#or shit that makes NO sense in either it doesn't work for that character or its redundant

[thejakeformerlyknownasprince]

@morphseagull

#imo Lauren has to be dead#even if Tobias still went off to live in the forest she would still be mentioned in the beginning as part of the tragedy of his isolation#iirc (and I could be wrong) Jake explicitly says he sends everyone morph-capable to be with the auxiliary animorphs in the final push.#which should include Lauren!#on that note I also think Eva is dead because for some reason I was convinced she also got the morphing power at the end#but did I just hallucinate that? I have to check#Eva is strangely absent from the beginning too#but I would understand if I was wrong about her being alive#I don’t think Lauren can be alive#it just doesn’t make sense

Yeah, there are several minor characters that don't get a mention in #54, I think for want of space. Jake has one line each about his parents and aunt being alive, and other than that we don't know about the families — Cassie's, Marco's, Tobias's, Ax's. Nor Rachel's dad for that matter. And you're right that Tobias's isolation is a glaring hint that Loren's either dead, or back to not giving a shit about her kid.

Eva doesn't (that we know of) get the morphing power. BUT if there's anyone it'd make sense to give it to, then it'd be her. She's the only one of Jake's lieutenants (James, Toby, Jara, her) who doesn't have natural weapons. Sure, we see Eva assemble a working dracon cannon from a box of scraps in a cave and boil a yeerk pool by sabotaging a Bug fighter, but we also know she has some degree of physical disability post-#45. So it'd make sense to have her morph, and we don't get confirmation one way or another.

Do you think that Loren survived the war? I saw a post going around theorizing that she died with the Auxiliary animorphs on the front lines, which explains why she wasn't there for any of The Beginning

[sofastuffing]

i have a headache

[koumeowkami]

haju.nayu is the proof some people really do base their ships over Nothing... idk man /nm

[whumpster-fire]

Broke: Chilchuck Tims is child coded.

Woke: Chilchuck Tims isn't child coded, he's a middle-aged, divorced man with grown up children.

Bespoke: Chilchuck Tims cannot be accurately described as either "child coded" or "not child coded" because he is a deliberate commentary on the idea of "child coding" itself.

Chilchuck, and half-foots in Dungeon Meshi in general, are given significantly more neotenous proportions and appearances (e.g. larger heads and eyes, rounder faces) than the other races. This is not universal for depictions of hobbits / halflings in Tolkien / D&D inspired fantasy fiction. Compare Chilchuck relative to the "tallmen" (humans) in Dunmeshi to how small races are drawn in something like Legend of Vox Machina (many of those characters are gnomes but whatever) or in basically any official D&D art. It was an intentional artistic decision to make him look like that. This is reinforced when he's temporarily transformed into a tallman (human) and in addition to becoming much taller he gains features that make him look more visibly middle-aged (stubble, eye bags / wrinkles, a more oval face) that he doesn't have as a half-foot. See also Marcille's transformed form and supplemental drawings of what all of the main party would look like as other races. However they do NOT look indistinguishable from actual children as portrayed by Dunmeshi's artstyle and have distinguishing features e.g. larger ears.

Chilchuck is frequently mistaken for a child in-universe, or treated / perceived as one even by members of other races who know he's a half-foot, and he hates this. His infantilization and that of half-foots in general isn't just a running gag, it's a significant plot point and source of discrimination. Like when the party gets impersonated by shapeshifters copying everyone based on the others' memories of them, and most of the Chilchuck clones look and behave more childish than the real one, and they almost get away with it, even though his party should know better than to think of him as a kid.

The narrative consistently takes the position that the people infantilizing Chilchuck are wrong, and are being ignorant/racist.

Conclusion: Chilchuck is definitely not "child-coded" in the way that a 700 year old shapeshifter that looks and behaves indistinguishably from a little kid for contrived reasons. However, he is intentionally designed to make it seem plausible for people who know he's an adult to still not fully believe it and this can make the viewers fall for it too. Which I guess is "child-coding" in a sense. But the message the work is trying to send is very clearly "Don't decide that grown-ass adults are equivalent to children and treat them like children because they have physical characteristics that remind you of a child you dipshit."

While hobbits aren't real and Chilchuck's traits that get him mistaken for a child are exaggerated compared to the vast, vast majority of real people, infantilization of grown-ass adults due to ableism, racism, or just people being dumbasses who forget short people exist is a real issue, and if you start shit with people for shipping Divorced Dad Chilchuck Tims with other characters or whatever you are displaying the exact attitude that's being criticized.

[jasontoddsno1simp]

DC literally did this with Cheer. That was literally the fucking point of Cheer. It is insane to me that JT fans are the ones who get accused of not reading comics but people will say this with their whole chest.

I'm sorry, WHAT?

Firstly, Jason already knows this. What makes you think Jason, the kid who was a THIEF out of NECESSITY, whose father was a criminal to SUPPORT HIS FAMILY, doesn't know that "sometimes criminals have no choice"? Yeah no fucking shit.

Second, that IS what DC has been doing. All they've been doing is misinterpret Jason's morality and try to teach him 'the value of human life!!' and 'criminals can be redeemed!!' as if that's what his ideology was opposed to.

Jason Todd how misunderstood you are..

[catastrophicdisasters]

apologies, i'm still angry abt TUA S4

so, if we take out all of the blatant issues with the season (character assassination, 'resolutions' that create more plotholes than they solve, rushed scenes that make no sense, side plots that go nowhere, raymond vanishing for no reason, etc etc), what are we left with? let's see:

fatphobia (multiple jokes made about 'chubby Diego', when David just looks hydrated and healthy)

SA played for jokes (it's clear that Klaus having sex while possessed is supposed to be funny, but he's being held hostage and forced to do this for money, when we already know he didn't even want his powers back??)

cheating

problematic / borderline problematic age gaps (either way you spin it, either Five is physically 20-26 while Lila is likely mid 40s, or Five is mentally 70s while Lila is mid 40s; Aidan was 19 while filming, and Ritu was 34)

waiting for the actor to come of age before introducing a romance (we already know what some fans can be like over Five/Aidan, this will not have helped; I would be horrified if I found out the show runners had planned a romance arc with a coworked 15 years older than me and then waited for me to turn legal age to execute it)

sexism (i was reluctant to call it that but i also don't know what else to call it - Lila basically had her agency stripped away to become the love interest two men fought over; Steve wanted Five to have a romance and didn't care who with - use Lila simply because she was there)

complete disregard of character trauma (Klaus being buried alive despite it having been mentioned in every prior season that he was locked in a mausoleum by Reginald, including literally being left to die)

possible overstepping of an actor's boundaries (i've not been able to verify this, but i've seen it said that robert sheehan has requested not to do sex scenes?) (still havent been able to prove this; wasn't an issue with other roles so... hesitant to leave it)

actors requests being ignored (David asked multiple times if the Lila cheating sideplot was required, but clearly it went ahead anyway)

bad cgi

that awful vomit montage

Reginald (im not quite calling it abuse forgiveness but uh. it's not far off tbh)

i don't even know what to call this, but basically told the Hargreeves the abuse they suffered was their fault because they shouldn't even exist??

what did i miss? (im sure there's something)

from the replies:

the song in the ep3 dance scene uses a slur for romani people (and is also about a man and an underage girl)

SA dismissal (it's literally never addressed that Allison SA'd Luther last season. like, at all. everything's just a-okay now!)

more sexism (Allison's arc was also reduced to serving men; there's a single line to explain that Ray left, with no mention of why (i could go OFF about this but this post isn't supposed to be about mishandling of characters); even after everything, all her bonding with Claire comes through Klaus's storyline. also, Sloane is just gone and nobody gives a shit - Luther has one line and that's it??)

so many issues with consent (all of the girls shown in the place Klaus works look drugged / Klaus doesn't want to be there and doing any of that, it's all against his wishes / they all get their powers back against their wishes - although they do tell Ben that wasn't his choice to make / Klaus gets his powers back against his will when Allison is pressured to do it to save his life)

[1-up-chump]

Yes yes YES!!! Bi-han is not evil he is so unfathomably DEPRESSED as a character bc essentially? He's like if hanzo got the bad ending and let the spirit scorpion consume him with vengeance and destroy all who he was, is, and will be.

