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#or ancient history department
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Illustration for "The Rime of the Ancient Mariner" – Gustave Doré // The Albatross – Taylor Swift
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mythosphere · 5 months
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"You know how to ball, I know aristotle" Taylor I think if you actually knew anything about Aristotle you would not say this
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diaryofsheets · 5 months
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Lyrical Analysis Day 2: Cassandra
As a reputation girlie, I fucking love this song. I imagine her seated on the throne surrounded by serpents, delivering this track with a poised yet defiant attitude 🐍
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marywoodartdept · 1 year
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Red or Black?
Alyssa. our Art History blogger, takes us on an adventure back in time through art. Discussing the Greeks and their different types of pottery, Alyssa explains these different types of pottery and their significance in history. #MarywoodArt #ArtHistory
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mossadegh · 2 years
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• Mossadegh media: newspaper & magazine articles, editorials
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sunderwight · 6 months
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Okay, concept:
Luo Binghe grew up very poor prior to arriving to QJP. And when he first got to QJP, he was ostracized and neglected. So there are probably a lot of phrases, terms, and ideas that he didn't know were things until SY arrived and started actually teaching him. Right? So the bulk of what he did learn, he learned directly from Shen Yuan's own slightly messy attempts to fake ancient scholarly credentials.
Plus, QJP is supposed to be the peak of scholars and well-read, fancy intellectuals, and YQY probably also doesn't know shit about most of that stuff (having also been a former illiterate street child) and of course is incredibly predisposed to take Shen Qingqiu's side on virtually anything. Especially something frivolous or linked to their shared past, such as someone, say Qi Qingqi, accusing Shen Qingqiu of making up a literary reference or "gibberish" word. If something Shen Qingqiu says is something no one else seems to know, that just proves he's more worldly and well-read than the rest of his peers. Also, Shang Qinghua will probably know it, and despite his many (many) character flaws, Shang Qinghua reads a lot too. There's really very little to convince a former street child turned Demon Emperor whose former education began and ended with Shen Qingqiu specifically and Meng Mo (wildly out-of-touch with human culture anyway) to suspect that some of the difficult-to-source references his master makes really have no worldly source (in this world).
So Luo Binghe, in his quest to become as knowledgeable of all things about his shizun and keep up with him as well as possible, and maybe also put down some arguments he's overheard once and for all, eventually gets annoyed because CLEARLY there is a wealth of cultural knowledge contemporary to Shen Qingqiu and Shang Qinghua that didn't survive to his own generation. His efforts at hunting down all the sources being referenced and origins of certain philosophical ideas or terminology keep coming up empty in certain departments. He's been over the entire QJP library with a fine-tooth comb, but QJP focuses on things pertaining to cultivation, history, and knowledge. Obviously, there are gaps. The archives are unlikely to keep pop cultural references and lowbrow literature, and Luo Binghe begins to suspect (from what tastes his master seems to share with his shishu) that that is that actual source he's missing.
The trashy yellow books and romance literature of their generation! Bawdy poems and lewd artworks so on! Heck, that's probably even where the shared "code" (bad English) comes into play -- disciples are always trying to sneak forbidden material past their teachers and smuggle naughty books into the dormitories. Knowing Shizun and Shang Qinghua, Luo Binghe honestly wouldn't be surprised if the two of them were racketeering that shit in their own disciple days. Shang Qinghua acquiring materials, Shen Qingqiu acquiring buyers, both of them making their extra spending money off of secretly supplying Cang Qiong's population with contraband fiction and art.
Also, that would explain why both Shen Qingqiu and Shang Qinghua get flustered and refuse to elaborate if someone asks them what this or that strange turn of phrase refers to. Shen Qingqiu has a very thin face for actually discussing erotica, and Shang Qinghua doesn't like being caught doing illegal shit.
Luo Binghe desperately needs access to trash lit that's older than he is. However, most of that stuff is not printed to last, and turning it up is like trying to find old Spirk zines without the internet.
Shang Qinghua, the obvious go-to source, also seems to not really have anything that old anymore (intimidating him is laughably easy, if he had anything he would have coughed it up by the second or third time Luo Binghe asked and frowned at the same time), and if Shen Qingqiu did have anything he wouldn't want to be questioned about it. Asking too much might even get it destroyed in an act of excessive embarrassment.
Which means there is just one other person Luo Binghe knows who might be able to lead him to some sources. One other person he is absolutely, 100% certain was extensively reading trashy literature around the same time that Shizun was a young man. Someone who would know where to go to even begin looking for it.
Luo Binghe is going to have to ask Tianlang Jun for help with something.
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byooregard · 18 days
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iwtv universe dashboard simulator
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girlmand reblogged
😶‍🌫️gaysexinthecity Follow
not saying vampires are real but i think Daniel Molloy gets way too much shit . like if i was a pulitzer prize winning journalist in my seventies and some guy called me and was like im a vampire want an interview i wouldn't hesitate either. fuck man sure tell me about being a vampire. i'll believe you
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🎆 magical-swiftie
reading Interview with the Vampire rn and Claudia and Madeline are sooo Long Face core
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#now that i think of it a lot of tvl's songs fit this book really well #like #'she gave me life I gave her death'??? # that's so them!!!
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🏞️ girlblogg1ng
btw if you're still listening to the vampire lestat, unfollow me now. and like, seriously consider why you're giving plays to a guy who appropriates ancient egyptian history for his vampire schtick, it's honestly sickening
#the vampire lestat #tvl #maintagging because people need to see this honestly #.txt
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🌄sampire
keep seeing ppl try to cancel tvl for things hes said to his fans or how he talks about ancient egyptian mythology and not that song where he talks about fucking his mother. like im not crazy right he wrote a whole song about how he fucked his mother
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💟 stingorarr
"we are your children/but what do you give us/is your silence/a better gift than the truth?" sounds like it should be some ancient Greek poetry but it's literally in a song by the vampire lestat!!!
it just hits so hard... like your parents gave you nothing but maybe the truth would be more unbearable than silence...
#tvl #the vampire lestat #twmbk #those who must be kept
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sampire reblogged danielmxllxy
🌫️ beatlesrpf Follow
please tell me you guys arent serious about the vampire lestat. please tell me youre not stanning a man who wrote "im an actor in my makeup, i get fatter when we break up"
#guys please #this is worse than the tortured poets department
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🤖 carrieblogging Follow
Based on your likes!
Hey, Tumblr, I need a little help here?
So, my best friend has been acting a little weird lately. Like, his sleep schedule has gotten really strange (stranger than normal 😅), and I haven't seen him without sunglasses on in a week?
His diet has changed, too, like he used to always be snacking whenever I'd call him, but now he doesn't eat anything that I can see.
He even cancelled our tickets to ComicCon!! I've been waiting to meet up with him for years, and now he's just bailed on me?!? I'm mad, but honestly more worried than anything....
#carrie speaks
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🌌 marbellina124
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guys I think I've found the vampire Armand at the MET 😏😂
#it doesn't match the dates from the book so like #yeah #but imagine.... #parisian mutuals you have a power that can be used
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interview-with-the-glampire reblogged wormyworms
🪱 wormyworms Follow
mmm tbh the only reason i *don't* believe vampires are real is because if *i* was interviewing two vampires to write a book about their life? i would not be leaving that house without their fangs in my neck and eternal life. just saying
🌇 interview-with-the-glampire
understandable but have you considered. if I went to interview two vampires and got immortality and vampire sex out of that deal I wouldn't go around letting everyone know :/
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danielmxllxy reblogged sampire
🌌 marbellina124
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so were all in agreement he fucked that vampire right
#oh I think he fucked AT LEAST two of those vampires #iwtv #rb
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cuddlytogas · 6 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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avastrasposts · 2 months
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The Guard Dog
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Written for @studioghibelli Writing Challenge themed around History and Art History.
Plot: Sent to your uncle's bleak castle in the north of England, you expect only a dreary existence until you meet his groundskeeper, a scarred, frightening Spaniard. But love in the Victorian era is not easy and life doesn't follow straight paths.
Groundskeeper!Pero x Reader
Warnings: this is mainly all fluff with a bit of angst. Some of that casual racism and predjucde of the period rears its ugly head though. I've tried to keep the reader as blank as possible, but it's Victorian England and she's a lady so I have to presume she doesn't speak Spanish and has fair skin. No use of y/n.
Word count: 18k (yeah, I know....)
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The ancestral home of your uncle’s family, Yotes Castle, was not a place that made people feel comfortable or welcome. Built on the ruins of an old thirteenth century castle, some of the old rooms still part of the house, it cast a forlorn gloom on the surrounding landscape. The long drive up to the house, the ancient portcullis cutting visitors off from the outside world, and the dark granite stone, it all made the place look as bleak as something out of a penny dreadful. The one forgiving feature was the big park surrounding the house, sprawling and wild with endless pathways curving through the trees and shrubs to small hidden glens and meadows. This is where you’d often taken refuge when you were allowed, and it was where you’d first met him, the groundskeeper.  
You’d arrived at the house the previous autumn, just as the weather turned cold; heavy rains and thick fog rolling in from the nearby Irish Sea. Your father had passed away long before you could remember him, and for most of your life, your mother had raised you with the help of a governess and her maid in the London house. But your mother’s health was never what it should be, and when she too passed, her brother became your legal guardian. And rather than let you stay in London, he gave you a choice; to come and work as his children’s governess at Yotes, or stay in London and be cut off once your mother’s meagre fortune ran out. You had no choice but to pack your bags and make the long journey north.  
You’d never been to Yotes Castle, only heard your mother’s stories about it and how much she’d detested it growing up; dark, lonely, stifling. She’d married your father and left for London as soon as she could, and she’d never returned to the north.
Your own first impression of the castle was not promising either. The place had been shrouded by heavy mist, the whole place damp, inside as well as out. Long, dark corridors and staircases confused you as the butler led you to your uncle’s study when you first arrived, his nose turned up at your carpet bag luggage. Your uncle had greeted you like you were a new servant, not his departed sister’s daughter, and dismissed you after letting you know he expected you to take full responsibility for his two children. You were assigned a room next to the children, but at least you were allowed to eat with the family and not the servants. Although, after a few days, you thought it might be nicer to eat with the servants than suffer the stilted conversation and heavy silence in the family dining room. 
The housekeeper, Mrs Pluck, might think otherwise though. She viewed you as a servant, and would ignore any requests you made, sending up lunch only for the children, and not you, when your aunt and uncle were out. Making sure you weren’t served dinner in the dining room, instead making you go downstairs and explain to the cook why you hadn’t eaten. Until one day, Amelia, your ten year old cousin, told your aunt about this, and Mrs Pluck was told to make lunch for you too. After that, Mrs Pluck seemed to view you as her mortal enemy, doing anything she could to trip you up. 
Amelia, on her hand, had not told her mother out of the goodness of her heart, rather the opposite. She wanted you gone, as did her eight year old brother Albert. In the interim between their old governess leaving and you arriving to take her place, the children had run wild. Your attempt at making them learn at least the basics were met with protests and complaints. To say that your first winter was trying was an understatement. 
Spring was slow to arrive in these parts, but as the weather dried up, you could at least escape the house while the children had other lessons. The days were still chilly, you’d grown accustomed to breaking the ice on your wash basin in the mornings as your uncle refused to heat the house properly. But despite the cold, you wrapped yourself in layers of wool and escaped into the park, leaving the bleak house behind. 
You had a favourite spot, right at the end of the wooded area and well out of sight from the house. The path led through a thicket of rhododendrons and curved around a small lake, more like a pond really. On the far side of the pond sat a small cottage where no one seemed to live, covered in dark green ivy and climbing roses, all devoid of leaves this early in the spring. Where the path ended was a bench with a view across the lake and to the cottage. Even on the dreariest of days, the spot seemed bright, the weak sunlight of early spring reflecting in the lake’s mirrored surface. 
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The first time you saw him, the sound of the cottage front door closing made you jump. The thump echoed across the small lake and you looked up, startled. On the other side a man had just come out of the cottage, a heavy looking axe in one hand. He stopped as he saw you, your eyes meeting briefly before he turned, a deep scowl on his dark face as he stalked away, disappearing from view behind the trees. You lifted your hand to shield your eyes, trying to catch a glimpse of his retreating back, but his long legs took him into the woods and he vanished in moments. Instead you looked at the cottage, it still seemed abandoned but now you saw the thin tendril of smoke rising from the chimney. Whomever he was, it seemed as if he was now living there.  
You returned to your book, but the man had disturbed your peace, his look at you had been so troubling. It was almost as if he disliked you on sight, while you didn’t even know who he was. What could have made him regard you with such aversion? 
With a sigh you closed your book and stood up, your favourite spot suddenly seemed less welcoming. 
It was a few days before you saw him again in the park. The weather had turned milder after two days of rain, and you’d left the children with their riding master. Slowly strolling through the copse of beeches at the far end of the park, reading your book, you didn’t notice the man leaning on his spade, or the ditch he’d dug. 
“Watch where you’re going!” 
The warning came too late as the ground disappeared from underneath your feet, and with a gasp you stumbled forward, just as a hand closed around your arm, pulling you back. 
“Cuidado!” he snapped, his fingers digging into your flesh as he all but shoved you back from the edge of the ditch, “Keep your eyes on where you are going, girl. I won’t explain a broken neck to your uncle.” 
You staggered back, his hand letting go of your arm as the book fell to the ground. 
“Th-thank you,” you stuttered, finding your balance again as the man shook his head with a scowl. 
“If you fall and break your neck or your leg, I’m without a job, so don’t get in my way,” he snarled, snatching the book from the ground and shoving it into your hands, “Now get away from here, go back to your books and keep them indoors.” 
Without a backwards glance he turned and grabbed the spade again and jumped into the ditch. You hesitated for a second, but the man stabbed the dirt with the spade with aggression, and began digging without another word. 
Holding tight to your book, you hurried away. The man’s fingers had left painful imprints on your upper arm, and you rubbed them as you made your way back towards the house, your heart still beating hard in your chest. He had scared you as much as almost falling into the ditch had. The scowl he’d given you had been amplified by dark eyes under his dishevelled mop of black hair and unkempt beard. It made him look foreboding and very dangerous. But what had really frightened you was the scar that marred his face, a wicked looking gash across his left eye. Even to your inexperienced eyes he looked like a man who had fought many battles and lived a hard life. What he did here, working for your uncle, you couldn’t even begin to imagine. His accent had been foreign, and he’d used a word you didn’t recognise when he first shouted at you. With a shudder you tried to calm yourself as you pulled open the heavy back door to the big house. 
The kitchen of the house was the only welcoming room in the place, much thanks to the elderly cook, Mrs Robertson, who ran it with a scullion to help her. Now Mrs Robertson greeted you with a smile, looking up from the dough she was kneading. 
