#oh this is SO not safe

[shelli-gator]

🎠🚂 That's a horse!

[chloesimaginationthings]

FNAF movie Vanessa definitely thought Abby died..

[literarymerritt]

Thinking about Them 🥺

Art Tumblr | Twitter

[hinamie]

alongside someone like you

[cosmossystem]

what i feel like is lacking from conversations about plurality is how genuinely, fundamentally cool it is to be plural. doesnt it fascinate you how our brains can create entirely new selves, inner worlds, inner structures to keep itself afloat? doesnt it make you so curious? especially with regards to atypical plural experiences. i dont hate people for having entire systems full of fragments or fictives or subsystems. in fact, i find it wonderful, a miracle of the mind. you have a complicated inner world with unique lore? incredible, how did that develop? your entire system is full of fictives from the same source? thats amazing, hows that going? your system has entire layers on itself, with several systems running in tandem? wow, thats fascinating, how did you know? you believe you came from different worlds? tell me about them. please, tell me more about yourselves. id love to hear it. i do not fear the potential of the human brain.

[umblrspectrum]

you'll never guess which movie i finally watched after 2 years of being lazy

[chandralia]

“I feel relief when someone holds my hand”

[poorly-drawn-mdzs]

Daddy, don't go.

[First] Prev <–-> Next

[vaguely-concerned]

purple hawke who, at malcolm's death, lost not only a father, a mentor, the single most stable and safe point in their world up until this moment. but also the only person in their life who would consistently, gleefully 'yes, and — ' them. the loss, in one fell swoop, of both a beloved parent and your sole willing — no, not only willing, enthusiastic — improv partner. truly, the most unkindest cut of all that the maker could have seen fit to deal. (there's always so much less laughter in the house, after malcolm's gone.)

and then after all the horrors of the blight and trying to make a new life in the shithole turned shithome of kirkwall....... they meet varric. and something that's been slumbering deep within their soul dries a tear of relief and joy and whispers 'oh we are so back'. and they are so right

[h20milk]

various blurbs from 2022

[bluewolfangel01]

I feel uhhh so silllyy for requesting this but what if sheep mc snapped at like the brothers cuz there’s no way their 100+ year old asses are still acting like angsty teenagers (MC has a delusional joy moment😔😔😔)

It's okay, this is a very interesting request and I'm glad to do it 😁

I will specifically be writing Mc as a sheep like in the manga cause tiny pissed off sheep going off on tall and powerful demons is hilarious (sorry for the wait btw)

angy Mc is funny Mc and you can't change my mind

(I headcanon that the brothers sense their sin on Mc/you btw)

-Angy Mc-

Satan was the first one to sense something was up after a few minutes after his brothers and him started arguing

At first he wasn't sure what he was sensing, until he realized that he felt his sin, pure festering wrath

The worst part? He realized that it coming from Mc, who oddly enough was just sitting quietly on the couch, blankly staring at their phone in front of them

Satan went quite

Which caught the attention of the other brothers, who also turned their shouting at Satan, and even though Satan was very tempted to strick back at them, he held his tongue for once

Mc: "Can you all not fight, argue, or yell FOR ONE DAY?!"

It was at this point the brothers knew, they f#cked up (and went silent)

Mc: "Honestly, I know yall are brothers and demons so this kinda stuff is bound to happen but for Diavolo's sake this is getting ridiculous!"

Mc: *points hoof at Belphie* " Belphie. I know you're the avatar of sloth and therefore sleep a lot, but you can't solve all your problems and grief by sleeping the time away constantly, and the youngest brother brat thing doesn't always make you endearing!"

Mc: *points hoof at Beel* "Beel. I know you have survivors guilt but Lilith ended up living with humans like she wanted, Belphie doesn't need you standing up for him all the time, and you needn't continue to try to fill the hole inside you by eating in a restaurant that has no more food when you could just go down the street to another food place!"

Mc: *points hoof at Asmo* "Asmo. I know you ~get it on~ mainly to distract yourself from your troubles, to make yourself forget even just for a bit, sometimes but you can't push those feelings down forever, so actually talk with someone, anyone, about whats bothering you rather then trying ignore it! And stop hitting on your brothers, it's kinda weird!"

Mc: *points hoof at Satan* "Satan. I know you have an inferiority complex when it comes to Lucifer, but for the love of Diavolo, you wouldn't be called Satan, avatar of wrath, if you were like Lucifer in the first place. You have blonde hair and like cats, Lucifer has black grey-ish hair and likes dogs. AND THATS JUST THE START OF THE CONTRASTS! You are your own person, get that through your thick skull!"

Mc: *points hoof at Levi* "Levi. I know that it's easy to compare yourself to others and not at least feel somewhat bad about yourself but how do you not realize that you're the best tech wiz we got, an amazing gamer, and the most dedicated being I've ever seen in my life! So if you think that you're not good at something think again!"

Mc: *points hoof at Mammon* "Mammon. How in the whole Devildom is the Avatar of Greed almost always poor?! Also I know you are a material gorl, but items and things can't fully fill the void that you feel, so stop acting all emotionally constipated and just ask for affection if you want it!"

Mc: *points hoof at Lucifer* "And you Lucifer. I know you're the eldest and the prideful one, but there is such a thing as shouldering too much and being stubborn to a fault! Ask for help and for Diavolo to lessen your workload every once in a while! And stop not telling your brothers important things, rather then being all secretive to try to 'protect them' youre just hurting yourself and them cause of it!"

Silence was all that could be heard in the House of Lamentation, the brothers still as statues with varying amount of widened eyes, staring at the small being that they cherished that had just ripped into them so aggressively

After a minute ofa dead silent pause, Mc turned off their phone, hopped off the couch and started walking to the living room exit

Mc: "Honestly, I didn't expect to become a therapist for demons when coming here, and now I can't even read my enemies to lovers book in even somewhat peace.... I don't get paid enough for this."

They then disappeared from the brothers' sight, left to wrap their heads around what just happened

And the arguement that started it all? Who was going to make dinner that night

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[nonpoppie]

tianjiu (food 4 me specifically)

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[hinamie]

theyre soft your honour

[winecovered]

　⟢　Self - Lacking　𓃉

One who has no sense of self outside of their internet persona!

This could be because they never go anywhere, and therefore the only proof of their existence is online — They mask in public / real life spaces, but not online — or any other way you can think of !!

　— For @canecorset's event, day seven!

[Plain text start: Self-lacking. One who has no sense of self outside of their internet persona! This could be because: They never go anywhere, and therefore the only proof of their existence is online. They mask in public/real life spaces, but not online. Or any other way you can think of! For canecorset's event, day seven! .Plain text end]