#makes me feel like i'm watching a movie looking at characters talking in the background while our protagonists are causing scandals

[satorusugurugurl]

JJK Men Making Up With You After A Fight

Characters: Gojo Satoru, Nanami Kento, Ryomen Sukuna, FAB!Reader

Content Warning: sex, makeup sex, fighting, public sex, choking, dirty talk!

Word Count: 5,453

A/N: Hot diggity damn, makeup sex time. Gojo’s had me cackling!! As always, requests are open!! I don’t bite. . unless you ask nicely 😈

Gojo Satoru

Your phone buzzed in your pocket, and you ignored it, much like the other ten times it rang. You instead headed for the concession stand at the theater. Your boyfriend, Satoru Gojo, had pissed you off beyond all means. He'd forgotten all about your date. The specific date you had been planning for a month. You intended to celebrate at the fanciest restaurant and made reservations two weeks ago. All for him! Because they had world-class desserts.

You got there before him; they took you to your private table. Where you waited, and waited, and waited. Finally, forty-five minutes later, you called him.

“Hey, babe!” He said over the sound background chatter. “What's up? I'm out at the new cafe with Suguru and Nanami!”

“Oh?” Gritting your teeth, you tapped your nails against the table. “Are you having fun?” The tone of your voice was bitter and cold.

Your boyfriend hesitated, “Uhm yeah, the desserts are delicious.” Rage boiled in your gut.

“You know who else has delicious desserts?” He hummed, but you didn't give him a chance to answer. “The restaurant I'm at! You know the one I made reservations for three weeks ago?!”

You could practically see the fear in your boyfriend's voice. “Oh fuck, shit! That was tonight?! Stay there; I'll be there in a couple of minutes.” Your eyes stung with unshed tears.

“No, you can come, but I won't be here.”

You had done just as you said, quickly paying for your tab before hurrying out of the restaurant before Gojo could teleport there. You crossed the street, heading towards the movie theater. There was not a chance in hell he would find you in here. You were heartbroken; all the effort you put into your date was wasted.

You sat in the very back of the empty theater. You were feeling some ease that there was no one here. Then again, they were playing older movies anyone could stream nowadays. You seriously doubted anyone would be joining you to watch Titanic. You could zone out, cool down, and try to figure out what to say to Satoru the next time you see him.

As the opening credits started to play, you heard a door slam open. Peeking down, you choked on popcorn as you noticed your boyfriend scanning the theater. Bright blue eyes seemed to glow as he held his blindfold in one hand. Fuck! Fuck! Fuckin stupid Six-Eyes! Those blue eyes instantly found you, and you could see the relief wash over Satoru. You hid your face behind the bucket of popcorn, internally groaning as you heard him bounding up the stairs.

“Y/N! Why didn’t you wait for me?!” You ignored him, slowly lowering the bucket to stare at the movie screen. “Hey, hello?”

“Shh!” You scolded before stuffing more popcorn in your mouth. Avoiding his questions altogether.

His shoes stepped over the soda-sticky floor, blocking your view of the screen. “We need to talk.” His hand gently reached out, index finger lifting your chin to look up at him.

“Fuck you.” You said, getting up and moving further down the row, plopping down in a seat.

“Y/N baby!” The groan he let out had you rolling your eyes. “Please, I’m sorry I forgot!” He bounded after you, only for you to get up stepping into the lower row. Your action had Gojo stopping in his tracks, the two of you staring at each other. “Are you playing keep away?”

A rich laugh escaped him, one that was full of humor and delight. It had him hunching over as he cackled. You hated it, but you found your smile tugging at your lips. Here he was, groaning and whining like a child, and you weren’t any better. You were running away from him, pouting like a toddler that didn’t get their way.

Gojo’s laughter the tears forming in his eyes, had your heart feeling lighter. God, he was such a cutie. A cutie who forgot all about your date. A date you’d spent time, money, and energy on! All for his benefit. Holy shit, the Gojo charm almost had you forgiving him!

“No!” You snapped, stomping down your foot like the mature adult you were. “Shut up! I’m mad at you.”

Turning to head further down the row, you gasped as Satoru jumped over the row, landing right in front of you. “Look, just give me a chan—“ he started before you threw a handful of popcorn in his face, “okay, and here I thought I was the immature one.” His tongue darted out, licking at the salty butter off the corner of his mouth.

“You are! Toru, seriously! I put all that time and effort into planning that for you!!” You threw another piece directly at his forehead. He allowed the abuse with the popcorn to continue. He was staring at you as you tossed another piece at him.

“Are you done now?” He asked as you hugged the bucket to your chest. “Awesome, cool.” He reached out, ruffling your hair. “I can’t make up for missing the date that I seriously appreciate you planning and paying for. I can, however, make the most out of the night I fucked up.”

“How do you plan on doing that?” You flung one more piece of popcorn at him. It hit infinity before he snatched the bucket from you, placing it in one of the empty chairs.

“You’ll see.” A childlike smile was plastered across his face as he ran down the stairs, grabbing two bags before running back up to you. “We might not be at the fanciest of restaurants.” Your heart soared as he held out a take-out bag from the restaurant where you had made reservations. “But dinner and the Titanic?” He learned by pressing his forehead against yours. “Sounds like a great fuckin’ date to me.”

Taking the bag out of Satoru’s hands, you sighed, your fingers grazing over his longer ones. He didn’t have to pick up dinner from the restaurant you planned to take him to. Satoru didn't even need to try to find you when he knew you were angry, yet here he was—trying to prove to you just how sorry he was. Those were some of the things you loved about him. Cocky, annoying, and charming in more ways than one.

With your free hand, you grab onto Satoru’s wrist, giving it a gentle squeeze. “Has anyone told you that you're a charming asshole?” Seeing your smile, Satoru let out a sigh of relief before intertwining your fingers.

“Nope, that one's new.”

“Don't push it.”

“Yes, ma’am!” He grabbed the popcorn bucket before following you back to the top row. The two of you cracked open the takeout containers, eating the delicious food while whispering as you watched the movie.

Halfway through the food and movie, you hummed, watching the infamous steamy car scene before you turned to Satoru, who yawned. “Hey, Toru.” he tilted his head, turning to look down at you. “Do you think we could recreate this scene?” He perked up. “In a veil?”

“Oh, holy fuck!” You yelled, hand gripping Satoru’s shoulder as you bounced up and down on his cock. “Fuck, oooh fuck!”

Your boyfriend's head was tilted back against the chair. Whines and whimpers escaped his pressed lips as you slammed yourself up and down as hard and as fast as you could. The tiny viel Satoru had put around the two of you was keeping you concealed, and the heat within the small space.

The thick, musky, almost sweet smell of sex was getting to you, making you hotter and hornier. Knowing the two of you were fucking in such an open space, without people knowing, God, it was so hot. You were going to fuck Toru’s brains out as both punishment for forgetting your date and for making it one you would never forget.

“Y/N, please,” Satoru cried out, “please fuck.”

“Please, what, Toru~?” You cooed, rocking yourself back and forth on his dick, making his jaw drop into a wide ‘O’. “Tell me what you want baby~”

“I wanna cum; I wanna cum in your pussy.” He begged, his hands groping and massaging your breasts. “Please, baby~?”

You giggle just before you can respond to the people entering the theater. The cleaning ushers, no doubt. Your body seized up, clamping down on Satoru’s cock, causing him to growl. Your hand flew up, covering his mouth as you listened to the staff talking. While they couldn’t see you, the thought of strangers walking around while you had sex, god, it made you wetter than wet.

Keeping your hand over Satoru’s mouth, you fucked yourself down on him like he was your own personal dildo. His whines grew louder under your hand as he gripped your ass, helping you fuck yourself on him. He was so close, so, so close.

All he needed was a little push. That push is your twitching cunt. You rocked faster, your free hand resting over his chest, as you felt your orgasm coming in fast before your back arched. A silent scream etched your face as you came hard. Satoru gaped into your eyes, eyebrows furrowed together, as one hand gripped your ass and the other smacked into the veil.

Or rather, through it.

A bloody murder scream came from one of the workers as a disembodied hand popped out of thin air. The co-workers followed her out, screaming and yelling. At the same time, Satoru pulled his hand back inside the veil. The two of you were coming down, your bare chest resting against his. You just stared at each other for a long moment before you both started to giggle loudly.

“G-Guess the handprint scene doesn't work well in the veil.” Satoru chuckled, cupping strands of hair behind your ear.

“Guess not.” Was your confirmation, as you slowly pulled yourself off of Satoru’s lap with a wince. “Such a shame. I was hoping for better results.”

“Hmm, it might not work with the veil, but I have an idea where we could try because I’m not done yet. I still haven't apologized to you in the way you deserve.”

“Oh?” You both picked up your trash and readjusted your clothes as Satoru lowered the veil.

“Yeah, I wanna apologize to you in the shower, in our bed, fuck even the balcony.” The two of you ran for the exit door. “It's a good thing that the restaurant you picked out is known for the aphrodisiac desserts.”

“Wait, what?”

“Oooh, sweetie,” Satoru sneered down at you with a mischievous chuckle.“Why do you think I kept bugging you to take me to that restaurant?”

It was going to be a very long night for you.

Nanami Kento:

“Damn!” The soft curse woke you up; you rubbed your eyes, watching your fiancè searching for something on the dresser.

“Kento?” Your groggy voice drew his attention towards you. “Welcome home.”

Your beloved fiance had been gone for two weeks. He'd just gotten home last night; Gojo had picked him up for you. You had been working your ass off for the previous two weeks. You picked up the work of another co-worker who had just walked out without notice. Gojo knew you had been running around for two weeks filing paperwork, assigning missions, and helping Shoko. He was instant on you getting some sleep. He assured you he'd get Nanami, and you were thankful for him doing that for you.

This way, you could spend more time with Kento.

“Where are my cufflinks?” Nanako snapped, his eyes full of annoyance.

His tone had you blinking in stunned silence. “Right there,” you motioned to the box he always kept them in, “was your mission rough?” That would explain his cold, sharp tone.

“Yes, Y/N, it was rough.” He opened the box, grabbing the links before slamming it shut. “You wouldn't understand.”

His words sliced through you like a hot knife. “Excuse me?” You three the sheets off your body, standing to face him. “What the hell do you mean I wouldn't understand?!” Nanami Kento rolled his eyes at your anger.

“I'm simply stating the truth. You don't understand what it's like to go out on missions, fight, and do more than paperwork.” His hand ran through his still-damp hair. “So I'm just trying to understand why you couldn't pick me up last night. Gojo told me that you were burning the candle at both ends. I fail to see how that is even possible.”

The bedroom was nearly silent. The only sound that you could hear over the boiling rage was your heartbeat in your ears. “Get out of my way.” Was all you could manage as you pushed past him, digging through your drawers for clothes.

“Honestly, why are you acting like a child?”

“Why are you acting like a dick?!” Nanako was seconds from snapping back, but his words evaded him when he saw you crying. “You have no idea how hard my job is!” Your hands wiped uselessly at the stream of tears. “My worthless coworker quit. So I'm stuck doing my job and hers!”

“Y/N.”

“Yes! I do loads of paperwork, and I sit in front of a computer most of my day.” You pulled on your pants, stepping out of Nanami’s grasp. “It may not be physically demanding, but in a mental aspect, I'm drained. Paperwork, mission assignments, and death notices!” Honey-brown eyes went wide. “Yeah, that's why my coworker quit! She couldn't handle it!”

“Love, I—”

You held a hand up, silencing Nanami. “So last night, Gojo picked you up instead of me because I was in Kyoto. Telling a mother and father that their eighteen-year-old son died!” Flashes of Yu Haibara flashed through Nanami’s eyes.

He could barely handle his death, imagining what his parents went through. When someone in your position told them that their child was gone, he couldn't even begin to imagine what that must have been like. Emotionally and mentally draining. He had no idea how much your job consisted of because you hardly brought it up. More concerned with him.

“Y/N, I had no clue—”

“No, fuck you.” You turned on your heel, racing for the door. “Welcome home! Kindly go fuck yourself.” With those words, you left, leaving Nanami alone in your apartment.

It took you a couple of hours to cry out your feelings. The exhaustion and stress of the last two weeks hit you all at once with Nanami’s cruel words. He had no clue what you went through without him here. It didn't matter if he was just as exhausted as you were. Both of you had been ground to bones in two weeks apart.

Despite all of those factors, he still had no right to talk to you the way he had.

But as much as you wanted to stay away from him, your apartment, reality, you had to go back. Your engagement ring glimmered as a stupid reminder, even if he had crossed a line today. Nanami was still the love of your life.

The second you unlocked the door to the apartment, you sighed. “I'm home.” Your voice was barely audible.

Just as you finished removing your shoes, you looked up to see Nanami. His cheeks and neck flushed as he looked at the floor. Your fiance looked like a dog that had been scolded, as he should. Despite wanting to throw yourself into his arms and cry out your frustration, to hit, to beg him to hold you tight, you just walked past him.

Entering your living room, your heart lurched into your throat as you gasped. A large bouquet of roses is on your coffee table, surrounded by all your favorite snacks. The words ‘I’m Sorry’ were spelled in rose petals on the floor.

You had thought you were incapable of crying anymore, yet fresh tears spilled over your tear-stained cheeks. Nanami’s body looked over you, his hands hesitantly rubbing your shoulders. To Nanami’s relief, you didn't attempt to pull away.

“Y/N, I'm so, so, sorry.” you leaned back into his chest, sniffling as you wiped at your eyes. “The way that I acted this morning was utterly disgusting. I took my frustration and anger out on you, the last person I should ever hurt.” His fingers began kneading and rubbing at your sore muscles. “Could you ever find it in your heart to forgive me? For being an irrational ass?”

”A major ass.” Nanami’s whole body relaxed at your soft voice.

