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#i'm Mad y'all
dorkygurl-89 · 8 months
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woooooow. isn't tumblr just a wonderful site
i'm gonna cut the bullshit, romanticizing murderers isn't fucking cute. it's disgusting and you're a sick human being. jeffery dahmer isn't gonna come back from the dead and fuck you. ted bundy isn't gonna 'mark' you. and no, you ain't gonna get a make out session with richard ramirez (also, apparently he had DISGUSTING breath. so have fun with that knowledge 🤭). you're not being ✨QuIrKy✨ you're either a fucking idiot or desperate. hell, maybe both.
and to those fuckers romanticizing school shooters, from me to you, you're just as bad as them. this is more personal to me since i'm working with elementary kids and to see these lonely fucks DROOL over adam lanza (aka: the fucker that killed elementary children) is absolutely DISGUSTING.
"b-b-but, they were bullied and had a bad childhood 🥺" stfu. i don't give a shit what they went through. they had the intention to kill innocent people and that is INEXCUSABLE. oh, and to the dylan roof fangirls, yeah no y'all are racists. he's a racist and to lust over someone like him is very telling on who y'all are as people.
god, i fuckin hate everything
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annikasevenshots · 1 year
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as much as we hate chakotay + any other of seven's male love interests...
can we please accept the fact that she is bi?
or is the biphobia so bad in the trekkie community that i have to go on my knees and beg you to accept the fact that she is canonically attracted to more than one gender? is that not allowed? is bisexuality somehow inferior to you? does it help you sleep better at night thinking she is a lesbian instead?
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Okay, a pet peeve about the intro to Kazuya's character story. The narrator says Heihachi disappeared.
DISAPPEARED.
LIKE HE'S NOT FUCKING DEAD AND ASHES INSIDE A VOLCANO.
YOU CAN'T LET KAZUYA HAVE ANYTHING CAN YOU, HARADA?
FUCK YOU.
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i will never understand how people have the heart to hate Jason even after they found out that his Ambrosia tastes like fucking sawdust. Ambrosia being tasty is like one single happy thing a demigod can have despite their tragic lives, because it reminds them of the home they once had, but lost. And Jason doesn't even have that, he doesn't even have a home to lose in the first place.
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thevoidstaredback · 20 days
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Every man has his breaking point. Danny's is just a bit higher than everyone else's because he's a king and has a high tolerance for absolute bull shit. No matter how strong that bar is, though, one can only bend so far before snapping.
Unfortunately for everyone around him, Danny has reached his breaking point.
"I wish I could get drunk," he stared into his drink longingly, "Or high. But mostly drunk."
"Why do ya say that?" Billy asked, tilting his head curiously to the left.
Danny sighed, "It's a long story."
"I've got time." he shrugged.
"Are ya sure?" Danny raised an eyebrow. "You don't think any emergencies are gonna crop up? Nothing you'll need to go take care of?"
Billy backed off a little, folding into his seat. "What're you talking about? I'm just some kid on the street. I ain't going anywhere."
Danny rolled his head from side to side. "Mostly, I'm talking about the JL meeting the both of us are gonna skip out on tonight."
"What-?"
"C'mon, Captain, it won't do to talk here," he stood, picking up his coffee and waiting for Billy to do the same.
Billy's eyes narrowed as he looked Danny up and down. "I don't recognise you," he whispered, "Who are you."
Danny produced another calling card from his sleeve as he sipped his drink, holding it in front of himself but not handing it over. When Billy was looking at it, he flipped it over. The white background turned matte black, all the runes in the Ouroboros turning so white that they glowed. The DP in the very middle tinted blue, pulsing with toxic green energy, slightly cold to the touch. The edges started to frost over.
Quickly, Billy pulled the card Danny had given him before from the inner pocket of his jacket. It, too, had changed to match the one Danny held, though there was no longer a DP in the middle. Instead, it said 'Phantom' in fancy calligraphy.
"No way," the kid muttered, his expression awestruck, "Phantom? That's you? No shit?"
Danny chuckled, tucking the card away again, "No shit, kid. Don't tell anyone, though. You're the only one who knows."
"Really?" he squeaked.
"Really."
