#me at this whole mural thing

[jamethinks]

My unnamed Twiyor fic is about twilight buying Yor a house in preparation for the termination of the operation (ie ensuring she’s in a good position for when he abandons her) and he decides to buy and old run down house and let her renovate it to her hearts desire. The dilemma I have (because I’m deranged) is trying to figure out what style of house they should get. Initially I considered a doing a French townhouse possibly with 4 storeys, basement, main floor, chamber floor and then an attic floor where Loid would be. It would also have a servant stair that would be concealed as an alternative escape route as well as a cellar under the house for extra extra security.

However, that style of houses aren’t very popular in Germany, the Tudor style is more common but I’m having a hard time finding a layout that fits their hypothetical needs. It needs to be big with a proper yard but also discreet and doesn’t stand out, also has to be detached or at least a corner lot, gotta in Berlint since that’s where they work and Anya goes to school there and only Loid drives. It obviously doesn’t need to be too large but Twilight wants to spoil his girls idk what to tell you

I personally hate apartments so I do want to move them out. It would style belong to Loid and eventually Anya. The original story had him and Anya living abroad and Yor in the townhouse with Bond. The house abroad was more of a slick modern mid century style house, buried deep in a forest in upstate New York. Obviously very spy inspired, like something James Bond would live in. As for Yor, I have her a pretty townhouse that was just seeet and pretty and full of life with again lots of secrets and hidden rooms to reflect her personality.

The second WIP would be where Anya returns to Ostania and lives in the old apartment so it doesn’t become useful again but I want it gone.

Also I just think twiyor working on a project together would a good way for them to talk and bond idk idk

[red-rover-au]

Trying sooo hard to keep my mouth shut rn seeing my Splinter getting a general higher parenting grade than my Draxum

Splinter has chapters from his POV in the fic while Draxum doesn't so i guess it's to be expected.

Splinter originally wasn't going to have a POV either, but then I got the double mutation idea and Raphael lost all self awareness so he couldn't have a POV anymore. I had to choose either April or Splinter to take over and Splinter seemed like the better choice cuz he's more involved in the immediate story, and I figured seeing his POV would help readers understand how tf he became so much worse than canon

Anyways me defending a yokai war criminal cuz he has 3 kids:

[whimsicmimic]

once again sitting with my head in my hands thinking about web weaving with de quotes + trigun. an act of complete self indulgence but i am so deeply unwell about these two things

[icewindandboringhorror]

Daily Log

Trying out (probably just temporarily) making short daily-ish notes about things, in an attempt to see if it helps me be more reflective or productive lol.

Activities: Badly carved an eye into an avocado pit with a nail cuticle tool thing. trying to think of better designs to carve into avocado pits. I don't really have the right tools, maybe should order some carving tools. I hate buying things online eeeeee..

Worked on translating a poem into Avirrekava (my constructed language for one of my fantasy species) so I can paint it onto a tapestry sort of thing I'm making, kind of in the style of medieval illuminated manuscripts? I do not have paintbrushes small enough.

Spent a lot of time thinking more about the story with an investigator tracking a doctor who's doing strange experiments and they eventually become friends(ish) after trying to kill each other a few times, lol (set in my fantasy world though, so magic is involved, etc. It's just interesting to think about testing the limitations of magic and what type of experimentation people would do, especially if you own a hospital or morgue or other scenario where you have access to bodies, or good cover for hiding them, etc. Plus worldbuilding religions in the world, what their ideas of morality would be, what an "investigator" or police force would even look like in that setting, etc. Two jhevona main characters in a city full of elves and the in-world politics of that, class war and royals, pretentious scholar communities and how they'd operate, actual magic combat between two advanced magic users and what that would look like (mixing illusions or higher level spells with minor brute force tactics, evasion, enchantments, shapeshifting, etc.) etc. etc. ).

Organized some of my plants, but still need to replant some fully. Succulents grow SO fast, I think I'll run out of room. Also one has burnt to a crisp during the heat wave last week.. my son.. ToT.

Edited a few costume photos then gave up because my camera is evil and I always have that thing where it looks really cool in the mirror but then the final photos suck, which demotivates me to even do anything with them/feels like a waste.

Still chronic health issue sick stinky as usual, plus it's still warm inside from the heat a few days ago so being hot makes joint pain worse... evil.. no energy. fell asleep on the floor for like 30 minutes.

Tried a new oreo flavor and ranked it on my comprehensive oreo ranking list. Mediocre as usual, but I'm too far in to give up now gghj.. I have to just try them all. A fool's labor.

Notable sights: found one 6 leaf clover, two 5 leaf clovers, and eleven 4 leaf clovers. Saw a rabbit, 3 cats in windows, and 4 ducks. Also at some point I was squishing gum in my hand and pulling it apart and when stretched out it would make these really cool spindly spider web patterns. The sky later in the day was hazy pink, purple, and blue pastel sunset.

Goals moving forward: Wake up on time even if I feel sick when I wake up!!! Focus on more immediate projects, don't get distracted. Actually make room for investing in social time and replying to people even with minimal energy reserves. Stay consistent with physical therapy exercises. Plant nasturtiums. Finish and upload videos, email doctors, edit pictures, post the poll adventure thing that has been sitting in a draft for weeks.

Notable foods: None today, but I have asparagus for later which is exciting... my new favorite vegetable whilst on the stinky Nutritionist Prescribed Special Limited Diet

[sonrium]

DP X DC: A Minor Drinking Problem

Phantom is a relatively new member of the JLA, but it's been a few months, and things are settling in well. He's shy and polite but is a master of the snark with villains.

Before a big mission, the all hands on deck kind, everyone is talking about scars and the crazy stories behind them to distract from the coming fight. Danny, finally feeling like he can join in the conversation with all these adult heroes, pulls off his right glove to show a pretty gnarly scar on the back of his wrist. “I got this one when I fought a guy from the Revolutionary War a few weeks ago! Didn't think he'd charge me with a bayonet.” He shares a couple more stories and scars, but only the ones that he can easily show off.

Because of stories like that and some historical depictions of Phantom from different time periods, they think he's this ancient and powerful immortal that just looks like a teenager, it wouldnt be the first time. He's powerful enough to go toe to toe with Superman, so there's no way he's actually a kid. He even sometimes has the haunted, world weary eyes that their most hardened members only get after experiencing too much. Danny, being our lovable, obliviously dense idiot, has not realized that they think he's an ancient being.

After the mission concludes -it was a rough one-, the JLA celebrate their victory with a couple drinks back at the watch tower. Danny is understandably uncomfortable with this whole situation and keeps asking, “Are you sure I should be here?” They reassure him it's fine as they pass around beers, which Danny politely declines several times. Danny eventually sees this as the perfect chance to pad his blackmail folders on his inebriated coworkers.

Anyway, as the night goes on, they have a good time, but Phantom still hasn't gotten a drink like the rest of them, and Green Lantern (or hero of your choice) really wants their shy friend to come out of his shell. So, he slams an open beer bottle on the coffee table in front of Phantom. “Come on Phantom! Let loose a little. Celebrate!”

“Dude! What the hell?! I'm 16! That's illegal!” Phantom squeaks in shock.

“We don't care how old you were when you died. It's how long you've been a ghost that counts.” Flash slings an arm around Danny's shoulders from where he’s sat next to him on the couch. Flash can't get drunk, but he also thinks it would be fun to see their uptight new member drunk.

“That's even worse! You'd be giving alcohol to a two year old!” Phantom is horrified that his coworkers are so casually breaking the law.

“But you said you fought in the Revolutionary War this morning!” Green Lantern said with his eyebrows knit in confusion.

“No, I said I fought someone from the Revolutionary War. As in, the ghost of someone from the revolutionary war!”

“You can't pull that on us. There's murals and stuff of you from thousands of years ago.” The Flash waves off with a laugh.

Phantom’s finger presses painfully hard into Flash’s chest. “I do not need to explain time travel to you of all people. My mentor hates you, and I'm STILL sent on missions constantly to clean up your messes.” Phantom's clear and low. Flash liked it better when he was shouting and not staring him down like a predator with narrowed eyes.

(This random idea popped into my head. It made me laugh, so I thought you might, too. Here you go!)

[all-pacas]

I finished my Rome book and have now begun one about Pompeii. I’m 65 pages in and I already love it: yes, it covers the volcano, but most of the book is about “this is what the town and daily life of it would have been like, actually.” Fascinating stuff. Things I’ve learned so far:

- The streets in Pompeii have sidewalks sometimes a meter higher than the road, with stepping stones to hop across as “crosswalks.” I’d seen some photos before. The book points out that, duh, Pompeii had no underground drainage, was built on a fairly steep incline, and the roads were more or less drainage systems and water channels in the rain.

- Unlike today, where “dining out” is expensive and considered wasteful on a budget, most people in Pompeii straight up didn’t have kitchens. You had to eat out if you were poor; only the wealthy could afford to eat at home.

- Most importantly, and I can’t believe in all the pop culture of Pompeii this had never clicked for me: Pompeii had a population between 6-35,000 people. Perhaps 2,000 died in the volcano. Contemporary sources talk about the bay being full of fleeing ships. Most people got the hell out when the eruption started. The number who died are still a lot, and it’s still gruesome and morbid, but it’s not “an entire town and everyone in it.” This also makes it difficult for archeologists, apparently (and logically): those who remained weren’t acting “normally,” they were sheltering or fleeing a volcano. One famous example is a wealthy woman covered in jewelry found in the bedroom in the glaridator barracks. Scandal! She must have been having an affair and had it immortalized in ash! The book points out that 17 other people and several dogs were also crowded in that one small room: far more likely, they were all trying to shelter together. Another example: Houses are weirdly devoid of furniture, and archeologists find objects in odd places. (Gardening supplies in a formal dining room, for example.) But then you remember that there were several hours of people evacuating, packing their belongings, loading up carts and getting out… maybe the gardening supplies were brought to the dining room to be packed and abandoned, instead of some deeper esoteric meaning. The book argues that this all makes it much harder to get an accurate read on normal life in a Roman town, because while Pompeii is a brilliant snapshot, it’s actually a snapshot of a town undergoing major evacuation and disaster, not an average day.

- Oh, another great one. Outside of a random laundry place in Pompeii, someone painted a mural with two scenes. One of them referenced Virgil’s Aeneid. Underneath that scene, someone graffiti’d a reference to a famous line from that play, except tweaked it to be about laundry. This is really cool, the book points out, because it implies that a) literacy and education was high enough that one could paint a reference and have it recognized, and b) that someone else could recognize it and make a dumb play on words about it and c) the whole thing, again, means that there’s a certain amount of literacy and familiarity with “Roman pop culture” even among fairly normal people at the time.

[odysseys-blood]

seeing my nephew today i learned how u can entertain a baby with only a piece of paper and its amazing

[till-we-become-monsters]

Doing a notes post cus why not?

╭── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ──╮

30 notes - ill go through my closet and get rid of what I don’t want

60 notes -I’ll try and draw everyday/finish old projects

90 notes - ill try and brush my teeth everyday

100 notes - I’ll finish the mural on my wall

130 notes - I’ll try and finish the books I started

160 notes - I’ll try and figure out my hair type (straight, wavy, curly)

190 notes - I’ll try and take care of my hair the way it’s meant to be taken care of

200 notes - I’ll try and wear my glasses all the time

300 - I’ll try to go outside more

400 - I’ll try and eat at least one meal every day

500 - I’ll try and take care of my cuts a little bit better

600 - I’ll try and talk to my parents about things even though they probably won’t listen (don’t do this to me- /hj)

700 - I’ll try and stay clean for a whole school week (5 days straight)

800 - I’ll try and eat two meals a day

900 - I’ll try and stay clean for a whole week (7 days)

1K - I’ll try to find a online therapist (because asking my parents for one is scary (don’t do this to me plz /hj))

2K - I’ll try and stay clean for a whole MONTH. (30 days)

╰── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ──╯

More to be added when I figure it out

SPAMMING IS OK

(probably gonna regret saying that-)

[anjdraws]

Leave It In The Sun, a Wind Waker Fan Comic

This comic was made in 2021 for @zelink-fanzine. I spent a lot of time in 2020 playing wind waker and listening to the beach boys and i wanted to make something that captured the feeling. I really love Tetra and I really don't love how she gets sidelined in the third act of the game so I wanted to take it in a route that felt more like Tetra. I spent a long time on this comic and the composition and textures and listened to a lot of music. Specifically the dress pose on page 2 and the spiral mural on page 3 were the hardest parts of the comic by far. I wouldn't have been able to make this comic without the friends I talked to on the discord phone while making it. Pretty much every part of this comic I can look at something and remember the conversation I had while drawing that specific thing. I really felt an impulse to "Prove Myself" with this one, and I'm really glad I did! it had a really warm reception and made me feel like I Did It, if you know what i mean.

