#like no I think most of the actual claims are bs

[bereft-of-frogs]

I’m so loving that Constellation is just ‘lost cosmonaut conspiracy theory: the high budget Apple TV series’ I went through a phase of being so obsessed with the lost cosmonaut theory

[jentlemahae]

-

[harrowscore]

SO close to strangling my dad for what he's saying about berluconi... what a deeply ignorant little man he is at heart

[ballistic-goat]

When I was a little girl, I thought I should've been a boy. I didn't fit in with the other girls I knew and I didn't fit in with what I was told a girl was supposed to be like. Eventually, when I was 10 or so, I started thinking that I was a girl because I had the body of a girl. And as such, the other things people told me were clearly unnecessary to be a girl - they were all made up BS. That line of thought helped me with accepting myself for a very long time. But back then, I only knew of mainstream feminism, and as it's narrative quickly began to change around gender, I found myself trying to reconcile that old thinking with this new one about identification. I didn't want to be hateful or anything. I knew after all, how bad it was to feel like you couldn't be yourself due to your gender. But that old lightbulb moment I had as a kid, it stuck with me. I'd talk to an enby friend who explained it to me like, "I am nonbinary because I like feminine and masculine things", and all I could think was, "that is the most misogynistic thing I have ever heard". I'd read trans people talk about how stereotypes were good, actually. I saw a kids book about how a tomboy girl was actually a boy. All of that, while they still claimed that gender roles were bad. It was like I was going crazy. When I found radical feminism, and they viewed things in that same way, it was freeing. I didn't feel like I was doublethinking no more. I want to destroy gender roles, destroy gender itself. That doesn't mean biological sex will vanish. But the rest, the other "made up bullshit", it must go. (also I used my own boots to make this picture. It's one of my favorites I have made so far)

[lordgrimoire]

So, an Idea, or AU I had regarding the good ol DPxDC.

I’m not sure what sort of disaster Amity’s ghost problem would be classified as, but think of what would happen if the local EMS (Emergency Services like Fire Departments, Law Enforcement, Emergency Medical, etc.) pretty much started jumping over the Mayor from the get-go? What if hard proof of these hijinx, for a brief time, were able to get out of Amity?

Well the Governor would probably have someone take a look, and once nonsense is confirmed (especially of its weird nonsense that looks a little to close to supers) they send in the National Guard, at first to keep an eye on the situation.

Then comes the Ghost Investigation Ward, and things go from moderately worrying to “WTF” real quick. And things start looking less Small Town USA and more Stalins Town USSR, at the height of Stalins Purges.

Admittedly it’s not immediate, and during the time between being put on “Indefinite Alert” and actually being relived this unit (I’m thinking a Battalion Sized force so about 1,200 soldiers/guardsmen total) ends up befriending the locals, and much to the Mayor, and GIWs, frustration, Phantom, as well as Red Huntress.

This leads to a standoff, the GIW can really only do what they want because of the Governments permission for them to do so, but engaging National Guard, who had not been federalized, may cause an issue or two. So they bring up the issue with someone who they think will back them up, their new boss Lex Luthor.

Now Lex isn’t a fool, but he figures out how the Justice League isn’t being called is due to a jammer the GIW set up and figures he can take a look around incognito like, or more accurately get trusted members of The Goonion, who he had Federally given approval to, to go take a look around.

When Alex gets the full story, and not just the GIWs original story but also updated info from the Doctors Fenton, who are now VERY worried, because they were wrong about Ghosts in more ways than they originally thought they may have been. Suffice to say, when Lex manages to get a copy of "The History of The Infinite Realms" and finds that Krypton's Afterlife is GONE, as in they did something similar to what the GIW is planning, he starts hitting the "Abort" Button with fury. Only to be told "Too late we're underway, we're going through a tunnel, what? What?" And now Lex decides Enough is Enough. Lex does two things, first he sends the GO order for the National Guard Battalion in Amity Park, then he starts trying to get a hold of the Justice League because "Listen I know you dislike me but I am willing to drop it all if you HELP WITH THIS BS THAT I JUST INHERITED!" Meanwhile back in Amity Things go from 0 to 100 faster than an Flash, that being the National Guard heard "GO" and immediatly started blasting. The Townfolks: Confused The Ghosts: Confused Team Phantom: Confused and Afraid The Ghost Hunters who are now studying Ghost Culture and the like: Very Confused and sorta getting Arrested. The GIW: Full of Bullet Holes, Screaming, and On Fire Meanwhile, The National Guard are waiting around two hours later with Phantom for any "Federal" News to come through: So the New President decided the Anti-Ecto Acts are BS, unfortunately they haven't been overturned yet so we're all most likely going to be marked as traitors. Mind if we hide out somewhere our bosses can't find us? Also the Justice League never actually knew any of the BS we've been going through, GIW Had some Jammer set up.

Phantom, Tired of all the damage and killing the GIW has caused in Amity Park: I'll try, but I'm not sure how much good it will do if the League shows up.

TLDR: Amity Park during it's entire run has a Battalion of US National Guard camped out in the outskirts/abandoned parts of town and they figure out most of the situation regarding Phantom not being the Villain Mayor Masters and the GIW Claim him to be. Following this logic they turned around and at the first opportunity attacked the GIW and pushed them out of Amity Park.

[artigas]

I’m really happy that Black Sails is experiencing a bit of a renaissance, but (predictably) some of the takes I’m seeing online are so busted. It’s wild to me that anyone would complain about the fact that Anne Bonny kisses Jack after she’s developed this life-changing relationship with Max. It’s absolutely wild to see anyone roll their eyes or feel uncomfortable about the fact that Flint has sex with Miranda when he returns to her in season one or that Max is most likely a lesbian but actively has sex with men for pay and knows how to make that pleasurable. It’s crazy to me that some of the very audiences who claim to want queer representation feel so discomforted when they actually see the mess and seeming inconsistencies of queerness that they asked for.

The reality is that there are lesbians who have had (and will have!) meaningful, mutually-gratifying, and deeply sexual relationships with men. There are gay men who’ve enjoyed having sex with women, who are gay as the day is long and nevertheless feel sexually attracted to a woman or two and are nevertheless gay men, full stop. There are gay cis men who are happily married to trans women. There are femme dom tops and butch bottoms and there are mascs afab people who like femme boys. There are non-binary people and trans men who actively identify as lesbians. There are ace and aro people who enjoy thinking about and engaging with sex — sometimes in fiction and sometimes in real life. Queerness, in fiction and in reality, defies neat categorization. That is the beauty, power, and (perceived) unorthodoxy of queerness.