***
Having someone know his whole story was refreshing, just as he's sure Billy felt good to have someone know his, too. That didn't stop him from feeling bad about dumping it all on the poor kid.
"I still wish I could get drunk," Phantom lamented."
Constantine looked up from the book he was reading. "You can't get drunk?"
"Nope."
"How'd ya figure that one out, kid?"
"Please don't call me a kid."
That's not good. The blond marked the page before setting the book to the side. Phantom had never actually asked him to stop calling him a kid. "What's wrong?" He didn't normally do the whole 'feelings' things, but the was an exception.
Phantom sighed long and sad. He didn't look up from the carpet. "I told you they were going to ask invasive questions."
"Who was it?" It was more of a demand then a question.
"Red Robin,"
"Red- I thought you would've skipped town when we were done there? I sure as hell did."
"I know you did, but I decided to stick around for a bit. Wander, y'know? Red Robin caught up to me and would leave me alone."
Oh, oh no. Those were tears. Were they? Yeah, shit, they are! John is not equipped to handle this!
Phantom sniffled. "He asked me how I died."
Fuck.
John Constantine is not easy to anger. Sure, he gets tired, and irritated, and a whole slew of emotions, but he is very slow to anger.
Phantom, he knows, is not a child. The ghost can very much take care of himself in basically every way one could think of. He saved the world on his own, several times, when he was fourteen. He became a King and Protector when he was fourteen. He died when he was fourteen.
Right now, all he could see was the child who hadn't ever been properly laid to rest. It was hard not to call Phantom a child when he seemed so small, seeking comfort from anyone. Phantom was crying. He'd retreated to the House and locked himself in Constantine's room, only talking when he was ready to, but he'd waited to cry.
Phantom didn't like crying. Every person in the JLD knew this.
No. John Constantine is not quick to anger, but he is scary when he reaches that point. Batman might be the night and vengeance and all that shit, but John Constantine was wrathful.
He sat beside Phantom and let the ghost lean into him and cry. He didn't like dealing with feelings, but this was a child in need of comfort and he was the only one around to offer it. "Do you really want me to stop calling you 'kid'?"
A sniffle and a small head shake. "No."
"Can I ask you a question?"
"...sure."
"How old are you really? As a ghost, not as a human or a halfa. How old are you?"
"Fourteen." he mumbled, "I'll never be any older than fourteen, John," he was getting a bit hysterical now, "I'll never be any older than fourteen! I-I died and-and now I have to rule and-and people keep asking and no one believes me and-!" A sob cut him off, heavy with grief and wet with tears. He cried for hours, giving up on trying to form words. Constantine let him, ignoring the wet patches on his shirt. Eventually, Phantom's sobs died down into hiccups. "I didn't...I'm- I'm sorry."
"It's alright, mate," he meant it, really and truly.
Phantom rubbed his eyes, "I'm gonna go hide somewhere."
"Not gonna share where?"
"No, I want to be alone for a while." He paused at the door, "Whatever you're gonna do, will you leave Captain Marvel out of it?"
Odd request, but, "Alright," he nodded, "I'll talk to the others." And by 'talk', he means lecture. There are boundaries that one shouldn't cross, and not asking the dead how they died should've been obvious! With his League issued communicator, John called an emergency meeting in one hour, required attendance, barring Captain Marvel. First things first, though, he needed to talk to Deadman.
Part 7 Storyboard
Tag List:
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qcomicsy · 8 months
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"Damian can get away with everything he says because he's the youngest" "Damian can weaponize his youngest power to get what he wants and say what he wants" Buddy that's Duke.
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Duke have said some shit to this family that if any other person said they would end up with a broken nose.
Even when he does get beat up, it's really fucking clear they're all going easy on him.
Now Damian????
If Damian said or pulled half of the shit Thomas does he would get sucked punch.
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dollypopup · 2 days
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I get why people would think it but
Colin is NOT a rake. Colin is a young man trying to figure out his identity and what he likes sexually and trying to understand what the men of his society talk about and do. He's not out here messing around with women just to string them along and then leave them. He's trying to fit in and has been made fun of for being a virgin so yeah, he rectifies that by having sex, but just because he slept with a few women, that doesn't make him a rake? You wanna know who an actual rake in the series is?
