#it was pretty hard to understand some of the details without the background knowledge of being a veteran player

[live-from-new-york-its]

honor among thieves was an incredible movie and I will be paying to see it again in theaters, as a tribute to my love for john francis daley

[earthnashes]

hey, sorry, but i was wondering how you started on your fitness journey? i'm in a similar spot that you were two years ago and i want so badly to make the progress you have. i keep trying to begin but stopping because i get too scared or nervous, it's so daunting. do you have any good resources like websites/videos/youtube channels/blogs/etc.? i would really appreciate it. you look awesome and your post was super inspiring.

No apologies needed! It is pretty daunting man because it's getting into it for the long run.

Before I finally stuck with it I started and stopped several times in the past as well. If I were to give short tips personally on how to get started based on how I did:

-Start with the most simple thing for you and focus on building a habit out of it. Whatever that is, do it even if you don't want to. For me, I started with a scheduled walk around a trackfield (one full loop around the track) twice a week.

-Take the time to really outline your goals. Make sure to include short term goals and not only long term ones! It helps to say "I'm gonna walk for 5 minutes" and building up to the goal of "I'm gonna walk for 60 minutes", for example. Additional: having something visual can help with tracking it.

-Take it slow, and keep it simple. You're in this for the longhaul. And it will be very slow, but trust the progress and focus on the present

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As for resources, these are what I used (with some notes if it helps!)

Jeremy Either's Youtube Channel

Great source of information in regards to many things, particularly muscle building. I already had a base understanding of working out due to my sports background, but he's great for complete newbies and for anyone who needs a refresher. I still watch his stuff today but I don't rely on it nearly as much now that I have a better idea of what I'm doing.

Hybrid Calisthenics Youtube Channel

Fantastic channel for complete beginners and for people looking to get into the swing of things again, but at a slower rate. He focuses on being genuinely positive and encouraging finding ways that'll work specifically for you. That includes doing variations of exercises that may be too hard at first, like variations of the pushup, or pullup. Simple routines to get you started without destroying yourself. Very good channel, honestly.

Sean Nalewanyj Youtube Channel

He was the first fella I followed before I found Jeremy. His content is short, punctual, and easy to understand, so if you're looking for much quicker advice without the super detailed explanations his YT Shorts would be recommended. You'll likely have to do a little more research on your own to supplement the knowledge though. Like Jeremy I still watch his content.

Jeff Nippard Youtube Channel

His content is chocked full of research based shit and sometimes can be a tiiiiny bit much to follow, so not really something I'd recommend for beginning lifters. That said, his content in general is downright fascinating and if you're looking for in-depth analysis on the world of bodybuilding, powerlifting, and so on, he's my go-to.

Leanbeefpatty Youtube Channel

Her content is far more vlog-ish, but she gives solid advice while simultaneously just being fun to watch. I like how much more relaxed her stuff is as well, so if you're looking for something that isn't as potentially stressful I'd recommend her over anyone else listed.

Eugene Teo Youtube Channel

I've only just started watching him a couple of months ago but he's been a joy to listen to. His content is relatively chill but he gives indepth explanations without getting too science-y with them. He also promotes things other than fitness that'll help with your goals; stuff like mindful hobbies, healthy food-relation habits (for example: there's no such thing as a good or bad food), so on.

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Other sources I've used to help educate myself the more I got into it include MyFitnessPal (I use it to count my calories and macros), Healthline, countless other youtubes I won't list just so I don't talk your ears off, and asking for tips from fellow gym goers who attend the same gym I do.

I hope these are of some help to you! And keep up the grind; take it one step at a time, and if you need any more advice you think I can help with I'm all ears. I'm rootin' for ya! :)

[helluvabossrewrite45]

Hello, I just wanna say that your scene rewrites are amazing. Seeing Stars has got to be one of my favourites.

On the topic of Octavia, I agree that Viv and her team missed an opportunity with Via. To me in the context of the narrative, Octavia can be a tragic character that is screwed over by the writing. It is implied that she takes after Stolas with her love of astronomy as their form of bonding. Yet, she slowly watches her father drift away from them and is probably wondering if they—she even matters to him. You’re just watching a parent that you had a close bond to just leave you behind because they found someone else that captivated their interest. On top of the divorce that is currently going on would leave a child feeling doubtful.

I also just never understood why the writers want to keep having her being mad at her dad, even though they say that Stella has clearly been ruining the family, yet it’s his fault? Half the time the writing seesaws on Stella and Via’s dynamic because the only time she does care is when Stolas is there and…I get that could be counted as gaslighting, but the character lacks subtlety that it’s hard to tell when she’s always yelling. More often she doesn’t even care for her with two episodes implying this.

I just in general feel frustrated with this family because either avenue could be interesting if the writers took it seriously enough but they don’t and instead choose spur of the moment scenes that we have to use as jigsaw puzzle with some pieces not fitting because world building barely matters.

Sorry for the ramble. You’re version or fix it is probably one of my top favourites for the characters because I can definitely see the use of the loosely outlined jigsaw puzzle. Have a nice day/evening.

Thank you anon, im glad you like my rewrites

I agree 100% with via, they did the same thing with moxxie to her, that being repeating the same arc again of her being mad at her dad but forgive him in the end. It kind of shows that just like moxxie, they didnt know what to do with her which is a shame because the small details she has are there to be fully explored, but they never explore them. Like her and music, she oftens listens it even at the dinner table and with stellas reaction to the cheating affair, we can peice a puzzle of her doing it as a coping mechanism; escaping her problems through distraction. And with seeing stars main plot is around via running away to see a meteor shower, it would've been perfect to explore that side of her along with more knowledge of the family in general to piece this puzzle their giving (like the relationship with her mom, her uncle, the rest of their family, how they react to the situation, how their currently dealing with it, etc...) through flashbacks (since the whole point would've been that these issues wont go away no matter how much you try to ignore them) And yes, her closeness with her father drifting away is definitely tragic and its sucks that it wasnt futhered explored, especially with the entire goetta situation as a whole since were in season 2 and we dont even know how they reacted to it. It makes me wonder why even give us these pieces to solve properly if its so little that it makes it pretty impossible without theorizing from any vague info we have and thats not how problem solving works.

And yes, its odd that shes only mad at stolas but never to stella. I mean, i get she would be on her moms side because of him cheating but still with how stella is written, you'd think she'd hate her too. In this rewrite, stella would actually be subtle in her abuse to stolas in a way where you can still recognise it but also understand why other (like via) wouldnt. An example of this would be my first post where her and stolas confront each other about the divorce, the quote; '-or did you forget? Like you always do?'. Its meant to showcase her most common tactics, shaming. From her background (that i'll explain further in her own post), she oftens picks up things from her family, which shaming is included. She would shame stolas whenever he makes a mistake or does something she doesnt approve of (like if he wore a suit she didnt like, she would say; 'you know were meeting your family right? You think they want to see their son of royalty in that sort of wear?' or them arguing on how much time via should spend on her astronomy lessons; 'Shes going to be a future you and what, you wanna just, make her lazy, huh?!' (or even 'I didnt think you'd care that less for your own daughter....') See these are what you could recognise as shaming but also understand why people may not consider it so, potentially using excuses like 'oh shes probably right because its royalty/she just cares about looking good enough for her family' or 'oh she just cares for her daughter and her future' (ironically enough, those are kind of what fans AND the show itself use as an excuse for stolas lmao) but just because via doesnt recognise stella's abusive tendencies, doesnt mean she isnt upset with her. She very much is, mainly with stella's aggressiveness as stella developed anger issues throughout her life and didnt have anything to help it. Via hates it whenever stella yells because of course she would be, no one likes angry loud noises! Its just that unlike with stolas, shes not as open with her frustration to her mother because shes genuinely scared of her from that aggression that makes it much more harder to truly express her feelings about her, instead keeping it to herself along with her feelings towards how the rest of the family is reacting to it given that it just feels too much for her to be involved in. So the reason why shes only open on being mad at stolas is despite what he did, he's the only one she feels safe in being mad about (I mean, she does have andrealphus as someone safe to an extent though he's very dismissive of telling her whats going on with the goetias and definetly doesnt take being wrong well like stella so hes not much better) that way, it'd be more understandable and futher peice the puzzle of their family and their dynamic. Family itself is quite complicated because of the nuances it has behind it and i wanna incorporate that to the goetias were their not fully evil but tend to care about their statuses rather then whats right in front of them (that being them as a family) since i think its interesting to explore and wouldve suit stolas, stella and octavia really well.

No need to apologise for rambling, i like getting asks of peoples thoughts/ideas on helluva. Hell look, im rambling too. I hope you enjoy the future rewrites i have in store, have a nice day/evening too

[trans-cuchulainn]

I just saw your answered ask about Irish duolingo being terrible. That was how I originally tried to learn Irish and I was so frustrated because it didn’t teach anything. No grammar, no spelling, not even basic words! It just jumped right to “translate ‘what does the fox say’ into gaelic” like how tf am I supposed to do that if I don’t know anything?! I did eventually figure out that duolingo itself is just terrible. I did its Japanese course and tested higher since I had a little background in the language, but the same thing happened again. It did not teach words or kanji and sentence structure. So I dumped duolingo and picked up an Irish language book that I happened to find at Half Price Books, and I gave up on that pretty quick because it was so difficult.

yeah i would say the irish duolingo course is a particularly badly-structured one (and particularly lacking in grammar support, though i think subsequent changes to the app/website meant you can't access that support for other languages either now. at one point you could, though, and some had very detailed notes). and i think irish grammar is challenging for english speakers to intuit without explanations which makes it harder than some other languages might be even if their courses had similar flaws

i was able to get on okay with duo (before they updated it and got rid of the tree and stuff and it became basically unusable) because i'd taken enough classes beforehand to understand the basic underlying grammar rules, even if my understanding of them was fairly medieval at times. but i think it would be incredibly hard to use in isolation or without any background knowledge

but working alone with a book is also pretty difficult if there's no one to explain things to you in different words, so i can imagine that being discouraging. if you want to give it another go with other resources, i've reblogged a few posts lately about online courses, resources, etc, so maybe there's something there that would work better for you!

i do think the best way to get started is to take some lessons right at the beginning just so somebody can help you over the hurdle of "this is completely unfamiliar and i don't know how to get into it" and then you've got some foundations to build on, but i realise that is not an option for everybody depending on location/life circs etc. there are more and more online classes these days, though, so hopefully it will become an option for more people

[a-student-out-of-time]

And of course there’s Ultimate Despair’s retaliation event which hopefully should unite us with Etsu’s group. I…I still have major reservations about Sunako being honest and not letting subconscious bias about her classmates skew her judgement.

Yeah...that’s something we’ve talked about with her. We keep being told that their group’s not a threat to us. But I’m still not sure about that.

What do you think? What’s your honest opinion?

My honest opinion...

Well...you remember the Elementary School Division of Hope’s Peak? Did you send Yomiuri Nikei in there to get information?

Yeah...?

We actually tried that too, or at least Esumi-san did. She was trying to gather information on what was happening in that school and how they were treating the students- and keep in mind that we didn’t have any knowledge of the future like you.

Esumi-san is a good journalist. She was looking at it from the bigger picture; she wanted to make sure they had all the details, because she knew that the school couldn’t have just been abusing all those kids without someone getting the word out. We knew about the Warriors of Hope, but she figured there had to be more to it.

But Yomiuri-san kept railroading the whole thing, trying to focus on just the troublemaker class and the kids from troubled backgrounds. He didn’t pay attention to the rest of the kids, none of whom were being abused, and just figured that all the adults must be just as bad as the Warriors of Hope’s parents.

I’m not saying he’s a bad person, he obviously cared about those kids, but...I trust Esumi-san more than I’d trust him. He has an ego problem, he’s paranoid, he doesn’t like things being out of his control, and his focus is in the wrong area sometimes.

And Esumi-san? She never fell to despair, she never gave up even when she was thrown into a killing game, she always tried to find the truth and always had hope. In fact, she helped Naegi-san find you guys in my time!

*Sigh* I know what you mean. He’s trying to grow out of that in our time, but still...we ended up sending Kemuri Ui to prison when she needed help more than she needed punishment.

She’s not the kind of person who’d be easily tricked, and if someone was trying to trick her, she’d look for the truth. She wouldn’t just be told “Hey, these people are evil” and then immediately buy it.

I know you guys are probably nervous, and I probably would be too. But please remember who your real enemies are: you and them both hate Hope’s Peak.

Actually, do you want some advice for what you could do? Because, if I had to guess, Nakamura’s probably a big part of the reason why, huh?

Unfortunately.

Get him to apologize.

…That’s it?

Yes. Nakamura-san’s big problem is that he tries way too hard to help people his way, right?

Yeah, that’s pretty accurate. He’s pretty sure of himself sometimes.

Yeah. I’m not saying Nakamura-san’s a bad person either, he’s just...really bad with overthinking and self-pity.

But I’ve seen how he can change. When he understands what he did wrong, he does try to make up for it. After she woke up, he apologized to Hibiki-san for always siding against her because of his crush on Kanade-san.

And when we left, it seemed like they were already on much better terms. They got along really well.

So...all he has to do is apologize to Deguchi-san and the others?

Them and a lot of other people. But he doesn’t need some big elaborate plan to redeem himself, he just needs to apologize to them. He’s overthinking it way too much.

If you want another example, well...you remember what happened to Natsumi-san and Sato-san? How Sato-san killed her, then Mahiru-san helped her hide the evidence from everyone?

That whole situation could’ve been avoided if Mahiru-san had just apologized to Fuyuhiko-san. Just told him the truth and apologized for what happened. But they didn’t; they hid evidence, avoided him after his sister died, didn’t tell anyone what happened and...well...

Yeah...I see what you’re saying. 

They’re not bad people. None of them are bad people. But sometimes, you need to understand when you’re being biased, when you’re overthinking things and when you could fix something just by apologizing.

