#like what do you mean A isn’t an actual character

[theloneotaku158]

As of Batman: The Brave and the Bold #12, local precious-gremlin-who-I-would-die-for, Maps Mizoguchi, is now officially(?) the sixth Robin. Or at the very least, she's now "in" on The Secret™.

If this isn’t a set up for her taking up the Robin mantle officially then I genuinely don’t know what is.

As one of the twelve Gotham Academy enjoyers in existence, I am having the extremely normal reaction of "FUCKING FINALLY! LET'S FUCKING GOOOOO--!"

In all honesty, I'd be lying if I said I hadn't seen this coming from miles away. Like, Maps has appeared in a number of seemingly random cameo roles recently, including Batgirls (2021), and even technically as Robin in the backup issues of Batman (2016) #119-121, and in a short story in Batman Black & White. And most of those got collected in a standalone titled "Maps of Mystery", which specifically gathered all her appearances as Robin (and the Gotham Academy Belle Reve story).

And then, of course, her recent time-travelling Future-Trunks-esque appearance in Birds of Prey (2023), as the tech-based Meridian, from a potential future timeline where she apparently makes it as a superhero using gadgets she apparently designed, proving that she's hero material.

That's not something you do for a character for no reason. That's the sort of thing you do when you want to keep a character in the conscience of your readers for whatever reason, because you have bigger plans for them.

Also interesting to consider that, in the "Mother's Day" story where this took place, Alfred is standing right there and not lying down six feet under wood, dirt and a stone slab, and that Bruce is in the old Batcave under the manor so he still has Money™, I must assume this was some nebulous time in the past (after GA: Second Semester(?), but before City of Bane)... which I won't bother to analyse the exact timeframe of because DC doesn't care about the post-Flashpoint / New 52 / Rebirth / Prime Earth / idfk / Dawn of DC timeline, so neither should I.

But I think it's really funny that this presumably means Maps has known The Secret™ for a long time relative to present-day comics, but always acted like she didn't.

But if all her appearances are in chronological order, that means Bruce is only the fourth Bat whose identity she discovered.

Like, she discovered Cass' identity almost by accident on a trip to the zoo, Damian showed off his grapple gun and gave her an actual Batarang during the three hours he was enrolled in the school (as if she wouldn't immediately put two-and-two together even back then), and she even found out Terry fucking McGuinness would become Batman in a future via a time-travelling grandfather clock.

No I did not make that last part up. Read Gotham Academy istg.

Did Cass know that Maps had been acting as a Robin when she met her, both at the zoo in Batgirls and her future version in Birds of Prey?

Does Damian know the one (1) friend(?) he made in Gotham Academy is potentially in the running for his job?

Is Bruce himself aware that she knows as much about their identities as she currently does?

How is DC going to retcon this so it all makes sense in the barely-functioning canon of the modern DC universe?

I'm digressing. Where was I going with this?

Point is, she's destined to become a Robin, and I'm glad DC finally pulled their fingers out their asses and capitalised on that destiny.

Let's just hope it doesn't take another year for them to follow up on this plotline again.

Bonus: Jason Todd, after learning of Bruce taking yet another happy kid under his wing as yet another Robin, giving her some advice:

[carigm]

A BREAKDOWN OF THE POTENTIAL S5 EPISODE TITLES!!

Okay, so today entertainment journalist Jeff Sneider shared some alleged insider info about S5 of ST, mainly directors and titles of the first 6 episodes.

Here’s a screenshot

It’s important to keep in mind that this guy isn’t always the most reliable, and considering he also said he believes S5 could come out before the end of this year, let’s not take any of this too seriously. (Many cast members have mentioned they’re filming until December of this year so that’s literally impossible). The information about the possible directors I believe is correct, because it’s been circulating around from other sources too.

The episode titles I’m less convinced about because it’s also possible the Duffers could’ve put out fake episode titles in case they leaked. I remember for S2 all the episodes titles they announced were changed later on lol. But for the sake of fun, here’s an analysis of all of them:

1. The crawl (only confirmed title) is a very broad, open title. It personally makes me think of the UD and vines, or maybe even the idea of Vecna crawling back to life. Could also be an allusion to the military.

2. The Vanishing of ___ Wheeler is arguably the most insane one. The journalist said he wasn’t revealing the actual name of the person because it’s a spoiler ofc. My gut tells me it’s gonna be Holly, mainly because of the recast and her supposedly being involved in the hospital plot, which we have guessed takes place in episode 2. Could explain why she’s suddenly “more important” this season, especially if she’s used as a plot device of sorts. Could also tie into what Ted’s actor said in a podcast back in February about the first episodes being a rollercoaster of emotions, and that comment he made about Ted having a soft spot for Holly. It would be a perfect tie in for Karen to find out about the UD as well. The implications of naming the episode the same as the first episode, which is so intrinsically tied to Will, is very interesting. It’s also a new connection/tie between the Byers/Wheelers that I assume will bring the families closer together. I don’t think it’s about Mike because I doubt he’ll go missing in ep.2, or be dragged to the UD just like Will was. It would be an interesting concept but I doubt it. I also don’t think Nancy’s gonna go missing. Karen could be interesting but I doubt it as well. Ted would be an incredibly funny choice. Imagine he just goes missing while at the house 😭 Nonetheless, I think Holly is the clear choice here, and I do very much worry for her if she goes missing. Mainly because while Will survived this, I’m not sure they’ll do the same for Holly :(

It also ties into Vecna’s threat to Nancy against her and her family.

Here’s an interesting leak from the same anon that leaked the hospital stuff (which seems to be correct)

I think this could be the very same scene Holly goes missing.

3. Turbow Trap 😭 This one is utter nonsense. I have no idea what a Turbow is, so I assume it’s gonna be a code or nickname for something. Absolutely clueless here.

4. Sorcerer is incredibly interesting, and imo a clear allusion to Will. His D&D character being a cleric, basically a wizard. Could also be a reference to Vecna imo. Or both 😉

5. Shock Jock is clearly tied to the radio station plotline. Imo the title could be a reference to Steve, Jonathan, or even Murray (he fits that eccentric, somewhat annoying personality quite well) In case you guys don’t know a shock jock is like a very eccentric radio host.

6. Escape from Camazotz is another crazy title. He’s a figure from Mayan mythology who’s a bat spirit. That immediately makes me think of Eddie, but also Steve ofc. However, camazotz has a larger meaning that goes beyond “bat spirit”, it’s also a representation of death and night. So the title seems to be alluding to someone escaping from death or a perilous situation.

Even more interesting perhaps is that kamazotz is a name of a planet in A Wrinkle Time. It’s the planet where IT resides, the mind controlling antagonist of the narrative. So I guess in this comparison Kamazotz is the UD, and IT is Henry.

[reduxulousoctopus]

X-Men '97, Post-Episode 7, ~2500 words Morpherine established relationship, missing scene (unless the show actually does explore what happened during that fight, in which case boy is there egg on my face).

I follow established show canon by referring to Morph as he/him in diegetic works (fanfic and fan art) and they/them in non-diegetic works (my episode analyses and reblogs), because that's the stupidest option and, like Morph, I am also an enby with a terrible sense of humor.

Now come watch me struggle to write two whole lines of dialogue for one of my favorite characters in the series, Beast, because Me Too Stupid to Write Smart Talk Good.

--

“You wanna explain what the hell happened back there?”

