#it's about being the only person who really understands what the other is going through

[thebestandworstdayofjune]

I love the way you write Logan, it's so comforting! Can't wait to see more of your work, it's lovely💗

Idk if this would be your thing so feel free to ignore obviously!

How do you think Logan's dynamic would be with a reader having intense intimacy issues, to the point where they struggle to even think about doing anything more than make out with him? I really haven't found any fic like that and I think that you would a concept like that more than justice

I do see him having some intimacy issues himself (traumatized wet cat💀)

this is so sweet, thank you so much! My brain immediately supplied a list of head canons, I hope that you enjoy <3

~ So I am thinking about Logan from the original trilogy for these in particular ~ He definitely has some intimacy issues, more so on the emotional intimacy side than physical intimacy ~That is, until he meets you. You're a professor at the school, and while he can tell you love the young mutants with a large part of your heart, you remain physically distant from them. When the Youngers ones reach for a hug, you meet them instead with a fist bump or a high five. Never cruel, but always setting your boundary. ~The first time you catch him noticing your habit, you expect him to roll his eyes, or hit you with a judgy side eye. Instead, he quirks his head and resumes what he had previously been doing. ~Eventually, the two of you start spending a lot more time together. He will nudge a cup of coffee your way, and ask after you when you have a headache. He never encroaches on your space, despite being quite touchy with the other faculty.

~You spend a week working up the courage to confront him about it, strategizing the best way to ask for the reassurance you want but have trouble asking for. You expect him to blow you off, but when you knock on his door, he ushers you inside and lets you choose where to sit in the room, choosing his seat to be close enough to show he is invested but far enough away for your comfort. It isn't even a conscious thought for him, it's natural. ~You fumble through your question, doing your best to explain your line of thinking, before eventually just spitting out "do you hate me?" ~He is so shocked that he doesn't know what to say for a few seconds, which only makes your anxiety feel worse. ~He takes a few seconds, collecting his thoughts, and then you can see the typical Logan smirk start sparkling in his eye again. "Sweetheart, it's a little hard to hate the person you're acting a fool over". Your eyes practically bug out of your skull, and he chuckles to himself. He is twitching in his seat, and you can tell he is trying his best to not gather you up in his arms. ~You extend a hand out to him, palm upturned. He takes it instantly. He raises your entwined hands halfway towards his mouth, before meeting your eyes and waiting for your reaction. ~You nod, holding your breath and he drops a kiss on the back of your hand, before adjusting so that he can kiss your palm as well. ~When he hears your heartbeat stutter, he is quick to hold your hand again, resting against his knee. He confirms that you feel the same way, insistent on getting verbal confirmation. Your face feels like it is on fire, but you reply in the affirmative. "We are going to take this as slow as you need. I... I care about you so much, and your comfort always comes before anything else." ~You feel a few tears well up, and he moves to wipe them away as they begin to fall. Again, he pauses before actually making contact with your face, waiting for your gentle nod. ~From that day on, you are even more attached at the hip than before. Logan loves knowing that you are with him for more than his body, and he is constantly making sure that you know how much he values you. ~Overall, I just imagine him being very sweet and understanding and taking it as slow as you need. He is protective of you when you meet new people, often coming in between you and others who are not as considerate as he thinks they should be. Definitely sends his protective instincts into a bit of an overdrive, but you also appreciate having the scary dog privilege when you are out in public as well. People are definitely giving you a wider berth than you are used to. You always feels safe and taken care of with him, which is exactly how he wants it to be

[thoughtsonkm]

Goodbye, for now

BABY? HONEY? BOYFRIEND SHOT? Jikook you're too much!

This episode was truly the best way to end the show, maybe even the best episode of the series. (Neck in neck with episode 2 of course) The way they enjoyed it so much but were also so sad it was over. The hot tension all around, the soft boyfriends mood who can't stop flirting and name calling each other with the most low-key couple-like sweet names. They could not stop laughing, they could not stop touching and they couldn't stop being hilarious without even trying.

~

SK Spotify daily chart end of November 2023 :

Jimin Jungkook Jimin Jungkook Jimin Jimin

~

It would be such a full circle moment if Jimin posted the boyfriend photo (which won't happen). Would almost be like a soft launch of some sort.

Not the underwear too?? Gosh I love my little gay freaks!! (didn't understand why Jimin would quote their 'yet another inner joke meme' right at that moment but I've learned to not question their inner workings)

~

Sorry but i have to be pretty one last time and say that I kinda had enough of seeing so much from the crew around or even in Jikook's shots and angles. It breaks the fourth wall a little too much and ruins the whole bubble idea. Ok I'm done lol

~

Returning to the issue at hand, the "seeing the beds for the first time" scene keeps getting funnier and funnier. As if they don't already have designated sides of the bed 😏

~

Ah the never ending bickering gives me life. Peep the half korean half english talk when they playfully get on each others nerves 👀😂

I better not speak on the scuzzi jacuzzi shenanigans cause otherwise.. Let's just say the photo speaks for itself..

NO YOU KNOW WHAT IMMA SPEAK. We all know that jacuzzi time is always intimate, relaxing and personal for people that's why I wish Jikook had enjoyed it fully without cameras. Yes I'm pissed on their behalf, that they had to film the whole thing with 382929 different angles. lol

His face is literally saying "oh so you're really gonna make me do it huh? if I was in your place I would've folded immediately and would've never let you go through with it!!" 😂

~

No one ever:

Jikook every 2sec : HONEY OH HONEY

(I was actually listening to the song while writing this and idk why it's so funny to me even tho it's a sad love ballad)

~

They must've loved getting the chance to at least see one episode of the show, plus the idea of watching it together..

Jungkook being so entertained by it meanwhile Jimin being mortified about half of the things that happened. HILARIOUS

HAHAHHAHAHA all parties were concerned if they'd be able to pull it off, I can't

BEST BELIEVE they're always gonna find a way to touch. Consciously or unconsciously.

~

This show made me realize that my favourite thing ever is Jk making food for Jimin, then making him hysterically laugh and therefore getting to hear Jimin's adorable giggles.

~

"Hello it is I the one and only, the only one who can touch Jimin's head ble ble ble ble" - JK

Jk was like: How can you imagine Jimin without me in your dream? Are you crazy? What is this delusional dream world you live in Jin hyung??

~

Tbh it's so meaningful and a huge thing saying that these trips were literally the best trips of your life. I think the statement almost went over people's heads.

I can't get enough of Jimin looking pretty and cuddly and Jungkook's immediate thought being: I HAVE TO FILM YOU

Them saying they can do a reboot when they come back gave me some hope that maybe just maybe this is not the end of AYS 😭

The ending bonus clip left me fulfilled but also sad and with goosebumps all over.

Thank you Jimin & Jungkook for letting us peek into this trip and getting to witness some of your precious moments.

Signing off, J&J 🥹

Ps. So I'm guessing the 52 minute video that comes with the photobook is probably the 3 bts videos combined that they've been reviewing for 48392 months right?

[myfairkatiecat]

okay so shannon giving us a keefe pov seems actually lowkey important and what i would do in the story rn but I'm not convinced she's going to use it to do the things I feel like we need her to do.

let me explain.

Shannon set Sophie up as a character who behaves certain ways. A lot of those ways are very good, and she's certainly a hero, but she also has character flaws that get worked through. For example, she can be a little reckless (personally I would have made all the same choices) (I know we think of Keefe as the reckless one but he's a different type of reckless) she can prioritize the wrong things, she can be disorganized, etc (all things that are super valid and understandable and make her relatable btw. I am a sophie foster defender)

and BECAUSE sophie is the protagonist, we see all of this develop. She has certain qualities that are a little stagnant sometimes, at least if you look from the outside, but there's actually a ton of development going on. She hears others' opinions on her actions, good and bad, and the reader sees how this impacts her and how she grows and changes, even if that change is nonlinear or in many ways she stays the same and just grows more mature.

Here's the thing about Keefe. he wandered out of side character territory and into second main character territory starting at the end of everblaze and peaking in legacy. And Shannon has been INTENTIONALLY writing him with consistent character flaws since the beginning, explainable by his past circumstances in fascinating ways. But we aren't there to see a lot of the falling out for that stuff.

A lot of people complain that keefe never faced consequences for stealing the caches or never had the black swan or adults yelling at him or mistrusting him or his friends avoiding him. And like... we do not know that. It could simply be that that was just not Sophie's problem at the time. Sophie also may have simply not been one of the people giving him a difficult time about it. In fact, we know she wasn't, but boy oh boy Fitz certainly didn't bounce back in less than five seconds. And we don't know what the Council and/or black swan did with him that sophie just wasn't involved in--and bc it didn't become relevant to the plot from sophie's perspective, sophie being the actual MC, it just seems unimportant.

Another thing is that Keefe has a lot of the same character flaws throughout the series, but they do shift somewhat with his experiences, and that's without us even seeing in his head, you know? So here's the thing.