Fife.
Because what the fuck happened to Miss Goring? I think about her sometimes and my heart aches for her. Her first season out, she's an 18 year old woman, and an older, titled man of her society who she assumes to be a proper gentleman makes her believe their relationship can actually be something, messes around with her the entire season, and then fucks her in a linen closet at a ball only to....what? Come back the next year with absolutely no mention of her whatsoever. Did she get pregnant? Was sent off in disgrace? Have to marry someone else?
Fife is a 30 year old man who has a bad habit of hounding after young, vulnerable women in his society. He fucks them and leaves them. He's a rake. Colin? Colin is not even close to that. Say what you will about the brothel scenes, but that IS the responsible place for a man of his time to go to for sex. Please stop demonizing sex work. Yes, many of these women are in that line of work because of less than savory reasons, but Colin is not taking advantage of them. He is paying for a service and they are providing that service. It is transactional, and he is the LEAST of their concerns in terms of clientele. A kind, handsome man who pays well and is discrete? Yeah, they're fine with him.
Colin has a history of respecting women. He respected Marina all throughout their courtship, and even after. I know some people sneer at him coming to see Marina, but please keep in mind she is a woman on her own who married a stranger far away from ANYONE who knew her. Colin was worried about Daphne when she came to him, asking if anything happened when she was away and clearly ready to fight for her, so of course he's worried about Marina. Partly he visits her for his own closure, but also like....y'all that's a WELLNESS visit. He's concerned that she's unhappy, but ultimately leaves because she's not hurt and that she tells him to. Colin listens to 'no' from the women around him. He asks for permission from them. He waited for Penelope's consent sexually, but he also didn't even get into the carriage until she allowed him. He even asks "Please, let me in".
Colin lives in a time when women do not have many rights, and he listens to the women around him even more than the men. He is the only one of his siblings to ask for his mum's advice and immediately takes it and takes action. He brings Eloise back a feminist text from his travels, even after she's besmirched as a radical, because he supports her pursuits. In season 2, he also knew of her going to the printers and didn't say anything. He has always respected and cared for Penelope. He hasn't insulted a single woman in his vicinity. He doesn't make the women he flirts with feel bad about themselves, or feel less, but compliments them, all whilst keeping respectable distance so as not to make them think he's interested in marrying them. He doesn't dance with any woman but Penelope in that season.
Colin isn't a rake. He's not a fuckboy. He's trying to act like he is, emulating the circle of his society, but that doesn't mean he is. I swear people just WANT to misinterpret him because that's the easiest way, but Colin is a character who doesn't lend well to surface level readings. He's a nuanced, gentle hearted character who has been looked down on for his sensitivity. He's a deeply relatable person because who of us haven't pretended to be accepted? Especially if we've been bullied or excluded. I know I have. Put on a persona for the sake of survival. And he does so for what? A few weeks? That does not a fuckboy make.
Just say you don't want to understand him and move along because those of us who get him GET HIM. And I'm grateful for a character like Colin.
He's the best man in the series by an entire mile and you can't change my mind about that.
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why are people so against oliver and ryan talking about buddie, don't we want this, don't we want buddie to be canon? i'm sorry are we rooting for buck to end up with tommy or something, like I don't understand why so many people are saying stop asking them about buddie?
If we want Buddie then shouldn't we be asking buddie questions? I mean I'm so sorry but I'm just very confused, shouldn't we be happy that buddie is getting this much press and love? Why are we against it?
Okay, this is going to be a long one.
There are a few reasons why people are concerned about publications teasing Buddie happening and using the ship name and asking Oliver and Ryan about the ship. I'll try to be as concise as possible.
I would like to note, I'm not going to answer a bunch of questions about this. Other people have answered similar questions plenty of times, if you take a bit to look around 911blr. I'm sure @catdadeddie has gone into this a few times.
However, I understand that we are getting a lot of new fans this season, and so I want to try and explain comprehensively for those who haven't been around. I hope this covers everything.
Whenever a ship is between two people of the same gender as opposed to two people of the opposite gender (I know, I know, but we can't get into the gender spectrum right now just play along with me), everyone involved has to be very, very careful when it comes to talking about that ship ahead of said ship going canon.
