#it also has me looking forward to working on new projects in 2024!

[wisteria-prince-of-myrrh]

My Love Is Mine, All Mine

“Nothing in the world belongs to Hot Pants but one thing.

Or;

An executioner reminds a nun of a single action that crippling guilt can't take away from her.”

[fiercynn]

on ao3's current fundraiser

apparently it’s time for ao3’s biannual donation drive, which means it’s time for me to remind you all, that regardless of how much you love ao3, you shouldn’t donate to them because they HAVE TOO MUCH MONEY AND NO IDEA WHAT TO DO WITH IT.

we’ve known for years that ao3 – or, more specifically, the organization for transformative works (@transformativeworks on tumblr), or otw, who runs ao3 and other fandom projects – has a lot of money in their “reserves” that they had no plans for. but in 2023, @manogirl and i did some research on this, and now, after looking at their more recent financial statements, i’ve determined that at the beginning of 2024, they had almost $2.8 MILLION US DOLLARS IN SURPLUS.

our full post last year goes over the principles of how we determined this, even though the numbers are for 2023, but the key points still stand (with the updated numbers):

when we say “surplus”, we are not including money that they estimate they need to spend in 2024 for their regular expenses. just the extra that they have no plan for

yes, nonprofits do need to keep some money in reserves for emergencies; typically, nonprofits registered in the u.s. tend to keep enough to cover between six months and two years of their regular operating expenses (meaning, the rough amount they need each month to keep their services going). $2.8 million USD is enough to keep otw running for almost FIVE YEARS WITHOUT NEW DONATIONS

they always overshoot their fundraisers: as i’m posting this, they’ve already raised $104,751.62 USD from their current donation drive, which is over double what they’ve asked for! on day two of the fundraiser!!

no, we are not trying to claim they are embezzling this money or that it is a scam. we believe they are just super incompetent with their money. case in point: that surplus that they have? only earned them $146 USD in interest in 2022, because only about $10,000 USD of their money invested in an interest-bearing account. that’s the interest they earn off of MILLIONS. at the very least they should be using this extra money to generate new revenue – which would also help with their long-term financial security – but they can’t even do that

no, they do not need this money to use if they are sued. you can read more about this in the full post, but essentially, they get most of their legal services donated, and they have not, themselves, said this money is for that purpose

i'm not going to go through my process for determining the updated 2024 numbers because i want to get this post out quickly, and otw actually had not updated the sources i needed to get these numbers until the last couple days (seriously, i've been checking), but you can easily recreate the process that @manogirl and i outlined last year with these documents:

otw’s 2022 audited financial statement, to determine how much money they had at the end of 2022

otw’s 2024 budget spreadsheet, to determine their net income in 2023 and how much they transferred to and from reserves at the beginning of 2024

otw’s 2022 form 990 (also available on propublica), which is a tax document, and shows how much interest they earned in 2022 (search “interest” and you’ll find it in several places)  

also, otw has not been accountable to answering questions about their surplus. typically, they hold a public meeting with their finance committee every year in september or october so people can ask questions directly to their treasurer and other committee members; as you can imagine, after doing this deep dive last summer, i was looking forward to getting some answers at that meeting!

but they cancelled that meeting in 2023, and instead asked people to write to the finance committee through their contact us form online. fun fact: i wrote a one-line message to the finance committee on may 11, 2023 through that form, when @manogirl and i were doing this research, asking them for clarification on how much they have in their reserves. i have still not received a response.

so yeah. please spend your money on people who actually need it, like on mutual aid requests! anyone who wants to share their mutual aid requests, please do so in the replies and i’ll share them out – i didn’t want to link directly to individual requests without permission in case this leads to anyone getting harassed, but i would love to share your requests. to start with, here's operation olive branch and their ongoing spreadsheet sharing palestinian folks who need money to escape genocide.

oh, and if you want to write to otw and tell them why you are not donating, i'm not sure it’ll get any results, but it can’t hurt lol. here's their contact us form – just don’t expect a response! ¯\_(ツ)_/¯

[fuckyeahgoodomens]

Good Omens graphic novel update: June 2024

Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.

Admin

Ongoing reminder that the project FAQ can be found here. 

I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.

Events

We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.

We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.

We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.

You can get your tickets for ACME Comic Con here. We hope to see some of you there.

While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.

Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.  

Good Omens items...

This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.

To make up for that, here's some new panels from Colleen:

Also known as, "What could possibly go wrong?" And:

Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.  

Update from Colleen

Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.

---

I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.

This is my original, hand drawn line art.

And this is the flatting file which was created using the MultiFill computer program.

It will put your eyes out.

The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.

The same image with the line art on top.

The layer order looks like this.

Background copy is the clean, line art layer.

I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.

If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.

The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.

This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.

This drives me nuts and is an absolute nightmare to fix.

It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.

What looks great on your computer can cause big problems in print.

From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.

But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.

Here is my final color page.

Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.

If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.

Here’s an example. The digital flat file.

The desaturated flat file that doesn’t make me want to poke my eyes out.

And the final color.

Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.

Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.

Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.

A colorist must also consider color settings.

Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.

This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.

When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.

Another really important thing to consider when coloring comics is color range.

I’m coloring this book in RGB range, but for print you use CMYK.

I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.

Here is this shot in RGB color setting.

And here is the same page calibrated for print in CMYK.

The biggest shift is in the reds. Print cannot match those reds.

You may not see much difference here, but it’s the sort of thing that drives artists crazy.

A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?

Nope. Not even close.

First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.

Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?

It's like that.

I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.

If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.

YAY!

But from one monitor to the next, that's about where the resemblance ends.

Colors are calibrated to something called RGB, or Red, Green, Blue.

All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.

This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.

Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.

That's a lot.

And that's why some of the colors you see on your TV or phone are so deep and intense.

For the widest possible range of color and intensity, you use RGB.

Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.

For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.

In printing, the pure blue is actually Cyan and the pure red is actually Magenta.

CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.

The gamut of CMYK is limited to what can be created with ink.

You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.

But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.

Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.

The RGB version:

And then this shot after it was converted to a CMYK file for print.

That's a pretty big difference.

Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?

That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.

The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.

And you may not like what you end up with.

As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.

A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.

Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.

Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.

Again, here is the unaltered file.

You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.

And the Gamut Warning will show you which colors are out of gamut range for print.

The intensity of that magenta and that purple in the top right are not going to print true.

This is how it will look in final.

So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.

Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.

Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.

Until next time.

[pedripics]

Pedri via Residency - July 18, 2024

How are you feeling? - "Incredible! Winning the Euros was crazy"

How is the injury? - "Better every day. I've just started my holidays, but I'm training every day to recover and start the season at the top of my game"

Winning the World Cup? - "I can't even imagine that feeling. It's the dream that every child who plays football wants to fulfil. I have already won LaLiga with Barça and now the Euros with Spain. Now on to the Champions League and the World Cup"

How did your family react to seeing you win the Euros? - "They were very happy! They were with us at every game of the tournament and at the celebrations"

Feelings for next season? - "Very good, both personally and as a team. It could be a great year"

Winning World Cup or Champions League? - "Why choose? That's like choosing between your dad and mom"

How did you feel when you were lying on the ground because of your injury? - "I knew what he had done to me that was going to stop me from playing. I was in pain and also annoyed that I had to stop because of the injury."