Although he considers pretending he didn’t hear the question, Morph reluctantly glances across the center aisle of the Blackbird to see Logan glaring back at him with an expression as hard as the adamantium underneath it. Although it’s a look he’s seen plenty of times before as an innocent bystander, Morph has only been the target of that glare on a handful of occasions. Usually when he’s severely fucked something up. Or when Logan is completely out-of-his-mind, cuckoo-bananas worried about him.

Morph suspects that this time, it’s a little Column A, a little Column B.

A wiser person might realize they were in a hole and stop digging; Morph smirks and asks, “What, the Summers Family Reunion? Well, you see, when a man and the clone of his wife love each other very much…” Morph chuckles. “By the way, this might be a bit creepy to say as one of his honorary uncles, but Baby Nathan grew up to be a serious hottie—emphasis on serious.”

No laugh. Okay, maybe that wasn’t his best material, but not even a lip twitch? Logan must be pissed.

Morph sighs and slouches in his seat. God, he doesn’t want to talk about this right now. Or maybe ever. He can feel his throat literally closing up to stop the words from coming out.

When enough time has passed that what little patience Logan had left in the tap completely runs dry, he goes right for the jugular: “I thought you were dead. Again.”

Morph winces.

“I saw that… ‘Trask Sentinel’ blow your goddamn head off. Then, next thing I know, you’re up and walkin’ around like nothing happened.”

“Not that you’re complaining, right?” Morph asks with a weak attempt at a laugh. “You know what they say about gift horses. Although, you’d think the lesson from the Trojan War would be that you should look gift horses in the mouth.”

From the seat behind him, Morph hears: “Although it’s a common misconception, that phrase actually has nothing to do with the Trojan Horse. The proverbial ‘gift horse’ is a literal, living horse, and to look it in the mouth—”

“With all those books you read,” Logan grumbles, “I thought at least one of them would've taught you it's rude to eavesdrop.”

“It would be difficult not to overhear, given the two of you are speaking quite loudly in a confined space while surrounded by people,” Beast points out. “Have you considered that this perhaps isn’t the best venue for a private conversation?”

“He is a super-genius. We’d better listen to him,” Morph tells Logan. “We’ll talk later, okay big guy?”

The stubborn set of that heavy jaw says Logan knows damn well ‘later’ means ‘never,’ and he isn’t gonna let Morph weasel out of this that easy. “If you ever want me to let you off this plane, you’ll talk now.”

“Let me?” Morph scoffs. He transforms into Quicksilver, puts on his best smug speedster grin, and says, “Just try and stop me, slowpoke.”

To his shock, Logan actually flinches. It’s a subtle thing, Morph might not have even noticed if he didn’t know Logan so well. The cause eludes him, however—until Morph remembers that he looked like Maximoff when the Thrask Sentinel… when everything went dark and quiet for a few seconds.

Funny. There was a time when Morph, blinded by youthful naivety and hero-worship, would have insisted Wolverine wasn’t afraid of anything.

Returning to his default form, Morph mutters out an apology. He tries to imagine what it would be like to see Logan die, only for him to get up a few seconds later and act like nothing happened. With that healing factor of his, they’ve gotten damned close to that exact scenario more than a few times.

How much worse would it feel, if Logan had kept his quick-healing abilities secret and Morph had to find out the hard way?

Morph takes a breath, looks out the window at the black clouds rushing by, and starts from the beginning.

“You know how most of us don’t know we’re mutants until we hit puberty, and our powers manifest? Well… I didn’t have to wait that long. Problem is, since I was just a baby, I had no idea how to control my powers—no more than a normal baby is born knowing how to walk or talk.

He holds out his hands with his palms cupped together to form a shallow, makeshift bowl.

“When I was born, I looked like a wriggling lump of white clay, about yay-big. No arms or legs, no face, no ears, no eyes. Just a mouth that would appear somewhere on my body whenever I was hungry or wanted to cry.”

Whatever Logan was expecting to hear, from the look on his face, it clearly wasn’t that.

“But even at that tender age, someone clearly recognized my star potential. I was only two days old when I made my media debut: Severely Deformed MUTANT Born In Pittsburgh Hospital.” Morph shrugs. “Not the most positive review, I’ll admit, but you know what they say: all publicity is good publicity. After all, that’s how the professor found me.”

Logan’s frown returns, more confused than angry. “You told me you didn’t meet Xavier until you were thirteen—after your mom passed.”

“That’s when I moved to the Institute. Turns out we actually met quite a lot earlier than I remembered, which is pretty embarrassing. Ideally, you don’t want to meet your future high school principal, college instructor, mentor, and world famous civil rights leader while wearing a diaper. Even worse, I was wearing a diaper, too—and I told him, mister, one of us is going to have to go home and change his outfit and it sure isn’t going to be me.”

That gets him a smile and a huff of a laugh, which would be an encouraging sign if he didn’t know how the story ends.

“So Xavier talked to my parents, explained the whole ‘mutant thing.’ Dad wasn’t happy. Then again, I’m not sure he ever was. He would have been disappointed to have a girl—a sentient lump of polymorphic biomass was right out. Thankfully, Xavier was able to use his telepathy to coach me through my very first transformation. He showed me how to turn into a normal baby boy, who would eventually grow up to look like this.”

Morph transforms into his old default, the one he still uses whenever he wants to pass: pale (although not that pale) skin, brown eyes, brown hair, hooked nose, pointed chin, gaunt cheeks, arched brows. Not exactly Fabio, but it’s the face Logan used to know him by—the face he sometimes worries Logan might secretly still prefer.

“Then he put some psychic blocks in place to limit my powers to something a bit more… manageable. Don’t give me that look. It sounds shady, but the professor messing with my head was the only reason I got to have a normal, happy childhood with my parents. God only knows what would have happened otherwise—if I’d even be alive now.”

The worry and suspicion that appeared on Logan’s face at the mention of psychic tampering grudgingly fade away. “When did you find out?” he asks instead.

“A couple months after the professor… y’know,” Morph sighs. “I hacked his personal files. Since he wouldn’t be around anymore to help you recover your memories, I hoped that maybe I could find something small he overlooked, some clue that might give us an idea where to look next.”

Logan’s eyes widen and his mouth goes slightly slack. “Morph…”

“I didn’t find anything, before you get excited. Not about you, anyway. Sure found out a lot about myself, though—a lot more than I was bargaining for.”

“That’s when your default form changed,” Logan realizes.

“Yeah. It was kind of hard to think of this,” Morph replies, gesturing at the face of his human-passing form, “as my ‘real’ face after that. Not that my new look is any more real, of course.”

“Who else knows?”

“Other than our friends listening to this conversation right now?” Morph asks pointedly, causing an entire plane full of X-Men to each make their best attempt at looking busy. Nightcrawler’s method of peering thoughtfully at the radio controls with one hand on his chin is particularly masterful—Logan mentioned he used to perform in a circus, so it’s no wonder he’s got such a good instinct for stage-business. “I told Hank and Moira not long after I found out. Seemed like a bad idea to keep that information from my doctors. Especially when one of them is also my therapist.”

At receiving a glare from Logan, Beast develops a sudden and convenient fascination with the view through the Blackbird’s window.

“But you didn’t want anyone else to know.” Logan could accept that, even if he doesn’t like it. Nothing personal. A man’s business is man's business, after all—even for a not-quite-man like Morph.

Too bad it wouldn’t be the truth; no more ‘real’ than any face that Morph wears.

“I didn’t want you to know.”

Morph can handle Logan’s anger, no problem. That’s almost charming, after all these years. But it’s the flicker of hurt, just like that little flinch earlier, that really cuts him to the quick.