[samuell2]

June 4th — Kabuki

Today was a day in Tokyo that I am going to whine and complain about for a while. First, we headed to Tokyo Tower, which I thought had some really beautiful architecture. If the Skytree was a dingy and gray Toronto Tower rip off, Tokyo Tower was more of a nicely colored eiffel. It wasn’t quite as tall as the skytree, but it was much prettier, and the red and white was a nice color scheme. There wasn’t too much to do at the top deck, but I did find it pretty fun to walk down the stairs to the bottom. It was a sunny day, and feeling the wind blowing as we descended the metal stairs was very soothing. Rajbottle flipping for ice cream from Leina was pretty much the peak of the— after that it was all downhill, to be honest. We walked to Ginza, which had an amazing collection of luxury shops (and - 6 floor Muji store with everything from bed sheets to branded fruits) but there wasn’t really enough time to do anything before the godforsaken Kabuki play. Though I did the reading beforehand, without the ability to access a script as the play was performed (an usher would approach you if you whipped out your phone) it was hard to understand what was going on, especially in the 3rd act, which was not in the reading and featured a completely different cast of characters. The play was painfully, painfully slow, and I found all the auditory elements incredibly grating, from the smack of the wood blocks to the Shamisen and the strange enunciation. It was just not to my taste at all, and the fact that it was over 4 and a half hours was just awful. I was shocked by the fact that the Japanese patrons were so locked into such a long play— they didn’t even seem to fidget. I was exhausted by the play, and a little taste of home from McDonald’s was the only thing I had the energy for afterwards.

Academic Reflection

I did feel, at the least, that the readings enhanced my experience of the day. I especially enjoyed the urban planning reading. I am totally uneducated on urban planning, so reading about things like land readjustment for the first time was interesting. The author did a really good job of explaining things for those without background knowledge. The information from Professor Smith was especially useful; specifically about Sunshine Laws. I wondered why Tokyo was not like New York when it came to huge vertical skyscrapers.

In terms of the theater, the reading did help understand what was happening, but not in the third act. Since I had read it that morning, it was easy to forget many of the plot details. It was useful, but the handouts professor mentioned would have been much more helpful, and it’s kind of a shame that they don’t pass them out anymore.

[lovee-infected]

Your character analysis posts are really accurate! I like how you want to show that a character is a lot more than they show. It kind of angers me that there are people who headcanon the boys as something they're not, or they saying that they're this one personality trait only. What other characters from twisted get mischaracterized, at least in ur opinion?

THANK THANKK !! XD

I really enjoy going into depths of characters' personalities because damn- there were some big brains behind their creations!

This question was rather important so I couldn't decide on any specific characters to talk about, so I decided to list all of the twst characters and how they'd often get mischaracterized.

Mischaracterization isn't bound to twst fandom because as long as a there's a fandom, fanon interpretations of characters exist.

Almost any character in any fandom can be mischaracterized at some point, but it isn't always that noticable or important. Mischaracterization often becomes noticable when pretty different interpretations of rather 'popular' characters exist within a fandom, which causes many to argue over what the correct interpretation is.

For now, I'm dividing all of twst characters into "5 groups" to explain how each of them might often get mischaracterized.

Group A: Complex personalities

It's simple, these characters can be quite hard to understand. It's either because of having too many features at the same time, which makes them quite hard to read because we'll need to achieve a balance between all of their different personality aspects, or being quite secretive and mysterious which awfully bounds our knowledge regarding these characters and their personalities.

•Malleus Draconia: We previously talked about Malleus; the main reason of him getting mischaracterized is having plenty of spine-chilling features while having considerably childish and innocent hobbies at the same time. This opposition often makes it hard to decide on what the cannon Malleus is like, because it can hard to choose one between his darker side and softer side. What we need in order to achieve a rather cannon interpretation of Malleus, is a balance. Just as I previously said: Malleus isn't a baby, but he isn't a monster either.

•Lilia Vanrouge: Even without going into depths, you can tell that Lilia's personality is complicated as hell. Though I can't really tell that he's being Mischaracterized because the cannon Lilia himself can switch into a totally different personality in a matter of second, one moment he's a 90+ year old father trying to lead his children into he right path, one moment he's an unraveled neon teenager playing the ear-scrathing heavy metal with that guitar of his, and the other second he's an absolute monster which can creep the heck out of you with a simple "Boo". Lilia can also get plenty of different personalities through fanon interpretations:Yandere Lilia/Vampire fae/ Papa Lilia/ Daddy Vanrouge many other details which I can't go through now,but let me just say: A Lilia analysis would be rather long, and interesting one.

•Jade Leech: Speaking of reading characters, better know that this mister eel Leech is an absolutely tough one. You'll never know what he's hiding behind that friendly yet evil smile, or what intentions might be behind his extreme will to play the role of the butler and help everyone out. Understanding this Sebastian Michaelis complex is an absolute challenge and this is probably one of the things that makes him so Interesting, you always know that he's hiding something dark on the inside, yet you can't really tell what it is.

•Cater Diamond: This might be rather hard to notice, but there's a lot about Cater which is left untold. Despite his sweet and positive appearance, his personality is actually a bitter-sweet complex of too many emotions and a pretty well-written background. The amount of info found through his voice lines and personal stories is rather amazing as if you're reading a real boy's life story! But this amount of detail and considerably dark aspects of his personality can make it really hard to understand what's going on in this mysterious mind; especially because of how he seems to be hiding a second face under that friendly smile.

•Jamil Viper: Jamil can be quite hard to read. He isn't really emotional and hardly ever expresses his true feelings. Even NRC students agree that he can be quite a mystery, from his past life and daily struggles to how many of his true feelings and intentions remained a secret until chapter 4. Jamil is a complex of pain, power, hatred and patience. His background is perfect example of a villainous story and how a child can grow to be a villain, which is quite interesting! Jamil's story is worthy of a detailed analysis and some time for all of us to understand what this guy has been going through.

•Rook Hunt: We often tend to know him as Pomefiore's "dramatic stalker", and he surely is! The fanon interpretation of Rook doesn't usually go against his cannon interpretation (Expect for the times that people get salty over his appearance or attitude- Which leads to the creation of countless Rook memes-) While it's true that he's more than just a French stalker, it can be hard to talk about anything else when it comes to Rook, because the cannon Rook tends to hide a lot about himself, leaving us with a considerable lack of useful information to use. He really got us all there, huh? Even as he's a fictional character and we're living in real life- he tends to control what we know and think of him-

characters that can also belong to this group: Leona Kingscholar, Idia Shroud, Vil Schoenheit , Floyd Leech

Group B: Ignoring important features:

This group can get easily mischaracterized, mainly because each and every of them has an specific feature that really makes them stand out. (Ex: Riddle's short temper, Azul's soft and sensitive side, Sebek's obsession with Malleus,...) But paying to much attention to that one specific feature often leads to ignoring everything else about their personalities, and gives them a pretty simple and fanon interpretation which can sometimes be the total opposite of the detailed and cannon one.

•Azul Ashengrotto: Azul's fanon picture had an extreme change after chapter 3, mainly because of how his background and breakable side was revealed; the cruel and heartless mafia boss turned into the soft and emotional baby. This sudden change in perspective stole the hearts of many fans and the fandom in general came to appreciate Azul even more, but at some point it caused his most important feature to be forgotten: Azul tends to be strict about hiding that sensitive side of his, so the Azul we get to see in general is the fearful picture of the mastermind who's taken the magics of many away, not that baby Octopus who used to cry whenever other kids bullied him because he was different. Getting to know his background and true feelings made us forget about his professional and strict side which is indeed the most important side of his personality!

•Idia Shroud: Baby boy, soft child, sweet tooth cutie, pretty little emo,...and hundreds of other nicknames to appreciate Idia and his iconic nature. But in contrast to what many assume based on his appearance and social anxiety, Idia is way different from just a shy yet adorable nerd; this guy is seriously hiding some evil inside. If you go through his stories and get to the points where he's thinking with himself, you'll see how different he can be. While he can't really get to tell these properly through his main lines, you can find him secretly insulting and nagging at how annoying some people are several times. It isn't just about being shy, Idia obviously dislikes many of the people around him. Focusing on his social anxiety and awkwardness causes us to forget how different he is when he isn't forced into a face-to-face conversation, also note that there are many thoughts going through this guy's brain that you probably hadn't thought of.

•Floyd Leech: While Jade's personality is obviously a pretty complicated one, Floyd's character is even more confusing because of his playfulness and seemingly childish manners. But it's important to remember that deep inside, floyd is just as mysterious as his brother. Describing Floyd as childish and dumb is equal to falling into Yana's trap, because Floyd is designed as an extremely smart and somewhat of sadistic character. It's so important to know that he's way more than just a chaotic eel or an playful idiot, Floyd literally has anything needed to be ranked among the most dangerous characters of the game, his personality along side his magic and genius can be quite deadly.

•Sebek Zigvolt: To be honest, many of us are just doing him dirty. Look, it's true that Sebek's often caught praising and talking about Malleus but please do not forget that Sebek as well has got his very own personality! Associating Malleus with whatever he says or does (especially through fanfictions) is somehow fading his character because most of the things I get to read or hear about him involves Malleus. Come on! This is Sebek that we're talking about, not Malleus! I understand that talking about Malleus is legit something he often does but while you're writing a fanfic, please remember that Sebek has got hundreds of features and personality manners to talk about other than talking about his "Waka sama". So instead of just focusing on his Malleus appreciation habit, try to get to know his very own features and personality! In many of fanon interpretations, Sebek is bound to doing nothing but talking about Malleus and only him which is pretty unfair! We should all take some time to talk about Sebek himself, not his obsession with Lilia or Malleus.

•Riddle Rosehearts: I understand where this is coming from, but I want to see something more than an angry Riddle shouting and screaming about the importance of rules and harshly forcing others into following them whenever I read something that involves Riddle. I see how being angry and turning as red as a tomato is his rather famous feature but we shouldn't ignore everything else about hum because of it. Other than his background and mentionable talents and abilities as the greatest dorm leader Heartslabyul's history, keep this in mind that Riddle did decide to try and change his way of leadership and reduce his obsession with rules after his overblot.

Characters that can also belong to this group: Vil Schoenheit, Rook Hunt, Kalim Al Asim, Silver, Epel Felmier

Group C: Ignorance/Lack of information

The reason with this group is obvious, we need to talk about them more often! While they're all great characters with interesting designs and personalities, it's somehow rare to see anyone doing a proper analysis of their characters, either because of not going through their details or stories, or even going through them but not finding anything special.

•Ace Trappola: Both Deuce and Ace are characters who have appeared through all of the chapters so far, which means that we've had the chance to get to know them better than any other character in the game! But their fanon interpretations are pretty simple and sometimes, boring. Most of us don't even realize that we're mischaracterizing them-! I often see them being pictured as either stupid or loud and troublesome. Ace for example, got a really strong plot about how he'd go through a relationship and his past experience in the ghost marriage, which can be a strong guide to how we should picture Ace in reader inserts, but sadly we're just sticking to fanon interpretations and don't give his personality the detail and cannon depth he deserves. Let's note that he can be quite evil, smart, logical and unpredictable too at the time.

•Deuce Spade: Deuce's case is pretty similar to Ace. I'm not saying that he's a totally different one from how the fandom is characterizing him, but come on, Deuce isn't just a chicken dummy! We've learned a lot about his relationship with his mother, his past life, his relationship with his close friends, his hobbies and his will to become a great magician so there's a lot we can say about him! Instead of just sticking to his clumsiness and sometimes, stupidity it's better to consider those features and details to describe him. Not only will it make us have more of a cannon interpretation on Deuce, but it'll also inspire us to create newer and more creative content for him!

•Silver: Look, while many of us love this sleepy guy, we need to understand that he isn't just a sleeping beauty or Lilia's cute son! Let's admit something, we're facing a lack of Silver content and even as we go through most of the existing Silver fanfics and content, it either has something to do with his sleeping issues or his relationship with idia, maybe some arguments with Sebek as well but it's rare to see anyone talking about anything else than these when it comes to Silver. His relationship with Lilia and Malleus, he way he appears in others' side stories, how he handles his tasks and the way Malleus and Lilia describe him is telling us that there's a LOT about him which we often ignore!

•Trey Clover: It's true that the cannon Trey isn't that different from the fanon one, but I can tell that the fanon Trey lacks quite a few of the cannon features. We're giving him a rather solid and sometimes boring personality of Heartslabyul's calm and collected mum who treats everyone nicely regardless of how reckless or annoying or rebellious they are. But the real Trey does express annoyance and uncomfortablitiy from time to time, he can even be quite sarcastic. If you come to get a close look, you'll see that Trey isn't always as nice as he seems to be.

•Ruggie Bucchi: I genuinely adore Ruggie's personality design, especially how he mostly comes of as a mysterious troublemaker but at the same time, he's being a tiny family man on the inside. Watching how he can be quite reckless toward other students in NRC (especially the first years) and on the other hand, be a pretty caring and protective sibling who really loves and cares about his poor family and is working his hardest to support them really brings the tears of joy to my eyes. Ruggie's story has got a lot to tell and this interesting design and personality really deserves more attention and supporters!

•Jack Howl: It's true that Jack doesn't really get mischaracterized , but he deserves to be talked about more often! Most of the fandom captured his personality really good and I can feel his tsundere-ish and protective vibes through most of the fanfics that involve him. He's got a rather calm and collected nature which gives him a more balanced personality compared to the rest of the characters, and can make it easier to understand the cannon Jack. He used to get really mischaracterized back in twst's pre-release, but after the game was released and we got to know the cannon Jack, most of those misunderstandings were solved. Perhaps the only thing that I wish to mentioned more often are the adorable details and his background, especially his relationship with his family and siblings.

Characters that can also belong to his group: Silver, Deuce Spade, Ace Trappola, Rook Hunt

Group D: The healing type (Iyashikei)

Look, the cannon interpretation isn't always the happiest or the sweetest. This group usually get mischaracterized because their fanon interpretation is presenting something better, something that more fans would accept and love. 'Softening extremely dark and unapproachable personalities' or 'spreading adorable and wholesome headcanons' are two common ways of the healing type. Characters with extremely bitter personalities usually belong to this group, because their stories can be too sad for the fandom, so many decide to go for a softer yet untrue way of characterizing them, which is sometimes good but going too far with the softening process often leads to creating a character that's nothing like the original.