Even if bi-han could not fully be rid of this curse, at least let him TRY??? at least have other characters acknowledge this? Esp kuai like poor baby just wants his brother back and not corrupted by all sorts of evil magiks

Wish I was more eloquent to make this post, but It continues to infuriate me how mortal kombat as a franchise has completely fumbled the bag on recognizing Bi-Han as the immense, gut wrenching point of tragedy that he should be. 

By all accounts, he’s someone who's been denied any real semblance of meaningful choice throughout his entire life. He’s someone that was kidnapped as a child by what is ostensibly a cult, and made to do their bidding lest he be killed or worse. Then he’s murdered only to be denied freedom in death.

I think it’s in the original game’s endings where he mentions intending to leave, but then that brings to mind the question of why hasn't he done so sooner? He’s certainly capable enough to do so, even with the threat of being hunted down by the Lin Kuei for abandoning them. Did he stay for Kuai Liang? Could he even stomach the mere idea of leaving him behind? Was he afraid to risk his safety in either case; that he would die too if they left together, or that he’d be used as a bargaining chip to claw Bi-Han back if he went alone.

Do you think it ate at him knowing he was the only thing standing between Kuai Liang and the full brunt of the Lin Kuei’s manipulation and coercion? That for the longest time he was one of the only sources of genuine love and kindness in his life? 

Do you think the Grandmaster held that over his head? 

Maybe that’s why it was him chosen to retrieve the map of elements and later Shinnok’s amulet, he was the best they had because he couldn’t afford to not be.

And even then, when he did get a chance, and chose to do the right thing by stopping Shinnok and Quan Chi, he’s punished for it. A man already denied so much of his autonomy has it stripped further away until he’s nothing more than a mindless pawn. Further still, I have to wonder, was his line to Kuai Liang in mk9; that they share blood, but are not brothers, another layer of Quan Chi’s twisting of his mind to his own means—to drive a wedge between him the brother he held on for, the one person he knew truly cared—to twist the knife further for daring to delay his and Shinnok’s plans? Noob Saibot’s too cartoonish, often too over the top, practically intoxicated in how evil he is (or at least that's how his writing comes off) to be a genuine expression of Bi-Han. I wonder if some semblance of him remains trapped and vaguely conscious under that dark veneer, forced to watch himself lose what little he had left.

And even if he had survived, then what? He likely would’ve been cyberized as well, probably even killed like nearly everyone else in mk9, and turned into one of Quan Chi’s undead lackeys anyhow. It’s as if fate (doylist: I know it’s the writers…) won’t let him simply be… him.

I’d bet that when Kuai Liang remade the Lin Kuei after destroying the cyber initiative, he wanted it to be something that—if he could be so fortunate as to have his brother back—was kind enough for Bi-Han to truly call home.

[for-a-longlongtime]

You Can't Chase Away The Queers & Gays & They's

aka: have your little delulu fantasies but don't you dare be a homophobic/queerphobic cunt about it.

I'm so fucking serious right now.

A certain amount of people are being absolutely psychotically ridiculous right now over that Pedro poem published in the project by Mustafa (the poem isn't new, he had this on his blog in the early 2010s, btw). Within hours, people are yelling in public comments tHiS pROveS hE iS iNTo pUsSY + hEArTbRoKEn ovEr a wOmAN, PLUS sending anons to me and other queers saying 'this poem proves he's not gay!', 'stop writing f***** shit about him now!', further speculating, wanting receipts whether he ever talked about specific genders, etc.

You're losing the plot. STOP IT.

I'm not even gonna go into how appalled Pedro would be to know there's literally a Straight Crusade group that has been scouting socials since forever just to post fake stories. No, my concern is about all the queers, gays, and they's (the LGBTQIAS2+ community) among us fans -- especially the young ones, who are seeing all that anti-queerness and homophobia happening. It's 2025 and in so many countries queer rights are under attack, queer youths are suicidal at much higher rates than straight kids, and it still happens every fucking day that queers coming out means they're losing family, friends, jobs, housing, custody of kids, etcetc.

Let me clarify: I don't give a shit about Pedro's sexuality or who he sleeps with/dates. I’m not the person you’re gonna want to ask about any of that. Do I as a queer feel (and a lot of others with me) like he's been doing plenty of queer signalling through the years? Yeah, but that doesn't mean it's gospel/fact, and I'm sure as hell not trying to prove it or convince other people.

What IS a fuckin' problem though is when people and blogs are whipping up other fans into a literal frenzy, making them think that they need to 'defend' P or prove he's not gay. Sure, disect the poem and whatever else, knock yourself out, but do not send other people - especially not queers - plain ass hate about it, just because you want to impose your POV on them. Because you are harming people by making them feel like it's not okay to be queer/gay, and you're using Pedro as a means to do so. That's fucked up.

I'm not here to police anyone, but I'm telling y'all to have some common sense if this is something that you have either inadvertently or deliberately been doing. This is exactly why there are so few gay and queer male fans active in this fandom, because they see how much negativity there is at and how obsessive the compulsory heterosexuality is in some corners of the fandom. This is exactly why queer and trans folks feel unsafe to reach out and get to know other fans. This is why a lot of writers (queer and straight) often feel reluctant to write mlm/gay fanfic (be it P Boy x male reader/male OC, or P Boy x P Boy, or P Boy x canon character). This is why new queer/gay fans feel hesitant to put out work with queer representation, because they're afraid of negative comments or anons. And that SUCKS, because they want to tell their stories as much as other writers do, but it's damn hard when you look at the queer/homophobia that has been on the rise in this fandom as well as in society.

Is your ability to like his work, to like him as an actor, or even just as a person who does a lot of good stuff for marginalized communities, actually DEPENDENT on his (perceived) sexual orientation? On who he sleeps with or dates/has dated? To the point that you feel like you need to 'defend' him or prove things to other people? Because, first of all, in case nobody told you and it didn't occur to ya: he's not gonna fuck YOU. Second of all: wow. Get it together.

Finally, I can't believe I need to make this point, but: just because you don't like queers, doesn't mean they're gonna go away. Why are you reading my blog or Erin's or anyone else's tumblr that's clearly about queer stuff (we actually do indicate that already in our bio/pinned posts, you know) if you don't like it? WHY are you reading gay fanfic (which is about Pedro characters, not even RPF/Real Person Fiction, and YES - that is a very big difference) if it makes you angry? Most of all, why do you feel like it's okay to act like a fuckin asshole?

Stop reading things you don't like. Block people you don't like. Dislike stuff all you want, but just don't be a homophobic piece of shit about it.

Also, go read Erin's post right here.

[starlit-sanguine]

Random assorted Obey me headcanons.. PART 2..✦

Part 1 here <3

Diavolo:

Most of his smiles are out of politeness when he's around nobles and other people of status, though you can tell he's irritated from the way his eye twitches or his jaw clenches when his allies bring up politics or some other important topic, all of his Smiles are reserved for you, and the people within his circle ♡

The prettiest eyes ever, they're this enchanting shade of Gold that look like pools of honey when they hit the sunlight. They hold this sense of wonder whenever he talks, ever the curious one as he's still learning about human customs and how they work, speaking of humans; Always looking for you or Solomon within a room, excited to speak to either of you! if you're together? even better because he would love to see how you interact!

His coat has to be sewn often because when he's bored in meetings he'll play with the golden buttons on the sleeves and they end up falling off due to the constant fidgeting and tugging... Barbatos really needs to get him some kind of toy because he's tired of accidentally pricking his hands with the sewing needle.

FANGS, not really visible unless he's laughing or smiling at one of the brothers dry jokes or escapades. He's quite embarrassed by them because he thinks they make him look silly.

Stretches a lot, and when his back makes a snapping noise he always gets a little kick out of seeing Lucifer in specific, grimace. He never noticed until one day he stood uo to grab something from his office, and his shoulder cracked, and Lucifer immediately scowled and raised a brow, still standing in his designated place in the school council office; Diavolo noticed this and quirked a brow, Lucifer was never this expressive usually? So he did it again and the demon had to look away in disgust, and now the future king of the devildom pulls this shit all the time just to see his friend get grossed out.

Barbatos:

Has this really cute habit of tilting his head when he's confused, he doesn't mean to, its just his nature. But its so out of character for him, which is probably why its so amusing to Solomon and Diavolo... mostly Solomon. He and Luke will be reading up on a recipe and it'll mention an ingredient he's never heard of.. causing him to tilt his head and hum a questioning "hm?"