Shannon went and started developing Keefe like a second protagonist (who is interestingly also an anti hero in some ways) and even if you aren't a person who thinks he's the most developed character on the paper (disagree but see where you're coming from) he's DEFINITELY most developed in shannon's brain, and that bleeds through. But then we ONLY see Sophie's perspective BECAUSE THIS IS SOPHIE'S STORY, and everything revolves around what is relevant to the plot from her perspective, and then keefe is just in the background being extremely important and relevant and having all these extra issues that we ONLY ever see from sophie's perspective.

Unlocked was... well, it was half a book, and only half of it was keefe. I actually do think his perspective was enlightening in some ways, but a full keefe book at this point kind of seems necessary to me. Because... he's taken on the role of another main character in this story, but we don't see any of that development happening, and for a lot of people i can see that getting taxing. Now I get that those same people also wish keefe would just. step back from the plot. and i get that! but I think with the way he's involved in the plot NOW, seeing his perspective is important, because sophie's POV (especially with her unreliable narration) doesn't give us enough of a window into the complexity that is keefe's worldview right now, especially with all the ways he keeps impacting things. it's just a really important perspective to have at this point.

Shannon, if unraveled is just keefe trying different human foods and giggling like a kotlc react on wattpad, I will probably enjoy it bc i love your work always, but i will also be shaking you by the shoulders because we need this book and you better spend it doing the things we need

[neonfretra]

does anyone want to discuss hrpf outside of shipping + written fic context . because i think about where what i do sits in relation to it all

for brevity i will be referring to the real person as the player and the fictionalized interpretation of the player as the character

to get things outta the way, i dont think theres very much you can say about real life people before you start crossin into real person fiction (rpf) territory LOL

transformative art is rpf. speculation is rpf. narratives is rpf. the second you start steppin away from a direct relay of the facts as is, we gettin in ficticious waters IMO. its really a neutral thing to me and my ethics begin and end at "dont show people who dont wanna see"

and its real funny to think about how i do art just because it feels like i set up way less barriers compared to people who DO write fic . i see all this talk about making sure you make your stuff login exclusive, about not sharin it to the people involved, disclaimers about how its in fact NOT a reflection of reality that your favorite athlete is mpregnant and YOU are are mfather.

and i just hit post and call it a day LOL

TO BE CLEAR there is definitely layers to it in the sense that i see similar amounts of caution with say ship art or certain degrees of raunch.

shipping in the rpf scene is funny to me in the sense of the tendency to treat shipping as THE exclusive rpf thing. like no i dont think my tomas tatar fanart is 1:1 on the reality front either. for example, nj devils hairline is not that far back and thags the only inaccuracy.

heres the kicker: mmy foot.

most of my doodles tend to evoke a degree of characterization or narrative. yeag maybe its a little less 30k slowburn and a little more fabian zetterlund shot putting a man but. that is fictional, that is a character

im not saying that rpf defines players more than the reality of them does but i do believe it does enforce certain views

in the spaces i hang around ive noticed the narrativization around certain characters being part fueled by the information that is filtered by reporters and part interpretations bounced back and forth by fandom . and when you have eyes on a story, its easy to pick out information solely as it agrees with you

maybe the most prominent narrative ive seen for the sharks has been macklin celebrini having a jock dad -> therefore he got daddy issues, joe thornton houses him -> therefore mentor and father figure joe thornton? where even though i havent seen any direct relay of information from any players (though ivent been looking LOL) a lot of the discussion around it revolves around this common understanding that it just is (the funnier part is arguably that will smith hockey has been doing more for this narrative for patrick marleau BUT NEITHER HERE NOR THERE.)

and its really interesting to note HOW fandom warps or weaves the story by going off common tropes or dynamics to make sense of the public facing parts we do see, which is what i think is magnified through the lens of fanworks but not (necessarily) CREATED by fanworks

which is where i feel my work is part of the. ecosystem??? life cycle??? and then we all return to the dirt and the worms eat us???

how much or how little we define the gap between player and character changes from person to person. i simply do not have that goin on here. devin cooley eats joey daccords hair take it or leave it. annnnd main tag that

other times i feel we wear the divide thin are when there is headcanon that uses facts about the player (ie a lot of ship talk) or when the character becomes the kneejerk understanding of the player (ie liveblogs. very fun way to get a read of a communitys feelings on something because of how immediate the reactions on it are)

the point of this post isnt to shame or interrogate people about participating in rpf, im not looking for those sort of feelings, im fascinated by fandom culture as a twig off the old branch and i would love to hear other perspectives on the same topic (and different communities! i dont have much involvement in fic. which is. a massive hole in my perspective on this probably)

is it possible to cross the line from rpf to plain old original content LOL (the answer is intent i know but. walk with me here its fun to think about)

naturally theres a degree of "original character" to every depiction . you gotta make up some amount of it. theres no clear separation OF rpf and original content because everything is about borrowing. you make characters with inspiration from other things. its near enough universal for someone who deals with characters to have at some point lifted a character directly out of their original context and made them their own.

its not just their face or name or some other physical attribute that makes it rpf id also argue because i have seen people using attributes of real people as "claims" for origubal characters (like a "faceclaim" to say "this is how i imagine my character to look")

on top of that there is fluctuating interest on actually depicting the player, with approaches that i have heard of ranging from "character that shares the quantitative aspects of the player and thats IT" to "character that was made heavily referencing to things the player has said/done"

its interesting when certain players in rpf have a consistent character! which trends to be in teams with a more active rpf oriented fanbase (vs interest mainly in the real life hockey played), comparing the fandom of kraken to the golden knights on tumblr for instance. its also interesting to note that more popular teams just have more rpf centric leans. because there are more people to write rpf. i mean also we are on a fandom centric site and rpf bridges that gap from narrative/character fueled media and sportsball more LOL

(if you like sports from a purely sports oriented angle do you enjoy watching it? genuine question. because at what point is it "i could just be doing this myself" because ive hit that point with other things before LMAO)

i do call the difference being more "fandom" oriented but IDK if thats correctly using the word or just less syllables. and on top of that i cant exactly tell you if its popularity or stand out personality that holds more sway. though then again i guess those two traits arent separate from each other necessarily. or even that those are the only two factors to broad appeal (probably popularity with another player is up there. but im not trying to find a formula for most attractive to make rpf of)

to return to the kraken because that is the most rpf oriented team i follow, i do notice when players portrayed consistently. i can definitely tell you like. one or two character traits about players i do not follow the media of solely from liveblogs and art. complexity of the character varies by a lot, though i do think its interesting to consider the hows and whys.

a trait or interest being highlighted by media (i tend to see this in offical media coverage that gets spread by jokes) -> the character heavily revolves around this feature in jokes or casual reference, with heavy personal interpretation

media pushing a narrative by following a more cohesive timeline or story structure (i usually see this in fanworks. easier to identify the influence of IMO) -> fairly consistent character backstory or , at least in the broad strokes of it

just general agreements about tropes that are appealing with little basis on the player -> this is usually the more relationship focused character interpretation

there isnt usually just one factor (and this isnt an exhaustive list of factors) to one characters history. unless its a super new player on the radar.

its definitely a character that belongs to the fandom! as in the unique character to the unique community! its actually really funny how they evolve. you could probably fingerprint someones influences if you tried hard enough. with how new the kraken is (and the fact the fandom leans more towards being united as one body than any other team ive seen so far) it does get pretty easy to get it down to the post but. do your own treasure search. I wont deprive you!

(also its EMBARASSING... what if the people i mention SEE... im SHY...)

harder with an older fandom like the sharks there are so many dead and defunct sources or jokes so widely spread that it gets hard to locate the origin . because dead and defunct sources. though i think its growing a new ring around the fandom tree because of the newer players! so its a thought. to think about how different events influence the size and activity of a fanbase and to ask how different fans from different. eras? of a fanbase interact (or dont).

again i notice this in the sharks fandoms by comparing fans from the playoff contending sharks era (last playoff season was 18-19? start is a little murky but ill toss out that 2012 was the year tomas hertl was drafted because tomas hertl was an era of the sharks LOL a whole 12 years! i know people younger than his professional career and those people are catching up to me in height. humbling!) and fans from when the sharks were very much not playoff contending (quite an amount of the current active fans LOL). not sure if theres much to say without looking stupid. different jokes, notable players, friend groups, feelings towards other teams. all still feel very strongly about general manager mike grier scattering players like dandellion seeds to the wind.