The name "Leave it in the Sun" is a reference to a Jeff Rosenstock song of the same name. The whole album "NO DREAM" was a really big part of giving me the energy to finish this comic but this song was specifically the big one to me. It may not have been intentionally written to be a love song but i just find the lyrics soo romantic and triumphant. Since this whole comic was about reinterpreting meaning from old texts I felt like it was the only thing I could name this comic! The main part was like

If you knew that I think about you every single day

would it make you feel like I'm too much for you?

Or would you kinda wanna say

"You don't have to feel that way

I've been trying not to think about you too."

To any who are interested here's a big youtube playlist of the music i listened to while making this. honestly was pretty useful! https://www.youtube.com/playlist?list=PLwEKjLDquWHV9QsmbiK9qN_Rtf9C7Fc8j

Special thanks to Ria, Marty, Gabes, Lilly, Fizz, Becksa, Kram, Step, Maddy, Iz, and the zelink zine people. Everyone else helped a lot but without Ria I wouldnta got past the first thumbnail sketch..shoutout ria

[vasilissadragomir]

one of the most heart-wrenching things about thg universe is that you feel the loss of who each character would be outside the circumstances of their birth almost as acutely as you feel the loss of the characters themselves.

sure, we know what lucy gray and her family would be doing in a different world; she’d be dancing and singing and making music which defines a cultural identity. but what about the others? would haymitch have been a hilarious, loving father with a family had he not been forced to survive 47 other children’s brutal deaths? would finnick have been a charismatic and beloved actor, bringing joy to immeasurable people on his own terms? would beetee and wiress have worked together to develop technology to make it easier to connect loved ones far and wide? what would reaper and annie have given to the world, or thresh, or rue, or even coral or cato or glimmer or clove?

if katniss wasn’t half-starving and forced to spend each day hunting to feed her family, would archery be her true passion? or if she’d been a well-sustained little girl with access to art supplies, would she have spent her time sketching captivating dresses? she picks up ropes and making fish hooks quickly—could her dexterity have lent itself to knitting, sewing, or crocheting with vibrant yarns and fabrics? there’s so much evidence that katniss finds clothing inspiring and empowering, even when she dismisses it as frivolous. she likes being pretty, she just hates the circumstances under which she’s made to look pretty. cinna shows her that beauty has its own power, and there are several moments in her interactions with cinna and his designs that make me wonder who she’d be if she had space for art and creativity in her life.

conversely, peeta has had art in his life since he was a small child, but for him, art has always been entangled with his trauma. he could bake and decorate well because he learned from his mother, a mother who beat him his whole life. but his talent grows, not only as a survival tool in the first games, but when he paints rue on the floor of the training center before the second games. his art becomes not only a symbol of his trauma, but a means of resistance and solidarity. in a world where peeta’s intrinsic kindness and loving heart had been nurtured and welcomed rather than abused, could he have been a painter, helping people find collective meaning in the simple realities of life?

could katniss and peeta have still found each other in another world, a world without the horrors they were raised with, and bonded over their love of art? could they have been each other’s muses?

maybe they find their way to share art, after the events of mockingjay, as part of their process of healing and falling in love with each other. when they’re finally safe and have been for a long time, maybe katniss fashions peeta an easel for him to paint in their living room. after months of watching him gaze out the window and paint the changing leaves, katniss takes to knitting on a rocking chair in the other corner of the living room to steady her restless hands. they work silently as the days go by, quietly exchanging the things they’ve made to give each other the reassurance and love neither could ever fully convey with words.

and maybe one day, when they learn there’s a baby on the way due in midwinter, katniss takes a page from peeta’s sketchpad and starts to plan a series of sweaters and hats and socks she can knit for the baby. and peeta goes to the little nursery upstairs and starts working on a mural, so the baby will have something beautiful to look at every day. they work together to design the perfect baby blanket for their child, to ensure they will always be wrapped in a layer of protection and love by their parents.

but even if they find creativity and beauty in their lives after the end of mockingjay, the art they make will simply never be what that art could have been had they not faced what they faced. art comes from suffering, yes, but the human condition has so much suffering as is, and we’d never know what kind of art they’d make if they hadn’t experienced trauma of a distinctly sadistic and inhuman nature. but maybe their children, raised in a better world with love and protection and safety and joy and creativity and expression, will be the ones to create the art peeta and katniss never could.

[erosiism]

SACRED | YANDERE PRIEST X M!READER

prompt: yandere!priest x transmigrated!male!reader

character(s): priest (anton), you

warnings(s): mention of violence, god complex, religious imagery, dub-con, not to be glorified or romanticised

note(s): male reader, second person, past and present tense, not beta read. from twisted faith on my wattpad.

It takes a few moments for you to truly process what just happened. From the coarse sheets underneath your skin that differ greatly from the silken ones you have grown so accustomed to, to the air that smells like blood, you know something is terribly wrong.

Then you see a mural of a priest on the wall, and you remember where you are. A horror game.

Anton. It’s the name of the priest you need to find.

The first time you see the priest is the day after you transmigrate into a horror game. The said game, Spiraling into the Abyss features almost a cult like fanaticism with religion: you learn in the first few seconds of your time in the new world that they worship a priest like a God, and that they sacrifice humans to please the apparent gods of the heavens.

You’re a sacrifice. You know that. You are found to be guilty of some stupid crime you didn’t commit, and as far as you know, you are a worthless extra who will die by burning—you will do everything to prevent that.

To survive, you need to get into his good graces. You see him on the day or worship, when you come early to the Church: and his beauty astounds you. Symmetrical features—and the whole blue eyes and golden hair combination that is seen as rather cliche, in terms of beauty—but Anton doesn’t have a common kind of beauty; he is radiant. Benevolent. Ethereal. You marvel at him. His skin is without a blemish, and is fair, like he hasn’t gone out in the sun for a while...yet it has a healthy glow to it. His expression is serene. Anton's hair frames his face perfectly, and his eyes are expressive and rather captivating, with long, dark lashes that draw attention to it. His cheekbones are well-defined, his nose straight—and those only add to Anton's appeal.

He speaks to you in lilted tones, and immediately, you realize the priest isn’t just evil—he’s downright a menace.

"Sometimes I forget you are a new, naive believer. God is perfect, is he not? So his messengers, in turn, can do no wrong. He sends his messages through me. God is part of me. I'm merely ridding the world of evil."  He strides to where you are, and his hands touch the top of your head lightly. His fingers fall to your cheek, and he strokes it gently.

You can only swallow. “Yes, Father Anton.”

There’s one day where you ask him why he burns those bodies. He calls it “cleansing”, apparently.

“They donate to the church out of the kindness of their hearts,” you tell him, swallowing the bile down your throat as you hear more screams. “Is that not…a little extreme?”

“Extreme? Why, no, not at all.”

“You burn people alive.”

“That is the cleanest way to proceed. Their ashes tumble away, and it makes it much easier for the people, too. If we were to use magic, or beheading, or even hanging—it would be much messier, no? And I believe fire is such an awfully beautiful thing. It can make death look inviting; and even though the heavens might cast them away…in hell, all they will see is the fiery pits. This is their punishment. To feel sorry for them is strange, Y/n.”

Despite this, for the sake of your survival, you continue to visit him. Now, such visits are rare: Anton barely makes time for anyone. But he does, for you. 

Of course, this partial treatment doesn’t go unnoticed by you. He treats only you like this: it’s concerning, actually. His words are light and gentle, but the weight of it isn’t. In fact, he speaks of cleansing, he speaks of murdering in such a calm manner that you wonder if the devil truly resides in him.

But one thing is clear. 

To survive, you need to get into his good graces.

You feel your sanity slip each minute you spend in the game.

Anton kills. So does the Church. And you still can’t explain the goddamn obsession he has with you. Why has he not killed you yet? Anton is no saint, not at all.

Perhaps Anton was ensnared by the promise of Godhood—ensnared by the tendrils of his own self proclaimed grandiosity. Perhaps he had been idolized so much…worshiped by the devoted believers that he had simply been led to believe in his imagined divinity. Anton was a mortal who had dared to cast a shadow that eclipsed the very stars that he had reached for. Anton was simply adorned in robes of imagined omnipotence, and smelt of the fragrance of narcissus.

Here, he was god, but Anton was completely alienated from empathy. For what was a god in isolation but a sovereign ruler over an empire of one, ruling over a realm devoid of the richness of God’s grace?

You can’t deal with him much longer. He keeps murdering: he murders those who come to you under the guise of the silly notion of cleansing, he finds it amusing to see you sob and cry…and he has no qualms about drugging you. If not for the items you have stored in your inventory, warning you of drugs, you would have succumbed long ago.

Anton is no priest. 

And now he stands before you, his lips curling into a smile when he sees the look of despair on your face. He has just killed a friend,

You have to. You have to fight Anton…you have to…

Anton leans forward. You two are a hair’s breadth away.

God. Is God real? Is the devil real—has he taken form in Anton himself, twisting, persuading, begging, tempting people to court evil, to withhold the stench of death? The crimson flames have not faltered for long, and have only seemed to welcome him with fiery contempt, only surrendering when everything has been destroyed in its wake.

You long to spit curses towards Anton. You long for your limbs to connect with his face, and leave a mottled bruise there. You long for your twitching fingers to wrap around the priest’s neck; watch as oxygen slowly slips from his lungs out of your throat. You long to see his body grow limp.

“You are so perfect,” Anton murmurs, “so, so divine. So perfect…”

You don’t get why he says this. He’s been telling you this for ages: it’s the reason why you’ve been treated well. He claims you are some savior from an oracle ready to save him, he claims you saved him.

And now in this scenario, where his fingers are grazing your cheek?

You swallow. There was no way, right? No fucking way—

“I want to kiss you.”

Your heart drops. “…If I say no, you wouldn’t listen.”

A kiss. It would just be a kiss, right? That was okay. It means simply brushing your lips against Anton’s…yeah, that was possible.

You want to cry. Anton presses his lips on yours—it’s a mixture of heat and warmth; the way Anton ravages your lips has some sort of twisted hunger to it, craving and craving and craving. There is an obscene sheen of saliva coating your lips when you part.

The kiss tastes just like the forbidden fruit, plucked from the tree of desire. It is the same way that Eve sinned—eating a fruit that had belonged to the serpent. It was as if you had forged a pact with the devil himself—that in kissing Anton, it was like sealing your fate in the molten wax of sin, staining the canvas of your soul. Had matted it black. 

It was shameful. So utterly shameful that the kiss…

Once Anton fully lets go, he smiles, and you collapse on the ground, tears running down your face.

He needs you, Anton thinks, he needs you. You are the savior who has brought him from the depths of hell. You are his miracle. You are his little pet; his little divine sacrifice, the white sheep with the white wool. You are the one who will follow him guiltlessly. Untouched, untainted, clean.

You are shaking like a newborn lamb.

He presses another kiss on your forehead.

[ before, Anton’s pov ]

The world was dirty.

It needed a savior. Someone to bring them out from the depths of hell—to cleanse them. After all, was that not what the texts read? Was that not what he had learnt, ever since young? Was that not what had been instilled in him since his very birth? Luke 15:11-32. The wayward son who squandered his inheritance but was welcomed back by his forgiving father—Anton had marveled at it when he was young. To think someone would have such boundless grace; such forgiveness for a foolish person…

The oracle. Anton saw the oracle as a gift—a symbol from God. It had been delivered to him when he was young, naive, and careless. 