He turned you around to face him, his strong arms holding you flush against him. “Yes, a total and complete asshole.” Once your arms wrapped around his waist, he fully relaxed. ”Are you okay?” His smooth voice whispered, his chin resting on top of your head. “Do you want to talk about what happened?”

“No, I just want you.”

Pulling away to look up at him, he noticed the dark circles under your eyes. “Yeah? Do you need me to help you fall asleep?” His hand trailed down, gripping your hips. Your nod was the only confirmation he needed.

Sprawled out over the bed, candles burning, soft music playing, you gasped and whimpered. Nanami’s face was buried between your thighs, kissing and sucking at your drenched folds. Those honey-brown eyes that had been filled with concern and worry earlier were now drowning in lust. His needs could wait until later. This was all about you, making you feel better.

”Fuck Ken!” Your fingers grazed over his undercut before gripping the longer strands of hair. “Don’t stop, please, fuck.” Obeying your wishes, Kento’s tongue moved faster. Sucking and slurping at you. Quenching the thirst he had been craving for the last two weeks. “Yes, yes, yes!’

Feeling your cunt clenching, Kento shoved two fingers inside of you, his tongue focusing on your clit. You gasped, eyes wide as his two fingers rubbed expertly against your g-spot. You swore he nearly sent you to heaven as white spots flooded your vision. You screamed before squirting all over his face. The sensation, the taste of your cum had him rutting his hips into the mattress. His tongue did not once let up. It was your orgasm, the content sigh that left your lips that had him stiffening. His cock spurting cum all within the confines of his boxers and sweats.

Your dazy eyes trailed down over your nude body, focusing on Kento’s rutting form. Humping the mattress until the last waves of both of your orgasms came to an end. Kento hummed, his voice vibrated against your still trembling pussy. When he found the strength to pull away, You smiled as he trailed soft kisses up your thighs, hips, stomach, and chest before finally landing on your lips.

You kiss back softly, his arms pulling you close as he pulls you to lay on his chest. His hands gently caressed up and down your back, a slight frown gracing his face. “Ken,” you kiss his chest, “it’s fine. Please don’t worry about it anymore.” His eyes glanced at you before back at the ceiling, his fingers never once pausing.

“I know, I just, I didn’t know your job consisted of so much.” His eyes shut tight, eyebrows scrunching together. “You do all those reports, help Shoko, inform families of deaths, and on top of that, you take care of our home.”

His words from over, repeated over and over, on a loop. Just a desk job? You didn’t know what he went through. When it was the other way around, he didn’t know what you went through daily. His words were cold and cruel. All because he had taken his exhaustion and frustration out on you. The most important person in his life.

Your slender finger gently rubbed up and down the bridge of his nose. Grounding him, pulling him out of the deep void of his thoughts. Opening his eyes, he was met with your glimmering Y/E/C eyes. Your sleepy gaze and gentle smile had his heart clenching in his chest.

”Ken, it’s okay. You didn’t know, much like I don’t know about all of the struggles you go through.” Your gentle touch had him relaxing against the mattress. “Let’s just agree not to downplay each other again. We both work hard, every day, to make this life for us to share.” Slowly pulling your hand away, you leaned up, kissing his lips. “As long as we come home to each other at the end of the day, that’s all that matters.”

Kento smiled softly, pressing a gentle kiss against your lips. “I couldn’t agree with you more, Y/N.” Your warm, tired smile had him melting. “I’m home.”

“Welcome home, Kento.” You whispered against his lips.

Ryomen Sukuna:

You loved your boyfriend, really you did. But for the last week, he’d been almost insufferable. His younger brother Yuuji was on Spring break. His best friend Megumi had invited him to join him and his family for the week on the beach. Sukuna all but packed Yuuji’s bags for him, ushering the twerp out of the apartment before locking it up, heading to spend the week with you.

It was like his own personal spring break away from his brothers.

Which also was the start of a week from hell for you. At first, the weekend was lovely. The two of you stayed in, had crazy, animalistic sex, and just enjoyed each other. But when Monday rolled around and you left for work, things took a turn.

You came home to find Sukuna’s clothes all around the room, the dishes from breakfast still in the sink, and he was snoring on the couch. At first, you were upset. The poor guy was raising his young brother while their other brother, Choso, was on vacation with some college friends. Sukuna truly did bust his ass for his brothers, so it made sense that he was beat.

So you let it go, picked up, washed the dishes, and made the two of you dinner. It had been somewhat annoying, but it was alright. You wanted to make sure Sukuna got as much rest as he could before he went back to work the following week.

Tuesday afternoon, you came home to a similar situation: clothes everywhere, dishes in the sink, only Sukuna had just returned from the gym. When he got home, he started helping you before taking a shower. Maybe he had just been so interested in getting to the gym that he forgot to do the dishes. That sort of thing happened when you were in a rush, so it wasn’t that big of a deal.

But when you got home today, it was the same damn story. You looked around the apartment, groaning out loud as Sukuna scrolled briefly through Netflix. There were empty soda cans, trash, and, of course, his gym clothes all over the floor. This was not the man you knew.

“Ryomen Sukuna!” Your sharp tone had him turning in your direction. “What are you doing?”

“Trying to find something to watch on Netflix?” He raised an eyebrow as if it wasn’t obvious what he was doing.

“I can see that!” You scrubbed a hand over your face. “I meant all the trash, clothes, and everything!”

“Oooh,” he looked around the apartment, “I’ll get to it.”

You tugged at your hair with an exasperated groan. “That’s not the point! Why are you trashing the place to begin with?”

“I’m on vacation.”

“So?!” Your tone had his full attention now. “When I have a day off, I don’t trash your place.”

Sukuna pinched at the bridge of his nose with a grumble. “Are we seriously going to fight about this?” He narrowed his gaze at you, those eyes you normally adored full of irritation. Irritation that had no right to even be there!

“Yes, we are! How is it fair that I make us breakfast, go to work, come home, and make dinner? On top of that, you expect me to come home and pick up your trash and clothes?”

“Well, I mean, yeah.” The answer that came out of his mouth far faster than you thought. “I mean, that’s your job. It’s what you’re good at.” Sukuna rolled a shoulder as he twirled the remote between his fingers. “I exercise spirits, and you—“ He finally turned, seeing the rage and darkening of your cheeks. “You—are good at caring for the house and cooking.”

Oh, he’d fucked up.

You didn’t say a word. Instead, you scoffed and stormed to the bedroom, slamming the door. Sukuna winced and turned his head to face your room. Perhaps that wasn’t the best choice of words. He had meant to say, well, that you were a good caretaker, wifey material. Now that he was looking around the room, truly taking in the state of your usually well-kept home, your words were beginning to settle in his gut.

Had he been that lazy and messy? The take-out containers, his gym clothes, and empty cans confirmed that, yes, he had. Ever since his brothers left, he didn’t have to move constantly. He didn’t have to take Yuuji to school, helping Choso with homework. He had time to himself, where he didn’t have to ensure everything was in tip-top shapes. This was a chance for him to mellow out and relax.

He’d wanted to spend this mellow time with you, his girlfriend, the most amazing woman he’d ever met. But instead, he’d gotten lazy, stuck in a rut of not having to do such a damn thing. This wasn’t how he normally acted, so why now? Fuck, and to tell you you were nothing but a maid, that it was your job. Yeah, no, he totally fucked up.

You were his girlfriend, partner, and the woman he wanted to spend his life with. Most of his other partners hadn’t been able to handle the fact he was a single dad. He had raised his two brothers, just the three against the world. But you, god, you were an angel. You helped him out, making dinners and teaching him the best ways to cook and stir certain foods, which grocery stores had the best sales. You had made him a better man, a better brother.

And he’d gone and turned himself into a shitty boyfriend, trashing your apartment, making misogynistic comments, hurting you. He had to fix this. Or he might very well end up losing the best thing that’s ever happened to him. Without a second thought, he got up, executing his plan.

You needed an hour and a half to yourself before you had completely calmed down. You glanced at your reflection, whipping at your tear-stained cheeks before entering the living room. All you needed to do was grab something to eat and go back to bed. When you walked out into the messy living room, you stopped.

The trashed room scattered with clothes was completely picked up, and the coasters and books were neatly put back into place. Sukuna was nowhere to be found. So you headed into the kitchen, which was also spotless. No crumbs were on the counters, and the dishes had been cleaned and put away. There was still no sign of Sukuna.

Part of you was still angry and didn’t want to see him. The other part of you wanted to thank him and hear what he had to say. Just as you were pulling your phone out to call him, your door opened. Sukuna stepped in with a bag of takeout. He took his shoes off, placing them where they were supposed to go before he locked the door.

“Suku?” He jumped, startled by your voice. But he slowly turned to you, giving you a remorseful smile.

“Hey,” he put the takeout on the counter, “Y/N, I—“ his cheeks flushed as he rubbed at the back of his neck. “You know I’m not the best with apologies, and I suck at fucking using my words.” With a heavy sigh, he grabbed your hand. “But what I said earlier was fucked up, and I’m sorry. I don’t see you as some maid, I just.” You couldn’t help but smile as he struggled to find the right words. “I don’t want you ever to feel like I don’t appreciate everything you do. You’ve made me a better man, and I unfortunately haven’t been like that this week.”

You hummed, nodding in agreement as you interlaced your fingers with his. “Yeah, you’ve been a manchild. Yuuji would have been more mature than you.” He cringed, dropping his head down. “Then again, you did clean up your mess and pick me some dinner.” Your thumb brushed over his knuckles. “So maybe you haven’t been as bad as you think.” Sukuna was leaning in to kiss you, but you squeezed his hand tighter and tighter until it was almost painful. “But if you ever tell me it’s my job to take care of you or the chores again, I’ll put you in my trunk and help people look for you.”

Your boyfriend winced before nodding in understanding. “Right, yes, understood.” The second your hand softened, he pulled you towards the bedroom. “Come on.” You blushed, watching his back. His neck was a soft, rosy color.

“What are we doing?”

“You’re not doing anything.” He said, pushing you back against the bed. “I’m going to show you how much I appreciate you.”

Oh, and Sukuna did just that. He licked and sucked on your clit until you came. His fingers slammed in and out of you, fucking you until you squirted all over his hand. His smirk was sinister and hungry each time you came. Only when you were fucked out of your mind did he decide to fuck you with his cock.

“Please~ please, Suku~” You panted as he rubbed his cock head up and down your entrance. “Please.”

“Why are you begging?” He grunted as he slid his entire length into you. “You want my cock that bad.” He smirked at your tiny whimpers, his cock stretching you in the most delicious way.

“Yes, yes, I want it.” You grabbed his hand, and he went to hold it, only to watch as you placed it over your throat. “Give it to me.” You felt his cock throb inside of you.

He squeezed without having to be told twice. “Such a dirty slut I have.” He squeezed harder as he pulled out. “Here I’m trying to be romantic.” He slammed into you, the bed creaking under the force. “And my slutty little Y/N wants me to fuck her pussy like I normally do.” You whimpered, nodding in agreement. “Yeah, that’s the best way to show you how much you mean to me, right? Fuckin’ that tight cunt until you can’t walk. Making sure you’re ruined, only I can satisfy you and your needs.” He grabbed your thighs, pressing them to your chest, forcing you into a mating press.

“K-Kuna!” You cried out as he released your throat, his hands fisting the sheets.

“That’s right, scream my fuckin’ name.” He groaned, pressing a searing kiss against your swollen lips. “Scream it, let everyone know how much your boyfriend appreciates you, how good he fucks you.”

His words, the deep thrusts, and your already sensitive pussy clenched. “I-I’m so close.” You cried out, eyes locked on Sukuna’s.

His hips sped up, cock throbbing hard as he growled. “Go on then, cum for me again.” You screamed as he slammed harder and harder into you, sending you over the edge. Your screams were muffled by Sukuna’s growls as he kissed you desperately, fucking you through your orgasm right into his own.

He stilled, lips pressing harder against you as his hit cum filled you. Your soft whines of pleasure had Sukuna’s hips moving slowly until he was sure your pussy was done milking him. Pulling back, Sukuna panted, smirking at the blissed-out look in your eyes—a look he always wanted to see.

“Love you, Suku.” You breathed out, leaning up and kissing him. He didn’t say anything for a long moment. But his large hand cupped your face.

“And I love you and everything you do for me.” Without another word, his lips were on yours, his hips slowly rutting against yours. He intended to make you know just how much you meant to him. Even if that meant you’d have to call out of work tomorrow.

[sharpth1ng]

how do you envision billy and stu’s bedrooms? cause every scene in my head it’s completely different to how it was in the last and i need to have the same thought whenever a scene comes across in one of their bedrooms

^^Alright so I have actually drawn Billy's room! this is the background of a piece that will be on my patreon once i feel like i have enough content to actually launch it. I wouldn't say this is exactly canon, I started working on it before I started writing Debaser and there's some stuff i would switch up, like some of the movie posters. There's also the non-canon Maureen VHS which they obv don't have because they didn't film that. But yeah this is a basic idea of what Billy's room looks like to me.

As best as I can tell this is the bedroom they shot as Stu's room.

^^As you can see it has a ridiculous number of doors, and we know the door to the attic is behind the camera because that's where Sidney goes during the chase. We also know the two doors on the left side lead into the hallway, again because of the chase scene. The door on the right I'm going to guess leads into a bathroom, because another door leading to the hallway or into another room would be sheer insanity. This one bedroom has four fucking doors and none of them seem to lead to a closet.

^^^From the movie we can see more of the right side of the room. There appears to be a fireplace mantel, likely bricked off and not functional. Stu is using it as a shelf, it looks like there's some tapes and maybe a trophy there. We can also see his TV and some posters on the wall- someone has made a post where they identified these posters but I can't find it rn (thank you tumblr's broken search function). If anyone knows the post I'm talking about please feel free to link it!