Now, I’ll say this — do I think the straight men behind Black Sails were actively thinking deeply and insightfully about the paradoxes and fuckery of queer identity when they wrote Black Sails? No! By their own admission, Steinberg and Levine have owned up to the fact that some of the writing of the show was really hinged on their own blind spots as people who are not (to my knowledge) members of the queer community. If I want to be generous, I think that the beautiful mess of Black Sails is that, in not feeling like experts enough to designate specific identity labels to any of their characters, the writers stumbled their way into more authentic representation of lived queer experience, which is to say that the notion that James Flint was actively thinking of himself as a gay man was anachronistic. As many lesbian archivists and theories have noted, the notion of a queer identity — as in, queerness is who you are, not what you do — was patently unthinkable for most cultures in the past. In other words, the idea that Anne Bonny operates in the eighteenth century as a lesbian and thus would not willingly engage in relationships with men is not only untrue of the series, but untrue of most recorded lesbian experiences in the real world. The notion that a lesbian would operate her entire life without engaging sexually or romantically with men, for instance, is a very new privilege that some of us are very lucky to enjoy, but it is not true for the vast majority of human history — hell, it’s not even true of our present world.

This is all to say that think that there’s something really funny about how we want queer characters to fit into neatly organized boxes. This isn’t a new problem, either. When the show was still airing, the BS fandom would get itself into tizzies about wether or not Flint is gay or bisexual, wether or not Anne Bonny is a lesbian, wether or not Silver is queer when his only canonical relationship is with Madi, etc etc. We’ve been having these discourses for years and I don’t know. I get that much of it is fueled by how badly some people want to see themselves represented in media, but . . . well. The siloing of queer characters and queer narratives into neat little boxes has never felt very authentic to me and nine times out of ten, it’s also just so damn boring.

[puppetmaster13u]

For any of your cryptid batfam AUs. We know Batman thinks criminals are superstitious and cowardly. So how superstitious should most Gothamites be? What are some of the superstitions and things they do because of that? And what random BS do the Bat kids do to actively encourage the superstitions because they think it’s funny?

Vibrates in headcanons.

Okay, so, this is less just the criminals of Gotham- a lot of goons are just trying to put food on the table after all- and more of, Gothamites in general. Like they have good reason to be superstitious.

Like everyone already knows about the Court of Owls, if nothing else then from the Rhyme they use to get children to behave. But Gotham? Is Weird with a capital W even in canon. There are literal streets that disappear and only reappear on certain days, areas where on specific days gravity just doesn't work right, several portals to hell have been opened just in Arkham alone, and there's enough curses and cults to smother any other place.

Funnily enough I am actually currently working on a story that focuses a bit more on the superstitions of Gotham lol. Like a lot of this stuff? Not shit you're going to see in the more tourist-esque spots, but those are death traps already.

Now a lot of the habits and myths of Gotham start out as a thing about Survival. It started less with things about the Bats and more about the Rogues and how to survive.

Tiny plant boxes meticulously cared for, after one noticed how plants react when Ivy is around. They line the windows of almost every home despite the smog, and some even pray through them for their Mother to not attack today.

Small scarecrow dolls, made of grass balls and cloth hang from overhangs on roofs with rope like a hangman, a charm in hopes that the one walking the streets will leave them alone. It ends with some claiming that if you rip the head from the body of cloth, the Scarecrow will come for you.

Small candles and lanterns begin to appear on the windowsills of children, their own homemade batsignals. Some say if you're very good, gifts will appear beside it, while others claim that if you're very bad, the Signal will appear and take you away.

Tiny shrines appear on rooftops over the years, meticulously carved statuettes within. It started with one for the Second Robin, and some whisper about how the Red Hood emerged from it, was reborn through their prayers and gifts. Now there are more, offerings ranging from snacks to child's drawings to figures of clay. No one dares take things from it, the last time someone tried... well, let's just say it didn't end well.

The thing is? The Bats don't even have to do much to encourage this, and don't usually even do it on purpose.

Everyone knows what happened to the ones who tried to be a vigilante. They know of the first Batgirl, humanity slowly dripped away the longer she huddled in the Bat's shadow until she was twisting around just like it. Any child who had been making their own costumes, their parents burned it that night, terrified that the Bat would take their children to be its own next. The small child, everyone knew about him, a wee little thing with a camera clutched against his chest. They all saw him run after the Bats despite the protests, saw him run towards the Bat as bodies crumbled before it. They saw him grab its arm with such tiny hands, and the Bat, grieving, stopped. They all saw the Bat whisk him away, and once more whispered to their children to never follow the Bats into the shadows. They know of the girl cloaked in amethyst cloth, who chased after them despite the warnings and pleadings of others. She disappeared, and the faceless thing of chittering laughs that raced the Robin that appeared in her stead... Everyone knows what happens to those who offer themselves to the Bats, knowingly or not.

Robin can mimic voices, their own childish giggles and clicks echoing across the stone slipping into another's words. What is merely a game to them is horrific for anyone wandering the streets in the dark of the night. Some say that it can steal your voice permanently if it so wished.

Everyone in Gotham knows that the Bats aren't human. Oh they might mimic and pretend to be as such, or even had been at some point, but they're confident they aren't. Even if they put on an act outside of Gotham, corpse-like skin gaining hints of color like blood is actually rushing through veins, everyone knows that's what it is. An act.

The Bats themselves? Well, it keeps their civilian identity safe- and the shrines have helped them get children out of bad home lives and to safety, so they're not going to just... not encourage it.

[evilbihan]

Bi-Han was a good brother.

(original post here) I came back only to make this a seperate post so it shows up in the search and Bi-Han's tags again.

I think about this scene a lot.

People like to use Bi-Han's behavior here as an excuse to paint him as a bad brother and instantly assume that he always treated Tomas that way because of one mean thing he says to him in the entirety of the story mode, intros included.

It's almost like siblings never argue and say horrible things to each other that they later feel bad for. Personally, I believe this is the first time Bi-Han ever snapped at Tomas like that, for a multitude of reasons.