Anton remembered very little about his childhood. Extremely little. He remembered his mother, his father. But that was it—but oh, how he hated them. Anton did not remember why he hated them, why the portrait of his family had been torn out. He regarded life then, and now, as the beginning of the end.

Something fleeting, something ephemeral. Something tragic. Life was a wonderful tragedy.

People look at me with such endless wonder; such spellbound eyes and widened mouths. They see me as God—they see me as a deity above them all.

And that was true, Anton thought. That was very true. Sinners. Wretched, dirtied, horrid sinners, all of them! Anton despised humankind; they were worthless—made of brittle bones with flesh. He did not even see them as humans. They were just mere vessels in need of salvation.

“Father Anton!”

“Father Anton, would you please help me?”

“Bring me to the path of salvation!

He was anointed by a divine purpose to purify the soiled souls of the world…

Yes, that was his purpose.

It was relieving and calming to have a purpose. To drift in the vast expanse of the world; the universe without a tethering purpose is akin to being a feather in the breath of the wind. Useless, damaging, lonely. Anton could see—it was very easy for him to see who were those who were aimless in life, compared to those who had the bright, bubbly life shining magnificently in their eyes.

Oh, Mother. Anton would stand before her grave. Again, he did not remember much of what he believed was to be a mundane, boring childhood, but his mother’s name left a bitter taste on his tongue, horrid and painful. Somehow, he did not feel a single bit of…remorse, or guilt when he gazed at her tombstone. He expected to feel guilt for something he was quite sure he didn’t do.

But his lips would always curve into a smile when he saw the words etched on the grave. She was dead, he would remember. Dead. Occasionally, snippets of memories would come to him—her shrill voice, her messy, jagged hair, her crazed, crazed eyes. The way her fingernails felt on her skin when she scratched at him wildly.

Clearly, she deserved to die. How did she die, though? What exactly transpired? What kind of person was she, and what kind of person had she tried to make Anton into?

Anton found, to his surprise, that he was bothered about this. Detachment was something he prided himself on: he would never venture too close.

To have attachment with someone would be detrimental. Annoying. Haunting.

There were times—many, many times when Anton had awoken, hollow and void. 

The oracle.

The oracle.

When is it coming? When is it coming? Have the gods lied to me?

The oracle—his lifeline since he was young—was the very proof that this world had a chance, to live on, to heal.

A savior.

There were times Anton would grow impatient. He needed to do something about the state of the world. It would be easy, wouldn’t it? Why did people falter in front of flames? What did people shun away from blood? Was the sight not wonderful, not enchanting? The heat was welcoming—a gentle caress. Those who ventured in, would have their faces bathed in mesmerizing glow. Nevermind their screams, nevermind their bleeding, rotting flesh. 

The fire illuminated the world before it dissolved like nothing. Like it hadn’t existed. 

“Horrible! Horrible! You’re fucking horrible!” Then the stinging of flesh. There was something piping hot, something burning him.

“Why won’t you even flinch, you monster?”

Anton smiled loosely. Another memory. They came into his mind occasionally and quickly. He never pondered over them—it was useless to; for he already had everything he wanted.

The day you came into the world, was the day he felt alive. Waiting had become a bore to him—it was the same routine over and over again, with the same stupid, foolish people—

Something extraordinary had graced his reality. The oracle. You were the chosen one. The chosen one. The chosen one. The one he yearned for; seeked for; the change in the world.

“Dear God,” You had said the first time he saw you. “I confess I have been impure in my holy spiritual presence…”

Anton had seen you before the mural; your head lowered, your words soft and quiet.

Anton had stepped before you, tilting his head to the side as he observed you. In fact, you seemed to be struggling.

“You have to be sincere. You can’t just read off the mural.” Anton sighed.

You seemed to look at him with flickering recognition.

“Forgive me, Father Anton, for I have sinned.” You appeared shocked for the words to even slip past your lips; and oh, you were beautiful. Lovely. Innocent. Anton gazed at you—this was the person he had been waiting for his whole life—fervently, impatiently, silently. 

“You don’t seem to be used to this,” Anton said at last, as he took off his hood. He had not meant to come to church today—he was aware the crowd was growing more stifling, more crazed by the minute. The women of the church reminded him of his mother. There were times he wished he could draw a blade to their throat, and watch the blood spill out in a wonderful crimson.

“I’m afraid it’s been long since my last confession.”

Anton couldn’t help but smile. You were lying. 

“That’s alright,” He said calmly, “you have come now. Is there something in particular that’s troubling you, perhaps? To bring you to confession?”

“I…”

Anton could read human beings exceptionally well. From the way their eyes narrowed, the way their pupils widened marginally, to the gap of their fingers…you were trembling. You were thinking of what other lies you could say.

An adorable fool.

“You…?” He prompted. “You must not feel self conscious in the eyes of God. He already knows, Y/n. He is only waiting for you to confess.”

I am only waiting for you to confess. To tell me that you are from the oracle.

“I cannot even recall it.” You admitted.

You cannot recall it because it is not true.

“What do people come here for, Father Anton?”

Many things.

“The ones who have sinned so awfully they are made to be sacrifices.”

Oh. Sacrifices. Anton did not even—

There were times he would stand before dead bodies, blood in his hand, blinking slowly. When? When had he killed them? It all happened so fast, he wasn’t even aware of the blood staining his clothes, the bodies riddled on the ground.

“You tell me, Y/n.”

“Murder…?”

Anton wanted to laugh. A textbook answer. You had much to learn, didn’t you? It was alright. Anton could teach you. Teach you from ground zero, till you would become who you were supposed to be.

“Mostly, it’s their lack of faith. Rebelling against us. It is their perceived lack of loyalty, and their utter ignorance and disregard for God that leads us to take drastic measures.”

“But that’s…that’s killing isn’t it?”

So pure. So untainted, so innocent. 

The oracle. The person from the oracle. 

“But that doesn’t matter,” Anton said softly, “you show a desire to learn. And that is always very splendid, always welcomed.”

Anton would morph you and turn you into something splendid, divine.

remember to reblog and like! comments are always appreciated

[inbrightshadows]

*sticks one arm out from under my rock, slips this into the tag, and retreats back under my rock* Inspired by the cass apocalyptic series by somerandomdudelmao It's a very very cool rottmnt fancomic and you should give it a read 👉👈🥺 (Not canon but you might recognize some parts/dialogue from the comic) [warning for implied/referenced past infant death but no actual infant death (the boy is fine dw), infected wounds, amputation, and a dog like creature biting someone]

The first time Casey Jr almost dies he's about three months old, by their best guess, and he's only been Casey Jr for a week.

Cassandra and Raph go out on a supply run, which is normal. They come back with a baby in a box, which is not.

Fortunately or unfortunately, there's no such thing as government or paperwork in the apocalypse. So there's nothing stopping Cassandra from saying “I found him in an alley so he's my son now, his name is Cassandra Jr.” And that's that.

Thankfully, this isn't the resistance's first baby so there's plenty of formula and hand me downs to supply Cassandra in her sudden status as a Mom. And everything else the family quickly supplies.

Donnie is very uninterested in babysitting the oozy crotch goblin but Casey Jr's crib still has the genius built logo and built in laser security system to prove he cares in his own way.

Mikey breaks into his carefully rationed paint supply to paint a small mural above the crib and takes every chance to babysit he can.

And Raph? Well Raph dives headfirst into the roll of co-parent slash halway blockade.

Then there's Leo.

In his own words, he has a whole resistance to babysit. And besides that there’s not much he can really do other than what he’s already doing.

Fight the krang, stop the war, give little Casey Jr a better world to grow up in. And also avoid everyone’s efforts to get him to hold the baby.

He is not cut out for tasks that require a delicate touch but it seems like he’s the only one who understands that. He’s a gigantic mutant ninja turtle who, unlike his brothers, has never had any kind of hobby that requires any kind of delicacy. So he hangs back, he keeps an eye out for things that will be useful to the Caseys while he’s out on the surface, and he waves away attempts to hand Jr to him.

And then Casey Jr gets sick.

It should be fine. Should be normal. Babies are delicate little things, getting sick is a thing they do. Except there’s not much the way of medicine in the apocalypse. And babies are delicate.

It starts as a low grade fever. By the end of the day it’s a raging bonfire. They have a lot of things but medicine is in short supply. Nothing they have is working. It’s just Casey Jr, sobbing his heart out on Raph’s shoulder while Cassandra hovers and Raph tries to soothe all three of them.

There’s nothing Leo can do to help. They don’t have the medicine they need to treat the fever. At least not something safe to use on a baby. Raph is the one who remembers how Dad used to use lukewarm baths to break their fevers when they were little and he was still too scared to try human medicine on them. It helps enough that they can get some formula into the kid. But it’s not fixing things.

Two days pass and the fever refuses to break. The baths are becoming less and less helpful. After the third refused feeding attempt that afternoon Donnie slams down a map of ‘areas most likely to contain useful information or materials for treating a sick baby.’

Leo and Mikey gear up and head out leaving Donnie to monitor things back at base while April takes charge of running everything else so that Raph is free to help Cassandra take care of Jr.

It’s bad luck, really, that a pack of krang dogs find their camp on the first night. It should be fine. They should be able to handle it.

But bad luck is bad luck.

Leo sees movement out of the corner of his eye. He moves to dodge and the ground underneath him decides now is a perfect time to give way.

“LEO!” Mikey yells as Leo tumbles away into the dark.

Leo grunts, biting back a scream as the Krang dog’s teeth sink into his arm. They tumble into the dark together, bouncing down the stacks of rubble. It’s dead by the time he lands but the damage is done.  

The good news is that the fall kept the dog from getting a good grip on him.  

The bad news is that even if the bite won’t infect him with Krang regular infections are different story. Krang zombies have foul mouths.

Mikey can’t find out it managed to bite Leo. If he does he’ll want to go back and get Leo treatment before they look for the medicine.

And right now every second could mean the difference between getting medicine to Casey Jr in time or adding to their graveyard.

So Leo makes sure that by the time Mikey makes it down to him his first aid kit is a good bit lighter and any sign of the bite is hidden beneath his normal arm wraps.

When Mikey finds him Leo smiles and doesn’t hesitate to wrap both arms around his little brother.

“Are you okay- did it bite you?” Mikey asks, darting around him to hunt down every last scrape.

“Nah, just a couple of scratches,” Leo lies. “Let me heal them-” “No, we’ve got a ways to go, I won't risk you wearing yourself out too soon.” “Leo!” “I already used my first aid supplies on them! It’d be a waste if you healed me now!” Mikey glares at him but huffs and nods. “Fine! But if they start to feel bad-” “I’ll tell you, don’t worry,” Leo lies again.

Day two is a bust. There's useful supplies in the area Donnie marked out for them to search, sure, but nothing that will help  Casey Jr. Or the sensation of a burn throbbing its way up Leo's hidden bite wound.

Leo and Mikey mark out where the useful things are and keep going. Someone can go back for them when they're less pressed for time.

That night Leo waits for Mikey to fall asleep before he checks the bite. It's bad.

The moment the bandages come off he's gagging at the putrid stink of infection. It's hard to see it in the dark but then again he's not sure he really wants a better look. It wouldn't change his mind anyway.

He can make out the dark veins of infection spreading. If he wasn't green it'd certainly be a violent red.

He cleans it, spreads a thin layer of disinfectant cream that will do about as much good as throwing a cup of water at a bonfire, and re-bandages it.

His usual arm wraps go up over top of it, hopefully Mikey won't notice he's done them a bit higher than normal.

All the evidence goes into the fire. By the time Mikey's turn to take watch comes all that's left is ash.

On day three Leo wakes up feeling like someone dropped a building on him. He makes the mistake of groaning about it.