^^^There's also at least three things that look like they could be one of Billy's flannels in this room. We never see Stu wearing blue or plaid in the movie and imo from his costuming it doesn't seem like his style so this detail is pretty funny to me. Billy is just leaving his repetitive wardrobe all over Stu's room. Gee I wonder why.

So that's basically Stu's room in the movie. The way I see it in Debaser is a little bit different, but in many ways the same. First big difference: a maximum of three doors. One to the hall, one to the bathroom and one to the attic storage space. Two doors to the hallway just feels homophobic. Another difference is that I imagine his TV somewhere at the foot of the bed, just makes for a much more comfortable watching experience.

I also imagine him with a lot more on the walls.

^^^Chip Sutphin's (also a Matthew lillard character) room from Serial Mom is a good example with all the Fangoria posters and stuff. Imo Stu is definitely reading fangoria.

(Unrelated side note can I just say i can’t see Chip's girlfriend Birdie without seeing pre-transition Billy. The Blue plaid, the short brown hair, the horror obsession) ⬇️

Like, this is Chips girlfriend and best friend. This movie came out in 1994. I can't. ⬇️

Ok, side note adjourned, back to Stu's bedroom.

Overall I see it as a lot more packed and messy than Billy's. There's more on the walls and more on the floor. I also think he's got a big ass shelf of tapes and video games, and probably some leftover action figures from when he was a kid. I think he kept more of his childhood stuff like that than Billy did. He doesn't play with his action figures anymore obv, but he hasn't thrown them out.

So yeah, that's sort of an idea what their rooms look like in my mind! I do plan on drawing Stu's room at some point but these kinds of detailed room drawings take me so much time, I'm not sure exactly when that will happen.

Edit: Ps you can read what’s written in the notebook in Billys room, please do

[pencileraser1]

things i noticed/thoughts about most recent rewatches of dps (plus laserdisk deleted scenes):

whenever theres a group scene i've started watching the characters that the story isn't focusing on to see what they do and i've been having a fun time with that. pitts and cameron specifically seem to almost always be doing something interesting in the background.

hopkins!!!! my favorite minor character who somehow got character development despite having like 2 lines!!!! the last guy to stand on the desk but he did it!!!

sometimes i do like to think about what the rest of the students thought about the dead poets society, esp in alternate timeline neil lives dps keeps meeting universe. like yeah theres this guy in their class whose one of the most credited students in the school and we think he maybe started a cult. idk though. but that group runs out into the woods every few days to do god knows what and one of them keeps talking about "dead poets honor" whatever that means and holy shit welton star student neil perry started a cult.

i watched the movie with headphones. and maybe it's because ive seen this movie Far too many times and mabe i'm listening too hard but it was Really obvious sometimes when audio was added in post production. llke in the sweaty toothed madman scene when you can hear laughing and to be fair the camera is behind their heads. but it does Not look like anyone's laughing. my favorite is at the end of the phone call to chris scene where knox is like i'm gonna seize the day!! and runs up the stairs and the poets are cheering him on and neil is sort of yelling "carpe!!!!" and i could be wrong but i'm like 75% certain that the person singing is Also rsl so now neil is just speaking two times at once somehow. anyways it didn't ruin the experience for me or anything it was maybe just a little bit funny to notice but very sorry if this did ruin anyone's viewing.

people talk a lot about how rsl and ethan hawke really made their characters what they are but i have to add dylan kussman to that list. I get the impression that older versions of the movie didn't really give as much depth to cameron and watching dylan kussmans performance is like. he Knew who his character was so fucking well and it shows!! like the deleted scene of them getting clubs assigned. like i could tell So Much about cameron from that scene

for how little she actually appeared, there is an emphasis put on the fact that neil's mom smokes pretty frequently. and i think that's interesting considering neil is one of two poets shown actively smoking. neil's mom doesn't appear for very long in the movie but during that time it definitely seems like the movie is intentionally making parallels between the two, particularly in the last argument with neil's father. neil and his mother are both sitting for almost the whole time, which contrasts with his father who is standing. they are both almost powerless in this scene. they stand up at almost the same time. anyways there's a couple different possibilities for what this could mean? that i've though of? 1. to show that neil's mother is in a similar situation to the one neil is in in regards to neil's father and 2. maybe a stretch here but the theory that neil inherited his mental illness at least partially from his mother. i'm pretty sure 1 was fully intentional on the directors part, not entirely sure about 2 though

unmanned flying desket scene: it's probably cause he and ethan wrote the scene themselves but the way rsl talks in this scene feels more like the way he talks in general than the rest of the script. like briefly neil perry is talking in rsl's voice. one of my absolute favorite scenes though the sarcastic dialogue is so good.

the light of knowledge at the first shot of the film vs. todd standing on his desk at the last shot of the film paralel

[once-in-a-blood-moon]

Summer Is...

All characters (except Luke) x GN! reader

AN: Did something a little different, so I hope you enjoy! I tried to distribute the characters equally, so I'm sorry if a few characters have more or less than others 😣

Warnings: Mention of skinny-dipping but nothing suggestive

Summer is a picnic in the shade where stolen kisses are shared with the lingering taste of strawberries on your tongues. Soft giggles ring through the air, harmonizing with the chirping birds and the gentle breeze through the trees.

- Asmo, Beel, Simeon, Solomon, Thirteen

Summer is a long drive to nowhere with the windows down and loudly blasting music. There are shared smiles between you two and a loving hand on your knee as you both sing to your heart’s content.

- Lucifer, Mammon, Diavolo

Summer is creating silly sundaes that are too sweet to consume on your own, so you share it with another. Your spoons purposefully, but playfully, knock into the other’s while a few bites are fed to each other in between your playing.

- Beel, Barbatos, Solomon

Summer is laying on a blanket in the middle of a field during a clear evening when the stars are perfectly visible. Fingers point to different constellations as their stories are recounted, and a shooting star streaks across the sky as your hands shyly tangle together, the both of you silently wishing for another night like this.

- Satan, Belphie, Solomon, Raphael

Summer is sitting among a field of wildflowers where flowers are picked and delicately braided into little crowns. You both anoint each other’s heads with their presence while your hearts do backflips just from seeing how cute the other looks while wearing them.

- Levi, Asmo, Barbatos, Simeon, Mephistopheles

Summer is skinny-dipping in a lake that’s hidden from view. Laughs and screams echo around the area as you both splash each other until your bodies are completely soaked. They disappear below the water, only to sneakily emerge from behind as you feel a pair of arms wrap around you, never wanting to let you go.

- Mammon, Levi, Asmo, Thirteen

Summer is walking on the beach with sand between your toes as gentle waves lap around your ankles. Your skin is red hot from being out too long in the sun, but the two of you only care about how perfectly your fingers intertwine together as your eyes comb over the shoreline ahead of you in search of washed up seashells to take home.

- Levi, Belphie, Thirteen

Summer is scouring for interestingly shaped rocks to be painted on and made as a summer keepsake. The cold drinks turn warm and the hours of talking do nothing but distract from the task at hand. But once the craft is done and the paint has dried, you exchange them to hold onto forever.

- Lucifer, Satan, Asmo, Raphael

Summer is having an outdoor movie night with a mountain of blankets and pillows to keep yourselves warm and off the grass. There are snacks galore, lots of laughter, and even more snuggling until you both inevitably fall asleep under the stars while the movie plays on.

- Mammon, Levi, Belphie

Summer is having a bonfire to roast marshmallows, make smores, and tell scary stories. It’s all fun and games until one of you eats too many smores or gets too spooked that you have to head inside, but the smell of the smoke on your clothes and hair reminds you that it was worth it to get to spend time together.

- Mammon, Beel, Diavolo

Summer is dancing barefoot in the grass while the sky turns orange and pink as the sun sets. Lights are hung in the trees to give light to the forest as you both plan to keep dancing until dawn. Songs are sung between you two, the only other sound accompanying is of the frogs and crickets chirping.

- Asmo, Diavolo, Solomon, Thirteen

Summer is watching the fireworks at the end of a festival. Eyes sparkle with excitement as bodies lean into each other, sharing warmth, wanting to remain close to cherish this moment together. A soft kiss is shared once the last firework pops in the background.

- Lucifer, Beel, Diavolo, Mephistopheles

Summer is handwritten letters to your summer love. Each letter reminisces on the fun things you did together. And while you both are separated for now, you both look forward to the next summer, imagining more ways to spend more time with the one you love.

- Lucifer, Satan, Barbatos, Simeon, Solomon, Raphael, Mephistopheles

[bluecatwriter]

I watched the Wildhorn/Black/Hampton Dracula rock opera!

Okay, okay, okay. As some of you know, one of the guys in my theater troupe got me comp tickets to see him in Dracula: The Musical. You guys. It was an EGREGIOUS adaptation that didn't even make narrative sense on its own terms. I also had a TOTAL BLAST. 

If you like the musical, no shade to you— please just keep scrolling and like what you like! However, I had so many thoughts about this that I had to word-vomit about it, and thought some of you might have fun reading my thoughts on the good, the bad, and ugly for 3,000 words.

TL:DR: Very fun experience, so glad I went, the play's narrative choices make me want to throw hands in a Denny's parking lot, much dunking/adaptation-hate ahead, my friends are amazing, I'm writing my own play now.

(CW discussion of rape, ableism, drug use, suicide)

-First of all, everyone take a moment to appreciate my eyeliner. I do not usually draw eyeliner that well so I was very proud of myself.

-I went with my sister, since we both knew people in the cast. (I thought we knew three, but we actually knew four: the actors who played Dracula, Mina, Lucy, and Quincey.) My sister didn't know anything about Dracula except what she'd picked up from my incoherent ramblings (which I generally keep to a minimum around her). 

-It was a black-box theater, which I didn't expect: six or so rows of chairs on each side of the theater, facing each other across the relatively small room, with the stage in the middle and a live orchestra (!!!) on one end. The set was a minimalist Gothic castle design, with windows, a freestanding moving wall, and a large platform that, throughout the play, served as Dracula's coffin, a table, Lucy's bed, Lucy's coffin, and just a general place to stand and sing in a badass way. I absolutely LOVE black box shows because they're so intimate: you can almost reach out and touch the actors, and you can see every minute facial expression and gesture, the light glittering in their eyes, and so on. (Acting in a black box theater is much more like movie acting because the audience can see what you're doing with your eyes in a way that regular theater doesn't allow, meaning that things like eye contact between characters is much more electric and effective.)

-The sound design and lighting effects were doing a lot of heavy lifting in this show, and they nailed it. Very spooky!

-The play began with the weird sisters, and they were consistently my favorite part of the play— the actresses killed it (ha), bringing an intense, spooky energy to the story, often serving as narrators, background singers, extras, special effects handlers (such as portraying the wreck of the Demeter), and the physical manifestation of Dracula's will/presence. They were AWESOME.

-I had decided in advance that this play was a fanfiction written by Dracula about himself, and nothing about the show dissuaded me from this idea. The guy who played Dracula served major cunt from the moment he stepped onstage, wearing leather pants with laces up the side and a big sweeping coat and a huge amount of eyeliner that really brought out his unnervingly blue eyes. ("All guys should wear eyeliner and leather pants," I joked to my sister after the show, and she responded, with the most haunted look I've ever seen, "I agree about the eyeliner, but not the pants. I lived in San Francisco for three years, and you know not what you speak of. There are things I cannot unsee.")

-Actually, to be honest I liked Dracula's characterization (until the end; see below); whether because of the director or the actor or both, this version really did not downplay what a bastard he is. He was incredibly ruthless, in all senses of the word: focused on a single goal and not caring who got mowed down in the process. Anytime his sung lines talked about him being lonely or sad or whatever, the actor played it off as him trying to garner sympathy from his listener, rather than expressing his true feelings, which was a directing/acting choice I really appreciated.

-When Jonathan came on stage (from the door just a few feet away) I nearly squealed with delight! He just RADIATED "biggest sweetheart you've ever met" energy: tall and lanky and with a scruffy lil beard and clothes that didn't quite fit. I was in love with him from the beginning. Also he got to mention his Kodak camera, and I remembered that I could not actually cheer at moments like that because that would be weird.

-The Dracula-Mina "romance" was introduced very early, which I appreciated; from a storytelling perspective, it was good to have that continuous thread. Dracula looks at a picture of Mina, mentions how young she is, asks Jonathan if she is "pure," and then decides that they're soulmates. It was SO PERVY. Once again, I loved the Dracula characterization. If only it had stayed one-sided…

-I was fortunately warned that in this version Jonathan takes the crucifix off so the weird sisters can continue attacking him, but I still had to suppress a "BOOOOO!" (I did whisper "NOT CANON!" to my sister, and later she said that when that happened in the play she was like, "Oh, okay, I don't care what happens to this guy now.") But I guess it did have the effect of making him less sympathetic, which served the story the play was trying to tell.

-I was pleased that there was a Drac-drinking-from-Jonathan scene, and consistent with the storytelling, Drac had a whole song about how he needs Jonathan's blood so he can be young and hot and go seduce Mina (which, again, fits with the story they were telling). They decided not to have any sexual tension between Dracula and Jonathan, so the blood-drinking scene was pretty brutal (complimentary)— Jonathan laid out on the platform with Drac just. gnawing on his neck while Jonathan writhed and convulsed. It was still kinda hot though not gonna lie

-Lucy's characterization at first was pretty interesting, because her song about the three suitors (and the directing/acting) made it seem like she was just kinda stuck with three mediocre choices, and chose the least offensive one (Arthur, who she describes as boring and can't even think of one nice thing to say about him) and tried to convince herself that she would be happy. This was honestly the biggest moment where I had to just squirm in my seat to keep from actively booing. Don't be so mean 2 my boy! From a storytelling perspective, it wasn't clear at all why she chose Arthur, because Quincey was the only one of the suitors who had any personality at all (even Jack was bland. JACK. WAS BLAND. YOU COULDN'T HAVE HIM SIT ON HIS HAT OR AT LEAST FIDDLE WITH HIS LANCET? WHAT IS WRONG WITH YOU???). Anyway, Arthur was actually totally fine after that song (and had some nice lines in the group songs).