“Not because I don’t trust you, or want to keep things from you or anything, it’s just… I didn’t—I couldn’t—”

He sighs and looks away again. He transforms back into his new default: smooth white skin, mask-like face. Obviously inhuman.

Still a lot more human than he looked when he was born, though.

“So, yeah. That’s why I’ve apparently gained the ability to survive having my head blown off. It sure would have been handy to know that my organs were optional the last time a Sentinel put me down. Now, instead of being out of commission for two years I’ll never get back, I can just squish myself back together and keep on keepin’ on.”

Logan doesn’t respond, and slowly, the mutter of other conversations step in to fill the void. Morph stares at nothing, sick with nerves. It’s deeply unfair that he can still feel nauseous even though he doesn’t have a stomach anymore.

He would say it’s all in his head, but if he can survive without one, maybe he doesn’t have a brain, either.

Badum-tch.

Good line. Hopefully he’ll remember it after the existential horror wears off, in the brief window when things will be funny again before the heartbreak sinks in.

Because there’s dropping a bombshell on a relationship—then there’s dropping a fucking nuke.

Oh God. There isn’t going to be a window, is there?

“Morph. Look at me.”

Although he considers pretending he didn’t hear the command, Morph reluctantly glances across the center aisle of the Blackbird to see Logan looking back at him with an expression as soft as the heart he usually tries to hide.

“No matter what you look like, there’s one thing you’ve never been able to change,” Logan tells him. “That’s real enough for me.”

A wiser person might realize they were in a hole and stop digging; Morph can’t stop himself from opening his big stupid mouth. No wonder that was the one feature even Baby Morph knew to give himself. “There are more blocks Xavier left behind that I haven’t pushed through, yet. Maybe I’ll even figure out how to change my scent, someday.”

From the look on his face, Logan clearly hadn’t considered that possibility. Morph immediately wishes he could take it back, feeling like he’s just tarnished something sacred.

It’s always been strangely intimate, the way Logan can recognize him by scent alone. Even from the beginning, when Morph decided to pull a prank on the grumpy new recruit, only for Wolverine to sniff him out mere seconds into his planned routine—it was as if, like the Emperor’s New Clothes, he suddenly realized he had been naked the entire time.

Another, smarter shapeshifter might have avoided Logan after that; Morph couldn’t get enough.

One-sided pestering turned into an unlikely friendship, turned into friends-with-benefits, turned into… whatever they have now. That which dares not speak its name.

The thought of losing that connection, the idea that someday he may be able to change himself so thoroughly that even Logan won’t be able to recognize him anymore… It’s too awful. Cursed knowledge. Like learning about the solar cycle when he was a kid, and suddenly having the horrible realization: if even the sun is going to die someday, what makes him so sure Mom will get better?

Out of the corner of his eye, Morph sees Logan’s hand start to move, stop, then start again, reaching across the aisle towards him. For a insane, terrifying moment, he thinks Logan’s about to hold his hand, outing them in front of God, the other X-Men, and everybody—but of course, that enormous, rough mitt lands on his shoulder instead. Perfectly platonic, approved for all audiences by S&P.

Though they’re shooting through the air at supersonic speed, under the heavy weight of that hand, Morph feels rooted to stable ground. He closes his eyes and takes a few slow breaths he doesn’t actually need, with lungs he only has when he remembers to make himself some.

If there are any people left when the sun finally burns out in a few billion years, they’ll still be telling each other jokes as they go into that endless good night. Just think of the money we’ll save on sunscreen. Maybe, but you know the light-bulb companies are gonna take us to the cleaners. Ha ha, freeze frame, theme song, end credits.

Even as her body slowly wasted away under the combined onslaught of cancer and chemo, Mom always laughed at his jokes, no matter how many times she heard the one about the chicken who crossed the road. His most appreciative audience, to the very last curtain call.

The world is pretty fucking scary right now, and only getting scarier. Sinister. Genosha. Losing Gambit. Sentinels again, in all new and even more monstrous forms. Even worse: total war between humans and mutants looming over the horizon, shaking the ground with each step, getting closer and more inevitable every time someone mentions it, like a demon whose power grows every time you says its name.

But just because things are scary doesn’t mean the world's turning into a horror movie, and just because things are sad doesn’t make it a tragedy. Everyone gets to choose the genre of their life story—and Morph will always pick comedy.

He gives the hand on his shoulder a friendly pat, and uses the motion to disguise a slightly more-than-friendly squeeze. “I’m alright, just a little airsick. I think it’s making me maudlin.”

As he pulls his hand back, Logan frowns a little in confusion—he knows Morph is experienced enough in the air that he shouldn’t be getting nauseous over what are, for the Blackbird, barely above pleasure-cruise speeds.

“How unfair is that, by the way?” Morph asks. “I don’t even have a stomach right now.”

Logan chuckles. Nah, baby, don’t give it up for me that easy, Morph thinks, fighting a grin. You gotta make me work for it a little…

He needn’t have worried, though. When he does make it to the punchline, Logan laughs so hard that he snorts, the laugh-lines Morph has personally carved into that seemingly indestructible face creasing and growing deeper still. And as their friends who Definitely Weren’t Eavesdropping join in—even Rogue, so teary and congested that her laughs would sound like sobs if she wasn’t smiling—Morph knows all their attempts to hide their relationship have been for nothing, because there’s no way that all the love he feels for Logan in that moment isn’t writ large all over whichever face he's wearing right now.

That’s real enough for him.

[katerina-marie]

The Hot Mic Incident (Feel Like Falling in Love)

Sukuna x Reader

A sequel to this and part 2 of a larger (unnamed) series. I do recommend reading part 1 first to be able to understand certain references in this one.

If someone asked you who was most likely to accidentally spill the beans about your new (and still secret) relationship with Sukuna, your answer would have to be your white-haired co-star. But when an unintentional hot mic reveals to the world what wasn't ready to be shared, let's just say it wasn't Gojo Satoru at fault for once.

Notes: A continuation of my Sukuna x Reader celebrity!au inspired by music (though only loosely, so don't look too closely at lyrical meaning). In this case, it's Feel Like Falling in Love by MeloMance. I'm writing this series as inspiration strikes, so these fics may not always be posted according to the series' linear timeline. I will make sure to note when each chapter takes place in relation to the others (this one takes place a couple months after part 2). I will also get around to making a master list of them in chronological reading order as more comes. I hope you enjoy:)

Content: bandmember Sukuna x actor female Reader (referred to as such, but left descriptively vague), no y/n, manager Nanami, bodyguard Toji, actor Gojo, other favorites who have small supporting rolls, all fluff, crack, and humor, innuendos, illusions to sexting, but no actual sexting occurs (sorry), so please read accordingly, out of character and fluffy Sukuna. Please let me know if I miss something!

WC: 4.3k

——————————————————————————————————————————

“Isn’t it a little early in the morning to be sending naughty pictures to your boyfriend? It’s like 7:00 am.” 

You jumped half a foot in the air and clambered to juggle your phone in your hands before it tumbled out and slid four feet across the backstage floor of the talk show studio. 

“You need to be wearing a bell, Satoru,” you hissed over your shoulder at the menace that had appeared behind you so suddenly, “and it was not an inappropriate photo. I was completely dressed.” 

You teetered over in your heels to grab your phone off the floor and prayed that it wasn’t cracked down the middle, lest you make Satoru cough up punitive damages to make up for it. 

“In my experience, being fully clothed is not a prohibiting factor.”

