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nyxshadowhawk · 4 months

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A Retrospective on Harry Potter

Why did I like it in the first place? What about it worked? Where do I go from here?

I have decided to give up Harry Potter.

J.K. Rowling’s reputation now stinks to high heaven. At this point, she is quite indefensible. And even if that weren’t the case, she is not someone that I would want to associate with anyway. Meanwhile, the internet has not only turned against her, but against Harry Potter itself. An innocent question on Reddit, about which Hogwarts Houses the ATLA characters would be in, got downvoted to oblivion. Innumerable Tumblr threads insist that fantasy fans should get into literally anything else (suggestions include Discworld, Earthsea, The Wheel of Time, and Percy Jackson). And now that Harry Potter is no longer a sacred cow, there has been a recent slew of video essays that rip it to shreds, attacking it for its poor worldbuilding, unoriginality, and the problematic ideas baked into the original books (like the whole SPEW thing), etc. Those criticisms always existed, but now they’re getting thrown into the limelight.

It pains me to see such an ignoble downfall of Harry Potter’s reputation. If Rowling had just kept her damn mouth shut, Harry Potter would have aged gracefully, becoming a beloved children’s classic. I'd still plan to introduce it to my own kids one day (after Rowling dies and the dust settles). It’s not surprising that not all aspects of it have aged well, since it’s been more than twenty years since its original publishing date, and everything starts to show its age after that long. I acknowledge that most of the criticisms of the series that I’ve seen lately are valid, and I’ve read plenty of better books. And yet, when I return to the books themselves, even with the knowledge of who JKR really is inside my head, I still really enjoy reading them! There’s still a lot about them that I think works!

None of the other things I’ve read have had as collossal of an impact upon my identity, my values, and my own writing as Harry Potter. It’s hard to move on from it, not just because it’s something I enjoy, but because I have to literally extract my identity from it. I don’t know who I’d be without Harry Potter. I don’t know what my work would look like without Harry Potter. I don’t know how to carry it with me as just another piece of media that I like, as opposed to a filter for who I am as a person. So, with all that in mind, I have to ask myself why I liked Harry Potter so much in the first place. If I’m going to move on from it, then I have to be able to define and isolate the things about it that I want to keep with me. Something about it obviously worked, on a massive scale. So what was it?

It’s not the worldbuilding. The worldbuilding is objectively quite terrible, especially in comparison to that of other fantasy writers who knew what they were doing. At best, it’s inconsistent and poorly thought-out, and at worst it’s insensitive or even racist. Is it the characters? The characters are, in my opinion, one of the stronger parts of the story. But I felt very called-out by one of the many online commentators, who said that anyone who identifies with Harry is too cowardly to write self-insert fic. (I do not remember who said it or even which site it was on, but I distinctly remember the phrase, “Reject Harry Potter, embrace Y/N.”) The reason why people get so invested in Harry Potter’s characters is because they’re easy to project upon, and it’s possible that my love of Harry comes more from over a decade’s worth of projection than anything else. The incessant arguments over characters like Snape, Dumbledore, and James Potter ultimately stem from the fact that these characters do not always come across the way Rowling wanted them to. As for the writing itself, it’s decent, but not spectacular. Harry Potter is something of a sandbox world, with less substance than it appears to have and a crapton of missed opportunities, making it ripe for fanfic. For more than ten years, I’ve been doing precisely that — using Harry Potter as a jumping-off point to fill in the gaps and develop my own ideas, some of which became my original projects.

So what does Harry Potter actually have that sets it apart? Why are people so desperate to be part of Harry Potter’s world if the worldbuilding is bad? What, specifically, is so compelling about it? I think that there’s one answer, one thing that is at the center of Potter-mania, and that has been the underlying drive of my love of it for the past decade and a half: the vibe.

Harry Potter’s vibe is immaculate.

You know what I mean, right? It’s not actually a product of any specific trope, but rather a series of aesthetic elements: The wizarding school in a grand castle, with its pointed windows and torches and suits of armor, ghosts and talking portraits and moving staircases, its Great Hall with floating candles and a ceiling that looks like the night sky, its hundreds of magically-concealed secret doorways. Dumbledore’s Office, behind the gryphon statue, with armillary spheres in every single shot. Deliberate archaisms that evoke the Middle Ages without going as far as a Ren Faire: characters wearing heavy robes, writing with quills and ink on parchment instead of paper, drinking from goblets, decorating with tapestries. Owls, cats, toads. Cauldrons simmering in a dungeon laboratory. Shelves piled with dusty tomes, scrolls, glass vials, crystal balls, hourglasses. Magical candy shaped like insects and amphibians. A library with a restricted section. A forbidden forest full of unicorns and werewolves. That is the Vibe.

There are five armillary spheres just in this shot. They are unequivocally the most Wizard of tabletop decor.

There’s more to it than just the aesthetic, though. The vibe is present in something that writers call soft worldbuilding.

There’s a phrase that writers use to describe magic systems, coined by Brandon Sanderson: hard magic and soft magic. Sanderson’s first law of magic is, “An author’s ability to solve problems with magic is directly proportional to how well the reader understands said magic.” A hard magic system has clearly-defined rules — you know where magic comes from, how it works and under which conditions, how the characters can use it, and what its limitations are. Examples of really good hard magic systems include Avatar: The Last Airbender and Fullmetal Alchemist. If the audience doesn’t understand the conditions under which magic can work, then using magic to get out of any kind of scrape risks feeling like the writer pulled something out of their ass. It begs the question, “Well, if they could do that, then why didn’t they do that before?”

You may come away from that thinking that having clearly-defined rules is always better worldbuilding than not having them, but this isn’t the case. Soft magic isn’t fully explained to the audience, but that doesn’t matter, because it isn’t trying to solve problems — its purpose is to be evocative. Soft magic enhances the atmosphere of a world by creating a sense of wonder. If your everyman protagonist is constantly running into cool magical shit that they don’t understand, then the world feels like it teems with magic, magic that is greater and more powerful than they know, leaving lots of secrets to uncover. Harry Potter, at least in the early books, excels at this. The soft magic in Harry Potter is what got me hooked, and I think it’s what a lot of other people liked about it, too.

The essence of soft magic is best summed up by this scene in the fourth film, in which Harry enters the Weasleys’ tiny tent at the Quidditch World Cup, only to find that it’s much bigger on the inside. His reaction is to smile and say, “I love magic.”

That’s it. That’s the essence of it. You don’t need to know the exact spell that makes the tent bigger on the inside. You don’t need to know how Dumbledore can make the food appear on the table with a flick of a wand, or how he can make a bunch of poofy sleeping bags appear with another flick. You don’t need to know how and why the portraits or wizard cards move. You don’t need to know how wizards can appear and disappear on a whim, or what the Deluminator is, or where the Sword of Gryffindor came from. You don’t need to know how the Room of Requirement works. Knowing these things defeats the purpose. It kills the vibe, that vibe being that there is a large and wondrous magical world around you that will always have more to discover.

One of the best “soft magic” moments in the books comes early in Philosopher’s Stone, when Harry is trying to navigate Hogwarts for the first time:

There were a hundred and forty-two staircases at Hogwarts: wide, sweeping ones; narrow, rickety ones; some that led somewhere different on a Friday; some with a vanishing step halfway up that you had to remember to jump. Then there were doors that wouldn't open unless you asked politely, or tickled them in exactly the right place, and doors that weren't really doors at all, but solid walls just pretending. It was also very hard to remember where anything was, because it all seemed to move around a lot. The people in the portraits kept going to visit each other, and Harry was sure the coats of armor could walk. —Philosopher’s Stone, Chapter 8

Many of these details don’t come back later in the series, which is a shame, because this one paragraph is super evocative! It establishes Hogwarts as an inherently magical place, in which the very architecture doesn’t conform to normal rules. Hogwarts seems like it would be exciting to explore (assuming you weren’t late for class), and it gets even better when you learn about all the secret rooms and passages. The games capitalized on this by building all the secret rooms behind bookcases, mirrors, illusory walls, etc. into the game world, and rewarding you for finding them. The utter fascination that produces is hard to overstate.