“Hello, dear, you look frozen solid, is it still cold outside?” 
“Hello, Mrs Robertson. No, it’s not too bad, it’s just still cold in the shade,” you replied, unbuttoning your wool coat and hanging it over a chair in the corner. 
“Well, put the kettle on anyway, it’s time for some tea and you do look as if you could do with some warming up.”
She tucked the dough into a clean bowl and washed her hands while you filled the kettle and put it on the hob, stoking the coals to get it going. 
“I ran into a man in the park,” you said, taking down the teapot and cups from the cupboard, “did my uncle take on someone new?” 
“Tall, dark haired fellow with a nasty looking scar?” Mrs Robertson asked and you nodded. “That’s Mr Pero Tovar, he’s the groundskeeper. He’s been away for a bit, he usually is during the winter when there’s less to do. He must’ve returned recently, I haven’t seen him in a bit.” 
“I almost fell into a ditch he was digging but he caught me just in time, gave me a terrible fright.” 
“He will do that to you, poor man,” Mrs Robertson replied, “I met him once coming back late from the train, I was just coming up to the main gate, and he stepped out from the small path there. Nearly gave me a heart attack with the way he looked. But he apologised for scaring me and carried my luggage all the way up to the house,” she sat down at the table as you poured the boiling water into the teapot. 
“He’s not a wholly disagreeable man, even though he’s foreign,” she added as an afterthought, as she made sure you heated up the pot. 
“Do you know where he’s from?” you asked, “He had an accent I couldn’t place.” 
“Spain, I think. He mentioned it once when I asked why he didn’t drink tea. Apparently they prefer coffee there,” she shook her head as if the madness of not drinking tea was too much to imagine. 
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You didn’t give the man any more thought, except to keep an eye out to avoid him when you were wandering the park, not wishing to be on the receiving end of one of his scowls again. The weather turned mild and soon daffodils and snowdrops were cropping up and you took the children outside to give them some lessons in botany. They were less than interested, and you soon gave up, letting them play in the stream flowing down towards the small lake while you brought out your sketchbook and began drawing the scene in front of you. The sun was warm, filtering down through the branches that were just starting to show the first hint of green again and you relished being out of doors, away from the house. The weather even felt warm, and you removed your heavy coat, before picking up the sketchbook again. 
The sound of footsteps crunching on last year’s dry leaves made you look up towards the path, only to be met by Mr Tovar’s dark eyes. He was all but marching towards you, a heavy looking tool bag in one hand and several long planks over his shoulder. Just as you thought he was about to scold you for some unknown trespass, he marched right by you with barely a nod, and made his way to the small wooden bridge crossing the stream. 
The bridge was really just a simple row of flat planks attached to logs long since hammered into the mud. The planks were beginning to rot and warp, and you’d kept the children away from it, it didn’t look safe. And Tovar proved you right when he knelt down and ripped the first plank away, the wood coming away in pieces in his hands. Soon he’d measured out the right length, and replaced the first plank with a fresh one, moving on to the next. 
You tried to return to your drawing or keep an eye on the children who were still playing further down the stream, but you kept glancing back at Tovar. Despite his intimidating appearance, or maybe because of it, you were drawn back to watching him as he worked. You weren’t unfamiliar with men, even though you’d grown up only with your mother. But this wasn’t the curious attraction you’d felt as a stable hand smiled at you. This was something else, something that made your eyes drift back to him, leaving your drawing unfinished as you watched him work. 
He had his back to you, a well worn black workman’s shirt stretching tight across his shoulders after he’d shed his jacket. It was mesmerising watching the broad back move and shift as he worked at the stubborn planks, the odd grunt reaching your ears. Hunched down as he was, he seemed to possess immense strength in his large hands, the planks groaning and protesting as he planted his feet wide and pulled. He always won the fight, tossing them behind himself in a careless pile. With an impatient movement he wiped the sweat from his forehead with his shirt sleeve and straightened up. As you watched, he unbuttoned the cuff of his left hand and began rolling the shirt up over his forearms, exposing tanned skin dusted with dark hair. Done with one, he rolled up the other one before bending and grabbing the nearest loose plank, throwing it over his shoulder. 
As he turned he suddenly caught your eyes on him, and for a few seconds you were caught in his dark stare, unable to move. Slowly the scowl transformed into a smirk, and you dropped your gaze. From the corner of your eye you could see how he kept staring at you, his mouth pulled into a crooked grin as he seemed to study you in return. You felt your cheeks heat up and you turned away, looking down towards the children. From behind you, you heard him attack the planks again, another one tossed to the pile. 
Needing to remove yourself from the temptation to glance back at him again, you stood up and made your way down to the children. Albert was busy building a dam while Amelia threw rocks at it, he protested loudly while she laughed. 
“Amelia, don’t do that, let him build his dam,” you told her, knowing full well she would ignore you. She only sniggered and picked up another rock from the bottom of the stream, the hem of her dress soaked through. 
“Amelia! Stop that!” you snapped at her as she let the rock fly, narrowly missing her brother’s head as it went over him. 
“No!” she laughed, while Albert yelled at her, “I want to make him wet!”
“You’re ruining it! Albert hollered, as Amelia’s next rock hit the sticks and splintered his carefully constructed dam. With an angry roar he leaped for her but she easily jumped out of the way, laughing as she took off up the stream towards the bridge with Albert behind her. With a sigh you followed. You at least had to try to make them not kill each other. 
Pero stood up as the children came racing up the bank, Amelia laughing loudly as Albert yelled at her. When they spotted the tall man scowling at them, they both stumbled to a stop, looking up at him while you caught up behind them. Pero glanced over at you and then back at the children. 
“You should listen to your governess,” he said and gave Amelia a stern look, “And do not throw rocks at your brother.” 
But Amelia was not about to listen to the groundskeeper either. With an arrogant look on her face she put a hand on her hips and sniggered. 
“My father says you got that scar in prison. I think it makes you look like Quasimodo,” she smirked, pointing at Mr Tovar’s face as Albert started laughing. 
“Amelia!” you snapped, horrified at her behaviour. Mr Tovar’s eyebrows shot up to his hairline for a second before returning into a deep scowl. 
“Little girl,” he said, his voice low and serious, “you should not mock strangers.” 
“You’re not a stranger,” Amelia replied as Albert continued to giggle next to her, “you’re father’s groundskeeper, and you have to do as we say or he’ll send you back to prison with that ugly scar.” 
She was puffing her chest out as much as her scrawny ten year old frame would allow, and you could already see her mother’s haughty manners in the look she was giving Mr Tovar. He looked at her with a furrowed brow, his dark eyes almost hidden under his eyebrows, a dangerous sneer on his lips.  
“Amelia, that is enough,” you said, grabbing her arm and pulling her around, “you should be ashamed of yourself, apologise to Mr Tovar right now.” 
“No!” she yelled at you, struggling to pull free from your grip on her arm. 
“Amelia, you will apologise to Mr Tovar or I will tell your father how you have misbehaved.” 
“No!” she yelled again, and Albert joined in, yelling “No!” at the top of his lungs as Amelia continued to fight against your grip. Suddenly she lashed out and slapped you right across your cheek, and in shock you let go of her arm. The two children took off at a run, back towards the house, while you stood rooted to the spot, your left cheek stinging. 
Pero scoffed and came up to you, dropping the plank he’d been holding. 
“Delightful creatures,” he said, the sarcasm dripping from his voice as he looked down at you. With a surprisingly gentle touch, he took hold of your chin and tilted it to the light, examining the place where the slap had landed. 
“Does it hurt?” he asked and you nodded. 
“It stings,” you replied and he let go of your chin, pulling a handkerchief from his pocket. 
“Come here,” he said, walking over to the stream and pointing at a flat rock just by the edge. He dipped the kerchief in the water and wrung it out as you sat down on the rock. His touch was gentle when he pressed the folded cloth to your cheek, the cool fabric soothing your skin. He held it to your face while he looked at you, and you realised his dark eyes weren’t really black, but a rich brown colour, much warmer than you’d first thought. And when he looked at you now, they even held some sympathy. 
“Why do you let them treat you like that?” he asked, the lilting accent in his voice less harsh now as he carefully refolded the kerchief, pressing another cool side to your skin.
“I have no power over them, and they know it. My aunt and uncle detest that I’m here, that they had to take me in. But I have nowhere else to go, so I put up with them until I can find some other family to work for.” 
“They will grow up into nasty adults,” he replied, “I hope you find a new family soon.” 
Pero dipped the kerchief in the water again and placed it back on your cheek, his hand still holding it in place and he was very close, closer than you’d ever been to any man that wasn’t in your family. You found you had to drop your eyes from his face, it was too intimidating to have him look at you like that. 
“Thank you, I can hold it myself,” you said, lifting your hand to take the kerchief. But he shook his head. 
“I’m keeping pressure on it so that it won’t swell up too much, although it will be tender for a few days.” 
He continued to keep his hand on your cheek, folding the cloth again and placing the cool side to your cheek. You glanced up at him, his face still close to yours, and found that he looked less scary now. The scar still added a grim element to his face, but despite the serious set of his mouth, his scowl had disappeared. 
“How do you know my name?” he asked, dipping the kerchief in the stream again. 
“Mrs Robertson told me, she told me you’ve recently returned as my uncle’s groundskeeper,” you replied, and his lips curled up in a small smile. 
“She is a good woman,” he said, “and she’s right. I returned a few weeks ago. I was away for the winter.” 
You wanted to ask where he’d been, if Amelia was right about him being in prison, but you didn’t want to break the spell of the moment. Instead you glanced down at your lap, unable to meet his eyes any longer. Tovar was crouched in front of you, and you saw how his trousers were worn and patched not only over the knees. His boots were mended and patched too, and the collar of his shirt was frayed. You realised as you took in the details of the man, that it looked as if he was living, or at least had lived, a hard and poor life. 
Pero dipped the cloth again, but this time he handed it to you. 
“Here, keep it pressed to your cheek while you go back to the house. And see if Mrs Robertson can give you some ice.” 
He stood up as you took the cloth, and then he held out his hand for you, to help you to your feet. You hesitated for a moment, looking up at him as he stood towering above you, with his hand out. He raised his eyebrows in question, and you found yourself again, putting your hand in his and letting him pull you up. He let go as soon as you were steady, but the warmth of his hand lingered in yours, the rough calluses of his palm imprinted on your skin and you realised it was not an unpleasant feeling. 
“Thank you, Mr Tovar,” you said, giving him a small smile, “I’ll make sure you get your kerchief back soon.” 
Tovar gave you a small nod, his dark eyes burning your cheeks as the corner of his mouth pulled up in smirk. 
“My pleasure, señorita.” 
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You felt his hand in yours the whole way back to the house, it was a strange feeling. He was a coarse and angry man, he frightened you a little, although not as much as before. But yet the way his hand had felt on your chin, the way his eyes had been such a warm, brown colour up close, it seemed to linger in your mind. 
Mrs Robertson only rolled her eyes when you told her what had happened, giving you ice from the cold storage for your cheek. 
“And there’s no use telling your uncle about Miss Amelia’s behaviour,” she added, shaking her head, “She has him wrapped around her little finger.” 
You agreed with her, and said nothing to your aunt or uncle. But you didn’t take the children out into the garden any more. Instead you took refuge there yourself when you had time. More often than not, you went down to the bench by the small lake opposite his cottage. You hoped you’d see Mr Tovar, but he never seemed to be there. Instead you saw him from a distance as he went about various jobs in the park, always too far away to say something and he never looked in your direction. 
Until one day. 
Weeks had passed and summer had arrived and you had more time on your hands than what you knew what to do with. The family had left the house and travelled to the south of France for the summer. You had been told you would not be allowed to go, something that suited you well, even though your aunt expected you to be deeply upset by this. Both she and Amelia had hinted that you would be missing out on a world of amusements, but you didn’t have it in you to care. To be away from the family, to not have to deal with the children, that would be your holiday. 
Mrs Pluck had made it her mission to make your life in the house as miserable as possible and to escape her, you disappeared into the gardens for hours. On rainy days you asked Mrs Robinson to enlist you in the kitchen so that Mrs Pluck couldn’t accuse you of shying away from work. But it was a fine summer and most days you found a nook in the garden and read or drew. 
He found you down by the stream one day. The air was warm, especially for England, and you’d unlaced your boots and sat down on the bridge he’d repaired. With your feet in the cool, peaty, water you’d disappeared into your book, Mr Darcy declaring his love to Elisabeth for probably the twentieth time. 
Unbeknownst to you, Pero paused at the edge of the clearing as he spotted you, stopping in his stride to take in the peaceful scene you’d created in one of his favourite spots. The dappled sunlight danced across the stream, the gentle babble of the flowing water disguising the sound of his footsteps and he paused by the last tree of woods, the scene too tranquil to disturb. As he watched, you turned a page in the heavy book and pushed a strand of hair behind your ear, smiling at whatever you were reading. 
Pero would be the last person to admit it, even to himself, but he’d spent too much time thinking about your smile in the past few weeks. He was a man used to being on his own and didn’t pay much attention to the world around him unless it was threatening him or presenting an opportunity. The smiles of pretty women was not something he lingered on, mainly because the only women who smiled at him were the kind he had to pay to get. He knew his appearance, not just the scar, but his darker skin and guarded face, put off the women he met, and not just the women. So he’d arranged his features into a scowl that kept them all at bay, unless they needed him for a job. 
And this governess, he’d seen how you’d been frightened by him when you nearly stumbled into the ditch, and he’d dismissed you as one of the many women who took one look at him and baulked. But then he’d sensed your eyes on him as he worked on the bridge, seen your shy, awkward gaze when he caught you looking at him, no fear in your eyes. And the children were as cruel to you as to him, but you had to put up with them to keep your place in the house, to keep a roof over your head. You were a better person then he was, he would’ve struck the girl and thrown her into the stream. Instead, you’d stood there in shock as the children ran off, your hand on your stinging cheek. And he’d suddenly found himself pitying you, a creature too gentle to fit into the family of vipers that ruled the house. 
Before he’d even really considered it, he’d taken out his handkerchief and taken upon himself to soothe your swollen cheek. Your eyes had looked up at him with surprise and trepidation, but like the lamb, you’d followed him to the edge of the stream and sat down when he told you to. You really were too gentle and trusting for this world he thought, too innocent. He would’ve, should’ve, dismissed you easily, you were not his responsibility, not someone he needed to consider at all.  
But then you’d taken his hand and smiled as you thanked him, and he found, painfully, that you were not easy to dismiss, no matter how hard he tried. Instead your smile lingered in his mind, the spark it brought to your eyes, and how soft it made your features, matched only by the way your hand felt in his for the brief moment you held it. He’d never felt the urge to protect anyone else but himself before, but like a wolf turned guard dog, he suddenly felt the need to shield you, stay by your side and keep you safe. It was an unfamiliar feeling, and he’d pushed it aside, burying it deep inside. 