(AGAIN. HOPING NO SHARKS FANS NOTICE THIS. IM SHY)

how many sharks fans havent seen logan couture on ice

again i am saying all this as someone who ACTIVELY participates in this BTW!!! does anyone notice that players i dont know definitely have a flatter "whatever is the funniest thing to say" angle . or that characters of players i know a few things about have like one punchline . or even that certain characters are consistent and not just bound by direct interpretations of one moment (which i do a lot of when im liveblogging) (dont get your hopes up for anything new here, the character usually is "pathetic and a little bit of a bastard")

i keep writing these disclaimers like. if someone disagreed this strongly they would not be reading this far. hi! is anyone still here. is someone still reading.

i have created life and i dont know to kill it.

i talk about one of my depictions of a player as a separate character (that is to say, a SEPARATE character from the character intended to represent the player) and i have NO idea if this is like. an OC? a defamation case in waiting? my spawn? do i have to pay childcare. does anyone know who or what im talking about or has the character been festering in my mind like an infection.

is it just me???

my advice to you: if you dont want somethin to come back dont give it a name.

consider dissecting your personal and the more widespread fandoms take on players and characters! its fun for me but i also just like taking things apart ^_^ i fear i may not be as analytical as this post demands i do a lot of restating information and thats it

[lavernius]

Locus and Lopez vs. dehumanization and seeing your own humanity through someone else

AKA 1.5k words worth of me trying to justify a random pairing I've been trying to sell people on for 5 years. Feat. a lot of my own introspection on both characters, CW for mentions of abuse.

It's kind of easy to assume that Locpez as a ship only exists because Locus is one of the few people who understands Lopez and one of even fewer who has had an actual (off-screen) conversation with him with full mutual fluency, especially since they interact directly, like, twice in canon (Objects In Space and the "Holy shit he's bilingual" scene from The Federal Army of Chorus). To be honest, that was my initial reason for shoving them together whenever I got into RVB and there was literally no content for them because no one was really considering them together in any capacity but a brief, funny passing interaction.

I do think language is an inherent motivator in their relationship with each other. It's a catalyst. Spanish, of course, is perhaps the most obvious thing they share--Locus being a Latino man and Lopez being the same in a convoluted and meta-racist metaphor. Beggars, choosers: anyone who knows how I operate knows I lean into reclaiming their depictions for my own brown person machinations. For Lopez it's the beauty of meeting someone who not only understands him, but isn't going to belittle him for the language he speaks or imply it'd be easier if he learned English. Locus will just listen to him talk and respond without commenting on the language barrier; Lopez isn't exotic or abnormal or "broken" for it, he just speaks Spanish, big deal, Locus speaks it too.

For Locus, it leans more toward reminding him of who he used to be when he was a simpler and kinder person. His culture seems like a forgone part of himself in many ways, but even if only because he's so distant from his humanity that he doesn't remember HOW to embrace his culture, or what the point of cultural pride even is. Lopez is like, reverse culture shock for him, where Locus is very familiar with Spanish as a language--grew up with it, learned it young, whatever, he canonically understands it and given he's Latino it's easy to assume it could be his native language--but has divorced himself from it so much to be malleable to his abusers that hearing someone speak it so unabashedly feels new. It's the lack of it that makes it so foreign, but it's so ingrained into him that it's easy for him to just slip back into it.

And Lopez being so stubbornly proud of what he is plays into that language dynamic, yes--now that there's someone who will listen and not judge, he has room to be adamant and own his monolingualism, and having someone as aggressively, straightforwardly prideful as Lopez forces Locus to recognize the beauty in the language too--but it applies on a grander scale, which is what I suppose the point of this post is: Locus and Lopez don't just share Spanish, but also histories of abuse and dehumanization, of being overlooked as living, thinking things in favor of taking advantage of their skills. And the results of this abuse manifest differently in both of them, but they're alike in just enough ways that their differences stimulate each other into bettering themselves and reflecting on what makes them, dramatic pause, human.

Some of Lopez and Locus's defining personality traits to me are their shared low empathy (forcibly learned on both of their parts) and the way they feel so alien in any group they're a part of. They're people with a lot of potential who don't care how others see them (at their worst, especially in Locus's case), but are limited by someone who only sees them for their usefulness (Sarge, Felix) and doesn't truly see them as a person. Lopez may be a Red, but they don't really care about anything he says, so he's just a wrench to them. Locus has Felix, but he doesn't recognize that Felix has one-sided power over him and is keeping him on a short leash; he's a shield and a weapon. They're tools, they don't have feelings, and if they realize as much it's a fault in their programming, they can and have to be steered back into place.

They're reflective of each other in this way. However, they're not identical in disposition: Locus resigns very easily to what he's told to be. He had more hope once, made attempts to be humanitarian, but was swiftly taught that kindness is suicide and that the point is to survive, no matter the cost. It was easy for Felix to take advantage of him by saying they needed each other when Locus was at his worst, because having kindness ripped out of him gave Locus little else to rely on but his hands. Locus has no room for questions, because a rulebook is absolute. It takes a reminder of what he used to be to make him falter, but even when Santa is showing him one of the inciting incidents of his "soldier" mindset, Locus can't stop himself from resigning to the mindlessness that Felix and the UNSC have already taught him.

Lopez feels trapped and is hyper-aware of it. He'll listen, but only because there's nothing else in the world for him. He's subservient but not in the same way Locus is, because he's angry about his situation: he knows it's not fair, but what can he fucking do about it? He was made to be Red Team's mechanic, and every word he says falls on deaf ears. He carries this self-awareness like a shield, like a threat: he could do something, but there's no point because his nature as a robot defines him. All he has is a sharp tongue and his hands, and the Reds only need one of those things from him. He revels in being able to complain and reminds himself that he's meant for something greater, but he's so fatalistic that he won't take action.

The balance comes from this anger. They're so alike in how they see the world and how much life has mistreated them, but they don't fully understand each other despite it. Locus sees Lopez as privileged for having a team because Locus has never had people to belong with, but he doesn't understand that Red Team isn't a safe place for Lopez. Lopez thinks Locus is misguided for letting himself believe he could ever be reduced to a mindless weapon, because Lopez has only ever been an object and Locus can't comprehend what that's really like. They see each other for their imperfections first and foremost and it frustrates them mutually: "You could've fixed this sooner, you could've escaped the grief, why didn't you try?"

It's this back-and-forth that they both need in order to reflect on themselves. They're harsh people who don't want to be coddled and admonished, but they're not making forward motion on their own because they're both stubborn and tend to decathect before they even recognize they CAN feel. They refuse to see themselves as human, but they can only see the humanity in each other, and they're both so alike that it could make them hypocrites. For a robot, Lopez's anger is so potent that it's alive: Locus sees more feeling in him than he's ever felt in his own life. Locus wants to be a weapon so bad, but he doesn't realize an object doesn't have heart the way he does, doesn't mourn the years it spent under someone's thumb, doesn't want to fix itself.

They're both brutally honest and they both need brutal honesty. They get along WELL by nature of being as similar as they are, but they argue so much because they want to understand each other and don't realize they already do. They're mapping details of their reflections. It's great: Locus is so hurt that he can only see the damage he causes, Lopez is difficult to hurt and notoriously good at fixing things. Lopez wants true accountability and retribution and Locus has cultivated complicity and guilt to perfection.

After Felix, Locus needs room to command his own life and put others in place when they overstep his boundaries, but he's scared of becoming Felix, so he also needs an anchor to keep him grounded in reality and reasonable. Lopez has never had real control over his own life before and would kill to have the power to make small choices and do as he wants, but he's a very private person who also needs a lot of space to work. They balance each other out and know the other's limits so well that they can easily go "You're hurting yourself and I'm not going to let you get away with it."

It's about understanding yourself through someone else and vice versa. Realizing that you share so much that if they deserve good, you do too. Reclaiming pain, experiencing freedom, finding support. They will deconstruct each other to the metal and muscles and rebuild one another over and over again, and they'll never get it perfectly right, but they're both going to learn more and more as they go. Flawless navigation of a road you've driven a million times, forward and back, potholes and all.

[camilledlc]

Because I love relating songs to characters and analysing why it works so well, I just have to rant about how So Long, London by Taylor Swift is Vanessa's perspective of her break up with Wade. This one is reaaaally long, so be ready for that if you still chose to read this. It is 4,5k of a weird analyse no one asked for. You have been warned :

I think the main reason why Vanessa (that I will from now call Ness) ended things with Wade was because of how bad he was doing. She tried to be there for him, but there's only so much you can do for someone who doesn't want to be helped. So really, it is quite evident as to how this song can be related to their story. I'll go in order of the lyrics, and really dive in with the meaning of the song. I'll write this as if Ness wrote the song herself, kinda. But despite me relating it to Ness, it will also kind of be a study of the song in itself, if anyone is interested in that.

The opening line "I saw in my mind fairy lights through the mist" shows two main things that to me will be crucial to understand exactly how it all went down and Ness' state of mind. The two central element being obviously the fairy lights and the mist. The mist represents this gloom, this sadness that had surrounded Wade, and therefore herself. He was extremely depressed because of the Avengers' rejection, and didn't seem to be able to pick himself back up. Everything for him became a mist, but it also made everything for Ness turn into a mist. Always being around a deeply person, to whom you're entirely devoted, it will take a huge tole on you. Their sadness become yours, etc. And by that point, you may think that there was no reason for her to stay, but no. That's why the fairy lights are here. The fairy lights doesn't represent the exit, the ending of this relationship that would finally brought her peace. This early on in the song, it wouldn't make sense. The author is still too deep into this relationship. The fairy lights are probably the reason why they are still together by that point, despite all the pain that it's causing Ness. Because while the relationship can generally be associated to a mist, there are moments of happiness, of "fairy lights through the the mist". Not all moments are bad, and they are occasions where Ness can see the old Wade, and what they used to have. And she wants to fight for that. Because deep down, they love each other in ways that can't be matched, and they loved each other for so long.