Also has pretty eyes, This verdant green that stands out against the rest of his features (apart from his hair that I'm jealous of), They also glow in the dark, which scares the everloving soul out of anyone in the room with him. His eyes are also reflective like a cats))

At Diavolo's meetings he keeps his tail wound around his leg, ready to put anyone in their place. No one will speak up to the future king of the devildom when his right hand man has glowing eyes, a pratical weapon around his leg and a charming yet threatening smile that he uses on people to shut them up.

Gets along well with the brothers, but mainly Lucifer, One night whilst Diavolo was hosting a gala, Lucifer couldn't take the overwhelming.. everything that was the ballroom, so he snuck out to take a small de-stress walk, that's where he caught Barbatos sat by the piano- also destressing for a minute- and they sat together for awhile as he played a few notes as he talked, about the devildom, Diavolo and maybe opening up slightly. Lucifer thinks about that moment often, and how he knows things about Barbatos that many will never know.

In his rare downtime he likes to read, finding the world of fiction to be interesting. Especially fantasy books written by humans because he likes to see how wrong they were about certain things.

Simeon:

A really fast walker, unintentionally taking huge strides as he makes his way through the halls of RAD, always has to stop every few minutes to let Luke catch up to him, He's only a baby!! he can't walk that fast!!

Fairly clusmy, Once he was at a convention and someone asked if a spelling error in TSL was actually a hidden meaning for something and he just shrugged and said in his sweet voice, "No, I just could not spell the word correctly so I went with it ahaha"... yeah the fandom was furious for weeks.

Walks with his hands behind his back, mimicking Lucifer. It started at a meeting with MC, Beelzebub and Luke and Diavolo and Lucifer were discussing the whole Cerberus incident, and Simeon felt out of place with his casual stance, so he held his arms behind his back to try and look stern, it just kind of stuck..

Has this stupid flirty on and off thing with Solomon, talking to the sourcerer with a teasing tone to his voice and smiling whenever the Wizard retorted with some innuendo that definitely shouldn't be repeated out loud. Should the Angel be making dirty jokes with the human? no. but will he stop?... also no

the prettiest smile in the whole cast, makes everyone smile back due to the amount of positive energy that the Angel radiates, he just wants everyone around him to be happy, bringing joy is his job after all.

Solomon:

The most charming voice, complimented by his pretty eyes and stupidly cute smirk, he wants you to know that his attention is fully on you, that despite all his pacts and in all the years he's been alive, that you're the only one that truly matters.

Easily jealous, he won't show it but there'll be signs, his grip will tighten on your shoulder, or his eye will twitch in annoyance, he barely gets any time with his beloved apprentice! now someone's trying to shorten it??! He thinks not.

For the love of the stars above he cannot sit normally, cannot sit with his legs together otherwise he might go insane. The worst man spreader known to man, also has an awful slouch when he's deep into his work.

His eyes shimmer when they hit the moonlight, they look dead in the sun, just a stone brown with nothing to add to it, but when the moon hits them there's this explosion of colour, Within the grey split brown of his sectoral heterochromia lay splices of blue and green, touches of his past humanity that he's lost touch with.

Has piercings that match Asmo's. Collarbones are adourned with a pretty silver bar with pearls holding them in place, and his earlobes are pierced and usually decorated with earrings that dangle and show off some of his personality that hides behind his smile.

Luke:

I only really have one for him!! and its that he loves the rain, due to memories with Barbatos and Mammon from the walk they took, (referencing a memory card) His favourite flowers are hydrangeas also due to this memory!

[omgfangirlland]

Dude, Imagine a reader being isekaid in Gotham. Reader has a system which prevents them from dying so they're kinda immortal. What I mean is that reader can die but they'll get revived again and again. Of course.. Since it's Gotham, she gets killed on her first night. Imagine where there are certain things she gotta do to unlock some abilities but she doesn't know what or how to unlock it. A reader who was happy at being isekaid before she slowly realized the reality she was on now (happy character to gloomy and depressed reader). Imagine a reader who's slowly losing it as she dies for the 99th time.. How life slowly does in her eyes. Randomly thought of this as I was reading a quotev story of a Reader x record of Ragnarok. This sucks cause I wrote this at 3am with one eye closed. ➖👄👁 (me rn)

-🔱

OMG GO TO SLEEEP (I'll probably stay awake until 5 am so really, who am I to talk-)

Tried to keep this GN!Reader, but I may have slipped. This may be gruesome soooo fair warning from now: Dead dove do not eat, gore, blood, death, everyone is getting traumatized tbh, suicide mentioned, trying to make it funny but it gets dark quick, lots of shit like that

Some things before starting:

I've always liked the idea of Isekaid!Reader- add to that Immortal-but-not-really!Reader who remembers every death? Amazing angst.

Reader who is immortal in the sense that she regenerates, no matter how small the piece left is, she'll be back up and running by the next day, maybe the next week if the piece is really small- but you'll see her again! And like Deathstroke, the regeneration keeps her "in her prime" as well, so if she died young, like 16, she'd stop aging by 25-30(tbh this would prob be another layer to the trauma)

I imagine the way to level up is in a dead magical language, a forgotten dialect of some god, etc.

This could turn into a multi chaptered fic... This could be Romantic!Batfam... This could be Romantic!The Immortal Version!Wonder Woman... This could be Romantic!Ra's and Talia 😈 IT could be all three options 😈😈😈 It's def yandere/obsessive territory either way.

---

No matter how Reader actually died in real life, mugging gone wrong, the classic bus/truck moment, suicide, etc etc, it'll probably be brushed off as a dream in a dream once you realize you've woken up in Gotham.

So, of course Reader dies the first night. "Oh- it's just a dream, let me do crazy shit like going into rich people's places-"Yeah you end up in a hostage situation.

Now- you wanted to be sneaky, play vigilante for shits and giggles, you weren't as amused when you were eye to eye with a bomb.

Now, Batsy thinks everything is fine- he got everyone out, the area is evacuated, and everything can be rebuilt. And then he hears Oracle gasp, saying someone is face to face with the bomb. It's Jason all over again, from him running towards the building, to your shoulders slumping in defeat as the clock ticks zero, to Bruce being in utter shock as he tries to move on as the smell of burnt human flesh once again sticks to him, bringing back his sleepless nights and blank stare.

You weren't worried, thinking you'd just wake up and go to your normal life. But you wake up in pain as bones, veins, nerves, meat, and skin regrow, as the fabric that was melted into your skin is expelled, clear skin taking over. It was excruciating. It left you screaming and crying, your body shaking on the metal table. And it left the mortician who was about to work on you passed out on the floor.

When the old woman wakes up, the only evidence that she didn't hallucinate is the missing change of clothes, CCTV recordings showing you stumbling out of the building, barely able to walk, and a small smear of liquid gold.

Bruce's guilt was eating him. He's memorized your face at this point, every pixel, the way your shoulders dropped, to the way you resigned to your fate. And he starts to see you in random places, looking at him from over the street as he's swarmed by reporters, in the local cemetery, on Red Hood's territory. So he goes to the morgue.

When the bat comes knocking for any information on you, for any blood he can test to find out who you are, so Bruce Wayne can send some guilt money to your family, the woman pales, multiple prayers to different gods spewing out of her lips. Another employee, not quite as terrified but still shaken, tells him everything, even shows him the recording.

From everything, he'd have assumed a trauma-born meta-gene, but the liquid gold smear and the pure fact that you should have been dead, no discussion had, gave him pause. Maybe it was a Dark Justice League problem.

You've died so much, you stopped counting, what use was it anyway? You tried leaving Gotham, but every time something would happen, from almost getting decapitated, it was so weird to feel your neck sewing itself in place, to being run over, to being shot Bonnie and Clyde style. So much happened, and you remember it all. You remember the pain, the way your blood seeped through your wounds, the crack of your bones.

But you also remember waking up from imminent death, the red blood now golden and melting into the ground, the pain of everything mending, over and over again. You stopped trying, taking refuge in the safest territory you knew. You also stopped looking into reflections. You couldn't take what you saw, what you would hear if you stared long enough- letters and whispered words in a language you couldn't recognize, dark figures in the corner of your eye, hands clutching at you- it was too much, a never ending nightmare.