Do you like Japan? - "Yes! I like sushi... and I won an Olympic medal there"

Will Nico come to Barça? - "I have no answer to that question. What is clear is that he would be a great signing for Barça. He has shown what he is capable of in the Euros"

Would you play as a goalkeeper? - "Hahahaha that's what my father was there for. There is no need for more goalkeepers in my family"

Did you have a great time at the Euros celebrations? - "I had a crazy time, actually. It was a moment of celebration with the whole country after a great tournament. Although I had to take care of my knee at all times. The rest of the players didn't have that problem 🥲" (kroos i am gonna find you istg)

Where do you see yourself in 5 years? - "Well... playing football at the highest level, like now. In the future I want to start a family, but in 5 years i am not so sure"

Is it fun to do photoshoots? - "I always say no to my team and especially at the beginning I was embarrassed, but now I'm used to it. I try to have fun and have a good time, although I prefer a ball to a camera"

Advice when you suffer from your first big injury? - "Well, be patient, because in the end, with work and effort, the good times return"

Feelings for the new season? - "I think it's going to be really good. Now it's time to rest a bit and recover and get back to work as soon as possible under the orders of the new coach. We are sure that this new season will bring us a lot of joy."

Do you have a favourite female singer? - "Hora Cero, by Myke Towers, is the one I've liked the most lately... and of course 'Pedro' by Raffaella Carrá" (sir that's not an answer and we both know it lol)

Real Madrid will win La Liga again - "Veremos..."

Advice for young players? - "Have fun playing and try not to lose the things that street football gives you"

Favourite teammate? - "Ferran. The truth is, he is a great teammate and friend. He always supports me and gives me advice"

Is Ferran single? - "I would say so, unless he's gotten a girlfriend since Tuesday when I haven't seen him"

Your best friend? - "I have several. Dani, Fran and Rubén, who have been my friends since childhood"

Are you excited about the new Camp Nou? - "I am already looking forward to playing there again. Playing at the Camp Nou will surely help us on be on top... The visit impressed me, because of the project and because I saw how it works inside"

Where are you on vacation? - "As always, I am on holidays on my island, in Tenerife"

Where do you see yourself in 10 years? Looking like my profile picture (a picture of him being bald)? - "Yessss. Everyone is asking me if I am going bald... one day I will, for sure! That's easier than having Cucurella's hair"

Dream vacation? - "Wherever it is, with my family and friends"

Who do you think will be the next Golden Boy? - "Lamine, 100x100"

Tea or coffee? - "I drink neither"

Are you learning English? - "I learnt a bit… let's see if after the holidays I really get into it and speak it properly soon"

Where did your obsession with bananas come from? - "It's not an obsession. It's true that i really like them and in the Canary Islands, it's a typical product used in many recipes"

What do you do so bad comments don't affect you? - "do things as good as possible. I know what I do and what I do not do; I cannot control what people say or invent"

You promised to grow a mustache. When will you do it? - "Maybe I am doing it these days and then I will share some photos" (NO PLEASE DON'T)

[joeyalohadream]

Clegan Hurt/Comfort Fluff fic with a sprinkling of angst, set in their days in England, sometime before Algeria.

Part one of a new series I'm beginning, exploring some random first times for the boys. I will jump around from Pre-Cannon, Wartime, Post-War and every where in between, but all of the stories will be connected.

Part two of this series will also include a first for me personally! My first ever attempt at writing smut, which I am both excited for and also worried about, but we'll take it one step at a time!

Snippet:

Bucky feels his cheeks heat up and he looks around the room, knowing it’s still empty but feeling the need to make sure it stays that way. He clears his throat and narrows his eyes at the younger man. “Well, that’s an experience no one should miss out on for too long. Whatcha waitin’ for?”

“You,” Gale says back, easy as anything. He’s looking at Bucky with a soft, peaceful expression. The wounds on his face have stopped bleeding, but some bruising is already starting to bloom around his temple and one of eyes. His cheeks and the bridge of his nose are still red from the wind and the cold. He’s dirty, smells like gasoline and gunpowder, his aftershave barely distinguishable. He looks beaten down and exhausted. But in his eyes, there is a tenderness that Bucky has only ever seen directed at him and it makes his heart beat faster in his chest. “Think I’ve been waitin’ on you for all my life for that one John.”

“Christ Gale,” Bucky sucks in a sharp breath. He looks around the room again before leaning forward and cupping his large hand around Gale’s cheek, the tips of long fingers brushing against the short curls at the back of his neck. He lets his thumb stoke that delicate cheekbone and feels the weight increase against his hand as Gale leans into the touch, his eyes falling closed.

“I’m going to take you to London,” he tells him and smiles when Gale’s eyes open again to look at him. “We’ll get a pass for the weekend. After the shit you pulled off today, no way Harding says no.”

“You think?”

[inestheunicorn]

Art vs Artist! 🍄🌿 Reusing the same photo from last year because I never take any photos of myself and I just noticed I didn't have any that's not a selfie making a weird face 😂 a very short 2023 recap of my art 🌠

This year has been weird, but with many new learning experiences! I got to illustrate another children's book and also got some cool client projects that I haven't shared here 🐦

I mostly did digital art this year, but I really miss my gouache paints and markers, so I hope I can play with them again next year! But thanks to all the digital art I made, I finally tried some new merch items like washitape, zip pouches, acrylic charms and wood ornaments, so I got the chance to learn about the manufacturing process too ✨

I got burnt out in the middle of the year and I was totally uninspired to create, but this made me learn to accept projects more wisely and manage my time better.

And to wrap up the year, me and my boyfriend moved in after 6 years together! The move was pretty stressful, but it's been such a rewarding experience and we're loving it so much!

With all of this, I'm being gentle on myself for not having created a lot of bigger traditional illustrations, but I'm so looking forward to it next year!! 🌟

I'm so grateful for all your love and support throughout this rough year, and I hope we'll be together for some new and exciting adventures in 2024!! Wish you all a Happy New Year!! 🌠

P.s: I'll be taking a little break from social media in the beginning of January, but I'll still be working so the shop will be open as well as my inbox ♥

[jokeroutsubs]

📝ENG Translation: NEW VOICES: RAIVEN in conversation with Bojan Cvjetićanin

Article published in April 2024 issue of VOGUE Adria magazine, English translation by @kurooscoffee, @moonlvster and a member of Joker Out Subs, Proofread by IG GBoleyn123.

Whatever it is, in its essence youth is almost always intense, authentic, revolutionary and brings new things even when it is not aware of it, and if there is a great example of this statement, then it is certainly this year's representatives at the Eurovision song contest from the countries of our region. It has not happened for a long time that at the same time Slovenia, Serbia and Croatia are represented by members of the younger generation who also bring a completely new sound. While Teya Dora extremely successfully brings ethno-influences into pop, Raiven gives her operatic background a pop form, and Baby Lasagna brings a rock sound with a specific local twist. However, in addition to being refreshing in the musical sense, they also know the little secret that "a song can bear everything" and that in it, it is possible to say more than in hundreds of words, so with their songs they open not only a new chapter in the music scene of the region, but also some important questions: migrations, feelings of rejection and not belonging, regeneration and triumph in difficult times. This year's Eurovision representatives talked about this sacred thing (and much more) with their colleagues Ana Đurić Konstrakta, Vesna Pisarović and Bojan Cvjetićanin, who participated in some of the previous Eurovisions and shared questions, doubts, experiences, problems, plans and excitement about the upcoming contest.

Sara Briški Cirman, Raiven, talked to last year's Slovenian Eurovision representative Bojan Cvjetićanin from Joker Out about authenticity, which always wins, stage fright and the new Slovenian music scene.

BOJAN : We haven't spoken for a long time, practically since the last interview we did via webcam, I called you from London last time if you remember.

RAIVEN: Yes, I remember. This is going to be very special now because I can't even imagine how the conversation is going to go, because you're going to be asking me questions mostly, and I think it's usually the other way round, so...

BOJAN: Look, I have a lot of questions prepared for you and I'm really looking forward to talking to you. I think it's best if we start with the fact that your life is probably mostly painted with the Eurovision colours at the moment. Please tell me, how has your Eurovision participation shaken up your inner state of mind? What is going on in your head?

