#like a parent is supposed to

[chaoticas-hell]

When your parents keep accidently admitting that yeah, you're the 3rd and really the only parent to your 15 yr brother:

[thatrandomblogsays]

Annabeth: I, a child, had to earn Thalia’s love, that’s how the world works! I have to earn my moms love. Love is transactional, you gotta be worthy of it first silly :)

Percy, listening to this on the train

[puppyeared]

renaissance dogys

characters belong to @canisalbus

[biggest-gaudiest-patronuses]

going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:

There is never a satisfying answer to ‘Why didn’t they love me?’

like wow babe. good fucking point

[mkstrigidae]

Backgrounds? *puts on sunglasses* I don't know her.

My favorite girl Sansa, here to eat lemon cakes and take names.

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[egophiliac]

oh, uh, this...this isn't Silver's backstory after all.

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[dukeofthomas]

Here's my controversial opinion; if you're trying to write Bruce as a non-abusive, good parent, you should also write him respecting his kids' privacy, boundaries, and not stalking&surveying them.

[strangersteddierthings]

Childhood friends AU Idea

Steve and Eddie are best friends who make plans to learn the elvish alphabet from The Hobbit so that they can pass notes without worrying about other people reading them.

The end of the school year (Eddie in 6th, Steve in 5th) brings a sadness to the two. Eddie's going to middle school and Steve's not yet, but they can hang out on weekends, and they have all summer so no worries. (Also, it gives Steve a little more time to learn elvish, since it'll be a whole year until they're in the same school again.)

Except yes worries because two weeks into summer, Eddie vanishes. When Steve bikes to his house to investigate, the whole house is empty. Packed up and gone. Steve goes to Wayne for answer and all he gets is a smile that doesn't really reassure and words of "his dad got a job opportunity, had to move on short notice. But don't worry, kiddo. I'll get you the number to their new place so you can call."

He learns elvish anyway. It's harder without Eddie to help but he's determined. Eddie might return, or maybe he'll get an address one day. Send a letter to Eddie in full Elvish.

Steve never gets a number or address. Summer ends and sixth grade comes. He doesn't want to forget all the elvish he's learned, just in case. So, he decides to keep a journal. He can write all about everything that's happening and when he sees Eddie, he can give it to him. It's a double win. Eddie will know everything he's missed out on AND it'll help Steve practice elvish.

Sixth grade ends. Eddie doesn't return. Steve did make friends with Carol Perkins though, so he's not as lonely. He hopes Eddie made a new friend, too. But not a new best friend. That's Steve's position, always.

Seventh grade brings Tommy Hagan, but still no Eddie. It brings a growth spurt and sports. Steve likes the easy camaraderie that comes with sports teams. It's like having a lot of friends, which Steve will only admit to needing in his journal. Needing many little connections of friendship to hold together the big hole Eddie left behind.

The summer between seventh and eighth grade brings him a Bruce Springsteen concert. He'd never thought of a boy kissing another boy until he'd witnessed it on stage but he thinks about it a lot after. The end of that summer brings an awaken he refuses to shy away from even if he has to hide it

Eighth grade brings popularity. Steve's good looking, rich, and liked among his peers. It brings the first (and last) time his dad says he's proud of him.

(Steve will spend the rest of his high school career chasing his father's approval.)

Freshman year brings Eddie back, but he's different. His hair is longer and his clothes are darker and he's distant. Defiant and angry. Steve would recognize him anywhere, dressed in anyway.

Eddie doesn't want his friendship anymore. Avoids him in the halls and cafeteria, but Steve is nothing if not persistent. He writes a full letter in elvish to slip into Eddie's locker, but Eddie catches him. Shoves the letter back, unopened, unread, with a harsh whispered, "Don't you get it Harrington? I don't want to be your friend. Fuck off."

Steve doesn't understand why. Not until the table top rants start. Conformity and jocks and brain-dead rich kids who get by on favoritism.

It hurts. Steve feels his heart break the day he finally gets the not-so-subtle messages drilled into his mind. Eddie hates sports, and rich people, and stupid people. Eddie hates all the things that Steve is.

Eddie hates him.

Sophomore year brings Steve a lot of things. It brings the acknowledgment that he was probably in love with Eddie, the way his heart twists the day he sees Eddie flirting with a girl in the hallway, the way he wants the lights out when hooking up with someone so he can imagine a different person pressed against him, the way he gravitates towards brunettes with brown eyes and the flickering hope it might make Eddie jealous. (The way he'd said the wrong name when Brent went down on him, too absorbed in the fantasy of someone else to get it right. Brent hadn't been offended by it, he'd been thinking of someone else, too. Steve finds solidarity for a little bit, until the school year ends and Brent leaves Hawkins.)

Junior year turns Steve's life upside down (pun intended) with monster's coming out of walls. There's probably a lot more he should write about but his journal's pretty empty this year. Too traumatized to document. (Too afraid of what Eddie would say because Steve still writes in his journal like he plans on sending it to Eddie one day. Better to write nothing than sound crazy.)