“Leo? Are you okay?” Mikey asks. “Yeah, yeah I’m fine. I just, uh, I think I’m inheriting Dad’s back problems! That or the Krang made the ground harder.” Mikey snickers. “I mean, they would, but I’m also pretty sure you just called yourself old.” “I did not!” Leo drags himself upright and makes a show of cracking his back. It obliges with a satisfyingly loud pop that makes Mikey giggle harder. “I think your spine disagrees with you too.” “Shut up!” “Awwww are you feeling cranky, old man?” 

Leo is too exhausted to feel properly offended or even think of forming a comeback but he plays it up for his little brother anyway.

Anything to keep him from worrying. Or forcing them to turn back. It’s fine. This shouldn’t take too much longer anyway.

It’s midday by the time they reach the second site. Just from a glance it’s obvious this is a more promising site. There are actual chunks of buildings scattered around and there’s enough of a shattered sign left lying around to tell them that whatever kind of care this place used to give it was geared specifically towards children.

There’s plenty to find digging through the rubble. Well. Plenty for Mikey to find. Leo is mostly trying not to let on how dizzy he is.

To both of their frustration, they run out of daylight before they find anything. Leo can feel his body screaming at him to lay down and rest. Just a little longer, he tells his body. They’re going to find the medicine. He can feel it. Leo just needs to make it at least that long.

The fourth day dawns. Mikey shakes him awake as soon as there’s enough light ot see by. Leo bites back a moan as he claws his way upright. Leo thought his arm hurt before but now it feels like someone is pouring lava down it.

He notes with a calmness that boarders on absurdity that he can’t feel his fingers.

Something must show on his face- or maybe he just looks at least halfway as awful as he feels- because Mikey frowns at him when he wakes up.

“I’m worried,” Leo blurts out. “If this takes much longer then- I don’t think- he’s already been sick for so long.” “We’ll find it. Today, I’m sure. I’ve got a good feeling.” Leo tries to smile for him and hopes the shaky thing he offers up is enough. Well. At least one of them is feeling good.

Leo is lucky. He’s always been lucky. Luck runs out eventually, it always does. But not today. Maybe it helps that Leo isn’t hoping for something for nothing. Because on day four they strike gold.

Mikey is a short bit away, digging through the rubble with his power, hunting for anything with even the chance of helping. Leo is doubled over just out of his site, trying to stifle his stomach’s efforts to rebel against him.

Don’t hurl, he tells himself, if you hurl there’s no way Mikey won’t realize something is wrong.

He forces his eyes open, hoping that focusing on something will help. And then Leo’s eyes fall on a shattered glass cabinet, several packs of some something promisingly adorned in cartoon human children. He reaches in, flips it, and feels a wash of relief when he realizes it’s exactly what they’re looking for.

“Mikey- Mikey look-” everything fuzzes, tumbles. There’s something under him. He blinks back blurs of color, tries to resolve them into something coherent. Mikey’s face hovers over him, mouth moving. He looks upset. “What's the matter?” he tries to ask. “Leo! Leo, are you sick? What hurts?” “Arm,” Leo answers without thinking.

Oh shit. Oh shit he’s not supposed to let Mikey know. But it’s a little late for that. At least the panic clears his head a little. Mikey makes a wounded sound in the back of his throat as he uncovers the bite.

“Leo.” “Yeah, I know. Sorry… sorry for lying.” He watches Mikey’s lip wobble until Mikey catches it in his teeth. “Leo this is bad! We- I don’t know if we have the supplies to treat this!” Leo hums. Now that the panic is fading it’s getting so much harder to think. He lifts his good hand before he can forget and flops it over towards Mikey. “S’okay. We can go back now.” Mikey takes the box of medicine with shaky fingers. “Leo,” he croaks.

Mikey is talking. Something… probably important? He looks scared but they’re not under attack. He’s pretty sure they’re not. Leo tries to focus on him anyway but it’s so hard. He’s so tired.

He’s been tired but there was no resting, not properly, not until they got what they needed. They do now so it’s fine, he can rest his eyes a bit.

Good. Seeing is hard too. Just blurs and colors.

He feels Mikey’s hand on his face, his voice in his ears. He tries to pay attention but he’s slipping, sliding away.

“Sorry,” he mumbles, but he’s out before he can think of what, specifically, he’s sorry for.

Leo doesn’t remember the trip back, just the thud of Mikey landing. Someone screaming. A hand squeezing his. Small. Thin fingers. Lots of them.

“April?” he might mumble. He thinks. “Shhh, rest big guy,” Probably-April says. “Donnie has it. He’s gonna fix it.” Oh. That’s good. He lets himself sink, lets her hold him together while he waits for Donnie to do what Donnie does best.

A light in his face. “Am I dying?” he says. Thinks? Someone hisses. Angry sound. Who does that again? “Not if I have anything to say about it. And I have a lot to say about it.” Oh. Donnie is here. That’s good. Didn’t someone say he was coming? “Now go to sleep, you don’t want to be awake for this part.” Leo doesn’t get a chance to answer, he’s already sinking again.

Leo blinks up at the ceiling of Donnie’s lab. He spends a good while just staring at it, trying to get his brain to work. His arm throbs. “Ow.”

Some several things crash and shatter and then Donnie''s face hovers into view. “How do you feel- nauseous? any pain, aches, fever? Chills?” “Uh, my arm hurts a little?”

“Which one? The one that got bit by one of the most disease ridden things in the apocalypse and then went four days without medical care or the other one?” “Hey I did some medical care!” “You did FIRST AID. You know, the thing you do to help someone before you get them ACTUAL MEDICAL CARE.”

Leo winces. There’s no arguing about that one. “Ok well, I was hoping we’d find the medicine and get back before it got too bad.” “Well. You didn’t.” “Yeah, I guess. How long was I out?” he asks. He tries to lift his arm but he can’t feel it move. He frowns. “It… barely hurts anymore. Uh. Donnie? I can’t- Um. Donnie. I can’t feel my arm.”

Donnie’s face twitches. Leo tries to turn his head to look at his arm. Donnie’s hand darts out out to stop him. Leo looks at Donnie again. Donnie looks away, grimacing and refusing to make eye contact.

“Donnie-” “Don’t look yet.” Leo tries to move his arm again but there’s still no response. No it’s not just that there isn’t a response. He can't even feel the weight of it.

He can feel his shoulder. He can feel a ring of throbbing pain a few inches above his elbow. And then it’s just… light? Like there’s nothing but air- oh. Oh. Okay then. There’s where his luck ran out. “...Huh. That’s. Hm. Let me see?” “Leo-” “Donnie. Let me see.” Reluctantly, Donnie eases back.

For a second Leo doesn’t do anything. He closes his eyes and breathes. He turns his head. He opens his eyes.

It’s gone.

Everything past his first crescent marking is gone.

He closes his eyes and takes a deep, measured, breath. Okay, he thinks. Okay. He’s a medic. He knew this was a possibility.  Donnie starts eyeing him nervously.

“Did he make it?” Leo asks at last. “...Yeah he made it,” Donnie says quietly. Leo feels like he's fully breathing out for the first time since Cassandra burst into the infirmary with a sick baby in her arms. "Good. That's good." Donnie puts his hand over the end of Leo's nub, covering the scar. He stares at the floor and says nothing. Silence reigns. Leo stares up at the ceiling, letting it settle around them.

Until the door slams open and the rest of his family tumble through the door, both Caseys included.

The last knot of tension loosens from him at the sight of Casey Jr, happily wiggling in his mom’s arms as he flails his arms at Raph.

He tears his eyes away as his family gathers around him, worried and loud, and Leo only knows one way to calm them down.

“So. I’m guessing I'm the opposite of... All Right now, huh?” Cassandra covers Casey Jr's ears. Donnie leans away, inhaling sharply. “Why are you like this?“ he asks. “Because it's all I've got... Left” Raph groans, hiding his face in his hands. “Already?” “Put him back under,” April says, deadpan. “Boooo,” Mikey says, and Leo pretends he doesn’t sound two steps away from tears.   “I hate you so much,” Donnie lies, a few screens manifesting around him. He taps away with the hand that isn't still covering the scar on what remains of Leo's arm while Leo laughs at his own terrible jokes.

“You no longer have a choice about getting a prosthetic. Mikey tried to say I had to ask before implanting experimental technology in your body but you know what? I’m making an executive decision. I can’t live with the puns.”

Leo starts laughing harder, so hard that it circles right back around to sobbing. He’s buried in a pile before the first sob can even fully leave him. Donnie’s eyes stay on the screen even as he shifts his hand to Leo’s shoulder and squeezes. “I’ll fix it. Don’t worry.”

Leo spends a lot of time sleeping but he’s never alone when he wakes up.

There’s Raph, showing off the balls he’s threading onto his mask tails so Casey Jr can climb them while Cassandra sits nearby, once more restitching her perpetually tearing sleeves on her shirts.

He wakes to Mikey making little fish or birds dance in the air while Casey Jr sits in his lap and reaches for them.

Or there’s April pouring over battle plans with a mug in one hand and the other wrapped around Casey Jr.

Point is there’s a lot of Casey Jr. So Leo really should be prepared to wake up with a tiny weight on his chest, healthy and safe and sound. And still so very tiny. His breath hitches, he doesn’t dare move.

“Bemused scoff.”

Leo carefully turns his head toward where Donnie is busily typing away at something.

“You know you can’t avoid holding him forever. Even I've held him." Leo gives Donnie the flattest look he can manage. Sure. Donnie has held Casey Jr. Once in a blue moon when there was literally no one else to do it (and Leo's hands were firmly tucked under his arms.) For about sixty seconds total. "...I've held him more than you have.”

Leo grimaces. “Look, I wasn’t cut out for holding delicate stuff when I had two arms. It’s an even worse idea now that I’m twice as likely to drop him.”

“Invalid excuse. I’m already working on a solution to your arm situation.” Donnie waves his hands and his ninpo sparks, building a blue print of an arm and some other thing hovering in the air between them.

“These are the schematics for a bio-mechanical arm and a socket implant to allow it to safely interface with your nero-” Leo’s brain glazes over the rest of Donnie’s explanation.

“...So you want to turn me into a kick ass cyborg?” he asks as soon as Donnie is done. “Did you listen to none of what I just said?” “C’mon, Don, I’ve got you for all the nerd stuff.” “Exasperated sigh, yes I’m turning you into a kick ass cyborg.” “Sweet,” Leo says, yawning. Donnie huffs. “Go back to sleep, Nardo.” “Can’t, baby could fall,” Leo mumbles. “I won’t let him fall. Just rest.” And Leo trusts his brother. So he does.

It takes a frustratingly long time for Leo to recover enough for the surgery to implant the port for the arm in his stump. It’s more low profile than he expected, hardly noticeable at all unless you’re looking head on at it.

Then there’s a whole other saga of learning how to use the arm Donnie has built him. It’s clunkier than Donnie’s preferred standards but it works almost as seamless as his real one. He gets good with it and he gets good with it fast because with the Krang you either do it fast or you don’t do it all.

The unintended and unwanted side effect of this is that now his family are no longer accepting “I’m not good enough with my arm I might drop him” as a valid excuse to not hold Casey Jr.

And they are very, very, intent on getting him to hold Casey Jr.

Look. Leo is thanking sweet pizza supreme in the sky and every one of the Hamato ancestors, Casey Jr bounces back from being sick like it never happened.

He bounces and wiggles, he babbles and giggles, as though less than a week or so ago he wasn’t so sick that Leo and his family (literally) risked life and limb to get him medicine. And Leo is thrilled. Really.

It’s just that he wishes his family would stop encouraging Casey Jr’s newest favorite game- trying to grab Leo. Because apparently one of any baby’s favorite thing is whatever they can’t have.

“Here! Hold him!” Mikey holds Casey out so that he faces Leo. Casey Jr, who seems to have a sixth sense for when someone is playing the 'try to get Casey close enough to touch Leo' game,  is thrilled. His tiny arms wave at Leo, itty-bitty fingers clenching like they’re ready to latch on the second they’re close enough to touch him.

“W-wait, I can’t!” Leo protests for the thousandth time. But Mikey isn’t taking no for an answer this time. A nudge of mystic power keeps Leo from fleeing. All Leo can do is tuck his dangerous un-baby proofed metal arm away from tender baby skin and wave his flesh hand pleadingly.