RAIVEN: Yes, this Eurovision is absolutely much more mentally exhausting than one would think. Above all, I think it's not only stressful for the artist, but also for the people around the person who is going to Eurovision. There are many emotions, from excitement to fear and horror. Everything is present, but it is the most exciting period in my life so far.

BOJAN: You're an independent music artist, you're not signed to any record label, right? Do you, already at this moment, before Eurovision itself, see the disadvantages or advantages of being an independent artist?

RAIVEN: Yeah, there are definitely advantages in terms of having more creative freedom, but Eurovision is such a big project that I think it would be nice to have a bigger team of people behind you to help you out, but I still have a lot of people I can rely on and work well with. Through the Eurovision process, I've also got a sharper radar of who I'm cool working with and who I'm not.

BOJAN: Do you feel any fear? Do you feel equally competent to the other performers? Some of them probably have a background in the music industry, some of them absolutely come from these so-called powerhouse countries of Eurovision. How do you feel?

RAIVEN: I have a chance in terms of having some kind of starting position, but at the same time I feel a little less pressure because I feel that if you come from a bigger country, you have higher expectations about the result.

BOJAN: Okay. What is your realistic goal? What would you want in a year? I mean, in one year, Eurovision will be ten months behind you. What would be the ideal result for you in one year?

RAIVEN: I would probably be happiest if I managed to have concerts abroad. I also think my music is suitable for a foreign market. Yes, I would definitely be interested in that. I think you have more than obviously shown that it can be done, but there are a lot of factors. To go abroad would be ideal for me of course, at least to the Balkans. That seems somewhat realistic to me.

BOJAN: The Eurovision stage will absolutely be the biggest stage you have ever stood upon. Will Sara be scared?

RAIVEN: Yes, of course I'll be scared. But above all, I feel a very strong responsibility to myself not to disappoint myself, to be relaxed and confident enough in the moment, and ready enough to really enjoy it. I mean, everybody tells me that I have to go there first and foremost to enjoy it, but I honestly don't go there with that mindset. I'm sure I'll be happy if I enjoy it too, but I think I'm going there to work first and foremost. Then, when all the things and all the preparations have gone at least roughly as I had imagined, I can enjoy it.

BOJAN: It's been a while since the song has been out. Tell me, how are your ears reacting to the song today?

RAIVEN: I'm very proud of this song. I don't think I've ever released a song that I could stand behind so much. It's also absolutely clear to me how I could have approached it more tactfully and made a different song that might have been more suitable for that stage on a first sight. But it's a song that I'm still not tired of now that I've sung it a million times and that I've been rehearsing for a really, really long time. I know that at this point in my musical development, this song has been through the most; it's the best I can give of myself and I've put all the knowledge and all the experience I've gained so far into this song, so I'm very proud of it.

BOJAN: Nice. I like to hear it too and it always stays in my head when I hear it, so it's a good ear worm, even if maybe it's not uniform.

RAIVEN: But I have to say that I often think back to when you came to me and when we were still working on the song a little bit, because the song didn't have that most important hook in the first place, "Jaz sem, ti si, Veronika" ("I am, you are, Veronika"), and I often think back to what it would have been like if the song didn't have that part. I feel like it really elevated the song to a whole other level and gave it a part that maybe I wouldn't have dared to give it because I would have thought it was too hooky for me. I don't even know what I was thinking before, when that part wasn't there, so thank you.

BOJAN: My pleasure. I agree that a good part is in the right place. It definitely has a role to play. You know, I believe that the universe tends to take us where it can take us, if we're already working in that direction, to believe in our own success and in good energies. It was bound to happen, and it did. You performed at the Croatian Dora and sang Veronika for the first time in a stripped down version, in a different shape, acoustically, and as far as I could tell from the comments, it was very well received. Are there any more of your opera inserts to look forward to at Eurovision? Or is that a secret?

RAIVEN: I don't know exactly what people perceive as opera. If these high notes that I shout at the end of Veronika are operatic, then yes. I think it's a dangerous path for me, this pop genre of opera, because I think it can quickly take on a corny undertone, so I'm very careful when it comes to including opera into pop. But I'm sure it will be very audible on the Eurovision stage that my technical singing fundamentals are based on classical training.

BOJAN: Interesting, interesting and beautiful. The performance will, I assume, also have a strong dance or choreographic theme. I believe, given that we approached Eurovision pretty much on the principle of "Let's try to make a concert experience," which also meant that the choreography was really minimal and we didn't bother with it too much. But maybe you're even more worried about the choreography part than the actual performance?

RAIVEN: Not really, because I feel like with the choreography, if I can even call it that, because it's not really that, we've approached it as coming from me and coming from some natural movement of mine. I felt liberated to accept that I'm not a dancer and I don't need to look pretty or sexy or like some conventional beauty on stage and I've embraced this awkward moment that I'm having and I feel very comfortable in all these movements that we've put in, so now I don't (worry) anymore. But I have one question for you. What advice do you have for me as a female musician who is not so much conventionally or commercially oriented, but is still going to be standing on the Eurovision stage, who maybe even has a certain requirement from a female singer to be a Beyonce type singer?

BOJAN: My honest opinion is that Eurovision is the festival where unconventional acts have absolutely thrived the most so far, i.e. those who have managed to break through the boundaries of what we think of as ordinary. It seems to me that if in those three minutes it is clear to everyone that what you are presenting on stage is sincere, that is to say, that this mystery or complexity is part of you and that this is evident both in your performance and in your aura, then that is the only recipe for success, as far as I am concerned. That is to say, if it looks real, it is real. I think you know very well what you represent and what you are doing, so you just have to carry it through to the end and carry it through flawlessly.

RAIVEN: Hm, if you were going to Eurovision now, would you do anything differently? Or would you as a band have done something different?

BOJAN: I would definitely dress differently. I wouldn't change anything else, honestly. We were a bit too colourful maybe. But it was all part of the moment, we were having a blast, we were wearing the Garden of Eden colours, and it all happened as it should have happened. I wouldn't change anything else. We had a great team, we had great energy. Luckily I wasn't nervous on stage when I had to be myself, that's it. Obviously, a huge part of Eurovision is what happens behind the stage. The Eurovision community is very involved and they really love what goes on. Tell me, have you made any friends, at least through social networks or otherwise, with any of your fellow soldiers this year?

RAIVEN: Yes, I have. I met Baby Lasagna at Dora and we had a little chit-chat and I told him I was a big fan of his song and he said he was a big fan of mine. And then in another interview he said really nice things about me, so I've already gotten to know him and I'm also mutually following quite a lot of the artists on Instagram. There are a couple of them who are really inspiring me now that I've got to know their music.

BOJAN: Yeah, Baby Lasagna, is he still first at the bookies?

RAIVEN: I think so, I think that's pretty impressive, and especially that story of his is pretty cool.

BOJAN: Would you rather win the Eurovision and then not have much happen to you, as it goes for most Eurovision winners, or would you rather live up to the success of Rosa Linn, who was, I think, 20th, and then took the whole world by storm with her song?

RAIVEN: I would have loved to have had the success that you have had. I think you guys are a total inspiration to me.

BOJAN: Thank you very much. I also sincerely wish that it opens up for you in that direction, because our life has totally turned upside down in a very positive way. That dream that probably every kid has, once they start a band, to be able to play, let alone to be able to play in Europe; we've now managed to live and experience those things in one year. Without Eurovision, I'm sure it wouldn't have happened as quickly or as powerfully, so that's very nice and I believe you will do it too.

RAIVEN: But I think that you have given a lot of drive and pride to people on the Slovenian scene in general. What do you think about the young music scene in Slovenia?