•Leona Kingscholar: While I was working on my Leona analysis, I came to understand why some fans prefer the fanon Leona over the cannon Leona. Cannon Leona is quite dark and unapproachable, and you'll find his background and personality in general quite painful and sometimes depressing if you try to study the cannon Leona. Within all of the twst characters, he's got the darkest design therefore it can be quite hard for fans to accept his cannon interpretation. That's why some try to give him more of an affectionate and soft nature to make his personality seem less painful to go through. This sometimes create a totally wrong interpretation that goes against everything that the cannon Leona is, but at the same time many fans agree that cannon Leona on the other hand is just too dark to accept. We can tell that this fandom's favorite Leona is a balance of cannon and fanon Leonas, something neither too dark nor to childish and wholesome.

•Ortho Shroud: There isn't much we know about Ortho and his background, and I can't say that he's being directly mischaracterized either. Sometimes all we have to use in order to capture his personality are the fan- theories, which can really complicate stuff. Best way to know him is by paying enough of attention to his voice lines and hidden details, but it can end up being quite dark if you dig too deep- His background with Idia isn't directly mentioned but there are some dark details hiding through the story that can seem quite scary when you actually think about them, therefore many of the fans decide to ignore those details, and since there isn't much of Ortho content (mostly fanfiction) either, many (including me) decided not to mention anything about those dark aspects...

•Epel Felmier: Cannon Epel is quite different from the fanon Epel. Not saying that Epel is a meanie because he surely does have pretty cute and adorable aspects but the cannon can Epel can be quite reckless, mean and rude at the time while the fanon Epel is always described as a shy, cute boy(which is exactly what the cannon Epel hates to be described as). Going through his ghost marriage stories and voice lines, we can realize that Epel's rather bad with romance, and for now, he doesn't really seem to be interested in any love-related issues either. Writing reader inserts especially can be really hard if you're going to stick with the cannon Epel, therefore many choose to use the fanon Epel instead, a cuter and softer Epel who's quite acceptive and approval of being in love. A considerable majority of fans prefer this soft and cuter Epel, and this is why Epel mostly gets mischaracterized in reader inserts.

Characters that can also belong to this group: Malleus Draconia, Azul Ashengrotto, Cater Diamond, Ace Trappola, Lilia Vanrouge

Group E: Mischaracterized on main

Spreading false headcanons, not paying enough of attention to official details and simplifying complicated personalities are often counted as general ways of mischaracterization. Unlike the previous groups, this group doesn't really have a proper excuse for their mischaracterization, especially as we see some fans are being attacked and offended by some who tend mischaracterize characters in this way.

•Vil Schoenheit: We previously talked about Vil and how there's a pile of wrong information about him spread all over the fandom, from the one saying that he's trans and his pronouns are she/her (Many fans were attacked and forced to use She/Her for Vil) to the ones that are picturing him as a selfish character who cares about no one but his very own beauty, and is bullying Epel just because he envies Epel for being more beautiful than him. Look, regarding his relationship with Epel I must say that he's trying is hardest to make Epel be more mindful of his appearance and manners, he cares to help each and every around him look their best and isn't just focusing on his very own beauty. I meant to add him in group B because how many consider him to be obsessed with beauty and ignore everything else about him like his remarkable skills in leadership and other abilities in general, but considering the great amount of wrong information that is being spread around the fandom and is causing misunderstandings and arguments, I thought it'd be better to put him in this group.

•Kalim al asim: One sentence, four words: He is NOT stupid! While I insist that everyone in the fandom is free to have their personal interpretation and ideas regarding the characters and their personalities, keep this is mind that it's okay as long as it doesn't offend anyone else! How does it feel when Kalim stans are just watching others making fun of their favorite and calling him useless and stupid? Even worse, how does it feel when they're being told reckless stuff like: "Hey, you know that your favorite is the dumbest character in the game?" Let me clear 3 points right here: 1)Even if one's favorite is stupid, you do not have the right to insult them because of it even if you mean it as a joke 2)Nope Kalim is not stupid, generosity and caring for everyone around him with genuine kindness makes him a good and pure person, not a stupid one. 3) People who are saying that he's stupid because of not doing that great in school are just as funny as those who told all of us that you won't be any successful if you don't get good grades in exams. Lmao, dude this is the 21st century.

Characters that can also belong to this group: Floyd Leech, Epel Felmier

Well, I guess that's all? I couldn't talk much about any of them otherwise this would've gotten too long- So I just put a small intro of how each of the boys often gets mischaracterized instead. Okay it's awfully late lol I leave this now-

[oitommothetease]

Invisible String (4/?)

Pairing:  Bucky Barnes x Female reader (Modern AU)

Description: James Buchanan Barnes, the owner of the most expensive-looking club in town and your new apartment. He was a dick and you hated him. What could possibly go wrong when you, the new girl in town, start bartending at his club to pursue your dreams?

Word Count: 2.6k words

Warning: 18+ (discussion of assault, nervous breakdown, anxiety attack, just don’t read this whole series if you are a kid)

You woke up to a night of dreamless sleep like you always did, but then the events of the previous night hit you. You wished it was a dream, but one look in the mirror and a bruise running along your cheek was enough to confirm. Not only that, but you remembered asking your boss to stay over, but you didn't expect him to. The blanket on your living room’s couch and the bowl of fruits and a glass of juice situated out for you on the kitchen counter proved that he did stay.

And then the reality sunk in, you have a decision to make. You can either go to the cops or let that guy get away. The latter sounded not so great, but you knew going to the cops isn't going to be great either. You've seen enough detective shows to know that. You've had enough, and you just wanted to forget it. 

What did Mr. Barnes mean when he said you were going to talk about this? Are you supposed to visit him before work? Is he going to come to your place?

You decided to work on your book but ended up not being able to concentrate, so you started watching a show and fell asleep while watching it. Maybe some Chinese take-out could make you feel better. It didn't. Nothing made you feel better. You wished you had some friends in this new town because you didn't want to burden your work friends. 

After a horrible day of trying to cope, when you finally made your way to the club, you noticed the security was increased. Usually, security guards weren't present inside the club, but today it was different. Everyone was so vigilant and you felt a little safer. If you didn't know any better, you'd think Mr. Barnes did it for you, but again he would have done the same thing for any other employee. 

"Boss wants to see you," Pietro told you. You were about to head for Clint's office when the blond twin spoke again and pointed his finger towards the stairs." The boss."

Okay, well maybe playing naïve couldn't avoid this meeting, so you slowly walked upstairs. How bad could this go, it's not like he saw you in your most vulnerable state? Oh, wait, he did. 

You knocked on his office door, wanting to rip the band-aid and get over with it. 

"Hey," you said, faking a smile. "Thanks for getting me home last night and for breakfast today. I didn't even know I had fruits and juice at home because let's be honest, I'm a toast and coffee kinda gal."

Mr. Barnes didn't say anything, he just looked at you as if you were a confusing puzzle that he couldn't solve. He raised a hand towards the seat in front of him and you took it, nervously fiddling with your fingers under the table.

“You do that a lot, you know?” he asked, it wasn't a question, it was merely an observation.

“What?”

“Deflecting a serious issue by using a joke.” Mr. Barnes observed as if it was the most obvious thing in the world.

“What are you? My therapist?”

He arched an eyebrow, indicating that you were literally doing the thing he pointed out. 

"Yeah, well, it's called having a healthy coping mechanism. You should try getting one, brooding is only gonna help you this far."

 "It's not healthy if you're not dealing with it," Mr. Barnes pointed out. 

You scoffed in incredulity and you felt very, very attacked. 

What is it? Attacking y/n day?, you thought. 

"Anyway, I think I want to press charges," You changed the subject to a more serious conversation to avoid him calling you out on your bullshit. 

"Okay, I understand.” 

“You do?” You asked, bewilderment clearly written all over your face. “I mean, letting an employee go to the cops is not gonna be great for your club's reputation and yours too. And, you know, considering the shady business, you do-” 

"What exactly do you think we do?" He asked.

And that's when it hit you, you didn't know what he did or mob bosses do in general. All your knowledge about it came from movies and Wattpad, both of them are not a great place to gain knowledge.

“What exactly do you do?” you pondered.

 He obviously wasn't expecting you to directly ask him, nobody has directly asked him or even made it known that they are aware of his work. It was kind of like a silent pact that everybody signed for, everybody except you, apparently. 

“Um, you know, I've been working for almost 2 weeks here now, and I haven't seen any drugs around here, so it's obviously not drugs. You don't look like the sex trafficking types-”

 "Jesus, woman!" He exclaimed, offended by your assumptions. 

"Then just tell me what you do."

You expected him to tell you something, but he just kept looking at you with a face void of emotions.

 "Fine, don't tell me," you mumbled, raising your hands dramatically in defeat. 

“So you don't mind me ruining your reputation by going to the cops?” 

“I told you I don't care. Your safety is my utmost priority,” your face might have given away the surprise you felt because he quickly backpedaled. ”I mean, the safety of my employees.”

“The safety of my employees is my utmost priority,” he told you, providing an extra emphasis on the word employees. “Anyway, one of my people would take you to the police station near-"

You cut him off immediately. 

"No, you can't tell anyone else. I don't want everyone hopping on the pity train. I'm already ashamed that you know about it," you pleaded but your voice was firm, telling him that this was not up for a discussion.

At this, his eyes and features softened. Bucky didn't want you to feel guilty or ashamed for somebody else's actions, but clearly, you did. 

"Okay, then I can take you. You just had to explain to the officer last night’s events, and they'll ask you to recognize Rumlow and then we can-"

Mr. Barnes’s voice faded into the background when it finally hit you.

"You know what, I changed my mind. It's too much. I don't want to press charges anymore. I didn't think this through," you backtracked. You did think this through, but now all the factors were adding up in your brain. You'd have to explain the details to a cop who is probably going to be another man and a stranger, and then they'd ask you to identify the guy. You didn't think you had it in you to face him. At least not now. 

He interpreted your thought process and promptly changed the topic. "Okay, we can work with whatever you want, and at least let Peter escort you home after work."

"What? No!” You quickly declined.

“It's for your own safety,” Bucky tried to reason. He wasn't letting you get off this easily.

 “I'm a strong, independent woman and I'm not scared of anything.” 

That was a lie. You were scared of many things like heights, dark, spiders, confrontation and the list goes on and on. 

You remembered all the lectures your mom gave you telling you that women should be scared because men are monsters, and you'd lose your honor if you are reckless and some other patriarchal crap that you didn't pay attention to. But you weren't scared, you were just always careful. You'd always put the keys between your knuckles when you went home alone. In your previous job, you used to laugh it off whenever your coworkers made a sexist joke. You'd ignore the subtle shoulder touch that your previous boss did. You told yourself that this is what it takes to make it. If you were to run away every time someone eyed you in a wrong way, then you'd spend your whole life running. 

Women usually shrug this behavior off as it is what is, but the truth is it shouldn't be like this.

“Please, I insist.” 

“I'm very capable of taking care of myself. Just because one bad incident happened doesn't mean I'll fucking break!” You stated, your voice louder than your regular voice to get across your point.

That was also a lie. You were walking on a thin line and you were ignoring your emotions. You were one outburst away from a breakdown, and you just couldn't bring yourself to feel anything. 

Mr. Barnes tried to call your name, but you were already bolting out of his office. 

You needed a drink. No, fuck that. You needed multiple drinks. It wasn't exactly wise to get drunk during work, but it couldn't get any shittier than this, right?, you thought.

Right?

 Wrong. It could get way shittier than this. Now it was almost midnight, you were kind of tipsy, and you could see two Mr. Stark, your regular customer, in front of you. 

Did he have a twin? Is he and his twin brother one of those identical twins that dress up the same? Because that's what it looked like.

 “Earth to y/n," Mr. Stark said, or was it his twin? It was getting hard to keep track anymore.

 And that's when you noticed. 

“Holy, Shit. You're triplets, Mr. Stark," you announced. 

"Okay, kid, close my tab.”

“Hey, y/n. Are you okay?” Peter asked, noticing the concerned look Mr. Stark gave him before leaving.

“Yes, I'm fine. Absolutely fine.”

***

Turns out you were not fine. You've been pretty much hammered for the past week, and you could barely get a sentence out without giggling or slurring. Your colleagues took notice of your state and whenever someone pointed it out, you'd just shrug it off as a bad day or a bad week. There was no concept of time in your drunk state.

You couldn't concentrate on your book, you could barely look at someone without squinting, and you've been eating takeout and leftovers for the past few days. 

James would have fired if someone working under him was this irresponsible, but he knew your reasons. He knew you clearly weren't coping with the trauma well. Your work ethics were shoved down the trash that even Clint asked why you weren't fired yet.

Bucky didn't want to talk to you, he thought that maybe giving you some space would do you good, but clearly it wasn't working. Usually, the mob boss didn't interfere in the affairs of his employees, it was Clint's job, but when you smashed a bottle on the head of a customer, he had to interject.

“I TOLD THIS FUCKER NO!” you yelled, Peter’s hand around your middle from behind. Another empty beer bottle was in your hand, ready to be smashed across the face of the drunk dude in front of you.

Pietro and Wanda were enjoying the show. Peter, being the peace lover he is, held you back when you smashed a bottle across a drunk customer's face. Even though Peter was younger than you, he was stronger, and he was not only holding you back but also himself. He didn't want to cause a scene and that is why he was mulling comforting words in your ear like, he's not worth it, you're gonna kill this guy.

Damn right I am, you thought.

It was ironic because everyone in that club had killed someone except you.

When Bucky walked into the room, the drunk guy turned towards him and pointed at you. ”You are hiring crazy bitches now? Just called her baby girl and she went psycho!!!”