Satoru snickered at the look of disgust on your face and gave you a small shrug, “Who knows, maybe Sukuna’s into th—,”

You threw yourself forward to try and cover his mouth with your hands, but even in heels you still lacked the necessary height to make contact. You settled for pinning him in place with a glare.

“Will you keep quiet please? I swear, if you and your fat mouth reveal this to anyone, I’m going to have Toji leak that photo of you from one of our nights working on that period piece last year!”

You watched with glee as Satoru’s eyes widened in abject horror, and he reached out to grip the tops of your arms and drag you close to his face. A quick peek from your peripheral confirmed that the staff lingering around the studio probably hadn’t been close enough to hear, but they were certainly watching with poorly disguised interest. 

Were you and Satoru contracted into a false relationship in order to help promote the upcoming movie the two of you were co-starring in? No, that only happened in fiction. Was it firmly implied by the producer that some offscreen tension and chemistry during the course of the film would promise to be advantageous to you both? Yes, and you presumed that in the pursuit of a paycheck some simple flirting couldn’t hurt anyone…though that was a year or so ago, and you were now closer to sending Satoru to an early grave than jumping in bed with him like fans and media were hoping for. 

“Suguru swore he made you delete any evidence of that!” 

You stuck your tongue out at him and pulled back against the hold he had on your arms, but he didn’t loosen his grip in the slightest. 

“He did, but didn’t bother to check with Toji. Looks like that weird phobia you two have of him is coming to bite you in the ass now.” 

Satoru released you with a shiver and took a large step back, his eyes roaming the expanse of the studio as if he expected your bodyguard to be summoned out of thin air at the sheer mention of his name. You didn’t blame him, however, because Toji had a habit of doing just that. 

“It’s not a weird phobia,” Satoru muttered, rubbing his throat absentmindedly and pouting down at you, “it’s PTSD.” 

You snorted. “It wasn’t that bad.”

“It was too!” Satoru cried, “He punched me in the throat and nearly sent Suguru through a wall!” 

“You and your idiot manager were trying to break into my house at 2:00am, drunk as skunks I might add! What did you think was going to happen? We barely knew each other then.” 

Satoru looked down at you aghast, stunned that you didn’t sympathize with his emotions. You considered it even more bewildering that he seriously thought that you would pick his side. You were about to let him know such when your phone dinged twice in quick succession, effectively capturing your attention. 

“Look,” you huffed at him, waving your phone in front of his face so he could catch a glimpse of the time (and hopefully ignore who’s name had popped up under it), “we only have like thirty more minutes before we have to get out there and I need some time to decompress, so I’m going back to the dressing room.” You started to turn away before throwing over your shoulder, “Don’t get into any trouble in the meantime.” 

Satoru rolled his eyes at you, and—in that intolerable way of his—couldn’t let you possibly have the last dig at him and jerked his head to the phone in your hand. 

“It’s not me I’m worried about. Have fun sext—,” 

“Goodbye, Satoru!” You made yourself scarce before he could say anything else, eager to find the privacy of your dressing room so you could fawn over your boyfriend in peace. 

By the time you made it into the safety of your dressing room a few minutes later, your heart was pounding—and not just from getting lost in all the maze-like hallways—and you tried to decide if hiding in the attached closet to talk with Sukuna on the phone or sitting on the couch in the open with a lovesick grin on your face would look less suspicious should someone walk in. Neither option promised much. 

Before you could make up your mind, your phone was ringing, so in order to be able to answer the call as quickly as you could, you dove for the couch and tried not to sound completely breathless when you answered with a quiet, “hi, good morning.” 

“Hey,” Sukuna replied back to you, voice equally soft but tinged with a dry hoarseness that usually followed him out of sleep. It made your toes wiggle uncontrollably against the floor. 

“Oh I’m sorry, did I wake you with the picture? That wasn’t my intention. I just wanted to keep you up to date with my day,” you murmured to him. 

“Don’t worry, you didn’t. And besides, even if it did, it’s not a bad way to start my day.” His words made you melt back into the cushions and you kicked your feet in silent giddiness before tucking them underneath you. “You look stunning, by the way.” 

“Thank you,” you giggled, “though getting here to get ready while it was still dark outside was borderline torture. I’d say that it’s an unfair slight against women, but I’m pretty sure Satoru’s hair and skincare routine took just as long.” 

Your boyfriend let out a disgusted scoff at the mention of your costar’s name, “Please tell me that q-tip is behaving himself.” 

“Sukuna!” You chastised, though you couldn’t help the laughter bubbling up in your throat at the comparison, “You can’t call him that…even if it is somewhat accurate.” 

“It’s one hundred percent accurate,” he argued, “but I won’t call him that to his face…probably.” 

You shook your head in exasperated amusement, nibbling on the bottom skin of your lip before continuing on, “He’s behaving for the most part, aside from his two insinuations that our conversations this morning were of a sexual nature.” 

Sukuna was silent on the other end for a moment before replying back in a low voice with something that had you choking on your spit, “Would you like them to be?” 

He could be heard laughing as you nearly coughed your way into a premature death.

“I’m about to go in front of a live audience and on live tv!” You exclaimed.

“That’s not a ‘no’,” Sukuna pointed out hopefully.

“No.” 

He let out a dramatic sigh and you reached over to a nearby coffee table to unscrew a bottle of water and chug half of it down in the hopes it would help cool you off. 

“Speaking of,” he said, sounding just a tad hesitant, “I’ll uh, tune in to the show to watch if that’s okay with you.” 

You heart skipped a silly little beat at the idea that he wanted to watch some cheesy talk show just to get a glimpse of you. 

“I don’t mind,” you told him, “but it’s going to make me a little nervous knowing you’ll be watching as I stumble through this interview.” 

“Don’t be,” he chuckled, though something in his voice sounded just slightly wicked, “now you’ll get an idea of how I feel when I have to perform.” 

The innuendo had whatever sweet reassurance you had poised at the tip of your tongue fly out of your head, and you scrambled to come with a response that could be said back without implying anything further. The swinging open of your door, however, saved you from the task. 

“Hey, Princess,” Toji called as he leaned his torso around the door, “you need to be out there in five.” 

You startled from your spot on the couch, surprised to realize that your leg was bouncing from where it was propped up on your knee and your finger was twirling a piece of your hair.

Love made you stupid. 

“Toji,” you snapped, “have you ever heard of knocking?”

Your bodyguard rolled his eyes, “I did. Twice.”

Heat flooded your cheeks, especially because you could hear Sukuna cackling through the phone, confirming he heard what Toji just said. 

“Oh…I’ll be right there, okay?” You shooed him off with a flick of your fingers and Toji smirked at you as he began closing the door.

“Don’t be late or I’m sending Gojo in to fetch you.” 

The door closed shut before you could get a word in and you leaned back with a heavy sigh before returning your attention to your phone call, “I’ve to go. I’ll call you when the whole thing is over and I’m back home, yeah?” 

“Sounds good to me. I’ll be waiting for you. Good luck, okay?” 

You weren’t sure if it was all in your head, but you swore you heard a hint of disappointment in his voice.

“Thank you. Bye, Sukuna,” 

“Bye, Princess,” he sing-songed, and you couldn’t help but smile as you clicked off the call. 

——————————————————————————————————————————

Twenty minutes later found you and Satoru sitting next to each other on a platform stage surrounded by bright lights, a large live audience sprawled in front of you, and an all too perceptive interviewer who had started the interrogation just a couple minutes prior. You wiggled in your seat, uncomfortable from the various wires and clips that secured your mic to your back under your dress. 