It didn't matter who you were in your past life, in Gotham, you are a nobody, and even so, the Bat and his birds found you quite quickly. Granted, you working for gangs and occasionally the Penguing wasn't exactly low profile, but no one else would hire you without needing some form of documents. Documents you no longer have. So you took to cleaning up The Lounge and turning a blind eye to everything that was happening, to the drugs, to the scream coming from the basement you weren't supposed to know existed, everything. The way Penguing pays, you'd play dumb for as long as he was alive, honestly. Soon enough, you'd be able to afford a house.

Of course- you were trying to avoid Batsy and whatever robin he currently had, what would you even say to him if you could catch a one-on-one moment? "I know everything about every version of you because I'm from another world, I found out I'm immortal, and need a sugar daddy."? Jail. Straight to Arkham. Nobody would believe you. But you were already on his radar, and when he emerged from the shadows of your small apartment, you understood why the goons were so afraid of him.

[localvillagecryptid]

Seeing as they clearly didn't know what the hell to do with Jinx/the political repercussions of her bombing the council in season 2, I'd like to explore the possibilities of how Zaun would've reacted to this that would've made way more sense than what we saw.

1. Jinx becomes an extremely controversial figure.

Few are neutral to her. This would be largely because, outside of knowing she blew up the council, no one actually knows WHY. What were her motives? Were they politically charged? Was she trying to start a war? What exactly was her goal? It was never really stated that she was infamous prior to this, but I recall in season 1 act 2 that when Vi went looking for her, people knew OF Jinx, and that she worked for Silco, but weren't really aware of any further details. So those that are aware of her connection to Silco- who objectively did make many of their lives worse with Shimmer- wouldn't be happy. They'd be scared of what will come next.

Those who don't know/don't care might fill in the blanks with their own guesses, maybe that she's some kind of activist- which would split them further into the subgroups of "Oh fuck the enforcers are gonna kill us and it's her fault" and "Finally, a war!" The second of which I'd argue would actually be a very small group. I could imagine the Jinxers being seen by the rest of Zaun as crazy radicals who don't know what they're getting themselves into/are gonna drag the rest of Zaun into danger. I think it would cause a LOT of infighting. Like a civil war inside another civil war.

How Jinx would handle this would be.... interesting. Especially if the Jinxers start making moves on their own. She never really shows much interest in activism- she works for Silco because he's her new dad, and while she doesn't seem to DISAGREE with his opinions, it doesn't seem she's all that invested in actually working to make it happen beyond just wanting to help her dad. His death seemed to take her interest with it.

Now, they could either lean into this, and make people question her motives/actions because of her clear disinterest, maybe increasing some of the controversy around her (no follow through on her action, letting Zaunites suffer the consequences, etc.), or they could make her actually take a genuine personal interest in it. But that, I think, would take a bigger arc that might be more work for arguably less payoff when considering you'd probably have to change a great deal of her character to do it, especially when you could probably achieve similar plot points/outcomes even without her intentionally becoming a political figurehead.

2. Zaun becomes fractured politically/other "symbols" of Zaun

This can be in tandem with idea 1, actually, but can still be it's own idea. Basically, after the fall of the council, and Silco's death, Zaunites are terrified. They've been run so far by Vander, Silco, and then some vague council-like oligarchy of Chem-Barons, who could be interpreted as functioning like very large gangs. The Chem-Barons have always been around, but with Silco's sudden death (and no one who was primed/expecting to replace him), this leaves a massive power vacuum that the Chem-Barons and smaller gangs are scrambling to come out on top of.

The fear of the unknown and the extreme instability would lead to people desperately throwing their lot in with whoever they think would be a better/less dangerous leader, and by extension, political symbol. Season 2 shows a bunch of new people joining the Firelights. In that case, I can imagine that before long, several new potential leaders surface, even if they didn't expect it. Namely, Ekko, Jinx, and Sevika.

Ekko because as I said, people were apparently coming to his base in droves. They don't tell us Jack shit about the Firelights besides the fact that A) Ekko leads them B) they don't fuck with Silco OR Piltover C) Piltover thinks they're terrorists and D) they look rad as fuck. That being said, considering Ekko's Everything, I think we can all gather a general picture of what the Firelights are about. Plus his cool tree would be a great symbol (@srslylini for the idea) of growth, healing, etc.

Sevika, because those that knew her as Silco's second might be hoping for some kind of stability with her. Even if they didn't like Silco, it's better the enemy you know and all that jazz. They'd feel safer with someone who at least seems to know what they're doing, even if Sevika herself has no interest in becoming a leader. I think some would just naturally gravitate towards who they see as "second in line". This could also be in connection to Jinx, as she could possibly been seen as someone who could "rein" Jinx in (again, most people don't actually KNOW Jinx, they just know OF her and that she worked for Silco and was volatile. Think how Finn referred to her as Silco's "attack dog").

Speaking of Jinx, she'd probably be treated similarly to idea 1. Extremely polarizing. Her followers would be seen as crazy, like she is. They'd be seen as warmongers and/or people who have no idea what they're getting themselves into. They'd basically be seen as the stereotypical "young rebels". The average Zaunite would see the average Jinxer as a young, angry, maybe idealistic radical who doesn't understand the cost of war. I'd argue that, again, they'd probably be the smallest and most controversial group just because most people don't necessarily WANT a war, even if they're willing to fight for it. And the suddenness of the bombing would've scared even some of the rebels who DO want war, because they weren't prepared. It wasn't a PLANNED attack, so both Zaun AND Piltover are basically caught with their pants down, which would also bring some ire from the other Zaunites.

There's another option for a faction I'd like to explore, also thanks to srslylini (thank you icon), but it takes a bit of setting up.

In a hypothetical situation in which Vi did NOT become an enforcer, I think it would happen like this: Vi hangs around in Piltover at first out of guilt/feeling like she has nowhere else to go. She's still not on board with being an enforcer, but she attends the memorial out of a sense of obligation. Her and Caitlyn have a falling out over Caitlyn calling Zaunites "animals", and here is where she storms off and goes back to Zaun, with the final words to Caitlyn that "You Pilties are all the fucking same" (or something to that effect). She's still feeling lost, and so maybe this is where she stumbles around, having maybe a similar pitfighting arc (just not as distraught, more like she's broke and angry and has to pay rent somehow so she might as well get paid to punch someone's face in). Because she's not in a massive spiral, there's unfortunately no emo arc (sad), but the bright side of this is that she's recognizable. I don't think she's FAMOUS, per say, but Babette and Ekko recognized her right off the bat in season 1 (yes you can say Ekko was really close to her, but Babette? C'mon), and considering she was older than Powder when she went off to prison, I don't think it's a stretch to assume her face was a little better-known than her sister's (especially considering she was already going on jobs, and in act 1 she gets into a fight with Deckard who I'm pretty sure knew her name, but not Powder's).

This is to say, I think a lot of the "old heads" knew who she was, especially those who liked Vander. It helps that she tattooed her name on her face LMAO. So I'd imagine she'd show up in the ring, no hair dye no makeup, and eventually after consistently knocking her opponents around and winning every time, she'd become a bit locally famous again- to the point that those same "old heads" who remember her make the connection and come looking. Maybe rumors start swirling, especially once they learn she was gone because she'd been in prison- not unheard of, and probably the first conclusion they drew when they realized she wasn't dead.

So eventually Vander's old followers/younger people who idolized him from their childhood start seeking her out. Sensationalizing her. Asking her what she's planning on doing. Is she taking back the Lanes? Will she get those Chem-Barons under control? What about Jinx? Could she hunt her down, rein her in? Hell, maybe even put her to use? Will you give us our relative safety, our security back?

And Vi, who just wanted to knock some heads around and maybe take a nap in her apartment and cry, is suddenly faced with being "Vander 2.0" and Jinx is the new "Silco 2.0" and all the weight of expectations and legacy and history and literal war and politics are being shoved in her face. She, like Jinx, is now faced with becoming a figurehead when she never wanted to be, which could lead into option 3:

3. A joint approach to Zaun

This would primarily be driven by Sevika even if she wasn't one of the possible leaders, because SOMEONE has to be the responsible adult here and it's certainly not any of these traumatized losers (affectionate). She'd be the glue to keep it all together, the reluctant team mom who WILL make this work because she WILL have Zaun even if she has to die to get it.

