#like it was a fucking decade ago

[lacependragon]

One of the worst parts of not having friendship decay is sometimes you have a dream about someone you don't talk to anymore, and you wake up missing them so desperately and achingly, like you last spoke yesterday, and it just never goes away. It's been a month of these dreams and a month of this pain that just slips in whenever I'm not actively guarding myself against it.

I can't just go talk to them brain. I ruined that relationship. I said all the wrong things. I lashed out and was cruel. I was rude. I fucked everything up out of pain and jealously and fear and I never bothered to explain myself. I was wrong. And I'll never get to fix that because I ran. And I have to live with that every single time I have one of these dreams.

You can't fucking just go send them a friend request you're being a fucking asshole and an idiot.

We'll see if it ever stops.

[relaxxattack]

yet another “quadrant understanding” post ten years too late to actually affect how anyone understands quadrants 💔

[thekidsarentalright]

so anyways some legends are told some turn to dust or to gold but you will remember me, remember me for centuries, and just one mistake is all it will take, we’ll go down in history, remember me for centuries, remember me for centuries. Mummified my teenage dreams, no it’s nothing wrong with me, the kids are all wrong, the story’s all off, heavy metal broke my heart. come on, come on and let me in, bruises on your thighs like my fingerprints- and this is supposed to match, the darkness that you felt, i never meant for you to fix yourself. some legends are told some turn to dust or to gold but you will remember me, remember me for centuries, and just one mistake is all it will take, we’ll go down in history, remember me for centuries, remember me for centuries. And i can’t stop till the whole world knows my name, ‘cause i was only born inside my dreams. Until you die for me, as long as there’s a light, my shadow’s over you ‘cause I am the opposite of amnesia. And you’re a cherry blossom, you’re about to bloom, you look so pretty but you’re gone so soon. some legends are told some turn to dust or to gold but you will remember me, remember me for centuries, and just one mistake is all it will take, we’ll go down in history, remember me for centuries, remember me for centuries. We’ve been here forever, and here’s the frozen proof, I could scream forever, we are the poisoned youth. some legends are told some turn to dust or to gold but you will remember me, remember me for centuries, and just one mistake is all it will take, we’ll go down in history, remember me for centuries, remember me for centuries.

[wolvertooth]

(X-Men 1.5)

tyler mane CLEARLY saying 'oh baby!' in response.......they know. they fucking know. they KNOWWWWWW release the sabrevine cut.

[philzasjuicyass]

Ok but like. The sins all being themed after an act in the circus means that, in-universe, they all either coordinated that or each one individually decided to do so and ended up accidentally matching

[fruitsaladc0wboy]

the thing that makes me the craziest abt s15 of rvb is that they wrote the worlds most traumatizing scenario for carolina and then completely disregarded it. like s13 makes it EXTREMELY clear that one of her worst fears is losing her brother and then IT HAPPENS and then like six months later a guy who looks just a little bit too much like him tries to fucking murder Her Specifically. but nooooo s15 is about her overcoming her freelancer trauma for some reason like ???? that woman is in MOURNING why would she be tackling her decades old trauma now. while a guy with her dead brothers face is trying to kill her. can anybody hear me.

[crimeronan]

my dad was on his best behavior tonight. i met him and his new wife. he has a white beard now and looks like every grizzled fisherman in an old sea myth. it was awkward but my siblings carried the conversation (as i was typing that sentence, my sister called to debrief and said "yeah, that was my goal, just to keep talking.") my dad's new wife repeatedly hassled both of my siblings about settling down and having kids, but left me alone, presumably because i'm Butch Dyke. my brother mentioned doing volunteer work with foreign students at college and she went, "oh, are they illegals?" which was the only really nasty reminder of Who These People Are. then when my brother said he'd been talking to a friend, she went, "oh, a giiiiirl?" and he got the meanest look on his face and flatly went, "no. they're nonbinary." truly taking one for the team in terms of being the most problematic one at the dinner table.