Smoke doesn't hesitate to talk back to Bi-Han, he doesn't seem intimidated by him at all. If Bi-Han were to really constantly put Tomas down and say hurtful things to him, he would be more hesitant to provoke him and avoid confrontation as much as possible. But he doesn't.

Of course, every individual is different but take it from someone who has grown up in an abusive household. If someone regularly insults you and belittles you, you're going to start walking on eggshells around them and that's not what Tomas does around Bi-Han at all.

Smoke's expression here displays hurt, anger and confusion. That's the face of someone who just got a reaction he did not expect. His body language would be different if he was used to hearing things like that from Bi-Han. He wouldn't look so surprised if he heard that whole "Lin Kuei blood" speech before. He also doesn't lower his eyes, doesn't flinch... nothing that implies Bi-Han ever talked to him like this on other occasions.

Kuai Liang's silence in this scene speaks volumes too. He doesn't try and defend Smoke, doesn't tell Bi-Han his words are uncalled for and he doesn't interrupt him either. I believe Kuai Liang was just as surprised as Tomas was by Bi-Han's sudden harsh reaction. Furthermore, there is literally no reason for him to step in.

Brothers argue, they get angry at each other. Anger is a normal human emotion and snapping at someone when you're angry doesn't make you a horrible person.

Let's talk about this scene next.

I feel stupid for even mentioning this take here because it's the silliest, most ridiculous and wildest thing I've ever seen but a surprising amount of people with flat-earther mentalities cling onto it, so even though it's obviously bs, let's debunk it once and for all.

Honestly, the first time I saw a post claiming Bi-Han kicked that rock on purpose to kill Smoke I had to re-read it twice because I couldn't believe someone would actually believe that and expect to be taken seriously.

If Bi-Han ever wanted to get rid of Smoke, he could have done so a million times already. He could have banished Tomas as soon as he became grandmaster.

He also could have aimed better.

Here's what actually happened:

Both brothers rush to the edge to check if Smoke is okay. Both are worried about him. If Bi-Han never cared about Tomas he wouldn't even have bothered coming over to see if he's still alive. He would have done the only reasonable thing in this situation, which is keeping an eye on Nitara who just attacked them.

Yes, the rock comes loose as soon as Bi-Han steps closer to the edge but that's entirely accidental and Bi-Han's surprised expression proves it.

You can see the exact moment his eyes say "Oh sh*t" because he briefly looks at the rock and instantly back at Tomas. He looks concerned, not pleased with himself like he just commited a clever murder attempt. He even reaches out as if to stop the damn rock.

He wanted to save Tomas.

It's disgusting how some people try to twist this moment into anything other than that.

Are we also going to ignore the subtle way Bi-Han puts himself in front of Kuai Liang, bracing himself while Kuai Liang flinches backwards during Nitara's attack?

What about the fight against Ermac? Bi-Han almost died, fought an insanely powerful being and his first instinct is asking his brothers if they're unharmed.

I've seen someone argue that he "only asks them if they're fine because he needs them for the mission" to which I say, they were fine. They literally looked fine, no blood on them, no scratches. Tomas didn't even go anywhere near Ermac and Bi-Han still checks on both of them.

We all know what happens next.

Yes, Bi-Han scars Kuai Liang as a way to punish him for his disobedience. Would a good brother do that? No, but a good grandmaster would. Is it fucked up? Absolutely. But again, Kuai Liang seems shocked, hurt and angry by what his brother did, just like Tomas before. Neither of them ever taught Bi-Han capable of something like that, indicating that while flawed, he was a good brother prior to his descent into madness.

When the fight starts, Tomas doesn't even try to step in. He only gets involved after Kuai Liang is injured. He wasn't expecting Bi-Han to go that far. It was a surprise to both of them because Bi-Han never once hurt them before.

As a side note, punishing his warriors for disobedience was certainly not something Bi-Han came up with himself, but rather something he was taught was acceptable by either his father or other Lin Kuei elders, but this post is meant to only focus on canon facts and what we see on screen so I won't elaborate on that here.

In a twisted way of a peace offer Bi-Han still offers a hand to Kuai Liang after scarring him and actually expects it to be accepted. He wants his brothers to join him, he wants to share the glorious future he has planned out for the Lin Kuei with both Tomas and Kuai Liang. Yes, he may be in the wrong but he wants them both on his side.

He wants it to be them against the world. He never intended for it to be him against them.

So far, that's it for the story mode.

Sadly, we never got to see what the relationship between the brothers looked like before Bi-Han gave in to corruption but the intros give us a pretty good idea of that still.

Mileena: "My bond with Kitana can't be broken." Scorpion: "I'd once thought the same of mine with Bi-Han."

They used to be close. If Kuai Liang really thought his bond with Bi-Han was unbreakable, there must have been good in Bi-Han before his frustrations led him to make all these bad decisions. Had he been some kind of abusive monster as the fandom constantly claims, they would have never been close to begin with. The brotherly love between them might be gone now but that doesn't mean it was never there.

Smoke: "Are we to be enemies for life?" Sub-Zero: "Unless you submit, Tomas."

Tomas doesn't want them to be enemies. Yes, he says Bi-Han has always been cold with him in another intro, but cold does in no way equal cruel or abusive. Bi-Han had valid concerns about Smoke's loyalty to the Lin Kuei when Tomas lost his family because of the clan. If anything, Bi-Han not trusting Tomas only shows he was protective of the Lin Kuei and worried that Smoke would end up wanting vengeance one day.

If Bi-Han ever hurt Tomas before, Tomas wouldn't be going out of his way to reunite the brothers, even asking for Liu Kang's help to do so. He says he can't forgive Bi-Han for letting their father die and yet he wants him back in his life. If Bi-Han had always been a bad brother why would Smoke want him back? Shouldn't he be relieved it's just Kuai Liang and him now? Instead, he's heartbroken that Bi-Han and him are now enemies.

Sub-Zero: "Resist me, and there will be consequences." Smoke: "And to think I once idolized you."

Tomas used to look up to Bi-Han. Who would look up to a genuinely horrible person? Absolutely no one. And for Bi-Han's part of the dialogue, he keeps warning his brothers, telling them to submit, to stand down, to not resist or try to fight him. It means he, too, doesn't want to fight them or hurt them.