-Meanwhile, Drac is creeping on Mina by entering her thoughts without her consent and being like, "We're soulmates," and she just…. goes along with it???? With literally no rhyme or reason to her decision???? I know some of this is that I hate the whole concept of soulmates, but I expected at least SOME justification for why she was interested in him. There was no indication she was unhappy with Jonathan; there was no hint of any emotional connection; there wasn't even some weird "reincarnated lover" story to try to soften how incredibly strange it felt that Mina was randomly in love with this guy's voice in her head. His baritone is sexy BUT IT IS NOT THAT SEXY. GIRL PLEASE.

-In this version Dracula bites Lucy because he's trying to call Mina to him and Lucy comes by accident and he's like, "Well, nothin' I can do about that. CHOMP." Which, again, I honestly liked this characterization because he's not apologetic about who he is; he is just destroying everyone in his way and not caring about them as people. He just has a goal and he'll do anything to reach it.

-Then of course Lucy's like, "Oooh that was actually so sexy and I never want to wake up from that dream of him chomping on my throat." The directly seemed to imply that being bitten by a vampire just. instantly turns you into something that's not yourself, so I could kinda excuse it if I squinted, but it was still pretty icky.

-Renfield got to stab Jack! My sister felt sorry for Jack (because all his unethical science got shaved off in this adaptation) and I was just like, "YESSS RENFIELD YOU GO!" 

-Jonathan shows up again, in a wheelchair (a really cool old-fashioned one), and Mina goes to marry him, and their marriage is paralleled with Lucy and Arthur's while Drac looms in the background. The double wedding was a nice staging choice, although the optics of Mina somewhat reluctantly marrying disabled Jonathan while abled Dracula is standing by being All Sexy was… uh, it was not great. But on the plus side, maybe it emphasizes the ableism that a lot of people have toward Jonathan's disabilities in the story, bringing them out into the open? (I am grasping at straws here.)

-Van Helsing was perfect! The actor had wild gray hair and forehead bumps and a tenor voice that could shatter your heart into a million pieces. He did a great job of having the "weird professor" vibes even though his lines were more coherent and to-the-point than they are in the book. 

-No blood transfusions, sadly, but I see why they cut that part.

-Lucy turning vamp was very well done. I think I should mention at this point that the actors who played Dracula and Lucy are actually married to each other in real life, and they had really crackling chemistry and it was clear in every scene they were together that they were having just the best time. "Life After Life" was my second-favorite song in the play because it's just Dracula sending Lucy out to eat people— and again, both actors were clearly having SO MUCH FUN performing this song together. At the end of the scene I was all pumped up, like, "Yeah Lucy! Go eat some people!!!"

-Intermission. I told my sister this was like the part in Rashomon where the rapist tells the court his point of view and is like, "Oh, she totally wanted it." My sister shook her head at me and chuckled.

-The graveyard/Bloofer Lady scene was genuinely horrifying; Lucy's actress did an AMAZING job of amping up the horror, beginning the scene by cradling a baby and singing it a lullaby, then just CHOMPING down on it, and throwing it down and hissing like an animal when the Crew of Light approached her. Mina and Jonathan were in that scene, too, and even though Mina didn't have any lines, seeing her reacting to it (rushing to grab the child, dodging out of Bloofer!Lucy's snapping jaws) gave the scene a lot of emotional intensity. 

-Both Bloofer!Lucy's death and Renfield's death were directed beautifully; they were both somewhat quiet, almost slow motion, focused not on the violence but on the emotional weight of both their lives ending.

-Jonathan and Arthur, while both being incredibly bland characters, have I think more dialogue in this play than they do in the book. Every time they spoke I was like, :D :D :D! My blorbos!!!

-Throughout Mina's whole song "Please Don't Make Me Love You" (sung, of course, to Dracula) I focused VERY HARD on my friend's amazing acting, her beautiful voice, the way she was playing this with absolute conviction, while in the back of my head I was screaming. Just a primal, Nazgul-like shriek. GIRL WHY (I think my sister was amused by how much I was squirming)

-Van Helsing has a nice little song about his dead wife, saying that it was a vampire that killed her and that's why he's a vampire hunter now. He was also shooting up with a comically large syringe during this song, but sure, yeah, that's fine. Like I said, his voice was SO BEAUTIFUL, so I was entranced. If only he had gotten a chance to find connection and family ties in order to continue that character arc HINT HINT

-Ah, then we get the Blood Baptism scene. Mina sings a song about how she doesn't want to run away (because of that sexy baritone voice I guess) so she invites Dracula into her room, he knocks out Jonathan, and then they make out over Jonathan's body. Le sigh. The funniest part of this scene is that they had her drink from his chest but they didn't use any fake blood, so he just unbuttons his shirt and she buries her face in his boobs, no context. I asked my sister afterward, "What did you think was going on in that scene?" and she said, "I figured she was drinking from his vampire-milk titties."

-Van Helsing and Dracula got an "I will take you down!"-style song that was actually really cool.

-Then, suddenly, out of nowhere, BOOK-CANON MINA SHOWS UP! She was in a wheelchair now (a great directing choice, I thought), and demanded that Van Helsing hypnotize her, insisted on them keeping the information from her so that Dracula can't get to it, makes them all vow to kill her, and figures out where Dracula is going based on the maps. I was like THERE SHE IS! THERE'S MY GIRL! …But unfortunately this characterization makes no sense in the story the musical is actually telling. Why is Mina leading them to him? Why is she taking such pains to make sure Dracula is not warned of their coming? It didn't fit with any of her characterization in the rest of the play (and especially not with the ending), so it felt really cobbled-together and odd.

-Also Jonathan vows to kill her and there's a whole song about how sad he is that he will have to do that. I was gritting my teeth the whole song being like It's a storytelling choice it's a storytelling choice it's a storytelling choice it's a storytelling choice it's a

-Okay. YOU GUYS. YOU GUYS. The song "Deep in the Darkest Night" WAS AMAZING. It's a song by the Crew of Light (and in this version, sung by all six of them, including Mina) about their quest, and how they must be points of light in the darkness. It was SO BEAUTIFUL and SO THEMATICALLY ON POINT and it was EVERYTHING I WANTED from a Dracula musical and it is a CRIME that the whole play was not built around these themes and motifs!! *chewing on the scenery* Also, holy cow, everyone in the cast could sing like nothing else. Full-body chills. Stunning, incredible, showstopping, no notes.

-In one of the hypnotic sessions, Dracula came to stand behind Mina and they sang a duet, a reprise of "Life After Life" (the song for Bloofer!Lucy), and that was an incredibly effective storytelling choice (also their voices just blended so. well. together that even in the songs I hated, I still got chills because their voices were SO DANG BEAUTIFUL TOGETHER). Again, I am haunted by what this play could've been if the Drac/Mina thing was one-sided.

-In this version, Quincey gives Mina his Bowie knife for protection, which I thought was sweet.

-Drac has a big sad-boy song about how he's actually in love with Mina now. BOOHOO MOTHERFUCKER. NO ONE CARES.

-Quincey got killed by trying to stake Dracula and Drac grabbing the stake and shoving it into his stomach. (My sister gasped and squeaked, "No!" when this happened.)

-Meanwhile, Van Helsing and Mina get separated, and Mina has a whole song about how she's made her final decision: she's gonna become a vampire and live with Dracula forever. At this point in the play I was like, Okay, girl, whatever, you do you…

-But then. BUT THEN. *frothing at the mouth*

-(Don Black and Christopher Hampton meet me in the Denny's parking lot I just want to talk)

-Drac's like, "Ooooh no actually I don't want you to be a vampire so you need to kill me now."

-Mina's like, "Nooooo this makes me so sad I have chosen to be a vampire and it is what I truly want!"

-Drac's like "Nobody cares what you want because the authors couldn't care less about your agency as a person"

-Mina's like "nooooooooo i'm so saaaaaad!"

-(Me: *still frothing at the mouth*)

-Finally, weeping, she takes Quincey's knife and places it over his heart.

-And then SHE DOESN'T EVEN FUCKING KILL HIM HE JUST GRABS HER HAND WITH THE KNIFE IN IT AND KILLS HIMSELF

-Like, I am just so mad that Mina doesn't even get the tiniest bit of agency here at the end. She is just blown about by the whims of the men, and at the end none of her narrative choices are respected in any way. A lot of this is, I'm sure, the directing for this particular performance: if I were trying to make this ending a bit more narratively satisfying, I would give Mina a moment where you can see her agreeing with him and deciding to kill him herself. This ending just felt… cheap. It didn't even form a satisfying closing even based on the rules of its own storytelling. It was so ridiculous that I actually had to cover my mouth to keep from laughing. 

-After the show we got to talk to all our friends who were in it and it was easy to sincerely compliment them because they all did an AMAZING job. I feel so honored to be friends with such amazingly talented people!

-We drove home in a lightning storm while blasting Blondie's song "One Way or Another" (my sister said she was thinking of this song all through the Drac/Mina story arc) and singing loudly along. "ONE WAY OR ANOTHER/I'M GONNA FIND YA/I'M GONNA GETCHA GETCHA GETCHA GETCHA!"

-I asked her which two characters she thought I shipped the most and she guessed Jonathan/Quincey. Not a bad guess.

-Got home, rambled to my very tired spouse, curled up in bed, turned to him and said, "I promise to never leave you for some random dude who speaks in my head and says we're soulmates," and he replied, "And I promise to never leave you for three sexy vampire ladies," and if that's not a wedding vow renewal I don't know what is.

-Laid awake for nearly two hours brainstorming a Dracula play (not a musical, I'm not that talented). And, uh… yeah. A script is gonna happen. I've written plenty of plays (and co-directed/co-produced a few times), so it's definitely in my wheelhouse, and my brain will not shut up with ideas. So! *tosses it onto list of creative projects*

----

(P.S. If you reblog, please don't tag this as the Dracula musical because I don't want any fans to be exposed to the hate. Thanks!)

[mirai-e-jump]

TV Guide Dan Vol.51, April 2024 Issue ft. Bakuage Sentai Boonboomger Cast Members Iuchi Haruhi x Hayama Yuki Interview (translations below)

Publication: April 5, 2024

PARTNER

"Please tell us about the other person's role in Bakuage Sentai Boonboomger."

Iuchi: Ishiro Meita, played by Yuki-kun, may look cool at first glance, but that's just him hiding his true character. Whenever I play the role of Taiya Hando, he's a character that makes me think, "Ishiro trusts Taiya." Going forward, we'll gradually get to see his cute side.

Hayama: It's true that Ishiro has a wide range of emotions (laughs). My impression of Taiya is that he values his intuition. So far, there aren't that many scenes in the show where the two of them talk together, so we don't know what led to their relationship of trusting each other, but I have a vague idea of what part of Taiya made Ishiro fall for him.

"Can you name some similarities between your roles and each other?"

Hayama: This isn't just me, as other cast members and Director Nakazawa Shojiro have also mentioned it, but Haruhi's personality is getting closer to Taiya's day after day. At first I thought I was the only one who thought that way, but when I told everyone, it seems like they think so too. I feel like he was chosen because he was the one meant to be Taiya.

Iuchi: That makes me happy (he's embarrassed). I didn't know you were talking about that.

Hayama: Taiya's a character who works quietly by himself, and Haruhi's the same way on set. During break time or when he's with the cast, he's always in a talkative mood, but before filming, he reads the script quietly by himself.

Iuchi: Now that you mention it, I think I may be like that. I like to spend time with others, but I'm also the type of person who values alone time. Yuki-kun is…

Hayama: (leaning towards him) I'm cool, just like Ishiro, right?

Iuchi: Uh, y-yeah (laughs). But, to tell you the truth, I feel that both Ishiro and Yuki-kun have a gap. They look cool at first glance, but in reality, they're cute…

Hayama: Isn't that just gap moe?! (*being attracted to the gap between one's appearance and personality)

Iuchi: That's right (laughs). In particular, I was amused by the fact that Yuki-kun recently won a figure and tote bag in a lottery for his favorite anime, and he's been carrying the tote bag with him all the time. He even takes it when moving from the waiting room, where you normally don't have to take anything with you. Seeing him do things like that, even though he's older, I think Yuki-kun is so cute that it's unfair.

"How did you become friends?"

Hayama: My hobbies are to go ramen hopping and going to saunas. When I mentioned this, Haruhi said, "I'm interested!" From there, we started going together for awhile.

Iuchi: Right! I was interested in both and wanted to get into them, but I had just moved to Tokyo and didn't know the city at all…Now, I've started to follow Yuki-kun's example, and made a photo folder with just ramen.

"What kind of ramen do you like?"

Hayama: Basically, I like everything, but I especially love Chinese soba with a soy sauce base. What kind of flavor do you like Haruhi?

Iuchi: Originally I was a soy sauce person, and liked thin, hard noodles, but recently, Yuki-kun took me to a restaurant similar to "Jiro" and I became addicted.

Hayama: It might've been a bad thing that I told you about it (laughs). The next time we have a day off from filming, us four guys, including Saito Ryu-kun and Soma Satoru-kun, should go together.

Iuchi: Yeah! It can be like alittle treat for us.

"To begin with, are you two outdoor or indoor people?"

Hayama: I'm a total indoor person. My hobbies are watching anime and reading manga.