“C’mon Leo… you have to hold him eventually.”  Mikey cajoles, gently waggling Casey Jr.

“Not happening, no way.” Leo leans back as far as Mikey’s powers will let him.

“Yes way,” Mikey says, holding Casey closer and closer. Casey is giggling furiously, tiny arms flying at top speed.

“Do you even see how tiny he is?” Leo points at the baby, just in case Mikey needs a reminder. “I could break him with one finger!” There’s a tiny nudge to said finger. Leo looks down. Casey Jr is copying him, nudging Leo’s much larger finger with his own.

Mikey gets a look on his face. A terrible, evil, look.

“One finger? Like thiiiiis one?” Mikey grins as he lifts his middle fingers away from Casey Jr’s body. Leo freezes. “Mikey. Mikey no.”

“Whats that? Oh nooooo.... I can’t hear you over the sound of my grip slipping!” Mikey sing-songs. “Don’t you dare!” Leo stares at him, horrified and frozen. He won’t. Surely he won’t. Cassandra would murder him. Raph would double murder him. He wouldn't. Right? Right??? “Oh no! I hope someone catches the poor delicate baby!” And then Mikey drops Casey Jr.

Leo shrieks. He forgets that Mikey is literally magic and does not need his hands to hold a building, much less a baby.

“Mikey what the fuck!” Leo squawks, hands flying forward and closing around the tiny delicate bundle that is- … not falling towards the ground at all actually.

The gears turn, the realization that he's been tricked sets in. Leo glares at Mikey. Mikey grins, unrepentant, and waves his faintly glowing hands, a glow also present around a perfectly safe Casey Jr. The glow vanishes and Leo feels the surprisingly greater weight of the baby properly in his hands for the first time.

“Ahhhh Mikey- Mikey take him back!” Mikey stubbornly keeps his hands in the air and backs away, still grinning. “You’re fine, you’ve got this.” “I don’t have this!” in spite of saying this Leo is already tucking Casey closer to him. “It’s fiiinnne, you're doing fine! Look, he’s having a great time!”

Tiny clumsy fingers hit his jaw, drawing his eyes down. Casey Jr has one hand buried in Leo’s scarf. The other is pressed to the highest part of Leo’s face it can reach. As he looks down they stretch up, reaching for the vibrant red markings on his face.

“Ah- what- what does he want?” “Awww he likes your stripes, hold him higher!”

Hesitantly, Leo shifts the baby a little higher in his arms and Casey’s little fingers smack against his markings, clenching against them as best the pudgy little things can. Leo chuckles. “What? You want those? Hate to break it to you bud but they’re kind of attached to me.” Big dark eyes lock onto his. Casey Jr babbles. His little fingers flex against Leo’s face again.

Someone makes a noise like a slowly deflating balloon. Leo looks up to find Raph has found them. He’s standing in the doorway, his eyes shining with unshed tears.

“Please tell me Donnie has a good angle on this,” he says, voice wobbling. Raph’s com clicks on and switches itself to speaker mode. “Sending you the best shots as I speak,” says Donnie’s voice. “I hate all of you,” Leo lies. Mikey snickers at him, Raph is too busy cooing to reply. And then Casey Jr realizes Raph is there and decides he’s done being held by Leo. He leans his entire body toward Raph and puts all of his tiny baby might into wiggling free of Leo's grip.

“Oh fuck-” “Don’t cuss in front of the baby!” “Raph. Raph.” “You’re doing fine, relax-”  “He’s gonna fall! I’m gonna drop him- Raph!” Raph easily scoops Casey Jr up, saving Leo from the terrifying force of a wiggly baby.

Casey Jr giggles and grabs for Raph’s mask tails while Leo dramatically flops to the floor. Mikey continues to snicker at Leo’s expense, floating over to pat his head.

“I can’t believe you pretended to drop him just to trick me into holding him,” Leo groans. “You what?” Raph’s head snaps over to them. Mikey freezes. “I had mystic hands on him the whole time!” “Baby holding is a two hand activity!” “You literally hold him with one hand!” “Raph’s hand is big enough to count as two!” “Oh that is so not fair!” “... Leo watch the little man for a minute.” Raph sets Casey Jr down by Leo’s head. Leo makes an inarticulate sound of horror but before he can protest Raph is already bolting for Mikey.

Mikey flees with a yelp.    Leo looks at Casey Jr. Casey Jr looks at him. “So, you come here often?” Casey Jr stuffs his fist in his mouth and makes a garbled noise around it, almost recognizable as a very turtle like chirp. Leo checks that his brothers are out of ear shot and then chirps back. Casey Jr’s eyes widen and sparkle. He takes his damp hand out of his mouth and smacks Leo in the face with it. Leo grimaces. “Thanks.” In the distance, Mikey screams as Raph catches him but it's just as quickly followed by laughter.

Casey Junior grows up in between loss and stolen joy and forgotten childhood memories. He gets old enough to ask questions. Inevitably, the day comes when he asks “Sensei, how did you lose your arm?”

And Leo lies.

Or, well… He doesn’t lie so much as he just… leaves out some details. Details Casey Jr does not and will not ever know if Leo gets his way.

“Ah, you know… Krang dog got a lucky bite in. By the time I got back to base it was the arm or me and Donnie chose me.” He says it with a light little shrug, like it’s no big deal.  

Because for Leo, it’s not a big deal. Between losing an arm and losing family he’d chose the arm over and over again.

[outlawruben]

Modern AU headcannons

The Vandermatthews family edition

When John was a teenager he made slime and got it in Dutch’s expensive Persian rug he keeps in the office. (Dutch was LIVID.)

Hosea reads late into the night, which caused Dutch to buy one of those clip on reading lights so he can finally sleep peacefully.

Dutch and Hosea do embarrassing dances in the kitchen/living spaces when the kids are around. Arthur and John cringe hard at this.

John was introduced to Limp Bizkit and his life was forever changed.

Arthur: “GET OUT OF MY ROOM.”

John *In the doorway*: “IM NOT IN YOUR ROOM.”

Arthur: “dinner is ready.”

John: “OKAY.”

Arthur, louder: “OKAY!”

Arthur tans at the beach, John burns

Arthur has straight A’s, John has straight C’s

John will take a (monthly) shower and get the WHOLE floor wet

John’s favorite Christmas was when he got a bass guitar, and Arthur’s favorite was when he got his blue truck.

Arthur sits on Dutch/Hosea’s bed and just spills the tea to Hosea late into the evening (Dutch wants to get ready for bed soon)

Arthur is a PC player, and John is a console player

John has to go to the mall with Arthur when he wants to go alone because “John doesn’t socialize enough”

They both got to choose their bedroom colors, however, John wasn’t allowed to do THE DARKEST black in the store, so his room is a dark grey with a black accent wall. (Arthur’s room is blue)

Branching off of that, Arthur and John could decorate their rooms HOWEVER they wanted, there was no intervention from the dads

Hosea does the “Dad hand” during road trips when the boys have a snack he wants.

Hosea is the designated driver because Dutch has terrible road rage

They live on a pond, in fact Dutch and Hosea argued over it before buying the house, so much so that Hosea threatened a divorce because the ONLY thing he wants is a pond. Dutch folded, and Hosea fishes everyday.

Arthur loved Percy Jackson and John loved Warrior Cats.

Arthur is a cereal eater, and John is a pop-tart eater

The contrast between Arthur’s masterpieces vs John’s doodles are crazy. (They’re both proudly displayed on the front of the fridge no matter what) (yes this is based on their canonical journal entries, sue me)

John and Arthur took those embarrassing Macy’s photoshoots in the early 2000’s that are out on display for everyone to see in the future.

John has an INCREDIBLY embarrassing graduation photo from when he was in his emo phase in high school, and his dads refuse to remove it. (It’s placed next to Arthur’s gleaming grad photo)

Dutch has slippers he wears around the house, and Hosea just wears his socks.

John still doesn’t know how to swim in this AU, Hosea has tried to teach him, but John refuses to get in the water.

They have taxidermy in their house from when Hosea went hunting more often when he was younger.

Somehow Hosea and Dutch’s aesthetics work so well together.

Dutch is very much old money, and maximalist, and Hosea is definitely Vintage and Woodsy (It works together if you saw their house)

You would be convinced that John’s nails were naturally black and chipped from how much he painted them.

Hosea has a “Shop” in the garage like every dad has to have. (It’s full of fishing supplies, paint cans, and other tools ofc)

John’s room is very dark, messy, and covered in posters from every movie/Tv show/video game he’s ever seen/played. Also, making the bed? What’s that?

Arthur’s room is open and airy, with his own mountain murals painted on the walls, a full art desk, and he also doesn’t know what making the bed means.

[avidfics]

Chasing you

Summary: You’ve been on the run from Carol after sending a drunk voicemail. A month later, Carol has found you and doesn’t plan to let you go.

A/N: Came out of a writing hiatus cause I love this woman. There’s not enough carol x reader fics on this app and she gives me the warm fuzzies. Comments and reshares are appreciated :)

Warnings: Pretty PG-13, playful teasing, fluff, some tears, few misspellings, mentions some characters from The Marvels

Three things were painfully obvious as you woke up. This wasn’t your bed. These weren’t your clothes. The “Space Girls Do It Better” sleeveless crop top didn’t belong to you. 

Oh, and there was a fluffy, orange flerken licking its genitals ontop of your chest. A pretty deep cleaning by the looks of it.

“Um.” your voice croaked, the result of a long nap. “Mr. Flerken sir, I’m going to move you and place you on the floor-” Three tentacles shoot out from the confines of its mouth, wraps around a nearby metal dresser, and swallow it whole.

An audible nervous gulp can be heard from your throat. “New plan. Leave when it pleases you.” 

Armed with the killer fluffball, you creep along the cramped halls of the spaceship and take in the colorful murals that are painted inconsistently through the halls. One reads vaguely familiar, “New Jersey.” 

What’s a New Jersey?

In the back of your mind you have a nagging suspicion of the identity of the owner of the ship. But if you were right, then that would be a bigger problem than someone undressing you while you were unconscious. 

You enter the main pilot room as a childlike scream jars both you and the flerken. 

Kamala Khan’s wide eyed, all teeth smile shines from across the room. “OMG you’re awake!”

“God, no.” you groan. You plead to the heavens that this is all just a stress conjured dream even as the teenager morphs a hard light disk to propel her forward to tackle you into a warm hug. “Kamala, please tell me you're the owner of this ship and you’ve gotten your spaceship driver’s license early?

Her lips curve. “Sure.”

A relieved sigh depletes from your body.

“Sure, I missed you. But this is Carol’s ship. After you left she’s been tracking you for the past few weeks. We got an alert that you were involved in a bar brawl on the planet Aladna yesterday. When she found you, you were already beaten unconscious and bleeding from the attack. Carol scooped you up and took care of your injuries in the med bay.” Her signature dopey smile returns. “She nearly blasted the whole bar apart when she found you. It was epic.” she sighs with a faraway look.

Her smile wouldn’t be so bright if she knew you had no interest in being on the same planet yet alone on a small ship with her honored captain. Your frantic eyes start to scan every nook and cranny of the room. As if Carol would materialize from the launch keys at any moment. You drag Kamala to the control panel and start to hit buttons at random. “No, none of this is epic. Kamala, afraid we need to cut this reunion short. Drop me off at the nearest planet or station. Shoot, give me a space jumpsuit and I’ll simply float outside in outerspace. But I Can Not. Be. Here.” 

Kamala gives a sly look at how you’re acting. “Carol said you’d try to jump ship once you woke up.” she smiles as she pets the flerken still in your arms. “Something about you being embarrassed over something moronic.” 

And there it was. Until now there was a slim grasp of hope that Carol hadn’t known what you did but this just confirmed not only did she know but she wasn’t going to let it go. Goody. No way would you tell the whole story of how you’d gone out drinking with some Skrull girls because Carol was driving you crazy in her freaking halter tops. Then you found out she was married to a prince! Sure, it was only a political marriage but still the revelation made you want to punch something or someone. So drunk out of your mind, you left the most pathetic voicemail of all time sounding like a teenager with a crush. Talking about how she attracts you more than the rules of gravity. What was that! The voicemail ended with your declaration to take the prince of Aladna in a fight if that’s what it took to get her attention.

