My New Article at American Scientist
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As of this week, I have a new article in the July-August 2023 Special Issue of American Scientist Magazine. It’s called “Bias Optimizers,” and it’s all about the problems and potential remedies of and for GPT-type tools and other “A.I.”
This article picks up and expands on thoughts started in “The ‘P’ Stands for Pre-Trained” and in a few threads on the socials, as well as touching on some of my comments quoted here, about the use of chatbots and “A.I.” in medicine.
I’m particularly proud of the two intro grafs:
Recently, I learned that men can sometimes be nurses and secretaries, but women can never be doctors or presidents. I also learned that Black people are more likely to owe money than to have it owed to them. And I learned that if you need disability assistance, you’ll get more of it if you live in a facility than if you receive care at home.
At least, that is what I would believe if I accepted the sexist, racist, and misleading ableist pronouncements from today’s new artificial intelligence systems. It has been less than a year since OpenAI released ChatGPT, and mere months since its GPT-4 update and Google’s release of a competing AI chatbot, Bard. The creators of these systems promise they will make our lives easier, removing drudge work such as writing emails, filling out forms, and even writing code. But the bias programmed into these systems threatens to spread more prejudice into the world. AI-facilitated biases can affect who gets hired for what jobs, who gets believed as an expert in their field, and who is more likely to be targeted and prosecuted by police.
As you probably well know, I’ve been thinking about the ethical, epistemological, and social implications of GPT-type tools and “A.I.” in general for quite a while now, and I’m so grateful to the team at American Scientist for the opportunity to discuss all of those things with such a broad and frankly crucial audience.
I hope you enjoy it.
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Read My New Article at American Scientist at A Future Worth Thinking About
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For the purposes of this poll, research is defined as reading multiple non-opinion articles from different credible sources, a class on the matter, etc.– do not include reading social media or pure opinion pieces.
Fun topics to research:
Can AI images be copyrighted in your country? If yes, what criteria does it need to meet?
Which companies are using AI in your country? In what kinds of projects? How big are the companies?
What is considered fair use of copyrighted images in your country? What is considered a transformative work? (Important for fandom blogs!)
What legislation is being proposed to ‘combat AI’ in your country? Who does it benefit? How does it affect non-AI art, if at all?
How much data do generators store? Divide by the number of images in the data set. How much information is each image, proportionally? How many pixels is that?
What ways are there to remove yourself from AI datasets if you want to opt out? Which of these are effective (ie, are there workarounds in AI communities to circumvent dataset poisoning, are the test sample sizes realistic, which generators allow opting out or respect the no-ai tag, etc)
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We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
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Like, I'm not gonna argue that AI art in its present form doesn't have numerous ethical issues, but it strikes me that a big chunk of the debate about it seems to be drifting further and further toward an argument against procedurally generated art in general, which probably isn't a productive approach, if only because it's vulnerable to having its legs kicked out from under it any time anybody thinks to point out how broad that brush is. If the criteria you're setting forth for the ethical use of procedurally generated art would, when applied with an even hand, establish that the existence of Dwarf Fortress is unethical, you probably need to rethink your premises!
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lots of intense (and sometimes heated) takes On Here about what Ludinus thinks Bells Hells are going to think of this Downfall window, about what BH will actually think, about whether Luda or the Primes or Aeor is right -- lots of debates
What if the disagreement is the point?
Because what's clear to me is that there is no right answer for Aeor. There are entire schools of ethics and philosophy and justice and action/intention/agency devoted to debating what a "good" choice would be here -- good for the Primes, good for Aeor. Is it the Trolley Problem; is it meliorism; is it the law of unintended consequences; is it the categorical imperative or is it the paradox of tolerance; etc. etc. etc.
But what if Ludinus's goal is to sow division among BH? What if the point is that he doesn't care if he convinces all of them -- he just needs to divide them. What if he saw this recording -- saw the oh-so-close divisions and cracks and flaws in the bonds among the Gods that took them out of this plane -- and said, "Hey. Now there's an idea for how to clear the field!" Because I can imagine half the party being really moved by the way the Primes were trying to save some people even as they were trying to maintain a perspective beyond what any mortal could see; and just as easily I can imagine half the party being livid and unmoved by this impossible situation and determined more than ever that the Gods are just people who have high-level power, not perfect beings or omniscient ones or even ones who should get to decide what kinds of extreme solutions are okay and which are not. I can imagine a debate -- a heated debate, maybe even a fracturing one -- among Bells Hells.