BOJAN: We emerged on the music scene here, let's say, in 2014. That's when we started with our first band. I think we had already signed up for a gig in 2014 or 2015, with Apokalipsa. This was at a time when Kino Šiška was already running Špil Liga¹ and had newly produced a band called Koala Voice, which at that time gave a strong sense of something fresh on the Slovenian music scene. Koala Voice and Persons from porlock were probably the first two bands that managed to get a younger audience on their side and then the gigs started, the festivals booked the young artist, considering that the scene in Slovenia has been pretty much of the same colours and stagnant for the last 15 years. Then in 2016/2017 we formed, MRFY formed and I would say that then they and we, together with Koala Voice, became the carriers of the new wave of music in Slovenia. Then bands like Lumberjack and KOKOSY quickly joined, and now we have MASAYAH, so suddenly a lot of young artists started to appear, including Jet Black Diamonds, who managed to attract people to their concerts by themselves, which was not the case in Slovenia, let's say 10 or 15 years ago. I would say that the music scene in Slovenia is going through a total renaissance, so it's absolutely more than clear that the music scene has changed a lot in a positive way.

¹Competition for student bands organized by Kino Šiška, which Joker Out won in 2017

RAIVEN : How would you say pop artists are perceived in Slovenia and what is Slovenian pop like? Because most of these new artists that you mentioned are mainly from the band category.BOJAN: Slovenia is very different from the Balkans here because Balkan pop is more kafana/club pop, which is not the case with our pop. We have, or always have had, a lot of artists who have a media presence and appear every year, for example at the traditional Portorož² festival, or at these events that we have, but they never have their own concerts. In the Balkans, I don't think this is the case, because the performers are really very regularly playing at locations, whatever those may be.

² Kafana pop is a genre of music typical to the Balkans, and mostly consists of commercial folk/turbofolk songs. Kafana is a distinct type of local bistro, common in some former Yugoslav countries, which primarily serves alcoholic beverages and coffee, and often also light snacks.

³ The Portorož festival that Bojan mention is annual pop/ballad competition called "Melodije morja in sonca" (Melodies of the sea and the sun).

RAIVEN: What do you think is the reason for that?

BOJAN: For me, the reason is that there is no audience for the pop music that exists here. It seems to me that it's not music that you can transfer into some kind of a location and that somebody will actually go and listen to it; it's music for radio, for TV shows and so on. Folk music is performed, folk bands are by far the most present on the live music scene here, but pop artists are not, because it is very difficult to get that kind of music on the stage. I think most pop artists in this country don't even have a band or a concept, so they're practically just media personalities as far as I'm concerned. There is absolutely a very interesting difference between Slovenia and the rest of the Balkans. Club culture doesn't exist here, pop artists are more or less doomed to radio.

RAIVEN: How do you see the difference between how male or female performers are perceived in Slovenia, do you think there is any difference between how they are perceived? What are the demands on male and female lead vocalists?

BOJAN: Jeez, I don't know, In Slovenia we have a very specific problem when it comes to female lead vocalists, because it is very rare that a female lead vocalist dares to smash the stage. One true female lead vocalist was Nina from Tabu, after her Tina from Tabu, and now there is MASAYAH. In the Balkans they really don't lack in that regard, in the Balkans female performers are very sharp, with lots of character, very strong; you have the feeling that they don't care about the system; you can't come along and act clever, because you'll get a slap. But here it's all taken with laughter and joy, everything is nice and right, which is the difference between Slovenia and the Balkans. It seem that the audience here eats it up if a woman knows how to totally smash it when she comes on stage. Manca from Koala Voice is a pure example of that; she came on stage and she owned the stage so that we were all impressed, it's the same with Helena Blagne, she's a diva and the stage is hers, I think female leading vocalists with character are very well received. You absolutely have that, but you're in a different genre, you're not in a position to come and start jumping on stage, but you still take your stance. Of course, there are still singers, male and female, and bands that are great, but I can't mention all of them right now. I would also like to mention Nina Pušlar, who is absolutely by far the most active pop singer in Slovenia. She knows what she is doing. It would be bad to leave her out, To get back to your song, I have one more question, how did you come up with the title Veronika?

RAIVEN: The song was originally written about Jeanne d'Arc, but after I started thinking about entering EMA and Eurovision with this song, it seemed to me that I should choose a female character who is important for Slovenia and for the Slovenian space as an inspiration for the song. Veronika Deseniška (Veronika of Desenice) was the first woman accused of witchcraft in Slovenia, and I feel that I am very understanding towards people who are rejected or not understood by society, so there is a personal connection that I have with Veronika.

-~-~-~

Do not repost this article and if you quote, please link back!

credits:

PHOTO: MARKO SUVIĆ

Creative director: FILIP KOLUDROVIĆ

Fashion: ANA NIKAČEVIĆ

Makeup: NINA BURAZOR

Hair: ŽIGA ABRAM @ MARE DRESURA

Assistant stylist: KRISTINA VRDOLJAK

Note from JokerOutSubs: Photos for this post were provided by TWT dejanacm, text was provided by an anonymous fan. Thank you!

[serenewrote]

Controversially Young ~ Matt Smith x fem! actress smau

Synopsis: You were recently cast as Bruce Wayne's love interest, which everyone adores, Selina Kyle. The age gap though, has some in a tizzy.

Warning(s): sexist comments, big age gap

Rating(s): NC-17

Actress Y/n L/n Cast alongside Matt Smith in upcoming Batman Movie

Here's what you need to know about Zack Synders new project...

~~~

y/nl/n

now wait just a meowment...

are you going to see Batman (2024)?

see comments

charliebushnell y/n we've talked abt this

↪️ y/nl/n I couldn't help ittttt

user420 still have no idea how they could subject you to this

↪️ user2 subject her to what

↪️ user420 working with someone twice her age

hater2 be honest... whose d*ck did you suck to get this role?

↪️ hater34 probably Matt's

~~~

y/nl/n

Press paws and live in the meow!

trash007 if I were Matt, I'd hit

↪️ trash006 same

user360 y'all are gross up in these comments

↪️ trash56 if she didn't want these comments, she wouldn’t have auditioned for CATWOMAN

