#please god tell me this makes sense

[inkybinkyboink]

holy fucking shit i finally Get It. i finally Get urinetown. i get what little sally says when she says "urinetown is here", it's because urinetown is a world where everything wrong with society is placed into one box. what's interesting about this, and this is what makes it so intrinsically Brechtian, is the fact that even though urinetown is conceptual, it's still inherently society, because all of the conflict in the story stems from real life issues.

[kuroshika]

[icarusredwings]

Thinking about Wade just... being normal(?) For a day. Doing house hold chores, watching shitty live tv, goes out to walk Puppins, showering with no smart remarks.

Yes, he still hums and taps on stuff, but it's much.. calmer.. now. In the sense that he doesn't want to cause a scene and would rather just be left alone right now.

But then... when he gets out. Surely he's going to be his silly self and say something, right?? Right???? Wrong.

He just... sits there. Boredly looking at those free magazines that you find sometimes at doctors' offices. The ones that are like "Home improvment for your loved one with dementia" or "50 dinner ideas for someone with diabetes"

Logan just blinks after watching him all day and goes "...Are you okay?"

Without a beat, he awnsers pretty monotoned. "I can't be manic all the time. That's just stupid to think." Before realizing he said it outloud. He perks up and starts laughing. "I mean- Yeah I'm great! What about you, Tiger?"

Again Logan just stares, blinking some as he tries to process.

"....How long have you kept up that act..?"

"I don't know what you're talking about, pumpkin!" It was like watching someone trying to impersonate themsleves.

"....Wade.."

"What is it cupcake?"

"...You don't have to do that."

"Do what? Gosh your so silly. My silly little sunflower."

Logan just stares at him for a bit more and quickly he panics, swallowing and starting to say anything he can to make him believe it was a joke but he dosn't believe a single word of it.

"...its not an act.. is it?"

It eventually ends with wade running out of excuses or things to lie about. He sits there, tears starting to run down his face as he thinks of words to say. You can see just how desperate he is to say something but he can't seem to get it out.

"..I....I-i."

"I know."

Wade just looks at him with this big scared eyes as if he was about to accuse him of faking or telling him he liked this wade better or something terrible like asking how to keep him this way but Logan pulls him into a side hug.

"...are you okay?"

His throat tightens, shaking his head. "..no."

"That's okay." Turning to give him an actual hug, Wade cries. Not because he's sad though. But because to Logan, it doesn't matter how high or low he was on the chart, who he was or how he acted. He loves him. He understands that acting like a crazy childish phycopath isn't a mask but rather who he was sometimes. And sometimes he prefered to silently lay his head on his shoulder.

Eventually Logan asks him if he has a personality disorder and Wade just shrugs. "Probably.... is that an issue..?"

"No.... do you want diagnosed?"

Wade pauses, remembers the last time he asked for medical help and shakes his head. "Nah... I'm good.. besides. I've come to like him."

"How long has he been in there?" Logan playfully knocks on his head and wade giggles a bit. A genuine true laugh. "I don't know. Probably forever.... are you sure it's not a problem?" He bites his tounge, waiting for the "because I like him better" but it never came.

"Why would that be a problem? Sure, you're a pain the ass but you're my pain in the ass." He says, mindlessly sitting for a second before quickly saying "DON'T-"

As wade is on the brink of explosion from laughter and some smirky comments.

[ping-ski]

csp mini guide: edge eraser!

@lunasun hihi!! i tried to make an visual and wrote an explanation i hope this makes sense but if not then i failed LOL i hope you don't mind the tag

Erase Along Edge (Edge Eraser) text version!

1. Sketch or line as normal on one layer. 2. On a separate layer, below the lineart, color as normal. 3. Return to the lineart layer, and set it as the "Reference Layer". (Toggle ON by clicking on the lighthouse icon!) 4. Return to the color layer, select the "Erase Along Edge" tool, and erase the offending overlap! Aaand then you're done! Try stick to the outside of your lineart to avoid accidently erasing what's inside. As long as your brush size is reasonable, it shouldn't erase what's inside too much or at all unless if your cursor is inside of the lineart!

Quick Troubleshoot

"It won't erase properly?" "My lines aren't opaque and/or is too messy." That's OK!! While I do recommend solid lines (few gaps or none) or opaque lines (at 100% opacity), it's NOT necessary! It just makes using the tool easier! Most of the time you can get away with it, so don't worry about having to change your style or anything. If the lines are not solid (have gaps) or aren't opaque (lower than 100% opacity), please refer to the tool properties/settings! You may need to experiment here. Adjust the "Tolerance" and "Area Scaling" settings and repeat the process until you reach your desired result! Please note: If lines intercept (creating small "pockets) or opacity is still an issue you may have to manually erase anyways (sorry lol). By all means, it isn't perfect BUT it is a BIIIGG time saver once you have it down! The creator (pharan) makes more specific points and fixes in their guide that is far more in depth! I just want this to be easy to understand for anyone who's never used it before or is trying it for the first time! :)