Iuchi: We're the same. I also watch anime, movies, dramas, and have recently gotten into reading, I also play the guitar as a hobby.

Hayama: Well, if we were going to spend time together indoors, Haruhi should play the guitar as background music while I read manga. That way we can enjoy each other's hobbies.

Iuchi: Ah~ I see. But, if we were to spend time together, I'd like to go to Akihabara. I don't really go out if I'm alone, so I'd like to look around at the things we share a similar interest in.

Hayama: Alright! Come to think of it, it might be fun since we have so many things we like in common. The other three main cast members of Boonboomger are outdoor people, so it's good to have people like that by our side!

"What's something you'd like to ask each other?"

Iuchi: Ummm…when you were a student, were you smart?

Hayama: So suddenly?! why?

Iuchi: Yuki-kun, you seem like a smart guy. However, when I thought you were cool, you turned out to be surprisingly different.

Hayama: I see (laughs). I think my grade level was above half? It was alittle above the average score, but it wasn't really that high…wait, Haruhi! Are you trying to ruin my image with this interview?!

Iuchi: No, no! I'm not! (laughs).

Hayama: (laughs). This is going to be a serious question, but as I mentioned earlier, I feel that in a very short period of time, Haruhi has become more and more like Taiya, and that everyone views him as such. I read the script and make a certain plan before going to the set, but once I saw the way that Haruhi played Taiya after I got there, I changed my plans. When acting, do you do anything in addition to reading the script?

Iuchi: Hmmm…If I had to say so, I'd say that at random moments during my daily life, I think to myself, "Taiya would make a move like this right now." For example, I've always been the type of person who looks down while walking fast, but I think that Taiya would straighten his posture and walk slowly, so I've been trying to do that.

Hayama: Heh~. So, Taiya's character is taken from daily life?

Iuchi: Yeah. Otherwise, even though I'm playing the role of Taiya, I feel like I'd inadvertently come off as Iuchi Haruhi…As an extension of that, from the moment I read the script, I try to read it while keeping in mind that, "I'm Taiya Hando."

Hayama: Amazing. I'd love to learn from you!

[bluepickle36]

I watched the hobbit trilogy (the theatrical version) over the last several days and I can now say fairly that they are terrible.

And I'm not just talking about the addition of Azog and Tauriel.

[a word of warning: this got looong]

An Unexpected Journey is really not that bad. It sticks to the books (for the most part. Obviously Azog isn't in the books but I'll talk about him later.) and it even includes the songs. I don't think I'll ever forget the misty mountains song; it's beautiful. The humming harmony to Thorin's singing is amazing and the additional singing voices in the chorus and the way they fall in and out and only come in on certain phrases is something I don't have the words to describe. I like how the riddle game was done and I think the twin natures Smeagol and Gollum were neat. (I know they're in lotr but the idea that Smeagol and Gollum have been in conflict since the finding of the ring has never occurred to me and I find it interesting.) I like how in the beginning Thorin is skeptical of Bilbo and how by the end of Unexpected Journey he has grown to trust him and considers him a friend.

What I don't like is Azog. I think he's an interesting character and all but his design especially bothers me. He is more reminiscent of a man and less like an orc. He makes me think of the Uruk-Hai from lotr but the Uruk-Hai were created by Saruman. They didn't exist during the Hobbit. The orcs in the Hobbit are more like the lotr orcs in Moria. The orcs in Moria chase the Fellowship but seem to do it in a more animalistic way. They are sentient, yes, but they are less intelligent and more like pack animals than the Uruk-Hai. I guess Azog just seems too smart to me? I don't know if that makes any sense but he really just feels too much like an Uruk-Hai and they're not around yet and that bothers me. Azog is redundant of Lurtz. The addition of his character does make narrative sense and add to the story in some aspects but I really think the movie would have been fine without him.

All in all I think Unexpected Journey wasn't that bad and that was what prompted me to watch the other two movies.

Unfortunately, they make Unexpected Journey look perfect.

Let's start with The Desolation of Smaug. In the beginning of the movie the Company takes refuge in Beorn's house, chased by Beorn himself, which is weird. Is he supposed to be under a curse or something where his bear form is evil? (because that's definitely not in the book.)

Then there's the spiders, and the elves are introduced. I think the addition of Legolas to the Hobbit is definitely intriguing, but it just feels like a forced tie-in to the lotr films. Maybe if it was just a cameo (perhaps we see him in the party that rescues the dwarves as a background character, or perhaps we see the tail end of a conversation between Legolas and Thranduil later on) it would be better.

And where to start about Tauriel. She isn't in the books, even as a minor background character, and she adds nothing to the plot except a weird love triangle with Legolas and Kili that is absolutely pointless and takes up screen time which could have been used for something else.

Like Dol Guldur. Like I said, I watched the theatrical version, but I have seen the extended Dol Guldur scenes and the way the theatrical version was cut makes it seem incredibly rushed, especially given the extensive build-up to it.

Also what's up with Galadriel and Gandalf? They're represented as having an almost romantic relationship, but Galadriel is MARRIED to Celeborn!! Nothing in the books, the hobbit or the lotr, implies that there's anything between Galadriel and Gandalf. Poor Celeborn. Does he know his wife is off cavorting about with a Maia?

Then there's the chase down the river. This whole sequence is dumb. In the books the dwarves just float down the river and wash up on the lakeshore. In the movie they're discovered almost immediately and then attacked by orcs? And then Legolas and Tauriel save them and just...let them go? Why don't the elves kill the orcs and recapture the dwarves?

I do like what was done with Bard's character. Obviously he had to be fleshed out a little for the movie since he's a minor character for most of the book (except where he kills Smaug, obviously, but that's really an exception). Making him a poor single father while maintaining the only real description he's given in the book (a doomsayer whose dour predictions are ignored by most of the town) is one of the few good decisions made on these movies.

Then Tauriel and Legolas save the dwarves again (granted, only four of them, but still). Tauriel heals Kili in a painfully obvious parallel to Arwen healing Frodo that never truly comes to fruition. Legolas does some fancy fighting moves.

(Side note: WHY DOES HE HAVE CREEPY CONTACTS? There was nothing wrong with his brown eyes and the blue just makes him look overly intense and deranged.)

The way Sauron as the Necromancer easily overpowers Gandalf I thought was a very neat way to tie‐in the lotr. Gandalf sends the Fellowship because he knows he's not powerful enough to stand against Sauron himself. He raises up Aragorn and Frodo because he isn't powerful enough to do it himself. He's learned that here, when he acknowledges to Radagast that Dol Guldur is a trap and then walks right into it thinking he can stand alone. Granted, he sends Radagast for Galadriel, but he believes he can hold Sauron off long enough for help to arrive. In lotr, he doesn't even attempt such a thing. He puts his hope in others' strength: Frodo to carry the ring to Mordor, Aragorn to distract Sauron, the Rohirrim and Ents to destroy Saruman, the rest of the Fellowship to assist and support.

(It could be argued that he was wrong to allow Boromir to join the Fellowship, but that is a discussion for another day.)

The entire chase scene with Smaug is very cool but I don't understand why Smaug would have turned away from Thorin on the bridge to chase the other dwarves. I would think Smaug would kill Thorin first before he goes after the others. Thorin is the main danger- he's the King Under the Mountain, the one who started the quest. I don't think the entire quest would fall apart without him at this point; they've come too far for that. I do think Thorin's death at this point would seriously demoralize them, though. (I get why Smaug was distracted [plot armor], it just doesn't make sense to me in-universe.)

The death of Smaug was amazing both in the acting and in the cinematography. Where was Legolas though? He and Tauriel hadn't yet left the town, since Tauriel helps the dwarves escape. Did he decide to take after his father and just sit and watch without bothering to help?

Dol Guldur, again, seems very rushed. I'm still not sure if that's because I've seen the extended Dol Guldur scenes or if the sequences simply are rushed. Saruman fighting for the good guys was interesting to see, since he's only ever evil in lotr and merely alluded to in the hobbit book. Galadriel being the only one capable of standing against Sauron but unable to do anything against the Nazgul is weird. If she's stronger than Saruman and Elrond, why were they able to fight the Nazgul while she collapsed?

Thranduil rolling his eyes when Gandalf tries to warn him and Bard of the incoming orcs was absolutely hilarious and a hint at the fact that, even though most of the characters in these movies respect Gandalf as a wise wizard, there are also those who think he is only a stormcrow.

Then there was the actual battle between the five armies. What were the worm things Azog used to get his army to the battlefield? I have never seen mention of them in any of the lotr or hobbit books. And how did Azog get the windmill thingy set up on the hill without anyone noticing?

The scene where Thorin realizes what he has become was well-done, as was the scene where Kili stands up to him. Kili's finally had enough of sitting and letting others die; he finally had the courage to confront his uncle. I thought that was an interesting character development.

The charge of the dwarves, the way they rallied to their King, and then the elves coming to their aid are precisely the sort of epic action I started this trilogy expecting.

Then Thorin takes Fili and Kili with him to kill Azog, who has explicitly stated- and proven by his actions- his desire to end the bloodline of Durin, of which Fili and Kili are a part. Why did Thorin make this decision? He should know that Azog wants all three of them dead. I know the brothers aren't kids and would argue to come with him, but still. Doesn't he want to protect them as much as he can? (Especially since Fili is his heir. Not only does this not really make familial sense, it also doesn't make tactical sense.)

Azog killing Fili in front of his brother and uncle just proves his cruelty all over again. That scene hurt to watch.

Legolas fighting Bolg really showcases the superhuman ability of the elves.

Then Thorin dies. I was happy the filmmakers at least included him making peace with Bilbo before he dies.

But why, WHY, does Thranduil tell Legolas to go find a Dunedain ranger who goes by the name of Strider? At this point in time, Aragorn is about 10, living in Rivendell, and being called Estel. He doesn't even know he's the King. The nickname Strider doesn't come into being until he is in the vicinity of Bree. ("'Round here, folks call him Strider.") Does Legolas just show up at Imladris, looking for a Dunedain? Does Elrond shake his head at the ridiculous antics of the King of Mirkwood, point at the child playing with Glorfindel, and tell Legolas that's who he's here for?

The auction scene was funny, though.

The actors/actresses did an AMAZING job. At no point did I think, well that's obviously an actor, which I have done with other movies. All the characters were sold. The soundtrack, with all the little hints and callbacks to the lotr trilogy, is absolutely brilliant. I think the main problem with these movies is all the extraneous material. Cut out Azog and Tauriel (and maybe Legolas, because he really feels like a namedrop), combine the second two movies, leave the extended Dol Guldur scenes, and voila. Perfection.

(I've heard it said that Peter Jackson wasn't given as much freedom with the hobbit trilogy as he was with the lotr trilogy. If this is true, then it's a shame. He did so well with the lotr, he should have been allowed to do the same with the hobbit.)

If you made it all the way here, thank you for reading my Very Long Rant.

[v-67]

Watched Deadpool with my bestfriend.

The movie was good, but part of me felt like they were over doing a bit in some parts.

And i don't know why the whole TVA mixture is added

It felt like the Marvel universe collided with the Hitchhiker's guide to galaxy (not saying it's the same, but kinda like, how if you fuck up in one universe, there are a billion other timelines and all that bit, again I know not the same, but similar concept, and makes me feel weird because it gives the idea of a kind of simulation and that makes me feel weird.)

My point is I'm okay with the idea of multiverse, I love it even. But I'm not okay with a bunch of weird beings overlooking it all. The idea of multiverse existing is cool, but that's because it is simply existing. But when you bring someone who overlooks and does stuff to it, it makes me feel like 'eh. No.'

Other than that, one scene where Logan who was chained to something and there were like bloody skulls around him all over made me think of the scene in Bleach with Yhwach v. Yamamto's where Yamamto's bankai made dead comrades of Yhwach appear [all red and skull, skeletons (my god that was a beautiful scene, what brilliant portrayal, the bleach one, the Logan one made me feel bad for him]

And then, the fight scenes could have been choreographed in a better way, they were good but, some parts felt like they could've been better.

Loved the background music a lot. Loved the fourth wall break a lot. Deadpool is just all over the world.

And my god, they even referenced Batman. Hahahahahah.

When Deadpool was talking to Happy, and I saw the 'Proof that tony stark has a heart.' Fuck. I felt my feelings a little too much

And Wolverine. My god. The love I have for this character is so immense. It was Deadpools movie but Wolverine really stole the show, specially in that one scene *ahem abs ahem*

But fr, the love I have for Logan. The feeling I have. And specially when I saw the Logan movie. It was like my heart was ripped out.

And then Deadpool desecrated his grave. And then as he mentioned, they brought him back.

See, I'm not complaining, but this is just, Idk

And even Brining Rdj back as Dr. Doom

I mean, idk.

Also why is quicksilver dead every goddamn where.

And Xavier's sister. What are these concepts.

And also the scene where Wolverine's past is shown. How he killed...anyone who crossed his path, the good the bad, anyone. I kinda get it. Not justifying his actions but...it was his way of dealing with his feelings. And sometimes it feels like that, to destroy the universe at its core because the people you called home are no longer here.

But overall, fun movie, felt like it was hyped a bunch, but was fun nevertheless. The interviews and Ryan and Hugh everywhere was kinda fun too, they're a cute duo, ngl (platonic y'all).

But it's enough bringing dead back again in some way or another. It's like, i grieved for this character man, and I'm happy that he's back again....but he's technically not the same Wolverine i grieved for. He's not from the universe I have been watching since so long. So just bringing the same character just from a different universe, it feels like you're deceiving me and playing w my feelings for this character. Maybe I'm looking into it a bit too much, I'm not sure.

I was supposed to post this weeks ago but I hadn't completed writing it, and I still haven't I guess, but it has been too long, so I'm going to post this now.