Bucky didn't understand what was happening. He told the security guards to take that man outside his club and he walked towards you. He firmly yet gently took a hold of your left arm, signaling Peter to let go of you. Without a word, he started walking in the direction of his office, dragging you along with him.

Once near his office, he lightly yanked your hand and shoved you inside, making you stand in front of him.

"What the fuck is wrong with you?" he inquired, having had enough of your incompetence.

You were seething with rage. "Wrong with me? I told him no, but he didn't listen."

Bucky stepped forward, his anger dissipating into sympathy. " I know, he mumbled, "and I'm so-"

 "No, you don't know!" you yelled, body trembling and tears welling up in your eyes. "I told him no multiple times, I even tried to push him off me, but he just kept coming back."

Bucky's eyes furrowed in confusion. He didn't understand your words, the drunk customer didn't touch you. And that's when he realized, you weren't talking about the drunk customer. He cognized that the drunk guy purely triggered something that you've been suppressing for days now. Bucky was aware that you needed to get it out of your system to cope healthily.

“I told him no, you know? But he just wouldn't listen,” you stated, trying to convince yourself that you didn't lead him on. ”And he was so…. so strong and… and then he hit me and everything just went blur, I couldn't see but... but I could still feel him with me.”

Not realizing that you were not in that place anymore, you wrapped your hand around yourself to seek some sort of protection and comfort, bottom lip quivering, the welled up traitorous tears were streaming down your face and all you could think about was that night. 

“I… I can't get his touch out,” you stammered. ” I shower, multiple times a day, but I still can't get his touch out.”

With that, you broke down completely and shattered on the floor, sobbing ferociously. Your knees ached because of the position you were situated in, but the emotional pain was enough to overshadow the physical one.

For once in his lifetime, Bucky did not know what to do. Cautiously, he made his way towards you and knelt down in front of you. He did not know what to say or do to make you feel better.

You launched your body towards him, snaking your arms around his shoulder to settle on his neck as if he was the only thing grounding you. You lurched onto him like he was your anchor, and maybe he was. It took a minute for Bucky to register your actions, and when he did, he wrapped his arms around your middle and closed the minuscule distance separating you.

He surprised himself with the way one of his hands automatically reached for your hair and whispered words of comfort in your ear. He caught you as you crumpled physically and emotionally. 

”You're going to be okay, doll,” he whispered and kissed your temple with sincerity. ”I will make sure of that.”

The second part was barely audible, it wasn't meant for you, it was a promise he made to himself.

Bucky held you tightly yet gently while you sobbed on his shoulder.

 He didn't know how long he held you, it felt like an eternity to him with the way he could feel the guilt and rage inside him. When you passed out in his arms, he gently placed you on one of the comfortable couches in his office and draped a blanket around you that he had for when he would work late at night.

An office chair might not be the most ideal place to spend the night in, but it didn't matter to Bucky. All that mattered was you.

TAGS: @bananapipedreams​ @akkinda10​  @rivers-rambles21​  @emmabarnes​@goodcleanfunsis​ @valsworldofcreativity​

[iamanartichoke]

I wasn't sure if I was going to post this, but I may as well.

I keep starting to reply to things and then stopping bc the words just aren't there, and I suppose I figured out the core of what bothers me so much (and is making me have such a rollercoaster of a fan experience) about the show.

(cut for length)

It's not well-written. My opinion is my opinion, so I'm saying this subjectively, take it or leave it, but ... I feel that it's not well-written. The overall story is fine, and the plot is fine, but I don't know if it's because of the limited number of episodes not being enough to house the story, or because of the relative inexperience of the writer/showrunner+director, or both, or something else, but -

In an earlier reaction post to episode 4, I mentioned really wanting to sink my teeth into all of the subtext I picked up on. That was what made me initially enjoy the episode so much - there were a lot of little moments that I initially felt revealed so much about the characters and about Loki, and I wanted to analyze them. But at some point, as I gathered more information, my perspective changed and now I no longer want to analyze the subtext bc ... subtext = good. Subtext w/out payoff = not as good.

I'll go into more detail in a moment, but I think the tl;dr of it is that I feel like the narrative requires the audience to work way too hard to put together all of the moving pieces here and, like, I kinda just don't want to do that work? Not so much of it, and not in vain. A lot of the enjoyment of Loki's characterization is coming from fans who are rationalizing why he's behaving as he is, but the narrative never actually confirms those rationalizations. It's asking us to figure it out and maybe our conclusions will be correct but maybe they won't, though. At some point, subtext isn't enough without explicit follow-through.

I thought my issue was with the lack of character development - that is, not having enough narrative space to really earn the big things that are happening now, like Loki/Sylvie or Mobius turning against the TVA. And that's still true, to an extent; I still feel like the pacing is all very off and it seems like most of these things kinda came out of nowhere (but are not unbelievable - just undeveloped).

But, yknow, it is what it is, it's a limited series, and I can excuse some things. Ultimately, my issue isn't a problem with what the narrative isn't doing, it's a problem with what the narrative already failed to do and probably cannot recover from at this point.

The narrative has left out significant details that should at least help us do some of the work here. If a person turned on Loki and started episode 1 and had no background knowledge of the character besides that he tried to take over New York - how would that person interpret Loki? Would that person say, oh, well, he's been through X, Y, and Z, and plus A happened, not to mention B, C, and D, so really, it makes sense that he seems off-the-rails, or that he'd want to get ridiculously drunk at the worst time ever.

Maybe we'd like to believe they would, but how would they be getting to that conclusion? The narrative hasn't led them in that direction so, no, they would not say well we have to consider this, this, and that. It would be impossible to really understand Loki as a character from just what we've gotten in the series. The general audience would probably interpret Loki as being out of his element and so it becomes, I wonder how this character is going to get the upper hand here. And, while that's not wrong, it's just so limited.

The narrative at face value does not address Loki's identity crisis from Thor 2011. It does not address his hurt and devastation at being lied to, nor does it address how complicated his self-image is (bc it sucked to begin with and that was before he found out he was part of a race of "monsters," as he'd been taught his entire life). It does not reference Loki being so broken at the end of Thor 2011 that he deliberately let himself fall into the void of space (aka tried to kill himself). It does not reference that he was tortured by Thanos or even that he went through a seriously dark time in between Thor and Avengers, and it absolutely does not reference or address any influence or control of the mind stone.

These are all things that we, the fan audience, know because we've already invested our time into this character's story. But tons of people, the general audience, wouldn't know these things. Or if they did, bc they saw Thor and Avengers, they wouldn't be thinking about them as deeply as we would, nor contextualizing them with how Loki is behaving now, or why it would make sense that he needed to get drunk, or why it's understandable that he needs to keep going-going-going in order to not have a spare second to think or feel.

They'd probably look at Loki, again, as a character who was a villain and is now getting his comeuppance in a place where he has no power or control, and no literal powers, and even when he manages to escape and catch up to the variant, he proceeds to fuck up their plan for seemingly no real reason except that he wanted to get drunk bc he's hedonistic. Which Sylvie even berates him for! I mean. This is not exactly a complex character breakdown, nor a very flattering one, but that's what the narrative has given us.

(If the narrative has addressed Loki's mind control, his torture, his mental breakdown, his suicide attempt, and his general shitty self-esteem as a result of his upbringing, please point it out to me. If the narrative has explicitly acknowledged and referenced these things anywhere and I am missing it, please show me where. Please explain to me how the casual viewer would know any of these things that they need to know in order to actually understand what's happening in this story.)

So I mean, okay, we have a narrative that doesn't paint a full, accurate picture of Loki. Fine, sure. But because the general audience starts out on the wrong footing, they're not going to get out of the overall story what the writers probably intended them to. For example, in episode 3, a lot of us theorized that Loki had some kind of plan - that he broke the timepad on purpose, for some reason, bc otherwise it wasn't believable that he'd be such a failure. But episode 4 revealed that no, there was no bigger plan, Loki just plain old messed up. Which is fine if, again, one is only considering the surface-level portrayal here, but it's not true to Loki's actual characterization.

I mean. Loki is not perfect and Loki actually fails a lot, this is true. He fails for a lot of reasons, but incompetence has never been one of them. Usually it's that either things grew beyond his control, or there ended up being too many moving parts, or he had to change his plan at the last minute due to some roadblock or another being thrown his way, or even that he got in his own way - whatever the case may be for his plans' failures, he was always at least shown to know what he was doing.

That wasn't the case here. The "plan" to fix the Timepad failed as a direct result of Loki's actions, which were careless and made him seem incompetent, like he couldn't even handle this mission. "You had one job," etc. And there were pretty big consequences for this; they were not able to get off-world in time and would have been killed had the TVA not shown up at the last second.

And maybe none of these things matter bc the writers never intended any of this to be a reflection on Loki's character, positive or negative. The situation exists solely because the writers needed to put Loki and Sylvie together in some kind of hopeless scenario so that they could get closer, and thus the narrative could set up their romance. I get that - but, there were other ways to do it that didn't require Loki to look foolish.

Furthermore, the whole reason they needed to set up the romance is to show Loki eventually learning to love himself (like, figuratively but also literally). The audience is supposed to gather that Loki and Sylvie fell for one another, possibly due to the high emotional aspect of, yknow, being about to die (in addition to the variant-bond). The intent is clear: Loki and Sylvie almost die but get rescued at the last minute, having now created an emotional bond --> Loki and Sylvie team up and the narrative further establishes that Loki, at least, has caught feelings --> Loki might confess them but is pruned before he gets the chance --> he somehow survives, he and Sylvie are reunited and don't want to lose one another again, and the combined power of their love is enough to break the sacred timeline and spawn the multiverse, and the reason that the power of their love is so, well, powerful is because it's about self-love and self-acceptance as much as it is about having the capacity to love someone else. The end.

I get all that. The writers more or less said all that. And, I mean, it's certainly not the way I would have chosen to go about it, but it's a fair enough arc to explore. I don't really have an issue with the intent - but my question, however, is this: if the narrative has so far not addressed Loki's background issues (as outlined above), and has furthermore kinda gone out of its way to portray Loki as hedonistic and narcissistic, among other things (like kinda incompetent), and the context the audience starts with is that Loki's this villain who deserves what he gets -

- my question is 1, why should the audience care whether or not Loki gets to a point of loving and accepting himself (thus to make the theme of self-love, via the romance, hold weight) if they don't know that he hates himself to begin with and 2, why should the audience root for Loki to reach that point when so far the perception of him is that he's "kind of an asshole"? if he's a hedonistic narcissist, he probably already has a pretty inflated sense of himself, right? A misplaced inflated sense of himself, at that, because, again, the narrative has made him out to be not that capable of much of anything. (And it didn't start out that way! It seemed to start out with Loki being capable and intelligent but it's like episode 3, in trying to set up the romance, just jumbled it all up somewhere. I think this is why I'm harping on the Loki/Sylvie aspect so much - it's frustrating bc it kinda messes up the whole story and can't even accomplish what it's supposed to anyway.)

Anyway, that's beside the point. What I'm ultimately getting at is, at what point is the audience supposed to get invested in Loki's personal growth journey?

They can't, not really. Without understanding and having the context of everything Loki has been through up until now, and why he hates himself, and why it's so important that he learn to love himself, then the "payoff" becomes kinda pointless bc the significance of it is lost in translation. So suddenly we're left with this romance that comes off as either "Loki loves Sylvie bc of Reasons" (best-case scenario) or "Loki loves Sylvie bc he's vain, narcissistic, and kinda twisted" (worst-case scenario). Neither of these conclusions are what the writers intended or were going for, I'm positive, but there we are, regardless.

In order for the writers' intent in these storylines to land, they need to address the context of what makes these particular stakes high for Loki. So far, they haven't done that. They're asking the audience to pick up on all of these things, and they're showing things that subtextually make sense and are relatively in-character - but only if you realize there's subtext in the first place.

But you can't expect the audience to do all of the work for you. If you don't want the audience to think that Loki is a narcissistic asshole and instead you are trying to convey that, worst-case scenario, he thinks he's a narcissist but is an unreliable narrator, then you have to address that. If you need the audience to understand why you're going the selfcest route and why it's important to explore Loki's capacity to love himself and others, you have to address where that exploration is starting from and why it matters. Etc etc etc.

The narrative isn't doing any of that. And it isn't like it'd be that hard to do it. They don't need to reinvent the wheel here; a lot of the pieces are already there. A few lines of dialogue for context, a brief scene here or there addressing the issues, a little more care and consistency in how Loki handles things - these are all little things that could go a long fucking way in making the narrative stronger.

I'm rambling. My basic point is that my rollercoaster of emotions with this show is because

- as a part of the fan audience, not the general one, I can contextualize and analyze the subtext and come to the conclusions the show wants me to, and thus find the story and the characters more or less enjoyable,

- but I am also going to be using the subtext to come to conclusions that aren't there but probably should be (I think it would be a better story, for example, for Loki to confuse platonic love with romantic love bc it would pave the way to explore just how fucked up Loki's understanding of love - whether of other people or of himself, and the different forms it can take - actually is)

- and when they're ultimately not there, then I think, okay why am I bothering doing all this work just to ultimately feel very unfulfilled? They don't even have to write it the way I would, I'm not saying that, but they do have to do something to make the story feel rewarding.

If we don't get some confirmation of what Loki's been through, and where his headspace is, and why it matters for him to love himself, then the story remains pretty shallow and, for me, it's not fulfilling enough. It's not engaging enough. There isn't actually anything to sink my teeth into, so it becomes kind of boring. Maybe it's rewarding to other people, and that's great for them, but like - I need more than whatever this is.

So I'm just like - well, I had a lot of worries about this show, but my being bored wasn't one of them and now there's only two episodes left and am I really not going to get anything out of this, in the long run? No new canons, no new depths or layers, no new information on Loki's experiences? This is it?

I don't dislike it. I didn't start out disliking it, and I probably wont end up disliking it. I mean, there are a lot of good moments, and good things, and fan service-y things that I appreciate. As far as inspiration for fic goes, it's a goldmine, both plot-wise as well as aesthetic-wise. All of that is great. I don't dislike this show.