And halfway through his senior year (don't think about how he's in it with Eddie, about the 4 classes they share, about how Eddie still won't meet his eye) he wants to fade into the background. Nancy and he break up. She's with Jonathan and he hears the whispers of how pathetic he is to be eating lunch with his ex and the guy that 'stole' her. Steve knows that's a lie, Nancy made her choice, and no one can say otherwise, but it hurts to hear. He can't be bothered to try and make new friends. How would he explain the nightmares? The skittishness. The fear of the dark, of pumpkin patches, of his own damn pool now that he's had time to process last year?

Then, the next year brings him Robin. Well. First it brings him an embarrassing uniform and then Russian torture (don't think about it. Don't think about how he'll shorthand the stock list by writing it in Elvish sometimes. Don't think about how the Russian's almost believe they just work for Scoops until they find the stock list in his pocket. Don't think about how they don't believe that the strange script they can't identify isn't proof he's a spy), but in the end he gets Robin. A Platonic Soulmate who understands the hidden side of him. She asked if he was ever in love, and he thinks of the Eddie he used to know, longs to know again, and describes her instead. She rejects him in the softest way possible and then confesses about Tammy, and he confesses about Eddie in turn.

1986 brings Eddie back into his life in the worst way possible. With a bottle to his neck and them both acting like they've never spoken before. It brings twisting guts as Steve lies awake thinking about Eddie alone in a boathouse instead of sharing a bed with him like they used to in elementary school. It brings Steve leading them to Skull Rock (popularized as a make out spot but started as a set of boys' favorite place to play pirates during the summer). Dustin and Eddie make references Steve pretends to not know, despite his own copies of The Hobbit and Lord of the Rings and the numerous amounts of notebooks turned journals with elvish scrawled throughout.

There's a trek through the Upside Down. In another universe, Steve imagines he and Eddie talk. In this one, Robin sticks to his side like an extension of him (which she is), and glares at Eddie every time he looks in Steve's direction. Robin knows everything, knows it all, because there are no secrets between them.

They make plans to stop Vecna, once and for all, and Robin confesses she has a fear. That it won't turn out okay this time, but they have to try anyway. Steve clinks his bottle against hers and looks across the field to Eddie and Dustin. The stakes feel so much higher this time.

"I'm going to talk to Eddie if we survive. Make it right," he says.

"No. He's going to make it right because you didn't do anything wrong," Robin says, which is more support than he thought he'd get given the grudge she holds in his favor.

Eddie said make him pay and Steve does. Nancy advances, shotgun shot after shot and Steve's bounding down the stairs. Vecna beats him to the ground floor but not by much.

A hatchet's not the best tool to remove a head with but he manages. When he looks up, Nancy and Robin are looking down, both approving.

They find Dustin sobbing over Eddie and- and-

Steve's certain he's broken several of Eddie's ribs but he's breathing again, Nancy finds his pulse beneath all the blood, and Robin's retrieved the cut sheets to make bandages out of. Nothing is clean in this world, infection could kill him later, he might not save Eddie like he wants, but fucking Christ, at least if death claims him, it'll be on the right side of the world in a hospital.

Dustin, Robin, and Steve are at Eddie's side when Nancy leads Wayne into the room. They knew she went out looking for him (Steve was going to but Nancy had shoved him back in the chair with a look that left no room for argument) but even so they're startled by him.

Wayne has always been stoic and reserved, so it's no surprise to Steve when he just lets out a low whistle and says, "of all the people I might see here, you weren't one of 'em."

Steve swallows thickly and says, "well. I am. Here, I mean."

And Wayne gives him a watery smile and crosses the room. Pulls Steve into a hug that Steve thinks he probably wants to give to Eddie instead, but Eddie's not awake and standing and Steve is. But then Wayne says, "I told Eddie he couldn' chase ya away. That if he just talked to ya, you'd understand. He tried so hard to make ya hate him, and for what? For ya to be at his bedside anyway."

And Steve sobs. Loud and ugly and suddenly Dustin's there, and so are Robin and Nancy, and it's probably the most awkward hug for all the others but it's the best hug Steve's had in years. He doesn't even care that he's crying because how can he? Wayne's all but confirmed that Eddie doesn't hate him, maybe never hated him. That Eddie has an explanation, a reason for it all, and all he wants is Eddie to wake up and tell him.

Steve finally gets his apology two days after Eddie's release. It's the first time they've been alone together since- well, since elementary school. Wayne drove him here then lied about needing to check on something and said he'd be back in an hour or so before abandoned them to the awkward silence in Steve's living room.

"I'm sorry, Steve!" Eddie blurts out loudly, then looks startled by his own yelling.

"I know. I forgive you."

"You shouldn't."

"I know. Still do anyway. Would like to know what happened, though."

And Eddie tells him. How his father's debts came calling and they ran. How his mom got sick real fast, and his father's crime spree and prison sentence following her passing. How Eddie discovered the same thing about himself that Steve did but didn't have the same acceptance of himself. Hated that another thing marked him as Other. Freak.

He tells Steve how he couldn't let Steve back in because he was afraid of losing him again if he ever learned.