And so, this leads us to the next lyrics : "I kept calm and carried the weight of the rift / Pulling him tighter each time he was drifting away". Because Ness can see that not everything is bad in her relationship, that there are still pieces of what they used to be left to fight for, she tries. She tries to "[keep] calm", to be the rock Wade is in desperate need of. For Wade, it feels like his world is falling apart, as he can't seem to find a purpose for his life, a way to matter. He falls more and more into depression, unable to pull himself back up. The only thing stopping him from "drifting away" is Ness. But on the other hand, she can't keep carrying them both on her shoulders. It "weights" on her, and understandably so. She wants to be there for Wade, and she tries as much as she can to save him. But maybe it's a responsibility that's too heavy for her, and so, the come the next lyrics.

"My spine split from carrying us up the hill / Wet through my clothes, weary bones caught the chill". Those are pretty easy to understand and very explicit. The weight of Wade's sadness is becoming too much for us, and she is breaking under it. By being the only one trying to lift them up, she's going to end up even more broken than Wade. I of course think that "wet" references sadness in general. Sadness is often paired with deep blues, cold colours and a general theme of water--because of tears. With the "mist" being also a metaphor for this sadness, it isn't surprising. But this means that this sadness that Wade carried, this "mist", finally got to her. The "mist" finally reached her and made her "wet", meaning that his sadness started to become her sadness. She "caught the chill", she started to feel depressed too, because always being around someone depressed--especially if you're the only one lifting them up--makes you depressed too.

"I stopped trying to make him laugh / Stopped trying to drill the safe". Another easily-understandable set of lyrics, yet devastating in the context of Deadpool. We know a handful thing about him and how he is generally perceived by others, and one of his main traits is that he's funny. He is always one to laugh, or crack a joke, the one that makes you happier when things are bad. He is the one supposed to make other laughs, but with how bad he feels, the roles are reversed, and Ness has to try and try and try to make him happier, to "make him laugh". It must have been really heart-breaking to see the dynamics in their relationship change this much, see a person she knew like the back of her hand becoming a ghost of who they used to be. And eventually, he started to close up too much to her. He would be 'somewhere else, not fully there'. He wouldn't let her in, tell her what he was truly feeling--despite the fact that she could sense how bad he was doing. He became a "safe", a total stranger that she couldn't figure out, until she eventually had to give up. This is even more depressing when you know that Wade has had tendencies to lie to protect himself and push people away, which he could've also done here with Ness.

All of this leads her to start being angry, and confused, and wanting answers from him. Not the Wade she saw before leaving him, but her Wade, from before all this. She wants to understand : "Thinkin, how much sad did you think I had / Did you think I had in me?". I see this as both a rhetorical question, telling him that she can't handle all of his sadness and that she has to leave him behind at some point. That she doesn't have this much sadness in her to support him. But I also believe it has some genuine aspects of an earnest question, always waiting for an answer. Yet, she will repeat this multiple times, probably alluding to the fact that she doesn't have any. Because Wade doesn't have an answer to that either. She wants to know just how far Wade was willing to let himself fall down while thinking that Ness would stay, that she would pick him up. In a way, I think she felt betrayed and hurt by the way he was treating her, waiting for her to be there for him while he purposefully let himself drown in his own misery. So, eventually, she's angry and demands answer, demands an explanation to all of this, because this isn't the Wade she fell in love with.

And that's why it's so tragic : "Oh, the tragedy... / So Long, London". In this, we see just how heart-breaking their entire story is. It wasn't supposed to end this way, yet at that point in time, she saw no other issues. She didn't want to leave him, but she had to. It was tragic because it couldn't have been avoided, yet she felt as if it wasn't fair, and it wasn't meant to be this way. She can only constate that their ending is tragic, and she has to accept it despite the evident pain and sorrow (the punctuation). And so, she leaves. All of this, only could lead to that conclusion. She went through all stages, from loving him, to trying to support him, to giving up on helping him, to being angry at him, to giving up on them altogether now. She isn't fully saying goodbye, as she still feels as if their lives are too intertwined for them to not see each other again eventually. They both love each other too damn much to never do so, to truly end things here. By that point, she accepts that she must leave, and that their story ends, but she knows the love hasn't completely disappeared yet.

But when she says "You'll find someone...", she does admit that while love may persist, the relationship is over for good. By that point, she only includes him in the finding someone part. I think it's because she herself hasn't moved on from him, and she isn't sure by that point that she can. They know they can't date anymore, but she doesn't think that she'll fall in love as hard as she did with Wade with anyone else. But for him, she wants him to move on and find someone who will be able to handle Wade. In a way, she may feel guilty for leaving, despite knowing that it was killing her on the inside to stay. So she wishes for Wade to find someone who, unlike her, will be able to help Wade, or at least carry his burden with him without splitting under the weight.

I feel that the next part is a bit trickier, so if my ramble doesn't make sense, feel free to ignore it! But otherwise, I think that the lyrics "I didn't opt in to be your odd man out / I founded the club she's heard great things about" are definitely laced with bitterness. To me, it really represents that moment of Wade getting better, and how Ness will view herself into that. One the one hand, she knows she isn't entitled to anything regarding Wade anymore because she chose to leave, but on the other hand, she feels as if she didn't have a choice to leave. Everything was so awful that she had to leave for her own sake, so she didn't opt out of his life. She didn't want to be his friend, but she couldn't be anything else. Yet, everyone--including Wade--will make her feel like it was her decision. Even though they respect it, she feels that they don't understand that it wasn't truly her decision, and that under other circumstances, she would've never left Wade. If it wasn't for her survival, she would still be with him. But now, she is purposefully being left out of everything regarding Wade and all of his accomplishments. People will say that it's great to see him better again, to see him happier, and a true hero that wants to matter, etc. And yes, he did that on his own, but it does feel to her as if it invalidates everything she went through. She helped him for so long, and eventually had to give up. So he got better on his own and is praised for it, but what about all of her efforts? Don't they count in his recovery? Isn't her support the foundation of the person he is today? She is one of the reason Wade found his spark back, yet because she left before he did, she can never say as much. And it must feel bitter to see how much time and energy and love you lost trying to help someone who got better after you left them, after you've had enough.

Which is why we have "I left all I knew, you left me at the house by the Heath". Because, yes, she may have been the one who left Wade first officially, but Wade had left her way before that. When letting himself become a shadow of who he once was, he left Ness to fend on her own, the only one keeping their love, their home alive. The "house by the Heath" represents this home that they made for themselves, it was their lives, their futures. But Wade abandoned that mentally. Yet, it falls on Ness when she decides to abandon it physically. In this whole verse, she is feeling bitter, and angry, and regretful. She left everything behind, because Wade felt like her everything. But she wasn't the first one to do so, and Wade had actually done it before. She had in the past tried to support him when he had cancer, only for him to leave her to bear this alone. So, actually, she was the only one trying actively not to leave, not to let this relationship die.

"I stopped CPR, after all it's no use / The spirit was gone, we would never come to". It implies that for a long time, she tried to maintain their relationship alive, but it was for nothing. "The spirit" of their love had left when Wade did too, when he metaphorically left the relationship. It couldn't be brought back, and even if they had tried, it would've been too late. Their relationship was already too damaged to be salvaged. There is no use to perform CPR on a dead body.

The next lyric is heavily marked by the voice of the singer, showing the anger and resentment growing : "And I'm pissed off you let me give you all that youth for free". For this one, I think it's crucial we remember the context of both who they are in general. Ness is a woman in her mid-thirties/forties, meanwhile, Wade is an immortal guy who can't age nor die. Wade still has the whole eternity in front of him to do whatever he wants, to be someone great. But Ness spent most of her life with him, and now she's getting older. No matter who she ends up with it will be a very recent and new relationship, and it will take time to grow, and so she may have trouble later having the family she'd wanted. For her, it may feels like as if she's spent so many years with Wade, only to be back at square one. Except that for him, he can take the eternity to move up a few square, but her, she doesn't have that time. She doesn't have eternal "youth", which is why she may be so pissed, both at herself and at Wade. It can be very easy to start resenting someone when you feel like you have wasted so much time on them, for nothing to come out of it eventually. And it would be better if Wade was in the same boat as her, because then they would both have wasted time and it would be no one's fault. But she is alone in this, she is the one who gave her "youth for free".