The next day he’d found his kerchief wrapped in a brown paper package on his doorstep. Clean and ironed, with a small sprig of lavender tucked between its folds. It was somehow now the prettiest thing he owned, and he couldn’t bring himself to use it again. Instead it stayed on his dresser, the lavender spreading its delicate scent around the room where it rested on the neatly folded fabric. Whenever he walked past the lavender shrubs in the garden, he thought of you, your smile seemed to live on at the forefront of his mind. 
He didn’t like how you made him feel, he didn’t want to feel like he needed to protect anyone but himself. If you were that weak and feeble, let you fend for yourself like he always had. It had made him strong and hard, he had no need for anyone and no one would treat him like those children had treated you. He avoided the lavender shrubs, and the spots where you often sat, making sure to never acknowledge you when he saw you in the distance. But he couldn’t seem to stop himself from glancing across the pond every morning when he left the cottage, only to find the bench empty. You never seemed to return to that spot.  
But now he stood at the edge of the woods, watching you turn another page, and smile again. He didn’t want to disturb you, didn’t want to see you smile at him again, didn’t want to see the softness of your eyes as they locked on to him and made his heart rage against anyone who hurt you. And at the same time, he knew he wanted you to notice him, to turn your head and smile at him instead of that book, to bring him to his knees and make him feel needed by you. He would be your guard dog for the rest of his miserable life if you only smiled at him. 
He felt it all battle inside him as he stood by the sturdy tree, a hand on its rough bark, one foot twitching to move forward, the jerk of the other to turn back. And maybe he made a twig snap, loud enough to make you lift your head from the book and turn, meeting his eyes as he tried to decide what to do. 
“Mr Tovar,” you said, and you’d made the decision for him. He felt his feet move, towards the bridge, before he’d decide anything. 
“I hope you don’t mind, but I left the kerchief by your door,” you said, looking at him as he stopped by the edge of the bridge. 
“I found it,” Pero replied, his large hands twitching by his side, “You didn’t need to clean it, but thank you.” 
He shifted his weight, testing the new planks he’d laid down, pretending to inspect them while you continued to look up at him. 
“How’s the-” he started just as you spoke. 
“Thank you again fo-” 
“Sorry,” you immediately apologised, “you first, Mr Tovar.” 
“You don’t need to thank me,” he replied, “How is your cheek?” 
His voice was gruff, but his scowl was less this morning as he looked at your cheek. The skin had bruised but the swelling had disappeared after just a day. You put your hand on your cheek as if to feel the texture of the skin. 
“It’s fine, the bruise has disappeared and there is no pain, probably thanks to your quick thinking.” 
“I bet the little lady had no punishment for her actions,” he growled, bending his knees and dropping onto his haunches. He gently took your chin between his thumb and forefinger, just like had the day it happened, and tilted your head to the side, inspecting the flawless skin. 
“No, I never told her uncle anything,” you replied, “What would be the point? It would probably only get me into trouble instead.” 
Pero dropped his hand from your chin, your eyes weren’t on him anymore and he chided himself for acting on the impulse to touch you again. He could feel the guard dog in him bristle at your words, at the way you’d so easily let Miss Amelia get away with her actions. He would not have let her even speak to you the way she did, let alone strike you. 
You dropped your gaze back to the open book in your hands, your feet still dangling in the cool water. Pero knew he should stand up, go back to his cottage, and continue to stay away, to push any thought of you to the back of his mind. Tell the guard dog in his chest to ignore the woman in front of him, you were not his to protect. 
But instead he found his voice and spoke. 
“What are you reading, señorita?” 
You looked at him in surprise, why was he interested in your book? But the gaze that met yours was curious, despite the serious set his jaw still held. 
“Pride & Prejudice, by Jane Austen,” you replied, showing him the spine of the book. It was a well worn copy, a gift from your mother many years ago, “Have you read it?” 
“No,” came his swift reply, almost as if he was scoffing at the thought of reading such a book. 
“Well, it’s very good, it’s probably my favourite,” you said, looking back down at the book, stroking the front cover with a gentle touch, “I’ve read it many times."
“Why?” he asked and as you looked up at him, his eyebrows pulled together in a questioning look, incredulous even. 
“Why not?” you retorted, “It’s a good story, I enjoy the characters, and every time I read it I discover something new, a detail I hadn’t thought about. Have you never re-read a good book?” 
“Never,” he said, and this time he did scoff and you wrinkled your nose at him, looking back at your book and opening it up to the page you’d been on. 
“Well, maybe you should try it sometime, it’s a good experience to revisit things you like.” 
Pero could sense he’d offended you in some way, and yet again he was drawn in two directions by his mind, he should stand up, leave you to your book. 
“I never learnt how to read,” he said instead, regretting the words the second they came out of his treacherous mouth. He felt heat rise up his neck as he cursed himself. He’d never admitted to anyone that he couldn’t read, even though he’d learned a whole new language as an adult. Just repeat what others said, it was easy. Interpreting the little symbols on pages, whether in Spanish or in English, proved impossible in both languages. But so desperate was his mind to stay connected to you, that not even his deepest secrets seemed safe when he was in your presence. 
Now it was your turn to look surprised as you closed the book again. The scowl on his face was back, like he was expecting your mockery as his neck flushed a deep crimson. 
“That’s a shame,” you said, your voice small. You felt as if he would be very angry with you if you pitied him or accidentally made him feel inferior, his deep scowl still frightened you as he waited for your reaction to his confession. 
“Reading makes me very happy, and it opens up new worlds,” you continued carefully, “There are some great stories by incredible writers, they really make me see what they are describing and make me feel so much. I hope you can experience that some day, if you learn to read.” 
Pero dropped his gaze, down to his hands, and sank down onto the bridge, sitting down next to you as he shook his head. He saw the softness in you again, that gentleness that made the guard dog in him spring to life. He wanted to protect you, even against himself, didn’t want to frighten you. So he looked at his large hands, dirty from the soil and rough with callouses and tried to make his voice less harsh, his features less abrasive.
“I’m too old to learn how to read now, I was never able to do it in Spanish or English, what use is it to try now? Just tell me what your incredible book is about.” 
“I’m sure you could learn if you had a good teacher, Mr Tovar,” you said, but he just rubbed at the dirt on his hands and furrowed his brow as he shook his head in response. 
“Better you tell me what your book is about, then I don’t have to learn how to read,” he replied, keeping his voice low. What was he doing? He should not talk to you, he could already feel his heart pounding in an unfamiliar way, small tendrils reaching out towards you. 
“It’s…it’s about a woman called Elizabeth Bennet. Her family wants her to marry a man for his money, but she wants to marry only for love. But to her, all the men she meets are fools, none are worthy of her. Then she meets Mr Darcy, and she’s too prejudiced against men to see that he would be a good match for her. And he, on his end, is too proud to admit that a woman of a lower class than him could provide him with the kind of marriage that would make him happy. Both of them are bound by social expectations and restraints. But it has a happy ending,” you smiled at Mr Tovar who was watching you speak with curiosity, “I know it has a happy ending but I’m still nervous every time I read it.” 
“Do you wish to marry for love?” he asked, “Is that why it’s your favourite story?” 
His gaze made your cheeks heat up, it wasn’t the question you’d expected, and his deep brown eyes seemed to see through to your soul and see the true answer that lay there. 
You shrugged, looking down at the water rushing over your feet, to hide yourself from his eyes. 
“I very much doubt I’ll ever marry, for love or not. I’m a governess, I have no money and won’t inherit any either. If someone would want to marry me, they’d get nothing for it anyway. And what’s to say that he is someone I want to marry? Then I’d rather be like Lizzy and not marry at all, because I doubt there is a Mrd Darcy waiting for me.” 
Pero watched you, as you watched the water slip around your bare feet, the guard dog growling in his chest. 
“Any man would be fortunate to marry you, señorita,” he said, “just make sure you love him before you say yes to him.” 
He stood up suddenly, it almost made you jump it was so sudden, and was halfway across the small bridge before you had the sense to speak up. 
“Mr Tovar, will you let me teach you how to read?” 
He stopped in his tracks, turning back to you with a look that confused you and almost made you regret your spur of the moment question. His jaw ticked to the side, he glanced back down the path where he was heading, and his fingers twitched. But his eyes looked almost hopeful, like a light had been lit inside him. But then he sighed and closed his eyes, his head dropping down on his chest with a muttered string of words you didn’t understand, you knew he’d say no to your offer. 
“Señorita, if you want to waste your time on a hopeless case, who am I to say no?” 
“Really?” 
His reply surprised you so much that the book almost slipped from your hand, and you quickly placed it on the bridge behind you as he took a few steps back to you and nodded. 
“Who else is going to offer to teach me? I’d be a fool to turn you down, even though I doubt you can even teach this dog to read.” 
“Don’t say that about yourself, Mr Tovar,” you gently scolded him, “I’m sure we’ll get you reading in no time.” 
“Pero,” he said, a small smile softening his features as he held out his hand to you. “Don’t call me ‘Mr Tovar’ if you’re to teach me, señorita.” 
“Pero,” you replied, trying to roll the name around your tongue the way he did. It felt nice, unfamiliar in the way it sounded, but it suited him, and the way his harsh features changed when he smiled, was reward enough for your attempt. 
“Maybe I’ll teach you Spanish while you teach me to read,” he chuckled, a warm sound from him as you took his outstretched hand and shook it.
“Tomorrow at ten, at the bench by your cottage?” you asked and he nodded in agreement. 
“Tomorrow at ten.” 
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Meeting Mr Tovar, no, Pero, you corrected yourself, quickly became the favourite part of your day. The summer was fine and most days dry, so you brought your books to the bench every morning at ten, and remained with him until you had to go back to the house for lunch and he had to take care of his groundskeeper duties. 
It quickly became clear to you that Pero’s biggest obstacle was his own belief that he wasn’t able to learn how to read. Once he’d cracked the code, he seemed to rehearse the alphabet every chance he got and soon he made his way through your easiest book. He read out loud, his finger following along in the text and he sounded out every letter before he put them into words, but he was reading for the first time. It was also the first time you saw him smile properly, a wide grin on his face as he correctly sounded out and deciphered his first word on the page without your help. 
Seeing Pero slowly gain confidence in his new found skill made you happy and satisfied and for a while you pretended that was the only reason you enjoyed your lessons with him. But you knew, because of the way your heart felt when you saw him, that that wasn’t the only reason you enjoyed teaching him. Far from it you had to admit. The lessons had been only an hour at first, you knew that it became hard for any pupil to focus after an hour. And at first you’d said your goodbyes and left when that hour was up. But then Pero offered to teach you some Spanish, and soon your hour had stretched into three while he asked you about your life, and he slowly told you about his. The man who had seemed so frightening at first, so angry and intimidating, was now the one thing that made your life at Yotes Castle bearable, even enjoyable. 
Little by little you saw more of the man behind the facade he’d held in place for so long. Carefully you asked questions about the things that seemed to shape the way he was now, and his eyes would go black, painful memories forcing themselves to the surface. But he always seemed to overcome it, choosing to share even the more grim parts of his life with you when it didn’t make you pull back from him in revulsion. 
“I was a good soldier,” he said, “but the only reward for a good soldier is to stay alive and be sent into battle again. I made as little money as the man driving carriages in the streets and less than the man who sold groceries to the army. So when I could, I left the army and sought work as a mercenary. There is no honour in it, but at least it kept my belly full and I could choose my own master and make a bit of money.” 
Pero shrugged, hunched over with his arms on his knees, his shoulders by his ears and looking out over the small lake in front of the bench, while you looked at his strong profile, the light hitting the scar across his face. It used to look nasty and mean to you, now it seemed to be a part of him as much as his dark brown eyes, just a mark of the hard life he’d lived before coming here. 
“I did things as a mercenary that I’m not proud of,” he said, his eyes still on the lake, “I’ve killed more men than I can remember. Most of them I just forget in the heat of the battle, others…they stay with me and I can see their faces sometimes. But I did it to stay alive, it was me or them, and someone was going to make that gold and it might as well be me. Better I kill the men who needed killing and let some poor boy from London keep his sanity and his life while I make the gold.” 
He turned his head and looked up at your face, half expecting you to be grimacing in distaste at his greed, but you just met his eyes with a concerned look. 
“You’ve seen so many terrible things, Pero. It makes me worry for you.” 
“Worry for how I sleep at night?” he asked, quirking his eyebrows at you with a slightly mocking tone. But you shook your head. 
“Maybe, but I worry about how you think the world always sees you. Those you meet here don’t know about your background, and don’t judge you for what they don’t know, yet you assume they do, and scowl at us all even when we-” 
“Even when you’re just a lonely governess trying to be polite?” Pero interrupted and you had to smile at him. 
“Yes, even when that. I was frightened of you after our first meeting, you looked so menacing and seemed very angry with me.” 
“Querida, I was never angry with you,” he said, his voice low and smiling as he sat up straight again and turned to you. 
“I know that now,” you smiled back at him, “but that’s what worries me about you. Maybe you are missing out on friendship when your past always makes you think that the world will judge you harshly.” 
“You became friends with me,” he replied, “maybe that’s all I need?” 
“You need only me as a friend? You’re settling for very little, Pero,” you scoffed, but still smiling at him. 
Pero shook his head, “Querida, you’re selling yourself for very little if you think that your friendship isn’t worth everything.” 
His words made your cheeks heat up, and for a few long moments you felt lost in the way he was still looking at you, his face serious and his dark eyes locked on yours. When you finally managed to pull yourself away, you looked down at your hands, rubbing at an ink stain on your thumb. Beside you Pero shifted, suddenly leaning forward and pressing a soft kiss to your temple before he stood up. 
“I’ll see you tomorrow, mi amorcita.” 
The kiss lingered long after he’d disappeared, your fingers finding the spot as you walked back to the house. You wished he’d continued, but you weren’t sure with what. 
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“I was never in prison,” he told you one day, “well, not a real prison anyway,” he added with a smirk. “I was in China, working as a mercenary, and there was a misunderstanding. They put me in a cell but another mercenary got me out, he was good friends with the General, luckily.” 
“You’ve seen so much of the world, Pero, I’ve only ever been to London and here,” you replied, “What was China like?” 
“Interesting, and very different. Their language is very different from both English and Spanish. With English, I can recognise some of the words, with Chinese, nothing made sense,” he took the pencil from your hand and drew a strange symbol in the notebook. 
“That is the sign for gunpowder, I learnt it while I was there, important to know so that you don’t accidentally light a pipe next to it.” 
“That says ‘gunpowder’?” you asked incredulously as you looked at the seemingly disorganised lines he’d jotted on the page and Pero nodded. 