It is very easy to slip into something called "queerbaiting." I'm assuming that you and most people online and in fandom by now have heard of this term but just in case: queerbaiting is when a show acts like a queer ship might happen in marketing and promotion in order to draw in a queer audience.
Historically, this was done by having a main character played by a woman have a romantic thing with another woman (flirting, even kissing!) who was a guest star, hinting at the main character's bisexuality/queerness, only for that guest star to never come back and for the show to act like it had never happened. This was done during something called, IIRC, "sweeps week" which was basically an important week for TV viewer ratings in the 90s. It was a way to boost your numbers by drawing in queer viewers with the promise of actual queer rep that then wasn't realized. It's a marketing tactic.
Nowadays the nature of queerbaiting has changed a bit. It's an overused term that frankly people love to (mis)use whenever a ship of theirs doesn't go canon and a show dares to do things like having two people (like say Ryan and Oliver) who play the two halves of the ship do an interview together (whether you ship Buddie or not, they are close friends, and it makes sense that they'd do a few interviews together - that is not queerbaiting). A good example of real queerbaiting is Rizzoli & Isles which, among other things, took out billboards and magazine spreads showing the characters (two women) in suggestively sexual and romantic positions and with slogans hinting that the two had more than just friendship together, then never, ever delivered on it and in fact laughed at the idea of the characters being gay for each other.
(I WAS THERE, GANDALF!!!)
Because of this unfortunate treatment of queer audiences and the (historic) dearth of actual queer characters and queer ships going canon (it's getting better but still), networks, showrunners, and so on have to be very careful when, say, they want to make a queer ship canon.
Look at how ABC handled Chenford, a popular ship in their show The Rookie. Chenford was not a planned ship - the fans adored the chemistry between the two characters (Lucy Chen and Tim Bradford), the writers liked the idea and decided to lean into it, ABC gave the go-ahead, and the ship officially got together and went canon last season. ABC heavily promoted Chenford and the ship and made a lot of jokes about it in the last couple of seasons leading into the ship going canon, using the ship heavily in their marketing.
ABC cannot necessarily do that with Buddie, because even if Buddie is going canon, until that happens, they could get accused of queerbaiting. There's a much bigger minefield to navigate because of this historic misuse of queer audiences and queer characters.
So whenever journalists and publications use a popular non-canonical queer ship name for clicks and fandom interest, if that ship doesn't immediately go canon or if the network/showrunner/etc doesn't say "yeah they're totally gonna kiss! with tongue!" people accuse the show of queerbaiting. This is unfair to the show for two reasons: one, the network is not going to bother sending "shut the fuck up" letters to every single damn publication out there for using a ship name in their headline and talking about a ship - they'll be accused of homophobia and it draws even MORE attention to the issue re: the Barbra Streisand effect (look it up); and two, the people involved in the show are NOT going to spoil the anticipation and surprise by admitting ANY ship is going to go canon before it does.
This is simple marketing - the movie trailer doesn't (or shouldn't, anyway) show you the ending of the movie or everything that happens in it. TV shows want you to tune in every week and speculate and guess. They're not gonna spoil a ship ahead of time.
This means that when journalists and articles pull this shit, they're putting the showrunner, the writers, the actors doing interviews, and the network in a bad situation that they can't really do anything about. Not without causing more mess.
So that's reason number one why a lot of us are annoyed: by yelling about Buddie, these articles and journalists are setting the cast and crew we love up to get yelled at for queerbaiting if Buddie doesn't immediately happen, and there's nothing the cast and crew can do about it, and it's all so the journalists and articles can use us, the fandom, for clicks. So we're also kinda getting used here, and it doesn't feel great.
The second reason we're annoyed about Buddie questions is that it's being asked of the actors who, nine times out of ten, have ZERO CONTROL OVER THE STORYLINES.