Another one of the most evocative moments in the first book is when Harry sees Diagon Alley for the first time, after passing through the magically sealed brick wall (the mechanics of which, again, are never explained). This is your first proper glimpse at the wizarding world and what it has to offer:

Harry wished he had about eight more eyes. He turned his head in every direction as they walked up the street, trying to look at everything at once: the shops, the things outside them, the people doing their shopping. A plump woman outside an Apothecary was shaking her head as they passed, saying, “Dragon liver, seventeen Sickles an ounce, they're mad....” A low, soft hooting came from a dark shop with a sign saying Eeylops Owl Emporium — Tawny, Screech, Barn, Brown, and Snowy. Several boys of about Harry's age had their noses pressed against a window with broomsticks in it. "Look," Harry heard one of them say, "the new Nimbus Two Thousand — fastest ever —" There were shops selling robes, shops selling telescopes and strange silver instruments Harry had never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon.... —Philosopher’s Stone, Chapter 5

What works so well here is the magical weirdness of wizardishness juxtaposed against normalcy. Eeylops Owl Emporium is just a pet shop to wizards. A woman makes a very mundane complaint about the price of goods, but the goods happen to be dragon liver. Broomsticks are treated like cars. All of these small moments contribute to the feeling of the wizarding world being alive, inhabited, and also magical. It gets you to ask the question of what your life would be like if you were a wizard. What do wizards wear? What do they eat? What do they haggle over and complain about? What do they do for fun?

In Book 3, Harry enjoys Diagon Alley for a few weeks when he suddenly has free time, and we get to experience the wizarding world in a state of “normalcy,” when he isn’t trying to save the world. He gets free ice creams from Florean Fortescue, gazes longingly at the Firebolt, and engages with delightfully weird people. He’s a wizard, living a (briefly) normal wizard life among other wizards in wizard-land. And that is fun. It’s so fun, that people want that experience for themselves, enough for there to be several theme parks and other immersive experiences dedicated to recreating the world of Harry Potter.

One of the greatest things about Universal was its phenomenal attention to detail. You can hear Moaning Myrtle’s voice in the women’s bathroom, and only the women’s bathroom. The walls of the Three Broomsticks have shadows of a broom sweeping by itself and an owl flying projected against the wall, so convincingly that you’ll do a double take when you see it. Knockturn Alley is down a little secret tunnel off of the main street, and that’s where you have to go to buy Dark Arts-themed stuff. It’s really well done.

Another thing that contributes to the vibe, in my opinion, is that the wizarding world is slightly macabre. They eat candy shaped like frogs, flies, mice, and so forth, and they have gross-tasting jellybeans. In the film’s version of the Diagon Alley sequence above, there’s a random shot of a pet bat available for purchase. In the third film, when Harry is practicing the Patronus Charm with Lupin, the candles are shaped like human spines. In the first book, this is Petunia’s description of Lily’s behavior after she became a witch:

Oh, she got a letter just like that and disappeared off to that-that school, and came home every holiday with her pockets full of frog spawn, turning teacups into rats. I was the only one who saw her for what she was — a freak! —Philosopher’s Stone, Chapter 4

I remember reading this for the first time, and it just kind of made intuitive sense to me. I suppose it fits into the “eye of newt and toe of frog” association between magical people and gross things, but somehow it works. Unfortunately, this is retconned later with the knowledge that wizards can’t use magic outside school, but before that limitation gets imposed, the idea of Lily amusing herself by turning teacups into rats seems like an inherently witchy thing to do.

That association between magic and the macabre shows up elsewhere, as well. In The Owl House, Luz’s interest in gross things is one of the things that marks her as a “weirdo” in the real world. When she goes to the magical world of the Boiling Isles, weird and gross stuff is absolutely everywhere. That world’s vibe leans more towards the macabre than the whimsical, but it works because you sort of expect the gross stuff to exist alongside the concept of witches, and that they would be an intrinsic part of the world they inhabit. You don’t question it, because it’s part of the vibe.

(The Owl House is one of the few things I’ve encountered that has a similar vibe to Harry Potter, but it’s still not the same vibe. In fact, The Owl House outright mocks the expectation that magical worlds be whimsical, and directly mocks Harry Potter more than once. The overall vibe is much closer to Gravity Falls.)

The Harry Potter films utilize a lot of similar soft worldbuilding with the background details, especially in the early films that were still brightly-colored and whimsical. For example, the scene in Flourish and Blotts in the second film has impossibly-stacked piles of books and old-timey looking signs describing their subjects, which include things like “Celestial Studies” and “Unicorns.” When Harry arrives in the Burrow in the same film, one of the first things he sees is dishes washing themselves and knitting needles working by themselves, taking completely mundane things and instantly establishing them as magical. In that Patronus scene with Harry and Lupin, the spine-candles and a bunch of random orbs (and the obligatory giant armillary sphere) float around in the background. One small detail that I personally appreciate is the designs on the walls above the teacher’s table in the Great Hall, which are from an alchemical manuscript called the Ripley Scroll:

It’s all these little things that add up to produce The Vibe.

Obviously, much of the vibe is expressed very well in John Williams’ score for the first three Harry Potter films. The mystical minor key of the main theme, the tinkly glockenspiel, the strings, the rising and falling notes that mimic the fluttering of an owl, the flight of a broomstick, or the waving of a wand. That initial shot of the castle across the lake as the orchestra swells, as the children arrive at their wizarding school:

If you grew up with Harry Potter, just looking at this image gives you The Vibe. The nostalgia hit is definitely part of it, but The Vibe was already there, back when you were a child and you didn’t have nostalgia yet.

In my opinion, only Williams’ score captures this vibe — the later films, though their scores are very good, do not. But the soundtrack of the first two video games, by Jeremy Soule (the same person who did Skyrim) absolutely nails it. This, right here, is Harry Potter’s vibe, condensed and distilled:

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This is why I feel invalidated by the common advice “just read another book.” I have read other books. I’ve read plenty of other books, many of which are wonderfully written and have left an impact on me. But there’s still only one Harry Potter. To date, there’s only other book that has filled me with a similarly intense longing for a fictional place, and that is The Night Circus by Erin Morgenstern. That book deliberately prioritized atmosphere over everything else in the story, and actually lampshades this in-universe. The Night Circus has a plot and it has characters, but it’s not about its plot or characters. It’s about the setting and its atmosphere. It swallows you up and transports you to a fictional place that is so evocative and so magical that you just have to be part of it or you’ll die. And even then, The Night Circus has a different kind of vibe from Harry Potter. In this particular capacity, there’s nothing else like Harry Potter.

The thing is, I don’t think Rowling was being as deliberate as Erin Morgenstern. (In fact, given many of Rowling’s recent statements, I question how many of her creative choices were deliberated at all.) She was throwing random magical stuff into the background without thinking too hard about it, which works when you’re writing a kids’ story, but stops working when you try to age it up. Actually, scratch that — soft worldbuilding is definitely not just for kids! The Lord of the Rings has a soft magic system, for crying out loud, and Tolkien is the original archmage of worldbuilding. Don’t listen to anyone who tells you that prioritizing atmosphere over meticulousness is bad worldbuilding. That is a valid way to worldbuild! Not everything needs to be clearly explained, not everything needs to make sense. The problem is that Harry Potter doesn’t balance it well. Certain things do have to be explained in order for the magic to play an active role in the story (and the setting of a magic school lends itself to that kind of explanation), but no rules are ever established for the kinds of magic that need rules. When you begin thinking about the rules, you’re no longer just enjoying the magic for what it is. At worst, you begin running up against the Willing Suspension of Disbelief.

It wasn’t actually the “aging up” of the story that did it in, per se, but rather, the introduction of realism. The early books were heavily stylized, and the later books were less so. A heavily stylized story can more easily maintain the Willing Suspension of Disbelief. That’s why, for example, you don’t ask why the characters are singing in a musical — you just sort of accept the story’s outlandish internal logic, and the inherent melodrama of it doesn’t take you out of the story. Stylized stories are more concerned with being emotionally consistent over being logically consistent. The later Harry Potter books changed their emotional tone, but without changing the worldbuilding style to compensate.

In addition to the more mature themes and darker tone, Harry Potter introduced more realism as it went, but Rowling did not have the worldbuilding chops to pull this off. There’s the basic magic system stuff: When you begin thinking about it too hard, something like a Time-Turner stops being a fun magical device, and starts threatening to break the entire story. Then there’s the characters: Dumbledore leaving Harry on the Dursleys’ doorstep in the first book is an age-old fairy tale trope that goes unquestioned, but with the introduction of realism in the later books, it suddenly becomes abandonment of a child to an abusive family. The exaggerated stereotypes of characters like the Dursleys become tone-deaf. The fun school rivalry of the House system is suddenly lacking in nuance. And then there’s the shift in tone: The wizarding world that we were introduced to as a marvellous place is revealed to be dystopian. You start thinking about how impractical things like owl messengers are, you start wondering if Slytherin is being unjustly punished, the bad history appears glaringly obvious, the quaint archaisms become dangerously regressive. Oh, and the grand feasts are made through slave labor! The wizarding world suddenly feels small and backward instead of grand and marvellous. J.K. Rowling’s bigotry throws it all into an even harsher light.