In your defense, she does like to fight. So you did punch someone…or several someones at the bar.

“It’s nothing.” you blink away the memory. “Carol didn’t have any right to kidnap me off the planet”

“Aren’t you a little old to be “kidnaped?” the dreaded voice calls out from behind you both.

You whip your head around, guilt written all over your face even as your jaw slackens at the hottest, yet fatigued, space hero in the galaxy. 

But at the moment Captain Marvel just looked like Carol. A half smile gracing her lips even as she leans against the entrance. Bare arms out, another damn crop top that barely covers her belly button, and an empty space of tantalizing skin at her stomach before the top half of her supersuit hangs limp at her hips. 

It was giving off duty lesbian about to repair an engine and it was making you absolutely feral. 

Which is why you held the flerken outstretched in her direction.

“Not another step, Danvers.” you warn. “This flerkin here has taken a liking to me and isn’t afraid to defend me.”

Carol tilts her head and her full teasing smile tasks force, causing a full quiver in your heart.

Taking slow, meticulous steps toward you, not caring about the fur-covered danger dangling from your hands. “You’ve taken a liking to my pet, sweetheart?” 

A spurtle of incoherent nonsense leaves your mouth. “It found me when I woke up. I even named him Ginger.”

“Real creative.” her deadpan sarcasm does not go unnoticed. “Put Goose down before he decides to eat you.” You get ready to fight the command but ‘Goose’ does a loud meow and you decide that’s him agreeing with his apparent owner. 

Her eyes flicker to the noisy teenager next to you. “Kamala, go find another wall to destroy.”

“Aye aye, captain.” You make a desperate attempt to grab Kamala but the small betrayer just mouths “You’re in trouble.” before prancing away. 

With Kamela’s exit the room is too quiet and the once spacious room feels tiny and empty, leaving only the bruising reminder of why you’ve avoided Carol for weeks. Sure, your friend can fly, shoot rays of energy from her fist, and literally crush you with her bare hands but none of that ever scared you. It wasn’t your physical body you were afraid she would break, but the fragile, sensitive heart you always protected. But then there was Carol with her small, gentle smile and her laughing eyes and a warm presence that made you want to be soft instead of sharp with pointy edges.

Under Carol’s gaze you were a giant raw wound that was left open and too exposed. You just knew Carol could see it. 

Which is why getting off this ship was imperative. With a new, hardened resolve you turn around and commerce pressing every button in sight.

“You trying to order a pizza? Because there’s an easier way than having us crash into the nearest asteroid.”  The pull of her voice is so strong after weeks of zero contact but you ignore it nonetheless. Not that it deters Carol. “But maybe your bad driving is a result of getting your ass whooped down on Aladna.”

She’s baiting you. Do not give in.

“I mean the fact that you got your butt handed to you by a group of people who normally only fight in song has to make you mad, right?” The silence in response finally gets to her as she stomps up to the dashboard controls and undos every button you’ve pushed in concession. Each time she reaches for a button near yours, fingers a centimeter from touching, you yank away and take a step away. She grunts in return and counters with another step closer. 

Her next jap finally hits her mark with stinging precision. “Maybe next time you should ask the Prince for backup.”

A response fires out your mouth even as you slam your hand against a particular shiny button. “I had it handled, okay? That pretty boy prince might’ve impressed you somehow but his presence in a fight is as needed as yours is to me right now.” The lie turned your stomach and made you feel like Goose’s shit. “You had no right and no reason to take me off that damn planet because I had it covered. Just drop me off at the nearest planet.”

Carol could smell the lie a mile away. The words bounced off her chest. If anything she was trying to hide her arrogant grin at successfully getting your undivided attention, knowing it would make you more pissed. Which was always an adorable sight.

When her sources flagged a sighting of you on Aladna she’d left the spaceship at supersonic speed to reach you after hunting your trail down for the past month. 

At first, friendship was all she needed. But time spent together on various missions gave her deeper understanding on how darn sweet you were despite scratching at anyone who tried to get close. 

But once she clicked play on that cute, yet slightly violent, voicemail any vague restraints of being only friends were dashed. Now here you were, her prickly kitten, and she wasn’t going to be deterred by any of your rounded jabs. 

Now here you stood. Causing internal issues to her ship's mainframe. Slight bruises marring your delicate skin. All reminders that you’d rather be dropped in outer space than occupy the same room with her. Well tough luck. Patience was never her strongsuit. 

A blur out of the corner of your eye was the only warning before the sudden warm body surrounded you from behind. Two unyielding hands grasped yours in an attempt to halt any further error messages from appearing on the dashboard. “Are you not satisfied with my ship, sweetheart? Because you’re awfully determined to break it.” In another determined step she removes any space separating you two until her front is flushed against your back. Tense doesn’t begin to describe how rigid your body gets as you realize, to your detriment, she’s forgone a bra. Even the tiniest move from her causes her soft, malleable breast to move against your back. Your knees buckle even as you silently curse Carol for completely smashing the boundaries of your personal bubble. 

Warm fingers grasp each of your hands and her thumbs caress circles on each hand that shoots straight to your flamed core. A whisper of her lips speaks into your ear, tingling all the way into your spine. “Six. There’s six bruises across your delicate body from that stupid fight. But you didn’t need me, huh?”

The touch and slight reprimand in her voice makes your body shiver. “T-that’s not what I meant.”

“Oh?” You peek behind to see her face as her fingers gently travel down your arm. Brows furrowed with an intense glare as she inspects your minor injuries in detail. “But that’s what you said, no?” 

In an effort to clutch the last remaining shreds of your pride you squint up at her but end up lowering your glare. “Even if you helped me, that didn’t give you the right to take me off the planet.” you murmur. “And who changed my clothes!” 

The gentle hand remains on your arm but the dark look is dashed away, replaced with a serene smile. “Obviously that was me. Like I would allow anyone else to get a peek at what’s mine.” she snorts. As if the idea was simply absurd. 

All fight leaves your body at the new startling news that Carol, your Carol, just called you hers PLUS  she’s seen you naked? 

You gear up to start a rant but two arms twirl you around and hefts you up. Your legs and arms cling to her even as you yell at her to set you down.

Bullheaded Carol ignores you and instead leisurely walks to her pilot seat. As if this was just a normal Tuesday. When she plops in the driver seat, she settles your weight to straddle her hips. Immediately, you try to scramble away but she wraps her arms around you in a metal vise. That damn innocent smile returns. “The chast act ends now. Because I was prepared to let you go but then you left me this.” It’s like a slow motion car accident as she pulls her cell from her pocket and the dreadful voicemail is played at full volume. 

Renewed vigor allows you to break out of her arms but you're too slow as one hand holds you in place on her lap. Making you listen to your drunk declaration of love.

The tears come as you're forced to helplessly listen, already anticipating the mockery that was soon to come, except Carol didn’t laugh. Instead, you felt soft, slow kisses press against your wet check, trailing your tears.

Carol nuzzling your neck is the only thing stopping your crying as you realize she wasn’t laughing. Her tired smile and fatigued smile returns. “You're so dramatic, kitten. Don’t ask me what “right” I have to kidnap you and bring you on our ship after you left a message like this for me. 

Sensing you were no longer a flight risk, her hard grip releases your wrists. Instead, she traces your face, rubbing away your tear trails. “For now on, you're coming back and helping our missions, warming my bed, and if you start anymore bar fights you better finish them or have your girlfriend there to finish the job for you.”

For the first time in a month, a genuine smile graces your face. Brave enough to fully settle your weight on Carol’s lap, you grasp the nap of her neck to angle her lips for a kiss. When your lips finally connect a deep, dragged out moan leaves Carol’s mouth. Her hands slide up your thighs and squeeze your ass. “Don't run away again.” she warns.

“Aye aye Captain.”

[yeeterthek33per]

Meet You Maybe Never (Chapter 2)

A/n Here we go, y'all. Enjoy 😘

Part 2 of this.

Content/Warning(s): Fluff. Also terribly translated German, feel free to telepathically forehead smack me if it's wrong. Time jumps a few times but I'm hoping it makes sense.

--------------------------

Early morning runs.

Specifically, Magda's early morning runs.

Despite Pernille's disgust at the woman's early morning energy levels, she'd gotten used to the ten years of waking up to an either empty bed or a very sweaty wake-up call from a freshly run-out Magda.

So, inevitably, when she woke up this morning, she suspected it was due to the front door shutting behind a returning girlfriend.

However, the loudness was more of a startle awake than her usual slow wake to hearing something shift in the room or her girlfriend kissing her awake.

The Swede wasn't one to slam doors, in fact, she usually would chastise anyone who had, a little too enthusiastically, slammed any doors in the house.

Pernille included.

"Pernille, I know you're asleep but you need to see this."

A soft grumble into the pillow.

"Not anymore."

"It happened again!"

Grunting, she sits up sleepily, although more alert than her previous state now.

"Magda wha-"

A phone shoved into her face the moment the Swede practically launches herself into the room and onto the bed, with much more enthusiasm than should be had at seven in the morning.

"Look."

As if she hadn't gotten the hint already.

Squinting, like only a freshly woken dead person can, at the phone screen, she sees a photo of a newly painted mural come into view.

"Okay...?"

The dirty blonde woman huffs.

"Did you actually look at it?"

The Dane cracks an unimpressed brow but looks back at the phone now.

It's a familiar piece.

Or at least the work is.

It's a mural of Magda this time.

Brightly painted like it just came out of the can.

"I could have caught the Straßengänger, that's how fresh it is."

"We should check it out later, can I go back to sleep now?"

Pouting softly but returning to a standing position from where she now realises is her girlfriends lap, Magda moves towards the en suite doorway.

"Or you could get up and come save water?"

The Swede makes a come hither gesture, but the older woman just shakes her head, tucking herself happily back under the covers.

"Shower and then come cuddle and I might think about getting up in an hour."

A soft chuckle and then the door shutting is the last thing she hears before she's back to sleep, followed by a shuffle in the bedding and a now clean and dry body wrapping around her frame a little while later.

It was news, but it could wait.

At least, it could for her, but it was something playing on the Swede's mind as she attempted to relax into her partners sleeping form.

--------------------------

Life in Munich had thankfully been less hectic than when they'd first arrived.

Mostly in part due to Pernille's previous history with Germany.

That was one Magda would happily let her partner take credit for, despite stubbornly struggling with the language, she was grateful for the Dane and her heavily doting teammates.

Said doting teammates had thankfully shown her enough spots and routes around town for jogs, places to avoid during certain times of day, the whole lot.

That was something she'd listed as a must-do.

Her morning runs were crucial in her routine, despite her partners protests early on to stay in bed for a while longer.

They eventually settled for a cuddle session after showering upon return, although, it only took them a year of living together to finally come to that agreement in London.

The cool morning air in Munich felt especially crisp but better than the late winter mornings had been.

Spring was on the way and that made it all the better to be running.

That was her excuse, anyway.

She was more interested in keeping an eye out for more information or sightings of a certain street artist.

And she had nothing to worry about, because within a month and a half, another appeared, this time much more of an invigorating find.

She was first to the scene here, and nothing had been touched in terms of how fresh the paint looked.

She was almost certain if she had shown earlier, she would have met with the artist themself, again.

It seems she'd have to try a bit harder, though, because there was no sign of the masked individual that morning.

Though, that wasn't much of a surprise.

They'd been especially careful to not be caught after having been plastered over the Munich forums with a single photo of them catching onto the media within hours.

That'd been before they arrived though, and it's been months since then.

Still, they were becoming more and more intriguing the more the artist left behind murals.

It'd be less intriguing if they were just doing murals for the club, but it seems like they've taken a focus on two players and two players only.

Everything else she had come across had been entirely different, usually just simple landscapes and dig as she might, nothing else.