The "For so long, London / Stitches undone / Two graves, one gun" only reinforce this idea. She gave her youth "for so long" and now she's feeling resentful. In a way, it feels like her decision killed them both. She knows the negative impact their breakup had on Wade, of course. But here, she also acknowledge just how much it affected her too. With "one gun", aka her decision to leave, she killed the both of them ("two graves"). Kind of in a "you had to kill me but it killed you just the same kind of way". And now, the relationship that she carefully spent time stitching up each time it split is now completely broken, the "stitches undone".

And so, she accepts that she has to move on : "I'll find someone". She knows how bad her decision also affected her, and how hard it will be to get back everything she lost to this relationship. But she can't stay down, and she has to find a way to move forward somehow. And she knows that it's possible, that eventually, she'll find someone else, she'll fall in love again and that life goes on. It's a way for her to try and find peace, to definitely put her relationship with Wade past her. And by the beginning of Deadpool and Wolverine, she believes that she has found that someone, she found Dermot. Someone good, who is different yet someone she is really happy with. She can fully move on, and so wants to try and befriend Wade, as a way to really put this all behind. Because despite knowing they can't ever get back together, she still has a lot of love for him--whether it's romantic or now platonic, she'll always love him, as he is one of the most important person for her. But it's clear that while she's almost moved on completely from him, he hasn't done the same. And because of the way he still holds out hope for them to be together again, she feels as though he thinks she abandoned him all over again.

So in a way, the upcoming bridge is her way of defending herself. "And you say I abandoned the ship / But I was going down with it" is literally her reiterating that she wasn't the one who left first, she was actually holding onto that relationship even more than Wade was, even though it was killing her, "My white knuckle dying grip". The singer's voice is by then really angry, and I think Ness is too by now. It feels unjust to be blamed for leaving a relationship. I don't think they are blaming her consciously, because Wade would never want to make her feel bad about it. But the sole fact that he's still holding out hope that they work out put the blame on her for the fact that it isn't working out. In a way, him still wanting her and not being able to move on makes her even now the responsible for Wade's misery, which is unfair because she already had to bear it and suffer from it for long enough in their relationship.

The next lyrics will all be analysed as a whole, so sorry for that : "Holding tight to your quiet resentment and / My friends said it isn't right to be scared / Everyday of a love affair / Every breath feels like rarest air / When you're not sure if he wants to be there". This may be a bit triggering, se be careful, but I think that while the original song may be talking about not wanting to be there in a relationship, from Ness' point of view, it will be more like there at all in this life. Wade is canonically a character that has a severe mental instability, a lot of traumas and issues, and he is one of the character who tried to off himself the most--even before having a regenerating factor. He clearly has always struggled with his mental health, and it was even worse during his depression. So when Ness feels scared that because she's "not sure if he wants to be there", she's talking about being scared that Wade would take the opportunity to off himself if he could die. It is extremely scary to be in a relationship with someone who doesn't wish to live anymore, when you never know if they are faking their smiles, planning on leaving it all behind, if you're not sure you'll wake up and they'll still be there. Even while knowing he can't die, it is still a terrifying thought. So now, their entire relationship, their "love affair" is completely overtook by this fear that it will all end at any moment, and also by this need to take every good thing in because they may not last, or there won't ever be any other good thing afterwards. Every moment of true joy "feels like rarest air". Because now, everything in her mind revolves around Wade's sadness, his "quiet resentment" of feeling like he doesn't matter, of not finding his purpose in this world.

But there's only so much that one person can take, and so, eventually, she is back to asking "So how much sad did you think I had / Did you think I had in me? / How much tragedy?". This times, it really feels as though she exposed previously during the bridge every arguments in her favour as to why she had to leave, and now she's showing him all of those arguments and telling him 'see?', and in the words of the song "Just how low did you think I'd go? Before I'd self-implode / Before I'd have to go be free". And those two last sentences summarize pretty much everything : she was self-imploding, so she had to leave and be free. This relationship, despite still having some good moments that guilted her into staying, was more like a prison to her by that point. In this bridge, she seems finale with her explanation, and feels a certain form of validation of her decision. By then, she is certain she made the right choice, and she is trying to show others, and especially Wade, that she had to move on and that still holding hope for a relationship together was just invalidating everything she went through (even if Wade isn't necessarily wanting that, or even realizing she might feel that way. He can't help but love her, but respects her decision nonetheless. There is no bad guy here, just a very complicated situation).

The very end of the song is definitely right by the end of the events of Deadpool and Wolverine. Wade tells her explicitly that he still loves her, still wants her, wants them. But when he tells her he still loves her, all she can think of is : "You swore that you loved me but where were the clues? / I died on the altar waiting for the proof / You sacrificed us to the gods of your bluest days". She may know, realistically, that Wade really did love and still do, but during the end of their relationship, she couldn't feel it. Everything in Wade's life was now centred around his sadness, which is here represented by the "gods of [your] bluest days". Their relationship was too much, and so he "sacrificed" it, because in his mind, there was no room for anything other than his depression. Which is valid and comprehensible, but extremely hard to live for Ness. She was desperately waiting for him to show her that he cared for her, that he still loved her, that he was still with her, like shown in the flashback when Cassandra Nova peered through Wade's mind. She asked him directly for proof of his love, and she eventually had to leave the "altar" because she was dying there otherwise. Wade was feeling so awful that he couldn't remind Ness just how much he loved her, so even now, she can't accept that he still does.

Besides, we know she has supposedly moved on, as she is happy with her new boyfriend Dermot : "And I'm just getting color back into my face". After everything, she eventually felt like a lesser version of herself, beaten up by this tragic relationship. Wade's constant sadness got to her. But now, it's been a while, and she had time to move on, to find her own new happiness. It might be different colours than when she was with Wade, but she has colours nonetheless. She is happier out of the relationship. Yet, she can't help but be mad : "I'm just mad as hell cause I loved this place / For so long, London". It is quite obvious that despite being happy now, she had also been happy with Wade before all this. There had been so long where she thought she was gonna marry Wade, found a family together, that he was her soulmate. She knows it's for the better, but there's also something so frustrating about having to leave something that brought you joy for so long because now it has soured. The lyrics "Had a good run / A moment of warm sun" reminds that. Before Wade got depressed, there relationship was truly and utterly an happy relationship. There was so much good in it, and for a long time, it seemed like it would last. But it didn't.

"But I'm not the one / So long, London". She is here fully letting Wade go, and letting their romance go. In admitting that she isn't the one for Wade, she is admitting that they weren't soulmates who were meant to be, and that maybe it's better this way. She is admitting that even the earlier stage of their relationship was extremely good and happy, it was not enough. She isn't the one for him because she could love him at his best, but couldn't at his worst. And there is no shame in that, she knows now that some people aren't meant to be, despite being perfect for each other in every other aspects. For example, when she sees Logan, she understands that he can handle Wade at his worst, that he can lift him up. At the same time, it's a bit bitter because she wished she could've been the one, but she is also really grateful to be out of this relationship, and yet knowing that Wade's got someone else that will be there for him. She can leave peacefully knowing that.

Then, we have another repetition of "Stitches undone" which symbolize definitely the end of relationship, with nothing holding it together anymore, and "Two graves, one gun". Personally, I always heard something else and liked what I heard more, which is "Two graves, one gone". Here, it would be a representation of how they felt during Wade's depression. He was so sad that he was almost dead, which killed her on the inside too. They were "two graves". But some graves aren't meant to be side by side. She left the graveyard, found happiness again somewhere else. She brought herself back to life by leaving. Now, there is one grave that is "gone". But by using the last sentence "You'll find someone...", she is in a way giving him permission to move on from her as well, to leave the graveyard that was their relationship. She hopes for him that he'll find someone who will bring him back to life to, and she even thinks that Wade found that person already, found that in Logan. Now that she let go, she's telling Wade to do the same. To let her go.

The three different instances of "you'll find someone / i'll find someone / you'll find someone" really represents the progression of the breakup and the healing from it. At first, it's a way to convince herself that she has to leave, that she isn't made to handle this. By then, none of them have moved on. Then, it's her finding her own way of happiness, admitting that she's moving on. And the last one is her telling Wade to move on too. By the end of the song, their relationship has definitely ended, it's over for good.

"So long, London".