[putschki1969]

2024/06/30 Blog post by Wakana 6月最後の日！〜皆さん、本日締め切りです‼︎＼＼\\٩( 'ω' )و //／／〜

❗This is Fan Club EXCLUSIVE content❗ ❗PERSONAL USE ONLY❗ ❗Do NOT SHARE on other sites❗ ❗Join her FAN CLUB! Check out my detailed TUTORIAL ❗

Last Day of June!〜Everyone, Today is the Deadline!＼＼\\٩( 'ω' )و //／／〜

And just like that it's already the last day of June! I'm spending this day looking at photos of the gorgeous hydrangeas at Yokosuka Museum of Art ＼＼\٩( 'ω' )و //／／Amazing… they were in full bloom😳✨The days are getting longe and I really feel like it's summer😊

Hello, this is Wakana(0￣▽￣0)／

I always feel energised by nature🌳

Well! Before starting with the big Sarushima arc, I'd like to talk about some of my fangirl activities from a while back😊These pictures are from April when I went to see "Detective Conan: The Movie 1,000,000" by myself. Before heading to the movie theatre, I had a special Kaito Kid collaboration ice cream at Baskin Robbins!! It was called "Kaito Kid's Jewel Sundae"🍨I went on a weekday morning so I was the only one in the store. When the sundae was brought to my table, the first thing I thought was, "it's huge!!"😂I immediately opened the acrylic coaster that came with the order so I could take a commemorative photo with the sundae📸It really feels like I was doing my very best to support my favourite character. By the way, this acrylic coaster is the same one that made a special appearance during my online after-talk event. It matches perfectly with my own acrylic stand😭 Amazing😭✨ There's a moon just like Kid-sama's trademark moon in the background, and our outfits are matching too😭 It's an incredible miracle😭✨

There were two types of ice cream to choose from, one of which was my favourite "Chocolate Chip"🍫 (unfortunately, it is no longer available…) The other one was a special limited edition "Detective Conan Yogurt-Berry Ice Cream"😊I took so many pictures, the sound of my "snap📸snap📸" echoed throughout the quiet store.

But… really… this sundae was huge!! 🍨🍨😂🍨🍨When I saw the whipped cream on top, I was worried whether or not I would be able to finish all of it. And as expected, I was struggling😇 By the time I got to the chocolate chip ice cream, my stomach felt a little bloated 😇 (or rather, I was craving something salty to make up for all the sweetness) But of course I ate it all!! And I was freezing!! (It was a chilly day) When I got to the bottom, I realised for the first time that Kid-sama was printed on the other side of the cup.✨

After eating delicious ice-cream and getting really cold, I headed to the cinema!! Once I was seated, I peeled Kid-sama off the back of my phone to take a took a picture 😂But thinking about it, I should have taken out the acrylic stand I got earlier 😭 How stupid of me😭Following an exciting and happy time watching a great movie, I went to Sushizanmai on the way home and ate my favourite torotaku maki🥰🍣I love torotaku!! ︎I want to start and finish my meal with torotaku 😻 (and have something grilled in between) Even though I love it so much, my photo doesn't do it justice🥺 But it still looks delicious 🤤 (at least in my opinion)

So, everyone, today is the last day of June which means it's the submission deadline for the talk topic of my next "Wakana's Talk Garden" Vlog which will be posted on July 10th! … Don't forget to stay hydrated and protect yourself from the heat♪

Until next time~☆( '▽')/

＊＊＊Wakana＊＊＊

2024/07/04 Instagram post by Wakana

Yesterday, I went to Yokohama Red Brick Warehouse to see Day 1 of "Everyday’s Omatsuri 2024"!! The venue is so big. For the first day of the event, live performances were held by the event's producer, ISEKI, alongside Simon Isogai and Yohei Hamabata. 🤗 The distance between the stage and the audience was small so it was an exciting and heated live performance. 😳💓Summer has finally begun…!! 🎐🌻🏝️🌊🌞See you all here on Saturday the 13th. ☺️(Source)

Title: “AirTrip presents Everyday’s Omatsuri 2024” Date and time:July 13, 2024 Open 18:30 / Start 19:00 Venue: Yokohama Red Brick Warehouse Performers: RYTHEM・Wakana Official site: http://omatsuridays.jp/

[milgram-tournament]

MILGRAM Best Song Tournament, Round 1, Match 4 HALF vs. MAGIC

Propaganda for both options under the cut!

Propaganda for HALF:

kazui may just be an old gay man but HE CAN SING.

its. literally stunning.

like aside from his character and everything else, half is just really really beautifully written

THE INSTRUMENTALS.

HIS V O I C E??? its so pretty

heartbreaking lyrics. i dont love kazui as a character but i have bawled to half

GAY RIGHTS !!!!!!!!!!!!!!!

Love amane but she will undoubtedly win when her purge march poll rolls around, so lets let the old man have a win shall we?

---

half propaganda let's goooo sorry i'm sobern't in true kazui style so this probably won't make a bit of sense

theatre kid man. i love him, incredible mv.

this song is pure ASMR to me

visually aligned with Cat and it's so lovely to see that continuity

the GRAINY MOVIE DOTS THING ON THE MV <3

kazui is so dramatic. i love him i love him

dapper gentleman. such clothes

the key change is so well done

AND THE . THE PART WITH THE. THE ENDING SORT OF LYRICS OVERLAID WITH SPEAKING. and then his quieter singing and, and, and o h my god. im sorry. im not very coherent abt this rn

every part of the song is amazing but once it gets to the key change and after it keeps stepping up the amount of being perfect

kazui is in it

um

kazui is in it

go my psionic warriors vote for everyone's favourite failhusband

no children were tortured in the making of this MV (cough looking at You magic)

---

Allow me to present my Half propaganda!

- The slower tempo adds a very relaxing feeling to the song. Kinda ironic, but I like it! It sort of reminds of old indie songs from 2012 (especially with what I think is whistling added in the instrumental in-between chorus and verses.)

- Kazui’s voice. Enough said.

- It’s very easy to listen to, and I find it’s one of the only songs from Milgram that I like to listen to out of context (besides After Pain, Backdraft, and Purge March, oddly enough.)

- The MV is rife with imagery, and is used to beautiful effect. It really makes you feel for Kazui and his situation.

- The scene with him and Hinako before the key change… that makes me so emo.

- The overlapping part at the end… the lyrics combined with the dialogue in the background makes me really sad in a way I can’t explain.

Propaganda for MAGIC:

MAGIC MY BELOVED MAGIC!!! Its one of the best MVs in the entire series, even including T2. Magic is visually stunning and has some fantastic art direction but also is very clever in how it conveys its themes and ideas. Magic doesn't really hide anything from you, not really. It's all symbolic but it Tells You Things. It shows you the abuse, it shows you the cat. There's a fun little relationship going on here where, In Magic. Amane's pain and suffering isn't taken seriously by the people around her and the Audience we are discouraged to take it at face value due to the fictionalized nature of Magic. It's so cool. I'm so fond of the song as well, it's one of the best in the series purely cause of the Layers in it. The implications of this Inability to be good is seeped into Magic. Amane knows this isn't reality, Magic knows it's a show, she watches it at the end. And it's so Sad to me that even in her fictionalized happy world she Cannot be a good girl. It's a standard completely out of reach for her and that idea is just conveyed so well visually.

Im not even talking about the goddamn cat yet- the cat symbolism goes Deep. That cat is HER it has the same wounds Amane has in Purge March. I- I cant talk about the intertextuality of Purge March and Magic here this is Magic propaganda only- I- there's so much good stuff to Magic. I Re watched it over and over again. It has some the Best Writing and Visual Communication in Milgram and I will Die on this Hill.

---

shoutout to magic for having pretty props AND being vague as fuck about the crime! diversity win!

seriously though amane looks SO cute in it! the mv has such a pretty and colorful style and even with that it's able to show the horrors of what amane went through.

adding onto my last point. that scene where the cat is hyperventilating and you see the camera shaking???? that scene where the mascots find amane helping the cat and they're all standing over her? CHILLS. im repeating myself but the fact that they were able to portray the awful things amane went through in a genuinely emotional way while still keeping the cute cartoon look is soo impressive

there are SO many layers to itill the entire cartoony style making it look like a tv show… utilizing the cartoony effects and bright colors to show amane downplaying her own pain… the transformation after she gets punished barely changing anything to show just how manipulated she was from the start… ueueueue

ALSO ALSO ALSO THE SCENE AT THE END WITH AMANE STARING AT THE SCENE? OHHH ITS SO GOOD it adds such a feeling of dread and reminds you on top of this whole thing that all of this is truly horrifying! something is going on here!

this song is so catchy it gets stuck in my head CONSTANTLY

"Dear wise one, Am I worthy? Is it ok to spoil myself?" AMANE... UEUEUUEUE

the little ding sound effects in the instrumental?????

amanes voice is ADORABLE

THE INSTRUMENTAL IN THAT PART WHERE SHES HELPING THE CAT HAS THAT GODLY TYPE SOUND YOUD TYPICALLY ASSOCIATE WITH CHURCHES AND STUFF AND I DONT KNOW HOW TO EXPLAIN IT PROPERLY BUT JUST RELISTEN TO IT AND YOU WILL KNOW WHAT I MEAN. ITS SUCH A NEAT DETAIL

i could go on about this mv for days but i am not a theorist unfortunately. just. magic sweep

[girlfriendsofthegalaxy]

tuesday again 3/19/2024

boy hope i never run out of zelda games to play or my mental health is going to Tank. there are very vague endgame stuff spoilers (not where zelda is, but some of the time fuckery) but i am going to spoil a bit of the rito sage quest. nothing is rot-13'ed. i feel like that's a fair compromise since this game has been out for about a year? please let me know YOUR opinions on recent game spoilers

listening

Thanks A Lot But No Thanks from the 1955 musical It's Always Fair Weather, sung by Dolores Grey. this was Dolores Grey propaganda in the @hotvintagepoll. i love a sugar baby song and this is sort of an. anti-sugar-baby song? a satitrical sugar baby song? she thanks suitors for increasingly improbable gifts (the state of Maine, et al) before killing them??

the PIPES on this woman!!! the comedic timing!!! she pulls out a gun and shoots suitors dead while thanking them for an autographed picture of john wayne!!! she pulls a big lever and they all fall under the stage!!! ive been having kind of a Time in the depths of unemployment and this made me genuinely laugh (not one short sharp bark of laughter, full on cackling).

thanks for the darling uranium mine indeed

reading

the moonstone by wilkie collins (and philip). this has been my falling asleep reading book. this is decidedly not a cozy mystery but the stakes are not like. so high i have to keep reading through the night to find out what happens. i'm having a good time with it, currently about halfway and still very irritated with rachel, the main character right now. i have not revised my "spoiled brat" opinion and i look forward to seeing if i ever revise it.

-

watching

The Three Musketeers (2011, dir. Paul W.S. Anderson). thank you mackintosh (this is a discard from my hometown library and no one needs to know where that is thanks). it's pretty widely available on free platforms rn which is how you know it's good. it's not Good is the thing but it is extremely fun. it is straight up the three musketeers but with an airship. milla jovovich jumps off an airship into the channel. milla jovovich does some assassins creed shit. luke evans does some assassins creed shit. there is an airship fight and an airship chase. it is So cheesy and unfortunately never got another sequel. it also inexplicably has some of the finest cinematic swordfighting since the golden age of hollywood.

this was a really successful impromptu movie night pick for a more widely varied gang than usual, including some teens. my bestie also enjoyed it, which i am So pleased by bc she has extremely exacting movie taste. this cast is so stacked for no good reason: orlando bloom, luke evans, christoph waltz, mads mikkelsen, matthew macfayden...

-

playing

i have a post in my head about breath of the wild and tears of the kingdom and their dialogue with each other about loss and grief, but i think that's going to have to wait until i have a little bit more brainpower. perhaps i can talk a little bit about how they make me feel about loss and grief, and how i was upset for zelda and her hundred-year siege in the last one but i am so so so desperately sad for zelda in tears of the kingdom.

i played through breath of the wild with a constant background sense of loss and grief. this is only partially due to the real-life severe depression and joblessness. i think this is a personal brain thing and not a game thing, but i did feel guilty when fucking around in breath of the wild and not actively doing main quests to save zelda. like i would look at the castle off in the distance and feel kind of bad. the champions (and zelda!) telling link as soon as physically possible that it wasn't his fault made me cry in real life every time. i get it's like a month max of in-universe time between games, but it still feels like he has once again missed SO much. i think this is sort of a larger symptom of depression in that i look at [REDACTED] in tears of the kingdom and get a bit hopeless about [REDACTED] and it's like. well i might as well go pick golden apples and not do main quests. time is meaningless.

i am really glad they kept the shrine of resurrection on the plateau in tears of the kingdom. if that hadn't been there i the player would have felt very unmoored. i cannot begin to think how unreal and depersonalized it would have made link feel.

enough of that! the hero's path function is so funny. there are such huge swathes of the map i looked at and said No Thanks! Not Yet!

my depths map is even funnier. eight lightroots so far. no thank you! too scary still! i thought until VERY RECENTLY that all the caves and wells led to the depths and was avoiding them. mistake! cool shit in caves and wells! some horrible boys as well but they are vastly outnumbered by the cool shit.

the rito sage quest fucked SO severely. i had so much fucking fun with that boss fight even though it took me a real life two hours to get up to the arena with the puzzles to unlock the boss fight. i also surprised myself and did not have to look up how to beat any of the puzzles or the boss! just entered a state of flow and looked up and it was three hours later! i know a lot of people are very grumpy about how this was not a totally new game with a totally new map, but i have nothing but praise for the mechanics in this completely new section. knocked my socks off. made me think but wasn't too frustrating. made me use all my powers and all my weapon types. it was simply a great deal of almost frictionless fun! some over the top sick as shit stuff that is the whole point of video games as a medium imo

unlocked all the geoglyphs and i am Upset. i am UPSET.