Scorpion: "A shadow's fallen on your soul." Sub-Zero: "No, brother. I've seen the light."

What more do you need than this bit here as proof that Bi-Han didn't always use to be like this? Shadows only exist where light is present too. There must have been light in Bi-Han before said shadow corrupted him.

Both Kuai Liang and Tomas only resent Bi-Han for two things. Letting their father die and breaking his oath to protect Earthrealm. Nothing else is ever brought up.

At this point I think it's safe to say it's canon that Bi-Han was never abusive or a bad brother towards either Kuai Liang or Tomas.

That's it.

No headcanons, no what if's. No bullshit, just facts.

The only time Bi-Han hurts Kuai Liang is after he reached his breaking point and snapped and they're both equally ready to fight and hurt each other by then. Kuai Liang is even the one who draws first blood. Does that make him abusive too? Not at all.

[mauvewalker]

You know one thing I’ve noticed being parroted around a lot are about how ‘sweet’ the strong boys are, just repeating what the protagonist Rhaenrya views her sons as she has stated it within the show herself. (Which is fine as people are entitled to their own opinions). I suppose it doesn’t help with the way the team black boys have been casted, younger actors & an actual teen matching the character’s age, looking all cherub/innocent like with the awkward hairstyles emphasises their youthful ages & the framing by show is heavily in the favour of the blacks.

Compare this to the team green boys Aemond and Aegon (both phenomenal actors perfectly cast to portray them) but considering Aemond is supposed to be a teen what 16 or 19? (the show-runners can’t seem to do basic maths, lol) however, as an audience member subconsciously Aemond is viewed as an adult & treated/judged as such with his actions. Again the negative framing by the show of him in manipulating the GA perceptions of the teams, I’m really surprised they didn’t play a villainous theme tune as like with Darth Vader every time he appeared on screen but I think that would have been a-bit too obvious, lmao. It’s not like the camera framework & Aemond’s get up in black, heavy smirking in the background isn’t already doing so.

Anyways having watched the show, I happen to be believe that they are not these sweet harmless little princes, in particular, Jace hides a much darker personality, imo. For instance, in the courtyard back at Kingslanding with Luke he says “it doesn’t matter what they think” so on the surface you could argue oh how sweet he is trying to comfort his brother but shows his self-entitlement in viewing the other lords/people as beneath them & we know Rhaenrya has told him “you are a Targaryen that’s all that matters” so it has been instilled in him this belief in the Targaryen exceptionalism being closer to gods than men because of their dragons. Also, that line mirrors young Rhaenrya with “their wants are of no consequence” about the small folk again showing self-entitlement & an attitude that would make them poor future leaders.

Jace having this belief instilled in him, I feel it would explain why they all picked on Aemond because whilst Aemond may be a legitimate true-born prince who was undeniably a Targaryen with the Valyrian looks, what didn’t he have? A dragon!! so Jace with his inferiority complex/issues & superiority complex combined, knowing he was a bastard targets/bullies Aemond unfairly for this (for being what he should have been if he was fathered by Laenor) to make Aemond feel bad, inferior & inadequate like him, which they were successful in.

As we saw this made Aemond risk his life attempting to claim a dragon with helaena saying “he did it again” (hinting that Aemond at 10-12 risked himself numerous times) and it was shown twice with his failed attempt with dreamfyre & his successful attempt with vhagar. As Rhaenyra has instilled in him being a Targaryen is the most important BS & the biggest symbolism of this is having a dragon. So, when Aemond finally claims a dragon, Jace is now unable to see or convince himself as better than or being more Targaryen than Aemond.

Hence, his anger when they all jumped him 4v1 beating him & when Aemond was managing to defend himself & calls them for what he is “a bastard” Jace’s rage comes out, not because he thought Aemond was going to kill Luke with a rock as he had lowered his hand holding it. It was Aemond saying “lord strong” which made him pull out the knife & slashing with the intent to kill him. Again Aemond managed to defend himself & the knife dropped on the floor, so obviously Aemond lifts the rock up again to use as a deterrent as there is now also a knife bought in the fight. The strong boys shared a glance & threw sand in his face blinding him & Luke slashed his eye.

We all know what happened after, they didn’t get punished for it, viserys sided with them reaffirming his favouritism & threatening to remove tongues for questioning their legitimacy. Rhaenyra didn’t care to discipline them for it, thus, reaffirming their self-entitlement that they are correct in their behaviours & did nothing wrong.

Another example of Jace self-entitlement, inferiority complex & bullying behaviour was during the toast speech. It was Aegon who pissed him off & some with an optimistic view would argue his toast was trying to bury the hatchet with “fond memories of our youth”, however, he was looking at Aemond with a slight smirk knowing full well it may have been fun for him it was not for Aemond- he was targeting him again when it was Aegon who bothered him & Aemond was minding his own business. The reason for this? Because he is comfortable to be looking down/belittling/bullying Aemond.

Again, with the dance with helaena, some would argue how chivalrous of Jace for feeling sorry for Heleana being alone but it was to piss off both Aegon & Aemond. Moving on, with the speech & then Luke laughing at the pig, Aemond loses his temper, rightly so. As all he was trying to do during the dinner was ignore them, both Jace & Luke have triggered him with the past, so he gives the infamous strong speech, to push back & give them a taste of their own medicine.

Jace is the one who then loses his temper & his first typical reaction when he does?? is to be physically violent & throws the first punch & which side does he purposely target?? Aemond’s blind/injured & vulnerable side of his face. The punch was laughable, Aemond didn’t even spill his drink & with one push was thrown down. Exactly like his younger behaviour showing no growth, he get back up & during this altercation, Luke had tried to join to gang up on Aemond again. So both brothers are unable to take the heat that they dish out & fight fairly 1 to 1, but, really what could’ve Luke have really done, lmao.

They should of known when they saw Aemond earlier that day in the courtyard training. At the time, it’s clear both strong boys didn’t know it was him (with the typical targaryen blonde hair they maybe could of mistaken him for Aegon) & were super impressed with his prowess/skill, before he turned around with the eyepatch & their faces said it all, like ‘oh shit’ & then soured that the person who they perceived weaker/beneath them during childhood is a skilled swordsman, unlike them. Another thing that Aemond has/is that the strong boys don’t to add to Jace’s list, alongside having both of a mix of a inferiority complex & superiority complex, a ‘sweet prince’ he is not.