Now, there are exceptions. Jennifer Love Hewitt, who plays Maddie, has pushed back on a couple storylines that were given to her and has therefore had a strong hand in shaping Maddie's character. One infamous (in a positive way) example is that Maddie and Eddie were supposed to be an endgame couple. JLH, however, immediately loved the character of Chimney and clicked with Chim's actor Kenneth Choi, so she asked if Maddie could get with Chim instead, feeling he'd be a better fit for her character. And lo, both the beautiful ship Madney and the insanity that is Buddie shipping was born because Buck ended up stepping into that co-parenting-Chris role that Maddie obviously would've originally filled.
However, it should be noted that JLH was an established star before coming onto 9-1-1, and her husband is friends with Tim the showrunner. I would argue that the only other two actors who have any power on their storylines are Peter and Angela, the latter because she can do whatever she wants forever, and the former because (like Angela) he is an executive producer on the show.
It's not that actors never ever get to have a say ever, but the writers, showrunner, and network have much more power. They create the storylines, they make the decisions. Not actors. So when the actors are repeatedly asked about a ship, they're put in an awkward position where they might not even know the full storyline for their character that season and now they need to answer in a way that doesn't reveal any information they do know, but also doesn't insult shippers or dash their hopes. This is a double minefield for queer ships because, again: historic insults to queer fans and characters, nobody wants to be offensive.
The third reason is that this fandom has, historically, treated Tim, Oliver, and others like absolute dogshit over Buddie not going canon. Oliver's left Twitter and taken big social media breaks because of how he was yelled at online. It's not cool, guys. Vent all you want but directing it at the cast and crew isn't okay and maybe if it was just you talking sternly that would be fine (maybe) but when it's dozens of people? It's bullying. Full stop.
Every single time Buddie has not gone canon instantly, the actors and others have gotten verbally abused on social media. Every time the actors have been asked about Buddie and not said "ohmygod yes I want it to happen so bad" (they are not allowed to say this because it might create false hope because again: historical queerbaiting) they've gotten yelled at. We are tired of the actors getting yelled at over something over which they have no control.
The fourth reason is that Oliver, especially, has gotten asked about Buddie a LOT. A lot. The poor man is very tired. He's been cornered about Buddie and asked about it aggressively by certain journalists (one journalist, Max Gao, actually tried to corner Gavin who plays Chris over Buddie - this was a few years ago so Gavin was even younger than he is now and I personally think that is an incredibly unfairly loaded question to give to a child).
If I may dive into speculation for a moment, given how the actors have been SO gleeful about the move to ABC, the fact that they've admitted ABC is letting them do storylines and little moments that FOX wouldn't, and a few other things I won't get into here because this damn thing is long enough already... I suspect FOX would not let Buddie happen. If this is the case, then actors being asked about Buddie is even more loaded because they are being asked questions about it and they can't say "yeah we want to but the network won't let us." THEY WILL GET FIRED FOR THIS.
But, whether or not my speculation is true, the fact remains that when you are repeatedly, over and over, aggressively asked if this fan ship is going to happen or not, you get tired. There's only so many times that someone can give a diplomatic answer before you just want to snap "stop fucking asking me!" Journalists love to take advantage of fandom and social media chatter to get attention for their articles so asking over and over again about Buddie isn't because they genuinely care or think it'll happen, it's to get shippers reading their article, and so bombarding the actors and writers with this question when they've already kinda said their peace a lot about it is frustrating. Just! Leave them alone!
And AGAIN: if this was a M/F ship there could maybe be room for teasing the will-they-won't-they but because of historically bad treatment of queer characters and fans, THEY CANNOT DO THAT. So the only option open to them is to KEEP THEIR MOUTHS SHUT. And keeping one's mouth shut and threading that diplomatic needle for years is EXHAUSTING.
We do want Buddie to be canon, nonny, and in my opinion we are going to get it. All this recent PR supports that, (again: in my opinion).
However, we have seen Oliver get bombarded with what he thinks about Buddie until the cows come home, and he deserves a break. There's nothing new he can say, there's nothing new he's allowed to say. We have seen other parts of the fandom scream that we're being queerbaited because Buddie didn't instantly go canon, without any consideration for the fact that a) queerbaiting is a marketing tactic and b) there might be other factors at play preventing it going canon. We have seen journalists take advantage of us, the shippers, in order to get attention, and we have seen them create an awkward and embarrassing atmosphere in interviews by repeatedly asking about the ship. We have seen shippers make us look bad by hounding the cast and crew on social media about Buddie, treating every woman actress who plays a Buck/Eddie love interest like shit (yes, I know about Edy, but she could be a saint and parts of the fandom would still go onto Instagram to call her names), and generally being absolute pills that would tempt any showrunner, actor, or writer to say "y'know what fuck 'em let's not make Buddie canon I'm not rewarding this shitty behavior."