“They write words with pictures instead of letters, one of them explained it to me. And even I could tell the difference between our letters and their symbols. And my friend, who could read, couldn't interpret it at all, he said it looked nothing like anything he could read.” 
“I can see why,” you said, tracing the lines with your finger, “I see no similarity with our letters at all.” 
“I hope you get the opportunity to see more of the world one day, señorita, there is a lot more to it than just London and this miserable castle,” Pero huffed. The more you’d told him about your life, the more his anger had grown at the way your uncle was treating you, and letting his children and wife treat you. It made no difference of course, Pero was just the groundskeeper, and a foreigner at that. But it was nice to have someone on your side, someone as strong and intimidating looking as Pero, to tell you that it wasn’t supposed to be like this. 
“Maybe you can show me some day, Pero,” you said, the words slipping out before you’d fully considered them and you felt your cheeks heat up in a flash. Pero gave you a quick grin. 
“You wish to travel with the ill-famed Spaniard, a mercenary and dirty foreigner?” he laughed, “What would your uncle say?” 
“To hell with my uncle,” you giggled, it felt deliciously reckless to say it out loud, “To hell with him!”
Pero smiled at your glee, it was good to see you happy and dreaming of something other than your life at Yotes Castle. 
Two fat drops of water suddenly splashed down onto the page and you both looked up at the sky. Dark clouds had gathered above and now it was starting to come down hard, the first two drops quickly joined by many others. With a groan you realised you’d be soaked by the time you got back to the house, you had no umbrella with you, and your thin summer coat would not withstand this downpour. But Pero had already sprung into action with other plans, with a few quick movements he gathered up the books and notes from your lesson and held his hand out to you. 
“Come, quickly, we’ll run to my cottage until this is over.”
Without thinking, you took his warm hand and it closed around yours as he pulled you along at a brisk pace around the small lake. He kicked the door open and ushered you inside just as the downpour really started. Standing together at the entrance of his cottage, you watched the world turn liquid and grey in seconds. 
“Well, I guess that’s the end of summer then,” you said, peering into the gloom. 
“It will clear soon,” Pero replied, “but it will be wet for a while. Let me hang your coat up to dry, querida.” 
You’d told Pero your name, but he rarely used it, instead he’d continued to call you ‘señorita’ and explained what it meant. But as your lessons continued, he’d slipped into calling you ‘querida’ instead and you hadn’t yet had the bravery to ask him what it meant. It felt more intimate than miss, his choice to use it seemed to correlate with the deepening of your friendship, when reading lessons turned into longer conversations about your lives. Just giving him lessons, spending time alone with an unmarried man in secluded corners of the park, felt exhilaratingly dangerous. You hadn’t even told Mrs Robertson about it. But to acknowledge that you had more than just cordial feelings towards him, or that he might even have them too, that was an even more frightening thought that you shoved to the back of your mind and refused to entertain. It was an impossible scenario, your uncle would never allow his groundskeeper to court his niece.  
It was hard to keep that thought at bay here though. When he helped you shrug out of your coat, his fingertips brushed over the back of your neck as he took your scarf too, the gentle touch burning your skin. His touch seemed to linger a few more moments than needed, but you thought you’d happily stand still in his small hallway for days, if it meant you could continue to feel the warmth from his hands on your skin.
And Pero felt it too, the velvety smoothness of your skin, the warmth of your body as he stood just a little bit too close for just a little bit too long. He inhaled quietly, catching the scent of your soap, and took a reluctant step back, taking the coat with him. 
He hadn’t lit the fire this morning, but now he hung your coat over a rack and busied himself with the kindling while you looked around the modest house. The cottage was old, the stone walls thick, and you could tell not many of the items here belonged to Pero. You moved among the few items as the fire came to life, its crackling filling the room. You let your fingers brush over the sprig of lavender that lay on top of the still neatly folded handkerchief, a comb lying next to it along with a small sharp knife that you guessed he used to trim his hair and beard. 
A photograph caught your attention and you moved to stand in front of it. It stood propped up against the wall on the dresser, a simple portrait of two men. They were dressed in uniforms and looked with serious faces into the camera. You recognised a much younger Pero, his face smooth but still covered by his patchy beard, and no scar across his eye. The other man looked older and was light haired and as tall as Pero. 
“My friend William,” Pero said, coming up behind you and seeing what had caught your attention, “We were friends and mercenaries together, he’s the one who saved me in China.” 
“Where is he now?” you asked, picking up the photograph and studying the fair haired man.
“He met a woman and settled down, took a job with her father, helping them run the farm,” Pero replied, and yet again he was standing so close behind you that you felt the heat from his body through the layers of your own clothes. 
“It’s a good job for an old mercenary, he seemed very happy when I last saw him.” 
“Would you rather be a farmer than a groundskeeper?” you asked and Pero nodded. 
“Yes, if I found a woman who had a farm I could help run. But like your Elizabeth Bennett, I wouldn’t want to marry just for convenience.” 
“You want to marry for love?” you turned around surprised, looking up at him. He’d never struck you as a romantic. His demeanour towards you may have softened slightly, but his outer layer was still very much that of the scowling, dark minded man who’d rather the world just left him alone. Seeing him as someone who wished to marry a woman for love made you see him in a new light, maybe another crack in the facade he was slowly letting you through. 
Pero gave you a shrug and shook his head. 
“I don’t know, I don’t think I’d ever be fortunate to marry for love so I never considered marrying at all.” 
“But if you fell in love, you’d want to marry?” you asked and Pero gave you a humourless laugh. 
“Señorita, does it even matter if I’d want to marry at all? For love or for convenience, no one will marry an old mercenary, a piss poor old soldier, who thoroughly dislikes and distrusts the world.”
His face pulled up in a twisted grimace of a smile as he turned away from you and picked up the kettle on the clean scrubbed table. 
“Do you dislike me too?” you asked, placing the photo of Pero and his friend back on the dresser and moving over to the fire, “And distrust me?”
“Querida, no, of course not,” he replied, his eyebrows shooting up in concern, “I didn’t mean you, I’m sorry if you thought that.” 
He came to stand next to you by the fire, his dark eyes suddenly more concerned than you’d seen them before, searching yours to make sure he hadn’t inadvertently made you regret the friendship that the two of you had built up over the past few weeks. 
“I’d hate for you to think that I don’t trust you,” he said, “I’m glad you’re my friend and I hope you don’t regret the time you’ve spent teaching this old soldier to read.” 
You shook your head and without thinking, put your hand out and took his, stroking your thumb over the rough knuckles. 
“I don’t regret it at all, and I’m glad you trust me. You’re the first friend I’ve made since I came here and you’ve made this summer much better than I could ever have hoped. How could I regret the time I’ve spent with you?” 
Relief seemed to flood his features, his dark eyes turning warm in the glow of the fire light as he smiled and wrapped his fingers around yours. 
“I’m pleased to hear it, querida, our lessons are the best part of my day.” 
You smiled back at him, his hand, calloused and rough as it was, sent a delighted shiver through your limbs, fighting back the urge to step closer to him, to envelop more of yourself in the warmth that seemed to radiate from him. 
“Can I confess something, Pero?” you asked with a small smile and Pero nodded in reply, one eyebrow lifted in question, “My favourite part isn’t the lesson, but the time we spend talking about everything else afterwards. All your stories make me feel like I’ve seen more of the world because of you.” 
“I wish I could show you all of it,” he smiled in response, “maybe one day I’ll come back with a fortune and be able to take you with me on my travels,” he was smiling and he didn’t let go of your hand, still holding on, and now he was the one stroking your fingers, letting his thumb trace your knuckles, gliding up so that he felt the faint thrum of your pulse under the thin skin of your wrist. 
But you felt your heart twist at his words, you hadn’t even considered that he would leave. 
“You’re leaving?” you asked, the small moment of standing close to him, alone in his cottage shattered, and you pulled your hand from his. He had no obligation to you, no commitment, but it suddenly felt like he was breaking a promise. 
“After the summer, yes,” he said, the smile falling from his face when you let go of his hand, he reached out for yours for a split second, as if he wanted to stop you from pulling away, but thought better of it, “There’s not enough work for me through the winter so your uncle won’t pay to keep me on. I go south and find what work I can.” 
“Do you always come back in the spring?” you asked, the very thought of spending winter here without Pero making your heart sink into the pit of your stomach. Last winter had been torturous, the only thing making you not dread the coming winter was the thought of Pero and continuing to meet him. 
“I come back if I have to,” Pero replied, regret lacing his voice, “If I can’t find better work over the warm season, I come up here. Your uncle prefers hiring someone he already knows, and he’s prepared to pay a bit extra for it, so the wage is decent.” 
“But you might not come back next spring? And you’ll be away all winter?” 
Pero felt his treasonous heart clench when he saw the disappointment in your eyes. He’d tried very hard to see you as the teacher, a teacher who’d become his friend. Convincing himself that the guard dog that growled in his chest was only raising its hackles because a friend was being treated badly by the family that employed you both. Not because he had any deeper feelings for you, any feeling of love, he did not fall in love he told himself, he kept his heart from feeling anything more than friendship. 
But now his heart ached at the dismay he saw in your eyes, and he clenched his fists, digging his broken, dirty, nails in to his palms to stop himself from pulling you back to him, pulling you into his arms and telling you he wouldn’t leave, not without taking you with him. 
“Querida…” he mumbled, “I simply don’t know if I’ll be back next spring. But I promise, if you’re still here, I will do my best to return.” 
“I’ll miss you,” you said quietly as Pero carefully reached out and took your hand in his again, a small gesture of consolation, “Last winter was dreary and miserable but it will be worse now when this summer has been so nice.” 
You looked down at your hand in his, his golden, tanned fingers wrapping around yours, the back of his hand criss crossed by small scars. You’d seen them before and asked him about them, he’d let you trace your fingertips over them, seeing the evidence of the hard life he’d lived as a mercenary, while he’d kept his eyes on you. Now you did the same again, memorising each line, committing to memory how his skin felt under your fingers, the warmth, the sparse dark hairs that made his hands look so different to your own. 
Pero watched how you caressed his rough hands, hands he knew had been covered by more blood and grime that he wished to remember. So many lives ended by the movements they could perform. You knew about it all, you’d made him speak openly about the darkest memories his mind held, you knew these hands were capable of unimaginable violence. Yet you ran your soft fingers over the scars again, not pulling back from the man he was, no longer frightened by his violence, his scowl, the facade he knew he kept between himself and everyone. The way you looked at him, open, smiling, it made his heart do things he didn’t think were possible, feel light and buoyant, a small crack opening up. 
His hand moved without his consent, carefully coming up to your face, cupping your cheek, his thumb brushing across it as you lifted your head and looked at him. 
“I’ll miss you too,” he whispered, barely recognising his own voice, his hand still softly caressing your cheek as you leaned your head against his palm, your eyes closing with a soft exhale. 
His heart soared in his chest.  
He thinks he moved first, but the warmth of your body was pressed against him before the thought had crossed his mind, your mouth so close and turned up towards him. When his lips touched yours, a small sigh escaped you, the warm air brushing over his bristly moustache. Your hand closed tight around his, holding onto him as if to stop him from leaving, but Pero knew nothing could make him step back now. He pulled you closer instead and pressed himself to you, a low, satisfied growl coming from deep inside his tight chest.
His lips were warm and tender against yours, the sensation so much softer than you’d ever imagined. He gently caressed your cheek, moving his lips against yours as you took in the sensation of being pressed so close to him. With your eyes closed, every movement and sound seemed heightened to your senses; the light scratch of Pero’s moustache, the calluses on his hand rough against your cheek, his other hand moving, wrapping around your waist, warm and firm against the small of your back as he held you close, the small gasp of breath from you when he left your lips for a moment to angle his head and capture them again, deepening the kiss.
You’d never been kissed like this, only experiencing chaste, dry kisses pressed to your cheek by your mother. Now Pero moved his lips against yours, gentle and firm, in ways you’d never felt before. He held you close, your whole body pressed against him as he took your bottom lip between his, giving it a gentle tug. It pulled a whimper from you, heat shooting through your body, and you felt your knees buckle as the sensation overwhelmed your senses. Pero tightened his grip on you, but pulled back a little, looking down at your closed eyes, your lips parted as you caught your breath. 
“Mi vida…” he breathed softly, “open your eyes.” 
You looked up at him, his dark brown gaze so permissive, more tender and open than you’d ever seen him before. 
“The rain has stopped,” he said, his voice still low, “you should go before they send someone to find you.” He didn’t think anyone would come looking for you for hours yet, but his grip on propriety was weakening.
You nodded, but neither of you made a move to break apart, Pero’s arm was still holding you firmly pressed to his solid body, his hand on your cheek. Your hands had entwined in his shirt, holding it as if it kept you from falling. 
“I don’t want you to leave,” you murmured, your eyes slipping to his lips, wanting to feel him on you again. 
“I’m not leaving for many weeks yet, querida,” he  replied, his hand leaving your cheek to push a strand of hair away from your face, “And many things can happen between now and next spring.” 
“Please kiss me again,” you asked, “Just in case,” and your cheeks heated up at your boldness, as he smiled at you, the corner of his mouth pulling up in a grin. 
“Anytime, mi amorcita.” 
He sent you on your way after another long, lingering kiss. He’d parted his lips, let his tongue come out to carefully taste you, his hand on your jaw prompting you to slowly open your mouth and taste him in return. The sensation was strange, almost too intimate, your already burning cheeks heated up even more and it made you shy, stilling your kiss. Pero had pulled back, pressed a soft kiss to the corner of your mouth and smiled at you again. 
“Your kisses are like the sweetest wine, querida,” he said, slowly letting you go, “and a hundred times more addictive.”  
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Your heart beat a new rhythm as you walked back to the house, thrumming in your chest, as your lips felt hot and tender, still imprinted by Pero’s kisses. Whatever measures you’d taken to protect your heart had proven worthless, the man who only a few weeks ago had seemed so intimidating and frightening, had become your friend through the lessons. After the afternoon’s events...your heart seemed to both ache and soar when you thought of him. This was an impossible situation, an impossible man to fall for, yet you knew it was too late to pretend, to hide the truth from yourself. 
You were hopelessly in love with Pero. 
But Pero felt fear grip his heart as he watched you walk away from his cottage. The guard dog in his chest growled and clawed at his innards, making them sting with guilt and dread. This was foolish, the most foolish idea, why had he let it go this far? Why had he kissed you, not once, but twice? Why had he not tempered his heart to this weeks ago? But your presence in his cottage, your upset when realised he’d be leaving and may not return, confessing that you’d miss him, it had broken down all of his carefully laid plans to only be your friend. It was reckless to kiss you, a severe lapse in judgement. To let himself taste your lips, feel you so close to him, the softness under his hands, to feel for just a few minutes how it would be if you were his. But he had nothing to offer, and even if he did, you were impossibly out of his reach. This would only end with heartbreak if he let it continue. And he knew his heart would recover and harden when told you it couldn’t continue, but he might break yours for good. 