↪️ trash001 the sexist dc character to exist

user49 I could never work with someone twice my age, I'd be scared

↪️ user86 y/n's worked with Matt before I think she knows how he is

batman2024 we love our bat and cat

leahsavajefferies as purr-ty as a picture

↪️ charliebushnell no! no puns

↪️ diorgoodjohn these puns are hissterical

↪️ y/nl/n lol

~~~

Y/n L/n talks Catwoman, DC, and new interests

by Young Hollywood

Interviewer: Hello Readers! Today I am joined by one of these most known young actresses of our generation, Y/n L/n! Thank you for being here.

Y/n: Thank you for inviting me. I love doing interviews.

Interviewer: So, how have you been?

Y/n: I've been good. Doing a lot of filming for Batman, catching up with old friends, trying to up my instagram game. I've gotten into videography, shooting mini vlogs and cooking videos.

Interviewer: Sounds fun! I love that! Is there any insight into the movie that you can give us?

Y/n: Sure! If any of you were wondering, this is going to be very different from any portrayal of Batman and Catwoman that you've seen or read. Obviously because Selina Kyle is a lot younger than Bruce in this adaptation which is a plot within itself. This Selina, and because she is younger, her story has changed, is a street rat or stray cat. She lives on the streets, and her story in this, is similar to that of her portrayal in the show, Gotham. She meets Bruce as she is trying pickpocket off him out in the open. Then, it goes from there.

Interviewer: Wow! That certainly is a must-watch. Now, I hate to get deep all of a sudden, but have you seen the comments regarding your casting?

Y/n: Yes, I have actually. A lot of them are for disgusting middle-aged men, so I don't really bother with them. I knew what I was getting into when I auditioned.

Interviews: You also get to work with Matt Smith again. Did you know that he was casted as Bruce or did you find out after you got the call?

Y/n: You know what's funny? Zack told me that Matt told him not to tell me. So, I didn't know until our table read!

Interviewer: Oh my god! What?!

Y/n: Yeah! And I hadn't seen him in so long that I almost jumped across the table to hug him.

Interviews: Aw!

Y/n: A lot of people also would say that they felt bad for me because I'm the love interest to someone twice my age, but I've known Matt for a long time. He worked with my father in Pride and Prejudice and Zombies. I played young Rhaena in House of the Dragon. He's a family friend, a beloved friend. I trust him.

Y/n: I understand the public's concerns though. I did just turn 24 earlier this year. The age gap is big, but it is strictly for storytelling purposes.

Interviews: There you have it. I loved talking with you today.

Y/n: I always look forward to interviews with you. Big fan.

Interviewer: Big fan of you too! Any last words?

Y/n: Go see Batman in theaters near you coming this December!

fin.

I tried my best.

[irisbleufic]

Part 14 of Caldera; 1 of 2 chapters posted. Armand and Daniel reckon with some of the clues that Daniel and Jesse have been gathering, finally forming some theories about what the Talamasca might be up to/trying to figure out; meanwhile, in the chapter to follow this one, Armand and Daniel will finally face his daughters.

Conjectures (NEW, 2024-09-16)

TEASER:

Daniel feels a prickle of excitement. As old as Petronia is, maybe Jesse has gotten something useful out of them. “The floor is yours.”

Jesse nods, taking a deep breath. “So, Aunt Maharet came up. We were talking about vampire family, human family, shit like that. I started talking about Maharet, because I feel sort of lucky to have the biological family member that raised me also be part of my vampire family. And that got a look of surprise from Petronia, because it’s rare for a vampire to trace their descendants for that long and take personal interest.” They paused, leaning forward with their elbows braced on their knees. “Those were Petronia’s words. For that long. It made me realize that maybe Petronia knew Maharet, or had run into her at some point. I decided to leverage that to find out how old Maharet really is.”

Armand sets his iPad aside. He leans forward like Jesse so that he can peer at them around Daniel. “Does Petronia know her?”

Daniel shuts his laptop. What’s coming can be written down later. Jesse sounds like an informant about to expose someone.

[lurkingshan]

Hello!

Now that we are firmly in 2024 what shows are you most looking forward to this year?

Hope you're having a good day. Rose💜

Oh hi Rose! Thank you for the ask, I was actually just talking about this yesterday so I do have some fresh ones on my mind.

Wandee Goodday

Y'all should just be prepared for me to lose all my dignity when this show airs, I refuse to be ashamed. @chicademartinica will be losing it over Great and I will be over here on the Thor beat. I cannot wait.

Spare Me Your Mercy

@ginnymoonbeam just reminded me this is coming in 2024 and I got very excited again because I love everyone involved in this project.

The Trainee (gif by @tenprems)

Is GMMTV really finally going to let my beloveds Off and Gun play working adults? I'm afraid it's a mirage.

Peaceful Property

If Tay and New are making a show, I am watching. I don't really know what this show is but it seems spooky and funny and I am excited to find out more!

Love Upon A Time

If a historical bl is dropping, I will be seated for the duration. And Net and James got that real real chemistry.

The Next Prince

See above. Also, I can’t lie I am kinda ZeeNunew trash in my heart.

I am also very excited for the jbls and kbls that will surely drop out of the sky like they did in 2023

I love nothing more than surprise premium content and Korea and Japan don't tend to give us early trailers and a big promo push like Thailand. One thing we know is coming is Hwang Da-Seul's next project, Break The Curse of Taekwondo, and I am very hype for that. Also Choco Milk Shake 2!! Which I am slightly worried about but I trust Strongberry a lot, so I am optimistic. No one ever knows what Japan has cooking and I like it that way--those mofos not only kept us fed with surprise titles in the Drama Shower line up, they also randomly dropped three of the best shows of the whole year right in the last quarter of 2023, and I hope they do it again next year.

[secretkittywolf]

High Life

Thank you @pokewatcher20 for allowing me to make this!

Prologue

18 players spawned around a fountain. Some new faces, some old but everyone has no clue on what's in store for this new series. An avian with parrot wings steps forward with a smirk. "Welcome to High Life. Unlike before, this season is in a city. There are 18 penthouses, one for each of you. You will be randomly assigned a character backstory and a motive to kill. No one is allowed to know your motive, but you must use your backstory to craft a character. I would also like to welcome Doc to the Life Series" The goat, cyborg, creeper hybrid waves. "I have heard about this and have asked Grian to join for this season. I wanted to join Secret Life, but I was busy on Hermitcraft, so I couldn't join you all"

"Now this time, there is no 3-heart rule" Loud complaints can be heard as Grian raises his hand for silence. "This time is just one. One life. One chance to win. There is also the removed heal feature like Secret Life. You lose a heart, but it'll be reset at the end of each session. But there are some added stuff too. The building behind me is known as " The Tower" and it'll open during the final hour of each week where everyone can join. If you do not kill during the fourth and fifth week, you will die instead. There are not only custom outfits for everyone, but as well as some new weapons" The avian pulls out a pistol as murmers of excitement begin to grow. "Yes. We've added guns to this season as it'll fit with the theme. Now, everyone scatter, find a penthouse and await your backstory. Good luck!" Everyone runs off in different directions, looking out for a building with a penthouse they can claim.

I hope you like this so far! The original idea behind this is by @pokewatcher20 over on @bad-traffic-smp-ideas and I was instantly hooked. The next few will be on the different allies and backstories. Sessions are weeks in this fic.

The characters in this are:

Scott Skizz Cleo Etho Martyn Pearl Ren Gem Jimmy Tango Impulse Doc Mumbo Grian Scar

Bdubs

Joel

Lizzie

(I forgot BigB on accident. Sorry!)

I will be uploading this fanfic onto Ao3, but it may take a while and it's gonna be on here as well. Will add the link to Ao3 when it's ready!

There's a new High Life tag!!!!! I'll be using it for uploads {added 17th Jan 2024}

The ao3 version!!!!

Thank you @animalgobrrr for doing this for me! Will be still putting updates on here so my friend can add them to ao3

[hypersomniagame]

HYPERSOMNIA JANUARY DEV LOG : "LOG 1, WOOHOO!"

Hi! For all of you who follow HYPERSOMNIA, or are just stopping by, let me introduce you to this post to really set the tone.

For 2024, I am going to try to release a dev log about HYPERSOMNIA once a month, may come earlier, may come a little late, but I'm doing this to help give insight on to how the game is going, and to give me motivation to work on the game.

First things first, big news!

HYPERSOMNIA IS NOW AVAILABLE TO WISHLIST ON STEAM! (LINK)

After a while of back and forwarding with Valve, I've finally got a Steam page to call my own, and MAN is it bizarre seeing my weird little RPG in my Steam library. Like, that's my logo, and my key art, and screenshots of MY game, that's so weird. It doesn't feel real. BUT IT IS!