But I am disappointed in it, and I feel like I'll be watching the next two episodes lacking the sense of anticipation that would make it exciting. I'll still enjoy them, probably, if for nothing else just the sheer Loki content, but whatever it was I felt watching episodes 1 and 2 is gone and I'm sad about that, too. Because I really wanted to feel fulfilled by this series; I wanted it to fill up the void that Loki's death in IW created three years ago. And I just ... don't feel it. Maybe, maybe that'll change over the course of episodes 5 and 6. I don't know.

Everything that I end up enjoying long-term, I think, will come about as a result of my own interpretations and analysis and while theoretically there's nothing wrong with that, if I had known all I'd get out of this series was more headcanons or support for my current headcanons then, well - that's fine, I suppose, but I'll definitely a little bit robbed.

[troquantary]

Cutting Hair as Punishment in the Twilight Saga

Okay, I’ve been trying to organize my thoughts around this into a sort-of-essay format for a while, because I find it disturbingly mean-spirited: Meyer has a pattern of using hair-cutting as a form of punishment for characters, especially female characters, who fail to embrace Bella and the Cullens with open arms. I’m talking particularly about Leah and Lauren, both of whom, while not outright antagonists like Victoria or James, are situated along with Rosalie as “against” Bella throughout the series. The Quileute pack, meanwhile, is situated largely “against” the Cullens, meaning Jacob and the rest of the pack get the Haircut of Shame, too.

(Also, I’ve been creeping through @panlight ‘s blog because I thought she had a recent post relating to this -- I was probably thinking of this submission and her addendum, which does discuss Meyer’s “punishment” of certain characters, but that post was about characters suffering for not waiting for True Love, or daring to do the Devil’s Tango before marriage. Still, it’s on-theme and very much worth reading, like all her stuff!)

So here’s the general outline: first I’m gonna talk about the shapeshifters and how their overall lack of choice frames cutting their hair as something forced on them and therefore punitive. Then I’m going to discuss Meyer’s FAQ response where she reveals that Lauren was tricked into cutting off most of her hair over the summer before New Moon, and how this adds an extra fun misogynistic element to the hair-cutting theme with respect to Lauren and Leah. I also use way too many words to do it, sorry.

Punishment | The Shapeshifters Are Given No Other Option

I don’t have the background or knowledge to discuss the significance of long hair to indigenous culture and identity in detail, and my understanding is that different tribes ascribe different meanings to it. What I’ve read it about it suggests that, generally, long hair represents strength of one’s individual spirit and of the community. It’s a source of pride, and is only cut off voluntarily in extraordinary circumstances, often as an expression of grief, or to mark a significant life change.

This sort of works in the context of the shapeshifters all cutting their hair -- phasing into a giant wolf, discovering the existence of the supernatural, and assuming the role of protectors is a major life event for these characters. But the negative associations make it a troubling choice on Meyer’s part, and that’s without even getting into the problem of her imposing her own worldbuilding onto the legends and culture of a real tribe. Because of the lack of choice involved in becoming a shapeshifter, the whole situation feels like a scenario in which the Quileute characters have their hair forcibly cut -- a degrading and traumatic act that (depending on their particular tribal belief) might symbolically sever them from their sense of cultural identity and connection with the rest of their tribe.

It all kind of begs the question: why does Meyer even have shapeshifting work this way? What narrative utility is there in having the length of their hair in human form determine the length of their fur as wolves, thereby compelling the shapeshifters to cut it so it isn’t a physical impediment? It’s another sign of the changes in Jacob, sure, but he’s already being uncharacteristically cold and distant, plus suddenly has the physique of a fit twenty-five-year-old; Bella already knows something’s very wrong. His short hair is just another jarring thing for Bella to notice and mourn, like the loss of Jacob’s “baby face” and general sunniness.

It does work as a symbolic thing, representing another sacrifice Jacob has to make and the change in how he now has to perceive himself -- but he’s already got a literal giant wolf form to represent that change in identity/self-perception. Forcing him to cut his hair too just feels like piling on. My argument here, which I hope will be supported when I discuss Lauren and Leah further in, is that it’s not just piling on, but actively punitive -- because much like Leah and Lauren are “against” Bella, the pack at large is “against” the Cullens pretty much through the end of the series.

The Quileute pack is definitely not a Cullen fanclub. The entire purpose of their existence is to destroy vampires, and the truce they have with the Cullens isn’t friendly. They still don’t particularly like or trust the Cullens even after allying with them in Eclipse, and in Breaking Dawn Sam is fully prepared to go to war against them to enforce the treaty. Bella expresses frustration with Jacob and the pack for not appreciating the Cullens more, yet is curiously less willing to scold Alice, Edward, or Rosalie when they call the Quileutes dogs and complain about their smell. (I think she might reprimand Edward for it at some point, but I don’t remember the exact passage.) Bella even starts throwing around “dog” and “mutt” as an insult herself -- I think we know whose side ol’ “Switzerland” is on, here, and whose side Meyer is on as well. The Quileutes aren’t exactly enemies, and in fact are crucial to the Cullens’ survival in both the newborn and Volutri conflicts, but they’re punished nonetheless because they aren’t wholeheartedly Team Cullen from the get-go.

So to explain why I’m so convinced that there’s a link between hair-cutting and punishment in particular, let’s talk about Lauren. There’s a definite gendered element to it this time, too -- by being tricked into cutting her hair, Lauren isn’t just diminished/shamed, but rendered (*thunderclap*) unfeminine.

Lauren Was Rude To Bella Like Twice, Let’s Humiliate Her

I think Meyer’s answer to the question “What happened to Lauren’s hair?” on her FAQ page speaks for itself:

Ha ha. I had fun imagining this one—I only wished that it had fit into the book somewhere. Lauren fell victim to the “model discovered in the mall” scam. An alleged modeling agent approached Lauren in a mall in Victoria, B.C., and told her she was a natural model. Lauren ate it up. The agent told her that if she did something edgy with her hair, and took some high quality head shots, her future was assured. Lauren followed the instructions—dropping fifteen grand on the pictures taken by the agent’s partner—and waited for her career to begin. She’s still waiting. Snort.

It’s pretty obvious that this was done spitefully. Here’s the list of Lauren’s crimes against humanity Bella at this point in the series: 1) she was jealous of the attention Bella was getting as the new girl; 2) she talked behind Bella’s back once, saying Bella might as well just sit with the Cullens now (and she isn’t wrong); 3) she eyed Bella “scornfully” the day of the La Push beach trip; and perhaps most damningly, 4) she’s blonde.

Post-haircut, she has the gall not to be thrilled that Bella’s deigning to speak to the lowly non-Cullens again, then sides with Jessica after Bella uses Jessica to make a point to her dad, is shitty company, and then risks getting them both raped and murdered in Port Angeles so she could get off on her hallucination of Edward’s voice.

I think it’s pretty common knowledge that long hair is tied to patriarchal notions of femininity and attractiveness. Women with short hair are still derided for being ugly, or assumed to be lesbians in a derogatory sense, or simply considered less feminine and therefore less desirable/worthy (because a woman’s worth depends on her desirability, after all). For many women and girls, losing their long hair -- whether because of illness, or gum getting stuck in it, or whatever -- is very upsetting and a hard blow to their self-esteem. Just look at Alice as an example of Traumatic Short Hair; her hair was shorn like that because she received electroshock “treatments” in an asylum. (Although in Alice’s case, I don’t think her having short hair is punishment, but a facet of the traumatic backstory all female characters in Twilight have to have for some reason. Plus, she started the series with short hair, which distinguishes her from the pack and Lauren, who were tricked or compelled into cutting their long hair during the series.)

But Lauren’s so bitchy, so she deserves it, right? Ha ha, she was mean to Bella and cared about her appearance too much, so now she’s ~ugly!

Leah Has It the Worst and It Makes Me Want To Burn Everything

The misogynistic aspect of hair-cutting as punishment is taken up to like, twelve with Leah. Not only does she suffer for being “against” the Cullens along with the rest of the pack (and Bella, too, so extra sinning), but she suffers uniquely for being the only female shapeshifter. A bunch of teenage boys regularly see her naked body against her will. Her previously devoted boyfriend imprints on her cousin/best friend, Sam dumps her and can’t even explain why, and the whole pack -- including her own brother -- resents her for being upset about it, even though she can’t help the lack of mental privacy. Because of that same lack of mental privacy, she has to hear every gripe the boys have about her, plus every enthralled thought Sam has about Emily while she’s still deeply wounded by their breakup.

She blames herself for her dad’s death, because she phased at the wrong time. We don’t get any indication that her fellow shapeshifters or the elders are trying to reassure her otherwise.

And of course, because she’s a shapeshifter, she has to cut her hair. In addition, because Leah’s a woman, this has the same misogynistic connotations as it did with Lauren. In Leah’s case, though, the de-feminization is compounded by her sudden infertility. It’s clear that Leah attaches her sense of womanhood to her fertility, rightly or wrongly -- she bitterly calls herself a “genetic dead end” in Breaking Dawn and thinks of herself as a freak. She feels like there must be something wrong with her, some un-womanly flaw, that made her one of the shapeshifters at all.

Then, just when Jacob starts to see her as a human being worthy of compassion, he imprints on Renesmee and doesn’t give a shit about anyone or anything else anymore. No more bonding with Leah, no blooming friendship to help her heal and come to terms with the new realities of her life. (This is one of those dropped threads that aggravate me to no end -- what was the point of having Leah opening up to Jacob, or starting Jacob on the path of realizing he was being a dick to her this whole time and that she’s a person with  value, if he was just going to spend the rest of the book as Renesmee’s love-zombie and never think about it again? Disgusting.)

Leah was a lot more forgiving of Jacob than he deserved at that point in the story, for all the good it did her -- I think she’s mentioned maybe once in Book 3 of Breaking Dawn. At least she got her god-tier moment of yelling at a deranged, pregnant Bella Swan.

Speaking of Bella...

I’m just going to note, for no particular reason, that in Breaking Dawn we get to hear explicitly that Bella’s got hair that falls “almost to her waist” and that she looks like “a freaking supermodel” because she’s so “beautiful and pale.” It just strikes me as a telling contrast at this point.

[thefloatingstone]

The 2007 LotR Bakshi comedy dub

Back in 2007 - 2009, there was a fandub of the Ralph Bakshi rotoscoped Lord of the Rings movie from 1978 that had been uploaded to youtube in 10 parts, created by Walking Taco Dubs/LordPhillock and a few of his buddies.

The fandub is one of those early youtube essential viewings, however in the years past, youtube has become extremely strict on copyright and the film no longer exists on the platform and gets deleted pretty quick when re-uploaded. There even used to be an ISO with a DVD menu and everything, but it seems this too has been wiped off the internet. (I actually have the ISO on my old hard drive but the hard drive doesn't want to be read by the faster USB plugs on my laptop, so I still need to find someone who can transfer my data for me.

However that does not mean the fandub is lost media, as people have taken it upon themselves to archive it on other sites and make sure it is not completely lost.

A few meta details you need to know before watching this dub or it won't make much sense;

1: Bakshi's Lord of the Rings has a very infamous production history and release history. Originally the 3 books were going to be released in 2 movies, but this was not advertised. As such, people were very angry when they went to watch the film and it ended before the end of the story, this led to terrible reviews and the second film was never started.

2: The film is done fully rotoscoped rather than traditional animation. This caused many problems, mostly the studio publishing the film did not understand rotoscoping and were very unhappy with the work in progress live action footage because youcould see powerlines in the background. The actors all over-act their parts to a ridiculous degree to "sell" the characters once they were to be painted over, however it just ended up looking awkward and silly. On top of this, you can see the animation quality decline as the movie goes on, starting out pretty ok and by the end of the film almost falling apart.

3: Despite all this, the Peter Jackson lotr movies actually used a lot of this film as inspiration, and you'll see some scenes that were almost completely remade for Jackson's version decades later

4: Pippin has no purpose in the movie WHATSOEVER. And as a result, his character is dubbed with nothing but meaningless noise because you could literally remove him and it would make no difference.

5: Some things happen in the film without any explanation unless you have prior knowledge of the books beforehand.

6: The dubbers clearly have a deep love and respect for Bakshi's version of these books, and despite them making fun of it in this dub, you can tell they do it out of love, and not to be mean or malicious.

7: For whatever reason in Bakshi's movie Saruman was called "Aruman"

There might be a few more details but I think you get the idea.

I would describe this dub as the Sonic Improv fandub from Snapcube, except these were done before Google bought youtube and are less polished. At one point you can hear someone playing Metal Gear Solid in the background and at another point you can hear someone feeding the voice actor his lines.

I haven't watched it in YEARS so some of the jokes may have aged badly, I can't remember, but I feel it is one of those fan projects that is absolutely essential to keep alive in fandom spaces, and I truly wish it would hold the fame in fandom spaces as Snapcube's Sonic dubs does.

Anyway, here is the film *cut into pieces for quality reasons) please enjoy!

Part 1

Part 2

Part 3

Final Part

Link to the film on Archive.org

https://archive.org/details/LotrDubYoutube2015Fin

I recommend downloading a copy of the film to help archive it as its incredibly vulnerable to abuse of copyright and fair use laws by companies who own the rights to the original.

There used to be a dance mix of the "One Ring to Rule them all" youtubepoop song but I can't find it online anymoreit's.

[kiwi-astrology]

Virgo Risings 🤍🔭🕊

A miniature guide to Virgo rising whole sign house placements! This was requested awhile ago and I have finally finished it :) Keep in mind these are my observations, and are general!

1st house: Virgo

🤍 With Virgo in the first house, individuals approach life microscopically. Virgo risings are drawn to the finer details in their everyday environment. Big nature people! Great appreciation for Mother Earth nonetheless. These people have a great eye for observing others. Not only do Virgo risings have a tendency to welcome people, but they get to know everyone with depth.

🔭 Virgo risings always have this clean appearance. I swear these rising signs have effortless and flawless beauty! They always look put together in a conventional way. Yet, they’re usually the one rising sign to put the least amount of time into their appearance.

