodded his head, his eyes drifting to the scar on your cheek.

“Two upper ranks. If anyone could handle them I knew it’d be you.” He says with a sort of gleam in his eye. 

“Can’t take the credit. That red head kid killed one of ‘em while MItsuri and I held off its body. Muichiro took one by himself.” You recounted, the fight honestly felt like it would never end.

“You and Kanroji worked together?”

“Surprising, right?”

“Not at all.” Giyu answers. “You two are very alike.”

“In what way?” You almost laughed at that statement. 

“Strong, fierce, never quit.”

“I think we all have that in common.” You say and Giyu gets this look in his eyes as he turns back away. You feel as though you lost some ground. You chew the inside of your lip. Clearly Giyu doesn’t feel as though he had that in common with you. Something ignited in you. A need to say something on your mind. “Giyu… I-- I never thanked you.”

“Thanked me?”

“I’ve… wrestled with it for a long time. How to… go about it. Kyojuro used to tell me to practice with all the people we met. To thank them for stupid things, like holding the door open or bringing me food. Just so the words didn’t feel so foreign. But I never really felt thankful for you saving me. I lived because my whole family died. Because I hid.” You take in a shaky breath. You’d never talked about this stuff out loud, not even with Rengoku. You felt embarrassed suddenly, shaking your head, you forced out a choked laugh. “Nevermind. I don’t know what I’m saying.” You felt his eyes on you but you forced yourself to keep looking down at your warm tea. As long as you stayed like this maybe he’d move the conversation along to something else. You cursed yourself for ruining the mood, if there even was one to begin with.

“You don’t have to stop. I… I would like to know more about you. I… always have.” Your eyes shot to his like a gun hitting its mark. Those dark eyes, you could swim in them. Get lost in them. Those eyes… could make you feel something. That made you shoot to your feet, your tea spilling over. Giyu didn’t startle, he just turned to grab a rag but when he turned back you were halfway to the front door. He dropped the towel on the table. “W-wait, Y/N,” He called to you but when he rounded into the living room the front door slammed closed. 

You fumbled outside, steps clumsy as you started to run and run. You didn’t want to think about it. You had to get away, as far as those legs of yours could take you. You could run to the next town over, retrieve your sword in the morning and never speak to the water hashira again. Never again. Favor be damned. What you felt was dangerous. That kind of thing left you the hollow husk you were today. You preferred this safe loneliness. You couldn’t ever be hurt again. You stopped for a moment, the cold air tough to run in as you huffed and puffed out condensation clouds.

“You’re fast.” You hadn’t even heard his approach. You didn’t turn, just swallowed.

“I- realized I have something to do in the morning. Can’t stay out late.”

“Come back, Y/n. Please.” His voice was doing that soft thing you body liked so much. You clenched your jaw, if you could stab your heart you would.

“Can’t.”

“Why? And… tell me the truth.” You heard him walk a bit closer. Please, you thought, just go back home.

“Maybe you’re right. What you said at the last meeting, that you’re not like us other Hashira. Maybe I just realized it.” You wanted to hurt him, it was a common defense you used quite often. 

“And?”

“And I’m wasting my time speaking with someone who’d rather sit on the sidelines.” You spat over your shoulder. That’ll do it, you thought, that’ll get him to leave. It was quiet, heartbreakingly quiet and you were too much of a coward to see the hurt you caused so you started to walk away towards your inn.

“I… don’t care if you hate me.” You stopped walking instantly and turned, Giyu looked stricken, as if you slapped him. You regretted turning around. “You can hate me all you want. Yell at me, hit me, whatever you want to do. But I need you to know… you might regret me saving you but I have never regretted saving you…”

“Giyu,”

“Please… let me.” He straightened slightly. “I… am amazed by you.” His words hit you like the sharpest sting. Like a knife in the gut that slowly twists. “You’re incredible, nothing ever could rival you. You… lost so many yet you fight with purpose. I could never be like you.” You tense your jaw, eyes sharp. 

“That’s where you’re wrong.” You take a step towards him. “I am hateful. I don’t have a purpose to fight anymore I just do it because it needs to be done. You don’t know me at all.”

“Maybe I don’t. But… I want to.”

“Why?”

“I’m not succinct.” Giyu sighs, as if tired. “I just do.” Want to know you. You stared at him and that traitorous heart of yours, that naive heart did another flip. You shook your head. 

“You don’t. No one does.”

“Rengoku did.” Your eyes lit like fire, some heat filling your soul. You wanted to yell at him for saying his name. For bringing him into this. But you’d done it first. 

“He’s dead. They all are. My whole family. I don’t want to know you. I don’t want you to know me. I want you to go back home and let me be.” 

