omg finally watched ep
need to process my thoughts.
La'an good for you for moving ON. Not healthy to obsess over alt-universe crush. This hurts but it is good for you! Stop dreaming of babies with a guy you knew for a day.
Chapel, you too! live your best sapphic self until you get engaged (hopefully wont get engaged immediately, just like set the stage).
Una is a great mentor, i hope you can get a beautiful girlfriend next season. You deserve happiness.
Ok, Uhura is the best. So competent, so inspiring, such a good singer. <3 <3 <3
Spock i hate seeing you suffer, but like, what have you been thinking this season? These are all your bad decisions. Go make friends with Kirk already. Play some online chess.
Kirk, this isn't your show. But also, yikes your life is messy right now. I want all the tea. Also people are calling you jim!!! I hate when people call you james.
Sam you are a treasure.
Pike you are a great captain and like everyone else in the ship you suck at relationships.
This was so much fun! The end of all the awkward ships, excellent music, and the last joy we'll get since next ep is srs bsns.
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Trying to judge Kakashi for his teaching fuck-ups is hard because everything keeps getting skewed by everything that is wrong with this man and also everything around him. He ends up being graded on the triple wonky curves of: 1) "You know, I'm not sure that you specifically could have done much better." (Child soldier as a preschooler, isolated genius prodigy fast-tracked out of childhood, violently orphaned twice, war veteran, late teenage years and nearly half his life spent in black ops, he's only like 26 years old, etc...)
2) "I'm not sure that the average Konoha ninja could have really done much better in Kakashi's shoes." (Inconsistent prior Academy training for students, little to no apparent teacher training or solid child development resources for genin team teachers, inconsistent oversight from neglectful superiors, promotion exams where it's apparently normal-ish for participants to be either killed or permanently injured, etc...)
3) "I don't think anyone could have handled this situation well, honestly. It was fucked up before Kakashi showed up." (Sasuke.) (Also Naruto if his personality had been slightly different, after 12 years of neglect and shunning. What the fuck.)
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Trolling aside, i think there is some great importance as to why Gege chose this specific manner of panelling for the Yuji-Sukuna confrontation in JJK 264. We can't help but think that Gege's trying to show us some sort of a parallel between Gojo and Sukuna in this situation.
In JJK, there's this interesting notion of one's decision to go "North" or "South" as explained by Nanami during Gojo's death Flashback:
And we all know, that chapter of Gojo's death is titled as "Go South", which highly implies that Gojo chose to stay as who he was, as opposed to starting as something completely anew.
Now the interesting point in the Yuuji-Sukuna confrontation is that apparently...
....the destination for the supposed train within Yuuji's domain...is "North".
Which means that Yuuji's taking Sukuna towards the North.......
They're heading towards the North.....do you guys understand what that means?? For BOTH of them??? Q C Q
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Machete and Vasco are so pomegranate-and-the-hand-that-slices coded. To me.
Pomegranates are seen as messy, bloody, inconvenient fruits. You slice or tear or bite and in return for your effort you come away underwhelmed, disgusted, and stained too deep to wash. The consumption of a pomegranate is a violent act of defilement, for both the fruit and the eater.
But that is because most do not understand how to open a pomegranate. They have little patience for the precise carving. They see no point in coreing the fruit gently, no reason to be reverent as they pull the quarters apart. When done correctly, opening a pomegranate leaves little mess. Your fingers will still stain, your knife will still slick, but there will be no pool of crimson drowning both you and the fruit.
The seeds are only sweet to those who understand the merit of a light hand and intricate slicing. Why put in so much effort for a food so bitter and clearly armored against consumption? Surely it must not yearn to be eaten.
(^insane about silly catholic dogs)
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the thing is it's such a shame marius never went back after the whole defending-napoleon-fiasco bc I genuinely think enjolras likes him. and that he genuinely thinks he has potential in an 'he's a little confused but he's got the spirit', 'i could work with this' sort of way. like yeah he's a very serious sort of guy w strongly held beliefs but his behavior (to me at least) really reads like was interested to have him around & develop his politics. like in the post-napoleon-speech scene when combeferre has had his really good line & the rest of them have all walked out of the room & he stays behind:
and:
the 'gazing gravely at him', the staying behind, the hand on his shoulder, they don't read to me like he has any dislike towards marius even if he obviously doesn't agree w what he's said, he seems like he understands marius' confusion. he's not giving any ground politically but he's interested in marius. a sort of 'missed the mark this time but let's try again' thing. and then way later (chronologically) he's still obviously thinking of marius in this bit & seems to genuinely think he'd do a good job & regrets that he never came back:
unfortunately I don't think marius picks up on any of that though
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Uhmmmmm soo. Over the past few months I've been seeing a lot of complaints or comments that digimon has too many designs which essentially boil down to “There are too many designs that are just humans in costumes.”
And for a while I just nodded my head and went Yeah Alright, because I Understood where it was coming from (the way most perfect + ultimate levels tend to become more humanoid over their predecessors) and thought it was a valid complaint even if I don’t agree. But eventually it got to the point where I got legitimately invested in wanting to know How Many Digimon there were that you could classify as “basically humans” and well. Here I am.