🕊They approach their life in an organizational way that is molded to their specific needs. It may not seem organized to others, but it’s perfect for them. They also can get caught up in routines that are hard to break. Be careful with addictive behaviors/cycles!

2nd house: Libra

🤍 Virgo risings feel compelled to make money in order to provide for the ideal life. One filled with beauty, material items, and peace. What they buy is based on what will bring them inner peace and joy. Even if it isn’t sustainable.

🔭 They take good care of their body and prioritize beauty. If they want to straighten their hair every day, they will. They place value into their looks and aesthetic. Once again, their appeal is very clean and nearly flawless.

🕊 They don’t place a lot of depth or importance on their possessions. They’re fine with temporary pleasure or enjoying superficial things.

3rd house: Scorpio

🤍 Virgo risings are not ones to shy away from deep or emotional topics. In fact, they prefer to discuss taboo topics.

🔭 Virgo risings can grab a lot of negative attention growing up. People are drawn to their nature during school ages. They can gain a reputation that is unlike their actual identity. At a young age, they learn to not care about what everyone says about them.

🕊 I’ve found that Virgo risings begin to play into their reputation in their communities. Instead of allowing others to affect them, they pull out some reverse psychology. I think that Virgo risings want others to think that they have power over them, to undermine them. Virgo risings feel powerful on their community when they know their reputation doesn’t match their true identity.

4th house: Sagittarius

🤍 Virgo risings had a lot of freedom growing up. It is rare that they have a build up of responsibilities or restrictions from their family. Sometimes, the expansive freedom leads to personal control issues. They find themselves figuring out how to control and parent themselves.

🔭 I’ve also found that sometimes these individuals can deal with legal matters at a young age. Sometimes if their parents get divorced, they’re the children that become involved with the legal issues.

🕊 Sag IC can also lead to these individuals having a lot of privilege traveling growing up! If not physical traveling, these folks gain a lot of experience/knowledge! In their core, they feel lucky and optimistic about their growth.

5th house: Capricorn

🤍 Virgo risings are diligent with their hobbies and talents. Their success in creative endeavors or hobbies does not come effortlessly. They put in the work to be successful.

🔭 I’ve noticed that Virgo risings can begin to treat extracurriculars and creative outlets more as a responsibility than others. Art is not an escape for them. They deeply appreciate art, but in a sophisticated and structured way. Yet again, their analyzing tendencies place more meaning on trivial things.

🕊 These individuals can also treat dates seriously. They plan in advance and think about every detail. Their date or romantic interest may not even be planning for an encounter. Virgo risings plan their nights out, knowing every possibility. If they wanna end up in someone’s room on a certain night, they will.

6th house: Aquarius

🤍 You would think you could predict what a Virgo rising is doing on a daily basis. They seem pretty structured after all. Yet, their routines are purposefully unconventional. They need spontaneity in their everyday life.

🔭 Virgo risings will get things done. They plan out their day. They plan things out in a way where they allow for freedom in their routine. If they begin to feel mundane, they chase that feeling into a new activity. Once they get their tasks done, it’s a free for all.

🕊 These people are fine working alone. They’d rather be uniquely alone than conforming in groups (regarding work). They need to be around people on a daily basis, but also need to feel unique. They find control in doing their own thing.

💌 Virgo risings are also fine picking up shifts or working for people, as long as they get what they want. If they need some extra cash to please their libra 2nd house, they’ll find a job in the community last minute.

7th house: Pisces

🤍 It can be hard for Virgo risings to know where they stand in their relationships. Often times, it’s filled with confusion. Sometimes deception. They can attract emotional, and even manipulative partners. Emotionally immature people are attracted to the healing energy of Virgo risings.

🔭 Virgo risings can get caught up with the idea that they can fix or save their partners. They end up losing themselves in others. Remember to not let people take advantage of you, Virgo risings. Establish boundaries and goals of the relationship in the beginning.

🕊 Ideally, Virgo risings let loose and embrace their imaginative romantic side in all relationships. The goal is to accept all and reject none. They notice everything, but tend to overanalyze it instead of leaving things be as they are.

8th house: Aries

🤍 Virgo risings can be naive with their shared energy, finances, and property. They’re not quite sure what they’re doing all the time, but they take risks. Virgo risings might gamble their assets or money impulsively.

🔭 They may also commit to others through sex or marriage without much consideration. If they feel the spark, they chase it into sexual/energetic exchanges. They’re not afraid of the consequences, which can be good or bad.

🕊 Unexpected daredevils, this is an area of life that is fueled by careless passion. It is when Virgo risings merge with others that they let go of perfection.

9th house: Taurus

🤍 It’s no wonder Virgo risings are drawn to higher knowledge and experiences. They grew up with a sag IC, and continue these habits in comfort. Virgo risings love to learn and grow, it’s how they feel worthy.

🔭 Virgo risings can be slow learners, but they want to take their time with information. They appreciate the beauty of all cultures in detail. Since they want comfort in their education, they ensure they understand what they’re learning/traveling to.

🕊 Acquiring knowledge around environmental sciences or art history is common. There is a preference fo learning about the earth and what is tangible. Virgo risings are drawn to physical sciences rather than the unknown. As well as history regarding art, beauty, fashion, etc.

10th house: Gemini

🤍 Virgo risings are publicly inquisitive and reign an image of curiosity. These folks love research! For them, it’s not about being the smartest in the room but rather finding the smartest person in the room. They love to ask questions in public settings. They’re quite social and enjoy mingling with people of all backgrounds.

🔭 These people are very successful with their studies! Despite occupying themselves with multiple tasks, they excel in research. Their brain can not only handle it, but thrives in this environment. Their highest self is one who seeks knowledge from every nook and cranny.

🕊 Tend to be quite popular and carry a reputation of extraversion. Their image is grouped in with others, so who they surround themselves with does have a large influence. There will always be gossip about Virgo risings, and they know that. At the end of the day, it won’t ever stop them.

11th house: Cancer

🤍 Virgo risings are so nurturing to their friends. These people welcome anyone and everyone. They have a way of making strangers feel comfortable in their presence. It doesn’t matter how long you’ve known them, they’ll accept you.

🔭 Since they are great observers, they know what others need to feel accepted. In social settings, they will make sure their friends are okay before doing their own thing.

🕊 They treat their social groups like family. I’ve seen so many Virgo risings post dedications to their friend groups, it’s adorable. They love to post about their friends! Their social media’s are typically filled with friends or things that feel “like home”.

12th house: Leo

🤍 Deep in their subconscious, all Virgo risings want is power. Their mind seeks pride and glory. Ulterior motives are influenced by the fear of being powerless. After all, the way they view their world is through eyes of perfection.

🔭 Despite this underlying feeling, Virgo risings are very humble. They understand that the pursuit of power and perfection is a lonely one. No one can give them what they need except for themselves. They’re the kings/queens of their own mind.

🕊 Virgo risings can be triggered when they feel thrown off their throne. The thing is, Virgo risings are used to gossip. They’re great observers and value their friends. They choose who to let into their palace. If they choose to let someone in that ends up wronging them, they feel like a failure. Betrayal riles up the inner lion of Virgo risings.

[sarahjtv]

BNHA Chapter 320 Short Spoiler Analysis: The Power of Friendship

The battle between Deku Vs. Class A has begun!  Well, it’s technically a battle, but more so a “Catch-A-Deku” situation.  Everyone is trying to use their cool Super Moves and words of friendship to try to convince Deku to come back home.  They’re all reminding him all of times he helped them, so they’re trying to return the favor.  So far, I think half the class was featured here including Shoto who I thought would be saved til the end.  Maybe he will be featured again since he’s one of Deku’s closest friends.  What’s interesting is that the trio that was shown at the end of last week’s chapter, Bakugo, Ochako, and Iida, didn’t have their heart-to-hearts with Deku this week, so I bet you they’re being saved for the end.  Anyway, my left hand is still on the mend, so I’ll keep this one short this week.  I hope it heals soon.

The 2nd Color page is shown this week!  It’s of Froppy this time around!  I think it’s been a while since we’ve seen Froppy featured in a color page, so this is cool to see.  She looks really good here too.  Horikoshi’s art rarely disappoints.  Next week is going to be the 7th BNHA Anniversary color page and the 7th Popularity Poll announcement, so I’m excited for that.  Apparently we’re going to get a lot of BNHA things next week including things for the WHM movie, Team-Up Missions, and the WHM one-shot manga.

I love how at the beginning, Bakugo breaks the 4th wall here by commenting on how Deku’s “art style” underwent a complete change.  It’s both a good taunt on Bakugo’s part and some acknowledgment from Horikoshi-sensei on the change of Deku’s design in general since this arc began.

So, Bakugo did tell the rest of 1-A about Deku’s other Quirks which is good.  I thought that would be the case after remembering that Bakugo read All Might’s OFA archive book.  Bakugo would still look over the other Holder’s Quirks, so he would have knowledge on the 4th-6ths Holders.  Problem is that none of them know of the 2nd and 3rd’s Quirks, so dealing with Fa-Jin will be troublesome.  None of us know what the 2nd’s Quirk is yet though, but I have a feeling we’ll see it in this battle.

Quite a few new Super Moves debut in this chapter!  

Katsuki Bakugo: Shockwave Landmine: Looks like Bakugo creates a blast on the ground so that the blast blows away anything around it like Deku’s Smokescreen.  It’s a big blast too, so Bakugo’s got a lot of range with this thing.

Kiyoka Jiro: Heartbeat Wall: It’s hard to tell, but I think it’s a move where Jiro uses her sound waves to block or stop whatever comes her way.  It could be really effective to stop anyone who can hear I’m sure.

Fumikage Tokoyami: Ragnorok: “Womb”: It’s a like a capturing move that traps anyone within Dark Shadow.  It kind of looks like one of the moves Tokoyami uses in The Strongest Hero Game.  Unless someone has a light Quirk, I can see this move being very effective in capturing villains.

Really, everyone is doing their best to remind Deku of all the good times they had with them. They’re using the power of feels and friendship to bring their sacrificial idiot home.  I like to believe it’s working given how Deku is finally shown crying tears of sadness as he pushes his friends away.  God, please let this kid have a good cry.  How they’ll be able to catch Deku though I still have no idea.

Deku is able to overpower pretty much everyone this chapter.  Even Tokoyami, who is considered one of the strongest in the class, and Momo who created this insanely complex machine to try to put Deku to sleep (how the hell did she make that anyway???).  At the end he’s captured by Shoto’s Heaven-Piercing Ice Wall (which he’s standing on btw and looks so damn pretty 💙☺️), but I doubt that will last.  Deku’s probably going to break right through the ice next chapter.

Speaking of Shoto, since I’m such a simp for him 😔, he has the least amount of dialogue out of everyone having heart-to-hearts with Deku.  But what he says is significant: he basically asks Deku if he can still truly cry and for Deku to share the responsibility with his friends.  I think this is calling back to when Shoto reassured Deku that heroes are allowed to cry back in the Overhaul arc and when Deku meddled with Shoto’s life to save him.  Which is essentially the philosophy everyone’s running on.  Meddling in Deku’s mission is the only way to save him now.

Side note, but I love that Kaminari is the one to tell Deku to take a freaking bath 😂!  Like, we’ve all been telling Deku that, but it’s good to know that Horikoshi and his characters are thinking the same thing.  Now someone has to tell Deku to eat a good meal and take a long nap.  

Also, small detail, but Sato comes in at one point and reminds Deku that they won’t be able to make candied apples for Eri anymore if Deku doesn’t come back.  Deku tells Sato that Eri will be fine without him 😭.  No, Deku, you dumbass!  Eri needs her big bro in her life!  I can’t imagine how sad she must be if she already knows about Deku’s disappearance 😭❤️

I’m also glad to see pretty much every student get some kind of spotlight especially the ones who are more minor characters than the others.  Koda actually gets a mini-monoluge this chapter.  Also, Froppy’s got a lot of focus at the end along with the color page this chapter.  Which, I’m glad to see.  It’s been a long time since Tsuyu got some spotlight.  Really, all the girls need more spotlight.  I assume everyone else will get their shine the next few chapters.  

It’s small and I’m still trying to find the meaning of it, but there’s one panel after Deku escapes from Tokoyami showing him flying through the air in the background and you can see the All Might statue at the forefront.  I want to say this symbolizes Deku being All Might’s successor or something, but I’m not sure.  This one just stood out to me for some reason.  

But yeah, like I said, the last half of the class will probably be featured next chapter.  I think Bakugo will be the last person to talk to Deku since he’s the most important one here.  Remember: Bakugo knows Deku better than anyone.  He will be the turning point I’m positive.  Iida and Ochako will definitely have an impact on Deku, but Bakugo will truly HIT DIFFERENT!  I won’t be surprised if that last conversation leads up to Deku Vs. Kacchan Part 3.  I wouldn’t be mad if that will happen tbh.  Part 2 was about understanding Bakugo and letting his feelings out.  Part 3 could be Deku’s turn.  And of course you gotta have a trilogy to cap it off.  I’m really excited to see what happens next!

Me seeing all my adopted children come together to save my green broccoli boy 💚🥦:

[definitelynotkatesblog]

Illustrated Man l Spencer Reid Fic

Pairing: Reader x Spencer Reid 

Category: Fluff

Summary: Spencer comes home from a particularly difficult case, and begins to doubt himself. Reader helps him unwind and helps paint a picture of all the great things about him.

A/N: Helloooooooo friends! Yet again, I thought of a single line of dialogue I really wanted to make work so I spit a thousand words around it to bring it to life lol. Anyways! This fic is free of reader pronouns and gender identifiers, so anyone can read this and make the “I”‘a their own ☺️

P.S. I’ll see what I can do about not disappearing again for weeks on end, but I make no promises

Content warning: None! Except Spencer has his shirt off? But that’s it!

WC: 2.4k

The sound of the door clicking shut and Spencer vacating his lungs of all air drew my head up from my book.

“You’re home!” I cheered, closing my book and getting up to greet him.