And so I wonder (and I apologize if this is the rise of the fash in 2024 on my mind) if the division is the point.
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"Ethical AI" activists are making artwork AI-proof
Hello dreamers!
Art thieves have been infamously claiming that AI illustration "thinks just like a human" and that an AI copying an artist's image is as noble and righteous as a human artist taking inspiration.
It turns out this is - surprise! - factually and provably not true. In fact, some people who have experience working with AI models are developing a technology that can make AI art theft no longer possible by exploiting a fatal, and unfixable, flaw in their algorithms.
They have published an early version of this technology called Glaze.
https://glaze.cs.uchicago.edu
Glaze works by altering an image so that it looks only a little different to the human eye but very different to an AI. This produces what is called an adversarial example. Adversarial examples are a known vulnerability of all current AI models that have been written on extensively since 2014, and it isn't possible to "fix" it without inventing a whole new AI technology, because it's a consequence of the basic way that modern AIs work.
This "glaze" will persist through screenshotting, cropping, rotating, and any other mundane transformation to an image that keeps it the same image from the human perspective.
The web site gives a hypothetical example of the consequences - poisoned with enough adversarial examples, AIs asked to copy an artist's style will end up combining several different art styles together. Perhaps they might even stop being able to tell hands from mouths or otherwise devolve into eldritch slops of colors and shapes.
Techbros are attempting to discourage people from using this by lying and claiming that it can be bypassed, or is only a temporary solution, or most desperately that they already have all the data they need so it wouldn't matter. However, if this glaze technology works, using it will retroactively damage their existing data unless they completely cease automatically scalping images.
Give it a try and see if it works. Can't hurt, right?
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I think a part of the reason I feel so connected to JGY and XY is that I, too, think everyone is lying about what a good person they are. Sure, there may be a few genuinely good people, but those are in the minority and never claim the title.
I don't know about never; some people are pretty straightforward.
And in some ways the whole point of the concept of 'a good person' is that the feeling of losing the right to consider yourself one can impose instinctive recoil from doing wrong, in situations where you don't have the leisure of working your way through an ethics diagram and choosing the logically moral path before reacting to a situation. It has practical utility.
But that system can backfire pretty horribly too, in a lot of ways. It can be hijacked by definitions of 'good' that actually make you recoil from ethical acts because they're deviant. It can lead to disappearing up your own ass lmao.
And definitely the threshold for 'talking about how you're a good person' enough that it makes you suspect as either a) a liar or b) someone who values that self-image over objective reality and other people's wellbeing is. Not very high.
Jin Guangyao, ironically, is one of those people who's so performatively A Good Person in his public life that in retrospect it looks like a red flag. Which knowing this about himself in an ongoing fashion ofc just reinforces his own cynicism about everyone else lmao.
Even Lan Xichen, who I think he may see as a genuinely good person, he also sees as an easy mark who will reliably choose what is comfortable over what is 'right,' if you just structure the scenario to make that an easy choice that's easy for him to justify.
Xue Yang's bitterness is in many ways more exciting than Jin Guangyao's because he has a way more unusual relationship to reality, but it does share a lot of notes.
The role of deception in his psychology fascinates me because as far as I can tell he's as instinctively straightforward a person as Lan Wangji, albeit along quite different lines involving a total lack of impulse control, but has adopted 'deceit' as a weapon against the wicked world in the same way he has adopted 'murder.'
But when he feels someone is not merely lying but papering over bad behavior with principles they are not living up to he is livid.
People claiming to be better than him because they're 'good' when 'good' is a construct of privilege, is the underlying idea he's not equipped to articulate. Except he takes that and applies it to 'hitting me to interrupt my random murder of some guy who happened to be within arm's reach when I wanted to hurt someone.'
Which isn't like philosophically perfect, but the underlying problem he's actually reacting to is that he understands the social contract as a lie that has never protected him but seeks to control him, while protecting rich men it has no power to control.
Which it is fair to be mad about, but then his feeling is that since that's the nature of the world and all people, he is entitled to amass for himself the power to inflict hurt without consequences as much as he possibly can, and to use it against the vulnerable for fun, and no one is entitled to interfere.
Which brings him to a place where he is violently angry at anyone talking about trying to treat other people well as a value, because either they're a hypocrite and a liar or they threaten his entire system of rationalization for why he can be The Worst and still In The Right.
