A Not So Brief Analysis Of Dracule Mihawk
Wondering if Mihawk's distrust of others correlates with the fact he is basically a one-man crew. Wondering just how self-reliable he must've become in order to be self-sufficient. Wondering what is the cause behind it all.
I wonder if, similarly, he has trouble being vulnerable around others. There is an undeniably stoic attribute to his character, but there is a common pitfall practitioners of stoicism (or those who lean towards it) are susceptible to: emotional disregard under the guise of control of emotions, or even worse, reprimanding empathy.
Therefore, could it be the case Mihawk is emotionally detached? It would be easy to draw such a conclusion with what little we’ve been shown of him. While an individualist, he accepts those who come to/at him (Zoro and Perona), and he reaches out to others (Shanks); it might be true that he’d lost interest in Shanks after his injury, but he still committed the sweet act of showing him Luffy’s bounty and apologizing to him upon testing Luffy. There’s also the moment where he tells Perona to take care, upon her departure. So, while aloof, Mihawk is not reserved to the point of stoic cold. He wouldn’t sacrifice company in order to be alone (even if in the case of his pact with Crocodile, there was an utilitarian aspect to the choice; in keeping Perona and Zoro, and in visiting Shanks, there was none other than being nice). One could attribute these acts to an emotional attachment because it does take a drive to complete these very active feats. For Shanks, it could be respect, too. I don’t believe the detached attitude Mihawk possesses would let him take care of those two for two years, especially since he values peace so much; something had to override this desire for peace. I say, the reason could be empathetic in its roots.
Perhaps his self-reliance is misread as distrust? To distrust someone would imply that one is uncertain of their motivations/actions. Mihawk, as someone with Observation Haki, someone who views his enemies with curiosity, who allies himself with whoever is willing to offer him the most peaceful residence… would he be so distrusting? In the little glimpses of his internal monologue we get, there is no distrust and no hesitation. In general, he is confident in his judgement.
But on a more personal level, does he fear his more delicate feelings would be betrayed, if shown too much? There is a possibility for that. We haven’t seen him in such state, as he does rely on himself only. Perhaps Crocodile knows of it. On the flipside, this would imply that Mihawk has a deep, unburied emotional core, one he nurtures and protects – and perhaps one that was taken advantage of. Observation Haki can’t save him from heartbreak, can it? It can sense the emotions of others. It can’t predict his own.
In either case, there very likely is a softer core to the world’s strongest swordsman. Establishing that he isn’t emotionally exempt, but knowing that there’s still a strong individualist quality to him, I wish to look at more of Mihawk’s internal processing.
For an arguably isolated character, he isn't close-minded at all. He possesses curiosity towards his foes; he asks, and he indulges, and he encourages. Think of the entirety of his fight with Zoro.
Then, later on, he is more than anything amused at Zoro’s request. But he obliges. Have the rare panel where he laughs.
When he assesses the strengths of his opponents, he doesn’t do so with any negativity in his mind. Oddly, he goes great lengths to assess them (thinking of his encounter with Luffy). Imagine, it was worth disturbing his peace! Linked here are several reasons why he might’ve done so.
One thing all of these cases have in common is ease. One could argue that it stems from absolute confidence that he is unbeatable, therefore he acts out of boredom, but then again… he trains Zoro because he recognizes valiant traits in him, not because he has nothing better to do. While, yes, there might be some boredom in his life...
Could boredom be Mihawk’s internal motivator? Can we classify his actions as so random/pointless that they serve a sort of entertainment to his otherwise dull living? Personally, I don’t gravitate towards that take. He actively works to preserve his ‘boring’ way of life. For a man so unimpressed, he isn’t trying to change himself at all – nor his routine, not much – in order to appease any need for excitement. The only time he expresses he feels excitement is when trouble heads his way. He does not seek it. Therefore, I presume he is content with the way things are. Quiet.
How does one pinpoint and rationalize these very complex stances? It could be summarized as the opposite of what Mihawk told Zoro.
Could it be that the world’s strongest swordsman became one for he hasn’t developed himself merely in swordsmanship, but in wisdom of living as well? For his domain extends beyond the puddle. There’s an excellent post on Reddit that details the reference this entire phrase comes from, related to Zen.
In addition, I like that during training, Mihawk hasn’t pushed any ideologies or mantras on Zoro, beyond that of basic swordsmanship honor and shame. As far as we know, of course, but I argue such a lesson would be explicitly stated due to its importance. Anyway, these two do not have that moment. Mihawk gets closest to it with his ‘frog’ comment.
It could be assumed that, in not pushing any creed on Zoro (but that to expand his views), Mihawk is leaving room for Zoro to know himself beyond swordsmanship, while also respecting his dream.
Taking into account this ideological emptiness, the ‘frog’ comment, and Mihawk’s general disposition: confidence, ease, peace, I argue that they all stem from the fact Mihawk has found his place in life and has achieved his dream, doing it his way. Now, his current goal of sorts is to be outbested in terms of swordsmanship, a goal he is willing to help Zoro with.
And there is such honor and beauty to it! To sacrifice the goal of his life to help another person achieve theirs. Just how much at peace with themself would one have to be, to be able to give away so much of themself? It's mindblowing. Being able to dynamically balance so many internal and external factors (achieving a dream certainly isn't enough to teach or in any way emulate that; it takes vast wisdom to do so) to finally reach that stage of contentment: to let another have it, at the cost of your own, on a basis entirely factual and wholly fulfilling. It's once again reminiscent of stoicism, and its postulate that a life well-lived is one lived in accordance to nature. One lived in moderation. Now, Mihawk doesn't seem to be very emotionally expressive, does he?
In the aggressive tug-of-war that is the One Piece world, he remains steady, firm on his feet. He knows where he stands, and he’s where he wants to be.