[hwnglx]

that shuffled song is cute, what a plot twist. the lyrics do fit. this reading was quite extensive though, he has so much depth to his personality.

lee know's real personality behind the scenes

based on tarot. i do not know these idols personally. energies are always changing. what i say is NOT straight fact. pls take it with a grain of salt!

shuffled song: sunshine by stray kids

+ lee know is an incredibly independent guy. he seems to have overcome a good amount of hardship in the past, which has equipped him with this profound ability to heal himself, and led to him being pretty self-reliant. he's always been sensitive, still is sensitive; but good at handling it now. he's an example of someone who took the pain in his life, and has been able to turn it into a valuable lesson for himself. not only that, the things he went through shaped him into a person full of wisdom and depth, who has a good understanding of life. i can see him giving valuable advice to people, and being this person you can comfortably seek in times of tribulation.

he is an amazing listener as well. people feel comfortable talking to him about anything, really. he's someone who's good at attuning himself and his energy to people's specific needs, which can make him very pleasant to be around.

hugely perfectionistic. lee know is the type of person who works quietly but puts in consistent effort. i got reminded of when skz filmed their survival show back in the day, and lee know got eliminated. even after dropping out, he continued to practice tirelessly by himself. that seems to be a good reflection of the type of hardworker he is behind closed doors. he holds himself to insanely high standards, and wants to continue discovering an even better and improved version of himself all the time; especially in regards to his career. he isn't the type to work for other people's approval and crave their validation, but moreso his own satisfaction and fulfilment. he feels his best when he's able to conquer challenges with his own strength, and isn't dependent on anyone's assistance.

there is this very slow-moving and patient energy to him, where he isn't impulsive and doesn't rush into things. he makes sure he contemplates his actions several times before actually going through with them. this makes him a considerate guy who respects people's boundaries. the people he surrounds himself with, lee know choses wisely and carefully. he won't just give his precious time to anyone. but the people he does spend it with, he cherishes dearly.

this is so interesting, because on the one hand he can give off this immensely individualistic energy, where he just kinda lives in his own world to his own accord, yet on the other hand, he's someone who deeply values the handful of people he's close to. there is this nurturing and loyal side of lee know only the ones close to him could tell you about. he puts a lot of importance into looking after his intimate circle of friends and family, and making sure they feel cared for.

- lee know is quite conventional and more traditional in his views. i don't necessarily see him being judgemental or condemning things or people different to him out of malice, he just consciously rejects them for himself since they're so foreign to him. he prefers staying in his own bubble and living the lifestyle he's already familiar with and accustomed to. he hates when people stick their nose in his business though, or pretend they have a say in his life. he lives his life based on his own beliefs, values and desires, and will get genuinely annoyed if someone pretends they know what's good for him.

his caution can also go to extremes sometimes. he's the type of person to only invest energy into something, when he himself sees substantial benefit behind it. if something feels empty to him, he won't entertain it any longer. he also seems to be a person who doesn't enjoy the feeling of regret, it just seems to kinda linger in him and nag at him for a while, which is why he's extra careful about how he proceeds in several areas of life. even if, let's say he has this seed of an idea for something in his head; it's likely he won't always bravely go forward with it, out of fear of it potentially going wrong. he's hesitant to take any risks out of fear of losing his grip on what he's built till now. almost like he has this house of cards, and is trying to hold back any wind from making it fall down.

lee know is a person who doesn't enjoy displaying his negative and more self-deprecating emotions (like self-doubt, lack of confidence, insecurity or regret) externally and can therefore be prone to swallowing them, and internalizing them. this can lead to them potentially coming up in a more rash and stronger manner later on.

he will not hold back if you manage to provoke him, or rub him the wrong way. in general he actively avoids conflict or drama, but if he catches someone intentionally sticking a dagger in him, he won't be the type to just stay silent. he can get very offensive and blunt, his words can get sharp as a knife, they're often quite hurtful. (very scorpio mercury thing) he just knows how to push people's buttons. he's excellent at reading people, and has a quick wit. so he'll probably have your vulnerable spots already all figured out before you even know it, and hit you at places he knows will trigger you.

a lot of this seems to stem from him just being on guard a lot. he doesn't wanna get hurt, so if a person manages to make him feel threatened, he's likely to go into verbal offense mode out of self protection. i just heard “hurt people hurt people”. as mentioned before, he's gone through his fair share of struggle until now. reason why he seems extra protective of his peace at this point in time.

[lk0727]

I'm crying because I love the idea of correspondence between the students leaving next year and I'd love to see more of it. The white day cards are so cute that I just want to elaborate (hc) on handwriting and maybe even writing quirks. Just Malleus (for now...)

Malleus would be really interested in how his partner writes, it's all so fascinating to him and he's a pattern noticer. The noticerrrr. And he sees so much that he even finds himself compiling all the repetitive actions you take when writing -not just what you're writing, and brings them to you to discuss further. The way you slant letters, when your pen lets up, if you type then the frequency of paragraph breaking, how you insert images, etc. I think it'd be something like "Did you know you tend to smudge the paper when you reach the furthest margin, are you perhaps left-handed? Oya, you are? I knew that to be the case." He says with a slight smile and downcasted gaze because he knows he ate that. Sherlock Horns.

He would get overzealous about the fact that you're only a word away and would immediately call you with his archaic phone and pester you until you receive it. His Correspondence wouldn't actually be a surprise because you are usually visited by a heavy knock on your door and fae appropriate fanfare when it arrives, that's just etiquette when writing royalty. But, he always calls you the day he receives it so that you know he shall be returning post haste and he intends to dazzle you. In fact, you'll spend so long speaking to each other about what was written to him, that when you finally get his response, it's more or less just recapping what you spoke of two days prior. He can't hide his giddyness, even if he keeps a cool baritone while on the phone. Because you're a kind person, you pretend that his tail happily thumping against the ground is inaudible, because you know he can't help it.

He is going to surprise you by the emojis he uses because WHO taught you that!?!? He learned these from Cater and Lilia, but he doesn't change the way he speaks. It's "Good evening, How have you've been? The summer season of Briar Valley is particularly exhausting and hot💧, I am very bothered by the heat of it all.🥵🥵" and when Lilia intercepts it, he's like "that's a perfect sentence, go ahead and send it. Actually, one note, send more sweating emojis, it's really hot this summer, right?"

Your messages go through a diverse array of moderators and middle men. Those people being his Grandmother, who reminds him that he's a prince, Lilia and Silver (the two who initially opened the letter, and finally his transcriber and narrator, Sebek who scoffs at the quality of the smut you're peddling his young master, who shouldn't even be hearing this, but he'll read on against his better judgement. (It's literally benign, the furthest thing from smut, Malleus argues). His letters would look a little like this:

21.09.19XX Child, It's been nice knowing you.😌 Why do I say that? Since we've met, it seems as if Briar Valley has taken a lead in comedy and our collective temperament could not be more jovial. Your humorous description of your familiar, Grim child, was very well received by my Grandmother, as I was awoken early enough to the sounds of insects humming and birds chirping well into the night to read it aloud to me, guffawing as she spoke. (I apologize, I cannot stop her from opening my mail, but we're working on her problematic behavior, that's a fact.😉) She in particular has asked if she may keep it, you know how older individuals are with their chucklesome cat stories. 🙄 There's this understanding of the world that I just don't possess when it comes to what grabs the attention of the people's comedy, it continues to evade me. For instance, what is the humor of "surprise hot dog 🌭" and why must it be a surprise to be enjoyed? The children of Briar Valley seemingly shout this and end their sentences with it, and I am surprised and annoyed every time. It seems like you have an understanding in the matters of humor, so you are welcome to explain it to me. But I digress, If I sat down and listed to you all the things that escaped me, well, you might find yourself as old as I am by the time we've finished! 🤣The trees and wind must sense the happiness in our friendly union, and have planned accordingly to block out bad weather🌧️ and unforgiving spirits. The weather is nice enough that (forgive me I've overstretched my hand) planned your visit for sooner rather than later. Next time we meet in person, this shall be us ->🕺💃, as I've already made arrangements for a night in a cabaret club in the Capitol for us to partake in. It's a culture so far from the realm of possibility of establishing itself in our quiet little country, that I was astounded when I stumbled across its zoning request permits one day and I rushed to see it in person, paperwork be damned. The smaller fae who perform insist it to be a "cheeky, yet inoffensiveshowcase of the arts", and after witnessing it for myself, I knew it would be the type of entertainment you'd enjoy.🤫 Even now, it doesn't feel natural to write, like an odd mouth feel that doesn't change as I turn it over and over. A cabaret in Briar Valley, a music club in a quiet kingdom... it's as I've mentioned earlier, Briar Valley has surprisingly given itself wholly to the Joviality of life. Sincerely yours; Malleus Draconia, Heir to Briar Valley p.s Surprise hot dog 🌭

On the other hand, as confident as he is in your responses, he's always a little embarrassed to send something back. It's not fear of his ability, but rather, if you'll care to hear about the day to day of a crown prince who's routine is very boring and full of nothingburger drama. He doesn't understand that his 18 page assessment of his life is literally replacing the cable you can't afford, and when he describes the way the lion prince attacked him during a diplomatic meeting, the colorful language of his response makes you laugh, and then cry, and even gag because "how did he get close enough to gash you!?" You can see the face he's making as he writes this, pouty and angry and even chuckling when he describes the punishment that followed. Just like in his real life, Malleus has a hard time concealing his emotions. He's not shy about who he is as a person, and his writing is not either. The way it flows is a little different from traditional correspondence, if anything, he's sending you disjointed journal entries and prose while also clipping what you send him to respond directly. Your 2 page crapped out response filled with emojis and memes and inside jokes is returned in full by 20 pages of thoughtful dialogue, assessments of politics and fondness of your life, and even sketches of the things around him (okay... just gargoyles and Sebek, but those are things in all fairness.) He has a real zest that he doesn't try to contain, and even his handwriting gives it away. When he's in a good mood, it's very pristine, heavily slanted cursive that his heavy hand oppresses by not dotting his i's or crossing his t's. It's just understood between you two what he means. Likewise, when he's angry or melancholic it's surprisingly very light, almost inelligeble as if he was speaking through gritted teeth. He must be getting up and pacing, because of course he is. When upset or recounting something terrible, his handwriting is unusually neat, funnily enough the sentences are much shorter, as if he's hiding something or thinking long about what should be said next. He's a very wistful person, after all.