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Pero was already by the bench when you came there the next day, but he wasn’t sitting on it as he usually did. Instead he stood next to it, his large hands twitching with nerves as they hung by his thighs. 
You smiled at him, but it faded when you saw the serious set of his face, and he didn’t return your smile. 
“Señorita,” he said, his voice low and heavy as he nodded to you, “I apologise for my behaviour yesterday, I shouldn’t have kissed you. I wish to remain your friend and continue our lessons, but no more, I will not let myself go any further.” 
Your heart plummeted into the pit of your stomach, the fantasy you’d been nursing since yesterday afternoon shattering as Pero kept his eyes off you, looking at a spot on the ground between the two of you. You knew it was a silly dream, imagining a life where you and Pero could marry, be together and create a life for the two of you. But you’d held on to it, bolstered by Pero’s words that a lot could happen between now and next spring. 
But now here he stood, not meeting your eyes, his hands seemingly trying to keep something at bay with the way they kept moving, never stilling. He must know what he was doing to you, the pain his words caused, and you could see the struggle in him. His eyes flicked up to yours, dark under his deeply furrowed brows and you felt yourself breaking. Tears pricked at the corners of your eyes and quickly you turned and sat down on the bench, opening your bag to take out the books while you shook your head. 
“It was nothing, Mr Tovar, and you’re right, we shouldn’t have done it. Let’s continue our lessons as friends.” 
You didn’t look at him, but you felt the bench shift as he sat down at the other end, and you handed him the book he’d been reading from. 
“From page ten, Mr Tovar, please.” 
“Señorita…” he replied, his voice doing a bad job at hiding the pain he felt at your cold demeanour, even though he’d been the one to break your heart, he knows it, he can see it in the way your eyes are filled to the brim with tears, “please call me Pero, you are still my friend.” 
“I think it might be best if we continue with titles, Mr Tovar. Please, page ten if you wish to continue our lessons.” 
He opened the book to the page, biting back all the things he would rather say, but he’s made a decision. He knew he’d hurt you, he knew this would hurt, but what he was foolish enough to start yesterday, has to end as quickly as possible. So he focused on the first word of the page, and tried to remember how to interpret the illegible markings that face him. 
He read from the book, you corrected him and helped him when he got stuck, just as you’ve done through all the lessons. But you don’t smile at him, and you don’t sit close to him. When the hour is up, you told him to practise a passage tonight, and then gathered your things and stood up. 
“Same time tomorrow, Mr Tovar,” you said, a statement rather than a question, and he can only nod in agreement. You gave him a short nod too, and walked away, quickly disappearing into the woods. 
The tears began to flow as soon as your back was turned to him, silently, holding back the sob that had been lodged in your throat for the past hour. You rushed through the small woods, not towards the house, but towards the winding maze of rhododendrons that offered a thicket of sheltered pathways under their heavy boughs. There, in the centre of the labyrinth, you sank down on the worn stone bench under the thickest trunks. Their season was long gone, a reminder how late the summer was getting, their bright petals turning brown on the forest floor. Covering your face with your hands, you gave into the grief that was squeezing your heart, whimpering as tears began to flow in earnest. It was so much worse than if he simply didn’t love you in return, you know he does, he couldn’t hide the pain on his own face as he told you it could go no further. But he pushed you away anyway because he realised it was a hopeless dream and it crushed you under the weight of how bleak it was. 
“I wish I’d never met him,” you whimpered, gripping the cool stone, digging your nails into the unyielding surface, “I wish I’d never met him.” 
Pero held onto the branch of the rhododendron bush so hard it might break under his iron grip. The guard dog in his chest was threatening to spring forward, to wrap itself around your broken form on the stone bench, to hold you, tell you it would all be fine, he’d find a way, protect you from everything, even himself. It was a mistake to follow you when you left, but his determination to not let the love between you go any further did not stand a chance against the urge in his chest to protect you from the world. Even if he would not let himself come close to you again, the guard dog still pushed him to follow you, the despondent shape of your shoulders, the quiet sobs pulling him just as much. 
When you whimpered, your wish to never have met him, he felt as if you’d slid a blade into his heart, and he only deserved it. He deserved as much pain as what he could hear in your voice, more even, he’d take it all from you if it wasn’t for the fact that he was the one causing it. 
You didn’t hear the careful crunch of his boots as he turned and walked away. 
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Even though your heart was breaking, and sat in the pit of your stomach like a heavy weight every morning when you woke up, you still continued to see Pero almost every day. You both knew it probably would’ve been wisest to not continue the lessons, that it would make it all that much harder, keeping the pain fresh every day. But it wasn’t something either of you were prepared to give up, so you met on the bench by his cottage and you kept Pero at a distance, and he did the same with you. Always sitting at the far end of the bench, reading the passage you assigned him diligently, but never moving closer. 
Your one concession, the thing you found you couldn’t be without, was to extend the hour and stay even though the lesson was over. Listening to Pero’s stories of his life before he came to England, his childhood in Spain, his adventures as he travelled the world as a mercenary. But he kept his facade up, never letting it fall the way it had before, never letting you in again like he had.
He does teach you some Spanish though, teaching you how to pronounce his name the way he does and smiling when you greet him in Spanish every morning, telling him what a beautiful day it is, no matter how dreary the weather is. He tells himself he can live like this, have you as a friend in this place, someone who will make him come back next spring. He might even believe it. 
You count down the days to the end of the summer with growing dread, the ache in your heart doesn’t lessen. Rather it grows, rips through you when he smiles at your successful attempt at asking him how old he is. The Spanish he’s teaching you becomes your link to him, the one thing you’ll have left when he leaves, and you hoard the words in your mind, asking him to translate every word you can think of. 
But he never calls you mi amorcita again, and you never ask what it means. 
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No summer is endless, and one day you returned from the lesson to find the house in uproar. Rooms being opened up, aired out, sheets pulled from the furniture as Yotes Castle was prepared for the return of the family. 
You saw their carriage coming up the drive as you left the house the next morning, and you hurried away, ducking out of sight. The horrid day of the children returning to their lessons is already here, and you wish to keep it at bay as long as possible. 
When you arrived at the bench by the cottage, Pero wasn't there yet. He’s usually first, he only walks over from his cottage, but now you sit and wait for him for what feels like an age. Finally he arrived, coming down the path from the big house, not his cottage.
“Buenas días, Señor Tovar, qué lindo día,” you greeted him and he nodded but didn’t smile. 
“The family is back at the house,” he said, stopping by the bench, but didn't sit down as usual. 
“I know, the house was turned upside down for their return yesterday and I saw their carriage as I walked down here,” you replied, taking in his face, a deep scowl pulling at his eyebrows, “Did something happen?” 
“I spoke with your uncle, my contract will run out in four weeks, I’m to leave at the end of the month.” 
“Oh.” 
It was all you could say, a small puff of air escaping you as you looked at each other, so much unspoken over the past few weeks, the events of the afternoon in the cottage suddenly sitting between you as if it had just happened.  
“I…I’ll miss you,” Pero said eventually, the silence stretching out for too long, “I’ll come back next spring, I promise.” 
You didn't reply, dropping your gaze to your hands, a lump in your throat had formed at his words. The very thought of him leaving, of spending the long dark winter without him…it clawed at your heart, forced tears into your eyes as the reality that you’d been trying to push back made itself known. 
“Querida…” he said, his voice low, pleading, “I’ll come back. But we still can’t…” he trailed off as you inhaled deeply, your shoulders shaking as you bit your lip. 
“Querida…” he tried again, stepping closer to you, his hand hovering over your shoulder, but pulling back before his hand reached you, “If things were different, but a man like me shouldn’t court a woman like you, it’s not right. I’m…I’m not….” 
He didn’t finish his sentence, instead he just stood next to you, his fingers trembling as he watched your shoulders heave in another deep inhale. 
“Pero…” you mumbled, your voice watery and his heart ached, you hadn’t called him Pero since the day you kissed and he’d never gotten used to you calling him Mr Tovar again. 
“Don’t come back next year if that’s all you see for us,” you forced out, your jaw clenched tight to hold back tears, “Don’t tell me who I should let court me. If I didn’t want it to be you, do you think I would’ve continued our lessons?” 
You looked up at him, your lashes heavy with tears and Pero sighed, dropping his head rather than to see the pain so clear on your face. 
“Querida…” he breathed out, a third time, and you let out a hollow laugh, a wretched snort with no mirth at all. 
“Is that all you have to say, Pero? ‘Querida’? What does that even mean, just an empty word when you’re too much of a coward to actually mean it?” 
You didn’t see the frustration that flashed across Pero’s face as you stood up, rubbing your hands over your face to wipe at the hot, angry tears that were slipping over your cheeks, turning to leave him. But Pero growled, a low noise coming from him as his hand shot out to grab your arm, closing tight around the fabric of your coat. When you looked back at him, his face was set in hard lines, his dark eyes boring into you under the sharp demarcation of his eyebrows pulled tight together.
“I’m no coward, I mean it when I call you ‘querida”, he scowled,  “But I know what I am, and that I have nothing to offer you but a life fighting to keep poverty at bay as I drift from job to job. Don’t call me a coward when you have seen nothing of the life outside of this house and your mother’s household. I’ve slept in hedgerows, I’ve gone hungry for days, walked my shoes to threads. It is not the life I want for you.” 
“I didn’t realise we were already married,” you spat out, your eyes as dark as his, as anger coursed through you at his presumption, “You’re not my husband, you do not decide over my life. Unfortunately, that privilege still lies with my uncle. And I never thought you and him would like to lock me up in the same cage.” 
“I don’t want you locked up, I hate seeing the way you’re treated by them!” Pero raised his voice, stepping closer to you, his hand tight around your arm as he pulled you in, “I would pull down every brick in this place to set you free if I could. Do you really think I don’t know how painful it will be to spend this winter apart? Away from you? All I want is to take you away from here and protect you from them, from anyone who’s not as good to you as you deserve. Hay un puto perro guardián dentro de mí! Carajo, cómo te amo!”
He shouted the last words, rage flaring up inside him as frustration burned through his body, your eyes wide as he gripped both your arms and almost pushed you away from him, but not letting go. 
“Don’t you understand? If I loved you less, I might be able to speak about it more, but I love you too much and I can’t let you live the way I do!”  
His face suddenly fell, the air seeming to escape him as he deflated, his fingers digging into your flesh loosened their grip and he sighed deeply as the rage that had flared in him died down.
“I…We…have no choice. Stay here this winter, only one winter, and I will come for you next spring and we’ll leave together,” he moved his hand, cupping your cheek gently, his face pleading, begging you to understand. It was ripping his heart in two, the very thought of leaving you here to suffer through another winter of the children’s abuse, your uncle’s neglect and your aunt’s disdain. But the option was to risk everything if he couldn’t find a job for the winter down south, “Please, mi querida, I promise I’ll come back and I’ll have money for us to leave and be together.” 
His face was pained as he looked at you, waiting for your answer, his hand still cupping your cheek as his thumb softly wiped at the tears that still trickled down from your eyes. 
“I…I love you too, Pero…” you stammered, the words sinking in as his tirade of words ebbed out, “I was scared you didn’t.” 
“Mi amorcita,” he whispered, leaning his forehead against yours, “my little love, I tried not to, but it’s impossible not to love you.” 
You closed the last small gap between you, kissing him without hesitation, his warm mouth opening in surprise as you pressed your lips to his. His hand left your arm and wrapped around your back as you moved together, your body pressed against his, his strong arm holding you very close to him just like he had the last time. A whimper escaped you as you felt him deepen the kiss, curling himself around you, caressing your cheek as all the pieces seemed to slot into place. Your hips against his, your arms around his body, the tickle of his moustache against your lips and his fingers tugging on the back of your coat, lifting you to your toes as he pulled you impossibly closer. 
The lack of oxygen at length made you both pull back just a little, Pero mumbling softly under his breath as he caressed your cheeks, cupping your face in both his hands and kissing your lips, the tip of your nose, and then your forehead before he looked down at you. 
“I promise, just one winter, mi vida. Can we survive that if we spend the next four weeks just like this?” 
“You’ll really come back?” you whispered into his neck, the steady thrum of his pulse just under your lips as he gently caressed the back of your neck, you could feel his fingers in the strands of hair that had slipped from your bun. 
“I promise, I promise,” he assured you, his lips pressing against your head between each word, ”I was always going to come back, no matter what you said.” 
“I should’ve taught you how to write too,” you said, “a whole winter with no word from you will be torture, but if I know you’re coming back, I can bear it. But I’ll miss you every minute.” 
“We have four weeks, teach me how to write too, la maestra,” he chuckled, leaning back a little so that he could see your face, still tear streaked and red eyed, his thumbs coming back to stroke your cheeks, “Mi amorcita, don’t cry any more. It won’t be easy, but if you really want this old soldier with no prospects, you can have him.” 
“I really do, Pero,” you said, closing the short distance between you again and finding his warm lips.
There wasn’t much of a lesson that day, Pero pulled you down onto his lap, sitting on the bench, making up for lost weeks. Your lips were swollen and red by the time you had to pull yourself away and return to the house, Pero to the duties he still had left as groundskeeper. Your heart was still heavy with the knowledge that he would soon leave, but you held on to the light that was his love, his promise to return so that you could leave together next spring. 
So wrapped up in your thoughts of Pero were you, that you didn’t notice the smug smile of Mrs Pluck, the housekeeper, as you approached the kitchen door. 
“There you are,” she greeted you, her self satisfied smirk stretching her jowls as she grinned like a cat that had caught a particularly juicy mouse. 
“Good afternoon, Mrs Pluck,” you replied, moving to the side to pass her, but she held up her hand and grabbed your jaw, pinching it painfully as she pulled your face around to peer at your lips. You yelped in surprise at her harsh treatment.
“Enjoyed your time with the groundskeeper did you?” she asked, malice dripping from her question, “I can see he did his best to bruise those rosy lips, making you look like a whore with a lip stain on.” 
Nausea forced its way up through your throat, almost making you choke as you tried to pull away from her sharp grip, panic gripping your heart as you saw her glee. The fear in your eyes was showing and her face pulled into an even wider grin as she let go of your jaw, only to grip your arm, her fingers closing like a vice around you. 
“You think you’re so clever, sneaking around with him every day, thinking no one would notice? Well, you’re a fool, girl. I’ve known for weeks and now I’m going to tell your uncle and have you thrown out. I’ve been waiting for this day, I only hope that swarthy tinkerer got you up the pole while he was at it, would serve you just right.”   
“Please, Mrs Pluck, don’t tell my uncle, we haven’t done anything, we’ve just kissed!” you pleaded, “He’s leaving in four weeks either way.” 