This could work with either Jinx and Vi, or Jinx, Vi, and Ekko (I genuinely can't imagine season 2 act 1 Ekko willingly teaming up with season 2 act 1 Jinx AND Sevika without some kind of buffer). Basically, once the other "leader candidates"/political symbols have been established, Sevika would round them up with the intention to use their influence to unite Zaun against Piltover. This would take a LOT of arguing, but ultimately I think she'd be able to get them to shut up and hear her out for a moment. Regardless of how different their beliefs are about what the "ideal Zaun" looks like, they can all agree that Piltover isn't in any of those pictures. She could convince them to set aside their own squabbling for the time being, for the greater good: aka, the independence of Zaun.

At the very least, I think she'd be able to get them to agree that Piltover coming down and hurting Zaunites in revenge shouldn't be ignored, and that they're currently a bigger threat than their fellow Zaunite. So eventually they'd reach some kind of truce: behave like a united front against Piltover, push them out of Zaun, stabilize Zaun, and then worry about tearing each other apart later. And because all of these characters- ALL of them- have shown (prior to season 2) anti-Piltover sentiments, they'd at least be able to agree that enforcers shouldn't be allowed to beat down on their people (especially in this version where Vi has better, more consistent writing lmao).

Of course, Rome wasn't built in a day, so maybe they don't reach a total agreement immediately- maybe they just agree to a ceasefire at first, but still refuse to work together. But once Caitlyn becomes a dictator? Once enforcers start gassing the streets, rounding people up, implementing martial law?

That's when the gloves would come off.

I'd imagine this could also be part of how Vi and Jinx slowly start to repair their relationship. They've got bigger fish to fry, but also, this time their enemy is connected to their own personal conflict with each other. Jinx might ask, "what happened to your enforcer girl? What happened to being a Piltie lapdog?" And Vi would essentially, in perhaps more emotionally constipated words, explain that it wasn't really about Caitlyn, it was about being needed. It was about trying to find Jinx, about trying to stop Silco, about trying to "fix" things, only realize that she couldn't. It was about trying to make things better, but that she realized the person she was trying to do that with didn't actually care. That all she wanted was to make sense of the destruction of her old life, and find meaning in a new one. And I think Jinx, too, in her own emotional constipation, would resonate with that, would understand that. It wouldn't fix things between them, but I think it'd be a start.

It could also help their relationship with Ekko. Since Vi isn't an enforcer this time, and season 1 (the One True Season) showed their sibling relationship, I think her and Ekko's bonding would be more like "reconnecting with an old friend", whereas Jinx and Ekko would have a lot of work to do, too. There'd probably be a bit of a cold war between them for a while, once Ekko agrees to help, because he knows actually talking to her would piss him off. But eventually, through Sevika's manhandling of these three, and being forced to make nice with reluctant-figurehead-Jinx, they'd connect again.

Perhaps part of a plan is for them to develop new technology for Zaun. Whether that's weapons against Piltover (unlikely on Ekko's part I think), or just safety gear/ safer city infrastructure ideas for the betterment of their people, I think eventually they'd figure themselves out, too. He'd see the Powder in her, the part he saw on that bridge, and maybe it would give him the ability to try and understand Jinx. And Jinx would realize that maybe these people in her life DO love her, DO care about her, more than just for what she used to be but for who she is now. And somewhere along the way, they'd be friends again (or they can date IDK or care man I just want them to stop trying to kill each other).

Whatever happens next is so wide in possibility that I can't possibly cover it here so this is where it ends, lol.

[psychemochanight]

I know you hate labels on them, but if you HAD to label the Robins, how would you do it?

The first one, the second one, the third one...

Ok, out of jokes-

Dick: The first one.

With all that this implies: Dick being the one who founded the bases to follow, the one who made the mistakes that he later taught to correct, the one who saw the empty spaces that others later filled. The first one who had to be everything and learn on his own.

Jason: the DC experiment.

DC DIDN'T know how to deal with Dick's exit as Robin, it's like they never really planned on letting him out, but it happened. Jason became a character of trial and error.

At first he was an exact copy of Grayson, since the first one was successful... But obviously the fans didn't want a Dick Grayson with another name. So what did they do? They gave it a twist and did the opposite... It doesn't work well either.

And instead of continuing to try (even though Jason already had a fan base by that point), they chose to "get rid of" the character and then revive him as a "blank canvas."

A character who had a lot of potential, but they didn't know how to handle him and now the most relevant thing about him is his death because DC doesn't know how to give him continuity.

Tim: the robin of the fans for the fans.

Tim is often referred to as a fandom self-insert, and honestly, it's understandable why.

It's the Robin that gave off vibes similar to the original that was the most loved at the time, but at the same time, had real characteristics that fans could identify with.

Tim is the one with the most "normal" story, he is the one who could be any civilian, the one who seems like he wasn't meant to be, but he was.

In my opinion, the one who best balanced his personality as Robin and as a civilian.

(And that the fandom decides to totally ignore haha </3)

Although DC needs to learn to let go of Tim and let him grow. At this point I think half of the fandom doesn't even know how old he is or what hero he is.

Steph: the Robin who deserves better.

I don't just mean story-wise, obviously none of the characters deserved the shit they suffered and deserve a better life... I mean in general.

The real forgotten Robin is Steph, not Tim, and I'm not going to discuss it with anyone.

They (DC) keep writing the same story over and over again, rewriting the other Robins' history (especially Dick), but never giving us more about Steph.

Give my girl her story. Just like Jason, she has so much potential, give her her moment to shine!

(although, here I have to open parentheses for this: Steph has a much more consistent story than Jason, her role is more defined, but it feels outdated at this point. And, in any case, I feel like Steph shouldn't even really be a "bat", but rather someone independent... Or similar to Nightwing at least, who doesn't wear a bat on his suit).

Damian: the one who deserves not to be Robin.

Let me clarify: "the one who deserves not to be Robin", not "the one who does not deserve to be Robin".

Damian needed to be Robin, it was the key point in his development and I think Dick did the right thing by giving him the role of Robin...

But I feel that he deserves to stop being Robin too.

I think he's going to stop being Robin? No, not with DC writing him. DC has a history of resetting their characters to a certain point, they always bring them back. I don't think they're going to release Damian soon.

But while every character deserves to have a life outside of being heroes, I feel like Damian deserves it the most out of all of them.

The others are adults who have already chosen this, but Damian is a child, a teenager by now... And letting him be something more than the one who was created to be in the underworld, I feel that is the best for him.

I think he should stop being a vigilante? I'm not that sure, but that his life should definitely NOT revolve around that.

"The mission" should not be HIS mission.

So... Yeah, that.

I'm not sure if this makes sense to you tho-

[srslylini]

season 2 has a structure problem and that makes act 1 flow naturally enough and it sets up the next acts perfectly well, but they wanted to do so much more than what they were

1. setting up

2. capable of doing in 9 episodes

had they just cut a few plot lines everything would've moved far easier. For example

1. cut the Smeech thing entirely. Sevika and Jinx don't need this to find themselves together and start a found family. That scene In Silcos office was so moving and everything I always loved about Arcane, stuff like this is what's needed. In fact move the prison break to act 1 and have them handle that together, Jinx can still make Sevika her arm, and everything could've still moved the same. It would've fit so much better and there also would've been so much more time to develop anything else with the magic system and act 2 wouldn't feel like it was overflowing with anything and everything. Isha is a character that as of in the show can be cut so easily and that's so sad because she'd be so interesting. Everything about her would've worked and SHOULD HAVE worked but she also just felt like Plot and a thing to make Jinx sad over again. Either don't do that or make Isha not a character like this???? I liked her scenes with Jinx so much and the scene with Jinx freaking out after finding out that Isha was taken to prison was genuinely so good, I'm still holding on to the hope that they didn't actually kill her

2. either cut that shit with the tree because let's be so honest that basically only happened so that Heimerdinger, Ekko and Jayce could meet, since we do NOT even really talk about the tree in act 2? that was so weird. Like either actually make it a thing or find different ways to let characters meet naturally. I dont know, the show was so good with that in season 1. And if they truly wanted the tree scene at least make it make sense and don't randomly drop it Idk.