“I can’t.”

“Why?”

“Maybe for the same reason your eyes find mine every time we're in the same room.” Giyu took a step closer, you watched him move as though he was going to strike you down. LIke he was going for a killing blow.

“I… I don’t do that.” The lie was so obvious to your ears it almost made you cringe outwardly. 

“I’m not trying to embarrass you because… I look for you in every room. I… I lied to you the second time we saw each other so many years ago I… I knew you were Rengoku’s tsuguko because he’d written to me. He… sensed something and told me he was sending you to me for that mission. I was so… so damn nervous to see you again after so many years. So curious about how you were faring and I couldn’t even get more than fifteen words out. And when Rengoku passed I would write Kagaya, ask him how you were because I was too much of a coward to ask you myself.” That’s why Kagaya wrote to you. Your heart still beat, skipped a beat then beat again. Everything was falling into place. Why Rengoku had sent you away when you had always gone on his missions with him. The scheming man was playing matchmaker. And even Kagaya was playing the same damn game. 

“Don’t say anything else, Giyu. Please.”

“I won’t speak the rest of the night if you come back. You can even leave at first light. Just please… let me feed you and give you a place to sleep.”

“My inn isn’t too far.”

“Please.” The emotion in his voice was staggering. It was a plea. It had sounded like something he needed even more than breathing. You stared at him. If you went with him now that would be the very first crack in your walls. You never gave an inch away since Rengoku died and if you started now everything would crumble.

“No. I’m going back to my inn.”

“I’ll join the hashira training.” He said and your lips parted in silent surprise. “That’s why you came tonight wasn’t it? You’d never do it alone so Kagaya must’ve written to you? Am I right?” Your face must’ve given away the answer because Giyu continued and you realized right here and now this is the most you two have ever talked. An hour together had more dialogue than almost eight years. And this was why you kept your distance all these years. Because if anyone knew you it was Giyu, he’d seen you at your lowest yet here he was… begging you to stay for just a few hours. “Come back and I’ll join. You can consider your favor a success.”

“Why would you do that?”

“I’d do it for you.”

“Be serious.” You growled and Giyu took another step forward. You hadn’t noticed him getting so close but suddenly he was close enough to touch. You stepped back. 

“Come back. Please.”

“You’re annoyingly persistent.”

“I just want you safe. That’s all.”

“You already saved me once. That’s enough.” You condemned with a shake of your head. Giyu looked doubtful for a moment, unsure of how to convince you to come back. But if you made good on Kaguya's favor this could be the end of it. “I’ll come back.” His eyes shot up to yours. “But I’m gone first light.” He nodded his head at that. 

Giyu finished up dinner as you set the table. It was quiet between you two after everything. Giyu had all but confessed the real depth of his feelings but you had an idea and it wasn’t something you’d let yourself dwell on. That idea was something close to hope. Something close to the degree of happiness. That’s not something you wanted. Not something you’d let yourself have. If there was one thing you were truly good at, it was self destruction. 

You took your seat as Giyu placed down the food. Miso soup with sweet potatoes. You stared at it, stricken. Rengoku’s favorite meal. 

“Y/n? Are you alright?” 

“Seriously? That was at least your sixth bowl.” You huffed as Rengoku smirked as he pulled the bowl to his lips, slurping down the rest of its contents. He placed it down and reached for the ladle again. You watched him in amused surprise as he dulled out a seventh bowl. “You’re overgorging yourself.”

“It’s too good. Who taught you to cook, kid?” 

“You did.” You sighed with an eyeroll as Rengoku laughed heartily.

“Ah! That’s right I did.”

You blinked a few times and suddenly your face felt wet. You pressed a hand to your cheek. You hadn’t cried since losing your parents. You thought you were incapable, that you had exhausted your tear ducts at night. You hadn’t cried when you lost Rengoku and you always felt inhuman because of it. You looked across the table and met Giyu’s wide eyed stare, he looked startled at your tears.

“What’s wrong?” He asked and you couldn’t stop the tears now. They fell so fluidly, so overwhelmingly. You tried to apologize but your words just came out in stuttered croaks in your throat. Giyu stood so fast he knocked his chair over as he crossed to the other side of the table. He dropped to his knees beside you and pulled you to him. Rengoku hugged you a lot. You’d say it was unwanted but it was something you needed. Giyu’s arms around you felt different. He hugged you close to his chest, his hand tangled in your hair as you fell prey to your emotions. But startlingly so… it felt nice. Bottling things up for so long had very nearly ended you and you might’ve been able to really shut off your humanity if it hadn't been for that damned letter. If it hadn't been for Rengoku’s unending kindness. If it hadn't been for Giyu’s persistence. You could’ve nearly ended up as black hearted as the demon that flipped your life upside down. That was the most startling revelation of them all.