"I didn't think you'd be okay being friends with a faggot," Eddie spits the word out, dirty and mean and directed at himself.

Steve makes a decision then. "Follow me." And he helps Eddie up the stairs and into his room. Eddie sits on the bed and watches as Steve digs out notebook after notebook after notebook, until they're a tower on his bed. Then he topples them over in his search for the first.

Eddie takes the offered notebook with confusion on his face, looking from the cover, where 1978 is written on it. The summer Eddie vanished from Steve's life.

"Open it."

Eddie does and gasps. "Steve. Is this-"

"Every single one of these notebooks was written to you. For you. About you. I read The Hobbit for you. The Lord of the Rings. I learned elvish for you. I think I've been a little bit in love with you since the day we met on the playground on my second day of first grade."

"Steve," it comes out breathless and awed.

"Eddie," Steve repeats back to him, just as breathless as Eddie tosses the notebook aside and reaches for Steve instead. Hauls him in to kiss him senseless amongst the proof of Steve's devotion.

[chawliekin]

and if I said that dennis’ insistence on being the breadwinner/provider despite literally being a pampered princess who dgaf about traditional roles of masculinity in every other regard (aside from ego) is because his mom only stayed with/chose frank for his wealth and dennis is highly aware that he’s difficult to love and unable to show his emotions openly so he has to be contributing something to the relationship materially in order to feel like he’s worth staying for… and mac grew up with parents who were extremely ambivalent to him and eachother so he has to overcompensate by proving his worth at every given moment and seeking praise/validation from people (and religious icons) who will never demonstrate the same amount of dedication to him but he has no idea how else to desperately keep himself close to those he loves other than by eroding himself into something they’ll approve of… dear god they’re both exactly what the other needs — someone who can’t and won’t leave them even if they try — and they don’t even see it…

[junipers-insects]

I think I hauve baby fever

Ink belongs to: @/ Comyet

Error belongs to: @/ LoverofPiggies

Paperjam belongs to: @/ 7goodangel

[stormyrainyday]

i think we as a fanbase moved on way too quickly from the fact that the first ghosts lockwood ever saw were his parents

[inkskinned]

when you were younger, you were often told off for being too sensitive. as if you could control it. as if you, taking your own pain seriously, as if that was the problem. it didn't matter that you were being bullied - and it never mattered if the bully was your parent. it just mattered that you reacted to it.

the other day someone asked why you always seem to take things in stride. you don't know how to say - i don't, i am just not allowed to be a human where others could see it happen.

you watch other people have emotions in public and are often stunned by them. you are always walking carefully around your own, knowing that at some point you could slip and start weeping through your sunday evening apropos of nothing. you're not allowed to feel big things. when you feel big things, you're a messy, annoying person. it's ugly when you cry. it's uncomfortable for everyone.

the other day, you were relating another story to your therapist. you paused for a moment and then let out that little bark of laughter - it shouldn't have hurt, but i guess it did!

you promise that you're not upset about it. you're never upset about anything. you just pass through this world - ghostlike. numb. promising others - oh! i've changed a lot since i was a kid.

[fidelishaereticus]

so, old news obvious news blah blah, but i keep seeing people not getting this about my girl gideon nav so have to say: i think at first blush, people get the impression that Harrow’s got all the convolutions and layers and hidden vulnerability whereas gideon wears her heart on her sleeve and is just brazenly herself (a loveable rowdy himbo) & that’s the contrast. and yes, that’s there, but that’s not all. that dynamic itself is a part of their mutual (codependent) front, and like everything else in this book, it gets peeled back. 

i think the real contrast is that they’ve both got masks, and those masks are complimentary. they’re both kids who never got a childhood. they grew up tortured in the same place from very different angles with no one but each other to butt heads against. they both had to play-act grown up versions of themselves with few models for what a well-adjusted adult even looked like. so it’s cartoonish. gideon is the plucky hero of her own adventure story that will totally have a happy ending some day, far far away from her nemesis whom she’s totally not in love with. harrow meanwhile (to grossly oversimplify) has to imagine herself as someone cruel and cold enough to cope with being alive at the price of 200 other people. these two things fit very well together. gideon can play the hero to harrow’s villain, and harrow can enact cruelty toward gideon to make herself feel strong and mean (and generally just to vent anguish). the way they hate one another is a kind of mutual protection - it re-enforces the self-image that each of them needs to get through the day. but that’s the coping mechanism. harrow the ruthless bones overlord. gideon the hapless swords idiot, who thinks of nothing but tiddies & sweet sweet vengence (harrow’s corpse in various states of disgrace ) all day. and behind that they’re both tearing apart at the seems beneath caricatures of themselves that are deeply unsustainable and neither of them feels safe letting on the extent to which that’s the case. their hearts are a goddamned mess. neither of them is wearing that shit on their sleeve.   so yeah, there’s a lot more to gideon than being a swords himbo but that’s not the wild thing. the wild thing is she’s so convincing that she somehow manages to sell people on her no braincells act while being the pov character of entire first novel.

- 

[mossdogs]

ITS FINALLY HEREEE!!! i cant wait for the next episodes im so thrilled