“So,” she began, nailing you with a look that promised nothing good, “you and Satoru were supposed to film an advert on the beach early this last summer, but it ended up being you and the so-called ‘King of Curses.’ Tell me, how did that come about?” 

You hesitated a moment, thankful the question wasn’t anything too invasive, but you were still hoping to avoid talking about Sukuna altogether. Usually Nanami would heavily emphasize what could and couldn’t be spoken of before these appearances, but since he wasn’t here, you assumed it had been left to Geto. In that case, you knew he couldn’t be bothered since predicting whatever was going to come out of Satoru’s mouth during these things was an art not yet mastered.

 “Well,” you started, clasping your hands together so they didn’t shake, “it really just came about out of well-timed convenience and a favor to the director. We didn’t want to waste any of the crew’s time or have to worry about re-aligning schedules, so Sukuna saved the day by offering to help. Plus, ‘The Curses’ new song at the time got to debut in it, so it was a win-win for everyone! Except for maybe Satoru, of course.” 

In an effort to divert attention from your answer, you threw Satoru a faux-friendly smile and urged him with a widening of your eyes to explain his part. 

“Oh, yeah,” he replied, adjusting himself in the seat and setting a convincing pout on his face. “I just happened to get pulled into something personal last minute and was going to be late to the shoot. I’m appreciative that the “King of Curses” was able to step in and save the day.” 

You didn’t miss the obvious sarcasm dripping from Sukuna’s nickname when it came out of Satoru’s mouth, and you had to hide a giggle behind your hand at the thought of your boyfriend cursing at his TV at home. 

“But,” Satoru continued, jolting you into awareness when he turned to you and ran a long finger down the bare skin of your arm, “I’m super bummed I missed our chance to get wet together.” The smirk on his face was downright evil, and you just knew your face was a picture of stunned disbelief. The audience was tittering with amusement.

“You wear me out, Satoru,” you hissed at him, batting his hand away from where it still traced slowly over your skin. 

Satoru laughed and threw his head back against his chair before taking a quick look at the camera and then leaning in towards you until your noses nearly touched, “I’m flattered you’d admit that on live television.” 

Your jaw, and everyone else’s for that matter, fell to the floor and you could only gawk at him. Over the interviewer’s shoulder, you could see Toji backstage laughing his ass off as Geto stood at a respectable distance next to him shaking his head. 

We better get those damned bonuses from the producer.

“Well!” The interviewer laughed a bit nervously, breaking the tension in the room and turning to the main camera in front of you all, “That was surely something. We have to go to a commercial, but we’ll be back with these two in just a couple minutes!”

The outro music sounded over the speakers and you and Satoru were released from your chairs to scurry backstage. In between sending friendly waves to the audience and starting the walk backstage, you flipped the switch on your mic off. 

“I’m going to kill you, Satoru,” you spat under your breath as the two of you left stage.

The idiot had the gall to laugh, and in your frustration you took a couple large steps to get a head of him. And because the universe didn’t hate you enough, you felt the toe of your heel catch on a stray cable on the floor, pitching you off balance. In your flailing, you reached out to grasp at whatever object could possibly break your fall, and in doing so latched on to Satoru’s sleeve, jerking the poor bastard off his feet and onto you as you both tumbled to floor in a heap of tangled limbs. 

Your back hit the ground first, your mic digging painfully into your back with a suspicious crack of plastic followed by Satoru landing on your front, pushing all the air from your lungs with a painful “oomph.” 

You stared at the ceiling of the studio, wondering how quickly things would go if one of the giant studio lights fell from above and crushed you under it. You were never going to live this down, especially since it happened still in view of the cameras and the audience if the raucous laughter was anything to go by.

“You know, I never imagined I would actually get you under me,” Satoru mused, staring down at you for a second before lifting his giant self off and then pulling you up to follow. He held a hand against your lower back as the two of you made it to the cover of backstage. 

“Honestly,” you admitted, still a little dazed, “I never would have thought so either.”

Staff fluttered around you a minute later, offering water, smoothing your hair out, and ensuring neither of you were hurt…at least not physically. Your pride was a whole other matter. 

“Oh no,” you groaned, catching Satoru’s attention once everyone had cleared out around you, “he was watching. He just saw me eat it on live television.” 

Your co-star cocked a confused eyebrow at you, “You mean Sukuna was watching?”

“Oh please,” you muttered, “like you didn’t guess. And yes, Sukuna was watching, and now I’m not going to be able to look him in the eye this evening.” 

There was a general increased noise coming from the front of the studio, but you were too preoccupied with your own embarrassment to think much of it. 

“And why is that?” Satoru asked. 

You threw your hands up purely because you didn’t know what else to do with them, “I don’t really know exactly, but there is still something supremely humiliating about doing something embarrassing like that in front of my new boyfriend. He makes me nervous enough as is.” 

There was a sudden outbreak of hollers and clapping from out front, and you swung your head around to look and see if anyone had a clue as to what was going on. It took you a minute before you could see Toji running at you with a wild look on his face. 

“Toji, what the hell—?” You didn’t get to finish your question before he was spinning you around by the shoulders, yanking down the zipper of your dress, and ripping the mic from your back. You shrieked in disbelief as you whirled back around to figure out what in the world he had been thinking. 

“Toji!”

“Your mic has been on this whole time,” he growled, showing you the blinking green light on the cracked plastic box. You swore you had turned it off, but seeing as how it took the brunt of the impact when you fell on it earlier, you supposed it wasn’t unlikely that it had turned back on. 

With sudden cold rushing through your body and a sick ball of dread settling into your gut, you looked between Satoru’s dumbfounded expression and Toji’s face of pure exhaustion and immediately decided that if the ground wasn’t going to swallow you up whole, you were going home.

“Get me out of here!”

——————————————————————————————————————————

After finally making it to some undisclosed back alley across from the talk show studio, you were assisted out from your crouch in a trash bin by studio security and ushered to a small nearby out-cove to wait for your bodyguard. 

And you just wanted to be famous soooo bad. Glamorous life, my ass.

As luck would have it, you were made aware today of just how famous you, and especially Sukuna, were. For all the grief you gave Satoru about not accidentally spilling the beans about your newly minted—and still secret—relationship with Sukuna, you were the one that had the unintended pleasure of doing the grand reveal. So now the world was free to stir whatever frenzy they saw fit, from the intensely devoted fangirls of Sukuna’s band, to the entire acting community, and the worst of all…your mother. You suspected you were a couple minutes away from an angry phone call demanding an explanation as to why she had to find out from the internet that you were dating a boy with pink hair and face tattoos and how much longer it would be until she had grandchildren. 

All of this chaos and Nanami just happened to be in a whole other country. 

You suddenly regretted sending him on that vacation.

A sharp squeal of tires caught your attention and you looked up to see a shiny sports car peal around the corner and come to a rumbling stop a couple feet in front of you. Before you could even begin to guess who it could be, the head of your bodyguard appeared as the tinted black window of the passenger side door rolled down.

“Get in the car,” Toji hissed, eyes darting to and fro. 

You wasted no time and nearly dove through the open window in your haste to escape broad daylight. You had just finished buckling your seatbelt in the back when Toji mashed the gas pedal and the car leapt forward.

“Christ, Toji!” You gasped, clasping the headrest of the seat you were just flung into, “Whose car is this? It’s certainly not yours.”

He snorted. “Yeah, cause you don’t pay me enough.”

“Rude,” you muttered back to him, “and not true.” 