“And have a hussy like you stay on and teach Miss Amelia?” the housekeeper spat out, now dragging you past Mrs Robinson’s kitchen. She poked her head out from the pantry and watched in concern as the two of you passed. “You’re a fool if you think I would allow that while I’m housekeeper here, maybe that’s the kind of behaviour your mother allowed you to get away with, the Lord alone knows what goes on in those London houses.” 
Your heart was beating out of your chest as Mrs Pluck continued to pull you up the stairs towards your uncle's study. You could feel your legs shaking as the panic at what was about to happen to you, and to Pero, when your uncle found out. Pero would lose his job, there was no doubt about it. You might too, or he would lock you up, keep you from ever seeing Pero again. The very thought forced a sob up through your tight throat, the sound making Mrs Pluck snort again and dig her bony fingers deeper into your arm. 
The rap of Mrs Pluck’s knuckles on the study door felt like the bells of doom to your reeling mind. You had no excuse, no explanation, no way to plead for his mercy, and you stumbled as the doors opened and the housekeeper pushed you through them. 
“M’lord, I’m sorry to disturb you, but I have discovered something that needs your immediate attention,” Mrs Pluck simpered, her countenance suddenly all meek and apologetic. The change would be laughable to you if not for the panic that’s still coursed through you. 
“What is it?” your uncle asked, looking up from his large dark wood desk. 
“Your niece and the groundskeeper, Mr Tovar. I’ve discovered that they’ve been having an affair. It seems they’ve been meeting in secret all summer. And only just this morning I saw them together, they were very…intimate.” 
Mrs Pluck clasped her hands in front of her and looked the very image of piety as she pursed her lips in disapproval. 
“Is this true?” your uncle directed the question to you, but he didn’t seem to feel the need to meet your eye. Instead his gaze dropped back down to the letter he was composing, continuing to scrape his pen over the paper. 
“Yes, but we only-” you replied, your voice unsteady with nerves and panic, and your uncle cut you off. 
“Mrs Pluck, you saw them being intimate? How?” 
“I saw her sneak away from the house most mornings, so I followed. They met by the bench down by the groundskeeper’s cottage. I couldn’t tell you how many times they met but this morning they were kissing, and I saw her sitting on his lap for quite some time.” 
“This is unacceptable behaviour for anyone living under my roof, I do not care that you are my sister’s daughter. I know she raised you to be a lady but she clearly failed,” your uncle said, looking up at you and placing his pen next to the inkwell, “You are dismissed immediately, I cannot have you tarnish the reputation of this family with this kind of loose behaviour. You will pack your bags and leave first thing in the morning, you will have no reference. You’ll be paid what you’re owed.” 
It felt as if the ground opened up underneath you, your breath caught in your throat, and from the corner of your eye you saw Mrs Pluck smirk while she studied your reaction. Without a reference you would not be able to find a new position as a governess, not even as a house maid, finding any kind of work would be all but impossible. 
“Please, uncle, I accept that I have to leave, but at least give me a reference, we did nothing wrong, I just love him. And I’m not with child!”
Your uncle sneered as he returned to his letter, “Love? Foolish child, what other nonsense has he filled your brain with? No, this harsh lesson will be good for you. I'm sure you can find some occupation once you’re back in London where you can’t corrupt any young ladies, and certainly not my daughter.” 
“And the groundskeeper, sir?” Mrs Pluck asked, clearly keen to make sure he wasn’t forgotten. 
“Send one of the footmen for him, I’ll dismiss him immediately. He’s broken my trust and defiled my family, he cannot stay on another day.” 
He looked up at you and Mrs Pluck and waved his hand. 
“That will be all, and make sure she is confined to her room, Mrs Pluck. We don’t want her running off to that Spaniard.” 
Mrs Pluck had a lot to say as she escorted you to your room, her fingers once again digging into your arm. It seemed to be a steady stream of gleeful insults that buzzed in your ears like wasps, your mind too numb to take in what she was saying. The door of your room snapped shut and you heard the key turn as the lock clicked, leaving you standing frozen just inside. Your insides felt like hot lead, the buzzing in your ears was still deafening and it was starting to cloud your brain. Stumbling to the bed, you sank to your knees, grabbing the bed frame before you toppled over onto the scratchy rug. 
You weren’t sure how long you remained on the floor, your head reeling. It felt like you fainted, but you could still see the lurid Persian pattern on the rug in front of your eyes when you pried them open. The room was dark though, hours must’ve passed and you hadn’t even noticed. The buzzing had subsided, replaced by a tight knot of fear and worry in your stomach, your heart still racing. Pushing yourself up, carefully sitting down on the edge of the bed, you managed to light the candle on the bedside table, casting a faint light around the room. There was a tray just inside the door, and the two carpet bags you’d arrived with. Someone, probably Mrs Pluck, had left dinner on the floor, but clearly not cared enough to make sure your still form on the floor was alright. The sight of the congealed stew made your stomach turn and you scrambled for the chamber pot. 
On shaky legs, moving slowly, you made your way around the room to light the rest of the candles, coming to a stop in front of the small closet that held your clothes. You had no way of contacting Pero until morning, your only hope was that once you’d left the house, you could make your way to the cottage and find him, if he was still there. Your uncle seemed intent on throwing him out immediately, what if he had already left? 
The thought made panic rise in you again, bile forcing its way up, making you bend double with a whimper. A few hours ago the prospect of spending the winter here without Pero seemed like torture, now you wished that was all you had to face. At least he’d promised to come back next spring. Now he’d been forced to leave and you had no way of finding him if he wasn’t at the cottage. And you’d soon be out in the world on your own with no means and no other plan than getting back to London. How you’d survive, you had no idea. 
The next morning, after a night of very little sleep, you waited sitting on the bed with your two packed bags. You refused to be sad about leaving this house, but you were trembling with nerves at the prospect of soon being outed from the only family you’d known and left to your own devices. Pero was right, you knew nothing of the world outside of this house and your mother’s household. When the lock in the door clicked, you forced your head up high, at least you wouldn’t give Mrs Pluck the satisfaction of seeing you broken. 
The smug smile on the housekeeper’s face made you grit your teeth and straighten your back even more, gripping the handles of your two bags tightly. 
“Time to go,” Mrs Pluck smirked, opening the door wide and ushering you out. She didn’t grab your arm this time, but she followed close behind you, making sure to lead you through the crowded servant’s hall downstairs so that all could see you leave in disgrace. Mrs Robinson gave you a sympathetic smile, and you gave her a weak one in return. 
Out in the courtyard one of the stable hands was waiting with the wagon. Not looking back, you climbed onto the seat next to him and put your bags in the back. You had no intention of saying goodbye to Mrs Pluck, so you turned your back on her while she instructed the driver. 
“Drop her at the station, and make sure the groundskeeper isn’t anywhere around. He’s not allowed back here, do you understand?” 
“Yes, Mrs Pluck,” he replied, gathering the reins and preparing to leave. 
“He was sent off yesterday afternoon, he’s halfway to London by now, good riddance,” she huffed. You could hear the contempt in her voice and you were glad you couldn’t see her face, evil, vicious woman. 
With a jerk the wagon began moving, the driver clicking his tongue at the horse. You held on to the side of the seat as the wagon left the big house behind, rolling out onto the long drive down towards the main gate. The young stable hand said nothing as you stared straight ahead, but from the corner of your eye you could see him cast curious glances at you. 
“Whatcha do?” he asked eventually, “Get knocked up?” 
“No,” you said between tight lips, “Not at all.” 
“Steal summit then?” 
“Absolutely not!” you exclaimed and he shook his head. 
“No, you don’t look like the thieving kind, too fancy for that.” 
The wagon rolled down between the trees of the drive in silence for a while before he spoke up again, his curiosity getting the better of him. 
“So what did you do?” 
“Not that it’s any of your business, but you might as well tell the rest of the servants as they’ll be gossiping either way; I fell in love with the groundskeeper, we kissed, and Mrs Pluck saw us and ratted us out to the lord.” 
“You kissed?” he asked, raising his eyebrows in surprise, “That’s it and you got booted? Mean ol’ bitch,” he shook his head, “Only ‘cause she’s an ugly old bat who no one wanted to marry. She’s always making life miserable for the housemaids, she had one of ‘em dismissed for just looking at the delivery boy from the village. Said she knew they’d been sneaking off together when everyone knew Jenny never would never do anything like that. And believe me, I tried with her and got nuttin’!” 
He suddenly went beet red and cleared his throat, “Sorry, probably shouldn’t have said that.” 
The end of the drive was near and you could see grand pillars on either side of the open gate. 
“Do you think you could drop me just outside the gate? I’ll walk the rest of the way, you can have a bit of free time before you go back to the house,” you said, Pero’s cottage was near the wall of the estate and not far from the gate. 
“You sure? It’s a fair way down to the station, take you an hour to walk with those bags,” the stable hand said, but you could see he was already eager at the prospect of some free time. 
“I’m certain, I’d rather be on my own for a bit too, got a lot of thinking to do,” you said and he pulled on the reins, the horse coming to a halt just outside the gate. 
“Alright, this is your stop then.” 
You thanked him and climbed down, retrieving your bags from the back, and then watched him disappear down the road. There was a pub in the nearby village and odds were he’d head there for a pint before returning to the house. As soon as he was out of sight, you doubled back, finding the small path that followed the wall towards the groundskeeper's cottage. Tucking your bags out of sight behind a shrub, you hurried down the small lane. After a few minutes, you came to the cottage from the back, the small lake on the other side. 
There was no smoke coming from the chimney and the shutters were closed, making your heart sink. The cottage looked closed and empty without any sign of life. As you stepped into the small garden at the front, you knew he was already gone and a sob forced its way up your throat as you saw what he’d left on the doorstep. Weighed down by a rock, was Pero’s handkerchief, the one he’d used to soothe your stinging cheek after Miss Amelia slapped you. Slowly you walked up to the door and picked it up, the soft fabric smelling of soap and faintly of lavender. The sight of the carefully folded kerchief in your hands brought tears to your eyes, welling up and falling down your cheeks as you realised Pero was gone, and with no means to leave you a message except the kerchief on the doorstep. You never had the time to teach him how to write, and now he’d been forced to leave while you were locked up in your room. Where would he have gone? He only ever said he went south, and found whatever work he could over the winter, but where? You had no idea, and even if he went to London, how would you find him there? The city was made to get lost and hide in. But you had to try, somehow you had to try and find him. 
Squaring your shoulders you wiped your cheeks and tucked Pero’s kerchief into your coat pocket. The cottage held nothing for you now, and you didn’t look back as you retraced your steps back to your bags, and then out through the big gate. You’d take the train to London, find a cheap, but respectable place to live, maybe you’d be able to find the housekeeper who had worked in your mother’s household, you knew where she’d moved to and she was always nice. 
With the big house behind you, you set out to walk the long road down to the station. Pero had said you knew nothing of the world, but you’d need to be a quick learner if you were to survive so that you could find him again. 
After what felt like an age, your feet swollen and aching, you reached the small town that was serviced by the train to London. It was a relief to put down the bags on a bench inside the station house and stretch your back. The station clerk regarded you with curiosity but was friendly enough when you brought out your small purse and counted the coins needed to purchase a one way ticket. 
“The next train to London is in forty minutes, miss,” he told you, “and there are no delays on the line.” 
“Thank you, I’ll wait on the platform,” you replied, turning to pick up your bags. 
“I’d wait in here if I were you, miss,” he said, a concerned look on his face, “there’s a vagrant hanging around the station house. He’s been here since yesterday evening and I think he’s sleeping on the benches. I was just about to send my boy for the constable so you best wait here until he’s gone.” 
“A vagrant?” you asked, a small burst of hope going off in your chest, “What does he look like?” 
“Frightful! Nasty scar right across his face,” the station clerk said, “Dark too and - miss!” 
The clerk called after you but you didn’t hear, you were out through the door in a flash, turning on the spot, searching up and down the platform. 
“Pero!” you called, spotting the sleeping man on a bench at one end, “Pero!” 
He jerked awake, on his feet in an instance before he’d even spotted you. You were already running towards him as his eyes widened, and with a few long strides, he was scooping you up, crushing you to him. 
“Mi amorcita,” he mumbled as you threw your arms around his neck, finding his lips, giving no thought to who might see. 
His arms were lifting you up, one hand cupping the back of your head, holding you tight to his warm mouth and you felt tears begin to stream down your cheeks. You sobbed against him and he pulled back, mumbling a stream of soft words in Spanish that you didn’t understand, his hand coming to wipe away the tears, caressing your cheek between kisses. 
“Don’t cry, mi vida, don’t cry,” he mumbled, placing another soft kiss on your mouth, “You found me, you found me.” 
“I-I went to the cottage, I found your handkerchief,” you stuttered, “I was going to look for you in London but I was so scared I wouldn’t find you.” 
“I’ve been waiting, I was hoping they’d put you on the train, I couldn’t leave without being sure,” he said, loosening his grip on your waist so that he could cup your face with both his hands, his brown eyes dark as he stroked your cheeks and pressed another long kiss to your lips. 
“Being sure of what?” you asked as the kiss ended and Pero shook his head. 
“Another plan of Mrs Pluck to ruin things for us,” he scowled, rage flashing across his face, “She told me she was the one that found us out and that she’d taken you to your uncle. She said you were locked up in your room and that you’d been allowed to stay at Yotes because you’d sworn to your uncle that you didn’t love me. That it had only been a foolish crush, that’s what she called it.” 
“Oh, Pero….” you breathed out, fear gripping your heart as you realised how Mrs Pluck had tried to make Pero leave you behind, “You know that was never true!”
“I know, amor, I know, of course. You’d only just left with my heart in your hands, I knew she was a lying witch,” he pressed another kiss to your lips, a soft moan escaping you as you felt his strong body wrap around you. 
“But what do we do now, Pero?” you asked, putting a hand on his shoulder and looking up at him, “We’re both out of work and I guess you got no reference from my uncle either?” 
“No, he didn’t, but I have plenty of references from the work I’ve done over the winters, I’ll find work there. But…” he hesitated as he frowned, lines of worry across his forehead, “I had a plan for next summer, when I came back for you. A plan for how we would start a life away from your uncle and Yotes Castle, but now…I might ask you already even though it is soon.” 
“What did you plan,” you asked as he let his hands slip from your cheeks, down to hold your hands in his. He paused, looking at his fingers as he entwined them with yours, so large and rough compared to your soft, ink stained ones, before he looked up at you, a small, nervous smile, a rare thing from him, on his face.  
“To ask you to marry me, to go to that place in Scotland, and jus-”
“Yes!” you cried, louder than you intended, “Yes, yes, yes, Pero!” 