"If we want Buddie then shouldn't we be asking Buddie questions?" No. Not like journalists and fans have been. It's something to bring up - in my opinion - sparingly and with an awareness of how queer storylines and ships and fandom have been mocked, ignored, baited, and so on over the years. They don't ask about Buddie because they give a shit. They ask because they want our clicks for their ad revenue and they want our retweets and likes and comments. And it's certainly not something to bombard the actors with on social media and bitch at them if it doesn't happen. It just makes the rest of fandom look bad and makes us look like children.
Additionally: These are not new questions! They're not only asking these questions now that it looks like Buddie will go canon, with serious hope and consideration based on the marketing and storylines. They've been asking this since season fucking two, when Buddie was clearly not planned, just to get fangirl (gn) clicks. They wanted to get attention and teehee over how Oliver/Ryan/whoever reacted to people thinking Buck and Eddie should touch dicks. 'Kay?
We know the pattern. So when every piece of media is screaming BUDDIE!!! we are not seeing it as "OMG could we go canon?" We see it as another round of being taken advantage of for article attention, another round of parts of the fandom being bullies and yelling about being baited, and another round of the actors being backed into uncomfortable corners.
That's why we're concerned, worried, and annoyed.
*collapses* I hope this covered everything and explained it all.
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coquelicoq · 1 year
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if you're wondering what the big deal is about the louis-philippe sentence in les misérables, it is, in the original french, 760 words long. the subject of the sentence doesn't appear until 95% of the way through, at word #711; the main verb is word #712. the sentence contains 91 commas and 49 semicolons and is almost entirely a list of laudatory adjectival phrases describing the erstwhile king of france. this is perhaps especially notable because les mis is, shall we say, not known for being particularly gung-ho about the monarchy.
this sentence copied and pasted into Word takes up more than one page single-spaced. in the 1800-page folio classique edition, it is fully two and a half of those 1800 pages. that means that les mis is 0.14% this single sentence. more of les mis is made up of this sentence than earth's atmosphere is made up of carbon dioxide (0.04%). if the page count of les mis stayed the same but every sentence was the length of this one, les mis would consist of only 720 sentences total.
incidentally, guess who named hugo a peer of france 17 years before the publication of les mis?
#he also goes on for another six pages after this but by then he has remembered the existence of the full stop#the endnotes say that hugo 'se devait de faire [ce portrait] aussi favorable que possible à la personnalité de l'homme#qui avait favorisé sa carrière' (had to make this portrait as favorable as possible to the character of the man who had favored his career)#in fairness to hugo it's not like louis-philippe was alive to read this. so he wasn't just sucking up to get something out of it#he says at the end of the chapter that this description is 'entirely disinterested'. which like on the one hand i get#bc like i said louis-philippe was not in power and reading this. but otoh victor 'ancien pair de france' hugo u r not exactly unbiased. lol#les mis#lm 4.1.3#i just looked up the english translation and gasp! hapgood turned it into four separate sentences!!!!#so i think y'all who are reading it via les mis letters (which uses hapgood i think?) are gonna miss out on the full experience :/#my posts#linked to#syntax#idk if i got this across but the worst part is that the subject of the sentence - the beginning of the independent clause -#doesn't occur until the very end. so for the first 95% of the sentence you're just waiting for the bass to drop!!!#like reading it out loud you have to raise your pitch at the end of every dependent clause because you haven't gotten to the subject yet#AND THERE ARE SO MANY CLAUSES!! 49 SEMICOLONS PEOPLE!!! FORTY-NINE!!!!#victor hugo would be TERRIBLE as a hype man. he would take so long that the crowd would tear him to pieces with their fingernails#before louis-philippe could come out on stage. and then they'd be so mad at louis-philippe for inspiring him that they'd tear LP apart too#actually i think i'm using hype man wrong. i'm thinking of the guy that gets the crowd hyped up for the main guy before the main guy#makes an appearance. a hype man is the guy who makes interjections during a song. victor hugo would be bad at both of these#like just imagine the announcer at the beginning of a basketball game. and now...your starting lineup...at power forward...#and then he just says the 760-word louis-philippe sentence.#dead. murdered at the hands of the fans. microphone shoved down his trachea.