You tried to squint out the front windshield to determine where you might be, but brick buildings towered on either side of you still, and you assumed Toji was taking some alternative route home. “Seriously though, whose car is this? It’s not one of mine.” 

“Does it matter?”

You rolled your eyes at his bored tone, “Yes, it does. Toji, I’m not your wife, but—”

“Thank God.” He sounded entirely too relieved about that.

“Still rude!” You yelped, but brushed aside the sting of offense to figure out whose leather seats your dress was currently dropping glitter all over. “I’m not your wife, so I don’t particularly care to know what unscrupulous activities you get up to when I’m not keeping you busy—,”

“None,” he deadpanned, shooting you a glare through the rear view mirror.

“—which I’m pretty sure I had you sign a non-compete, but that’s besides the point. I really need you to tell me where you got this car. In case you aren’t aware, my name is going to be plastered on every social media post, blog page, and headline in the next 24 hours and I’d rather that not include my mugshot with “accomplice to grand theft auto” under it. So tell me who this car belongs to right now or I’m jumping out.”

Toji had the audacity to chuckle at you before reaching back to pat your knee.

“Relax a bit. You know I wouldn’t ever put you in harm’s way on purpose. This is Gojo’s car. Ours was being swarmed by the media out front after your little slip up, so I threatened Geto for the idiot’s keys cause I knew it was out back and the quickest way I could get to our little rendezvous point.” 

“Oh,” was all you managed to get out. Letting your racing mind settle down a bit, you snuggled deeper into the plush leather seats and kicked your feet up onto the center console. You got two seconds of peace before Toji opened his mouth again.

“I’m going to have to call Nanami.” 

“No!” You gasped, springing upright again and feeling a warm sting creep to your eyes as your throat began to tense up. “He’s on vacation! I promised we wouldn’t bother him unless one of us was dying. I’d never forgive myself if he had to come home to clean up my sloppy love life!” 

Toji shook his head and shot you a sad smile over his shoulder as he reached for his phone sitting in the front cup holder.

“We may not really have an option, Sweetheart. Not only is Uraume going to be a huge pain to deal with since this could affect Sukuna’s band, but you’ve also got contracts and appearances promised that may get shaken by the fact it’s been revealed to the world that you've been secretly dating the music industry’s favorite ‘hate to love’ rockstar. We can’t fix this without Nanami.” 

The panic that had been brewing in your stomach this whole time was starting to make your head spin up, so you blamed it on that when you lurched out of your seat and nearly over Toji’s shoulder to snatch the phone out of his hand before he could hit ‘dial’ on Nanami’s contact. 

Your bodyguard swore when you knocked him in the face with your elbow in your clamber and his hand gave a vicious jerk of the wheel that had horns blaring from either side of your car as Toji swerved to correct it. You were thrown back into the seat you had just previously been in and you waited with heaving breaths as the car jolted sideways once more before continuing on straight. The fact you barely missed crashing was a testament to Toji’s reflexes.

“Don’t you ever do stupid shit like that again, you hear me?!” You’d never heard Toji raise his voice at you and it did nothing to help quell the tears about to start pouring from your eyes, “I know you’re stressed and something big has just happened to you, I get it, but that’s no excuse to do something dumb! You just about gave me a heart attack,” he finished, his voice still at a higher volume than normal, but it was softened by the edge of panicked concern and the worried glances he was giving you. 

That was enough to push you over the edge.

“I-I’m sorry, Toji,” you sobbed, upset at yourself for messing up again, “I wasn’t thinking, and I don’t want Nanami to feel like he has to babysit me for the rest of his life, or you to think I’m an airhead or something. I also really like Sukuna and I don’t want him to hate me because of what I did!” 

You let your head fall into your hands and hiccuped through another shuddering cry as you struggled to get ahold of the overwhelming-ness of it all. You felt Toji’s hand on your knee again. 

“Hey, hey, take deep breaths for me. No one’s thinking that, I promise you. And I’m sorry for yelling at you like that. It was wrong. It’s no excuse, but that scared the crap out of me and I thought we for sure were getting into an accident,” he admitted. “I don’t want to see you get hurt.” 

You nodded through your tears, unable to respond to him in any way that was legible. 

“Look, we’re almost home. Try and deep breathe for me. Once we get there I’ll help you get comfortable and we’ll figure this out together, okay?” 

As was frequent with Toji, you valued his ability to keep you calm when you got into the worst of yourself and you were grateful for his steady confidence. You reached out and clasped the hand he still had stretched back on your knee to give it a squeeze, hoping it could convey all the thanks you had for him. The two of you kept driving in comfortable silence until you felt the car slow and saw a flash of a familiar gate out the front windshield.

“Hey,” Toji started, his voice suspiciously light, “you think Gojo would realize if we never returned his car?” 

——————————————————————————————————————————

Thank you for reading! I've got ideas for parts 3 and 4 already, so I'm hoping to work on those in the next coming days.

I'll also be posting this series on AO3 under Katerina_Mar if you would prefer to read there:)

[paul-ster]

Why do you hate Steve so much?

Not trying to be mean at all

Just generally curious to what he did to make you despise him?

He’s fugly <3

Jk, but in The Outsiders, he’s never given a proper part. Of course we can see that he’s snarky and all of that. But- that isn’t character. No, that’s just him being a dick.

And I hate how he’s characterized (in fandom) as sweet and all of that when he acts so uniquely with Ponyboy. While I don’t mind much about him, there’s just a certain distaste I get for Steve.

His whole character is just bullying Ponyboy >:( And honestly, while it can be funny- he doesn’t offer anything. We know that him and Soda are best friends and that he might have a heart. (When Dallas was shot and he cried, also when Two-Bit tried pretending to be sad over a switchblade in which Steve gets angry) But that doesn’t define him.

Ive done a character study on him and have come to the fact that he doesn’t have ambitions. He isn’t shown to have goals or basically a reason for being in the book. I don’t hate Steve, but rather the lack of “Steve”

With Ponyboy and Johnny you get character, you understand their goals and reasons. You’re actually able to connects it’s something that’s there. But, Steve’s only ambition is to bully Ponyboy (which in my case doesn’t help because i love Ponyboy. I hate you Steve… 😒)

I feel like I can go on for days about how much I hate Steve. While it’ll feel like I’m going in circles for disliking Steve, it’s because THERES NOTHING ELSE TO HIM! He’s just a random greaser with daddy issues. Like cmon, EVERY GREASER HAS DADDY ISSUES.

S.E Hinton made practically a character that serves no purpose other than to show Ponyboys character development. And I hate how much potential he had. But hates kinda a strong word, THAT FITS STEVE DUDE. He probably doesn’t even know how to spell it man.

Someone put him through character development and I’ll change my opinions. But for now, just understand that I cannot enjoy something that is nothing. And- to be rude- Steve is nothing. Nothing maleable to give a sense to actually like him.

You don’t like Steve. You like what Steve could’ve been. And that’s what pisses me the most off about Steve.

Rant over, what if I said everything above was a joke? ;3

[emilybahu]

I love 9-1-1 so much!

I have fallen in love with tv shows before, watching episodes religiously as they aired weekly. 9-1-1 has been different for me though, it’s become more like an obsession. In some ways that’s bad, it’s consuming my mind a lot of times and it’s distracting me from other things I need to get done. However, really getting into the fandom of this show has also been wonderful for me, it’s made me so happy, actually getting involved with other fans and talking to people the last couple months has been so fun! You all are amazing, funny, talented people and I’m truly grateful that I’ve been able to interact with you!