He lifted his satchel over his head and gave me a small smile that didn’t touch his eyes. I nodded, mostly to myself, knowing that this meant the case was harder than most. On nights like this, Spencer was hard to reach. I padded my way across the living room and wrapped my arms around him like he might slip away if I didn’t hold him tight enough.

I pulled his head down to rest on my shoulder as his arms snaked around me, wrapping himself in me, too. We stayed like that a while until he stood up and cupped my cheeks in his hands, bringing my face up for a kiss.

‘Hi,” he said softly.

I smiled into his palms. “Hi.”

I took his hands in mine and kissed his knuckles, then led him to our bedroom to get him out of his work clothes. I helped him out of his cardigan and dress shirt, then left him to do the rest while I got him some water. When I returned, he was laying face down across the bed in a pair of sweatpants. His head rested on his crossed arms, and turned to face me when I laid next to him on the bed. I propped my head up one arm and gave him a half smile.

“Do you want to tell me about it?”

He thought for a moment before giving me a recap of the case, leaving out the gruesome details. I listened and ran my fingers across his back, alternating scratches with swirling patterns on the soft skin. Sometimes my hand would find itself at the nape of his neck and work through the hair there.

As he spoke, his voice became more resolved and tired. He worked so hard, but the things he saw, the things this job had put him through weighed on him. He was strong and incredibly smart, but just because he carried it well didn’t mean the load wasn’t heavy.

I took a deep breath and spoke gently, not wanting to offend him. “Maybe you can take some time off?” I suggested.

He shook his head, his chin brushing his hands folded under his chin.

“The team needs me. These victims and their families need me.”

I bit my tongue. I needed him, too. But this was hardly the time to bring that up.

“But this job,” he paused for a moment before continuing, “It takes pieces of me I can’t get back, and I’m scared all I am is the parts I’ve managed to pick up off of the ground.”

I closed my eyes and wished away the tears forming in my eyes. I heard him take a deep breath but he didn’t say anything else.

“I have an idea. Stay there.”

His head lifted and his eyes followed me around the room to our closet where my painting supplied resided.

“I’m going to paint you.”

“Paint me?”

I turned around, a towel in one hand and my box of paints and brushes in the other. “Yes. You’re gonna lay here and talk to me about anything in the world and I’m going to paint you.”

His eyes scanned the contents of my hands. I could see the gears in his head turning for a moment before he shrugged and gave a small nod.

“Okay.”

I ran a hand through his hair and bent down to kiss his forehead before climbing on the bed and straddling his thighs, setting my supplies on the towel beside us. “Talk to me.”

His head cocked to the side as he contemplated his answer.

“Not about work,” I clarified.

I felt his laugh beneath me. “Okay then, what would you like me to tell you about?”

I tapped my bottom lip with the handle of my paintbrush. “Hmmm. Read any good books lately?”

I could feel his smile without seeing it. If there was one thing Spencer loved more than saving lives and doing crossword puzzles in pen, it was reading. “I revisited some Ray Bradbury on the plane home,” he said.

“Mmm, tell me about it.”

He took a deep breath beneath me and began. “I re-read The Illustrated Man. It’s a compilation of short stories told through interactions between an omniscient narrator and a man covered in tattoos that each tell tales of events that have not happened yet. The tattoos are magic, and they come alive to tell the stories they depict. The stories are mostly science fiction, but have elements of pretty universal truths that Bradbury is famous for addressing.

For example, in one story explores the deep seeded longing of one man to take a trip to outer space. Something that, in this story, is attaintanable. He works his whole life to be able to fulfill this yearning, but he is torn between going or staying with his family, whom he also loves. It begs the question of the existence of duality of desire and duty.

Then, in another, there’s this incessant rain. And this group of men are searching for cover and sunshine, but it’s wearing them down and breaking them. These small raindrops, just water, becomes torture. It’s interesting how something as small as raindrops can break both canyons and men.”

I listen as he tells me about each story behind the man’s tattoos, about how they’re all different but important and lend themselves to portraying the then-futuristic perception world around us. Sometimes, his voice gets sad at the implications of the stories, but other times he seems to appreciate the sentiment behind them.

I dip my brushes and admire the way they drag across his soft skin, leaving a wake of vibrant pigments behind. I hmm and ahhh at appropriate times, partially paying attention but mostly glad that he’s able to enjoy himself and is able to think of something other than the darkness in his world.

We stayed in our respective positions for the better part of an hour- him laying on the bed with his head on his hands while I straddled the back of his thighs, stroking brushes across the lines of his back.

When I’m finally finished, I roll my neck and place my hands on the small of his back, taking a moment to take it in. The idea of creating a universe compelled me; there was so much beauty and so much unknown in the expanse of space. The concept seemed fitting for what I hoped to help him understand. I’d mixed a navy blue paint for a base, and created swirls of light with yellows, creams, and whites to create a brighter contrast and background for the more intricate featured parts. One section had books, a coffee cup, a molecular model I’d hoped was an actual chemical, and a small red apple.

The next was a canyon, modeled after one of the scenic drives we’d taken the last time we visited Vegas to see his mom at her new care facility. We parked at a lookout spot and watched the sun set- gorgeous oranges, yellows, and pinks painted the sky over the rock. It was at that moment I’d never been more jealous of Spencer’s perfect memory.

Another section, closer to the bottom curve of his spine was a silhouette outline of the Christmas card the team had sent out two years ago. Spencer had a copy hanging by a CalTech magnet on the fridge, another on his desk, and a folded and fading copy in his wallet.

He loved that photo – the way it captured their joyous spirits and ability to be carefree despite the things that initially brought them together.

I took a deep breath and playfully patted his bottom. “All done!”

He threw a boyish grin over his shoulder and handed me his phone.

I snapped a few pictures, holding the phone up by my chin to capture the expanse of his back, then a bit closer to the individual parts. I passed the phone back over his shoulder and brought my clasped hands up under my chin. “Okay, so, if you don’t like it, that’s okay you can wash-” I rushed, but stopped short when I felt his breath hitch from underneath me.

He was silent for a moment, staring at the phone in his hand.

I took a deep breath. “Spencer, you contain multitudes. You’re a loving son, an amazing friend, a brilliant profiler, a great cat-sitter, an instant mashed potato extraordinaire, and my favorite boyfriend.”

I dusted an invisible speck of dust off his shoulder before continuing, giving my words a moment to sink in. I needed him to hear me, and to know these truths. “You are so much more than the things you don’t love about yourself. You are more than this job, you are more than the obstacles you’ve had to overcome. They’re a part of who you are, yeah, but they’re not all that you are.”

I shook my head, though he couldn’t see it. The knowledge of the man beneath me not knowing he was deeply loved seemed so wrong.

“You are so incredibly loved, Spencer. The people in your life are so lucky to know you and to be loved by you. Each and every one of your friends is changed and is better for having known you, believe me.”

He was silent for a short while, pinching and zooming in on the screen to see the different parts of him illustrated in his skin. He cleared his throat a few times. Part of me was grateful I couldn’t see his face, and he couldn’t seem mine. Though, I didn’t need to see the way his mind was working to know he was trying to find a flaw in my logic.

The amount of love I had for the man beneath me threatened to spill over in the form of tears.

“Favorite boyfriend?” he asked finally, feigning insult.

I laughed. “So far, yeah.”

I knew that wasn’t the only thing he’d heard, but probably was the only thing he could bring himself to comment on.

I scrambled off of my perch unceremoniously, stretching for a moment before straightening up and offering my hand. He laid with his chin resting on his fists stacked, staring at me for a moment.

“What?” I asked with a small huff.

“Being loved by you is one of the greatest joys of my life.”

I felt my mouth pop open, a bit taken aback at such a bold admission. A sweet smile touched his lips while he watched me try to scoop my heart back into my chest. He climbed off the bed gingerly, careful not to rock the tray of paint and brushes with his long limbs.

His large hand wrapping around mine grounded me from cloud nine and I could feel the smile forming on my lips. I turned and started heading towards the bathroom.

“Come,” I said, pulling him along behind me.

When we arrived in the small room, I halted and spun him so the back of his thighs were resting against the porcelain countertop and I was flush against his front. My hands came to rest on the edges of the countertop, caging him between my arms. I looked up at him, squinting slightly.

“I’d like to take a picture, is that okay?”

I knew Spencer was wary of having his picture taken; most of our pictures together were candids I’d puppy eyed my way into him letting me keep.

He narrowed his eyes back at me. My lower lip made an appearance, coupled with a knitted brow and cautious look from under my lashes.

He laughed and shook his head. “Okay.”

Before he could change his mind, I grabbed my phone and rushed back to my place in front of him, pressing my front to his.

I snaked my arms around his torso so our chests were together while his back bearing my painting faced the mirror. My arms poking out from between his arm and torso space made him look like an alien, but placing one hand on his hip while the other held my phone gave the pose a more artistic feel.

I snapped a few pictures, messing with the lighting and exposure, playing with shadows from the vanity and positioning him every which way. Every once in a while, I’d pull my arms from him and show him a few shots I liked but they never felt like the one.

He smiled and nodded encouragingly, taking my direction to tilt this way or arch his shoulder that way. I started to feel for him, we’d been there for 15 minutes at least.

I pouted and let my head fall back dramatically. “I give up,” I whined.

He gave a small smile and leaned down to kiss me. I met his lips with a smile of my own before resting my head against his chest.

“Try one more time,” he encouraged.

I nodded and wrapped my arms around him again. I poked my head out so it was just visible behind his arm, resting my chin on his bicep as I focused my phone camera to capture the two of us and my work on his back.

“Smile,” I said before snapping a few shots. Spencer’s body shook with his laugh as he leaned down to press a kiss to the top of my head. My thumb grazed the shutter button, capturing the moment.

It was perfect.

His back was illuminated perfectly by the soft glow of the vanity mirror lighting, the muscles in his back tensed when he bent down, creating dips and curves that separated the focus points brilliantly. My hand wasn’t posed, just gently resting on his hip, a soft touch that lent itself perfectly to the lightness of the moment.

I pulled myself from around him and held the phone between us. His hand found the small of my back and he pulled me closer to him, sealing our lips together. Our lips were unhurried, enjoying the softness of the moment and the love between us. His free hand cupped my cheek as we broke apart. His eyes bore into mine, both pairs slightly glossy.

“Thank you,” he said softly.

I nodded and buried my head into his chest so he wouldn’t see the fresh tears springing in my eyes. His arms wrapped around me as he pressed more kisses to the top of my head.

——

Let’s talk about it!

[zettaiunmeis]

HI THANKS TO @raventrigonsdaughter LETTING ME KNOW THAT OG GAME CARMEN AND JULIA USED TO BE PARTNERS BEFORE CARMEN WENT ROGUE, LET ME PROPOSE: VILE!JULIA.

details under the cut because this got Long

jules is part of the either the same class the ~infamous~ black sheep

and they don’t? really like each other? like julia is still kinda Serious and she doesnt really appreciate the vile squad goofing around and tossing water balloons or whatever and black sheep finds julia a little too uptight even if she’s interested in a lot of the same things (history, etc.)

black sheep’s speciality is Being SLick, as we know, but julia’s is patterns (and also historical artifacts)

ok but the important part of this is that bc julia’s is patterns, she ends up being like a scout or smth along those lines bc she can analyse patterns and report back to help plan the caper

and that basically means that when she graduates, she ends up in far more long cons than any of the others

anyway, after black sheep gets in trouble for the water balloon thing, the faculty decide she’s far too mischievous, and so, they assign her a partner — julia

(side note: its kind of the same thing that ends up happening to jean-luc and antonio a bit later on, but thats more because they work well together, and less bc either one of them needed a grounding influence)

anyway black sheep and jules again. do not like each other. but that doesnt mean they dont work well together — julia’s got an eye for patterns, and black sheep has every thieving trick in the book ready and waiting up her sleeves (alongside an instinct for thievery)

slowly, as they are forced to work together more and more, they kind of reach a less tense partnership and then one day black sheep makes a history joke and thats how they become friends

like julia is still very pointedly Not friends with the rest of the vile squad bc they’re still very reckless and immature, etc

but shes sort of seen black sheep when she’s been more grounded and less hyper/feral and she?? kind of doesnt mind??

bc grounded black sheep isnt constantly trying to prove that she’s The Best and grounded black sheep isnt trying to prove that she’s more than just the teacher’s pet — she’s kind of just having fun with julia and julia’s been so serious about her training that she hasnt really made any other friends and…. its nice

its nice to have black sheep loudly slip into the seat next to her and and tease julia about whatever recent historical discovery she’s researching and pull her out of her own head once in a while

and its nice to have black sheep glance over in the middle of class when sheena — sorry tigress — whines about something or the other and roll her eyes in the same way julia feels like doing, even if something strange sticks in her throat when carmen does the same with gray

she can’t pinpoint the exact moment, but at some point, she starts thinking of black sheep as her friend and it’s an exciting enough thought that she’s got a little smile on her face next time black sheep slips into the seat next to her in professor maelstrom’s class

and at some point julia stops being just julia to black sheep, and starts being jules because we’re in a school for thieves, but we’ve already got plenty of ~jules~ right here and thats sincerely the worst joke i’ve ever heard and oh really ~jules~? bet i could find an even worse one

and like all the usual stuff is still happening in the background — shadowsan-black sheep rivalry, gray and the Squad being black sheep’s friends, the phone and player, etc.

its just that now, black sheep has a bit of a calming influence and that does help!

and they work well enough that most people assume that julia and black sheep will be partners after graduation 

even crackle acknowledges it — despite the jealousy he feels at the knowledge

so things continue and all this happens, but then comes finals.