Malleus enjoys fine art that seeks to appease the senses and refine beauty, so attached to his letters will often be trinkets like necklaces, earrings, watches, and pocket squares that he found in shops in Briar Valley, or a ticket to a play or music shows that dazzled him. The heavier packages (these tend to come at random) are filled with small desserts, books on the anthropological history of different fae species, woven pieces from more aesthetically competent fae and their fashion, and of course, fragmented pieces of ancient gargoyles he found hiding in deserted rooms of the castle. <- He'll know if you've thrown it away, so hold on to the heavy, weird rock fragment, please.

[tirfpikachu]

you are not "detrans" you are cis

i'm definitely what you'd call cis too! though cis/bio womanhood is not at all what most tras assume it's like. especially detrans cis/bio womanhood. and for me, the label detrans helped me find others like me. it kept me from hating my own guts. it helped me find a community of ppl who actually understand what i've been through and don't think i'm a freak.

living as trans for 13 years changed what mainstream tras would call my gender identity forever. it also is a way for me to find people who also went thru what i went thru. i get a lot of DMs from other detrans women and detrans men who lived as trans or even transitioned partially/fully like me (i was on testosterone for a bit and have an awkward bit of annoying af stubble T_T gotta get expensive laser for that... it can be isolating!). to me, i will never again be a fully cis woman. i will forever be affected with having struggled with intense dysphoria for 13+ years. i also feel like my cis womanhood in general has forever been changed with me having rejected it and then finding it again - it does NOT feel the same way as my girlhood did. in girlhood, i didn't give a shit what people thought girls or boys needed to do. doubly so because i was autistic. then puberty came, and the usual teenage girl and/or afab experience of needing to conform to cispatriarchal expectations came, and i freaked the fuck out about my boobs, about how boys were suddenly treating me and the things my shitty female relatives told me were "becoming a woman" (all very conservative notions of womanhood) and it grossed me out so badly, on top of grappling with being into other afab people, and i just totally distanced myself from girlhood at all. i gave up on making my own scrungly, gender nonconforming version of girlhood. girlhood felt like it had no room for people like me.

and so i kicked it out of my mind. i obsessed over becoming a boy. some trans boys, ofc, become happily trans men. for me, though, it personally was an escape. i was trans-identified for all the wrong reasons and it really fucked me up. it made my internalized lesbophobia so much worse, to the point where i even started identifying as pansexual/bisexual (PREPOSTEROUS thing for me since i had never ever in my entire life been attracted to a man or someone living as male in society... but i was into non-transitioned transmasc people, so i thought i couldn't possibly be lesbian!). for me, the trans identity was a bandaid, it was a crutch in the worst possible way. detrans people aren't trying to make trans people look bad. we're not trying to convert y'all, we don't give a shit. we're too busy grappling with our newfound connection to cis womanhood/cis manhood and dealing with transition-related issues.

we NEED to find fellow detrans folks or we'll go batshit crazy with shame at having made a mistake, guilt at being weaponized without our consent against the trans community, and just fucking hating how hrt/surgeries affected our bodies and trying to come to terms with that and learning to love our bodies as they are despite it all.

detrans cis womanhood will never be normie cis womanhood.

detrans cis manhood will never be normie detrans manhood.

living as trans for years affects you DEEPLY. trans people should know this first-hand. detrans folks, simply by starting to live as cis / bio men/women again, cannot suddenly erase all those years as if they never existed. we just can't. i'm sorry. i tried. dear goddess i really fucking tried harder than you'll ever know. and so did so many of my detrans friends and my darling detrans girlfriend.

but detrans people need other detrans people.

mainstream tras don't understand us.

cis/bio radfems who aren't detrans often misrepresent us.

we need eachother.

and our voices NEED to be heard too.

both radfems AND mainstream tras don't get it.

detrans & desisted folks NEED sisterhood & siblinghood.

only detrans women understand other detrans women.

only detrans men understand other detrans men.

i will always be seeking out lost detrans sisters. and i will always want to hear out my detrans brothers. i love my detrans/desisted community. we've been through really hard shit, we're more likely to be gay, more likely to be traumatized, more likely to be autistic. we're not what you think. and now you need to sit down and hear our stories. sorry. it has to happen. or feel free to block all detrans voices and plug your ears and go lalala! and now i'm not talking to you specifically anon, i don't want to put assumptions in your little mouth. but i'm talking to ALL mainstream trans activists, anti-radfems especially, who assume the very worst of us from the get-go. those who want detrans & desisted people to pretend we were always cis and normies who should pretend to not be deeply affected by our real lived detrans/desisted experiences. we will not shut up. we refuse to. both radblr and normie leftblr misrepresent us.

our voices matter. or, at the very least, we deserve to put detrans/desisted in our bios so we can find one another. shoutout to my detrans & desisted siblings!!! i love you!!!! <33

[demigod-shenanigans]

Long overdue Pipeyna posting:

It’s the way they balance each other out and mirror each other.

I think a lot about what Piper said in regard to love and hate being almost identical emotions, neither of which can be reasoned with, and that being why Ares and Aphrodite like each other.

It’s about how they start out resenting each other—Reyna sees Piper as the person who took away her best friend. Piper sees Reyna as a threat to her relationship with Jason. Except that’s not the whole story, is it? Because Piper thinks about Reyna much more than she should. Much more than Jason does, honestly. And the second Reyna lets herself trust Piper, she trusts her fully. Like it’s the most natural thing in the world. And it startles her, because usually Reyna takes a long time to let people in. But the others join the fight and though Reyna’s eyes should be drawn to Jason, she finds them on Piper instead.

Reyna and Piper understand each other in a way only the child of a war goddess and the child of the goddess of love can. They’re two sides of the same coin.

Piper sometimes struggles with thinking she’s not especially useful in comparison to her friends who seem much more powerful, whose skills seem much more helpful in combat. Hell, she’s outright stated to be surprised Reyna and Annabeth find her diplomatic skills handy at the end of BoO.

A lot of Piper’s character centers around her feeling invisible—the first time we see this is with her dad, whose attention she keeps trying to gain with her stunts, except it doesn’t work. She stays invisible to him. And that can never change. Because once he sees her for who she really is, it breaks him, and she has to make the heartbreaking choice to ask him to look away again for his own good. Piper has a power that literally centers around her ability to make people look at her and listen to her, and yet she cannot keep the attention of her dad, and she doesn’t think it’s really enough to have earned a place among her friends.

But Reyna sees her, even without her charmspeak. Reyna looks at Piper and in her role as the child of a war goddess, what can she see except all the ways in which Piper is a warrior? All the ways in which Piper is capable and brave?

Reyna on the other hand struggles with her emotions and not being able to let other people in. She keeps her cards close to her chest because that’s the only way she knows to keep herself safe. Even when she loves, she loves in a way that’s subdued, because she was taught from a young age that love isn’t a thing that’s safe. Love locks you up at night because you’re a threat. Love is angry and dangerous and could get you killed if you slip up—if you say the wrong thing or move the wrong way or if it’s simply having a bad day. Love is a thing that at any given moment could explode in your face.

She doesn’t even share how her powers work because she’s afraid it might go wrong somehow if she does—that the others will feel like she’s somehow manipulating them instead of supporting them.

But Piper looks at Reyna and she sees right through her, sees all the ways she’s hurting and how exhausted she is, because with her powers, what can she see except Reyna’s emotions, no matter how tightly Reyna tries to keep them locked up?

Piper knew what Reyna’s power was without being told. She just sensed it and immediately understood how it worked and how it must drain Reyna. And Reyna feels briefly terrified when Piper brings it up because she always assumed people knowing would change their opinion on her. But Piper is only mentioning it because she’s worried about how those powers must affect Reyna. About whether she’s getting enough rest and has a shoulder to lean on about it all. And that’s never been anyone’s main priority before—especially not Reyna’s (something something Reyna being raised to protect New Rome. Her powers actively benefiting others while draining her. The way she’s never quite able to live for herself).

They instinctively see and feel drawn to the part of each other that other people struggle to see at all and it makes me a bit crazy actually.