Now, I’ve heard about some toxicity within the fandom, Buddie and BuckTommy shippers turning against each other and fighting about what’s best for the characters. (Which btw, isn’t really up to us anyway)

I personally haven’t seen a lot of that, who knows, maybe I’m just ignoring it because I don’t want to see it. Either way I always try to keep a very open and and neutral stance when it comes to shipping. I let myself enjoy the stories, the edits, the fan art, and the speculation. However, I also try to stay grounded in the reality of what’s happening in the movie/book/tv show.

When it comes to 9-1-1 right now, between Buddie and BuckTommy I’m not picking sides. I like both ships the same, and I don’t think that’s gonna change any time soon. I really, really enjoy both ships! (Plus the fan fiction for both are amazing, so I’m LIVING)

Buddie is part of the reason that I started watching in the first place, Buck and Eddie are my favorite characters. I love them both to death, and regardless of their relationship status they have something special, no one can deny that! Their friendship is beautiful and deep, they do truly love each other, they’re family, they will always be there for each other whether or not they end up in a romantic relationship. I’m honestly just happy to see them together in any capacity. And yes, I will happy, overjoyed even, if they decide to make Buddie cannon, but I’ll also be happy if their relationship remains as it is.

As far as Buck and Tommy go I was surprised when the kiss happened, but OH MY GOD… I was totally there for it! I’m actually really happy with this storyline so far, (even if the second hand embarrassment nearly killed me during the first date)I think that they’ll be great together, I really can’t wait to see them getting to know each other more! Wherever this goes, I’m here for it! I’m excited to see Buck explore his bisexuality with Tommy, and learn about himself through this relationship. I’m also excited to learn more about Tommy! And if they don’t end up being very long term, I really hope that they stay friends.

I’m really enjoying being into a ship that’s canon for once, it makes me really happy. I don’t think there’s ever been a ship (apart from these ones) that I’ve been into that have even had a remote chance of becoming cannon (Stucky… my first love!)

Anyway, I digress, the writers and the actors KNOW these characters, we know that if something felt off it the story, they’d want to do right by the characters. We know for a fact how much Oliver and Ryan love Buck and Eddie, and if it feels right and true to them Buddie will happen. If it doesn’t feel right to put them in a romantic relationship, to me, it’s fine because regardless we have these two men with an absolutely beautiful and meaningful friendship, and I’m always here for that!

All of this to say, all this fighting about “who’s right for who” isn’t doing anyone any good. I mean we’re all in this fandom because we love this show RIGHT!? Being on platforms like this is meant to bring us TOGETHER!

SO WHY THE HELL ARE SOME OF US TRYING TO RIP EACH OTHER APART BECAUSE WE HAVE DIFFERENT OPINIONS ON A DAMN SHIP!?

Everyone is entitled to their own opinions after all… so yeah, share your opinion, just don’t be rude about it. Putting someone down because they disagree with you doesn’t make you right… it just makes you mean. It scares people away, maybe makes them feel like they’re not safe in this community. I’ve seen it a couple times too, with myself and others, being afraid to make a post because of the possibility of hate.

In my experience you’re meant to feel safe in a fandom, in a community because you’re sharing your love for something with others who love it just as much as you do! We should love each other like we love these characters!

To conclude, all I need is for our boys to be happy, that’s really all we should care about here anyway. It shouldn’t necessarily matter who’s dating who, as long as they’re HAPPY! I’m really just along for the ride, I’m here for whatever they decide to do with Buddie and/or BuckTommy in the future. Buck and Eddie are my loves, and we barely know Tommy, but I’m starting to like him already, as long as they’re happy, I am too!

Thank you for reading my TedTalk…

Sorry if it doesn’t sound completely coherent, stringing words together isn’t always my strong suit…🫠

[findafight]

The "Robin would never date Steve's ex who broke his heart" take is FUCKING stupid for a lot of reasons.

First of off, the autonomy you're taking out of Robin with this.

Like she's not Steve's sidekick, she's not his yes man, she's an indepent girl who should be free to date any girl she wants.

She would never let her friendship with him ostacolate her love life.

Why the fuck she should do that?!

No one would.

And also, Steve is actually the one who hurt Nancy the most (slut Nancy Wheeler).

And if you think for a second that Robin would ever take Steve's side, then you're wrong.

Just stop centering everything around Steve, and stop reducing Robin to be just his sidekick, 'cause she's FUCKING not.

Hi! So. Pretty sure you found the most recent post I made (on April 6th) tagged anti rnce (and ONLY anti rnce. Not even stranger things. Just anti rnce and my personal original text post tag and a quip about choosing violence. So clearly if that’s how you got here you chose to not just send a post you disagreed with to your friends to rant about but came into my inbox and tried to start shit)And if you didn’t I truly don’t get how you, clearly a rnce fan, found me.

I’m going to be honest. Neither of us are going to change each other’s minds. I don’t like rnce for a lot of reasons, from i just don’t see a romantic spark there to a lot of the shippers being kinda shitty. I don’t care what you ship, really, just that. Claiming it’s canon or should be canon endgame etc gets annoying. And that a lot of the times the way I’ve seen the relationship portrayed (because, contrary to possibly popular belief, I have actually tried to read some fics for them. It’s also such a commonly untagged side or background pairing that I am subjected to it like that often as well) there’s so often weird terf or radfem red flags and alarm bells going off. I’ve seen someone harassed by rnce shippers for calling them out and then those shippers loudly regurgitating terf talking points like it’s fucking funny. I know all fandoms and ships have bad eggs but holy shit.

There’s been a few posts about how for some reason rnce fans try to portray people who don’t like it as making Robin Steve’s sidekick, when really we are acknowledging the facets of her characterization other than her lesbianism. Just because she likes girls doesn’t mean that’s the only thing that matters to her!

Yes, Robin liking girls is part of who she is, it influences how she acts and what she talks about, but it’s not the ONLY thing about her. She likes old movies, she enjoys pop and new wave music, she does her make up in her best friend’s car, she forgot to mention she never learned to drive because he forgot to ask if she could, she thinks combining into a super being with said best friend would possibly solve most of their problems.

Robin is a character who makes her own choices! She chooses to butt in at scoops, chooses to stay with Steve in the bunker to hold off the Russians, chooses to tell him her deepest secret, chooses to apply for jobs with Steve once they heal from the mall, chooses to spend a lot of time with him! And that’s rad. It gives us insight on who she is!

Whenever I’ve written or talked about Robin choosing not to date Nancy, I’ve always made it perfectly clear that it is Robin’s choice. Because given what we see of her in two seasons, Robin is loyal, and greatly values her friendship with Steve. Like. Regardless of how Steve feels about it, and I do think of Robin was legitimately interested in Nancy and Steve thought she had a chance, he’d encourage her to go for it. (Steve isn’t blindly encouraging Robin to hit on Vickie. He has high suspicions that Vickie is queer in some way too! She likes boobies!) I think Robin would think twice about it just because how much she encouraged stancy to get back together in s4.

Honestly, it makes me sad seeing how many times “why would robin choose her best friend’s feelings over getting a gf” is said because like. I value my friends’ feelings all the time. If I thought something I was doing was or would hurt them, I would reevaluate. Why WOULDNT Robin consider her best friend’s feelings? The first person she ever came out to? Who made her feel safe and accepted? Who made her laugh when she felt most vulnerable? Who she encouraged to get back with his ex? Romance is not a level up from friendship, it is not the endgame of life, it is not superior to any other relationship type. Treating friendships as less important to romance is something to reconsider and reevaluate.