And, I would really really really really really appreciate it if you would consider wishlisting the game on Steam. It helps with the algorithm, and my happiness because I like seeing numbers go up, it feels good.

I even drew this as a announcement/commemoration for the page going live.

(P.S; if you couldn't tell, I really like Half-Life, it's one of my favorite game series.)

Secondly...

A new trailer is in the works! We were accepted for this year's MOTHER Direct (4th time baby, whoo!)

The trailer has been coming along well, I hope to show more battle oriented clips that I've missed the last few years, like special moves.

Can you believe I've never actually gotten to adding those in the game? I mean, they come set-up in default RPG Maker projects but I've never gotten around to revamping them until now, year 4 of engine work. Isn't that strange?

I also hope to improve on editing in the trailers. Whenever I finish a trailer I come back a few months later to notice minor points where I was kinda sloppy.

I'm not much of a video editor, (I only learned so I could edit trailers on my own) but I'd like to keep them at a good presentable quality. You gotta have standards with that kinda stuff, it's important!

OK, TIME FOR THE ACTUAL GAME STUFF. HERE WE GO.

Abilities are now implemented! And work! Wahoo!

In HYPERSOMNIA, players are able to switch abilities between party members. I find this a really interesting mechanic for how simple it seems, you get to choose who plays what role in your party. I think this is HUGE, and opens up a lot of unique scenarios for the game's encounters. I've had this planned for years, as far back as 2021 if I can recall, so it's super cool seeing it in game.

Mapping is being worked on!

I've also been working on mapping out more areas of the game! The forest part you hopefully saw in the last trailer is almost completely mapped. I've been working on the second part to it and am hoping to finish it sometime soon.

Mapping forests really suck. THOUGH, almost all the maps for the first chapter of the game are done! That's just another step closer to the demo. (Which, FYI, will be on Steam and Itch! ^^)

I've also been working on re-spriting older scenes!

This one's been really fun to do, I've been going back and redoing older stuff from the 2022 trailer, like this train! It's weird seeing it side by side, because you can definitely see where it's come from but at the same time, it looks so different.

(Also side note, these sprites are CRUSTY! EWWW!)

Lastly, Script and Music updates!

The script for HYPERSOMNIA's first act has been completed! with just 37 pages of just cutscene dialog alone! We're also currently working on wrapping up NPC dialog! Not much else to say.

And music is being worked on!

Music has been making some progress! I like to lay out demo's for areas I'm mapping out to help make both the music and scene come together. (Also, to help break up the eerie silence when playtesting...)

Speaking of music, FIREBALL, the games main battle theme, was recently delisted on our YouTube channel.

We did this because we decided we wanted to resample FIREBALL, and found that it's best to not have the song uploaded until a complete, final version is made. At least for the demo, it could possibly change before the final game but that's a bit too far in the future for me to think about fully.

Hey! Thanks for reading the whole dev log! Unless you just skipped to the end, you should probably go back up and read it. there's a steam page now. and some cool ross art at the top. you're missing out!

I hope this was like, readable to you all. I'm new to this whole dev log thing, so if you read it all the way through, let me know! It'd be cool!

I'd like to use this portion to pretty much just advertise Unique Indie RPG's.

Have you ever seen that strange purple square at the beginning of the 2nd and 3rd HYPERSOMNIA trailers?

Yeah, that! That's UNIQUE INDIE RPG's, which is a Discord community for you guessed it, Unique Indie RPG videogames developed by people like me! Or you! Or whoever! Who cares!

I help run it with some of my friends, and we all share cool stuff about our videogames! There's a ton of other SUPER cool RPG Maker games there like Astral Guard [LINK], or SOMEWHEN [LINK], or even MOMOinc [LINK]!

And of course, HYPERSOMNIA. It's a really laid back community, we're all super chill. Come swing by! We'd love to have ya, and SHOW US YOUR GAME!

[LINK TO DISCORD SERVER]

TWITTER

YOUTUBE

STEAM

UNIQUE INDIE RPG'S [SHOW US YOUR GAME!]

[PREV] [ABOUT HYPERSOMNIA] [NEXT]

[captainsophiestark]

No Way To Know For Sure Part 2

Daniel Sousa x Reader

Masterlist - Part 1 - Join My Taglist!

Written for my personal fic writing challenge for 2024, Sophie's Year of Fic! Featuring a new fic being posted every Friday, all year long :)

Also written for @ghostofskywalker as a part 2 to the fic you let me adopt a while ago! I've had this in my drafts since all that AI stuff and I'm happy to have rediscovered and finished it 😄 Hope you like it!

Fandom: Marvel

Summary: Now that you've decided to move to LA with Daniel, there's a few loose ends left to tie up in New York.

Word Count: 2,174

Category: Fluff, Humor

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

I sighed dramatically as I sared straight ahead out the window, watching all the people bustling around the streets and the familiar, giant buildings hovering over them. I'd been gone for some time now, but New York hadn't changed.

Jarvis, currently in the driver's seat of the car, was positively buzzing, and I could tell he was struggling not to say anything. Even the great city of New York couldn't keep me distracted from all the ridiculous energy he was projecting.

"Alright, Mr. Jarvis, spit it out," I said, at last turning from the window to look at my friend. He glanced at me, lips pursed tight to try and hold back a smile before he had to turn his gaze back to the road.

"I'm sorry, it's just... I must admit, I'm rather excited. Since Mr. Stark has been spending more time in Los Angeles, I've missed seeing all of you here in New York. Having you regularly in Los Angeles as well as Rose and Chief Sousa... well, it will be a delight."

A smile made its way onto my face despite my best effots. I'd wanted Daniel to drive me in to the office this morning to put in my transfer request for the LA office, but he had a meeting with an informant he couldn't move. I hadn't really wanted to resort to Jarvis, only because I knew he wouldn't be able to stay calm about my decision, but now I had to admit I was happy to be here with him.

"It'll be wonderful to get to see more of you too, Mr. Jarvis," I said with a smile. "You, me, Ana, and Daniel should set up a regular double date."

"Oh, that would be lovely!" Jarvis turned to give me a big smile as we at last pulled up in front of the New York SSR. He hopped out and ran around to open my door for me, beating me to the punch of opening it myself, something we'd turned into a bit of a competition. "Ana will be delighted at the idea too, I'm sure."

"Maybe we can even invite Howard," I said, my voice serious even though I was cackling in my head. I got out of the car and stood, smirking at Jarvis' less than enthusiastic expression as I continued. "He can bring along whoever he's brought home with him on any given week."

"That may be the single most horrifying suggestion I've heard in my entire life."

I cackled, clapping Jarvis on the shoulder as I walked past him and towards the entrance to the "telephone company".

"Thanks for the ride! I promise I won't let Howard crash any of our couples' nights, unless he finally gets a girlfriend who sticks around for more than a few weeks."

"At this point in Mr. Stark's life, a few days would be impressive," he called after me. I laughed, then turned back at the door to give Jarvis a smile.

"I'll see you back in LA!"

"I'm looking forward to it!"

I smiled and waved before finally heading through the door and back into the familiar hallways of the New York SSR. Daniel would be picking me up later, after I got everything sorted out for my move, and then who knew when I'd next be back in this place and this city. We had plenty of friends here and the other half of the SSR, so it's not like I'd never see the city again, but for the first time since I'd started working here I had no idea when I'd next be back. I tried not to let it get to me, but stepping into the currently-empty bullpen of the place I'd spent so much time in the last few years drove the knife in a little harder.

I'd intentionally arrived before most of the other agents got here, hoping to avoid a lot of hubub about my transfer request. No matter how nostalgic I felt being here, my decision had been made. I loved Daniel and the life I'd started building with Daniel in LA enough that nothing could make me want to leave it. Not even my favorite pizza place on the way between here and my former apartment.

"Well well well. Look what the cat dragged in."

Of course, I couldn't get away with avoiding Chief Jack Thompson, especially not when I had to turn my transfer request papers in to him. He came striding out of his office, a massive grin on his face as he crossed the bullpen towards me.

"Long time no see, Agent."

"I saw you two weeks ago, Jack."

"Yeah, but in LA. You've been on-loan for a while. I haven't seen you as my agent, in New York, in a long time."