Giyu hugged you tight as you fell to pieces. He didn’t let go, never even loosened his arms a little bit around you. He just held you and let you cry and cry. It should’ve been embarrassing but as he pulled your hair back out of your face and wiped your wet cheeks there wasn’t an ounce of that annoying sympathy in his eyes. Just utter understanding. And this was the most inopportune time, seeing as your eyes were probably bloodshot, nose probably running like crazy, but without thinking you sucked in a ragged breath and then pressed your mouth to his.

Giyu made a sound low in his throat, you felt his arms around you tighten, drawing you in, deepening the kiss. This wasn’t something you knew of. Your parent’s pecked each other’s lips and cheeks but this… no this was something for behind closed doors. For just you two. That fire that pooled in your stomach upon seeing Giyu had heightened at least tenfold when he pulled you into his lap. Your bodies pressed against one anothers, no room, not even a milimeter’s length of space. He kissed you softly, but you kissed him back hard. That chasm of loneliness in you had reached its peak and you wanted it gone. He gently ran his hand through your hair and you balled your fist in his shirt. He gently lowered you back and kissed you against the hardwood flooring of his kitchen. 

You shoved your chair away from you both and hooked your legs around his hips. He made another sound and you found that you liked it so you tightened your hold and slid your hand in his hair. That awarded you another sound, like a whimper. When he pulled back for air you yanked him by the hair back to your lips. Fuck air. You didn’t need that. You’d rather breathe him in. He whimpered again, his hips mindlessly moving, sending a wave of heat through you and this time it was your turn to groan. He hooked an arm around your back and with strength and swiftness, he hoisted you up off the floor without even breaking the kiss. You gasped in surprise and he walked you through the hallway. Kissing you against the wall and the door and the dresser before he finally made it to his bed. 

You two fell into the softness of his covers, his body trapping you beneath him. He trailed his lips away from yours and whimpered at the loss of contact. But he kissed both your cheeks, your forehead, the tip of your nose and to your jaw. He paid extra attention to your neck before kissing your collar bones. He kissed his way back down your body. Kissing your scars that had once been an eyesore to you. Ever so gently tracing some absentmindedly with his other hand. Whatever growing between you two was something to be earned. Sure you loved Giyu but you needed more time with him. You spent eight years barely speaking. You could tell Giyu felt that too because when his lips met yours again and pulled back you both blinked tiredly at one another. 

Astonishingly you watched the softest of smiles spread across Giyu’s face. You wanted to catalog this moment forever. To remember it till the day you died. Giyu pressed one last kiss to your forehead and then dropped beside you on the bed. He pulled you to him, your back pressed to his front. Your legs tangled as his hand reached across you and intertwined with yours. You blushed but settled against him. The dregs of sleep calling for you. You two didn’t need to speak another word.  

You watched the first light roll in through Giyu’s curtains. It shone like blades across his room. Giyu softly snored beside you, arms still around your body. You’d never kissed a single soul before but you knew what a kiss meant. You knew whenever your dad kissed your mom or the other way around that it was an unspoken way to say I love you. But it was a different kind of love your parents shared. You loved your family. You loved Rengoku. 

But you loved Giyu. 

You loved him as you clamped your fist in his shirt the night he saved you. You loved him when you stepped off that train. You loved him at every hashira meeting and every stolen glance. You loved him as you read Kagaya’s letter and loved him when he opened the door. As he chased you down in the street and begged you to come back to his home. So many problems never go away, some pain felt as though it would last forever and you never thought you could break through. You never thought you could just grow around it, because nothing was more persistent than a plant in the presence of the sun. You never told Rengoku you loved him, never told him how much he meant to you and that his kindness never fell to deaf ears. You had spent eight years loving Giyu and not letting yourself know it.

And all it took was some miso soup and sweet potatoes.

[theneighborhoodsave]

V1: Willow Creek + Magnolia Promenade 🏠

The Neighborhood is a CC-free save file that explores the concept of home. V1 celebrates the vibrant communities of the U.S. Gulf Coast. ❤️

This is what comes in V1:

13 community lots

22 total residences (includes 3 multi-family rental lots, 9 single family homes)

New High School & Auditorium in Copperdale (+8 school staff townies)

Secret lot (Sylvan Glade) reimagined

17 unique households with skills, jobs, relationships, and stories that tie into the town

New clubs and holidays

Download, screenshots & more info below ↪

The wonderful Ly family in Willow Creek was lovingly created for the save by @cowplant-snacks. All other neighbors were made by me, you can meet all of them here! Pets are from Pugowned, misc. townies from @cowplant-snacks and @simsontherope on the gallery.