Deeply in tune with himself like that, it could be interpreted that Mihawk has reached a state akin to ataraxia (Greek, meaning freedom of trouble or anxiety; tranquility of mind dependent on the mind), a viable path to one’s happiness as regarded in stoicism. Related, I find it very enjoyable that he is a character who has achieved his dream. Because one must ask: what comes after the dream is achieved? For Mihawk, there is simple contentment. Nothing ‘great’ after he’s reached his grand dream. Farming, napping, cooking, drinking wine, reading? How humble! Not much to indulge in, but he is fulfilled.
And so, his trail continues, he is aware of that, but he doesn’t chase happiness down it. And even if it gets rough and he has to deviate a little, he is on the right path. He knows it, and feels it. That's all that matters.
As Seneca said, “It is not that virtue is chosen because it pleases, but that, if chosen, it also pleases.” Mihawk delved into the wisdom of living, then chose his spot back in his own puddle, still occasionally gazing beyond it.
How exactly did Mihawk come to this mindset? Now that is mental work I reckon he deserves rest from.
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cw. female!reader, satoru who goes absolutely crazy each time you put it back in after it slips out.
the first time it happens is on accident.
he’s too caught up in the way the fat of your ass jiggles with each deep thrust, too mesmerised in the feel of your soft skin between his fingertips as he gives one of your cheeks a firm squeeze. satoru’s lust-riddled brain simply didn’t take note of the way his hips started to move a little too fast, a little too quick.
all he’s able to focus on as he takes you from behind is you, you, you—and certainly not the way his heavy cock suddenly slips out of your slippery cunt. a few drops of pre-cum dribble down the base as he involuntarily pulls out, some of it staining the back of your thighs. there’s not a lot of time to process the fact, as he’s back inside your dripping pussy almost instantly.
your greedy hands reach for him immediately, securely wrapping around his base and slamming your hips back against his once he’s lined up again. there’s not even a chance for him to miss the warmth of your sweet pussy.
you wouldn’t even let him.
satoru is pretty sure he’s going to cum on the spot at the realisation, and has to really, really fight himself not to finish prematurely. a deep groan rumbles from his chest, eyes almost rolling to the back of his head, as he thinks about how quick, how disguistingly eager you were as you scrambled to put him back inside.
as if that slutty hole of yours can’t even go a second without being filled by him.
a string of curse words tumble past his lips, and he fucks you a little harder than usual that night.
since then, satoru’s been subtly letting himself slip out of your cunt each time the two of you have sex. the physical aspect of it isn’t hard; you’re always so incredibly wet, he’s out in a second. mentally, he’s at war with himself—though, seeing you whine and whimper as you hastily reach for his cock again makes those few agonising seconds without your warmth all worth it.
something about the gesture makes you look desperate, impatient, and it’s all for him. and fuck, did it turn him on.
there’s one time where he briefly suspects you’re onto him and his antics, as you insist on riding him. on being in control. it’s not something you do often, though usually he fucking loves it when you do (he still does, admittedly)—but with you on top and holding the reigns, it removes his opportunity to see you scramble to put his fat cock back inside.
but, he’s nothing if not an optimist, so, of course, he’ll make the best of the situation.
with the way they bounce so prettily in front of him as you rock your hips back and forth, he’s almost incapable of not sucking on them. and so, he decides to stifle his previous complaints by taking a mouthful of your tits. there’s always next time, and as he sucks on your breasts and feels you move up-and-down, he completely forgets about his former plans.
riding him was simply one of your whims, it turns out, and the next time the two of you have sex he’s back in his usual spot. and the time after that, and after that, and after that—and as long as he’s there, he’ll keep making you desperetaly stuff his cock back inside.
satoru’s breathing heavily now, the mere thought of it (combined with your walls griping around him like a vice) almost enough to make him dizzy. with your legs over his shoulders and thighs pressed up against your chest, cheeks stained with dried tears and soft, high-pitched moans and hiccups leaving your lips—he can’t help but feel the familiar itch to ruin your fun.
even if it’s just for a little bit.
he does so at once. the mixed release of both you and him from previous rounds leak out of you as he does so, and your pussy twitches around absolutely nothing.
immediately, you frown. it’s small, cute, almost, and then your hands search for his cock again. though, this time, the position he (very purposefully) put you in makes it difficult—satoru fights off a grin as you scrunch your nose in dissatisfaction.
“. . .’toru,” you mumble, and attempt to grab him again. your voice is hoarse, broken from the sweet noises you’ve made for him so far. “wh—what’re you doing?”
“hm?” he hums.
a little smile settles on his lips as he prods your entrance with his tip, smearing the cum—most of it his—along your puffy folds. he toys with your pussy, the squelching sounds as he moves his cock near your cunt (but never quite in it) feeling like absolute music to his ears.
he hears you sniff. “. . .’toru,” you mumble, voice a soft whine. you try moving closer to him, to push yourself down on him, but he simply pushes your thighs harder against your chest. “please, j—just. . .”
satoru fakes a dramatic sigh. “you’re so spoiled,” he comments, and relishes in the way your eyes roll back as he slides back in all at once. “so, incredibly spoiled.” he tuts, starting his thrusts again. he brings his face closer to yours, as if it’d make him hear all your pitiful sounds better. “can’t even go a second without my cock, can you? ‘t slips out for a second, and my pretty girl’s already whining.”
he doesn’t get a proper response out of you, but that’s okay. he doesn’t need to. there’s no sweeter sound than your fucked-out babbles, anyway.
and they often sound even sweeter after he temporarily deprives you of his cock.
satoru smirks as he looks down at you.
no, he’s definitely not stopping this any time soon.
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Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.
Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).
Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.
Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.
Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).
AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.
But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s
At the time of writing this, it's 4:46AM.
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