I just rolled my eyes. "Yeah, well, enjoy the next half hour then, because as soon as these papers are finalized, I'm officially Daniel's agent."

"Now hold on a minute, I have some serious concerns about you leaving that we need to address before I finalize anything. I mean, is it really appropriate for a chief to be dating one of his own agents? Sounds like a disaster waiting to happen if you ask me."

"Jack. You are the one who sent me there, you meddling mother hen, with the exact hope that this would happen. I will literally fight you in the middle of the bullpen if you want to use that against me now."

Jack held up his hands. "Alright, relax. Your transfer's basically already finalized, I just need your signature next to mine. Then you can go run off into the sunset with Sousa and leave the greatest city in the world behind like it's nothing."

"Alright, you went to Ithica for college. At least I'm leaving for another interesting city, even if it's not as good."

"At least we can agree on that last part."

I snorted, but I couldn't totally keep a smile off my face either. Jack and I had actually kind of become friends in the past few months, especially in the wake of Daniel leaving, and I was surprised to find a little ping of sadness in my chest at the thought of leaving him behind with the rest of this city. If you'd told me a few years ago I'd be missing Jack Thompson, I would've laughed in your face.

Jack pulled the transfer papers out of a file on the nearest desk where they'd apparently been waiting for me all morning, setting them down in front of me. In turn, I handed him the papers I'd filled out since I last saw him, then glanced at what was in front of me. True to his word, they only needed my signature to be finalized.

"We're gonna miss you around here," he said, his voice unusually serious. I glanced up to find him holding out a pen to me, a small smile on his face. "Seriously."

"...I'm gonna miss you too, Jack."

We held each other's gaze for a few moments, maybe the first time we'd had a sincere exchange in my entire time working here. Finally, he cleared his throat, looking away as I finally took the pen from his hand.

"Alright, that's enough of that sappy crap. You bring a box to clean out your desk? I don't want to have to waste agency time clearing out whatever garbage you left in there before you went to LA."

"Don't worry, I've got a plan for all my leftover trash and scribbled notes I don't need anymore."

"I don't like the way you said that. What do you-"

"Oh, thank goodness!"

I straightened from signing the documents after finishing the last one to find Peggy coming through the doors into the bullpen, looking slightly more frazzled than usual. She shook her head at me as she approached, dropping her stuff at the base of the desk and putting her hands on her hips.

"I thought I'd missed you. I can't believe you were planning to just duck in and duck out this morning. What were you planning to do if Thompson hadn't called me to tell me when you were coming in? Just leave for Los Angeles without a goodbye?"

"Actually, Daniel and I were planning to invite the two of you to dinner tonight for a real goodbye. I'm just trying to avoid causing a scene in the middle of the bullpen, in the middle of the SSR's workday."

Peggy and Jack both scoffed, the sounds eerily similar. I raised an eyebrow, but Jack leaned in and snatched the papers off my desk before I could comment.

"Alright, I'm gonna go process these since you don't want to hang around here. By the time you're done with your desk, I'll be done with these."

I nodded, watching Jack's back as he headed back into his office. As soon as he disappeared through the doorway, I turned back to Peggy.

"I need you to get him out of his office for, like, five minutes between when I finish cleaning out my desk and when I head out of here. I'm gonna put all the papers and stuff I don't need in his desk."

Peggy grinned. "I'll make sure you have the window of opportunity you need."

"I knew I could count on you."

We snuck a high-five before Jack could notice, then I headed over my desk to start the packing process in earnest. There really wasn't much I needed to get, since I'd brought most of the things I needed with me to LA the first time, but a handful of the things I'd collected found a temporary home in my bag. Even better, the stack of trash I was planning to stick in Jack's office was substantial, and just like Peggy'd promised, she dragged Jack away from his desk long enough to give me just the opening I needed.

I stepped out of his office and back into the bullpen after finishing my mission, and a moment later, Peggy and Jack came around the corner to join me. I smiled at the both of them.

"Desk's been cleared. Papers are done. I think... I'm officially all finished up here."

"You sure I'm not going to find some trash you forgot about when I try to put somebody else at your desk?" Jack asked, hands on his hips. I rolled my eyes and sighed, responding without missing a beat.

"Of course not, Jack. You're not going to find any forgotten trash in my desk. Come on."

All true, technically. Peggy grinned at me, but I managed to keep a straight face as Jack put his hands on his hips and sighed.

"...I guess this is it, then, huh?"

"I guess it is."

I sighed, looking around at the empty bullpen one last time. I hadn't been working out of this office for a while now, and it's not like I'd never be back. But something about having my desk packed, ready to head out the door with the last of my roots pulled up still hit me a bit.

"I'm... gonna miss you guys," I said, shaking my head as I turned back to my two friends. Jack rolled his eyes, since we'd already exhausted his reserve of sincerity for the day, but Peggy gave me a soft smile.

"We'll miss you too. And you can expect regular visits from us in the winter, when we're sick of the snow and need to use our friends for access to the sunshine in Los Angeles."

I grinned. "As long as you promise to bring real pizza with you whenever you visit."

"Deal."

We shared a smile, and thankfully, before any of us could get any sappier, Daniel walked through the door, his meeting with his contact apparently over with.

"Hey," he said, giviing me a smile as he walked over to join us. He leaned in to give me a quick kiss, then pulled back with a smile. "You ready to go? Our favorite breakfast place is waiting for us."

I smiled, then gave Daniel a nod. We were technically on vacation, so we'd planned to spend the rest of our day on a tour of all of our favorite places in New York city.

"We'll see you guys for dinner tonight, right?" Daniel asked as he took my hand, the two of us taking a few steps towards the door.

"As long as you're buying," called Jack, and Peggy nodded. Daniel shot him a thumbs up as I rolled my eyes, and just like that, Daniel and I were standing on the threshold of the New York SSR.

"You ready?" Daniel asked, leaning in to whisper to me. I took a deep breath, sparing one last moment of reminiscing for the place I'd spent so much of my life in over the last few years, then turned to Daniel with a smile.

"Yeah. I'm ready."

He smiled back at me, giving my hand a quick squeeze before we turned our backs on the office, officially and completely moving forward together. It still stung a little to be leaving, but not nearly as badly as it could've, since I knew and loved where I was heading.

****************

Everything Taglist: @rosecentury @kmc1989 @space-helen

Marvel Taglist: @valkyriepirate @infinetlyforgotten @sagesmelts @gaychaosgremlin

[natlacentral]

Avatar Netflix Season 2 Will 'Condense' Original Storyline (Exclusive)

Season 2 of Avatar: The Last Airbender will follow in the footsteps of the first season's storytelling "condensing." 

Each season of the animated Avatar series had twenty episodes, most of which followed their own adventures. When it came to the live-action show, the first season only had eight hour-long installments.

This led to many elements of the original storyline getting condensed, such as the combination and relocation of a handful of plot threads to the team’s stay in Omashu—meeting the Mechanist, Jet, Bumi, and venturing into the Secret Tunnel.

As one might imagine, these types of changes did not always land well with audiences.

Season 2 Will Condense Original Avatar Storyline

Speaking with The Direct at Paleyfest 2024, Avatar: The Last Airbender Seasons 2 and 3 executive producer Jabbar Raisani confirmed that they will need to condense some of the original story as the Netflix show moves forward.

Raisani pointed out how their handling of Seasons 2 and 3  which will conclude the live-action series - will be "a lot like Season 1," which also means "some condensing" has "to take place:"

"I think it's a lot like season 1. There's a lot of content in the animated series. And we will be looking at all that content. But we don't have the number of episodes that we have in the animated series. So, certainly, there will be some condensing that has to take place."

While speaking to The Direct about the possibility of more original moments in Season 2 for his character, Uncle Iroh actor Paul Sun-Hyung Lee shared that he "[does not] know how they’re going to remix the stories" going forward:

