I started this post with the intention of asking for fic recs where Bruce gets his kids early, but then I ended up just writing some ficlets
_(:3 」∠)_
I still really just want recs I swear but I wrote these anyway and am incapable of doing more with them so here
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Dick Grayson is 8 years old when he watches his parents die. Bruce is 24 years old when he sees a young boy’s life fall to pieces. He’s far too young to be a single father. But he sees too much of himself in the child, and he knows in his heart that he won’t be able to walk away from him.
He talks to Alfred about his fears of only furthering Dick’s trauma by failing him as a guardian. It takes some time, but Alfred is able to convince Bruce to find a therapist and take some discreet parenting classes. He’s still Batman, and I don’t think he’s capable of Gentle Parenting™ but he does do better. Plus, Dick is young enough to learn to read Bruce before the teenage hormones kick in so they manage to communicate much more effectively with each other.
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Bruce meets Catherine Todd by chance because there was a cool park Dick wanted to stop at. She’s trying to deal with her hungry and fussy 3 year old step son, but she’s young and stressed out and hungry herself and she just doesn’t know what to do. Bruce offers to take them out for lunch. He asks Dick to take Jason to the play area in the corner while they talk.
She breaks down and tells him of her struggles with addiction. She does her best to keep Jason fed, but it’s so hard. Feeding him means she goes hungry most of the time because she can’t quit using. Jason wouldn’t survive if she had to go through withdrawals with him.
He’s not even her kid! Not really. Her husband is just an abusive deadbeat so she doesn’t have a choice. She does love him, but she never wanted kids, and she can’t just let a child die when she can do something.
Bruce fills their fridge and cabinets to the brim (he offers to do much more for them but that’s all she will budge on. She has too much pride to accept outright charity, but she will do what she can to keep her kid safe) and he makes it clear to her that he is willing to take care of Jason for however long is necessary when she decides to take the first step to get clean.
Two months later, Willis gets arrested and Catherine shows up at Wayne Manor and tells Bruce she signed up for inpatient, but she thinks it would be best for Jason and for herself if Bruce would be willing to take permanent custody. She stays in Jason’s life, just not as a mother figure.
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A year or so later, Bruce gifts Alfred with a vacation as an early birthday present. Things have been hectic with the sudden acquisition of two sons, and Alfred has done so much, he deserves a break. Bruce promises he’ll be able to handle two kids on his own.
Turns out, he was mostly right, but only just barely. The kids are fine, the manor not so much. He ends up hiring a few services to help out with general housekeeping. A couple of those workers also happen to be regular hires for the Drakes.
Bruce overhears them talking about how sad it is that those awful people treat their toddler more like a doll than a child. He learns that not only do they leave for long periods at a time while not hiring a proper nanny to watch over their son, just expecting the help to take care of him, but they also lock him away on his own whenever it’s ’not fashionable’ to have a 2 year old around.
Alfred comes back to the manor on August 15th, just in time to celebrate his and Master Jason’s birthdays together. He opens the door and dodged around a very excited 4 year old jumping up and down in the entry hall.
“ALFIE! ALFIE! BOOSE GOT ME A BABY BWOTHER FOR MY BIRFDAY! LOOK! LOOK! HIMS NAME IS TIMMY AND HE’S THE BESTEST!”
Alfred leans over to peak behind the boy, and sees a very quiet, very small child standing behind him.
“Oh, dear.”
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The day Bruce got the call from Talia telling him she was pregnant with his child was one of the best days of Bruce’s life. The day she called to tell him she miscarried was one of the worst.
The only blessing was that he didn’t need to explain it to his kids. Talia was going to move in once she was in her second trimester, and they planned to reveal her pregnancy together.
He got the call two weeks before her flight out. He begged her to come anyway, he loved her, they could still be a family. She refused.
Six and a half months later, he walks into his bedroom to find Talia standing by the window with a squirming bundle in her arms. With equal measures steel and sorrow in her eyes she tells Bruce she is sorry for what she put him through, but it was the only way to keep their son safe. He gathers them both in his arms and holds them tight as she explains.
Her father had planned to raise an heir to be the Demon Head. He would be kept a secret from Batman until the very end. But when Talia gave the final push to birth their son, he came out quiet. She panicked for a moment until her midwife quietly leaned down to listen to the baby’s breathing and then looked up with a soft smile, she bundled up the small thing and handed Talia her baby. Big beautiful green eyes blinked up at her. The midwife leaned closer to Talia and whispered, “Sadly, your son was stillborn. I’m deeply sorry for your loss, but surely The Great Head of the Demon would be willing to allow you some time away from your duties while you recover.” Talia allowed the woman to cover her beautiful cooing baby gently with soft linen and silk and carry him from the room. Later that night she left her home with her son and boarded the first flight to Gotham.