3. I LOVE Mel she is like my favorite character but the plot with the black rose takes so much necessary time away from what we actually need to focus on. I heard they want to make different shows so they are setting this up but it just doesn't work. Mel could've so easily been integrated into the main plot line and it would've also made so much more sense at that. Though I'll just wait on act 3 before I judge too hard. (if they actually DARE to make her pregnant Istg)

4. Making Jinx that hero character for only like, what, a few seconds was so strange. I hope act 3 gets that better but that, first of all, happened mostly out of no where and a few touches to her shoulder after the prison scene was also not??? helping??? either set that up from the very start or don't do it at all. She isn't a hero, she is a tragedy and someone who needs help and room to breathe. The scenes where they tried to make that funny, in my opinion didn't land at all. She doesn't need a hero complex she needs calmness and stable relationships. Let Isha live I swear to GOD.

in fact that leads me into the next point

5. Have Vi realize she doesn't want to be an enforcerer sooner? I actually do like how rushed that part felt don't get me wrong, but if they wanted a reunion between Jinx and Vi don't randomly put it into act 2 with barely any build up. Let Jinx and Vi realize it during the fight, they kinda did do that but??? just didn't move that anywhere. it's so strange. If they had cut the Smeech stuff they could've easily used the third episode to make Jinx and Vi slowly reconcile. Which also means I think Vi would've been such a better "symbol" than Jinx. Vi and Jinx, for me, show what Zaun is made of, and Jinx is quite literally the valid pain, distrust and anger of Zaun, and she as well as Zaun desperately need healing. Like that would've been SO COOL. that's just my opinion though, so there is that.

6. If they had made Vi the symbol the conflict between Caitlyn and Vi would've felt a lot more natural as well. Like??? Also Caitlyn should've had so much more time if they wanted that switch up in the end to work. Cut the black rose stuff and that would've worked perfectly fine.

7. Now do NOT get me wrong, Ambessa's character is so interesting and I feel like exploring her is so cool but she and her plot just doesn't fit into the Piltover/Zaun thing. It makes it too big for what the show is. In fact I (and now this is just my opinion, anyone can have their own just saying lmao) would've either cut out Ambessa's character/plotline or subtly continued Ambessas drama with Mel, which would give Mel, who didn't get taken by the black rose in my version, a lot more to do and way more interesting stuff too. Again this is very much my opinion and doesn't mean anyone needs to share it, but I feel like they could've easily made Heimerdinger be the one who gets Caitlyn to where she was/is with Ambessa. It would've expanded Heimerdingers character and it would've stayed in the setting they already perfectly build up, Piltover and Zaun. Also, Heimerdinger wouldn't just feel like a random joke character anymore.

8. The Pit fight stuff could have been SO interesting and I feel had we not stayed with Viktor Christ so much which was also so weird at times, we could've gotten so much necessary insight on Vi. If we follow my idea it could've been Vi forced to be a symbol because of the person she is. The embodiment of Zauns loyalty, strength and resilience. And then the fights that will come out of that forcing Vi to face so much stuff she shouldn't etc etc (I haven't fleshed that one out yet don't come for me) and that could've ended in her pit fighting era, which should've taken at LEAST an episode and not a random montage that just gets forgotten??? for no reason at all. Really hope act 3 talks about that cause??? I feel with Vi as the leader the healing of Zaun would make so much sense, because Jinx realistically can't do that. The idea of Jinx being in that position IS interesting I just feel it wasn't established/developed enough.

9. I really really liked how from the very beginning Viktor's safe haven did not in fact feel safe. There was always a very uneasy feeling and that's what I love about the show. I was always waiting for the shoe to drop and it happened, that was amazing. Though I would've either established a lot of this way earlier on in the show or made it not so, and now walk with me here Ik its magic, unrealistic. That does sound strange but having Viktor suddenly float in space with white silver flowing hair and his dead assistent next to him was... very very out of no where. It was like a lazy show trying to get away with "yeah well it's magic so of course this works" and I hate that because even magic needs explanation and build up. So yeah. Either cut that shit out or have it established sooner. And while seeing the one person who helped Jayce as a kid did kind of help, it still wasn't enough for THIS, though again MY OPINION. Also we spent way too much time there, it was getting ridiculous. So much time could've easily been lent to stuff that actually needed it. I actually laughed out loud when Viktor started the healing process with Vander because come ON now, and I do not think they wanted me to laugh.

10. The stuff with Vander, Silco and Felicia (while cute) was unnecessary and weird. What I liked the most about Vander taking in Vi and Powder was the feeling that he didn't do it because he necessarily knew them very well but because he knew their mom was dead (that did show he and their mother did kind of know each other but so do like all the people in the lanes that is kind of established) and wanted to PROTECT. This new context sadly makes it feel like "well of course he stopped everything and took them with them and cared for them he knew them since birth, duh" when I always wanted to feel "well Vander is in his heart a good man who saw what terrible stuff this war and fighting did and then took in orphaned children because of course he would do that" if that makes sense? I feel this new thing took away so much from Vander, but again that's maybe just me.

11. So many jokes and scenes didn't land with me. The scene with Jinx trying to show Sevika her middle finger was SO GOOD and so Arcane that seeing the scene were they try to make it funny with Jinx's trousers and that enforcerer felt so out of place? Like what. That scene could have EASILY been cut and nothing would have changed at all. And that's what is the worst because there isn't one scene in season 1 that I feel could've been cut and there are so many of them in season 2.

12. Introducing Maddie in act 1 made me believe she'd be a bigger, even more of a threat to Zaun, character than she was and that's so sad. What I loved about season 1 is that every single character mattered. Even those we saw maybe once. This time around I hardly cared at all for any new character because they didn't feel like a Person anymore, they just felt like Plot. In season 1 episode 1 there is this scene, the first scene Vander gets to speak in. The only reason Huck meets the woman and the man to trait was basically so we get to know how the undercity works and establish Vander as basically its leader and protecter; The one people are loyal to etc. But it doesn't feel that way. It's something that naturally happens and every character in that scene, even the man and the woman we never see again, mattered and felt real.

yeah so those were really just my thoughts. I could very much go on but I also don't want to.

[the-s1lly-corner]

Having breakfast at the mansion

Admin yearns for old creepypasta days... grrr... GROWLS!!! I miss old creepypasta Fandom!!! Need to make a long fic where it's just everyone in the mansion and it's like a sitcom

Notes: gn reader, long post, shit post/non serious post, LOADS of characters, I prommy I still write for creepypasta my brains just been dry, reader is also a killer and/or non human creature, no Ben due to my hc of "he's in some tech device 99% of the time + there's no need for him to eat + he doesn't feel the need to be included for meals", platonic + you're new to the mansion, parts overlap/character parts intertwine here and there, this was originally gonna have bloody Painter and puppeteer but the post kinda got long and overwhelming SOCKDKVKGLCSISIZ

CWs: none but it's obviously implied EJ is yoinking some organs to eat

Characters: slender, splendor, jeff, Jane, nina, ej, lj, masky, hoodie, Toby, sally

SLENDERMAN

He doesn't really talk and he doesn't eat. He's more private about his dining experience and he's not about to eat a human carcass at the table....

Well saying he doesn't talk would be a lie. He does, just not verbally. It's downright horrific the first time he speaks in your head but you're just gonna have to get used to it... mostly checks in on you to see how you're settling in.. though it comes off as being a host rather than a friend

That aside he's probably one of the best options to sit next to if you want a quiet and calm eating experience

SPLENDORMAN

He doesn't really eat... his diet is the same as his brothers and it's debatable if he even has the capabilities to digest human food. He simply likes feeling included at the table and takes it as a chance to check in on everyone

Especially you since you're new around here! So sitting next to him means you're gonna have him leaning down to your ear and asking you all sorts of questions about yourself

He does try to nudge you into conversations the others are having... horrible if you're shy

MASKY

He responds to your attempts to make small talk so at least there's that...! It's painfully awkward but at least he's not totally ignoring you..!

He doesn't stick around long after he finishes eating though, same for the other two proxies, since he's got things that he needs to get done... but you're free to come to him when he's done...! Granted he doesn't do a good job of communicating that, but...

You can't help but feel like he's watching your every move under his mask...

HOODIE

Odds are he's sitting next to masky so... double interaction! He doesn't verbally speak, only signs. He never much cared for writing what he wants to say down...

He's not much of a chatter either but he doesn't make you feel watched- at least not as badly as masky does... he actually prods back when you question him. Why should he be the only one being asked things?