This is why I’ve always preferred the early books and films to the later ones. There’s a lot of things I like about the later ones, but they’re not as stylized — they don’t have The Vibe. Thinking about things too hard is just a necessary condition of adulthood, but it’s still possible to tell a dark, mature story that is highly stylized. I really think JKR could have better pulled off that shift if she was a more competent worldbuilder. But it is painfully obvious that she did not think things through, and probably didn’t understand why she had to. In her defense, she did not know that her story would end up being one of the most scrutinized of all time. As it stands, her strength in worldbuilding was in the softer, smaller, deliberately unexplained moments of magic that were there just to provide atmosphere. And there were less and less of those as the books went along.

Pretty much all the Harry Potter-related content released since the last film — including Cursed Child, Fantastic Beasts, Hogwarts Mystery, Hogwarts Legacy, Magic Awakened, and that short-lived Pokemon Go thing — have been unsuccessful attempts at recreating The Vibe. In fact, the only piece of supplemental Potter content that I think had that Vibe down pat was the original Pottermore, back when it was more of an interactive game. And of course that got axed. That was right around the time things started going downhill.

Some of the art from Pottermore’s original Sorting quiz.

So what now? Well, that’s the question.

I think I can safely say that The Vibe was the reason I liked Harry Potter. It’s the thing I still like the most about it. I’ve spent years chasing it, like an elusive Patronus through a dark wood. If I can capture and distill that Vibe, and use drops of it in my own work, then perhaps I won’t need Harry Potter anymore.

I'm gonna write the story that I wish Harry Potter was, and when I'm a famous author, I won't become a bigot. I'll see you on the other side.

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endofalili · 1 month

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harry potter ???? 😳😳😳😳

Yeah I'm hyperfixating again lmao anyway golden trio fanart I'm pretty happy with how this turned out! I love how Harry's scar turned out hehe I think the one in the movies is so boring like have fun bro go crazy go stupid ahh

Also fuck JKR and her transphobic bullshit 😊😊😊 trans lives matter, trans women are women and trans men are men 😊😊😊🩵🩷🤍

I did record a timelapse this time!! Albeit only the rendering cause I only remembered like after I finished the lineart lol BUT I STILL RECORDED ONE so brownie points lol

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saintsenara · 3 months

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Hey!

My main takeaway from your unhinged ships series - which provides me with limitless entertainment btw so thank you for your service - is how intricate your knowledge of the HP series is!

I'm kind of in a weird limbo rn where I have a great love for this world and the series but JKR's behaviour in recent years has completely turned me off the whole thing. I've been too disheartened to engage with the canon material in any real sense for years, but your exploration of it is kind of rekindling my interest. Do you have any thoughts on this?

Also, is HP like your niche or do you possess an encyclopaedic knowledge on any other works of literature or pop culture phenomena? This is just pure curiosity on my end.

thank you very much for this anon! it's extremely sweet.

how to reconcile being a part of this fandom - and, especially, how to be in a corner of the fandom which places more emphasis on the text than others - with jkr's decision to become a bigot is a question i'm sure we've all spent a lot of time on, and it's one which is going to have an inherently subjective answer.

my personal view is that she'll never get another penny out of me - i'm persevering with my original copies of the books, judiciously sellotaped; i won't engage at all with the upcoming television adaptation; i've not seen the fantastic beasts films; i wouldn't go and see cursed child; i wouldn't play hogwarts legacy; i don't buy merch and so on - but that writing my little stories and yapping away on my little tumblr is fine, because it's an engagement with the series which, no matter how much it focuses on the text she wrote, is still mine rather than hers.

but - of course - there are entirely reasonable arguments against this position, in either direction. someone who does engage more with jkr's post-radicalisation output could justifiably say that - since i've written stories involving delphini, who only exists because of cursed child, the fact that i've never seen or read the play is irrelevant and my insistence that there's a meaningful distinction between enjoying the expanded world of the series and enjoying the expanded world of the series in a way jkr materially benefits from is performative nonsense. someone else could justifiably say that jkr benefits [directly and indirectly] from all fandom engagement, even if that fandom engagement is critical of her and even if it doesn't financially support her - the upcoming television adaptation, for example, wouldn't have been greenlit if hbo didn't think it would get an audience, and the continued vitality of the harry potter fandom undoubtedly contributed to their belief that it would.

neither of these arguments are wrong - although neither is objectively correct either. each of us has to form a subjective opinion, be ok with it, and be open to changing it as time passes.

and i do genuinely think that engaging with the text as a text - something else i bang on about all the time - is helpful when it comes to reconciling everything.

i know it sounds very pretentious [and i also suspect that many people think the series isn't "well-written" enough to justify such pretension...] to say that the fandom needs to get better at embracing a variety of methods of reading the text and understanding the author's relationship to it.

this isn't me saying that anyone who wants to get into fandom needs to be able to rattle of the names of literary theorists, or be able to give an answer to "the series is historiographic metafiction: discuss".

[although if anyone would like to try and argue in favour of that proposition... i'd shriek.]

what it is is me saying that the dominant way of reading the text in the fandom - which is to focus on the reader's emotional response [and, above all, the reader's emotional response in childhood] - can end up giving jkr quite a bit more authority in how we engage with the series than she deserves. it's why many of us might say that we feel she's "betrayed" or "taken something away from" us, for example - and it's why many of us might feel that she's forced us into approaching the series in ways which decentre the canon material.

and this is - obviously - a completely legitimate way of engaging and responding. but there's also a lot to be gained from thinking outside of our emotional responses about things like the genre conventions which govern the series, the tropes and archetypes it uses, its language and syntax, its existence as something standalone, the other works of literature which influence it, and the social and historical context in which it was written. treating the series as "just" some books reduces jkr's authority over our response to it - and while the argument that this doesn't mean anything in the real world, since all she's going to care about is that people are reading her stuff, is an inherently reasonable one, i do think it has real-world benefits to us in how we square the circle of enjoying the text.

more controversially, though, i think it's also worth thinking about the personal context in which the series was written.

for me, the author is dead based on whether or not i need her to be. i don't think that the only valid interpretation of a text is the author's intended one, and i don't think that the only valid interpretation of a text is one dependent on matching parts of the story onto the author's biography. but i do think it's important for readers to know both what jkr understands the text as saying and what has happened in her life that bleeds through into it [such as the way her difficult relationship with her father and her experience of her mother's terminal illness undeniably influences the series' prioritisation of sacrifical motherhood and certain coolness towards fathers]. this doesn't mean agreeing with - or even empathising with - her by any means, it's just another tool in our arsenal when it comes to thinking of the series as no more or less special than any other piece of literature, and jkr no more or less important to our interpretation of it than any other author.

and i think it's worth saying that she doesn't seem to be someone who's bothered when fans say that she doesn't understand her own text or that she's lost the right to speak about it or that the fandom has taken it back from her - which is also why when people say that non-canon shipping [especially of queer pairings] must piss her off i think it's just cope - because she can spin that as these people being childish and unwilling to face reality.

but she does seem to be bothered by people who say "yeah, i know that's what you think and i know that's what you intended... but i disagree and you don't have the right to dictate otherwise".

[this is why - i think - she gets so frothingly pissed-off by daniel radcliffe's immaculate stance against her anti-trans bigotry. he's always very firm in saying "she can think what she wants, but - firstly - this isn't about what she thinks privately, it's about what she does publicly and - secondly - i think she's completely wrong and i'm not going to change my mind just because she wants me to", and she obviously doesn't like the fact that this is much harder to spin into the narrative that she's being "oppressed" and "victimised" than she'd like...]

the text is just a text, and she's just one woman, but our ways of reading are infinite and important and ours. the new horizon in literary theory is "fuck her, we ball".

[when it comes to "do i have a good memory?" the answer is "yes, but for purely useless information". when the question is whether that good memory relates to other pieces of pop culture, i'm either very lucky or very unlucky - depending on where you stand on such things - that the fandoms for hit millennial sitcoms don't seem to be large... otherwise i'd clearly be spending all my time writing epic nick/schmidt or liz lemon/jenna maroney romances and/or being cancelled for being in george michael/maeby nation...]