She hadn't been keen on getting in on the investigations to do with the Straßengänger, at least until she realised how invested she was becoming along with her partner.

As she scanned over the mural, smaller details appeared.

Only, this time, the words seemed to be a bit more targeted towards her, much like Pernille's mural was towards her.

"Determined."

"Observant"

"Radiant."

"Competitive."

And one more word in German that she has to translate.

"Analytisch"

Analytical.

After that, she steps back, takes a photo and practically sprints the rest of the way back to the apartment.

By the time she's in the door, shouting up the stairs at her most likely asleep girlfriend, she's winded herself enough to forget to even consider what half of the wording meant.

And not just on the level of it being who she is as a person.

These were on purpose.

To specifically draw their attention.

Or at least hers.

In fact it doesn't occur to her that it's anything but another mural.

At least not until she's doing warm downs later that day and it clicks in her head.

She'd spent so much time analysing the artist and asking questions, she didn't even think about the part where said artist might have connections locally that would spread word about her asking about them.

--------------------------

It takes less than a day to hear about a certain Swede's line of questioning about a certain Straßengänger.

A little bit of sleuthing yourself leads you to how much she actually knows.

It's amusing you if anything.

Hence why you left the mural the way you did.

Gave her an incentive, let her know you know.

Or that the Straßengänger knows.

Also because you had an itch, and it needed to be scratched.

You'd done Pernille enough justice, then Magda.

Only you had to come up with something because that itch was starting to come back.

Regardless, you'd let your latest piece catch it's traction first.

Inspire more of an audience, you inspire attention and support to the women's game.

That's why you're doing this in the first place.

Isn't it?

It's also why you're stuck in several back to back meetings with several media lackeys right now.

You love your job but damn, sometimes you hate it.

Not to be ungrateful, nor ignorant of the knowledge of what you signed up for.

It's just another part of life and you'd have to scratch whatever itches that come from outside of it, later.

At some point, in the umpteenth meeting for the day, you spot a certain pair wander by the window, chatting animatedly with someone you were certain would be coming in for a meeting with you now.

Then, it seems, they enter the room.

You weren't aware they were joining you but who were you to complain.

"Ah, apologies for the interruption, Director, but they were just finishing up the last of their training before they could come down."

"That's quite alright, you ladies are free to take the table whenever you wish. I'm not in any hurry, trust me."

The pair smile and enter the room, taking seats in the remaining spots at the table, while the attending media manager introduced their presence in the meeting.

"So, we have been working on this partnership for a while. I understand the nature of this kind of deal would normally be dealt with by the players' personal managers or themselves but with everything happening all at once.."

The manager then gestures to the women to speak.

It's the Swede who speaks up first.

"We were hoping for a project management approval so we could get this under way quicker and easier. Estée Lauder have contacted Pernille and myself through our managers, and would like to partner with us to get a Women's health initiative started."

The older woman nods, turning to you directly.

"Director, if we could ask for someone on your team, or perhaps if you can grant the time, since we've seen the work you do."

A small brow in question at the woman across from you.

"As in, we've seen the women's projects you've started, completed, supported. We'd love for you to be involved directly, if you were willing to spare the time of course, the women's side of the club could directly benefit from the media attention of course, but also for the club as a whole. Or perhaps, if you can't maybe someone you'd be willing to trust with working with us on this? I know it's a lot to ask as two players who have only recently joined but-"

"Yes. I will assist in this project."

"And I think- yes?"

Amused with the surprise on the pairs' faces, you hold a hand up, explaining yourself further.

"You don't need to convince me anymore, it's the perfect time actually, this could be a great, and mind the terrible wording here, kick off to our season's campaigning plan. I would love to help this initiative get started personally. Contact me directly when you want to get started."

The wide smiles on the pairs faces make the extra work worth it as they both shake your hand, thanking you.

"We appreciate this so much."

"Of course, when it's for the support of women in the world, I'd do it in a heartbeat."

Of course, it's completely true, this isn't just extra work to you.

It's a very important project that you'd take over and over if it meant the growth, support and visibility for women's health.

Smiling and nodding as they leave, you turn to your assistant, Liana.

"Liana, can you please put the Estée Lauder project on priority?"

"Of course, would you like me to put their numbers direct through to you as well?"

"Yes, thank you."

And true to your word and theirs, they call within a day, organising the information both sides will need.

"Alright, so we need to organise the time and place for you both to actually meet and settle an agreement for media duties, targeting audience, public viewership accessibility, etcetera."

"Magdalena and myself were both discussing possible days and times, with the upcoming international, we were hoping to do it before then, maybe in two weeks time?"

"Sounds good, I'll contact them on your behalf, if that's okay of course, and arrange a day between say, the twenty-second and the eighth?"

"Perfect, is there anything else we should prep before then?"

"Just your lovely selves, I'll have everything ready by then."

Nodding to the camera, you wave a small goodbye over the video call, hanging up after receiving confirmation, noting down everything they'd told you about the deal.

As you'd promised, within the following forty-eight hours, you call the representative that Pernille had supplied the number for, letting her know you were calling on behalf of the pair.

"Yes, hello, I am calling on behalf of Pernille Harder and Magdalena Eriksson. As their representative and representative of the organisation that employs them, I've been asked to organise a time and place for the negotiations of the upcoming project I've been made aware you and your organisation have been planning?"

It goes as smoothly as it could, surprising you if anything at how cordial the rep was being.

Normally you'd often have to go to bat for the players and any compensation they'd be advised to be given but they were generous and if anything, Pernille and Magda had themselves specified there was not much if anything that they wanted from this except to boost this project publicly.

They're an actively public persona and set of footballers, so really, the only thing to gain here is more support for the women's game.

The rep has zero qualms about compensating the players, but they both refuse, instead encouraging that the money be spent towards the project.

Donating their own time, and any possible pay prospects towards the future of Women's health.

If you weren't falling for the pair little by little already, now you definitely were.

And you had something to say about it.

Or rather.

Paint it.

-------------------------

It takes weeks until the launch of the progress, and videos are released. It's smooth as anything with them, like you expected.

You were constantly hearing from your crew about how easy it was to work with the pair for media days, so anything like this wasn't any different in your eyes.

They were confident, well respected, and self respected, level headed during proceedings and incredibly smart about any decisions they had to make.

In fact, you'd say you weren't even needed ninety percent of the time, the only time you really needed to speak on behalf of them to do with larger legal matters and anything to do with your place in this.

Everything else went through them.

Thus, you had time to plan your next move.

It was a set out large wall, freshly painted white and you'd managed to even get it in a larger area so you had plenty of space to work.

Your only challenge was doing it during the night.

Taking inspiration from the company involved, and from the footballers, using the colours of the Estée Lauder logo, a deep blue and whites, almost like black and white portraits, monochrome but with a deep navy instead, you painted both of their images up on the wall.

This time, using entirely words for the fill in and not just certain parts.

You knew this one would take a while, but it could be done.

After the very slow process of mapping out everything, you began going over it with a layer of black paint, slowly carving each shadow, crease line, jawline, pupil shine, each piece a small word of description.

This time, the words in each of their respective native languages.

Thankfully, you had a little help with that.

Not intentional of course, getting them to create media profiles, talking about themselves in languages their fans would understand from the national team, not just English and German.

Picking up bits and pieces, and a thankfully very helpful closed captioner sitting by your side who wrote and translated everything for the videos, and yourself, for Creative Director purposes, obviously.

Words like

"Empowered"

"Luminous"

"Inspired"

"Protective" For Magda

"Phenomenal" For Pernille.

And everything in between that you can put in.

But mostly one word that's resonated with you since they first got announced as a part of your club.

"Captivating"

That was the least you could describe them as.

As much you are an artist, you felt as close to a writer as you ever would be just creating this mural.

It was a lot of work for something that would surely stir up something amongst the community.

Inspiration?

Support?

A new sense of endearment from the locals as they fall back in love with their home team again?

Well, it's not like they ever fell out of love with them, more just needed incentive to return regular appearances at games again.

If it took hold internationally, well that's just a bonus.

It sounds like a lot of optimism coming from someone who's essentially graffiti-ing every blank white wall in the city with the faces of some people who a lot of Munich society may not even recognise, but when you've been doing this as long as you have.

Every single time one of your murals make the internet, and if you have a bit of hope that this one will make it big?

That's nobodies business but yours.

By the time you're done with the first lot of paint, you're sweating. It's a big damn wall and you aren't the most fit person you know. Hell, nearly everyone you know are either office workers or athletes.

Sure, you scale buildings, walls and nearly impossible to climb scaffolding but you damn aren't an endurance athlete.

Your grip strength may be in the high numbers but fuck being able to hang on to the same pole for a solid two hours.

That being said, the mural just needs the final touch up paint layers, little things like reinstating white shines and some shadows into the portraits.

Both faces have smiling expressions, examples of pure happiness and joy as they celebrate another win.

The best bit about working in a club like this is getting to see the players in form, on the pitch and outside of it, too.

Every moment you've gotten to witness all of the players in.

It's all come back to inspiration for your work.

You do it all for the players, for the one's who've worked as hard, if not harder than you have to get to where they are.

That's inspiration.

That's why you do what you do.

To get to witness that inspiration come to life.

So painting that into a mural is nothing if not a mere chip away at what can be shared with the world about the pure elation at seeing all of your dreams and hard work come to life.

And doing it with some of the community's most loved players also helps.

The final touch up layers come in quite nicely, taking a small break to let the other half of the paint dry before trying to paint over it.

As an artist, you don't really get to see a reveal like other people do.

Instead, the end result isn't so much of a surprise as seeing it for the first time.

You know how you want it to turn out, it's just getting it there in the first place.

You add and change little bits here and there.

Sometimes, you don't even know how its going to turn out but you still start somewhere with a general idea of where it's going.

With murals like these, there's always a game plan.

It's just easier that way.

Setting out a trace line and then going over it with the style and paint you want is how you do it.

So seeing it complete doesn't amaze you necessarily.

However, taking a step back, clearing your head and gazing over this complete mural allows you to just breathe and take it in.

It's beautiful.

And you hope the subjects take it that way, too.

Hearing a few shuffles, you tuck your mask back in a bit better, hoping no one saw you, and shove everything back into your bag hastily.

A group of adults walking by chatting and laughing makes you jump around the corner.

They don't spot you, and in the pitch dark, they don't see the mural either, only chatting away with each other.

It's in the early hours of the day that you finally make it home, again.

On your walk home, you think you spot a familiar jogging blonde across the road but don't stick around or follow to find out.

By then, you'd switched out your mask for a cap and turned inside out jacket and hiding hands in your pockets for the little flecks of paint the gloves didn't catch.

There's always some.

Your apartment isn't much farther from where you saw the blonde jogging, so when it's confirmed when all of sudden, on your way out the door for work, you see her practically sprinting home, it doesn't surprise you.

What does is the pace she's keeping.

Did she see the mural?

You didn't get much sleep if any, so you think you must be a little delusional to think she'd have found it so quickly, and then having had sprinted the whole way back again?

She's an athlete and all, but come on.

That'd be some determination.

You knew she'd been keeping an eye on the Straßengänger's next moves, but to catch on that quickly, there was no way.

But then you thought about it.

She's always been vocal about keeping a tight schedule.

Maybe they live closer than you think, and she's just on a morning run.

If that's the case, you've hit closer to home than you expected to, but it doesn't bother you so much as it does surprise you.

You'd just have to be more careful or you risk being caught, again.

Maybe being caught wouldn't be so bad if it was them.

You'd have to find out.

--------------------------

Pernille's eyes catch yours across the table, watching you listen intently as her girlfriend beside her rattles off lists of things that need doing for the campaign.

She'd spent so much time talking herself, that it took a little nudge from the Swede with a small knowing smile to let her take over for a bit.

The Dane was nothing if not determined, so taking charge of the campaign was more accidental that intentional.

Hell, they'd both been captains, they were both leaders.

That's why they worked so well together.

They both knew when to step in and when to step back and let the other do what they needed to do.

But something about this made her want to step in constantly.