Actually gives you a faint wave goodbye once he and the others have to leave to do their work

TICCI TOBY

He's closed off but not fully shut down... if that makes any sense. He's definitely down to a morning chat just don't expect him to really open himself up to you- you've only just got here after all!

You kind of get stuck in a conversation between him and jeff... funnily enough you learn more about toby through that than you would've without jeff

Maybe if you're lucky you'll get dragged along with him once he's done doing whatever slenderman wants of him to do... whatever.. so call it a success...!

JEFF

He can be a little mean and snarky... but so long as you're not being annoying or whatever he's not going to be hostile or mean... not overly chatty but not totally silent

You get swept up in a conversation between him and toby, at least both are chill enough to let you get a word in... maybe if your humor is right jeff will take a quick liking to you

Has no obligations unlike toby so if that conversation goes well maybe he'll ask if you wanna throw knives with him or something

NINA

Oh the second you sit down she's going to start talking to you. Good luck trying to have a quiet breakfast- she's more chatty than splendor

And don't try to get out of any plans she makes with you, she's going to drag you around to either get to know everyone or figure out the layout of the mansion... she's simply excited to have someone new around...!

Wastes no time in filling you in on some gossip... you may not have been there but now you know who did what and when

JANE

Doesn't like to talk while she eats so trying to talk to her now isn't the best idea... she does answer the first few times you talk but you can tell she's growing irritated as you fail to get her hints

Meals are genuinely the worst time to try to get to know her because of this, and she keeps to herself in general so trying to form a connection is going to take some time

She's not cruel to you of course, but it's clear she has her own thing going on and doesn't want it to be disrupted... but it's not uncomfortable to sit next to her at the table. There are other people to talk to and... she does listen. Keeps track of things... if you mention liking something she will remember

SALLY

LAUGHING JACK

Doesn't need to eat but is there just to catch up with everyone. His plate is just covered in candy. He does ask you what your favorites are though...! And he's nice enough to pick them off his plate and give them to you! In his eyes it's never too early for sweets!

His humor bounces between being innocent to mean to dark, he's a wild card in that regard... but he's generally pleasant enough- he's an open book and he wants to know about you as much (or more) than you want to know about him... don't let his massive size scare you off...!

He's only known you for one morning but he's already giving you nicknames. Likely the easiest to befriend asides splendor and sally

EYELESS JACK

So he's... different... he doesn't eat at the table due multiple reasons.. mess and shame, mostly. But you do see him dip into the kitchen to retrieve a bloodied bag from the fridge

He doesn't really take any time to talk to anyone outside of muttering a good morning. He does at least stop to look at you for a minute... oh... yeah... you're new... that why he doesn't recognize you-

There isn't really a chance to talk to him in the morning :( not only does he not enjoy eating around others he just... isn't a morning person... maybe you'll have better luck later...?

Perhaps one of the only normal people at the table, though get ready for her to try to plan a little game with you after breakfast

...it may be early but she'd love to do a tea party with you...! She's already got splendorman on board! Pleeeeeeaaaase come play with them!

No hassle in trying to get her to eat her veggies since... she usually just eats cereal..! Scrambled eggs. Things like that! She does still pick at her food though... she may be a ghost with no biological need to eat but it gives her a sense of normalcy

[ashen-char]

dating anora mikheeva hcs 🔞

ship: anora mikheeva (anora) x gender neutral reader

notes: a mix of nsfw and sfw so 🔞

✦ ani doesn't talk about the club much when she's at home. she wants to just chill with you, have a space where she doesn't have to even think about that

✧ at most, ani complains about the schedule, about how diamond's on her ass about perceived client-poaching. the creeps and weirdos? they don't deserve her attention, not when she's with you

✧ whenever you're curious to visit, she shuts it down fast. she likes that you don't know what her work persona is like. likes that (besides the fucking irresistible clothes she brings home) you haven't seen any of it

✧ with you she's free to be anora. your girlfriend, sometimes clumsy sometimes making ill-advised decisions. always going with her heart rather than needing her guard up

✧ ani doesn't mind doing personal strip teases for you though. but she makes sure to make them nothing like what she does for work. with you, it's foreplay, no money, just to see that desire in your eyes that's all for her

✧ and she feels secure knowing that you don't view her as a piece of meat or a sex object. she can show you her latest choreo idea and you wouldn't escalate things, knowing there's a time and a place for those things

✦ anora is passionate and expressive, wearing her heart on her sleeve and not afraid to show you the depth of her feelings

✧ which is why she fucking hatesss when someone's fake and not upfront with her

✧ whenever you're avoiding questions or are hiding something, she's on you like a hawk, making you spit it out so you can deal with it Together. whatever it is

✦ you catch her humming russian lullabies to herself, and when you ask her what it is, anora gets frustrated with herself because she doesn't remember why she knows it, or the words

✦ anora is a hopeless romantic. love at first sight, soulmates, call her naïve but she sees no issue in dreaming about that once in a lifetime love. she'll never regret striving for it (even if it gets her in situations that she does end up regretting)

✧ as such, your girl is a sucker for romance movies, especially anything to do with disney (pirated of course, fuck big corporations) and will make you watch them with her over and over

✦ ani hoards jewelry, especially whatever you give her. cheap, flashy, whatever. she likes being able to wear them and think of you

✦ BIG reality TV fan. the drama makes her feel like her own life is calmer in comparison plus she loves shitting on the weirdo dudes with the HQ girls

✧ ani swears that if she ever got cast on a reality show, she'd be the fan-favourite or the villain Easily. and she's a-ok with either as long as people have fun watching her

✧ competition shows, talent shows, whatever the ones following one family/cast are called (like bling empire or kardashians), she'll watch anything.

✧ ani gets overly invested into reality TV couples and she especially loves to get you hooked on them. such a sense of pride when you finally admit that yes, you actually were eavesdropping and yes, you wanna know what they're arguing about now

✧ big soft spot for underdog characters (especially if they're old or have a sad backstory) and she gets irrationally angry or even upset for days if they get eliminated

✦ ani gets easily attached to cheap stuffed animals she wins from claw machines and refuses to throw them away even when she's made a pile that makes it hard for you to navigate the bedroom

✧ and let me be clear, she is NOT good at these claw games. she blows way more money than it would've cost to just buy the toy in the first place. but it's about the thrill of the win!

✦ ani has a sharp memory for faces and names, a skill she picked up from working in HQ

✧ and your girl? she holds a grudge. she'll remember she hates someone from an incident years ago and refuse to go back there, even if she forgot what words were actually exchanged

✦ anora always goes to the nail salon and treats herself to a mani-pedi, every two weeks

✧ it makes her feel more like herself, more put-together, more like a person. if she doesn't have at least nail polish on, she'll complain to you that she feels all naked

✧ she tends to go for bright colours or sparkly decals, to lighten up tough days

✦ anora refuses to cry in front of people, but you know she's a softie. she says she doesn't mind you knowing, for whatever reason, because she's alright feeling vulnerable around you. you're a safe space

✧ the first time you ever saw her cry was when her birthday rolled around and her mother sent a very heartfelt and sweet birthday message - basically saying that she wished she could be there, that ani should come visit soon, that she misses her baby girl

✧ she's a big animal softie too. she especially has a soft spot for stray cats and always stops to feed them if she has extra food. if vera wasn't so allergic, ani would sneak all of them home

✧ ani tells you about how as a kid she wanted a pet so badly that she was at her best friend's house 24/7 to play with their dog. and she'd offer every weekend to give him a bath, take him on walks

✦ ani loves amusement parks, not for the rides but for the feeling of being surrounded by excitement and energy

✧ especially a theme park. she's not the type to get embarrassed that it's "for kids", she'd definitely start up conversations with the mascot actors and take heaps of pictures

✦ ani makes playlists for basically everything, every mood, vibe, or situation she's in

✧ the one she puts on all the time is "main character energy"

✧ the habit started because she likes making her own dance mixes, but it creeps into your personal lives as well. she insists on having the AUX cord if you go on a road trip, for example

✧ and you know her sexy times playlist is hot as fuck. whenever she hears any of them on the club on the radio, she thinks of you and sends sexts about how she wishes you were there right now to deal with her sudden arousal

✦ her favourite position used to be riding, either cowgirl or reverse. she liked how it let her control the pace, the angle, and the depth