'Everyone is equally bad, actually' is like, an understandable take for anyone who's had cause to become embittered. Everyone is free to make whatever philosophical peace they can with the world and by and large there's no ethical weight to any such opinion, in itself.
But it's an ideological crutch people tend to wind up leaning on very heavily when they can't or don't want to take responsibility for their own behavior.
Which is an approach that Xue Yang, Jin Guangyao, and Su She all share, and which not only is shitty of them, it...traps them in a wheel of doubling down on their own worst impulses because rather than going 'that was bad and I shouldn't do it again' they've repeatedly invested all this energy into making what they did actually the correct thing, according to their interpretation of the context. Which means they're more likely to do it again.
(I think this is how Jin Guangyao became a serial killer, for example. He followed a doing-a-murder-impulse and then internally doubled down on how he had nothing to be ashamed of, so he was more likely to do it again, every time.
Wei Wuxian's strain of self-righteousness about his revenge was less...thorough than Jin Guangyao's, because he had the benefit of going after people on the opposite side of a war from him while Meng Yao's first known murder plot was against a shitty boss. But it probably didn't help him not try to solve army-shaped problems with mass murder, even after that stopped being allowed.)
If any of them had just like, zero moral sensibilities they would have created very different problems, and very possibly fewer of them. It's making a central goal of your operations 'self-vindication in your own internal narrative, created retroactively via reframing' rather than 'figuring out what I think I should do and trying to do that' that traps them in the self-reinforcing murder pissbaby vortex.
So if you look at it one way, these three villains are themselves perfect examples of how pursuit of the 'feeling of being good' (or at least 'not the bad guy') can make you worse.
Notably Wei Wuxian was also extremely sensitive to hypocrisy in his youth; it was the only part of Madam Yu's behavior he was ever shown objecting to. But he's sufficiently mellow and cynical from regret and burnout by the 'present' timespan after his resurrection to just get disgusted and alienated about it, rather than outraged.
He wasn't even all that mad at Xue Yang, though honestly that may be partly because he stopped entirely characterizing him as a person at some point during their interaction. Like, there's no point being angry at someone whose moral sensibilities operate exclusively on the plane of 'is this unfair to me' for manipulating and destroying people who were good to him, and then getting obsessed with his own self-pity about it. This is not a person who understands how not to be, metaphorically speaking, a cannibal.
And Wei Wuxian did know better and still got roughly the same result, so what business does he have getting angry?
Anyway yeah those two villains are both delightfully relatable if you sit down and put their perspectives together; they are clearly operating with the same basic suite of human needs and emotions as everybody else, without that being in itself particularly exculpatory, which is honestly refreshing. They've just got the most fantastically toxic interpersonal habits that knowing them counts as some level of Suffering A Curse.
Jin Guangyao and Xue Yang do both stand as scathing rebukes of the society that created them. But within the narrative, wherein they're people, the fact is that each of them had agency and one of the things they chose to do with it was develop rationales for why they were the most special little guy and everything was someone else's fault.
And their moral nihilisms, while also grounded in serious trauma, ping me as emotional masturbation of this variety.
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decided to redesign ink sammy. i love it when people design him as a sheep but in my heart he will always be a sheep-dog
he definitely gave himself top surgery the second he turned to ink... he couldnt wear shirts anymore so he had to improvise (the scar on his stomach is from tearing his uterus/unecessary organs out)
he wears a bendy necklace like christian people wear crosses/jewish people the star of david
TW for disturbing headcanon under the cut (insanity-influenced body modification)
okay so i said i based him off of a DOG, not a sheep - so why does he have hooves like bendy?
okay well basically we know hes insane and a bendy worshipper, and he saw his 'lord' has hooves like a sheep/goat. now, at the time he had dog legs/paws, but he wanted to appreciate/be closer to his lord, so he cut his paws off and shoved wooden planks into the cut-off areas to imitate hooves. obviously they didnt hold very well, so he just wrapped bandages around them. he also trained/changed the general form of his legs by breaking the bones in the and then when he put splints on them, he re-arranged the bones to look a small bit more like ink bendy's legs. as you can imagine the planks dig into exposed flesh/bone so hes in horrible pain whenever he walks. the consequences of being a crazy cartoon cultist
also i dont think i ever explained his face scars?? theyre from ink bendy. most of his scars are (except the top surgery/hysteroctomy scars and the two little scars on his shoulders. those are from himself and tom boris respectively)
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