There's lots of little details and things to explore, both around the world and relationship wise, so I'm excited to see what y'all uncover. Please feel free to @theneighborhoodsave in your posts or tag #theneighborhoodsave. I'd love to see what your sims are up to!

I also want to say thank you to anyone who's appreciated this creative journey with me. This save feels like home to me and y'all have supported me every step of the way!

Download the The Neighborhood save on SFS

Alt: Google Drive

The save is 100% CC free! Please note that I do have all expansions, packs, and kits (except for Castle Estate, Goth Galore + Crystal Creations.) For any items you don't own the game will try to auto find replacements for those items. The file is mostly blank this time around but does include the original EA builds in university and vacation type worlds (sans Granite Falls.)

Included is a folder of completely optional skin details/eyelashes for the neighbor sims. Thank you to @faaeish, @pyxiidis, @tamo-sim, and @landgraabbed! There are 4 pieces of CC I cannot include in the folder due to creator TOU. Please check the included "Read Me" file for more information.

All builds and families are up on the gallery (@sweetbeagaming) + tray files have been shared here.

If you've never used a save file and need help installing it, I highly recommend this tutorial by @leeleebsimming.

⚠️ A couple of disclaimers here due to some existing EA bugs. EDIT 4/25: Included in that link are directions on how to avoid TOOL'd items from disappearing. If you want to keep powerlines and such please check this out! ⚠️

Everything was tested to work around these, but I wanted to put them out there as an FYI.

TOU: Please don't reupload my save/builds/sims, claim as your own, and absolutely do not paywall them. Other than that feel free to build your own Neighborhood stories however you'd like!

[corkinavoid]

DPxDC Multiverse Police (pt. 2)

"You said you're going to ask questions, then can we ask questions?" Superman really tries to be polite here because, first, he was raised by Kents and, second, Jazz and the whole interdimensional police thing looks non-hostile. At least now.

The redhead nods, "Sure, ask away, I'll answer everything I can." Then, she notices Batman reaching to touch the green shield and makes a soft, warning noise, "Ah, sorry, please don't touch it. I can show how it works later, but it's not meant to keep you out. It's to keep everything else in."

Batman reluctantly puts his head down and turns to her.

"Elaborate."

The sci-fi ship in the air makes a loud hissing sound, like compressed air being released, and the bottom part of it slides open. Jazz nods in the direction of the now open ship.

"You know what they say, it's better to see it once than to hear it ten times."

There are three humanoid figures standing in there. All of them are mostly monochrome, black and white clothes, starkling white hair. They look like one adult and two children, but it's one of the kids who raises his hands to his mouth and yells so loud everyone in three miles radius is able to hear him:

"Step away from the shield, please, shit's about to get real!"

None of the heroes move, but Jazz does take a few steps away. Wonder Woman, after a moment of hesitation, follows her example.

A mechanical voice comes from the ship itself, "Countdown to the breach. Five... Four..."

On 'three,' all three of the monochrome figures step out from the ship. But, before any of the heroes have time to worry, they all float in the air, undeterred by gravity, and the ship door closes behind them.

The countdown reaches 'one'. And in the next moment, it looks like the hell breaks loose.

Countless giant vines shoot out from the portal up, reaching for the ship. True to what the red hoverboarder said, they are very much toothy, every vine splitting in two and attempting to bite the ship like some twisted idea of scissors.

None of them reach it.

The oldest of three kids claps his hands, and a wall of raging fire descends on the vines, throwing them off. In the next moment, the trio falls apart, flying through the lovecraftian mess of carnivorous plants with practiced ease, the younger ones using what looks like icicles and little storms.

"Who are they?" Batman asks Jazz, following the youngest one's - the only girl among the three - movements as she creates a strong gust of wind with a wave of her hand. None of the vines or attacks get past the shield, though.

"My siblings," the girl answers, pointing her hand at the oldest one, "That's Dan. He's the most violent. One time, he destroyed our original world, but that timeline doesn't exist anymore." She then points to the girl, "That's Dani, the youngest. She rarely joins the crew lately. And she is actually a clone, but at this point, most of us have been cloned once or twice, so it's not a big deal anymore." She then points her finger to the last one, a boy that flies past them quicker than a lightning, freezing everything he touches, "And this is Danny. He is the most powerful one. Technically, he could have just ended the fight with one Wail, but kids like to have fun. Also, they don't get to show off their elemental powers a lot, so they are mostly being dramatic for you."