and now for some horse talk (TM): i kept the very first horse i caught out of nostalgia even though these stats are not very good. i think the naming scheme for this game will be H (the last game was C). the breath of the wild giant ganon horse is so funny. you can't do shit with this horse. you can't change the mane. you can't change the tack. you can't increase his stats. he's just There. Large.

tangential horse talk: why is this lynel in the wetlands. his feathering and fetlocks are going to rot off. he is going to founder

some places ASCEND works where i didn't expect it to: tree. water you can stand in.

i stumbled across the last power completely accidentally while trying to deliver some eyes to a mysterious god and this was so fucking funny. i DID throw this guy down a big pit in the last game and he never came back. i forgot about that.

also people were fucking gaga for rauru but why didn't i see people talking about either of these two last summer on this, the -girl affix site and the scruffy shredded boy site

some other bits and bobs:

i was so annoyed patricia was part of the compendium in the last game i fucking got her this time ok

very hashtag relatable languages moment

unrelated to either of those things, i have done the gerudo sage quest except for the boss battle and i missed two huge swathes of hashtag tunnel gameplay (going to find riju through the tunnels. simply went overland) and getting to the central temple chamber (simply used ascend). whoops

there's a little tower concept art piece in purah's room in the ancient lab! that's a fun little touch i really love, it really helps differentiate the games and show changes in the overworld between games in a very cheap and east way for the devs

bc i play these games like dressup simulators, i also want to note that misko's tents are also really fun, they really feel like they're from a much earlier era and i'm stumbling across an untouched archaeological site

-

making

garden update: growing along okay, it has been so so so wet lately and i should have bitten the bullet and bought the big expensive bag of perlite, the drainage is not terrific. i should elevate all the planters and that would help a bit too. tomatoes are bit leggy, i moved them out of the partial shade on the end of the balcony and in front of the window. i am a bit concerned about them getting scorched, but again it's been so wet lately they need all the help they can get. i feel like they're established enough to be pruned a bit to make them bushier but i am Afraid. there are worse things in life than leggy tomatoes

the pic on the left below: these bush beans are looking a bit strange as well. the four shorter ones came up, promptly withered their cotyledons, and i thought they died until they popped out their first true leaves. the larger ones i think may have some kind of mosaic virus but it's a little early to tell. these are bins that haven't been used outside (they stored clothes in for the move) and new dirt from home depot. either the dirt or the seed stock itself may have been infected? very strange. the cucumbers in the bin in the back (hidden by the beans) are also taking forever to get going. at least the sweet peas are doing fine. the spinach i planted in that back bin withered where the stems met the soil and died. i think it was simply to early and too damp for them.

anyway on the right pic above: these normie peas and normie climbing beans seem to be doing fine. that's dill in the gray pot and basil in the bucket, they also seem to be doing fine. just sort of a perplexing corner on the other side of the balcony.

[crazyk-imagine]

Hotel: Spin Off

Pairing: Pete "Maverick" Mitchell x Fem!reader

Characters: Fem!reader, Charlotte "Charlie" Blackwood, Carole Bradshaw, Bradley Bradshaw, Pete "Maverick" Mitchell, Nick "Goose" Bradshaw, Ron "Slider" Kerner, Leonard "Wolfman" Wolfe (Henry "Wolfman" Ruth)

Warnings: Crack, apart of the crack au, the boys are in left field, no one knows how to protect themselves from the supernatural, this has been in my docs for a bit and finally found the words to finish it, chaotic goose and maverick, we love these crackheads as crackheads, am I posting this before work? Yes

Word Count: 735

------------------------------------------------------------------------------

You, Charlotte, and Carole weren't expecting anything out of the ordinary to happen today; it's Tuesday, a plain old Tuesday but- of course, Charlotte spoke too soon.

You walk out of the living room to work on getting started with dinner while Carole and Bradley work on getting the tv set up leaving Charlotte to quickly clean up the toys (since she's the one who brought them out [wanting to teach the youngest Bradshaw a life lesson]).

You brought up the idea of watching movies while you all wait for the guys to come home.

Her phone rings, her ringtone "great balls of fire", echoes throughout the living room, letting you all know it's her hubby calling.

You enter the kitchen in time to hear her tell Nick, "don't come home-"

You hear the instructor's laughter as you walk past the wall, unable to hear anything else; part of you can't help but wonder what she's talking about since they haven't had any issues lately.

You and Charlotte are the first and only ones she talks to if she needs advice, whether it be because of a relationship issue or how to make her hair look more fluffy and less messy, which is how lots of your conversations go.

-

Charlotte wanders around the kitchen making drinks (feeling you girls deserve them) while you work on the food, something you already planned on doing and not just because they all love your food.

You're in the cooking zone by the time you realize your phone is ringing) and not just because the blonde taps your shoulder, informing you otherwise.

You nod and walk towards the dining table to grab the hand towel, so you can wipe your hands and get rid of the vegetable juice to answer the phone.

You pick it up and hold it to your ear and resume chopping. You tap the speaker button and leave the phone close to you "Mav?"

"Who else would be calling you?"

The blonde chuckles.

"I don't know, a murderer."

The blonde behind you scoffs at the two of you.

"I want to murder that-" A scream cuts him off. "I hate them. I really do," he mumbles.

"Who the hell are you talking about, Pete?" You ask with amusement present in your tone. You pause, listening to the background noises, "Why does it sound like you're at a sketchy motel?"

"He's where?" She mutters, coming closer behind you so she can listen in.

He sighs, knowing he can't hide anything from you (or your extra set of ears). "We are."

"What the hell happened while I was at work?"

"You mean other than the fact that I'm dealing with idiots, not much."

You chuckle, swiping the chopped veggies into the pot on the stove. "Are you going to be home for dinner?"

He blows out a puff of air. "I don't know."

You purse your lips, knowing how idiotic the crew can be and can't entirely blame him for coming home late. "Be sure to call me when you know more."

"Trust me I-"

"Mayday, Mav, mayday! Wolf's pulling out the salt." There's a brief pause, "on the bright side, Slider's met his future wife."

He groans, "Jesus, I'm gonna go before they burn the place down."

You open your phone and check the post Carole sent you. "Hey Mav?"

"Yeah?"

"What the hell were you guys doing with a ouija board?" You can sense the cogs in his mind turning as he tries to come up with a lie.

"Just- I'll be home soon. This is connected to anything that's happened, we paid the electrical bill on the beach house, right?"

You glance at Charlotte. "We did."

She leans in, "if anything sounds sketchy, hangup."

"So now?" You roll your eyes. "Mav, don't stay out late. We paid the bill and don't wind up in the hospital this time, okay?"

"I make no promises," Nick shouts into the phone. "Let me speak to my, lady love. I need to say some things before I meet my maker."

"No, bye," she hangs up the phone.

"Char!"

"What? He was going on and on for so long."

"That doesn't mean you hang up on him."

She shrugs, "oh well." She walks back into the living room. "Care, your husband's going to come home possessed."

You hear her laughter from the living room and poor Bradley being confused.

-

Continue to the series - Top Gun: Crack

-

Tag List

@kmc1989 @blueoorchid

[whywoulditho]

hq movie review!!!

(not spoiler-free)

went to see the haikyuu movie: dumpster battle today and i wanted to share my thoughts!!

first of all the movie had better animation than season 4 of the series! even though it stuck with the same animation style and character designs this was a much more neatly done project for sure. it felt like they had finally adapted into the style and managed to bring out the best version of it. in that sense i feel like season four was their experimental phase, if that makes sense? the movie's animation was so much smoother than i expected. i still prefer the first three seasons' style, but this wasn't bad at all in my book.

they used the same OSTs from the series as far as i've noticed, and they did make the match dramatic enough in most parts, (-we'll get to those other parts) and the voice cast did a good job as always.

they cut the arc a little shorter, trying to fit it into a 1h 30m runtime. it's a three set match so it was bound to be shorter than the five set matches like the shiratorizawa and the inarizaki matches, but it still deserved a good two hours in my opinion. you might think, well obviously they weren't going to animate every single point but honestly? furudate drew almost every single point and people READ that, on paper. we would have eaten up a two hour long movie. but well, since it's all done let's talk about what we had, and what we didn't.

the movie opened with a redrawn version of the season one scene where hinata meets kenma for the first time. it was a nice, nostalgic touch. they kept focusing on the random crow and cat they added to the background of the scene for peak symbolism and frankly i kinda loved that. i don't care that it's overdone it's still good okay? 😤

oh and even though they reanimated that first scene, there were still many instances in the movie where they cut to flashbacks from earlier seasons taken straight from the original version with the older animation style.

the first half of the movie was weaker than the second. they skipped a bunch of points and tried to only show the important lines but without the leading rallies the lines just looked kinda goofy and out of place. this one for example,

when they threw in this line i was kinda thrown off?? because like, the build up just wasn't there? does that make sense? this whole bit about yamaguchi finally catching up to tsukishima and then actually surpassing him was very well done in the manga. and it was a huge thing too, the two of them were the first page art of that volume, but the movie tried to get it over with in like, thirty seconds, i'm not even joking.

this part:

was made into a weird little slideshow type of thing that transitioned into their high five and it looked so goofy to me... i'm sorry. i just wanted them to have this moment so badly. and they did, kind of, but it wasn't all that satisfying.

also, they didn’t give us tsukkiyama having a telepathical conversation, HOW DARE YOU.

tendou and tsutomu watching the match on tsutomu's ipad was also in the movie! i was really happy to see that because that's one of my favorite things from this arc lol. though they didn’t give much of tsutomu's frustration with tendou.

the first half was pretty bland, accurate to the manga but with most inner monologue cut and some parts skipped.

through the middle they gave us the kuroken childhood flashbacks, it was cut shorter than it was in the manga. and get this, i feel like the way they delivered their childhood memories were like they wanted to make them more about kuroo's love for volleyball than exploring kuroken's bond with each other. i feel like the movie tried too hard at focusing on one thing at a time, they cut the tsukkiyama scene short because during that bit they were focusing on kenma. they cut the kuroken memories short because they were trying to focus only on kuroo.

this kept going, honestly. even though this match was ALL about parallels and the bonds these characters have with each other, friendships and rivalries. in the manga, furudate made this match about exploring ALL the dynamics he'd been building up since the beginning. it was more random, yes, but that's what made it natural. kenma and hinata's rivalry/friendship, kenma and kageyama's rivalry, yaku and nishinoya's rivalry, kuroo and daichi's rivalry, tsukishima and kuroo's mentor-student relationship, nishinoya and asahi's trust bond, whatever the fuck yamaguchi and tsukishima had going on. the man took the time to give us crumbs of all these dynamics in the middle while a volleyball game was kind of just playing in the background. i know that sounds like i'm saying playing volleyball wasn't the main point, that's because that is what i'm saying. inarizaki v karasuno was about volleyball. shiratorizawa v karasuno was about volleyball. nekoma v karasuno wasn't. it was about two teams. because furudate made sure that we know every single player in each team, through and through.

this match wasn't just a simple match, it's something that they never shut up about since season one. this match was the end goal of all the relationships and parallels and dynamics they have been building for these characters, and the movie did a half-assed job delivering their fated battle.

it's like they looked at the arc and thought, "this is about hinata defeating kenma. let's focus on that and mention everything else briefly." so it was a whole mess of characters throwing these one liners back and forth and you just sitting there trying to catch up. look, maybe i'm blinded by nostalgia. but i don't remember feeling this way while reading the manga.

(edit: totally forgot to mention this but THEY CUT OFF THE COACHES' BACKSTORY !!! no young nekomata :((( )

okay, moving on, they did give us the birdcage scene:

and better than the manga, if i'm being honest. like i know it's a bad picture but LOOK at that composition. i love it so much.

they also included the one where kenma and shoyo shoved knives up each other's throats (they're such good friends fr 🤧)

they did this scene:

so well i was about to cry. shoyo literally screamed it was kinda overdone but i'll take it. kuroo's laugh was beautiful.

there was also this other scene where kenma is exhausted from running and is just desperately trying to keep playing and they did this amazing 360 degree perspective shot from his pov and IT WAS SO GOODDD. the heavy breathing kept getting louder and intenser and you could literally FEEL his breath and the voice acting in that scene was top notch i had fucking goosebumps. there was this bit where he faced the ground and his sweat was dripping down on the floor and YOU COULD SEE HIS REFLECTION ON THE WATER DROPS?? LIKE???? i'm still shocked this studio pulled that off you guys it was awesome.

and at the end of the match, they took this scene,

and made it 10 TIMES BETTER?? AS IF THAT'S POSSIBLE???

in the movie my boy kenma was fucking FLOORED. he was lying on the ground all sweaty and limbless and he had this beautiful smile on his face as he looked up at kuroo and said this line. I LOVED THAT SO, SO MUCH YOU HAVE NO IDEA HOW WARM IT MADE MY HEART. THANK YOU WHOEVER LOOKED AT THIS BEAUTIFUL PANEL AND THOUGHT, "YOU KNOW WHAT, I CAN MAKE THIS EVEN GAYER"

oh, and they also included this for some reason lol:

okay, so, the movie wasn't as bad as we thought it would be.

i was really surprised by the quality of animation. they definitely solved the problem they had in season four where even the smallest movement always looked stiff. i don't think they paid enough mind to what the arc was actually about, to be honest. they tried to make this into just another one of their matches. well, maybe it was and i'm just reading too much into the character dynamics, who knows..

oh, and the bitter sweet news is that in after credits they teased the kamomedai match. since we're getting only one last movie for the finale it was a given that either the kamomedai match or the time skip were going to be cut short or cut off entirely. well, it doesn’t seem to be the kamomedai match... so. yeah. i guess we're kissing our beloved brazil and V league and olympic arcs goodbye. there was no way they did all of them justice anyway.

while the time skip is a high sacrifice i have to say i'll still be pretty happy if they make the kamomedai game full-length. that's my favorite match in the whole series and it definitely deserves more love. i doubt it will receive any if it comes in the expense of the time skip though...

so have you seen the movie? let's chat on the comments!!!