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thechaoticdruid · 4 months
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When people mod Astarion to the point he doesn't even look like Astarion anymore.
Me:
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dorkygurl-89 · 9 months
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"oHmYgOd!!!!1!!! MeLaNiE sExUlLiZeS bAbIeS!!!!!!1!!! aNd ShE's AlSo A rA-"
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if i have to write a whole fuckin rant about this, i will do so
just gonna say it, you believe in these claims, get the fuck off my blog
i'm not gonna argue with y'all if y'all are that fucking dumb to believe in those "accusations"
block me and piss off somewhere else
i'm so goddamn sick of seeing this shit pop up
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hallaburger · 1 month
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i'm actually really upset at the watcher "fandom"
y'all seem like a lot of fair-weather fans to a group of guys who have consistently put out shows that you love, you've gone to their live shows, you've bought their merch, you've followed them over the years as they've grown and built their own brand
and then when they come out to say "hey, we're proud to announce the next big step for us as creators, producers, talent, and directors," you fucking scream and rail and throw a fit because they are launching a paid service that allows them MUCH more creative control and freedom while also supporting their staff in a more sustainable way???
that's sick and pathological, and i wonder how many of y'all were blogging in support of the wga/sag-aftra strike, because if you were and you're pitching a fit now? check yourself. not fucking cute to say you support those folks and then bitch and moan when your so-called favorite creators take the initiative to support themselves in a way that they feel more confident in.
"but we liked the old content that looked like it was made in a basement and the blue and yellow text and--" okay, did you ever think that maybe?? MAYBE???? the guys wanted to do something better??? if you really supported them, you'd be in support of their creative ambitions, too.
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guard-en · 2 months
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did an art style study. couldn't decide which I liked better so you guys are getting both. they're stretching. +]
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schizosupport · 1 year
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Psychosis and schizo spec experiences are messy, and complicated, and often don't fit the societal narratives.
Many psychotic people have experiences that look like symtoms of other disorders, and strict categorization and separation between symptoms and disorders often don't take schizospec and psychotic people's experiences into account.
Schizophrenia, as an example, is commonly classified as a neurodevelopmental illness, and comes with a range of experiences of neurodivergency that do not neatly fit into any one box/neurotype, yet can be both very disabling and very profound. Similarly, most schizospec people are prone to dissociation, and there's an overlap between plural people and psychotic communities.
For this reason and others, I'm not a fan of separatism in the neurodivergent community, which too often targets psychotics, by focusing on proving that this or that group is not "crazy" like "those people".
Occasionally this takes on some insidious forms within the different communities, where "deviant experiences" of odd symtoms that don't align neatly with the narrative of the associated disorder, are dismissed as fake, problematic, harmful - occasionally as ableist in and of themselves. This narrative is actively harmful to psychotic people.
I'm not a fan of arguments that hinge on the notion that large numbers of people are lying or mistaken about their lived experience, and sincerely, as someone who has read an unreasonable amount of research throughout my studies, psychological science is interesting, and useful, but it is never exact, and it is full of biases, blind spots and bullshit science hidden behind statistics and overreaching conclusions. Pointing out bad research is not "anti science", it is in fact pro science. I am a scientist.
I consciously reject the notion that the diagnostic manuals are anything more than a semi competent attempt at making a comprehensive classification of symptoms. This doesn't mean that these constructs aren't hugely influential, or that they don't describe real symtoms, but it is important for Mad and Neurodivergent activism to move beyond this reductive understanding of mental diversity.
So while I'm happy to provide info on the definitions of various disorders etc, because it has real world applications, I am more interested in what we all have in common, and in finding solidarity across diagnostic borders.