[almacambiondaughterofsaleos]

Octavia Is Sidelined So Much In Favor Of Stolitz

Despite being used as an example of how Stolas is really a good person and father, I do notice overtime her importance in the series has dwindled. Seriously, despite how the narrative wants us to think she is the treasured jewel of his life the execution would have you say that her father is more distracted by his boy toy due to how Vivziepoop has overemphasized the Stolitz ship.

Take for example is "Seeing Stars" where he neglects his daughter and breaks his promise to see the event he promised years ago, because he's so wrapped up in his divorce and even goes to insult her mother in front of her (even though he's said in the past he's tried to shield his daughter from the ugly parts of his and Stella's relationship). However, now that he's divorcing he doesn't hesitate to be as ugly with Stella as possible which shows how really good of a father he is. Also when she goes missing despite saying that Blitzo's dick isn't enough to quell Stolas's anger when it's his daughter is involved... well it actually goes like that, because both Blitzo and Stolas can't help but flirt and be flustered around each other this whole episode. Instead of focusing on his daughter, he again is on Blitzo's dick and even worse his daughter has to forgive him for neglecting her.

Most egregious one of the them is at the end of "Western Energy" where we have the emphasis on how this affects Stolas and Blitzo's relationships especially those texts talking about their fall about Ozzie's. However, we never get focus on how Octavia felt after her father fucking almost bit the dust, because in the next episode that Stolas is in he's okay and again you would think he would be injured a bit more to show how serious Striker is. But nope due to Vivziepoop remembering he's a powerful demon, he recovers in a day and we don't see Octavia at least be escorted to the hospital to see him because again Octavia is only there when she's a tool to make him look better and not her own character.

And now we get to the music video of "Just Look My Way" where Octavia's mentions in it are scrubbed in favor of Blitzo which again shows how the narrative is favoring his boy toy over his own fucking daughter who is supposed to be the center of his world and not this person he's given up so much for. Seriously, it's why if Octavia appears again I will not take the narrative seriously because we know that despite all claims that her father will get distracted from being a parent and ogle over Blitzo because he's a selfish pos and yet Octavia will be the one who has to learn to tolerate his bs because he's got the author's favoritism.

I really at the first thought that Stolas relationship with his daughter was sweet, but then I realize like so many else it really lost it's potential once you realize that Octavia is just a prop to artificially make it seem like Stolas is a good father when in actuality he's selfishly putting her needs above hers in a situation he caused. And it's a result of the fact that the writers are just using her as a writing tool and not a full character. She isn't needed until it affects Stolas and even then the Stolitz ship zaps everything around it so that any attention that Octavia is taken away. In a way, Octavia's fears were justified her father would run off and leave her because the writers are.

[herejusttosufferalong]

I don’t know if this has been talked about already but it’s really getting on my nerves now. There’s this lukola tiktoker (IYKYK) who’s been making outrageous claims and stating her opinions as facts lately.

She started out making good content with rational analyses but I think the more followers she gained, the more she’s been overanalysing every silly thing like the song that L’s groomer chose to put on the reel she made yesterday lol ( a song that is about sexual awakening and discovering you’re a lesbian might I add 🤦‍♀️). And she always says she has it on good authority to make certain claims that have no factual basis and ignores people who fact check her with actual receipts. Who gave her such authority?

I noticed more people have been calling her out on her BS lately but most of her audience are older women who may not know much about how SM works and believe everything she says. I just wanted to warn everybody who knows who i’m talking about and might be following her to take everything she says with a huuuggee grain of salt.

Thanks Suffer for keeping things real on this page and for always differentiating between delulu and facts!

I know I have already said this, but I have had to take a step back from TT

No shade to anyone personally on the platform but it's just a lil too unhinged right now for me

Idk who you are talking about specifically, honestly don't care, but you are correct in saying take things ANYONE, EVEN ME with a truckload of salt

We mainly post opinions but to state something as fact comes with it a lot of responsibility

[skrunksthatwunk]

every time i remember hiei and yusuke's little ritual of sparring whenever they see each other for the first time in a while (usually as they're about to face a big threat) and how hiei just wordlessly attacks him and yusuke takes it with good humor (for the most part) i lose my fucking mind and i need someone else to understand so so bad

hiei opening with unexplained violence, acting like the murderous demon everyone takes him to be, and yusuke seeing through it as just how hiei is, and meeting him where he is in this non-malicious but combative intricate ritual bs. they met through violence and communicate through it but it's out of an admiration for skill, for what can't be said with words, for their reliance on each other as equals, as teammates. they share a past of ostracization, resentment, and a desire to burn the world down for its treatment of them the others don't. hiei feels seen in and understood by yusuke. i don't think it needs to be said that hiei doesn't have many people he considers equals, or peers, or teammates. and yusuke was the first to trust him. to see him as more than a monster. to have blind, unearned faith that he could do good, and that he could be better. yusuke changed him. his trust and friendship changed him. and so for that ritual to rely on that trust—the thought that hiei wouldn't actually turn on him, wasn't trying to betray him or hurt him or get his revenge like he used to claim—makes those scenes so poignant (read: makes me want to howl into the night air). it's about the dance. it's about what they know they have in common beneath the posturing and machismo, the ways they are alike deep, deep down, and the way they both know that and never speak of it.

i also think it's because hiei's afraid of losing him. it's especially obvious in chapter black, but even in DT he's got to make sure yusuke—a dumbass who only got his powers recently—is up to scratch. no matter how he feels about humanity, he doesn't particularly want to see yusuke lose everything he loves either. but mostly he couldn't stand to watch yusuke fall. and because he knows yusuke's in over his head, he's testing whether he has to distance himself and prepare for yusuke to abandon him (via death) like everyone else. he doesn't do this with kuwabara because (at least in the DT's case) he'd been training him. he knows, for the most part, what kuwabara can do. (he also doesn't have that same closeness, both because kuwabara doesn't trust him and, perhaps, because he's doing the distance thing pre-emptively bc he thinks he's weak, unlike yusuke). and he doesn't do this with kurama because he believes wholeheartedly in his skill, centuries of experience, and demonhood. humans are fragile, and hiei needs to reassure himself that yusuke isn't.

hiei claims he wants revenge and postures like a rival, but he never goes all out and he never tries this seriously. he fools around with yusuke because if yusuke lost and hiei proved his superiority, hiei would have to leave him behind. and as much as he wants to prove his strength, as hungry as he is for validation (centering fighting prowess because violent is all he's ever been allowed to be), he can't stand the thought of that. he feels that he is yusuke's equal and peer (and friend), whether they're equally strong or not, but because a part of him still thinks fighting's all that matters (and because he wants to protect him and thus himself), hiei must make himself believe that yusuke is as strong as him. so he checks in on him for reassurance via sparring, but never actually tries to hurt him. in conclusion, i am so normal

[ghostofharrenhals]

It’s baffling how so many people in this fandom have fully deluded themselves into thinking that Daenerys will burn down king’s landing when that’s not only completely unsupported by the text but also fundamentally misinterprets Dany as a character and the narrative as a whole.