"I wish I could; I have no idea what they have planned for us... I know we're getting an opportunity to finish telling the story. Obviously, the animated series is going to be the template for us. But other than that, I don't know how they're going to remix the stories. Nobody tells me nothing. So I'm just gonna show up. And yeah, hopefully, we get a better, clearer sense of where we're going with that in the future. But right now, I have no idea what's going to happen."

While the original animated series has been finished for nearly two decades, the story of those characters will continue in a new animated film called Aang: The Last Airbender.

Currently, not many details are known about the project, but fans do know it will follow team Avatar as they are older following the events Avatar.

As for whether its story will have any influence on future episodes of Netflix’s The Last Airbender, Raisani admitted it will not, at least "not at this point:"

"No, not at this point. We are really looking at the animated series at what came before and less of sort of what they're currently doing on the new movies."

As for whether or not he would be interested in potentially adapting Legend of Korra for live-action, he firmly responded:

"Certainly, I'd be interested in anything that is in this universe."

[ Avatar 2025 Movie: Last Airbender Release, Cast & Everything We Know About Adult Aang Film ]

Remixing Season 2 Episodes Was Inevitable

When it comes to adapting the source material, condensing is unavoidable. Avatar: The Last Airbender fans shouldn't be surprised the same will be happening for Seasons 2 and 3.

Simply put, 20-minute bite-size adventures do not work well for the more extended episode structures of the Netflix show. If the original episode is a self-contained, isolated story, odds are it may not make the cut—or be weaved in with other plot threads.

Hopefully, at the very least, fan-favorite episodes such as the desert spirit library and how Appa got stolen can see the light of day in live action.

One thing that will make it notably more difficult to stick to the original episodes, though, is how behind on Aang’s bending lessons he is. Book 2 is all about him learning earthbending from Toph—however, in the live-action Last Airbender series, he hasn't even started lessons for waterbending.

The show is ahead of the game when it comes to Azula’s storyline, however, as she doesn’t originally appear until Season 2. That alone could save some episodes from the chopping block.

[starglasszodiac]

Hey everybody, I am thrilled to tell you that Starglass Zodiac is now launched! And on the project’s 9th anniversary too :D

I'll put more of my ramblings under the cut below, but here's the gist of what you need to know:

The first two pages are now live HERE

The next page is scheduled for July 22nd, 2024

The dates for future page uploads will be announced on this blog and on the site's homepage as each new page is released

The upload schedule itself will be determined at a later date, as I’m going at my own pace for the time being

The comic site is self-made with only my basic knowledge of website coding, so I will be improving it gradually over time

A cover for Chapter 1 is in the works, so stay tuned for that!

As for this blog specifically, I have the following planned in the coming days:

Updating the pinned post with this new info

General cleanup and updates to old posts, the tag system/list, links, pages, etc.

Checking for posts I forgot to reblog here and tagging them

I will be tagging the majority of prior posts/art with the tag #SGZ spoilers so you can blacklist it if you want to go into the comic completely blind. Note that some posts with this tag may not actually be spoilers anymore depending on how the project/story lore has changed since making them, but better to cover all the bases anyway

I'll decide soon how I will reblog the update posts, as I can do so on either my art blog @akysi or my personal blog @sweet-star-cookie, but I doubt I'll do all three to avoid it getting excessive for those who follow all three (thank you for that! <3)

As I said above, I’m going at my own pace with this comic to ensure that I’m satisfied with every page at my current skill level. That will likely mean a slow pace for uploads, and I am sorry for that ^^’ But, I’ve had this as a passion project for a long time and I want to give it the time and attention it deserves.

I’ve also realized recently that I’ve been subconsciously holding myself to arbitrary rules about how and when I distribute my work when it comes to comics, especially with prior attempts to launch this one. Knowing I don’t actually have to do that has been quite freeing, and I’m excited to go at my own pace like I do with my other work. I do hope to increase the frequency of uploads later on of course, with the ultimate goal being multiple times a week, but trying to do that right away just isn’t feasible right now. Regardless, I am SUPER excited to finally be doing this again, no matter how long it takes!

With having this project for nearly a decade, working on it has gotten me through many, many tough times. The amount of support and enthusiasm that I’ve received from all you lovely people over the years has been nothing short of heartwarming, so thank you all so much <3 I hope you like what you see, and look forward to more. :D Thanks for reading, friends!

[nanowrimo]

How to Find Hope for Completing Your Writing Goals

Every year, we’re lucky to have great sponsors for our nonprofit events. Campfire, a 2023 NaNoWriMo sponsor, is a writing and worldbuilding platform to help you create an immersive experience benefitting both authors and readers. Today, Campfire Community Manager Emory Glass shares some words on having hope when writing feels overwhelming:

It has been 3,265 days since I won NaNoWriMo. I was 16 and wrote 75,000 words. It was exhilarating and cathartic and everything I ever dreamt of.

Tomorrow it will be 3,266 days since I won NaNoWriMo. I look back on my projects thinking, “2,500 words a day is lightspeed. The words flowed so freely then, so quickly.” I want to be a writer–I am a writer. It is my identity, my purpose, my reason, yet I cannot bring myself to finish what I have begun.

The next day it will have been 3,267 days since I won NaNoWriMo. The words do not fly from my fingertips but crawl, sapped of energy, the page a grave for ink stains posing as letters. I talk to my characters often. My writer friends tell me I speak of them as if they were real people, but I cannot seem to lift the weight of their stories from my mind. Still, I have no platform, no audience, no one eagerly watching for the next installment.

The day after it will have been 3,268 days since I won NaNoWriMo. Two publications, no published novels, hundreds of thousands of words gathering dust. I am no writer, I am a collector of words. There must be something wrong with me. I have so much to tell, so much to share, so much to create, but here I am not telling, not sharing, not creating.

One day it will have been 3,269 days since I won NaNoWriMo. I will not have published a book, I will not have a new story, I will not have an audience or a platform or one–just one–person looking forward to what happens next.

But I will not give up.

"...and if you gaze into the abyss, the abyss gazes also into you." (Friedrich Nietzsche)

It's rather typical for a dark fantasy writer to peer into the void, but it quickly becomes an intoxication and an excuse to never move a muscle. Do not succumb. Push forward, even if you barely move an inch. If you wish to be a builder, you build. If you wish to be a fighter, you fight. If you wish to be a writer, you write.

Brute force seems barbaric. Should words not spill onto the page? It is said that art cannot be coerced or bent to one's own will; it comes easily, naturally, swiftly. The very best art is created in a creative frenzy, so they say, and the very best artists are recognized in memoriam.

But if you delay and evade and wither your ambition as you count the days since your last success, your oeuvre halts and is buried and perishes by your own hand. So if you, like me, too often find yourself peering into the void where the words have gone to fade away, cleave to the remedy for its gaze: hope. This is the heart of creation. Laudation and lucrativeness are but two measures of success. They will not themselves burst a dam of words within you and imbue every project with Midas' touch. Creative fever is not catching–you must seek it out.

Give yourself a reason to write even when you do not want to or it feels too Herculean a task. If you seek new horizons, a useful tool, or a supportive community to accompany you on this odyssey, enlist Campfire to help. Whether it behooves you to squeeze out words on your mobile device, stay focused offline with a desktop application, or keep inspiration at hand via browser-based work and Discord chats, it's the best place to bring your stories to life.

NaNoWriMo participants can save on Campfire’s writing software! Use the discount code LETSGONANO23 for 30% off your first year of an annual subscription to our Standard Plan. It’s free to create an account. Offer expires March 31, 2024.

Emory Glass is an avid artist, worldbuilder, and author with a passion for strong female characters in leading roles and meticulous attention to detail in lore. She loves tea, learning Scottish Gaelic, continuing her work on The Chroma Books, a series of interconnected stories, and running Inkblood Book Company for similarly enthusiastic dark fantasy writers. When not chasing down stories, Emory works as the Community Manager at Campfire.

Top photo by Towfiqu barbhuiya on Unsplash.