dad told several stories about when i was in elementary school, since that's the last time i was his daughter. he reminded me that a lot of who i am now comes directly from him in ways that aren't Always bad. he was the one who told me to beat the shit out of anyone who harassed me or my friends. he was the one who taught me how to fight. he was the one who impressed upon me that i'm ruthless before i'm ever a woman, however much he may regret that now.

i put on my best high-pitched all-american cheerleader appeasement voice for all of dinner, and his wife said, "oh, you sound just like your mother! your voice.... it's so strange" thank you ma'am. it's because my mother and i both know how to win.

[seraphicalsuccubus]

omg guys I just found my beautiful, hardcover, illustrated, deluxe 30th anniversary edition of The Princess Bride and I forgot how fucking stunning this fucking book is 😭😭😭

I thought it was so gorgeous when it was gifted to me for Christmas several years ago from my mother that I never even opened it up long enough to read any of it because I fucking cherished this copy of one of my all time favorite book and film adaptions so so so much, I didn’t want to mar the book at all by reading it because it’s just so beautiful that I packed it away, in a separate box, cushioned by my own shirts since I don’t have a bookcase anymore, and just kept it safe there and, UGH !!! it still looks pristine now that I’ve taken it back out !!! 🥺🥺🥺

but now I have the urge to actually open it and read it, because I haven’t read the book in like 20 years now and it was one of my favorites the first time my mom let me borrow her copy when I was 7-8 years old. and then when I bought my own hand me down falling apart ass paperback version I found at the library for like $2 during one of their like book sale things when I was 10, and read it over and over again until it was missing pages. like, that’s how much I love this book. I read it to DEATH. like. that book was so loved that I read it until it couldn’t be pieced back together anymore. and even though it was in rough shape when I got it, I didn’t care. I loved it because it was finally MY copy. and now I have this just absolutely gorgeous copy to replace that old falling apart book I had lost ages ago and was devastated about, and it’s one of my most prized possessions.

I’m going to be much more careful when reading this version, seeing as it is a deluxe anniversary edition that was gifted to me, and has quite a lot of beautifully illustrated pages and even some extra chapters. and because, eventually, I want to pass it down to my kids so they can read their mother’s favorite book, from her own copy of it (if I ever have any kids, that is), like my mother did by letting me read her copy and just fall in love with the story. which is a big part what instilled my love for this book/film at a very young age, that connection over it that I had with my mother, because her and I have never really connected on much so this book holds a lot of sentimental value to me. and I want to one day pass that down to my children for them to read (not keep, just read and decide if they want their own copy so I can go buy them an edition of it, like my mother did by gifting me this edition when it released even though it was years and years after I’d first read the book and fell in love with it, she just remembered how enamored I was with the story and the characters that she wanted to surprise me with a brand new, beautiful copy of my own). so I’ve def gotta keep it in really good condition. that’s my drive to not ruin this book and read it to death like my poor old paperback version I had, lol 🥺🖤

[polisena-art]

hii, ive been stuck in a three caballeros/zé carioca loop recently and been trying to find active ppl in the fandom ANYWAY I *LOVE* YOUR ART IT GIVES ME *LIFE* ! So, do u think Zé would be into funk carioca? In one of his comics he was against the rise of disco (it was the 80s) and kept being a samba fan but i feel like maybe 2000s funk or even phonk would sound good to him, watcha think? Xoxo

Hi!!! First of all, omg, Thank you!! And second, I'm glad you've fallen into the 3 Cabs/Zé Carioca pit kdjdndkm It's always great to see more people coming in. I don't think I have read this one comic you mentioned about Zé being against Disco but I'd love to read it if you have the name of it still!! This is also a thing I've come to notice on some Zé Carioca comics tho! Zé, and the narrative in general, tend to side against non-Brazilian genres of music... mainly Rock'n'Roll. Oh, so many jabs at rock and those noisy chords, hairy guitar players and those damn gringos trying to infiltrate our radios!!! It all reads as very boomeristic at times XD