#asks answered #fuck jkr we ball

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edwardallenpoe · 3 months

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Hey. Just wanted to put my two cents in, like everyone else on Tumblr dot com is. (It got pretty long so putting it under a cut)

I don't really care about what you think should happen to the fandom. Like. If you are going to continue to engage in the fandom without giving Neil any sort of gain is fine. I'm personally still on the fence on what the fuck to do now. But let's not make that the whole focus, yeah? What Neil allegedly did was fucking terrible. Like. Objectively worse than what JKR did when things first came out about her. Let's forget good omens and sandman and coraline for a minute (don't care if you still engage with those things or burn your copies and remove your tattoos, let's just put it down for a minute.) and try really hard to think. Because we all hated JKR. We burned her reputation to the ground. For good reason. But we can't even decide if we hate Neil Gaiman yet? Guys. Please. We have to believe all women. Plus he's a rich fucking white dude who has admitted to using his power for gain.

And if it turns out (which this is a 8% chance) that this is all not what it seems to be, or even all of it is fabricated, and Neil is innocent, we still gotta stop worshipping this dude. This has got to be a wakeup call that he's not some Messiah. He's a human dude in power who does the same shitty things human dudes in power do.

And I get it. You want to continue to like your stories that he helped create (key-word 'helped' bc he was a part of a team with a lot of these stories, including Sir Terry Pratchett) but me personally? I would be a massive hypocrite if I metaphorically burned my Harry Potter stories to the ground and put HP fans in my DNI because of JKR but said "separate the art from the artist" with Neil Gaiman.

And this is coming from any other Good Omens fan that became way too attached to the story. Like a lot of people have said that story helped in very. Very fucking trying times. It was my rock, some days the only thing keeping me going. The fandom has been an amazing place of creativity and community and love.

But so was Harry Potter. If you think about it. If any Good Omens fans were previous Harry Potter fans you'll know just how wide spread and open and creative and deep the hp fandom was. And this may just be me misremembering because it was a couple years ago at this point (plus everything with Neil Gaiman is still such news) but because JKR was spouting rhetoric that directly harmed us (us being majority queer and poc people) we drop-kicked hp pretty fast and focused on the artist and her shittiness.

Can we have the same attitude towards Neil? Can we separate the art from the artist long enough to fucking focus on Neil? When I say separate the art from the artist I don't mean "remove artist, continue to enjoy art" I mean "remove the art and focus on the artist, and study that motherfucker". How many video essays are their out about JKR? How many books referencing her terribleness? Without giving so much as a hint to Harry Potter?

Separate the art from the artist and focus on the artist and bringing him to justice. And believe the victims.

And yeah I can see your arguments against the source of the information and who the victims went to tell their stories, I can understand those arguments, but let's look at the data, okay? Let's look at what Scarlett and K actually said with their actual words and their actual messages and separate the source from the material. What Scarlett and K talked about is scary. Terrifying. I couldn't even read more than a little bit before I got triggered. I wasn't caring about how the source podcast was talking about it. What Scarlett and K said with their own words should be enough. Make your own judgements. If you can't look at a story without being influenced by the storyteller's hidden agenda and not have critical thinking skills????? I'm sorry but that's going to be your downfall.

Or better yet, if you can't believe victims because they have political views that differ from your own (which, they probably don't. From what I can tell nobody really fucking knows what Scarlett and K's political views are but it doesn't really matter) you need to really study and look into what you mean when you call yourself a "leftist". Because it's not very progressive or helpful to not believe or help victims because of their political views. Sorry. Is that wild for me to say? Idk

Uh anyways. I don't really care what you do in your free time when it comes to enjoying the fandoms. I don't necessarily think it makes you a terribly shitty person for still engaging in it instead of burning all your Neil Gaiman stories, and also like a lot of people have said (and since I'm on the same boat) treating fans like the scum of the earth when a lot of fans have had good omens as a way to escape and has become super dependent on good omens and are justifiably horrified by everything and trying to ignore it is shitty. But I'm personally going to continue to follow this story because I care about the victims. Not because I want to be guilt-free reading a fanfic about an angel and a demon. Because I care about real life people.

#neil gaiman #god I'm just so scrambled about everything #I would make a post about how it's oh so terrible because I love good omens and it's helped me so much and yadda #but this isn't about me #i can push away my things and my feelings because this isn't about me #i don't want this to be about me #i seriously think that Scarlett and K deserve better #because they're people #i don't care that Neil Gaiman is a 'huge' trans ally #he hurt people. even progressives can hurt people.#i can't tell you how many cool people I looked up to WHO WERE PROGRESSIVES that were shitty. and horrible.#like genuinely I've had to stop engaging with like. five leftists. this year.#idk. if you still enjoy sandman and good omens and coraline good for you I guess #i couldn't care less about how you spend your free time #but for the love of GOD don't promote neil. or defend him. because he wrote your favorite stories.#don't give him any sort of help and any sort of way to get farther and farther away from the justice he must be served.#and you shouldn't care about what I or others are doing with the fandom #everyone should just forget about fandom and focus on this #it's sickening. genuinely.#good omens #sandman #coraline

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is-the-owl-video-cute · 9 months

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Would love for there to be some nuance with the HP thing. "Every HP fan is an antisemitic terf" are you for real? I, and a lot of other people, grew up with Harry Potter. It was the first time that reading really sucked me in. I got a story of an "other" that found a place to belong, and in the same way, I got a community of fans that felt the same way. Now everyone who was a fan is being told to throw away that history. You can't even pretend that you liked it once.

And now I struggle. JKR is an abhorrent human being. She constantly doubles down on her bigotry, and is proud of it. I don't read any of her shitty detective novels, I'm not on Pottermore, I never got Hogwarts Legacy, even though all I wanted for years was an open world game in that universe. JKR will not see a dime of my money, nor will I involve myself in any way with anything new she does.

This whole thing has tainted so much of my childhood. I remember staying up late reading. Going to school, talking about the books with my friends who also stayed up late reading. Those were great times in my life. Now, whenever I reminisce, Tumblr is there in the back of my mind telling me how bigoted I am. How much of a TERF that I am. It's depressing.

Oh cry me an ocean about how you feel guilty that people don’t like you indulging in a piece of media that is actively used as a means to harm marginalized people in the real world. Are you actually going to come here and act as though you having social pressure to not put your Hogwarts house in your bio is anything compared to what trans people have to deal with from the author? Especially trans women in the UK. What’s depressing is you drowning in self pity about woe is you because people aren’t super stoked that you knowingly engage in something written by someone who is even now harming vulnerable people?

The thing about growing up is sometimes you have to actually grow up and stop taking things as a personal attack. If you grew up playing a video game and loving it and then it turned out the mind behind it and primary profiteer as such was actively a grand wizard of the KKK and you look back to the games and see ominous parallels between that deep hatred for marginalized people in the games themselves, I would not respect you for continuing to enjoy those games. If your favorite book was written by a serial child predator and you were bemoaning about people reacting coldly to the idea you still greatly enjoy that book, I would not feel sympathy for you. And I will not feel any level of pity for you if you are still in current year finding justifications and excuses to be a Harry Potter fan.

The implication you consider it tainted, not because you were able to reflect on how deep rooted the antisemitic and racist and pro-authoritarian themes are in the story and how easily we all just failed to notice it at the time, but because you are criticized on tumblr for still being a fan is not lost on me here.

#Yeah anon everyone was a Harry Potter fan it was one of the most popular YA fictions internationally #that doesn’t mean you can’t stop liking something when you understand it harms people

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thecarnivorousmuffinmeta · 10 months

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Hello 👋

How do you feel about the basilisk from "HP and the Chamber of Secrets"? How do you like the book? What do you think of the theory that the Chamber of Secrets is something like the Temple of Salazar with columns and a huge statue?

The Basilisk

That ain't no basilisk son.

JKR does this a lot, pretty much with every magic creature she's got in her arsenal, but the basilisk might be the most egregious that was also extremely plot relevant.

A basilisk isn't a snake.

It's a rooster, dragon, fuck off lizard, toad thing, with maybe, maaaaaaybe, a hint of snake. It's king of snakes for... reasons.. but it's usually not just a big snake. I have never, in any other media, seen it not looking like some ridiculous rooster lizard/just be a big fuck off snake.

Then we have the movie where it's... an eel?

It's one of the funniest things in the franchise to me.