Many people argue that Dany will burn down the city because the people of KL will prefer Aegon over her. This is an argument already built on shaky ground because this is an assumption that requires us to believe that Dany will even go to battle with Aegon. A claim which frankly, has very little basis in the actual story. A lot of fans latch onto GRRM mentioning a second dance of dragons, but they completely disregard his clarification that such conflict does not necessarily involve an invasion from Dany (I personally think it’ll be between her and Euron but that’s a topic for another day). And secondly, unlike HBO’s adaptation, to book!dany, family is important and she feels sad at the idea of being the last Targaryen. She wouldn’t go to war against her own family.

And the timeline for this is dubious at best and utterly fucking moronic at worst. The assumption that she will arrive in Westeros in time to confront a reigning Aegon overlooks the long journey she still faces in Essos. There is a lot of groundwork that GRRM laid that shows us her journey there is far from over. Essos is an insanely vast continent, moving through it will consume a lot of time and resources and events will continue to unfold in Westeros independently of her, just as they have in the 5 novels we have available.

And the belief that Dany will be rejected by the people of Westeros in favour of Aegon is another assumption that has absolutely no base in text. Aegon, as we’ve seen in Dance, is very far from being an ideal ruler, he’s shown as unlikeable and unfit to rule, with Tyrion even comparing him to Joffrey. Also the belief that Aegon’s reign will be peaceful and/or that he will be beloved is equally flawed. Westeros still is a fractured, war-torn continent with further conflicts still ahead. He has many potential enemies, his ascension will most likely provoke even more conflict, not universal love and butterflies. The claim that he’ll be a good king comes from Varys, who is the key mastermind behind all this and as the text has repeatedly shown us, and Varys is hardly reliable.

Why would the people of Westeros chose a potentially illegitimate Targaryen when all they have is his word that he is who he is (literally source: dude trust me) over a Targaryen with dragons who has Barristan the Bold with her and who has a history of ruling already, is ridiculous.

And onto my final point, the idea that Dany would just decide to burn a city to the ground because the people don’t like her is a fundamental misunderstanding of her character. Throughout ASOIAF she has been shown as a ruler who cares deeply about people, and to whom justice is important. The whole mad queen dany bs relies heavily on illogical plot developments and a version of Dany’s character that exists nowhere but in a season of Game of Thrones that was mocked by the entire world.

[xixovart]

mali’s hcs for aquaman’s doppelgänger i think (percy. it’s percy.)

love my og homie

i'm coming in hard and strong (that's what she said) and saying that percy would NOT love taylor swift!!!! percy is an edgy teenage SKATER BOY!!!!!! he listens to d4vd tame impala childish gambino arctic monkeys and the neighbourhood!!!!! stop the percy swiftie allegations!!!

i know this is basically canon in the show but percy, like nico, was an absolute pain in the ass for sally. this kid would draw all over. everything. do not give a six year old percy a marker he will draw on your fancy white couch. or eat it. could be either.

sally having to fight for her LIFE to get a nine year old percy to wake up for school. “mom i can't go to school im sick” “you just accidentally kicked me in the face with the strength of a motivated horse you liar”

honestly she was so done with his bs. 5th grade for percy was an ERA.

“percy no you cannot put your hand in a blender.” 

“percy we do not eat rocks.”

“percy get up from the floor, we are at the supermarket. no you cannot have a fruit roll up.”

“percy it’s three in the morning why would you want to go to the zoo.” “to see the penguins ☹️”

korra coded

reminder that he’s canonically a skater i’ll never get over this.

he loves band shirts and has a bunch of posters all around his dorm

i think he likes the rain, even though it’s zeus’ domain. it just calms him down. (im projecting)

reminder that percy isn’t dumb he’s just chaotic

percabeth skating dates i'm hyperventilating 

he really hated third grade. when asked about it he will say “the chaos and the mind games…” and not elaborate 

percy “grover is my wife” jackson

percy was actually pretty quiet in school. he wasn’t usually a class clown, he’s just the quiet disabled kid who got crappy grades (and was absolutely stunning i should mention)

captain of the school swim team <3

really likes 7/11??? for some reason?

the second he got his licence (and a car) he would nEVER stop driving. after tartarus, he would space out and disassociate, and he often had panic attacks. driving with no destination helps him calm down.  (IM PROJECTING)

estelle absolutely adores her brother. like never leaves his side. she would cling to his leg whenever he had to leave and she would BEG to come along whenever percy and annabeth went on a date

he eats a LOT. like so much.

he got used to using military time after his training with lupa and his time at camp jupiter :)

“you are just a boy, you are no man, and nobody you know will understand.” except it’s about percy in the original series, who was so heavily relied on to be a hero that he lost his sense of self. we as a fandom joke about this so much but percy lost his innocence for the people who ruined his and his loved ones’ lives. he sacrificed his humanity because of the gods’ blatant abuse and ignorance of their children. he is a child for the entirety of the original series, a child who has gone through so much and so rarely gets a break. even when he’s in school, when he’s not at camp and doesn’t have to worry about olympus, he still fucking does. he still never rests easily because the world’s fate hinges on HIM. not zeus, not his father, him. the scene with atlas was so significant because it represents so much. in a literal sense, percy, annabeth, and luke—the three who carried atlas’ burden—had the fate of the world on their shoulders. one shrug and the world could collapse. what most of the fandom fails to see is that the second percy was claimed, his childhood ended.

[yuri-is-online]

Hello yuri, first time anon here 👋👋.