✧ plus it showed off her dancer's flexibility. she could lean back and arch her spine, roll her hips sensually, using her core strength to grind her clit against your pubic bone in just the right way to drive you both crazy with desire

✧ the power and control of straddling you and riding until you both reached their peak... that's a common fantasy for ani

✧ anora loves the proud feeling that blooms in her chest when she's bouncing on you and she watches your face contort with pleasure. all because of her. the sight is so fulfilling for her

✧ she knows what she likes. her most mind blowing orgasms is when she's setting the pace and making sure you're hitting the spot

✦ but with you, she's grown an appreciation for more intimate positions. the ones that used to make her feel too vulnerable and she thought she disliked. turns out she just needed the right person to try it with

✧ now, ani loves being held close and wrapped up in your arms as you take her from behind, spooning her. it reminds her of lazy mornings where you can't get enough of her, because you just need her that early

✧ plus she loves loves loves the neck kisses you sneak in that way, or how you reach around to mess with her clit

✧ it feels so much more intimate and sensual when you're pulling her body flush against yours. she always gasps so prettily when you slowly rock into her

✦ anora loves overpriced coffee shop drinks, even when she complains about how much they cost. she gets so many vanilla and caramel shots in it because she's got the world's biggest sweet tooth

✧ speaking of her sweet tooth, you learned early on in your relationship that the easiest way to get her to forgive you or to go along with plans is to promise a sweet treat

✧ she's too lazy to go grocery shopping with you? maybe there's a bakery with the best bear claws right across the road. accidentally raised your voice while you two were play-arguing? nothing a slice of cake can't fix

✧ you seriously wonder how she's never had a cavity when half of her diet is sweets and vape smoke

✦ as much as she loves new york city, ani daydreams about running away to a small town but never does because she knows she’d be bored in less than a week

✧ but during pillow talk, she paints such vivid images to you about what it'd be like to live there together, in a little cottage where you two are self-sufficient

✧ solar panels and water tanks, of course. some chickens in your yard to collect eggs for breakfast every morning. a swing hanging from a big tree where you two can push your kid

✧ anora is a dreamer, constantly envisioning your future together

✧ the details and specifics change day to day, but what she does know is that the life she wants to build is one with you by her side

[djuvlipen]

i'm so shook on your rick riordan rb whaaaat. i didn't know aaany of this shit. defending arranged marriage is crazy

the rr crit tag is a very interesting rabbit hole to fall into if you have time, here is a masterpost

the thing with rick (i'm calling him by his first name, in true former pjo fan fashion) is that he doesn't do research when it comes to representation. like he doesn't even do the bare minimum. so samirah (the muslim character in Magnus Chase) is pretty religious but she takes her hijab off in front of the thousands of men who live in walhalla because she "considers them as her relatives". this doesn't make sense. another example; he has a native american character in Heroes of Olympus (piper) and she wears a feather in her hair to "reconnect with her heritage". she's literally just wearing a feather in her hair. and another third example; in Magnus Chase (again), there is a deaf character who is constantly described as being super expressionless (in terms of facial expression), and hard-of-hearing readers have constantly explained why this literally made no sense as being expressive is a p important part of sign language (if i remember correctly)

it is lazy representation, and he is only including it because it gives him some clout among the liberal audience. you can tell it's lazy writing and lazy character work because he never really thinks about how being from [insert ethnic group / sexual orientation / religion] might impact a character's life. example 1: hazel (in HoO) is a 13yo african-american girl who was born in 1928. she dies and comes back to life in the 2010s. it is said she faced horrific racial abuse in the 1930s but this somehow had no real psychological impact on her character, she isn't really shown (although it's stated, but once again that's lazy imo) to be struggling adapting to the 2010s, and like. the massive discrepancy between life as an african-american girl in the 30s and the life of an african-american girl in the 2010s isn't even mentioned. not even once. even though many things happened in the USA between the 1920s and the 2010s wrt civil rights for black people

second example; nico was born in the 1930s fascist italy, his mother fled to the US with him at the start of wwii, then he got stuck in a time loop of which he got out in the 2000s/2010s. he is gay. the impact that growing up in 1930s italy (a fascist and v catholic country) had on his relationship with his sexuality isn't ever brought up. like with hazel, it's vaguely stated but this doesn't have any real impact on his character, it didn't really shape him in any way shape or form. that's unrealistic as fuck

(nico and hazel are canonically hitler's half-siblings. rick didn't really think about how this would have impacted their life or their relationship with hades (hades is hitler's dad). but also he backtracked on demigod!hitler and implied he meant hirohito or mussolini instead. who knows. maybe all three are demigods)

third example; lavinia (in Trials of Apollo) is a jewish roman demigoddess. jewish people were systematically discriminated against in the roman empire. but this is never addressed. and if you're wondering how lavinia and samirah factor in their monotheist religion with the fact that ancient gods exist... this is not explored! they don't have a problem with it, it's barely even addressed!

he just writes straight, white characters and then slap an "oppressed" label on their forehead without really thinking about the implications of what he is writing. he doesn't even google the basic stuff. a lot of his characters are walking stereotypes (leo is the one that comes to my mind rn)

his retelling of greek myths brings nothing to the table. he doesn't bring out new, interesting takes on greek mythology (the way the musical Hadestown does for example). but his goal isn't to depict ancient greek culture and mythology as accurately as possible either (we don't hear about ancient greek cultural holidays, about ancient greek sports, about the olympics, about the tragedies, about the philosophy. misogyny, homophobia and slavery in ancient greece aren't ever brought up. and obviously he did not have to bring it up BUT if he had wanted to actually advocate for women and minorities' rights, as he so often says, i think it's a road he could have easily taken if he had given it just a little thought). so instead we are stuck in a weird limbo where we don't learn anything new but we are also NOT being presented with another perspective on what we already know. it's lazy.

and the misogyny. hera is one of the recurring villains of the books; she is portrayed as the literal embodiement of the "bitch wife/evil stepmother" stereotype, and all the aphrodite children are presented as shallow. the one i'm the most pissed off about is artemis. she requires her hunters to be single and kills the ones who break the rule. in Trials of Apollo, it's revealed this rule ALSO applies to lesbian relationships. so you have this elderly lesbian couple who had to flee from the hunters otherwise they would have been killed. lesbians having to flee their community because they might be killed is a very important conversation to be had but the fact it's treated so lightly (it's mentioned a few times, the lesbian couple feels grateful because artemis actually "let them live" and this whole experience didn't really traumatize them in any way) is a pretty flippant way to handle lesbophobia and femicide. the fact that the perpetrator of lesbophobic violence is artemis (and that it's implied that she has killed lesbians in the past!!) is also particularly distasteful. artemis has long been associated with the feminist movement for refusing to partner with men, for running a female-only group of hunters and being the goddess-protector of pregnant women, mothers and women fleeing male violence. this also erases the fact that the biggest perpetrators of sexist and lesbophobic violence are men.

(and don't get me started on reyna's character)

oh, also. in Heroes of Olympus, Amazon (yes, Jeff Bezos' company) turns out to be actually owned by the Amazons, who are portrayed as a group of female supremacists who wear tight leather clothing and whips. they keep men in cages and use them as slaves. yes, this sounds like the plot of a female supremacy fetishist porn movie

also also. the age gaps. hazel is 13 and in a love triangle with frank (16) and leo (15). now i know three years age gap are not that crazy but i do think a 16yo boy and a 13yo girl are at two very different stages of their life (emotionally, physically, sexually) and when i was in high school, my friends and i always gave our male classmates who dated middle school girls side-eyes. anyway, that's hazel. but there's also sadie (from the Kane Chronicles), a 13yo girl who is in a love triangle with walt (16) and anubis (the god) (> 5000yo. he presents as a teenager though). and you know how this ends? that's right. she dates them both. they are a throuple. this doesn't make sense

anyway i don't agree with all the anti-rick criticism, some stuff that ppl criticize about his books make me roll my eyes bc i think they are really not that big of a deal. but these are the things that i do find pretty problematic. i also wouldn't care that much but i find him (and his fans) very hypocritical. he has vocally criticized jkr many times in the past and he is always presenting himself as the representation writer who actually cares about minorities (like, that's his whole pr), but some of the stuff he has written would definitely have gotten jkr a few dozen of thousands of death threats