As for it knowing who to eat and who not to eat... I personally smell that it was carefully directed towards/coincidence helped out in it picking the right victims.

I do not trust in the ability of a basilisk to know the difference between Muggle-born and anyone else/care about the difference when it's been starving in a gutter for who knows how long.

Otherwise I have 0 thoughts on the thing.

The Book

The book was... the thing about HP, especially as I'm now going back to reread them, is it's not good. Now, to my hazy recollection, books 1-3 were worlds better than books 4-7 where JKR a) tried to get very serious b) the plot started falling apart as we had overarching mysteries/events that were supposed to last multiple novels.

What I'm getting at is Chamber of Secrets was one of the better books in the series but it still suffers what most HP books suffer from.

The mystery isn't all that good or presented well, as it's not something you can actually figure out, but it's engaging enough compared to some of the other mysteries of the series that it at least keeps you going.

Most of the book is filler nonsense we actually don't care about and no, Harry, I don't care about Quidditch and I never will so quit spending multiple chapters on your stupid games and I don't care that your school rival Draco is now Seeker too but we're made sure to know he's complete shit compared to you.

We also get the start of... house elves...

Its strengths are typical Harry Potter strength: the shenanigans the gang gets into are hilarious and insane (not limited to Hermione accidentally turning herself into a cat only to almost immediately after be petrified, Harry and Ron trying and failing to impersonate Crabbe and Goyle because they know nothing about them and then learning that 'oh, it wasn't actually Darco :/', Ginny going mad offscreen somewhere and nobody giving a flying fuck, Hagrid's desperate plea for his innocence 'follow the spiders boys' in which he nearly gets two schoolchildren eaten for which he would be imprisoned in Azkaban for that crime and had they been eaten he would not have been exonerated from his current crime, Dumbledore somehow arguing that the ghost of the Dark Lord was possessing a little girl and that's how the Chamber of Secrets got open and therefore Hagrid's not guilty and... winning? Off screen? Dumbledore still not getting sacked, ever, etc.), the magic we get is typical Harry Potter magic and is delightful, fun, and insane (we get Polyjuice and that debacle, evil haunted diaries, flying cars, and more), Dobby showing up just to wreck shit then leave multiple times in the book, and it's just the fun madness people love and are nostalgic about in HP.

My Theory on the Chamber of Secrets

I'm even more heretical, I don't think it's real/I don't think Salazar built it, I don't even think the founders are real.

#harry potter #harry potter meta #harry potter headcanon #the chamber of secrets #meta #headcanon #opinion #everythingnot65

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dvrcos · 5 months

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Ive been bothering everyone I possibly can by dropping asks abt Aaron in their inbox soo it's ur turn now

Any Aaron hcs? Your opinion on skater boy Aaron?

And because I love Kevin too, any Kevin hcs? I feel like people tend to forget that Kevin likes photography too canonically besides exy and history

OMG I JUST SAW THIS THANK YOU FOR ASKING HEHEHEHE

Skater boy Aaron is real and true and canon (to me at least)

He is the poster boy for the early 2000s skater aesthetic

Part of the reason he continues skating in college is because he enjoys the heart attack it gives Kevin

Kevin doesn’t want him getting hurt and jeopardizing the team and his wellbeing

So Aaron makes sure he finds time to skate everyday

Aaron is a lover of pop culture and is just a fucking nerd dude

He loves Lord of the Rings and read Harry Potter as it came out (and also very actively hates JKR in the modern day)

Aaron Minyard is a chronic migraine girly

He’s a med student and athlete who gets very little sleep so his head constantly hurts

And yaknow what he’s a little bitch about it too

He is constantly complaining to Katelyn and using it as an excuse to be an asshole

(I love him so dearly)

I also think he is constantly cold and has terrible blood circulation

His hands and feet are always freezing

Years of drug use and constantly needing to take Advil for his headaches has just shot his cardiovascular system

So he’s constantly cold and doesn’t run a lot because his stamina is shit

He has a raging addiction to caffeine and his vice is RedBulls

His sleep schedule is absolutely wrecked from both Exy and school so he’s rarely ever without a RedBull in hand

I don’t think he cares a lot about his diet but he does try to keep it pretty nutrient packed bc he knows the benefits of it

But he also has a sweet tooth (not as strong as Andrew’s but still strong) and he favors baked goods like cake and banana bread and pastries

His vision is bad and it just keeps getting worse over the years but he doesn’t wear his glasses often

He usually resorts to contacts but has to switch to his glasses late at night or when his head is hurting extra bad

OKAY KEVIN FUCKING DAY

He loves tea

Like has an extensive tea collection and will spend the money to buy teas from around the world

He also has a mug collection (the Foxes start gifting him mugs every holiday when they find out about it)

His favorite mugs are his vintage Trojans mug, a “history is not boring” mug the Foxes gave him when he graduated, and a Hogwarts mug Aaron gave him

(they read the series together :P)

Kevin’s favorite areas of history to study are Ancient Rome and the history of Ireland

He’s fascinated by the Roman Empire and studying Ireland makes him feel more connected to his mother

I think he continues school on the side and eventually gets a doctorate degree and teaches a bit after he retires from Exy

He always tries to sign with teams in or near the cities the other OG Foxes are in because he doesn’t really know how to function without the familiarity of his people

Kevin works a lot on undoing his Raven dietary habits and since he’s surrounded by people who can’t cook he grows a love for frozen food as well as caffeine

I think he takes a few art classes and really enjoys it even though he doesn’t think he’s that great at it

He’s actually not bad at all and makes a lot of really cool pieces

Kevin exclusively wears 5 inch inseam shorts

Anything longer is blasphemous

He has basically zero sense of style and just kind of mimics what the others are wearing

Until Allison forces him to go to the mall with her and they spend hours building him a real wardrobe that is him

Most of his closest still consists of PSU and USC merch though

And truly would this even be me if I didn’t put kevaaron headcanons? No

Kevin is basically a human radiator, especially after practice

And that is a blessing directly from God in Aaron’s eyes

Kevin comes back from night practice and Aaron just clings to him, absorbing all of his heat as they fall asleep

Aaron is a chronic clothes stealer like he just has sticky fingers when it comes to Kevin’s wardrobe

They spend a lot of time together in the library

They’re both in quite intensive and workload heavy majors so they study together a lot

It happened more as an accident tbh like Aaron was heading to the library to study for a midterm

And basically all of PSU’s student body had the same idea so there was no open tables

But low and behold there was Kevin, alone at a table tucked in the back corner, typing away at his laptop

Aaron joins him without asking and it kinda just becomes their thing

Kevin joins Aaron at the library between regular and night practices

They spend most of their weekends there and bring each other caffeinated drinks and snacks

Eventually they’re not even studying half the time, they’re just talking and spending time with each other outside of Exy and the other Foxes curious glances and prying comments

Aaron takes a history class with Kevin but Kevin refuses to take any science class outside of his required credits

He’s not a science person so Aaron doesn’t take it personally

Kevin can never properly wrap his head around how strong Aaron actually is

It just doesn’t compute for him, like how can so much strength be packed into such a small body

But he is most definitely not complaining, especially not when that strength is so clearly but on display or used against him

Kevin is practically drooling anytime he watches Aaron body check a striker twice his size and send them sprawling onto the floor

They become each others partners/marks during practices and it is simultaneously the best and worst thing to ever happen

They’re just excessively flirting while tripping each other and fighting with their racquets

The other Foxes comment on their “weird and disturbing foreplay” every chance they get

#thank you anon for giving me the chance to rant #I love these little idiots #so I hope you enjoyed #the kevaaron demons are loud and I cannot control them #aftg #all for the game #aaron minyard #kevin day #aftg headcanon

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quillyfied · 2 months

Text

Real talk for a minute because I fucking need this:

I’ve been a fandom nerd since age eight. Formalized when I first got online at age thirteen. My first real fandom was Harry Potter. It was my personality. It was everything. It introduced me to the fantasy genre, which I still haven’t really left. It made me want to be a writer. It made me realize there are stories inside of me that I want to share, that I hope touch someone else as deeply as Harry Potter touched me. Brain chemistry-altering type stuff. Loving Harry Potter is the only thing that extended family members who don’t really know me anymore remember about me. An ornament gifted years ago from an aunt who died suddenly. Thousands of words of writing. Hundreds of hours talking about it with friends and family. Toys, stickers, notebooks, clothes, gifts from others and some bought with money I shouldn’t have spent but did because it made me happy. Core childhood memories with people I don’t talk to anymore but remember so fondly.