Love your works. They converted me into an aceyuu stan lol. But also consider:

Aceyuu to "Rewrite the stars" from the greatest showman.

It could be the time loop au, soul bond au, or just regular au. It could just be in the song's regular pov (Yuu having their hands tied by going home and not wanting to break Ace's heart or Ace literally defying and turning back time to keep Yuu alive despite the prefect's inevitable death) .

but imagine the singers could also be swapped (like Yuu being the first voice that says their love could work, and Ace being hesitant to outright act on his feelings (and still failing)).

I've just been fed this vision of a brainrot for the past 3 days and I don't know what to do with it XDD.

Lots of love and stay hydrated 💞.

|˶˙ᵕ˙ )ﾉﾞ hello annon nice to have you here. I would apologize for inflicting aceyuu brain rot upon ye but I would not have received this ask and I happen to rather like your idea. There are so many good songs for aceyuu and this one is an easy add to the list. Given how the stars are literally able to grant wishes and astrology is very real it's especially fitting! Yuu's stars spell out a grim fate indeed, it would be an impossible task to rewrite them alone. Lucky they don't need to do that ¬‿¬

Now let's see...

Honestly, both povs suit both Ace and Yuu, especially in the time loop au. I can easily see Yuu pleading with him to accept their fate, not because they don't want to be with him but because they can't stand seeing him destroy himself over and over again. "You know I want you//It's not a secret I try to hide//But I can't have you" But Ace, he's just so determined to save you specifically that nothing else matters so he keeps. Going. At it. To the point we get to that classic Madoka/Amnesia trap where both Ace and Yuu are sacrificing something to save the other because the stars decided to give them opposing fates. Ace wants to save Yuu, who wants to save Ace who wants to save Yuu who wants to save Ace who can stop me if I decide//That you're my destiny? No one, that's the answer. Something else has to give because it isn't going to be either of these stubborn bitches.

Same with normal timeline stuff. Ace is singing the second pov out loud but the first one is more in line with his actual feelings. He would complain the entire time, but he would rewrite fate for you and claim he just happened to be in the area. Yuu's actual attitude is up to the player's interpenetration, but I like a Yuu who gets so frustrated with Ace's one step forward two steps back that they sing the first pov out loud even though they're very conflicted about going back home. Sort of like how both singers fall into a blended pov at the end. Both of them want to rewrite the stars, but have doubts about if it is possible. Doesn't mean they won't try.

SoulBond au Yuu more fits the second pov. Especially the bit about "not [being] the one you were meant to find." Yuu really thinks there has to have been a mistake, if they were meant to be with Ace why weren't they born in Twisted Wonderland? They're going to get sent back eventually won't they? That would just be too cruel a fate for anyone. Ace though... he has this voiceline in his Master Chef card where he says if he is told he is not supposed to do something that's just a guarantee he's going to do it (he's such a youngest child ◔_◔) and that doesn't change just because it's soulbond bs. Sure, he might not be crazy about the concept but he is crazy about you, and just because you might have your doubts and he might not have made the best first impression but your bound. No one, not the stars, not Crowley, not whatever gods exist in your world or his get to say what you are to each other because you can both feel the truth. You're soulmates, bound by a strange magic most consider a curse, and that won't be stopped by something as trivial as you being from a different world.

c: thank you for the ask annon

[glisten-inthedark]

Byler Analysis | A Master Analysis

Oh boy, this will be a long one but let's go.

In this analysis, I won't talk about lighting, or about pocket squares, arrows or rainbows. I will talk about only about what the show has showed and told us.

Because while I won't dispute that said lighting, blocking and signs might be important to the story, general viewers aren't aware of it and yet somehow they keep missing vital parts of the story.

The following points are those provided by us by the narrative, by what they show vs what they tell, so strap in because this is a long one. Some of these points have been brought up, actually I think most of them considering I'm new to the fandol but don't mind that.

Our first scene has the boys playing together, but only Will stays behind. It's important to note that while Will bikes away, Mike's eyes follow him as he leaves and he keeps on watching him, fact which is further proved by how the camera remains steady on him for a good while and just after cuts to Mike.

Mike is the first to notice how Will didn't show up at school, and two of his other friends didn't worry about it at first. Then, when Will's body is found, the reaction they choose to focus on it's Mike's. Which begs the question, why differentiate between reactions when all the boys care deeply about Will? Why is Mike's reaction more visceral, more aggressive? And more importantly, why follow him home where we can see him cry into his mother's arms? They didn't show us Lucas' reaction, or Dustin's, instead they focused solely on Mike. And yeah, you could argue that it's because he knew Will the longest, but then we remembered that according to Mike himself, he knew he loved El the moment he met her (I know that's BS, but bare with me for a second), so why wouldn't they show us him being that upset over her apparent demise? Yes, he asks them where she is but that's the only thing he does, and after he just keeps trying to contact her on his walkie but he never actively looks for her. We see that. We even see that he thinks he saw El at the school and yet dismissed it as his imagination.

Later, Mike would claim he never stopped looking for her but that's also not we actually saw. Yes, he called for her, but didn't actively look for her like we saw him do with Will.

There's a stark difference, because with Will he literally started a search party to look for him.

I'm not saying Mike doesn't care for El, of course he does and he always will, but it's not near the same vicinity of what we saw him do for Will and we can't pretend otherwise.

So, why was important that we followed Mike home as he comes to terms with Will's "death?"

It's one of the first signs that their friendship is different, more profound and of more significance.

3. Mike knew that Will was alive

I think most people don't realize that, but Mike knew, just like Joyce knew, that the body didn't belong to Will and he didn't even have the advantage of seeing said body.

They are the only two characters on the show that experience this level of connection to Will. One of them is a mother desperately looking for her child, the other is their best friend.

5. Mike's monologue to Will vs Mike monologue to El

By itself, it's easy to interpret Mike's monologue to Will as the act of a friend. But context is fundamental to storytelling.

Mike isn't the only friend Will has, Lucas and Dustin both care about him. But they made Mike the focus of that moment.

Why?

Bare in mind that all the people that are speaking to him are the people who love Will the most on the world. His mother, and his brother. It isn't just that these are people Will cares about, they are the people that care about him and that love him.

Again, Mike didn't need to be there. All the other boys were left behind, and yet, there was he.

Shouldn't we wonder why? Shouldn't we think about what was trying to be conveyed here?