She says all this so easily, just like a matter of fact, and it is at this moment that the members of JL realize the sheer power of whoever these people are. When she casually told them she bested Superman, it could have been written as a coincidence, a joke. But this?

Dan growls as one of the vines scratches his shoulder. He bleeds green, but it's only for a second before both the wound and the suit knit themselves back together. This is not just a simple accelerated healing, it almost looks like a miracle.

"Oi, brats, I'm done with show off, get out of the way!" He yells at the other two, and Danny and Dani quickly follow the order, flying closer to him and behind his back.

"Cover your ears," Jazz tells the heroes around her, and puts her helmet back on, as Dan takes a deep breath and screams.

It hurts even those who follow Jazz's advice. Batman feels like his eardrums are about to be shattered for the lack of better word. But the vines like the sonic attack even less - most of them subdue and pull back inside the portal, and the rest is dissipating like they are being burned from the inside out.

And then, just like it began, the scream - the wail - stops. The silence feels deafening after the end of it, but slowly, the sounds return, and the JL watches Danny flying down to the center of the portal. He puts his hands on the surface of it, and for a long moment, nothing happens.

And then the Pit starts closing up.

Or, no, it is Danny who absorbs it, the green flowing up through his hands, his veins that start glowing the same green. His eyes become the same toxic color, with no whites and no irises, just glowing green all over, and his hair shimmers like stars.

A few minutes later, the portal is gone, like it never even existed, and Danny plants his feet on the ground and stretches, like one would do after a good rest.

"Oof, that was nice!" He turns to the other two, who are still up in the air, "Do you want some?"

Dan flips him off before going back to the ship, but Dani floats down to him and extends her hands out.

"Sure. I like getting it from you better than from the portal itself anyway. Gives it a sparkling taste, like Sprite," she chuckles. Danny takes her hands in his, and the green glow slowly makes its way through their joined palms, now flowing through the girl’s body.

"What are they?" Flash whispers, horrified, but Jazz hears it nonetheless and turns her head to him, taking her helmet off once again.

"That is not a very appropriate question," she chastises and smiles at their faces, "But it's okay, I get it. They are ghosts. Or ectoplasmic entities, or halfas, or highly liminal beings. Or, if you want a very simplified version, they are dead kids who are enjoying their afterlife a little too much."

"Dead?" Batman zeros on the word, snapping his eyes at the girl. She smiles, and for the first time, it doesn't look human. Her teeth are too sharp, her grin too wide, and her eyes are suddenly not just teal, but neon bright and glowing, with vertical irises.

"Most of us are dead in one way or another. And I do not mean it in a metaphorical sense."

-------------------

What I'm thinking is they have a whole system going on. Amity Park generally resides in the Realms, but from time to time, they decide they want to go on a vacation, as a whole town, and they pop into existence on one of the Earths. They don't really care for the universe or dimension they end up in, as long as it is more or less peaceful (as in, no active wars going on right where they pop up), has sunlight and nice weather.

The GIW is taking care of legal things - imagine US government reaction when a whole ass town just boom, starts existing in a place where nothing existed before? So GIW does all the paperwork and discussions. Also, they are doing their basic research on the dimension they end up in, for science purposes.

I'm thinking Vlad is still a mayor of Amity. And sometimes, when a particular dimension is rather annoying, he straight up possesses the authorities because he hates official talks and couldn't care less for morals if he tried for a week. The GIW scolds him, but don't really say no. It's not a good solution to the problem, but hey, it works.

Meanwhile, Fentons are doing ectoplasmic research. They scan the dimension for troubles, basically, looking for natural portals and ghosts causing ruckus. Jazz is almost always the one who does the talking to the heroes native to the dimension - she is the one who has the most patience and social skills. Jack is in charge of transportation and Maddie is the head of biological, ecto-biological and other species research. Tucker is the tech specialist, of course - he is the sole reason why Amity has wi-fi wherever they go. Val and her father are, kind of, protectors? Security? But for the whole town, yeah. They do have GIW agents as subordinates.

Dani is not always living in Amity, she travels the Realms most of the time, but she joins when something interesting happens. Dan is, like, on an eternal probation period, GIW and Fentons keep an eye on him, but he is one of the heavy hitters for when shit goes down.

Danny is living his best life, he is mainly the protector spirit of Amity, but he also gets to protect all the dimensions from ghosts! He helps anyone and everyone - one day he is working with Val on defenses for their main ship they use to travel inside dimensions, and the next day he is joining Maddie in her studies of new species found.

Oh, I forgot Sam. She is probably the one responsible for the magic stuff - mostly everyone else focuses on scientific aspects, but she is the one to research on occult things.

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