I kinda get Zé as a "symbol" of Brazilian/carioca culture and him being protective of samba and wanting to praise it always, so I guess this was the take the writers chose for Zé to be ride or die for. And, yeah, we all know that Funk is a genre that was greatly influenced by United Statesians genres, but I think there's no way that the writers would make Zé Carioca be against Funk Carioca. Like,,, imagine the absurd… the character that is supposed to represent your marginalized favela dweller everyman, hating on one of the most marginalized, favela born, Brazilian rythms ever! There even is one story I remember reading where Zé goes to a Baile Funk and, admittedly, things don't really work out for him there, BUT there's no criticism of the music itself (differently from Rock...)!

I think it would be a great injustice to have a world where Zé Carioca didn't get to sing Bonde do Tigrão, Se Ela Dança Eu Danço, GLAMUROSA RAINHA DO FUNK, Tremendo Vacilão, Nosso Sonho and so many more funk hits we grew up with. So, sure Zé's main thing will aways be samba but, at the very least, I think he would be a fan of early 2000s Carioca Funk.

[polysyndetonaddictsupportgroup]

hii 📓

Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.

They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.

The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.

Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.

It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.

They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.

Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.

The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.

And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.

Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.

They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.

And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.

She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.

Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.

One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.

It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.

The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.

It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.

The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.

Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.

The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.

This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.

Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.

She is bad at it.

So fucking bad at it.

But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.

In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.

And oh. They could recognize each other after all.

She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.

Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.

But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—

Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.

Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.

They never make it out the back.

Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.

Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.

She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.

See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.

She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.

The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.

At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.

The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.

Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.

For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.

And as it turns out, her brothers monsters were real all along.

There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.

It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.

They run.

Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.

Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?

The fight goes bad.

Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.

She chucks her shoe at him. The finger goes flying.

Then the monster eats it instead.

Tsumiki: :o

Yuuji: :o

Megumi: fuck

Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.

Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.

Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.

Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant

Gojo: :o go on

Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away

Gojo: *gasp* what no

Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—

Megumi, really trying to have a moment here: we can both hear you

And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”

Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.

Itadori: she hit me in the face with her shoe like five minutes ago

Tsumiki: see???

Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.

And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”

He really didn’t know that Megumi had a sister he wanted to stay with.

And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?

Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.

Gojo:

Megumi:

Tsumiki, softly: dude

There’s more after they make it to jujutsu high but this is already really long so we leave it here

[jennyandvastraflint]

Ok so since I literally could not avoid the fucking TenAgain bullshit (since some people, not many but some) couldn't tag their posts with even ONE of the like 15 tags I've filtered, all this has proven to me is that yeah RTD is indeed just erasing Thasmin and Yaz as a love interest of the Doctor (while bringing up fucking ROSE like time to fucking MOVE ON.), and is generally making some really icky moves... I was right to say the vibe if just OFF. I'm not surprised to be proven right but part of me is... disappointed. Like. What the actual fuck.

[ikilledamanforthisurl]

If there are 10 Minami fans I am one of them. If there is only one Minami fan it is me. If there are no Minami fans I have been killed, buried beyond the earth, my soul sent beyond hell, and I have been entirely retconned from life history and existence cosmically

[genderfluidgothwitch]

OP made the post unrebloggable but I thought this was extremely important to share

[ruiiplume]

A redraw of these earlier this year

Incoming old art jumpscare ⚠️⚠️⚠️

2011 and 2012 nightmare fuel

[mariemariemaria]

Does anybody else feel like mental health awareness has done very little to help them in material reality

[creaturefeaster]

yo maybe im just having a bad morning but im a hair's width away from leaving this site man it's getting so fucking annoying & bloated with features i could not give less of a fuck about