It took a long time to be okay with tucking away my Harry Potter things. I disagreed with JKR’s political stances the second I heard them, but I held out hope for longer than I should have. I went through the very real shame and guilt and agony of something so foundational to my sense of self having to become a private, nostalgic sort of sad love instead of the loud, joyous proclamation it had been for years. It took a long time to be okay with losing the connection it brought with other strangers who also loved this story like I do and the giddiness of common ground and common excitement with other human beings. I’m still not okay with how something I still have so much love for is now an indicator of a person’s moral quality. I’m not okay with how my love makes me sad and uncomfortable instead of happy.

I’m a fandom nerd. It’s my biggest hobby and my biggest escape and coping mechanism. In May 2019, the thriving and small Dice Camera Action fandom exploded and then crumbled because of the show’s players’ interpersonal dramas, which in turn exploded and then crumbled me. Fully took out a pillar of my mental health. I learned a lot about parasocial relationships and my own relationship with them, about the dangers of them despite their very normal and common advent.

July 2019, I found Good Omens.

You can infer the pattern: brain chemistry-altering love, thousands of words of fanfic, more money than I had sometimes spent on stickers and plushes and shirts. Creating my very first cosplay, hours and hours talking about it with friends, some very fulfilling new creative relationships. A story that gave me hope, that felt True in the way that all great stories feel when they hit the right emotional chords. I’ve found new stories since then, but Good Omens remains an anchor that found me during a time I desperately needed it.

July 6, 2024.

Real people are more important than fandom. Obviously. I don’t think that’s ever truly in question.

But goddammit, fandom is people, too. Fandom is community. It’s the driving dopamine-sharing communal experience that has shaped my life for twenty years now. There is something in me that pushes back against the idea that the stories that have shaped and affected me so deeply must now be cast aside because their creators are unworthy, and at the same time, I have a hard time enjoying art knowing something on this magnitude taints it. It’s almost religious, in a way; avoid the appearance of evil, cast aside the unclean thing, repent for the sin of loving something made by a bad person.

Fuck you, my love doesn’t require repentance, art and artist can have some degree of separation and what I do and enjoy is nobody’s business.

Fuck you, how dare you give even verbal support to a monster by giving their work, and by extension them, the gift of your attention.

I don’t know how I’m going to handle this one yet, because the situation is more complex than JKR’s. There is still information coming out (more victims coming forward, I think more journalistic investigations under way), and Good Omens wasn’t just NG’s work, not the book and not the show. I’m in mourning. A little stuck and paralyzed. I’m not ready to put away and privatize another love that gave me such joy to be open and proud of. I resent the feeling that I need to or I will not be a Good Person.

In the meantime the bills need paid and my antidepressants need taken.

#quilly has issues #just verbalizing something I’ve been talking to my therapist about #bc boy howdy has the NG thing been tanking my already-low mental health #these woes are so small and selfish #but small and selfish things are sometimes easier to worry over than such huge widespread problems

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my-castles-crumbling · 6 months

Note

Hello,

I recently got back into the Harry Potter fandom, mostly because of tumblr. Otherwise I wouldn't even consider talking about my hyperfixations with my real friends.

So here's the thing, I know JKR is problematic and that is an understatement. I know this. And I came across a post which basically condemned her and said you shouldn't need more reasons to drop HP than this or something along those lines right.

And I completely agree with them. So I reblogged the post adding to it saying that the only way I am connected to this fandom is through this site.

Idk if this sounds like someone just like pettily complaining about people or whatever. They reblogged that post with my additions saying it's bad to even connect with the fandom, it gives her more support and kind of shamed me for still being a part of this.

Idk I just feel so guilty rn. And I just wanted someone to say it's okay to be here I guess. Until now I have loved HP content here, and this has been such an important part of my life. I can't just let it go.

I just wanted to let it out somewhere. Ughh as I type it out I feel I'm overreating but still. It's kinda been eating me up.

No, don't feel guilty at all! This is such a real feeling, and something I struggle with.

I guess to me, it's a personal decision.

Some people view loving harry potter (and any potter-related fandoms like the Marauders) as support of JKR. And that's...I can't fault them for that. Because people are so excruciatingly MAD. As someone who grew up literally idolizing her, it was absolutely devastating to see her turn into this. It was literally a betrayal. Like...the queer community used to really love her for pushing the idea of love and being yourself and fucking....not living in a closet. SO when she turned into this? It was really upsetting. People have literally had a staple of their childhood tainted, and for some, that's enough to completely write everything HP off completely. And that's fair.

For other people, they've decided to take the series as their own. To basically steal it and say- nope. Sorry, bestie. Not yours to be an author of anymore. I think that's more my view. Harry Potter (not even exaggerating) probably saved my life when I was a child, and got the through so much that I can't just get rid of it. It's quite literally a part of me. So while I respect the people who can't do it anymore, I just can't let go of something that really was a coping mechanism for years.

And then there are some people (like a newer generation) who never saw JKR as the author. It's always been the fandom. And I think that's also valid.

I think it's fair to say JKR doesn't have control over the fandom anymore, and we've made it our own. I don't lose sleep over being a part of it. But again, I think it's a personal decision, and one you can only make for yourself, you know?

#ask #asks #ask cas #marauders era #marauders fandom #harry potter #harry potter marauders #the marauders #jkr is a terf #jk rowling #fuck jkr #anti jkr #screw jkr #fuck jk rowling

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ruinofchimera · 9 days

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People forget or are too young to remember that when Order of the Phoenix first came out, everyone thought Lily was exceptional because she was coming to the defence of some random slimy unpopular kid she didn’t know just because it was the right thing to do. Nobody theorized for a second back in 2003 that they were friends, let alone best friends, because they DIDN’T ACT LIKE IT. She pays no attention to him in that scene because she’s so dialled in to James even at his worst. People theorized that Snape had a distant crush. Obviously JKR wrote it that way in Book 5 to conceal the Snily connection because it needed to be a big mystery reveal in book 7, but that means she needed to make Lily’s behavior - the flicker of amusement and the bantering with James while her friend is assaulted - in the Book 5 scene work retrospectively from a characterization standpoint in The Prince’s Tale. And she makes it work by painting a picture of a shaky friendship that had turned toxic long before the Mudblood incident, and not just because of his Slytherin associations and the threat of the war. He doesn’t understand why she cares about her sister, she puts all the blame on him for them stealing Petunia’s letter. He minimizes the harm Mulciber does, she tells him that he’s supposed to show gratitude to his abuser for drawing the line at murder. We’re not meant to read it as this loving, warm, equal relationship that Snape fucked up in this one moment.

I won’t even bother to hide that your writing hooked me right away. I fervently crave insights from the time when the books were just coming out and people didn’t yet see the whole picture. I find red herring to be a rather delicious literary device, so it’s a pity that I can only imagine how the final twists of the series blew the minds of the audience. Unfortunately, I was still a child at the time, so my brain cells could not yet process the subtleties of the material. Therefore, my judgments were formed after multiple re-readings in adulthood, and by that time, I had been shamelessly robbed of the intrigue.

Many fanon trends take on deeper meaning after you lift the veil of how the material was initially perceived (being misled by the narrator until the very end and all). Taking this into account, it becomes clear where the claims of Lily’s heroism may have come from. Someone in a reblog of my previous post mentioned that even Harry, who held a grudge against Snape, didn’t find the display amusing in the slightest. On the contrary, he was terrified. So even if there was no evidence of Lily and Severus’s friendship to speak of at that time, Lily’s glorification is still dubious to me. But for some people that might be enough to plant the roots of her chivalrous nature.

I see it now. You explained incredibly well why people might have overlooked the red flags in Lily as a friend, given that they didn’t perceive her as more than a mere bystander during the incident. Unfortunately, though, I have very little faith that people still base their opinions on what they read many years ago. I mean, I reread the series just last winter, and I had already forgotten a lot of important details (for example, Lily trying to make Severus feel grateful that James had saved him). And some folk intervene in discussions about Harry Potter when the last time they touched the original material was more than a decade ago? Well, if they seriously rely on their—dare I say—ancient reading, it would be so absurd it would almost be funny. Why am I even surprised? Maybe I’m just jealous of their superior memory.

Whatever. Once again, your meta is a revelation to be reckoned with. I hadn't considered it from this angle before, my critical thinking is almost purring with an enjoyment.

#lily evans #severus snape #marauders

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phoenixs-fandoms-and-writings · 1 year

Text

Do You Feel Better, My Love?