[mygreatadventurehasbegun]

Scattered thoughts on The Heiress.

I realized when I started watching the movie tonight that this is the first time I've sat down to watch the entire thing in years. I've caught parts of it on TCM from time to time, but I haven't seen the entire movie in at least five years.

So, here's so random thoughts.

Catherine's father is a massive dick. Yes, I know that's not a new discovery...but I think I hate him more than ever after watching this tonight. There's a moment when Morris is calling on Catherine and her father comes home. Morris says he is calling on "the most attractive girl...and her attractive father". And Austin's response is "I wouldn't say we were attractive." Not I. We. Even in front of a guest in his home who is paying his daughter a compliment, he can't seem to stop insulting her. And the fact that Catherine doesn't even noticed shows just how used to it she is...or maybe she's still glowing by the fact that a guy that looks like Montgomery Clift called her attractive.

I love the choices that Olivia de Havilland made for Catherine's voice. In the first half of the film, it's bright, girlish and airy. But as soon as things start to fall apart around her, her voice begins to drop. It becomes sharp and hard when she speaks to her father after he reveals his true feelings....and again when she sees Morris again at the end. And her physicality is excellent. The bits of business she does at the beginning of the film (fumbling with her dance card or twisting her handkerchief in her hand) really helps illustrate Catherine's insecurities. And the way she leans away from Morris is so interesting. In the beginning, it's because she isn't used to having people that close (especially men) and she is so nervous, she can't help but move back. At the end, she is genuinely uncomfortable around him when he tries to be intimate...leaning back and tensing up when he tries to embrace her. That is, until she finds a way to turn the tables on him.

And I wanted to talk about Morris. Montgomery Clift's performance is so subtle, that it makes the character so difficult to read. Hence why when I was a teenager, I bought every single word that came out of his mouth. Tonight, I found myself watching him, even when he was in the background to see if there was any sort of tell. And for the most part there wasn't. But there is one little gesture that said so much.

So.

Catherine and Morris' reunion scene is one of my favorite scenes in the movie. Even knowing what is going to happen, I can't help but get swept up in the romance when that music swells and they kiss in the rain. I won't break down every moment because I'll be here all night, lol. But at the end of the scene, when Catherine has told Morris what has happened with her father and that she will not forgive him, we get a couple of closeups on Clift's face. In the first one, we can see the impact the news has on him that he isn't going to get the full 30K he thought (which, in today's money is about 1.2 million/year, just FYI). But on the second closeup, Catherine has just buttoned up his cloak for him and I saw something I never had before.

He grabs her hand.

He knows it's all over and yet he still grabs her hand.

So, to me, the way I read it is that he actually does care about her. I don't believe that he was in love with her, but he genuinely cares about her as a person and realizes that he is probably going to hurt her terribly, and he feels awful about it...because while he may care about her, he cares about the money more.

It's such a little thing that I'm sure was a choice on Clift's part. So, I agree with her aunt's assessment from earlier in the film. He would have taken care of Catherine and made her happy. There may have been a point down the line where he stopped being outwardly affectionate...but it wouldn't have happened immediately.

And in that final scene, I am 100% on Catherine's side when she says that her aunt is talking like a fool. The fact that she bought Morris' sob story is hilarious. I mean, I bought it when I was 17...but I was a teenager who knew jack shit. She is a full grown adult who saw her niece's heart break in real time and was like "yeah, Morris's story sounds legit". I get that she does want Catherine to be happy, but come on...do better, Aunt Penniman.

And finally, even though this has been said a billion times, Olivia de Havilland gives her finest performance in this movie.

Genuinely brilliant.

[blindmagdalena]

imagine homelander with a gf that gets really really clingy with him after watching sad movies where the one of the partners dies. obvi he’ll try to make it abt her, but really he’s touched that someone cares about him enough to worry about him..😭

This movie is... ridiculous. Homelander's biting back a laugh through the emotional climax of the film, unable to empathize with the choices of these characters, when suddenly he hears you sniffle. Looking down with his brows lifted, he catches the glint of tears rolling down your cheeks. "Whoa, hey, what?" He asks, sincerely baffled. Normally he can understand your responses to things decently well, but this catches him wholly off guard. You'd both been laughing about how silly the movie was not ten minutes ago. "What's with the waterworks?"

"I'm not crying," you answer stubbornly, pushing your cheek into the soft chest padding of his suit. "Right, my mistake. Just leaking lacrimal fluids then," he says wryly. He expects you to retort, maybe give his thigh an ineffectual slap, but there's a flicker of concern amidst his bewildered amusement when you don't respond at all, pressed tight to his side, tears still falling. "Babe," he calls, the word softly stressed. His brows knit together as he hooks a finger under your chin, forcing your eyes up to meet his. "C'mon, talk to me. No way that movie—

"It wasn't the movie," you admit finally, exasperation in your voice aimed not at him, but at yourself. "Not really, it was stupid, it just... I don't know. It got me thinking. I really don't know what I'd do if I lost you," you say, voice falling quieter and quieter with every word. It doesn't matter to him, he hears every bit of it. Homelander's shoulders sag.

"You won't," he says, face still pinched. You're the fragile one, not him. It makes his chest feel wrung tight, uncomfortable in a way he can't make sense of. You are his only vulnerability. You exist in his life as a precarious thing, a knife wedged in his heart that can be twisted and used to hurt him. A wicked part of him, the part that yearns for true invulnerable godhood, hates that about you. He swallows, mouth twitching. "You won't," he says again, needing it to be true as much as you do.

"I know," you say quietly, shifting up to press a kiss to his lips. In moments like this, you are so gentle with him, he almost feels fragile. It's as terrifying as it is indulgent. No one has ever worried about him the way you do. They've only ever cared about the damage he could do to others, but not to himself. Not about what could be done to him. "But I love you. A lot. More than I've ever loved anyone. I think I would go nuclear, you know? Just... Burn it all down kind of crazy," you say, huffing a teary little laugh. "But that's what they say. Love makes us crazy." Homelander kisses you fiercer than you're prepared for. He cups your face and holds you firm, soaking in your words, the salty smell of your tears, the tremble in your voice. All of it for him. "Say it again," he murmurs against your lips, voice tight.

"I love you," you say again, taking hold of his wrist. "I love you, I love you, I love y—" Your lips meet again with even more fervor. Homelander pulls you sideways into his lap, wrapping his arms around you as he sinks deeper into your touch, your lips, the warm sweetness of this vulnerable, unconditional love you have for him. He would kill for you without question, decimate a world that would see fit to take you from him. Knowing you've thought the same sets him aflame. "I love you so fucking much," he rumbles, kissing his way down your throat. "Show me how much," you rasp, tears drying in the wake of heat crawling through you, ignited by his touch. In the background, the film continues to play, wholly forgotten. It may not have been a particularly good movie, but it does at least serve as the catalyst to a very, very good evening.

[enhashoutout]

Things I noticed while watching High and Low the Worst X again

I was watching High and Low The Worst X while I was on lunch break and then had more realizations and wanted to write about them lol

These are probably nothing new and someone else probably already noticed these but I wanted to make a post about them sooooo

I’ve watched the movie so many times now idk why I just realized the weight of the three scenes I’m about to talk about. But also I feel like I notice something new every time I watch the movies so I'm gonna cut myself some slack.

Amagai being the only character in the movie who genuinely doesn’t have a sense of friendship/comradery with anyone else.

The first time we see the 3 schools alliance meeting is the opening of the movie, and I remember when I first watched the movie I was like "well damn this looks like a solid ass team" only to find out later that they were in fact not really a team lol 😂 but anywaysss

Watching the movie this time I just realized what Fujin says to Amagai in the first scene in the restaurant where the 3 schools are holding their meetings.

Reiji is first to jump up and say "Let's get this brawl started," and Ghandi jumps in telling Amamgai that their troupes and weapons are ready. Shoji laughs and says that weapons are typical Kamasaka behavior which prompts them to jump at him and Fujin, Raijin, and the other Ebara guys jump straight to his defense while Shoji continues sitting. Amagai tells them to "get us more" while tossing the money bundles in their direction.

Every single fuckin character in this scene's facial expressions have me dying because the disbelief on their faces😂

Shoji looking at Amagai like he's full of shit.

Fujin, Raijin, and Ghandi are looking at him like "wtf?"

The background characters are looking at him in disbelief also like I was WHEEZING when I realized this. Back to the characters who are the main focus of this specific camera frame though, Ghandi and Fujin.

Both characters turn to Amagai with the BIGGEST look of disbelief on their faces and Fujin says "You don't trust we can do it huh?"

To which Amagai says "What's the use in trusting you guys?" and goes on a spiel about how being powerful means you trust no one and not even giving them a slight chance. He also goes on to say that being powerful means bringing everyone else down to their knees and tells the other 3 schools "Just shut up and stick with me. I'll show you what it's like to be at the top." Ryo's face when he says this is a whole other conversation for another day.

I'M SORRY BUT THE LOOKS REIJI AND SHOJI GIVE HIM AFTER HIS LITTLE SPIEL HAD ME ROLLING🤣 Like both characters gave him the most judgmental expression and then you got Shoji over here looking away and rolling his eyes PUH-LEASE I AM DEAD🤣

Aside from all of this being extremely funny to me, this plays into my point from above. Yes, all these looks are super funny but it really shows how as "bad" as the other guys are they still run in the same way that Oya and the other S.W.O.R.D gangs do, through friendship and comradery.

Fujin asked "You don't trust we can do it huh?" because Ebara most likely runs on comradery as well. You don't pay someone to do shit for you, they just know to trust each other to get it done. This is a concept that Amagai does not and can not understand because he's been conditioned to believe that the people around him are not worthy of trust or friendship due to his status, they just work for him. As long as he throws money at their feet, they'll do what he wants.

That's like kind of sad actually, the fact that the other "antagonists" of the film still know friendship and he doesn't... I still hate his guts though. We love Ryoki but we don't love his character Amagai.

The way Shoji vs Tsukasa asks Suzaki why he’s working for Amagai

I think everyone can agree that within that 3 school alliance, Shoji Sameoka was the only character with working brain cells (full offense to all the other characters lol no one else in that room had critical thinking skills I swear). From the first meeting we see, the audience can already tell Shoji is the only character who has doubts about this alliance but also questions it; while everyone else has doubts but proceed to just follow Amagai's orders. This eventually leads to Shoji being the one to suggest that Ebara drop out of the alliance because he thinks it’s stupid which then leads to him agreeing to Todoroki’s terms of dropping out of the alliance if Todoroki wins against Fujin and Raijin. I feel like Shoji as a person judges the other characters based on what he knows/hears about them.

We see this when he confronts Suzaki. Shoji asks Suzaki why he would come to Senomon and work under Amagai when he was the one running Nami High. Suzaki tells him to mind his own business. Shoji is asking Suzaki from a place of strength. Based on the dialogue, it seems like Shoji knew Suzaki and Amagai’s reputations before this alliance. I deduce this down to Shoji knowing that Suzaki was the strongest at Nami High and knowing that Amagai isn’t actually physically strong compared to the other characters, he just likes to cause trouble and make others work for him. People fear Amagai not for his strength or skills as a fighter, but simply because he has the money and status to be at the “top”.

This brings me to believe that Shoji was asking why someone as strong as Suzaki would even work under Amagai who is clearly not a match for him strength wise. It seems like Shoji is asking Suzaki why he would be scared of Amagai’s money and work under him when Suzaki is clearly stronger. I think this is because the Ebara guys ranks are based on their strength/who is the strongest (I make this assumption from the fact that Fujin and Raijin are straight up gym bros lol) so Shoji can’t understand why Suzaki is working under someone clearly weaker than him.

Tsukasa’s question is the same….. but also different.

Tsukasa strikes me as someone who really gets to know someone personally to the best of his abilities before he makes his own judgment on them. We see this with Rao in the movie. Tsukasa could’ve taken everyone’s word for it and been like “oh Rao is a big mean monster” but he takes it upon himself to find out who Rao actually is through Mercy. This is how he finds out Rao isn’t actually all that bad like the stories suggests and that Rao fights for good reason (for his siblings). This trait about Tsukasa is why he asks Suzaki why he fights for Amagai but is also why he’s the only one who is able to understand why Suzaki fights for Amagai without a direct answer.

When Tsukasa asks Suzaki why he works for Amagai, he says “why do you work for a guy like him? Does he has some kind of dirt on you?” and Suzaki just keeps quiet. This brings me to believe that Suzaki probably had a reputation for being the strongest at Nani High but also fought people within reason, he didn’t flaunt his strength just because he felt like it.

Tsukasa asked him based off the kind of person he is and not his strength. I'm assuming Ryo fought people within reason and not so much for fun or to assert his dominance over others with his strength, so him working under someone who has as shitty of a personality as Amagai probably threw Tsukasa off a bit.

He is also however able to tell that there is a friendship there even if it isn't great. At the end when Yuken and Todoroki ask why Ryo would work for someone like Amagai, Tsukasa says it's because he means more to Ryo than that. Alluding to the fact that Ryo is doing stuff for Amagai because he sees him as a friend even if everyone else doesn't.

Okay, I'm done now😂 this wasn't as deep as my other analysis because it's not super deep with comparisons or anything like that it was just stuff I noticed while watching the movie again.

I have fics I'm working on for all the S.W.O.R.D leaders and more for Fujio I'm just swamped with assignments and working a little slow