So instead of interrupting Magda with possible interjections until she was sure her girlfriend wasn't already getting to those, she distracted herself minorly with just listening and observing.

Something drew her to you, though.

It was the passion with which you worked, the easy going but fiery steadfastness of your work, your ability, your personality.

The focus in you, the ability to talk your way around legalities and make it such a smooth process as you had.

At the moment, there was tactics of media advertisement that were being thrown around, things like videos and conferences.

Things like possible logos and sponsorship for the youth women's teams.

Those were something you would be handling with the clubs people as well, setting up possible sponsorships for the academy players and up and coming new players in the area looking to get into the game.

As well as charity donations, supporting women's shelters, donating to children's hospitals.

Everything under the sun thrown on to the table as an option.

And you took it all in stride, listening and giving small feedback but affirmations and assurances that you'd look into the options, see what you can negotiate with the business and what you could give as an option of advertisement for Estée Lauder themselves.

And they trusted you would do everything you could available to make those things happen for it.

She had no idea why she trusted you so much.

Especially when you were a business person.

They'd spent so much time being burned and run around by business people.

Not everyone was bad, but it didn't help that they were approached by people just looking for boosts for their company without doing anything in return.

The pair were never after money but god forbid they give something to something they choose.

So to finally have a company they trust on their side, and to have someone in their corner fighting with them.

It's the best feeling.

Especially when that person knows how to get it.

But there's something about you in particular.

There's a look behind your eyes.

One of genuine idolisation and passion for those with genuine belief and want to help build a better community and world of football for those who can't or need a little help themselves.

But also something else she recognises, she can't quite figure it out, but it's familiar and she almost feels safer knowing it's there.

It was a slow recognition that came to her mind over the past weeks working with you.

You weren't with them every minute of the work day, obviously, but once every couple of days was enough for her to find that familiarity.

One thing she notices is how much you fidget with your hands while working, while thinking.

It's a nervous habit, she slowly realises.

Picking at the skin of your cuticles.

Then she sees a small fleck of something, marker or ink or something.

And then it flecks off as you pick at it.

Ink wouldn't do that.

Paint would, though.

Before she can question it much further than necessary, though, Magda nudges her softly.

"All good?"

She looks up, realising the Swede had long finished talking and she'd just zoned out watching you fidget.

"Of course, right, just zoning a bit."

She says it in a small joking tone, both of them knowing well that she doesn't so well sitting still for so long.

You hum softly.

"That's completely understandable, as much as I am an office worker, I don't sit still too well, myself. Shall we take a small break? It's been a couple hours as is."

Magda nods in agreement.

"C'mon, we can head down to the campus cafeteria for some coffee?"

"Sure, I just have to head to the bathroom, I'll meet you down there?"

Nodding, the swede watches as the Dane exits before gesturing to the door.

"Join us?"

You smile.

"Sure."

Taking the opportunity to stretch her muscles well, the both of you wander down to the coffee stand, Magda ordering for her and Pernille, and then gestures for you to order as well.

"I'll pay for my own, it's all good."

You try to wave away the Swede but she insists.

"We've been talking your ears off all morning, the least we could do is pay for your caffeine intake to deal with it."

It's meant as a joke, but you chuckle and interject with.

"Please, I'd rather listen to you both talk all day than the work I do on a daily basis anyway."

"Oh, really, what could possibly be less interesting than us talking your ears off then?"

She nudges you, shoulder to shoulder, watching you flush a little.

"Office work, sitting all day in meetings, phone calls and constant paperwork. I've always hated sitting around like that. But that's just the half of it. I usually spend the extra time I get making promotional material and organising events for the club. As much as I'd like to focus just on the women's side of things, the board wanted me for the whole club. Creative Director and all."

You snort at the last bit.

"Not a fan of the position?"

"It's where I want to be in terms of what I can do for the club and how much I get to influence the parts I've always dreamed of being a part of but it just comes with all the bits I've always hated, too, so yes and no."

Your coffees are made and ready and by the time you've found seats, Pernille makes her way into the room, sitting in the spot on either side of you.

"Ah, babe, here."

Magda nudges the coffee towards the lighter blonde, her girlfriend thanking her, taking a sip of the coffee with a grateful sigh.

"What about the good parts, what else do you get to do for the club, I know we've read a lot, but surely there's stuff that the rest of us aren't told, am I correct?"

Sipping your coffee, you set it down again, nodding.

"It's a lot of work behind the scenes more than anything. Despite watching over a lot of the media parts, I don't see much of it myself. Only being shown the results at the end and obviously, any major parts of plans and announcements. Major brand deals, sponsorships and I get asked to do a lot of the men's organisational parts of their promotional as well, apparently they couldn't get anybody else to do it one persons job. It's a lot. But it's what I do best."

"Tell us about your favourite parts."

Pernille's the one to speak up.

"Actually, working with you, the players is my favourite part, I don't get to do it a lot, but when I do, you guys are the best people I get to work with, most of the time because you guys act like you're all human, not like the others. Not saying they aren't or that I don't get on well with them, because I do, especially my assistant and anyone I work closely with but they're just too professional, like they don't have too much of their own input to put in. I know I'm their boss, but I like hearing people talk about their own passions."

Pausing for a moment, you scratch at the back of your hand, something Pernille notes immediately.

"Actually, you guys are probably the best I've worked with so far."

"Really?"

You hum, nodding.

"You are both passionate, easy to talk with, understand what's going on and how to navigate situations like this. Dealing with legalities ninety percent of the time is left up to me and me alone, which is fair enough, not everyone has the patience, time or want to deal with it, but it's refreshing seeing both of you be able to keep up with all of this. You're both incredibly intelligent, analytical and passionate and it's a relief to work with more than anything. That's why I was so eager to accept your proposal for the project."

They both grin.

"We're glad to have made this process smoother, then."

"More than anything, you guys have made my job easier than it's ever been."

Chuckling you clink your coffee with the others and take another sip in cheers.

"What about you both?"

They both look at you confused.

"Well, since we're getting our answers from the sources, I wanna know, what drives you both, why this? I've heard it through so many third parties, I want to know why you're both so involved."

"Well considering we've both loved football our entire lives, grew up playing it, found clubs we love. The whole nine yards."

"You make it sound like you haven't done what ninety-nine percent of others have never done themselves."

"That's exactly why we do what we do, to help others who can't but deserve it more than anything to do the same, achieve their dreams, show the world what they're made of."

"Yeah, Magda's pretty much said it all, there. We do what we do because we want other's to know how much they can achieve and also helping them get there. Women most of all. In more than half the world, women were banned for fifty years from playing, which I'm sure you know, and Women's Football needs the boost."

"I love that."

You take another sip of your coffee.

"It's amazing what you both have done in and out for women as a community and for growing stars in the game, not only that but everything you both do for World Crisis', support of the people suffering from war, hunger, major issues. Especially those who struggle with sexuality and not being able to be who they are."

"We just want to help, that's something we especially love hearing back about it all, is that people are finally comfortable in their own skin."

"You're doing a damn good job, then."

You continue talking like that for a good long while, letting them both talk about everything they've done over the years.

Eventually, it quietens, and you check the time.

Glancing down at your watch, you urge them back up to the conference office once again.

"Shall we get back to work, ladies?"

--------------------------

In all of a few hours, you manage to set up a gameplan for the next two weeks of work before they have to head off to internationals, leaving you with something to do in the meantime.

A few times throughout those couple of hours, you catch Pernille watching you fidget with your hands.

You aren't totally sure why for a few minutes but then you notice it's only when you start picking at the impossible to keep off you flecks of spray paint.

It seems luck was not on your side in that moment because the moment Magda steps out of the room to go to the bathroom, she points it out.

"Much of painter?"

Freezing, you look up at the woman from your notebook.

"Pardon?"

She points to where you're yet again scratching at your hand.

"Just the paint you're picking off, you paint a lot?"

"Ah, a little, just getting into it actually. It's just something I do in my free time but damn is it messy."

"Oh, you should show us some of the stuff you do sometime."

Nodding, you take a sip of the water beside you.

You know the paint will get you caught one day, but spray paint is the glitter of the paint world.

It's impossible to keep off places you don't want it to be.

Then Magda enters the room and the conversation is over.

Thankfully, it feels like she's backed off you a bit, but you aren't confident it won't come back to bite you later.

Towards the end of it, Magda is scrolling on her phone as you type out some of the final pieces of information, ready to be sent off to the project managers on the partners end.

Noting the way she suddenly zones in on one particular post, you see with a glance her way, her liking and sharing a post about your newest work.

She doesn't seem surprised to see it, though, like it isn't new to her, the way she doesn't attempt to show Pernille even.

She definitely already saw it, as to whether she'd caught it this morning was another question.

You don't bring it up, though.

Instead, you continue typing and eventually, finish it with some wording changes at the request of the girls, and send it off.

"Annnnd we're done for the day, is there anything else we want done before you both head off to internationals? If you do have something come up later on, you're both welcome to call or message me directly and I can put it down to be done?"

They both shake their heads.

"Excellent, then I'll let you both head off, I can't imagine you aren't both sick of sitting for so long, rest up, and we'll talk later when the rep gets back to us."

Shaking both of their hands, they thank you profusely again and exit together.

Taking the moment to breathe finally, you look down at your hands, still little bits and pieces of flecked white and black paint, you groan to yourself, head falling into your hands.

"That was too fucking close, L/n. Get it together."

Luckily, they wouldn't be around to catch you any time in the next couple of weeks, you'd have plenty of time to do other stuff.

They weren't the ones you worry about catching you though, in fact, if it weren't for the face to face implications of it, you'd almost want them to know, but you can't let that happen yet.

It's the media, who'd have a field day at finding out the club's leading Creative Director is secretly a graffiti artist and the cause of the city's whispers, that you're worried about most.

You can only keep a low profile.

You've been getting cocky the past few weeks.

Now's the time to lay low.

Maybe put out a few smaller, less football focused art pieces, too.

Draw the attention away.

As much as you'd praised the attention, bring in too much of it and all of it collapses in on you.

Maybe one more mural before they go, though.

-------------------------

[patricia-taxxon]

ok. i cheated, i needed to be told that i was already on the right track. now both outer wilds and void stranger have had a moment where i basically had all the information but the riddle just missed its opportunity to land, creating complete destructive interference with no way of pushing through, because the game had already told me all of its clues and it's not like I could just put the pieces together in a different way. details/spoilers below

so my only lead was the murals, and how they were the same dimension as the brand I was asked to draw at the beginning. I also noticed the suspiciously easy brand-sized rooms, but didn't know what to do with them. zone 5 is actually where i realized that i could form the brand with the tiles after I realized it had the same quantity of tiles as the indents on the mural with one space left over for the stairs. So I made it, after a lot of effort, and continued down. Nothing happened. Now, i really think this was a reasonable assumption to make, that the stairs didn't count, but since nothing happened, I assumed I'd done something wrong. There were two possibilities, either I needed to keep one of the white tiles in my inventory and use the stairs as one of the pixels, OR, since this game has often been cagey about how it works, i needed to repair every mural in one run and it's just not telling me. I had the opportunity to test this on the next 6x6 room, which I noticed was also mostly glass, so I assumed that I shouldn't discriminate between types of tiles and used the stairs as one of the pixels. Still nothing. Okay, so this had to be one of those special constrained runs that people keep telling me about, I need to fix all the murals in one run. Except the eighth mural is blocked off. Okay, nevermind, there was no lead, game over. I was completely out of tools to determine if there was anything to be discovered.

So if you've played the game, you'll know my mistake was not listening to Gor. When Gor told me "when the path to damnation rests within you, place your faith and embrace the void" she actually meant, pick the stairs up with your scepter after you've already marked the brand and then jump in a pit. I assumed "the path to damnation rests within you" meant eating the fruit that demon gives you and getting the bad ending, because the things you pick up with the staff aren't resting within you, the UI shows them resting on the staff. I'd already been directed by the game to just shut the door on this whole brand lead because I'd been punished so thoroughly and I was never going to connect Gor's incantation to it. They just missed the opportunity for me to solve this riddle authentically. the game meticulously shut the door for me.