Fandom: Harry Potter

Pairing: James Potter/Lily Evans/GN!Reader

Summary: You get a message from your ex and you spiral into a panic attack. When your partners come home, they find you in the middle of a panic attack and help you through it.

Reader is gender neutral. No pronouns are used.

Ex is referred to as she/her.

WARNINGS: referenced bad relationship (past relationship), panic attack

Notes: I am anti-JKR and her beliefs. This account is a safe space for all.

As another note, the technique James used to get the reader out of their panic attack is one I’ve used for others many times after being taught it and I’ve had a couple of friends use it for me. From what I was taught, your brain can’t focus on the panic attack and random numbers at the same time.

I do not give permission to anyone to repost or translate any of my stories. I also do not give anyone permission to feed my stories through AI or to be posted to any third party website or app. If anyone sees any of my work posted anywhere but here or my AO3 (simplyreflected), then it has been posted without permission.

Read on AO3 here

You were coming home after getting some things for your date tonight. As you open the door, you hear your phone notify you of a text. You smile thinking it’s from James or Lily (your dates) and after you finish putting things down, you look at your phone.

Except it wasn’t from either of them, it was from your abusive ex.

You drop your phone and back into the wall, sliding down. ‘Why now?’ You thought. ‘Why did they have to come back now?’

Your breathing got very shallow, very fast, and you couldn’t think. You tried to get yourself out of it, but you just couldn’t. You couldn’t remember any of the techniques.

It felt like everything was going in slow motion and you covered your ears, trying to stop the world from getting to you.

You had no idea how long it had been, but you wanted everything to just stop. Then you heard a voice; you don’t know how far away it is. You couldn’t make out what they (you could hear two different voices) were saying.

“Hey, love, it’s James,” he said to you. “Can you look up at me?”

You were still freaking out, and you ended up moving your head trying to find where James’ voice came from. When you moved your head to the side, he put his hands on your cheeks to hold you still and thats when you saw him; your James.

“Alright, I need you to listen to my voice and repeat after me,” James told you as calmly as he could. “Alright. One.”

“One.”

“Two.”

“Nine.”

“Twenty-two.”

“Seventy.”

He gave you a few more random numbers with you repeating all of them, until he heard your breathing return to normal.

“Do you feel better, my love?”

“Yes, Jamie,” you replied as you smiled and leaned into one of his hands. “Where’s Lily?”

“I’m just behind you, angel,” you heard Lily whisper behind you. “What happened?”

You looked down, “my phone.” James started moving, but before he could get up, you told him, “stop. Please.” He moved and leaned against the wall, you turned and leaned into him, finally seeing Lily since she walked in. Both of them looked at you kindly while they were patiently waiting for you to carry on.

“My ex contacted me today for the first time since I finally cut off contact with her,” you told them. “I got a message from her. I don’t know what it said and I don’t want to know. She took too much time away from me before, and I don’t want her back in my life.”

“You’re doing the right thing, lovey,” James tells you as he holds you to him.

“Alright, I’m getting your phone and deleting the message,” Lily told you. She handed it to you, so you put in your passcode before handing it back to her. She deleted the messages and blocked your ex’s number from your phone, before she handed it back to you.

He asked, “how about we move to somewhere more comfortable?”

You nodded at him, fresh tears flowing but now because you were happy at how you evolved; you had an abusive ex who treated you like you meant nothing, to having a beautiful relationship with two amazing people, who often reminded you how amazing you were and how much you deserved to be loved.

James saw the tears, “are you alright?”

“Perfect,” you told them through your tears. “I’m crying because of how happy the two of you make me, and how both of you make me feel so incredible and empowered.”

Lily hugged you and you kissed her cheek, before James picked you up, and carried you bridal style, “where would you like us to be? Living room or bedroom?”

“Bedroom, please,” you told him

“I’ll be there in a minute,” you heard Lily call from behind you.

You kissed his cheek as he carried you through to the bedroom the three of you shared. He placed you gently on the bed, before moving onto the bed himself and pulling you to him. He kissed all over your face making you giggle and when he pulled back, he cupped your face and kissed you gently on the lips.

“I love you so much,” he told you with so much sincerity and so much love. It made you blush and tear up. “I love the way your eyes light up when you talk about something you love.”

“I love your incredible smile,” Lily said from behind you. She crawled onto the bed behind you and you sat back against the headboard, so you could see both of them next to you.

“You always make me want to be a better person,” James told you as he caressed your cheek.

You took their hands as Lily kissed you and James kissed where your neck and shoulder met, making you moan. All three of you spent the day together just kissing, cuddling and with them reminding you how much they loved you and how much better off you were without your ex and how proud they were of you.

#harry potter fanfiction #harry potter #marauders era #marauders era fanfiction #james potter #james potter fanfiction #james potter x reader #lily evans fanfiction #lily evans #lily evans x reader #hurt/comfort #panic attack #james potter x lily evans x reader #james potter x you #lily evans x you

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feminismisstillahatemovement · 1 year

Text

Here we go again. Another institution, brimming with self-righteous faux outrage, is trying to airbrush JK Rowling’s name out of history. This time it’s the turn of the Museum of Pop Culture (MoPOP) in Seattle, Washington, which has removed the world-famous author’s name from its Harry Potter exhibition. Last week, the museum announced that while it will continue to display memorabilia from the Harry Potter books and films, it wants no association with their supposedly problematic creator.

Explaining the decision in a 1,400-word blog, the museum’s exhibitions project manager, Chris Moore, brands Rowling a ‘cold, heartless, joy-sucking entity’. Moore, who identifies as trans and uses ‘he / them’ pronouns, takes exception to Rowling’s ongoing interest in preserving women’s hard-won rights over the ‘right of anyone who insists they are who they say they are’. Once again, Rowling’s reasonable and rational defence of women’s sex-based rights is being presented disingenuously as ‘hateful’ or ‘harmful’ towards transgender people, and therefore deserving of cancellation.

Moore even seems to think it would be better if Rowling had never existed. ‘We would love to go with the internet’s theory that these books were actually written without an author’, he writes, ‘but this certain person is a bit too vocal with her super hateful and divisive views to be ignored’.

Strikingly, Moore goes a few steps further than most of Rowling’s critics. He doesn’t just accuse her of transphobia. He also accuses the Harry Potter books of peddling ‘racial stereotypes’, promoting ‘fat shaming’ and, perhaps most heinous of all, lacking ‘LGBTQIA+ representation’. Surely to goodness there must have been a few pansexual / nonbinary students in the imaginary, magical school of Hogwarts? Shame on JKR for not giving them a voice, eh? The headmaster, Albus Dumbledore, might have been gay, but apparently that’s not enough in our world of 764 genders.

I find myself torn about this particular non-event, to be perfectly honest. On the one hand, I realise this is simply the latest in a long line of attempts to shut Rowling up. ‘I saw Goody Rowling, in the barn, consorting with the devil!’ is the tone of every such outburst. By now, these tricks have become cheap and obvious to anyone observing closely. The smears are always baseless.

On the other hand, the attempts to erase Rowling are deadly serious. Each attempted takedown inevitably leads to her receiving the vilest, cruellest abuse. Abuse which, if you’ve ever taken the time to read it, contains some of the most horrific things one human could say to or about another. Rowling is no doubt a tower of strength and resilience, having been on the receiving end of this bile for years. But it’s probably still having an effect on her, deep down.

Perhaps there is an upside to this stunt by Moore and the MoPOP, however. Removing Rowling’s name from the museum, and condemning her as ‘super hateful’, is so infantile that most right-thinking people will likely see it for the foolishness it really is. Sunlight, on occasions such as these, has a remarkable effect of highlighting the absurd and often cruel behaviour of the gender ideologues. People are getting wise to these smear tactics now that they are so regularly churned out. The problem is it is difficult to get people to speak out against them.

Sadly, most people are still too scared to speak up. This shouldn’t surprise us when the extremist factions of the trans movement use threats of rape, violence and torture to bring people into line. They doxx people’s addresses and workplaces, so the heretics can be hunted down and vilified, resulting in the loss of earnings, jobs, reputations and more. There are countless examples of this. And no doubt there will be many more to come.

Faced with this, we cannot simply stand by and shrug. We have to stand up to the smears. The truth is that Rowling has never said anything untoward about trans people. She has been critical of the behaviour of some trans fanatics. She has been vocal in her support for single-sex spaces for women and girls. And yes, she has vociferously defended herself against hourly abuse. As she damn well has a right to do. But she is not the bigot she has been made out to be.