For the past week or so I came up with my own “categories” and counted how many digimon fit under each category to then later put into a graph like the one you see above ^
I did all of this for like, first and foremost My Own Interest, but I decided to share the results anyways in case someone else thinks this topic of discussion is interesting? I'll include as well under a read more a more in depth guide to the data i've accumulated as well
FYI, Important disclaimers: This is all highly subjective. Im not trying to claim these are any sort of objective categories canon to Digimon or that the results are objectively canon. You may think some or all of these categories are deeply redundant, or you will disagree with me over what counts as say, A Monster or A Furry or A Humanoid, and that’s fine. There are also digimon excluded from the total, most notably digimon that are cameo/minor characters in a singular digimon property, or recolours (ie Gabumon versus Psychemon) or which had minute design differences (Like, almost all of the different Agumons) because I thought including all of that was redundant or unnecessary. If there was a major difference in designs (ie Original Falcomon versus 2006 Savers Falcomon) however I did consider it as a separate design. Also, no X antibody designs were included, because oh my god there are already so many digimon and the X antibody designs could probably merit its own pie chart.
Baby 1 + 2:
Explicitly Creatures/Animals/Naturalistic Monsters/etc: 89
Inhuman/Monstrous in other ways (example- Robots/objects/undead): 17
Anthropomorphic animals/creatures (Furries, inclu robotic anthros): n/a
Humanoid but still inhuman/monstrous/weird in some way: n/a
Essentially humans/Humans in costumes: n/a
Rookie:
Explicitly Creatures/Animals/Naturalistic Monsters/etc: 73
Inhuman/Monstrous in other ways (example- Robots/objects/undead): 26
Anthropomorphic animals/creatures (Furries inclu robotic anthros): 7
Humanoid but still inhuman/monstrous/weird in some way: 7
Essentially humans/Humans in costumes: 4
Adult:
Explicitly Creatures/Animals/Naturalistic Monsters/etc: 96
Inhuman/Monstrous in other ways (example- Robots/objects/undead): 51
Anthropomorphic animals/creatures (Furries inclu robotic designs): 18
Humanoid but still inhuman/monstrous/weird in some way: 23
Essentially humans/Humans in costumes: 6
Perfect:
Explicitly Creatures/Animals/Naturalistic Monsters/etc: 64
Inhuman/Monstrous in other ways (example- Robots/objects/undead): 46
Anthropomorphic animals/creatures (Furries inclu robotic anthros): 39
Humanoid but still inhuman/monstrous/weird in some way: 46
Essentially humans/Humans in costumes: 9
Ultimate + Super Ultimate:
Explicitly Creatures/Animals/Naturalistic Monsters/etc: 68
Inhuman/Monstrous in other ways (example- Robots/objects/undead): 41
Anthropomorphic animals/creatures (Furries inclu robotic anthros): 48
Humanoid but still inhuman/monstrous/weird in some way: 95
Essentially humans/Humans in costumes: 17
Hybrid:
Explicitly Creatures/Animals/Naturalistic Monsters/etc: 7
Inhuman/Monstrous in other ways (example- Robots/objects/undead): 4
Anthropomorphic animals/creatures (Furries inclu robotic anthros): 6
Humanoid but still inhuman/monstrous/weird in some way: 8
Essentially humans/Humans in costumes: 7
Armour:
Explicitly Creatures/Animals/Naturalistic Monsters/etc: 40
Inhuman/Monstrous in other ways (example- Robots/objects/undead): 5
Anthropomorphic animals/creatures (Furries inclu robotic anthros): 11
Humanoid but still inhuman/monstrous/weird in some way: 7
Essentially humans/Humans in costumes: 1
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When I wrote my thesis a few years back I read this article/book chapter that I found useful for the discussion of the ways that blaming Jews turns into caricatures of Jews which in turn became character tropes and narrative turns that we can find in literature, specifically children's fantasy per the scope of my research. Over the past number of months I keep thinking about this one piece specifically, and how I think it would be good for more people to read it.
The Ritual Murder or Blood Libel Legend: A Study of Anti-Semitic Victimization through Projective Inversion by Alan Dundes, edited by Simon J. Bronner. JSTOR stable link: https://www.jstor.org/stable/pdf/j.ctt4cgrzn.24.pdf It's openly available, you do not need institution access to be able to view it, please do give it a read.
It's a discussion about the blood libel legend, where it comes from, why it proliferates, and why Christians are so obsessed with it. I found it to be a really well argued take on the idea of projecting internal guilt onto the other and how that is a large aspect of the longevity of this particular antisemitic legend.
Given what we've seen in the past four months, there is room to discuss the way that this idea of projective inversion is very relevant today.
I am a scholar in literary antisemitism, not in politics, not in war, not in human rights. I am looking at what is happening online and in leftist spaces from the view of someone who spent years studying antisemitic rhetoric.
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