Your last point. Anon, who is centring Steve now? Sure. He fucked up in s1. Literally no one denies that. He fucked up and he worked to make things right. He cleaned up the graffiti, he went to apologize to Jonathan, and he presumably apologized to Nancy, because she decided to date him for eleven months after that. I highly doubt there wasn’t heavy gossip about the graffiti or their breakup/makeup. I do agree that before Tina’s party Steve wasn’t helping Nancy as much as he could have, but Nancy wasn’t communicating to him either. They weren’t in the right place for each other. If we consider the alley the breakup, how is that not still breaking his heart? Yes Nancy was on a noble crusade, but it still had collateral damage. It’s something interesting about her character!

Robin wouldn’t be on board with the graffiti. But like. Steve’s changed and apologized since then. And She wasn’t there? She’s just here for the aftermath of Steve’s reignited feelings for Nancy. Idk. Both Steve and Nancy hurt each other in s1/2. It’s not a Steve v Nancy thing? It’s just an acknowledgment that of the two, Robin is closer to Steve. She’s more likely to consider him. She’s not omniscient to everything that happened or the persons feelings and reasons for doing it.

I’m sorry you don’t think friendship has an equal or greater value than some romantic relationship, it must suck. I also hope you find better things to do than to come to someone’s inbox and try to start something over a ship you like that they don’t.

[pronoun-note]

me forgetting my headcanons arent canon

[jasontoddenthusiastt]

I think fans want Jason to be a good person or be becoming one. To have a character that is well meaning and compassionate but decided murder is ok and to stand against main heroes who’s beliefs and actions go against the people he cares about and wants in his life. It’s confusing for people. People want their fav characters to be happy. But Jason can’t have his family’s support and follow his moral code. He’s cares about people and Gotham, and he’s an asshole who kills. It’s messy. It’s not black and white. I don’t even think Jason cares about being a good person or in the right anymore. I think he cares about what will save the most people instead.

Oh my goodness gracious I’ve been bamboozled

Batman’s definition of Good is not synonymous with absolute good/right no matter how much dc insists it is. Torture, battery/assault, surveillance, those are all condemnable actions too. I won’t get into the exhausting and frankly dumb debate of comic book morality wrt killing because I’ve already reblogged plenty of posts from other people who explained my thoughts on the matter far better than I ever have the patience to sit down and articulate. I also just think the notion that there’s something to be done about fictional characters who kill nazis and senseless murderers is stupid. Jason’s point is that the “main” heroes’ sanitized definition of right has its unaddressed holes and flaws which ultimately result in more preventable fatalities, and that he’ll work to correct those missing spots.

He doesn’t not care about doing what’s right. What he doesn’t care about (at least during his Winick characterization) is whether Batman thinks he’s right or wrong, because he sees the flaws in Batman’s methodology (and since he has a mind of his own). Batman’s methods alone cannot address Arkham’s revolving door and the rogues that come and go through those doors who have no intention (or capability from the doylist pov) of ever changing or undergoing redemption. Jason knows that he’s minimizing the number of preventable deaths by killing his targets, typically Characters Who Simply Do Fucked Up Shit Just Because, Why The Fuck Not?

Secondly, Jason is compassionate … to a fault. That was his fatal flaw. If he wasn’t so hell-bent on saving his potential birth mother he just met from that bomb despite everything she did to him prior, he could have protected himself instead, however slim his odds of survival were. What about his relationship with his other parents? He was a caregiver during his early childhood years for Catherine, until her death. Even mature adults who are financially stable find being a caregiver to a dying parent to be extremely burdensome on their bodies and minds, but he never complained about it or resented Catherine for being unable to care for him. Despite how none of his parents have really been what he needed them to be, he doesn’t blame them for their failings, and even continues to think highly of them (Bruce included).

And post-death? Enter Lost Days. Despite being dead set on plotting his revenge on Bruce, he constantly sidelines this in order to save other victims who are helpless like he once was. His own anger, trauma, and mission don’t remain his priority. (Sound familiar? Something something my own trauma above my son’s, mission above all else, etc.). Why would he waste precious time and risk his own life to do this if he wasn’t empathetic towards these victims or didn’t care about doing the right thing. He is simultaneously horribly traumatized and full of rage, and also incapable of ignoring what’s happening to victims around him (even as he claims that it’s indeed not his priority). And in that same vein, the entire premise of his rebirth outlaws run was that he doesn’t care if the public views him as a villain, an outlaw, so long as he can protect Gotham. And anyway where is this portrayal of him not caring about being in the right anymore. Almost every modern Jason story is about him grappling with where he stands with Bruce/Batman. During the early 2000s was probably the last time he did not care (hello, tentatodd??).

Jason has very evidently been portrayed as a kind and compassionate character. He is also simultaneously a calculated killer who doesn’t hesitate to kill when he deems necessary, and does so without remorse. It’s called being a Complex Character With An Edge™ that as you said, people so often claim to love. However when he fulfills that latter part, that seems to upset people because “killing bad”, and they then try to shave off and round out all his edges and claim he shouldn’t be that angry. In that case I guess you should just stick to liking traditional one-dimensional characters instead of claiming to like Jason but then encouraging his character assassination attempt by dc. Lol.

Lastly, who said anything about the batfam making Jason happy? Just because he’s written nowadays to want acceptance from Bruce (a shoddy attempt at forcing a non-existent nuclear batfamily), doesn’t mean that it’s a sound decision or that it does his character justice. I certainly don’t empathize with the idea that Jason needs the family’s approval or acceptance to be happy. (And anyway he has enough outlets for angst and pain aside from the batfam hello explore his other sources of trauma and do more deep dives into how he thinks when he’s alone). I don’t want them to magically make up and become one big happy family. This is not disney Lol. Besides, there are plenty of stories from dc that have that type of “wholesome” (hate that word utilization) characterization for Jason (Li’l Gotham, Tiny Titans, wfa, and even new stuff like the brave and the bold mini) and that is sufficient imo. Jason fans who are invested in the character deserve accurate, nuanced characterization and well-written stories, whether they be from his robin days (e.g., Batman: The Cult) or as red hood.

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[gusujay]

Everyday goes a little something like this. I open tumblr and check the pathologic tag to find art because the vibe patho artists capture is exquisite.

I immediately see someone making fun of Daniil for having highly specific special interests that he likes talking about.

I ignore it and scroll further only to see another 5 posts calling him annoying for oh wait give me a second *rereads text posts making fun of Daniil* showing symptoms of autism.

I sigh like a depressed disappointed father. I close tumblr.

[itsalwaysforyou]

jay not asking coach about letting lonnie onto the team bc he doesn’t want to do anything coach might disagree with…….

[gynecologistmsfrizzle]

okay listen neil newbon would absolutely deserve to win best performance for astarion at the game awards and I’m going to applaud if and when he does. however. if devora wilde isn’t at least NOMINATED alongside him you can all expect me to make some angry posts about it.

[starlooove]

Racist white ppl who don’t realize they’re racist getting mad about gojo is so funny

[foxgloveinspace]

See the thing about Sleep Token is that every song is probably just about about rough sex and toxic break ups and a fake god, but they all could have about 30 different meanings, and everyone of them is valid, and also so ridiculous, but I love them and also, it’s probably just sex, you know?

[lucy-verse]

It never fails to amuse me when gatekeepers go, “But they would never do that in canon!”

Bold of you to assume I give a flying fuck.