It’s time we all speak up for what is right. It’s time to break the cycle of fear. It’s time we called out this public assault on JK Rowling – and on all the other gender-critical feminists who’ve been similarly maligned. We need to put a stop to this authoritarian movement.

----------------------------

James Dreyfus is an actor who has starred in Gimme, Gimme, Gimme, Absolutely Fabulous and The Thin Blue Line.

#jk rowling #witch hunts

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llendrinall · 10 days

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Dear Endrina

I am once again finding myself reading the secret language of plants, and I was wondering.

Are you still writing? Fanfiction, original fiction or others?

I would love to check out other things you are writing (if not already in ao3).

Is there any fanfiction authors your were inspired by for your work? I haven't really found anybody who writes just like you managed to do.

I am a big fan of your work and it always cheers me up reading your stories 😊 thanks for sharing with us all ❤️

Hello, dear.

I am writing, but I am not posting. There are many reasons why: less time, less energy, less fandoms that pique my interest, etc. I won’t detail them all reasons here. I dislike the idea of posting unfinished works so I have nothing to show. I will say that I am working on a collection of (fandom) stories and when I got your ask, I stole a couple of hours to other tasks and wrote 900 words. Nice! Although what started as 7 stories has grown to 16 so I don’t know when they will be ready.

As for other works or authors, funnily enough I had been meaning to write a couple of posts about books, so I will just do it here.

Endrina’s list of very nice books

Quality is subjective so the main criteria here is whether I have re-read these books, whether they had something to drawn me back.

Original fiction

Terry Pratchett.

Every Pratchett fan easily admits that his first books are not very good and that there is no good point to start reading. You simply pick a book, plunge into Discworld, and figure things as you go. Pratchett’s turn of phrase if excellent. Pratchett’s examination of morals is even better. Because it’s fantasy, Pratchett has not been taken seriously. He is too juvenile, too funny, too unserious. But he is also a master at making readers grow a political conscience.

The post I was meaning to write was a comparison between Pratchett’s witches (Weyrd Sisters, Witches Abroad, etc.) and some other author’s witches. Ok, it’s JKR, but I didn’t want it to be a direct attack on her or her character. It’s just a comparison of the content.

In Harry Potter the wizarding world is hidden. The reason given is that muggles would be demanding favors nonstop. Later I think it is implied that muggles may be dangerous to wizards. In Discworld, however, magic is perfectly public. People do demand favors from witches (and wizards, but less so) and people are a threat to magical folk. One of the Tiffany Aching’s books (aimed to younger readers, but still excellent) opens with an imprisoned witch about to be executed (she frees herself, of course, by magical and mundane means).

The thought came to me regarding anesthesia use during labor. I am sure that in Harry Potter witches don’t experience pain giving birth, but they don’t share that gift with muggles.

In Harry Potter, magic folk let non-magic folk suffer.

In Discworld, magic folk understand magic as a duty, while accepting that there won’t be thanks or appreciation. If you have the ability to save a sheep, to remove someone’s pain, to make their passing easier, you must do it.

It’s surprising that school libraries would ban Harry Potter and not Pratchett, because he is the one with potential to bring people to the left.

Naomi Novik

How to describe the Temeraire series? They are very good, they have dragons, they are populated by people who feel very real.

The first book is dedicated to building a fantasy world. So cool. So exciting. It would look so nice as an HBO MAX show! They would blunder the second season, but the first season would be excellent.

The next eight books ruthlessly deconstruct the first one. Much like Pratchett, Novik takes an idea and asks, “but how can this work?” and, often, the answer is “by the suffering and exploitation of poor people”. And she (like Pratchett) will drag the answer to the light.

The third book, Gunpowder war, is my favorite because the structure is crisp and neat. Three places, thee different environments, three challenges. You go from movement to arrest and back to movement and afterwards you feel like having completed a videogame.

Agatha Christie

She, like Pratchett, is not considered a “proper” author. I suspect it’s because she is a woman and because her books are accessible. There is this bias against books and stories that many people can enjoy.

Being a British woman born in 1890, her writing does have some ideas that seem outdated, especially regarding foreigners and Jews. But it’s ameliorated by the fact that all her characters are individuals. Each one of them is a distinct person rather than a stand-in for a whole group. So when in Lord Edgware Dies a Jewish woman is described as greedy an ambitious, she is still given enough personality that it seems like a “her” problem rather than a group trait. I don’t want to completely excuse or handwave it. Occasionally there are racist undertones. But they are still way less obvious that many modern works.

For a long time, every October/November I would read one of her novels to get in the Autumn mood, but lately I have found myself reading her “out of season” and wondering why her call was growing stronger. I realized recently it’s because in her books people don’t enjoy killing. Oh, someone is going to die. Perhaps more than one person. But the murderer kills because a) they expect to inherit, b) they are guarding a secret, c) they are in love, d) a variation of the three. They don’t enjoy killing, is my point. They don’t do it for pleasure. There are no elaborate and inventive ways to torture someone and desecrate a corpse. I find that I am very tired of recent trends in which a psycho killer tortures young women and taunts the police.

Also, Christie is very compassionate towards women. Some women are good, some are evil, some are adulteress, some have relations with married men, some get pregnant while single. In the latter case, the tone is more of “it happens” rather than “what a slut”. It is no ideal, it means trouble and social exclusion for the woman, but it happens so Christie doesn’t moralize about it. (And in Hallowe’en Party there is a single mother who is treated as perfectly normal).

I said earlier her characters are distinct individuals. Christie’s strength lies in voicing varied psychological profiles. Her two main detectives (Poirot and Marple) read as asexual (no matter the forced heteronormative that TV/movie adaptations try to push). Poirot also is a clear case of OCD and… it’s fine. That’s how he is. There are also some great ADHD characters. There is whatever was going on Ms MacGinty is dead. The main suspect is clinically depressed or something, I don’t remember well.

People are varied and allowed to be weird, and I love it.

(Occasionally, a couple of lesbians will pop. Sadly, because these are murder mysteries, one of them may die. But it doesn’t read like a Bury Your Gays trope)

Miguel de Cervantes

This one is not like the others because there is a lot of scholarly work about Cervantes. So much so that he is taken as a Very Serious author when, in fact, he is Pretty Funny. Think lines like “thus came a man riding a donkey, although it may had been a mule, there is no consensus regarding the animal, except it was probably grey of coat. The man was carrying a basin on his head.”

Having some political and cultural context helps to enjoy Don Quixote, but it is not a sine qua non requisite. For English, I like Grossman’s translation.

(Also, this is almost never mentioned: Miguel de Cervantes and his brother were suspected in the murder of a high class nobleborn who was a known sexual harasser. And it shows. There is a chapter in DQ that could very well be titled: Incel Culture, let’s not).

Fanfiction

Astolat

Astolat’s stories follow the pattern of the Common Man falling for the Enlightened Man. This tickles something deep in my brain and I love it.

The Common Man may not be so common. He may be a renowned warrior. He may be a hero. He is only common when opposed to the Enlightened Man (who may be a woman, like Brienne of Tarth, fantastic). The latter is someone with their third, fourth and fifth eye open. Someone who understands magic and, what’s even more difficult, morality. Someone who knows. What they know may vary, but the knowledge is there and with it a certain sense of being removed, of not fitting in the world. So they are surprised to attract the desperate interest of the Common Man.

Other things to like: clever construction of plot, deep and surrounding worldbuilding with just a couple of strokes.

Owlet

Her Bucky (MCU) series is fantastic, but the first work, This, you protect is particularly good. It is funny, it is healing, and it’s an interesting example of how to enthrall people. Most fanfics have sex, it is almost a requisite. Some readers will reject a story if the promise of hot scenes isn’t there. Well, This, you protect doesn’t have sex. It has coffee concoctions and grilled cheese sandwiches, and they are so satisfying that you won’t even notice there is no sex.

Scaramouche

I haven’t read her latest works (I am bit tired of the MCU and Steve/Tony doesn’t work for me) but I have read her previous work, specially the Supernatural fics, and enjoyed them thoroughly. The setting of her stories is imaginative yet familiar. No matter how alternative the AU is, it always feels natural and real, as if she had been a long time there and knew every place and every aspect.

The hoyden

Her DP9 and XMen fics read like silk. I don’t have another word. They are delicate and soft and they flow. They feel luxurious.

#asks #writing #recs

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