things go the same. black sheep gets perfect scores in all of her exams, except stealth 101

julia — now the historian — can’t help but check for whether black sheep graduated too and just as she does, she hears crackle say it: she didn’t pass

and she wants to go to black sheep and ask if she’s okay because everyone knows how much black sheep’s wanted this, how much she’s been working for it, but by the time gray’s been dragged off by tigress, black sheep has disappeared and julia has no idea where she’s gone

so she waits for a bit in the cafeteria and in the dorms and anywhere else she thinks that black sheep would be and she sees… nothing

and about twelve hours after the results, the faculty pulls her for her first mission (for context, this is before the whole,,, hear the true name of vile thing) which is basically being a plant for the morocco mission, by pretending to be an archaeology phd student from oxford who’s come to study the findings in the excavation

and she’s busy enough with that that she barely gets to think about black sheep or graduation or anything other than the near-overwhelming anxiety that comes with the horrifying ordeal of potentially being Known but she just manages to figure out like,,, guard rotations, as well as the exact objects that are at the site for the vile squad to steal

and then she’s out before they even get there — julia’s pattern recognition and historical knowledge made her pretty useful when it comes to planning capers so it meant that she’s always travelling around the world ahead of each caper, but would also make her a pretty invaluable asset to vile, so they can’t afford to get her caught

julia doesnt hear about black sheep nearly messing up morocco until much later, and even then, she doesn’t have all the info

all she can do is wonder why the hell the faculty would fail someone who somehow managed to sneak out of vile island without anyone realising until much later

and yes, maybe a part of her misses her old partner, but she knows that it wouldn’t matter anyway — she was the mole, and she’d barely get to work directly with carmen so.

but then cut to a year later, when a vile counterfeit operation in boston is suddenly sabotaged

cut to the moment when, julia, despite not having seen her in a year, is still able to somehow recognise black sheep’s work

its Slick. its the Slickness that tips her off, and part of her is reluctant to tell the faculty who it is, but her allegiance demands it and she tells the faculty and she hates herself for it when she sees the murderous rage on each of their faces

and somehow, that — her ability to recognise this carmen sandiego — gets her in a new position, as a mole in interpol, passing on the information they get as they try to track the scarlet super thief as well

and then one day, in poitiers, julia sees her

its black sheep. it’s undeniably black sheep under that red trench coat and julia wants to go and talk to her capture her and bring her in to vile but her new partner ~chase devineaux~ is everything that once made her turn away from her interest in law enforcement and he orders her to call for backup while he tries to stroke his own ego

she does, of course, but maybe she delays it a bit, if only because she’d rather let carmen sandiego get away than have devineaux’s ego get any bigger

and the rest of the season goes much the same except after julia ends up in acme, she reports to vile about everything that’s going on, and they no longer suspect devineaux of helping carmen etc etc

and she can’t help but somewhat sympathise with what carmen’s doing — she’s returning invaluable historical artefacts and julia’s always loved history and- it’s just… altruistic. and that’s admirable. and that’s the only reason i feel so torn about helping vile. that’s it, that’s the only reason.

and then comes the chasing paper caper

what was originally the first real conversation between julia and carmen goes completely differently

(note that most vile operative outside of jules’ graduating class do not know of her existence bc she barely interacts with most of them since she’s more a spy/mole who’s out of the picture by the time anyone else gets on the scene)

carmen still needs to be able to spy on paper star without anyone noticing, so she still goes for the seat right in front of the cute short-haired girl sitting alo- and oh my god jules?

and its the first time julia has heard that nickname in over a year and oh God they were just friends this should Not hit this hard what the Heck

and carmen still sits down and just quietly grills her as to what the hell is going on bc she Knows that jules is a always a mole and never an active part of a caper and she doesn’t?? understand??

and jules is kind of in a daze, but she’s been Trained so she feeds carmen her cover story:

she defected from vile when she saw how they were treating historical artefacts — melting down gold, selling priceless works of art to the highest bidder, etc. etc. — and that since then she’s been silently helping interpol with taking down vile ops, etc.

and it takes a bit but carmen kind of starts to believe it — she knows julia loves history with all her heart, and she’s… well, she’s never been the kind of recruit that carmen’s expected to see in vile anyway, so. it’s not out of the realm of possibility, is it, for julia to be a defector working against vile? after all, isn’t she the same?

so she starts looking around, while waiting for paper star to make a move, and she ends up noticing the briefcase in the seat next to her, and for some reason, those initials — clearly chase devineaux — make her want to scowl

“new partner?” “oh… its… well, work. work... partner” “oh.”

uhhh anyway i might actually. write this? idk don’t count on anything lmaooo.

[mybg3notebook]

Astarion Analysis Summary

Disclaimer Game Version: All these analyses were made up to the game version v4.1.101.4425. As long as new content is added, and as long as I have free time for that, I will try to keep updating this information.

This will be a summarasing analysis integrating most of the main characteristics shown and proven in the post (Astarion Analysis)

Additional disclaimers about meta-knowledge and interpretations in (post)

The number between brackets [] represents the topic-block related to (this post), which gathers as much evidence as I could get.

Alignments are usually a topic of discussion since characters can be so complicated, that they are hard to put in some place on the spectrum. However, for Astarion’s case, it’s clear that he is an Evil-aligned character, like Shadowheart and Lae’Zel. Whether he lies on a Chaotic side or a Neutral one is a bit less important (personally, I believe this small shift is the most you will be able to change Astarion through the main game, but I will explain that in another post Astarion and Power -Part 2). 

What is most important is to understand that we are analysing an Evil char, so his personality will lay in the negative characteristics. He likes all degrees of cruelty [3,6], violence [2, 13], and murder [2], having a particular taste for animal cruelty [4]. He finds this cruelty funny.

When it comes to animal cruelty, he has a broader concept of what’s animal than most Tavs would consider: he includes kobolds, goblins, and gnomes as such [5]. So all the cruelty upon them would be labelled, for his standards, as “animal” cruelty. This is why I specify he has a particular taste for this type of cruelty: he doesn’t only enjoy the death and torment of animals, but also of races he considers as such [5].

He has many racial biases [5] (hardly any char in Forgotten Realm lacks them): he only sees valuable elves and some humans (not all, since he despises the Gur) probably as a consequence of his backstory. Let’s remember that a group of Gur put him at death's door, forcing him into accepting Cazador's proposition. However, it’s also important to keep in mind he put himself in that situation with his corrupted magistrate role as a mortal (Swen’s interview).

He supports the most common biases about Tieflings and Gurs [5], and mocks halfling and Dwarven Tavs. He sees goblins, kobolds and gnomes as animals. Probably the list is broader, since all this information is what's present in the EA game at the moment.

Astarion as a character has a play of concepts with the duality animal/owner [14]. He speaks about choice as the element that separates animals from humanoids. Animals react out of instinct, thinking creatures choose to act. This speech doesn’t end with him claiming choice but being an animal desiring to kill. If in any other instance he would show a hint of empathy, one would be inclined to think his character is about the overwhelming reactions of a wounded animal installed by the abuse. But I hardly see it like that. He was twisted before turning into a vampire.

As such, he speaks about “survival instinct” [14]. With the little we see and can read in his approvals and disapprovals, he is looking for acceptance from Tav about his vampire nature, for the sake of survival. This character is an extreme survivalist. Astarion would care nothing about endangering or even killing innocent people to guarantee his survival. Once more, we see in the way he speaks about survival, the constant repetition of the symbol of “animal”. 

He is greedy [1], no matter if what he gains is little or not; as long as it gives him a small reward (he hates to help for free), or if it causes pain, torment, or the death of the person he is interacting with, it’s enough. If Astarion doesn’t have a radical change in his background, we can be assured this greed comes from his past mortal life, when he was a corrupt magister to the point to double sell criminals to a local vampire lord and to slavers. 

Manipulation [7]is the main characteristic in him. His words and mannerisms change as the game progresses, playing with the tones and the half-truth/lies he keeps saying. During his first interactions with Tav, Astarion is very careful in sharing his opinion about the events, —his judgements are always vague—while he tries to appraise Tav. This can be easily seen when he has no opinion about Kagha’s snake killing Arabella and playing an obvious mind game to Tav. For further detail check (Astarion and his Standards).

He is sometimes considered a prankster [3], but I prefer to call him Evil Trickster (pretty much like Shadowheart, who has trickster domain as cleric) who enjoys pranks to a higher degree of torment, ending sometimes with the death of the person in question. He enjoys, following this Trickster nature, the humiliation of people in general and outsmarting small people in particular [6]. He is aware that outsmarting powerful ones can bring consequences hard to deal with [7] (as he warns when Tav thinks about outsmarting Raphael), but applying all these torments to weak people is inconsequential, and therefore, enjoyable for him without risks.

We already stated that he enjoys the suffering of people [2,3], but he has a particular taste for the torment of the weakest ones [6]. The root of this pleasure for humiliating weak creatures comes from his desire for power. Astarion is a char deeply related to power [11], not as a goal itself (not power for the sake of power), but as a means to obtain revenge, and in the process, become a Master. I will analyse this aspect in another post  (Astarion and Power part 1/ part 2). 

However, I think it’s worth noting that Astarion’s descriptions of Cazador reflect not only his need for power but also his desire for that kind of power applied in a similar goal. Astarion despises Cazador’s obsession for power, but he has little problem to aspire to it. The obsession with any kind of power, especially the one given by the tadpoles which bend the will of people (mind control) [11], his paranoia, his constant desire to become master [14], his pleasure in cruelty and humiliation [2,3,4,6]… all these characteristics are very descriptive of Astarion too. Cazador and Astarion seem to be each other’s mirrors ( for more details check post  Astarion and Power part 1/ part 2). .

Despite hating to be involved in anyone else's problems [9], he encourages and supports most acts of revenge [8,16], especially the ones against figures that can be interpreted as master. This will occur if and only if Astarion perceives the victim of such a master as a strong and resilient creature worth the trouble, i.e. Karlach [16]. 

He enjoys most Intimidation options you can pick [13], since they can result in the humiliation of a certain NPC, as a demonstration of power, or simply as elements for tormenting NPCs that would lead to murderous situations which are “funny” shows for Astarion. In general, most intimidation tags will be approved by him, except the ones that could be used to defuse violent outcomes.

All these evil pleasures can be considered as “the result” of turning into a vampire, but if we stick to what Swen has explained during the first demonstrations of the game and interviews before the release of EA, we know Astarion has been an Evil character during his mortal life. He was a corrupt magistrate in Baldur’s Gate, who fed the local coven of vampires with criminals. Being greedy, and trying to bite more than he knew he could chew, he sold this food into slavery to earn more money. As a consequence (directly or plotted by Cazador, we don’t know) he was attacked by a group of Gurs who almost beat him to death. Cazador appeared soon afterwards to grant him immortality with the curse of Vampirism. As we can see, he is not better than he was when he was a mortal elf.

A deeper relationship with concepts such as power, abuse, and victim will be explained in another post ( Astarion and Power-part 2). From Astarion’s brief background we can see that he has been an abuser in his mortal life. Due to his own actions, Cazador grasped him into his power and inflicted torment, humiliation, and violence of many kinds, for two centuries, twisting his personality into evilness even more than before (we also need to remember that not only torture may have twisted his personality, vampirism via Dark Desires causes a natural perversion of the persona as well). He now aspires to become more powerful, a reflection of Cazador himself, as a way to acquire his freedom. He wants power to be free [7, 11, 13, 14], and the power of mind-controlling others excites him [10,11] to no end, ignoring completely the cognitive dissonance of his own mind as an ex slave [12]. Although he suffered slavery in his own flesh, he is pretty apathetic (or even supports) slavery [10]. Some players may understand his narration of Cazador’s torments as a means to manipulate Tav, others, as a self-dismissal of his own traumatic experiences. 

His story seems to narrate the story of an abuser who found a greater abuser and became a victim of the latter, seeking to return to a stronger power position (the greatest vampire of the world—description in Larian web page—). Despite suffering this abuse, that could be understood as poetic justice to certain degree, he never developed empathy for those sharing his condition. He cares little when he sees others in the same situations he had been ( for more details check post (Astarion and Power part 1/ part 2). 

Some fans see that Astarion detests slavery, and he is just putting a show of a thick-skinned survivor, pretending that it does not affect him. I can’t see it with all what we see in EA. This “supposed” repulsive emotion should be a matter of narrative (we should see it in clear approvals or disapprovals as meta-knowledge), not a baseless imagination/wish of the player. We know that there are hundreds of resources to show hidden emotions in characters. Remorse or a desire to improve can be perfectly shown without being explicit, even when he may not be conscious of them. We can see how this is managed with Shadowheart, and we know there is something going on under her cruelty despite knowing little about herself (she knows less of her past and still yet we manage to see some degrees of goodness in her despite her evil inclinations). 

So I don’t believe that Astarion has some remorse going on, because if it were the case, it has not been shown in any scene so far. To me, it makes much more sense for him to develop as a full evil character inside the spectrum of evilness. After all, and following the tradition of the mechanics seen in BG1 and BG2, a redemption arc of an evil char of this magnitude makes little sense (We can remember Edwin,Dorn Il-Khan, Sarevok Anchev, Viconia DeVir, Baeloth Barrityl, Xzar, or Hexxat, all evil chars whose development was always inside their evilness or showed, in few cases, a slight shift of it). But further details and reflections will be addressed in another post (Astarion and Power part 1/ part 2). 

As a last detail, we can or cannot believe his statement of having lost his memories (he can perfectly claim it to hide his evil past from the main character to have a better manipulation of Tav) but considering Larian has kept most of the DnD vampire characteristics, I would like to bring awareness of a particular vampiric effect named Dark Desires (here). It’s the twistessness of the mortal-desires, which due to the fact that Astarion’s had always been dark, changed little with his vampiric nature, or just deepened in its perversion, and may cause sometimes the loss of memories (he was greedy and cruel before, now he stays the same, but darker and morbider.)

In short we can summarise Astarion as a moral bankrupt narcissist, a survivalist no matter the cost, a power-hungry character who wants to bend people’s will. He uses manipulation as his main tool, and enjoys violence, murder, and humiliation. Despite his slave past, he enoys acts of cruelty and torture on innocent or weak creatures. All his actions and words seem to ominously display a similarity with Cazador, as if his fate is to become the next Cazador.

This post was written on April 2021. → For more Astarion: Analysis Series Index