Tears gather on Bruce’s lashes and he tells her everything will be alright because now they can finally be together as a family. Once more, she refuses. She tells him Damian and his boys are far too precious for her to bring the danger of the league of assassins to their door. Bruce closes his eyes in sorrow, but nods his acceptance. He asks her to at least stay the night together. They fall asleep wrapped in each other’s arms with their baby boy safely bundled between them. Talia is gone when he wakes.
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It’s been one week since Talia left and, while still beyond upset, Bruce feels like he’s starting to have a decent handle on things. He is sitting with his boys at the breakfast table, Dick and Jason to his left, Tim to his right, Damian in his arms, and Alfred across from him. They’re finally able to have a relaxing breakfast. No babies crying, no food fights, no arguing, just the sounds of eating and gentle chatter.
He feels a small hand grab his right sleeve and give a gentle tug.
“Boo?” Tim asks, quietly. Bruce feels his heart warm at his son finally feeling like he can speak up without permission.
“Yes, sweetheart?”
“Why isn’t Big Sister sitting with us?”
Alfred is the only person in the room other than Tim to not startle at the sudden appearance of a 5 year old girl standing next to Bruce at the dining table. He simply sighs, stands up, and grabs another place setting for her at the table.
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rough art tips to learn and then break at your leisure.
the distance between your eyes is roughly one eye. the corners of your mouth dont extend past the middle of each eye. ears are roughly in the middle of the tip of the nose and the eyebrow. the eyes are in the very centre of the head. the neck is just a Little slimmer than the width of the head (varies with fat distribution, but fat tends to build up under the chin). hair is easier to draw when you plot out the hairline and then where it parts. leaving appropriate distance on the side of the face (cheekbone area and back to ear) contributes to making characters look more realistic/hot as hell. i dont know specific tips for that so use reference. an amazing reference/study site is lineofaction.com . if you think of the face in planes it makes it easier to construct (look up tutorials). if you draw a spiral like a tornado it can help you figure out awkward perspective for extended limbs (look up foreshortening coil technique). tangent lines are when two lines intersect and cause visual confusion (when it looks like a line that defines an arm is part of the line that defines a building, for example) and avoiding them makes your art way easier to comprehend. quick trick to good composition: choose a focal point (where you want your viewer to focus), detail that area the most, and make sure various elements of the piece are pointing to that focal point. you can use colours to contrast hue, saturation, and brightness and make certain elements of your drawing stand out. drawing in greyscale can help you figure out values. using black in a piece isn't illegal but you should know what you're doing when you do use it- it desaturates a piece and if used as a shading colour can desaturate and dull whatever youre shading too. if you use almost-black lineart and then add black to darken the very darkest areas it will do a lot to add some nice depth. the tip of your thumb ends just above the start of your index finger- your thumb also has two knuckles and all your other fingers have three. if you see an artist doing something you like (the way they draw noses or eyes or hair or anything else) you can try to copy that and see if you want to incorporate it in your style <- this is ENCOURAGED and how a lot of us learned and developed our styles. there are ways to add wrinkles to faces and bodies without making the character look a million years old, you just have to keep experimenting with it. The smile wrinkles around your muzzle dont connect to your mouth or to your nose; there should be a small space in between smile or nose and the wrinkle line. eyes when viewed in profile are like < aka a little triangle shape. think of the pupil like a disk and apply foreshortening to it (it looks like a line when seen from the side instead of a full round dot). subtle gradients can add a LOT to a piece. texture can also add a LOT. look up Tommy Arnold's work (his murderbot pieces are some of my FAVOURITE) and zoom in. find those random little circles he added and try to figure out why he added them there. light bounces. there's lots of way light bounces. sometimes it even spreads through the skin. i do not know these light tricks yet but i want you to know that they exist. draw a circle to indicate hand placement, draw a straight line between that circle and the shoulder, and then (normally at a right angle) draw a straight line on top of that line to find the placement of the elbow. elbows are normally placed Just above the hip when standing and your arm is at rest. there are no bad colour combos if you're brave enough about it, just fuck with the saturation and brightness until it works. keep playing. try new things. add your own tips to this post if you want or even expand on some ive mentioned here. good luck go ham etc
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