You pulled your hands from his and wound them around his neck, making him stumble back as you kissed him hard. A surprised grunt came from him as he grabbed your waist to stop you from knocking him to the ground. The grunt soon turned to laughter as he tried to speak between your kisses, you hugged him tight, your body filling with light as you pressed your lips to his. 
“Cálmaté, mi amor,” he chuckled, taking your hands from around his neck and holding them between his own again, “It won’t be easy, we don’t even belong to the same church, but if you’ll have me, that is my plan.” 
“Yes, Pero,” you said, your voice suddenly unsteady as you felt tears starting to run down your cheeks, your emotions overflowing as you looked into the eyes of the man you thought you’d lost until only a few minutes ago, “I want to marry you, everything else, we’ll figure it out.” 
“I don’t even have a ring for you, mi amorcita,” he said, leaning forward to kiss first one tear stained cheek, and then the other, “I want to promise you everything, but I can’t give you anything.” 
“Pero, you’ve given me hope,” you whispered, “and love. That’s all I ever wanted, to marry for love. And then everything else will be easier.” 
“I can give you that at least, and I will keep you safe, no one will ever treat you the way they did again,” he said, his brow furrowing, the scowl creeping back onto his face as he shook his head, “Never again, amor.” 
You let your fingers caress his forehead, smoothing out the frown and tracing the line of the scar across his eye. You touched your lips to it as he closed his eyes, a feather light kiss to the feature so many feared him for. 
“My guard dog,” you smiled, “ ‘mi perro guardián’, wasn’t that what you called yourself yesterday?” 
He nodded, his eyes still closed as you continued to kiss his face, touching your lips to every mark as if to map it with your mouth. 
“Tú perro guardián,” he mumbled, “I will protect you, amor.” 
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nihilityuniverse · 2 months
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CREATOR | Genshin x FEM! Reader
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In which, You, The Creator, descend onto Teyvat as a Human in disguise.
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MINORS DO NOT INTERACT
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ENG is not my First language
I do not own Genshin Impact or any of the pictures used.
Do NOT Repost
Also available on Wattpad: Chapter 1
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Long, long ago, even before humans existed, our beloved Creator walked upon the land they had formed, accompanied by dragons and living harmoniously with their creations. Their mere presence caused bountiful fruits and vegetables to grow, and with each step they took, golden flowers blossomed.
As time passed and the first mortals and gods emerged on Teyvat, the Creator ascended to a higher plane, beyond the understanding of mortals and gods. Yet, their gaze never left Teyvat, always watching over their creation.
But then, without warning, the tranquil and pure presence vanished into thin air. The following day, disaster erupted across Teyvat, accompanied by numerous cataclysms. All living beings were left bewildered, not knowing what offense they had committed to warrant such a punishment from their Creator. This tragic event became an indelible mark in Teyvat's history.
In the present day, tales of our Creator are rarely spoken, and only a few ancient scripts remain to remember them. It seems as though humans have forgotten and abandoned the Creator, the memory of their grace fading into obscurity.
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Descending back onto the physical plane as a human felt both alien and exhilarating. The first gasp for air filled your lungs with a sharp, cool sensation, invigorating and strange after eons of ethereal existence. Each breath tasted of the earthy, ancient air of Teyvat, grounding you in a way you had almost forgotten.
Your eyes scanned your surroundings, taking in the dimly lit chamber. You found yourself back inside the old temple where you had once departed from this world, your first creation of both the planet and the universe it resided in.
The room was vast and ancient, with high, vaulted ceilings adorned with faded frescoes depicting the dawn of creation. The stone walls were etched with intricate runes and symbols, remnants of a time long past. Torches flickered softly in their sconces, casting dancing shadows that seemed to whisper secrets of the ages.
You were lying on top of a stone slab, the surface cold and unyielding beneath you. A simple white robe clothed your new form, its fabric coarse against your skin, yet comforting in its simplicity.
You raised your hands, watching eagerly as you moved each finger. The sensation was foreign, a mix of fascination and discomfort. The human body felt both fragile and potent, a vessel brimming with possibilities.
Attempting to stand, you found your legs unsteady, and you tumbled to the hard, cold ground with a soft thud. "Ugh..." you huffed, the sound escaping your lips, a blend of frustration and determination.
You tried to stand up, but your arms and legs were still shaking. You let out a sigh. 'This body is more fragile than I thought it would be...' you mused. 
Crafting this body had been a complex task, designed to contain a tiny fraction of your powers and your Consciousness while still maintaining a link to your true form in the higher plane.
With a surge of determination, you mustered your energy and stood up again. You managed a few unsteady steps before crashing against the stone door. Sweat dripped down your forehead, and you panted, feeling the strain of physical exertion for the first time in ages.
Bracing yourself against the cool, solid surface of the door, you took a moment to catch your breath. 
The temple was eerily silent, the only sounds being your labored breathing and the faint echo of distant memories.
You placed your hands on the old, heavy stone door, trying to push it open with every ounce of physical strength in your frail body. It was as if you were trying to move a mountain. Your muscles trembled with the effort, and despite your determination, the door remained stubbornly immobile.
Realizing the futility of brute force, you closed your eyes and placed your hand gently on the door. Focusing intently, you drew upon the small reservoir of power within you. A faint white light began to emanate from the palm of your hand, soft and ethereal. It tingled through your body, warm and invigorating, as if tiny sparks of energy danced beneath your skin.
Slowly, the heavy door began to open, not through physical effort, but as if invisible, imaginary threads were pulling it open from the other side. You could feel the ancient mechanisms responding to your power, groaning softly as they shifted. The door yielded, inch by inch, until it finally stood ajar, allowing a soft breeze to drift into the temple.
With wobbly legs, you walked outside and were greeted by a vast expanse of vibrant green stretching out before you. The sounds of birds chirping echoed in the distance, a symphony of life resonating through the forest. Your eyes widened with excitement as you hurriedly ventured deeper into the forest, mesmerized by its magical allure.
Each step you took landed on a bed of soft moss, the texture cushioning your feet like the most luxurious mattress. The sensation was soothing and delightful, a stark contrast to the hard stone of the temple. 
Above, a canopy of trees swayed gently in the breeze, their leaves creating a symphony of whispers. Sunlight filtered through the branches, casting dappled patterns of light and shadow that danced around you in an enchanting display.
The air was filled with the sweet scent of blooming flowers and the earthy aroma of the forest floor. You took a deep breath, the freshness of the air invigorating you. The sounds of chirping birds and the distant babble of a stream created a soothing background melody, a gentle reminder of the life teeming around you.
Massive trees with trunks wide enough to house entire rooms rose majestically around you. Their leaves were an array of colors, from the deepest greens to shimmering golds, reflecting the sunlight in a magical display. The forest floor was dotted with flowers of every hue, some glowing faintly, adding to the breathtaking atmosphere.
You spun around in happiness, full of energy, as you took in the beautiful scenery. You had always gazed at the planets from afar, observing them and the mortals who inhabited them, but never being able to feel it, to live it. Now, you were here, a part of this vibrant world, experiencing its wonders firsthand.
Every moment in this new form felt like a gift, a chance to connect with the creation you had so lovingly crafted. The forest welcomed you with open arms, and for the first time in millennia, you felt truly alive.
As you ventured deeper into the forest, every flower, tree, and plant you passed seemed to bloom brighter and more lively than ever before. With each step you took, golden flowers blossomed in your trail, a testament to your presence.
You were filled with happiness, giggling in delight. 'So this is what feelings are like!' you thought.
In your true form, you had never experienced such sensations. Witnessing this firsthand was truly amazing! Creating a human body, a vessel capable of containing even a fraction of your essence, had been the most difficult part, especially after observing billions of humans from different planets and universes simultaneously.
Lost in the scenery, you suddenly tripped over a root and went rolling down a hill. "Woahh," you yelped, and before you realized it, you tumbled off a cliff.
The wind rushed past your face, your hair whipping wildly as you plummeted through the air. Time seemed to slow as you neared the water's surface, the crystal-clear lake shimmering beneath you.
You hit the water with a splash, the coldness enveloping you instantly. The shock of the cold water against your skin was invigorating, every nerve ending coming alive with the sensation. You sank momentarily, the water muffling all sound, creating a serene, otherworldly silence. The lake's clarity allowed you to see the sunbeams piercing through the water, creating dancing patterns of light.
As you resurfaced, you gasped for air, the coolness filling your lungs. You floated there for a moment, feeling the gentle sway of the water around you, the chill seeping into your bones but also refreshing you. The lake was a pristine, tranquil haven, the cold water a stark contrast to the warmth of the forest above.
You laughed, a joyous sound that echoed across the water. This was living, truly living, and the exhilaration of it all was beyond anything you had ever imagined. Every experience, every sensation, was a marvel, and you couldn't wait to see what other wonders this world had in store for you.
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Alhaitham, the current scribe of the Sumeru Akademiya, strode through the dense forest, searching for a very ancient ruin unknown to ordinary people and even the scholars.
This might seem an odd and unnecessary task for a scribe, yet Alhaitham justified it as part of his duty to document rare and important findings.
In Sumeru, the role of a scribe involves more than just classifying and archiving documents. The scribe is a key figure with access to vast and profound knowledge.
Alhaitham fits this role perfectly, possessing information unknown to most, and often comparable to the Grand Conservator. His privileged access to ancient texts has made him a repository of wisdom.
The reason for his solitary search lay in an old relic he had discovered, written in an ancient language and not recorded in the Akasha system.
The relic spoke of a sacred ruin where the Divine Creator had left Teyvat and ascended to a higher plane. Driven by his scholarly curiosity and desire to understand the world's underlying principles, Alhaitham was compelled to verify the existence of this ruin.
As he ventured deeper into the forest of Sumeru, he noticed flowers and plants blooming with an unusual brightness. Intrigued, he followed the path marked by these vibrant plants.
His light turquoise eyes fell upon a pair of golden flowers, their petals shimmering in the sunlight. He blinked, thinking it was an illusion, but as he stepped closer and touched the flowers, they felt real, their golden hue dazzling in the sun's rays.
"Golden flowers bloom in the trail of the Divine Creator's steps," Alhaitham recalled the old tale.
He gazed back at the brightly bloomed flora and then at the golden flowers. As he connected the dots, a sense of wonder and realization washed over him.
This finding...
A bead of sweat trickled down his temple. His usually composed demeanor wavered, his heart pounding with the weight of this revelation.
The Divine Creator... has finally descended.
The significance of what lay before him was overwhelming. These golden flowers, blooming so vividly and impossibly in his path, could only mean one thing.
The legend was not just a myth; it was unfolding right before his eyes. The Creator, whose presence had been absent for millennia, had returned to Teyvat.
Alhaitham's mind raced with questions and possibilities. What could this mean for Teyvat? For its people and gods? He felt a profound sense of duty to document and understand this momentous event.
But beyond his scholarly curiosity, a deeper desire stirred within him. The golden flowers only bloomed in the Creator's steps.
If he could follow this trail, he might find the Creator themselves. The thought was both exhilarating and daunting. To meet the being who had crafted this world was a prospect beyond his wildest dreams.
As he pressed on, the golden flowers continued to guide him, their radiant glow a beacon of hope and discovery. The forest seemed to part before him, welcoming him deeper into its mystical embrace.
He was on the path of the Divine Creator, and he was determined to see where it led.
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"You ask, what does the Creator look like?"
"Hahaha... my child, we do not know. According to the sacred texts, our Creator is shapeless or may take on different forms to our eyes. What is important is that all beings in Teyvat will recognize when our Creator has descended."
"You ask me how?"
"Oh, little Haitham, this is quite simple, especially for those who wield visions, for they will feel the presence unmistakably."
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Illustration for "The Rime of the Ancient Mariner" – Gustave Doré // The Tortured Poets Department (The Albatross Variant) – Taylor Swift
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katabay · 24 days
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so. around the start of august, I decided to make a story to work on when I wanted to just kind of turn my brain off for a minute. you know, everything is so much all the time, let's lower the stakes and draw some ancient greeks wrestling.
unfortunately for ME, I thought: well what if we explored the peloponnesian war through the sword and sandals genre and throw in a splash of horror for seasoning! then I thought: well it wouldn't be fun for me if I didn't do some reading on the history of it all. what I do I know about ancient greece. I have a fistful of pocket lint and loose change in that department.
folks. there is so much reading. my reading list is only a handful of books, but each of those books is a fucking brick.
anyway, it's still primarily a For Fun story I do in my spare time, so some wrestling sketches, and some other kind of scene :)
⭐the one with the beard is klaudios, the one with the longer hair is damonikos!
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felassan · 2 months
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July 22nd DA:TV Game Informer article (their last DA:TV coverage article) on Everything we Know about Bellara - cliff notes:
Bellara is Dalish elf (played by Jee Young Han as we know). There might be more to her than meets the eye
"Now, with two of [the elven] gods on the loose, magic has poured back into the world in a big way"
CC is expansive
Bellara is the first companion we will recruit (Neve and Harding join automatically it seems)
She is a mage, a Veil Jumper (who she represents), quirky, energetic, effervescent, optimistic, bubbly, academic, a tinkerer, an explorer of ancient elven ruins
John Epler wrote her and led her development, and collective team effort from lots of departments brought her to life
The BW team really love her
Gary McKay quote: "I love Bellara, I think she's fantastic. I see people that I know in her and so that's how she really resonates with me. I love the whole tinkerer aspect to her. It was a collective to bring that character to life. It was everything from the writers, to the editors, the animators, to character modelers, to the texturing, to how we light her. I'm really proud of that character."
She is a good choice in combat for both support and elemental combos. She starts out as a support character, but can be built in other ways
She attacks with a bow at range using electrically-charged arrows. She can also cast time-slow and healing spells (she can be built to heal Rook autonomously). She does this by channeling magical energy into her gauntlet
As such she leans into electrical damage
Damage type matters a lot in the strategy and tactics of combat
She can unleash a devastating vortex to pull enemies into an electrical storm (an AOE spell)
She can debuff enemies with the shocked affliction, which makes them take passive damage
Corinne Busche quote: "Oh my goodness, she is amazing. [The Veil Jumpers] investigate the ancient ruins of Arlathan. Everything about her character as a mage leans into that, but she also challenges the kind of archetypal idea of a mage."
The Veil Jumpers journey through Arlathan where the ancient empire used to exist and left a lot of artifacts and magical technology behind when it disappeared
Bellara represents this yearning to find the truth of who the elves were after they lost their magic, immortality and a lot of their history
"they still left a lot of their artifacts and a lot of their, for lack of a better term, magical technology behind"
John Epler quote: "A lot of what they know of their past is based on myth, it's based on rumor. Bellara is a knowledge seeker. She wants to find out what's true, what's not; she wants to find the pieces of who the elves used to be and really understand what their story was, where they came from, as well as figure out where they're going next, and find a future for the elves. And within the context of The Veilguard, she joins the team, first of all, to help stop the gods because Bellara feels at least partially responsible since they are elven gods, but also to maybe find a little bit more of who they used to be. Because again, you're dealing with these elves that were around millennia ago that have now reemerged into the world, and who better to teach her who the elves used to be than them."