[cal-daisies-and-briars]

Up next we’ve got the post-season seven stories! (Lol that was some fun alliteration)

🦷🦷🦷🦷🦷🦷🦷🦷🦷🦷🦷🦷🦷🦷🦷 (it might be a BTHB but i’m loving the family feels! Loving chris’s new understanding of eddie but hating how he got it - diaz parents better watch out!)

🛏️🛏️🛏️🛏️🛏️🛏️🛏️🛏️🛏️🛏️🛏️🛏️🛏️🛏️🛏️🛏️ (there was only one bed! Seriously buck and eddie really thought it through and this was the only option. Like really there was nothing else to be done. No don’t think about it too much just trust them! 😝 i’m so pumped for this one!)

- PCA <3

Loving the themes!!

45 for 🦷 (Yay! thank you!!!!):

---

“Christopher,” Eddie exhales, voice barely audible. It hurts too much. 

“I thought I’d feel better because they’d comfort me, but all they do is make everything feel worse.”

“Okay,” Eddie mumbles. He takes the tub of ice cream from his son and places it in the overfull basket. Then he puts the basket on the ground. He pulls Christopher into a hug. “I’m sorry, Chris. I’m sorry it happened this way.”

Vaguely, Eddie is aware they’re having this conversation in the frozen dairy aisle of a grocery store. Not, like, a therapist’s office. Which is what he might have preferred. But, fuck it. Chris is ready to talk. 

“It made me sad for you,” Chris blubbers. 

“For me?” Eddie asks.

“Yes, you, Dad!!” Chris snaps. “Because I always had you to make me feel better, but who did you ever have? Did you ever feel okay?”

Eddie is shaking a little.

“You don’t have to worry about that, Chris.”

“But I am.” 

Fuck. Fuck, Eddie doesn’t know how to fix this. He doesn’t know what to do. It’s like Christopher’s brain has matured a big lunging step forward over the summer and he’s seeing Eddie as a whole person and Eddie doesn’t know what to do with that. He’s not supposed to be something Chris worries about. 

“Christopher,” Eddie says. “I… Okay, maybe you’re right. Maybe I’ve spent a lot of my life feeling kind of bad about myself. But I’ve got Buck and Bobby and lots of friends that help me. I’ve got you. Being your dad makes me so happy, okay? So you don’t need to worry about this.”

Christopher makes a small, frustrated noise. “And-and I’m working on it, okay?” Eddie reminds him. “I’m working on feeling better about myself, and who I really am, and not… Not hiding. And it’s going to be better. It’s all going to be better, and it won’t be like this forever, okay?”

---

48 for 🛏️ (There was simply no other way!)

---

“Therapy,” Eddie answers. 

Buck tries not to react. He hadn’t known Eddie was going back to therapy. Despite multiple suggestions from literally everyone in his life. 

“Cool,” Buck replies. 

“Where were you?” Eddie asks. 

“Mowing your lawn,” Buck replies. 

The city has regulations, after all. 

“Oh,” Eddie replies. “Fuck. Sorry, Buck, I…”

Buck squeezes his shoulder. “Don’t worry about it. Therapy is more important.”

That same night, the compliments sort of… Well, they amp up. They go from Buck being nice, to both of them being… Well, something. 

It starts innocently enough. Buck’s fault, as per usual.

“You look cozy,” Buck says as Eddie - donning an oversized sweater - flops down on the mattress to watch a show. They’re trying to catch up on old episodes of Hotshots, now that they know Bobby is going to be advising for the next season. 

Eddie looks down at the hoodie. “Oh? Uh, it’s yours.”

“Mine?” Buck asks. 

“Mine are in the laundry.” Eddie says. “Sorry, I can go home and grab more.”

“No, no, no,” Buck blurts. He doesn’t want him to stress or think he broke some sort of boundary. “You look good in my sweater.”

Eddie freezes. “I look good in your sweater?”

Fuck. Why did he say that?

“Uh, yeah. Sure. You look good in every sweater.” 

“Do I?” Eddie smirks. 

Fuck. This is a disaster. 

[accio-victuuri]

tho i’m kind bummed that wyb isn’t gonna be at that greater bay event, i’m still very appreciative cause gege is gonna be there and will be onstage multiple times 💕 and it’s understandable cause wyb was in Milan and it’s cutting it short if he attends. i’m waiting for his alleged event with lacoste next weekend tho.

i love being busy with content related to them! anyway, look at the photo he used for the poster. it’s the same as last year’s, when they both attended. kinda like how bobo was using photos from cql events on his posters long after the show.

and we were talking about how the moon represents my heart’s lore started essentially because of a fake rumor. one of the songs xz is gonna sing tomo is possibly related to one too. sort of. hui ge once posted something and caption was 我有个我们. if you search that, what will come up is the song he will sing with Karen Mok. it’s actually an OST for a movie called love will tear us apart. Just reading through the synopsis, i’m nodding my head and understanding why XZ would be partial to that film lol. whether he watched the film or what, idk. but i wanna add that here.

anyway, going back to the song and hui ge’s post. it was perfect cause the photos are the two of them. and it’s sending a really sweet message. if you relate it to the lyrics….

there are so many people in this world and there is an open door in the crowd. the blue morning when I first saw you will always remain in my misty eyes. there are so many people in this world, so lucky that I have us

i’m crying. 🥹🥹🥹🥹

the photo was them at two separate events, living two separate lives — but they have each other. i’ve said this before but even in a non-cpn way, back in 2019, they were lucky to have each other. suddenly being in that kind of spotlight and dealing with that together was a huge help. and i only hope they continue to have their person to rely on for years to come.

and anyone else thinking of wyb’s “i have xz” line too? 🥺🥺🥺

-END.

( if you have no idea who hui ge is i posted that on my key posts. but what makes the photo he shared more sus is that shot of XZ was never shared by any official accounts — and the angle meant the photographer was super close. like at a rehearsal. making it more “real” that hui ge is from xz’s side. )

[alexxncl]

‼️NIGHTBRINGER LESSON 49 SPOILERS‼️

lesson 76 spoilers

gonna be using race and racism as an allegory and an explanation. don't like, don't read

masterlist | theories/spoilers | all lessons | season 3 | lesson 48.1 | lesson 48.2 | lesson 49.1 | lesson 49.2

(for context, the other response was something along the lines of "he really cried his eyes out, huh?")

regardless of how much luke has grown and matured, he's still a kid. like, a kid kid. they cry when they're upset, when they're angry, when they're throwing a tantrum, and when theyre confused and/or overwhelmed. i feel like the latter might be the case with luke, which is why i chose the "i'm sure he'll be ok" option

luke was raised with ideals that painted everything in black and white, as good and evil, and as right and wrong. up until his time as an exchange student in the devildom, he was, for lack of better phrasing, undeniably racist and prejudice to all of demonkind because of the way the celestial war was taught to him, because he was taught to think that way during some of the most foundational years of his life

he was thrust into a world that forced him to not only unlearn every harmful and incorrect thing that the people he believed knew best, that knew everything there is to know about the world, but it forced him to realize that everything that was taught to him was built on some sort of lie, that the life he'd been leading and the way he'd been treating the demons he interacted with made him act no better than, if not even worse than, the way that angels believed demonkind acted in their everyday life

with all of this in mind, he understood why the brothers fell and became demons. they disobeyed their father for (imo, not at all) selfish reasons and started an all-out war, costing who knows how many lives. while harsh, the punishment could be seen as justified

but with simeon, it was different. he was someone who disobeyed their father by stealing a ring with the intent of saving not just the celestial realm, but all three realms, and was banished to being mortal. being punished for acting selfless, for risking your life and immortality for the sake of billions doesn't make any sense, right?

and what makes even less sense is that despite his good deeds, despite being on the right side of the war, despite being an overall good person with good moral standing, despite already beinh punished to a life of mortality, simeon still is faced with the same fate as people who committed treason against god himself and cost thousands of angels their lives

imagine how hard it would be for a 10-year-old or 12-year-old to understand and process his entire life and moral code being flipped on its head, still working through and unlearning his negative biases, followed immediately by his big brother/pseudo father figure being faced with an unimaginably harsh punishment for a "crime" that shouldn't even be considered a crime

luke, to me at least, is an example of why it's so so important to teach kids at a young age how to live in and interact with the people and the world around them, whether they're part of a marginalized community or not. it's so easy to fall down the alt-right pipeline given how easily accessible the internet is to young boys, and unlearning the prejudices, biases, racism, sexism, misogyny, etc. that those things can teach you is not only extremely difficult, but a long road to walk down

idk how many people are gonna read this, and i doubt that it's gonna go outside of the obey me community, but i felt like i had to talk about it

[ellie-tarts]

rotating coai in my head. it would be nice if we were older. if we didn’t have to wait so long. and if we lived together in a world where we belonged

[dont-offend-the-bees]

Fuck I hate being an adult. I need a more adult adult to help with the volatile emotional situation.

[talkorsomething]

I have Got to get more transgender