Why is Mike different? Why is his voice that breaks Will out his trance? Why weren't all the other people that care about Will there too?

Why was it so vital that we saw Mike tell the story of when they met? Why wasn't Lucas there, or Dustin's?

Oh but that only proves they have a close relationship.

Sure, I'd buy that if it weren't for the fact that in season four, we are shown the opposite.

When confronted with his feelings - or lack thereof- Mike literally gaslights El, claiming he does say he loves her.

Later, in the actual scene, everything is pandemonium. El is chocking, the camera keeps showing us Will, there are multiple cuts that get us her reaction and Will's, and Mike hesitates.

The supposed love of his life is chocking to death and he hesitates. He's desperate, he wants to help but he can't, and the only thing that forces him is Will. He only says it because Will reminds him of the painting.

The more I think about that scene, the more contrived and nonsensical it becomes. Because look, I can be a pretty objective person, I can take my feelings out of the equation and state, confidently, that there's a contrast between Mike talking to Will vs him talking to El.

Another thing to note is that Mike doesn't hesitate to share about the brilliance that was meeting Will Byers. He doesn't have to think about or lie. He knows.

He tells the story of this little boy that was all alone, saw another boy on the swings, approached him and asked him to be his friend and how this boy said yes. But is not just that, is how making that decision turns out to be the best thing he's ever done.

He doesn't need to tell Will he loves him (in whichever way it is), it is evident that he does. Even it it's not romantic at the time.

When talking to El, he hesitates. He calls to her, doesn't use the words that he was meant to be using all along. It's only after Will tells him he's the heart that he does.

The contrast exists on the writing, on how things were edited and directed, and how the scenes land themselves.

You don't believe me? Watch them side by side.

The existence of Mike's monologue to El puts into perspective the existence of Mike's monologue to Will. In one, there's the presence of other people, a lot of cuts in between frames, there's the focus on someone that shouldn't even be there and above all else, there's a lie.

Mike didn't love El. He claims he knew then and there - the moment he met her - that he knew he loved her. But he couldn't have. Not when he was trying to send her away, not when the only reason he found her was because he was looking for Will.

But above all else. If that's the case, then choosing Will as a friend couldn't possibly be the best thing he's ever done, simply because the best thing he has ever done would have been harboring El, because he knew the moment he met her that he loved her. Or would've been any moment in which he could be with the supposed love of his life.

In the other, the light is deem, the focus is only on them, Mike tells this story and it's moved to tears by the sheer emotion of that moment.

If we treated Mike as himself and Will as a girl, the trope of true love that breaks the spell would be evident. Because that's what happens. Mike's love - in whichever capacity- breaks the trance.

6. The sudden and 180° shift in Mike's behavior from season 2 to season 3

I know that Mike has been acting well, how to put it nicely? Not like the Mike we met during season 1 and 2

And I particularly viewed that sudden as a combination of multiple things. Firstly, I believe Mike thinks he needs to grow up, and that involves leaving childish things behind.

He is trying to conform to the notions of masculinity, trying to adept himself to what he believes to be socially acceptable and that doesn't include spending time with his friends, one in particular.

But I truly believe that the main focus of Mike's behavioral shift lies in Eleven. He isn't aware of what he's doing, but his ovverfixation with her exists because of his mental state.

What happened in season one? Will got taken and El helped get him back.

What happened in season 2? Will got possessed and almost died, but El managed to shut the gate and save everyone.

But you know what else happened during that time? Mike was solely focused on Will. While yes, he was calling El, his only focus is on him.

Now, I can only guess and infere at this point because unfortunately we lost Mike's POV, but I believe that during the summer he started to figure out things about himself he wasn't ready to face yet, and the reason why he realized ironically lies between El and Will.

El brings Mike a sense of stability, of trust and reliability. At first, she makes him feel needed, but she also makes him feel safe.

As people, we tend to rely on what's safe. Most of anyone will safely not take the plunge, would rather be stuck on eternal revolving doors just so that they're safe.

It's a lot safer for a teenager to pretend.

To pretend that this is the life he chose, and he must commit to it. He compensates, and he deflects and projects because his mentality is all or nothing. He needs to like the girl, he needs to feel something for the girl because that's what everyone has been telling him.

And when he tells Will that is not his fault Will doesn't like girls it wasn't about Will. It's about projecting onto him everything he supposedly hates about himself.

And as El tells him he loves her and kisses her, he doesn't close his eyes and why wonders why is there this feeling of wrongness?

Because he doesn't want things to change. As he stares at that house, at the place full of memories, is not El he misses.

As he comes home and holds his mother, we get a full parallel to the first season. And I wanted to point out, that at both points he believes he lost Will.

In the first to death. In the second, to a different life.

And as he holds his mom, Mike almost seems... Numb. Like he shut down all high level functioning so he won't break down.

7. How Mike and El's relationship is structured

I would be saying this even if I wasn't a shipper, but it's clear that the writers themselves made a point of showing that whatever Mil*even has, isn't love.

When Mike lies to El about Hopper, it isn't to protect her feelings. It's to protect himself.

And when El lies to Mike, it isn't so he wouldn't worry, it's to put up a front. It's so she can pretend that she's normal and that she isn't a monster. She isn't a monster, but somehow he doesn't make her feel like he accepts her as well.

Now, let's compare this to Jancy. We know that Jonathan doesn't intend on telling Nancy about college because he knows she'd come with him and he doesn't want to hold her down. He wants her to be happy, above all else, even if it breaks his heart.

That is love.

Love is wanting the other person to be happy and accepting that they might not be happy with you.

Now, does that sound familiar? Well, it should.

Because it's exactly what Will does. He lies because he loves Mike and he doesn't think his words would matter, so like Cyrano de Bergerac, he treats what he says as words from El.

And I know some people would claim Will deserves better than Mike, but the thing is... While Mike made mistakes, we are shown that whenever Will is concerned, he apologizes for those. He admits he's wrong, he knows he shouldn't have done.

Mike acting like an ass sometimes doesn't suddenly erase every good thing he's ever done. And we don't love people who deserve it, that's not how it works. We don't choose who we love, love isn't a button you can turn on and off whenever it's convenient and only when the other person deserves it. Love is so much more complicated than that. Like, scholars have been trying to explain, quantify and apply rationality to it for ages, it hasn't worked so far for a reason.