Magic's place in the world in DA:TV differs from prior games. In Tevinter and other spaces in DA:TV it's much more present by definition and the lore (though the devs wanted to make sure magic didn't violate previously-established lore rules)
Solas is a "determined and tragic character" who "tends to wallow". [nb, these are quotes from the article]. in contrast, Bellara has seen a lot of tragedy in her backstory (we will see this as we get into her arc), but instead of wallowing, she has forced herself to push past it. "She looks at her regrets, and she tells herself, 'I don't want to feel regret'
John: "Whereas again, Solas tends to wallow in his to a large degree. And it allows us to create a very big differentiation. Part of it is also because Solas is an ancient elf, whereas Bellara is a Dalish elf, but she just sees a problem and wants to solve it. She feels a tremendous amount of responsibility to her people [...] to the Dalish, and to the Veil Jumpers, and that drives her forward. That said, she does have her moments where she has doubt, she has moments where she has a more grim outlook, and there are moments where you realize that some of her sunny, optimistic outlook is kind of a mask that she puts on to hide the fact that she's hurting, she's in pain. But in general, she doesn't see any benefit to wallowing in those regrets."
[source]
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marywoodartdept · 8 months
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Athens of the South
Our Art History blogger, Alyssa, writes about a wonderful replica of the Parthenon located in Nashville, Tennessee. She shows the beautiful details of this replica, and goes over some of the interesting history behind this building and the pieces.
You may not have noticed but the U.S. actually has a giant Greek structure, a replica of the Parthenon in it. This is also not just a replica, but to size, as exact as they were allowed to build it, replica of what the Parthenon would have looked like in ancient Greece. What may be weirder is that it’s actually placed music city. I personally have not been to Greece as of yet so being able to…
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nostalgicacademia · 7 months
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Dark Academia Writing Prompts
A group of students stumble upon a hidden portal to a faerie realm in their college library. They slowly return from the faerie realm, corrupted.
A student uncovers a hidden society within the university's classics department. They are preserving an immortal being who used to be worshiped as a minor deity by the Ancient Greeks.
A secret society of faeries attend an Ivy League university, keeping their identities a secret. 
A love letter exchange unfolds between two strangers who communicate solely through notes left in the university library. However, if they ever discovered each other's true identities, the romance would break, and they would be horrified.
A mysterious playwright's lost manuscript is discovered in the dusty archives, revealing a dark and twisted tale that mirrors real-life events on campus.
A cellist sacrifices everything, even their morals, to join an elite orchestra. It's the pinnacle of their career. However, they left one string untied, and it threatens to expose everything they did.
A professor's death sparks an investigation that reveals a web of academic rivalries and betrayal. At the heart of it all is a plagiarism case.
A history major begins to unravel a murder that happened 100 years ago on campus. 
A witch disguises herself as a professor in the occult studies department, using her position to recruit students for a secret coven. 
A psychology professor uses hypnotic techniques to explore the past lives of students. During the hypnosis sessions, a student reveals something awful that their past life did. Something that's had a profound impact on the professor. 
A cursed painting in the university gallery comes to life at night. The characters within it seek the help of a talented art history major to break the spell. They work together to uncover what dark forces made this happen in the first place.
A professor's fascination with ancient folklore prompts a mischievous faerie to seek their help. The faerie asks them to help unlock an ancient riddle. The professor does it, fuelled by academic curiosity, but this turns out to be a huge mistake.
A group of history students uncover evidence of a witch trial that took place on campus centuries ago. One of the victims shown in the painting bears an uncanny resemblance to a current professor. As they investigate, it becomes clear someone’s trying to stop them.
A student journalist investigates a series of mysterious deaths linked to an exclusive literature club. The murders seems to be drawing inspiration from works of literature.
A rivalry emerges between two aspiring poets who will sink to depraved acts for the coveted position of poet laureate. They'll do anything to get that prize, including murder.
By: schoolofplot
My articles on Dark Academia:
Dark Academia aesthetic
The imaginary of Dead Poets Society
The Secret History a key fandom
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alchemistc · 3 months
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too many toasters | bucktommy 1/1
Tommy contemplates asking Buck to move in with him.
read on ao3
He's reorganizing a cupboard to make room for the massive crockpot he'd found for a steal at an estate sale (thinking of the stew he wants to make for Evan the next time the Santa Ana's are chasing at their heels) when he notices.
Evan's protein powder, still balanced on top of the fridge because he's hesitant to claim the spot Tommy had cleared for him weeks ago.
Evan's spare immersion blender, brought over because he'd seen Tommy's old-school espresso maker and wanted to try his hand at foam art. Unsuccessfully, considering both of them were avoiding cows milk at the moment.
The spare set of Jeep keys looped next to the garage door, which Evan hadn't asked him to return after Tommy changed his oil, and Tommy had taken to touching on his way out of the house like a wife stroking a token of her husband far off in a foreign country fighting a war.
In the living room, the blanket over the couch is tucked and folded in a way Tommy can never replicate and doesn't try, because he likes the look of it, hanging neatly over the arm of the loveseat.
In the garden, a second set of gloves, too unwieldy for anything but pulling thick weeds.
In the bathroom, the mouthwash Evan swears by tucked next to Tommy's aftershave in the medicine cabinet.
In the bedroom, two hoodies Tommy has stolen and stretched out the shoulders of - a flavored lube in the bedside table drawer that they'd both laughed themselves silly about after one use and Tommy hadn't had the heart to toss in the trash the next morning - three department issue tee's folded neatly in his wardrobe that Evan outgrew years ago and has retrofitted for sleepwear - a book on the bloody history of the potato on top of the ancient PS4 setup Tommy still hasn't moved to the living room.
And more - Tommy can picture them all in his mind clear as day, and his heart lurches fondly, warningly, in his chest.
They’ve settled somewhere between normal and warp speed, now that the early relationship milestones have all been blown clean out of the water. Spare keys exchanged, controversial sexual fantasies shared, shovel talks mostly avoided by the sheer power of dry wit and matching bitchiness, I love you’s exchanged beneath a hazy crescent moon with half a bottle of Merlot drunk between them and the wisteria hanging off his pergola tickling their noses. Tommy counts the time Evan had let him throw the Jeep up on the lift so he could do a full diagnostic rundown, and Evan counts the time Tommy let him Facetime with his nephew in Reno. Milestones, common and uncommon, that Tommy had stumbled through with a hand clenched in Evan’s, absolutely prepared to match both speed and psychosis.
He’s met the parents, at more than just a passing glance with his face covered in the same soot that painted a radius around Evan’s mouth. He’s fully integrated into the 118’s groupchats - every iteration, though he’s fond of the Maddie-Karen-Athena combo that never fails to go for the throat where station fuckery is involved.
They’ve done the stupid zodiac quizzes Tommy’s sister had sent him, Evan curled into the circle of his arms and ignoring the barrage of texts he’d gotten from Maddie after he’d asked her what time of day he’d been born, grinning into the skin of Tommy’s pec at the readout and then promptly reminding Tommy that neither one of them believed in that shit, anyway.
They’ve talked about the future — for themselves, individually, for the possibility with a partner. For each other, if (when, Tommy’s heart whispers) they make a good run of things.
Evan’s lease is up in a month.
They haven’t talked about it.
He only knows because Eddie had mentioned it, about as subtle as a bullhorn, before Tommy had to stop him from gossiping about all the missteps Evan’s had with living with significant others in the past.
(”There are things about Evan I should hear from Evan first,” Tommy had told him, a little more stern than he’d been going for, enough to make Eddie visibly swallow down a barrage of thinly veiled disdain for Evan’s exes.)
Evan hasn’t brought it up, but Tommy knows a little , enough to piece together why he might be reluctant to broach the subject.
But as Tommy shifts the popcorn maker into a corner and removes the toaster he’s been tinkering with to no avail for six months now, crockpot sliding in without so much as a rustle from the other kitchenware stuffed in there, he thinks about the recent quiet that has swallowed him whole on nights when they just can’t quite make the revolving door of their disparate schedules work. He thinks of the times he’s pushed through the door to Evan’s loft, dead on his feet and world-weary after a patient arrived at the helipad DOA — of the sound of his voice falling into a tangent easing something inside Tommy even though his joints and his heart were both still aching.
He thinks of the way Evan looks, toothpaste on the corners of his lips because he’s had a thought halfway through brushing that couldn’t wait the extra forty-five seconds to be heard. He thinks of the way he hates washing his sheets between visits, now, because he doesn’t like losing the faint scent of Evan’s shampoo on the pillowcase.
Tommy closes the cabinet and makes a beeline for the jug of protein powder sitting on top of his fridge. Opens the cabinet door above it and shifts the jug back into the spot he’d assigned it weeks ago.
“Right,” he says, out loud, into the silence of the house.
The house sighs back at him.
---
Tommy is incredibly good at stifling the part of himself that enjoys rom-coms more than any other genre of fiction. He’s had years, decades, to push his soft sighs down below his diaphragm where they can’t hurt him.
Evan appreciates how little fanfare there’s been to most of their firsts. The lack of pressure, the ease with which they’ve approached things that they’d both previously considered watershed moments.
He considers texting Eddie to ask him if Evan has mentioned anything about re-upping his lease. Tosses that thought aside almost immediately, because he can already see the snarky response: There are things about Buck you should hear from Buck first.
He nearly reaches out to Bobby, before he remembers Bobby’s soft smile, a month and a half ago, while Evan carted a squealing Jee-Yun around Hen and Karen’s backyard, his gentle smile when Tommy had handed him a club soda and lime. (”You know, I never thought I’d see Buck settle in to something he doesn’t need a pep talk about,” Bobby had said, and something had unfurled in Tommy like a delicate flower reaching for the sun.) He could. It’s stupid to think Bobby wouldn’t be happy to talk to Tommy about something like this — but there’s a quiet voice in the back of his mind telling him this is something he needs to figure out for himself.
In the end, he keeps it simple. Just enough romance to maybe give Evan a heads up. Two nights after shoving Evan’s protein power where it belongs, Tommy tells him to dress slightly more than casual, picks him up in the Nova he’s been fixing up for three months, drives him up the PCH until the sun is low on the horizon. They watch the clouds spark up in pinks and purples, the sea reflecting colors back, and then Tommy gets them burgers and beers, and they walk them off in the twilight, shoes in their hands as they drift along the sun-warm sand.
Evan points out a cloud that he swears looks like the tree in the front yard of the house he grew up in, and Tommy seizes the moment, shifts the slim box from his back pocket while Evan is turned away. It’s nearly too dark, and they should probably have turned back for the car twenty minutes ago, but Evan has a step count he likes to meet when he won’t be at the gym for a few days, and they’ve got plans for a long weekend.
Tommy takes a deep breath when Evan turns back to look at him. His breath tumbles out in a rush when he catches sight of the box. “It’s not a ring,” Tommy tells him, cringing, hyperaware all of the sudden that Evan would absolutely know that just by the size and shape of the box.
Evan tilts back on his heels. There is a gentle grin on his face — the one he had five seconds before Tommy told him he loved him, the one he wore the first time Tommy threw one of his hoodies on in the chill of the loft and raised the cuffs surreptitiously to his nose, the one Tommy sees every time he presses a kiss to the pink mark over Evan’s brow.
Like he knows.
Like he’s been waiting on Tommy to catch up.
“You could have just said something yourself,” Tommy notes, with a hint of sass, as the picture comes into focus. “You didn’t have to send Eddie in to drop hints.”
Evan bites his lip. “Is that for me?” That cloud looks like the tree outside my childhood home, my ass.
Cheeky. God, Tommy loves him. “Could be.”
Evan crab-hands his way forward, and Tommy shifts his weight back just enough that he misses, in the growing dark. There’s a little helicopter on the keyring he’d bought, no key attached because Evan already has that, and it’s so sappy he’s bound to get half a dozen teasing texts about it the very first time someone at the 118 clocks it. Tommy doesn’t care.
Evan shifts his weight back, drops his hands to his sides. Tommy can see the moon reflecting off the water in the sparkle of his eyes. “Ask me,” Evan says, and Tommy leans in to kiss him, instead.
---
Tommy finds no less than six of his henley’s in the depths of Evan’s closet while they’re paring down the parts of his wardrobe he doesn’t wear anymore. Rather than comment on it, he folds them neatly and adds them to the keep pile.
The Buckley’s, always deciding to be overbearing at the worst of times, try to buy them a new mattress when they hear through the grapevine that Evan is moving.
Chimney spends a week giving Tommy shit about the keyring, and Tommy retaliates by buying Jee a toy copter that lights up, makes noise, and can manage to hover off the ground just at ankle height.
---
“We have four toasters,” Evan comments. They’ve spent an entire three days off unpacking, the both of them unsettled by the idea of leaving boxes stacked around the house, or in the spare room (Thank you, Eddie, for that shared trauma response).
He’s shirtless, rubbing a serum into his skin as Tommy settles in on his side of the bed, soft pink lips parted, favoring his good leg a little. Tommy’s already reaching for the massage oil by the time Evan has finished his thankfully simple skincare routine. Tommy needs to upgrade his stock medicine cabinet, if Evan is going to continue stockpiling a backup of both of their respective skin and hair products.
He waves the bottle of massage oil at Evan when he moves towards the bed, and something eases in Evan’s expression — the reminder that Tommy pays such close attention to him always enough to turn him a bit gooey, and Tommy has never used it for evil, but he could, if he wanted to. “Do you want to get comfortable to sleep, or is this going to make you horny again?”
Evan grins, bright and wide, a little mischievous as he tilts his head and cocks a hip. Down to his briefs, there’s not much left to Tommy’s imagination.
“Not my fault you’ve got magic hands.”
“I’m merely trying to perform a service for my partner who has been moving boxes up and down stairs for a week and a half.”
“I’ll perform a service on you,” Evan rebuttals, tongue between his teeth, and the muscles in Tommy’s groin tighten on instinct, more than anything else.
“Three out of ten for cheesiness. I’ll give you six overall for sticking the landing.”
“That’s at least an eight and you know it,” Evan argues, the side-sleeper knee pillow already out from under the bed and propping up his leg as he shifts to get comfortable.
Tommy doesn’t warm the dollop of oil in his hand before he slides his palm up Evan’s thigh, and Evan makes a noise halfway between a squeak and a snort. He shoots Tommy a bratty look that Tommy wants to devour, but —
He warms a much more generous pour of oil between his palms before he slowly searches out the deepest knots with gentle fingers, and Evan sighs, eyes tipping closed as Tommy works. His dick twitches in his briefs, but Tommy ignores it, for the time being.
They’ll have time for it later.
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