the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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unstoppable force (wanting to draw pt shiho) vs immovable object (not knowing how to draw armour)
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ohhhhhh ghostlight loop we’re really in it now
FANART FOR @ghostlightfic GO READ GHOSTLIGHT NEOW!!!!!! i’m so so normal about this fic i prommy. anyways!!!! greyscale version + some design notes below! because i’m very normal about character design 😊
ok design notes time!!
for once i actually am normal about colors here. this is just colorpicked from my normal loop design! which is in turn colorpicked from siffrin’s design. not much to say here!
i generally tried to make them more angular compared to sif? their hair is a lot spikier, the silhouette of their sweater is more pointed, just Sharper shapes all around. idk. hard to put into words
hoping the glowy hair comes across well here. i also tried to make their hair look a bit less messy, since they actually take care of their hair! no flyaways here.
ahhhhhh i Had to make the sweater Fucking Massive i can’t reject my nature. i wanted to have the vague silhouette of the cloak while still keeping it it’s own thing?? i feel like sif could have something like this somewhere. idk. i tried to make it look a bit weathered, since it’s a hand-me-down from sif and that bastard does not take good care of his clothes.
don’t. ask me whether they’re wearing shoes or not. my normal loop design has Built In Heels but you can draw your own conclusions.
not a design note but for some reason i kept forgetting whether or not loop had a scar???? i literally had their description in the fic open as a reference and i STILL kept forgetting to draw it. i’m so so good at remembering things
anyways!!!!!!! go read ghostlight!!!!! it’s really good go read it. anyways. greyscale version as promised 🩶
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he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
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I saw another post criticizing Bruce for having children fighting at his side, and I must say: tell me you don't know shit about the batkids' stories without telling me. Bruce fucking tried to stop those kids from being vigilantes, but they keep doing it behind his back, so he decided the best thing to do was to give them the proper training, an armor and to have them stick at his side so he can watch over them. You know, like a parent telling their underage children that they can drink alcohol but only at home where they can watch over them.
Dick became Robin because he wanted revenge over his parents' murder. He would run out in the street of Gotham as a 8 years old, all alone, to go fight Zucco. Bruce helping him make Robin was the compromise to keep Dick safe, because the child would not listen. (And yes, it wasn't the case in the very first canon, but it was like the 40s. Do you know how many kids fought against the Nazis in Europe at that time???)
Barbara Gordon is not his daughter and he has no authority on her being a vigilante. He cannot even ground her.
Jason became Robin after helping Bruce take down Ma Gunn's school. It is implied by Bruce, while talking to Dick, that he offered Robin to Jason as a way to gain a child because he missed having Dick around. He didn't need a Robin, he just missed having a kid. Bruce used the Robin mantle with Jason like people use churu to appease stray kitten. AND JASON'S DEATH, let's talk about it. Jason ran away, which leads to him being killed, after eavesdropping on Bruce and Alfred talking about Jason's mental health. Jason is benched as Robin, but not because Bruce thinks he killed someone like fandom says, but because Bruce knows it is not helping or healthy for Jason. They are talking about getting him help for his traumas and how violence is not helping Jason. And, when he is older and has healed, they can try again if he wants to. That's why Jason or people saying that Jason died because he was a soldier, or blaming Bruce for Robin's existence is false. When Jason died, Bruce was against Jason being Robin for his own health! And Jason knows that, he heard the discussion, he wasn't bench like how so many of his siblings are, with little to no honest explanation. Jason died in the Robin's costume because of his own stubbornness, not because of Bruce. (And that's not blaming Jason for his death. He is not to blame, but neither is Bruce. It's just about the Robin's colors. Jason would not have been wearing them at the time if he listened to Bruce.)
Tim Drake imposed himself as Robin. Bruce was against it, Tim literally went "Don't care, didn't ask". And Tim was already following them around before. Bruce already have Jason blaming him for making Tim Robin when he had no control over that.
Stephanie Brown became a vigilante before Batman knew her. He has tried SO MANY TIMES to make her stop, and so many fans hate that he did it. Make a choice, is it bad that he didn’t stop her more or that he didn’t let her more be a vigilante? He even got his kids to try to make her stop. AND SHE IS "KILLED" TO TEACH HIM THAT MAKING KIDS VIGILANTES IS BAD WHEN HE IS NOT RESPONSIBLE OF HER BECOMING ONE AND TRIED TO STOP HER! No shit the man blames himself for things that are not his fault, everyone does it.
Cassandra Cain was 17 when she becomes Batgirl, so I don't know if she counts. But when Bruce tries to make her stop for her own health, with the support of Barbara and Alfred, Cass is devastated and doesn't obey him. She puts on her costume and fights him physically.
Damian Wayne was trained as an assassin. In every version of him being introduced to Bruce, Bruce is against making him Robin and Damian keeps sneaking out. Damian wants to prove himself to his father so bad and refused to be kept away from the fight. In the comics, it's Dick, DICK, that makes him Robin when Bruce is gone, because Bruce was against letting Damian out at night.
Conclusion: Bruce is a tired father of a bunch of kids that cannot understand they should stay home at night and not be vigilantes.
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