In the end, my solidarity is with the weird kids. The quiet ones, the fucked up ones, the ones who don't feel like they belong or fit anywhere. With symtoms and experiences and diagnoses like an ill-fitting set of clothes.
I want to fight the stigma, but I don't want to fight it by assimilation. It is not our job to be "normal" or "easy to understand and categorize".
I want radical inclusiveness, and I want it now. I want the judgement of harmless odd behaviours to stop, I want the mental health communities to stop fighting each other and throwing each other under the bus in the name of being palatable.
We don't have to be palatable to be worthy. We don't have to fit into a neat little box to be taken seriously. We are all deserving of non-judgemental love and support.
Our goal should not be to be neurotypical, it should be to live happy and fulfilling lives within the circumstances we were dealt.
Us psychotic weirdos need better options than to be monsters, or to be invisible.
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dootznbootz · 1 month
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that WHO in no longer u oh my GOD
YESSSS
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Like, yeah, Odysseus is like "Yandere" (joking but also not) because kills all who even go near Penelope and Telemachus and he's very protective of them AND jealous.
But I think this "WHO?!" is also a desperate plea as to who is this dangerous man who is near his wife? A warlord? A conquerer? A man who would not even care about Penelope for who she is and mistreats her?
Because even in the Odyssey, Odysseus asks about Penelope to his mother.
Tell me of the wife I married. What are her thoughts and plans? Is she still there with our son, keeping watch on everything? Or has she been married                            to the finest of Achaeans?
(Book 11, Johnston)
There's not even much resentment in his question. There could be but Narrator does not say. The use of "the finest of Achaeans" almost is a "Did she at least marry the best man? Did she at least marry a GOOD man?"
In "No Longer You", when he hears of this dangerous man NEAR his wife, he is SCARED. It could be jealousy but I feel it's more of concern. As it is in the Odyssey.
"I understand if she would remarry, it pains me but I did tell her that when Telemachus finally grows his beard, she could. I will love her always but is she at least happy? Is she safe?"
And she's not safe. She's not happy. He is terrified.
Psst. The reason why My Odysseus takes a long time to grow his beard is because of that line. He's hoping that his son will take after him and take forever to grow a beard like he did (as he doesn't really have one even when he first leaves for Troy) because he would try forever to get home. Penelope even teases him that he still doesn't have one so that's a silly request and that's the point. "I will never stop trying to come back to you. He and I will likely remain beardless forever." (it's a little funky for him when he finally grows one by the end of Troy. He's thinking "...Shit. Telemachus, stay baby-faced for your dad please.")
ANYWAYS.
I mean we all know that these two are obsessed with each other in the Odyssey and in Epic. They are likeminded and are so integral to who they are. They mean everything to one another. I think Odysseus genuinely does want Penelope happy. As even in the Odyssey with him simply asking for another bed, shows how much he loves and respects her. He could've been like "get in it" even though she had rejected him at first but he LISTENS BECAUSE HE LOVES HER. Only breaking down into a sobbing mess when he believes she destroyed their bed.
"Heaven made you as you are, but for sheer obstinacy you put all the rest of your sex in the shade. No other wife could have steeled herself to keep so long out of the arms of a husband she had just got back after nineteen years of misadventure. Well, nurse, make a bed for me to sleep alone in. For my wife's heart is just about as hard as iron."
(Book 23, Rieu)
Please note that this is his attempt to insult her in a way and yet he still talks about her being from Heaven 👀 SIMP
But even though he's deeply hurt by her rejection (poor guy would've probably sobbed himself to sleep) He still asks for another bed. After sleeping on the floor and in the dirt since he's been on Ithaca, refusing beds unless it's his own marriage bed, he takes her 'no' because he values her happiness and comfort over his own. He takes a lesser bed so she can still sleep in their own luxurious one.
I mean we know how fucking awful the suitors are. Hold Them Down is a disturbing song. (as it should be. As they are not good men) He does not even know how bad these men are yet. If his future self could speak with his past self, he'd probably be like "Yeah, don't worry about the guy who kills a bunch of people, they had it coming. ;) " or something.
That "WHO?!" is a mix of jealousy AND fear.
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