[analyticalnonsense]

Lawlight Week- Day 1: Firsts

when some guy on TV calls you a little bitch and you start to feel Actual Emotions for the first time in your life

I wanted to kind of leave it ambiguous as to what exactly Light is referring to here, but rest assured, he has never felt anything like it before he came into contact with that scrunkly man lol

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[monsterfuckermilligan]

thinking about the fact that up until s15 the story always ends with older sibling killing the younger sibling, who basically was a parent to the younger sibling. it’s cain and abel. michael & lucifer. dean & sam. they all parallel the darkness & the light, who are the original siblings. however by the end of the show, michael is the only one who fulfills his ‘role’ by killing lucifer while both of their vessels (adam milligan and nick) are already dead. (michael also subsequently fills the role of chuck’s abraham and isaac, father killing his son obsession by chuck killing michael personally instead of him just being erased during the rapture like everyone else.) as for the originals, the darkness and her vessel (amara schneider) get consumed (eaten) by the light, essentially killing both the darkness and amara. and with the winchesters, dean is the one dies in the last episode while sam, aka the younger sibling, survives which means that the light is the one who survived. we know this because jack says “we’re in harmony” when asked about TD!amara, so he is referring to light/dark. but the power transfer with jack still leaves behind chuck shurley, aka the light’s former vessel, and jack says TL!chuck’s power is not his anymore, so it’s possible it’s not a full consumption, but simply another possession.

[crimescrimson]

Ada Wong & Leon S. Kennedy: The History [ Resident Evil 4 (2023) ]

[justfriendsbestthings]

If I were Linda and my 16 year old son was sitting at home, with red rimmed eyes, both his friends there, when I was meant to pick him up from school to go to the police station to report a crime done to him, refusing to go now and saying ‘if everyone’s just going to protect themselves and their families, then I’m going to do the same’ I would have so many questions. Soooo many questions. Come on Linda, I know you don’t like confrontation but come on!!

[kitsoa]

The Dystopia That Made Trigun

Ya'll the problem with Triguns insanely long speculative sci-fi timeline is the conundrum of trying to imagine exactly how a dystopian Earth could get so bad that massive amounts of folks needed to yeet themselves blindly into space, but could become so advanced that they single-handedly solve the energy crisis and maybe confirm the existence of god at the same time.

I am not a very skilled dystopia engineer, and there are a lot of flavors but I'd like to think the revolution of Plants on Earth has the potential to alleviate a lot of the aggregators in a full (or seemingly imminent) societal collapse. I'm struggling to work ahead of late-stage capitalism doomer scenarios right now which maybe puts me at a century out. I'm placing Trigun's timeline at 5 centuries out, But the tech advancement can pause at like 3 centuries in since 2 of those are used for space travel before the Big Fall.

So let's hash this out together

Here's what advancements Project Seeds needs to launch:

bioengineering (prosthetics and augmentations)

cloning and gene editing capabilities

cryosleep technology

advanced space travel

gravity control

supercomputing

Here's the rough and estimated environmental factors to cause them to leave Earth:

Resource scarcity

Environmental decline (like global warming and loss of land, and mass extinction)

[speculative] imminent doom from societal factors [like nuclear war and geopolitical unrest]

We know based on the society formed on No Man's Land that capitalism is probably the most familiar and default system used by the immigrants. So we can assume that Project Seeds was created with wealthy benefactors at the helm not only looking for salvation but probably power and influence (cause capitalism gonna a capitalism)-- a true colonial expansion echo despite the optimism.

The Seeds Project strikes me as unaffiliated with a specific country or culture. JuLai and some of the ambiguous ethnicities and lingering languages suggest that it's multi-cultural with English being the primary influence. So it's not a state-sponsored project, but very likely independent-- another point to the wealthy benefactor line of thought. Despite that, those shuttles alone took decades to construct and governmental cooperation to launch so it couldn't have been a completely apolitical endeavor.

Then there's the population. The project's reach is insane, not just in talent, but passenger interest. I'm assuming children were not on board, so you are talking about countless able-bodied adults abandoning their lives knowingly for the promise of a better world. The environmental factors aside, the prep-time for the project had to have been decades in the making. That's a long time to keep the propaganda circling for the promise of better. That kind of interest fades as people age into different stages of life. (Depending on the scenarios we could be looking at a mass draft? Unlikely but very interesting). We know that the survivors of the Big Fall were not specifically tailored to create a society without the comforts they were bringing along or the government of No Man's Land would look a little more stable.

So, what kind of society could form such a vast space immigration project while simultaneously on the verge of collapse?

Well, a desperate one.

The logic follows that as the resources grow scarce and the inequality gaps create vast populations of suffering among disenfranchised people-- fascism rises, which broadly stymies innovation. It's a real roadblock to this scenario. So the jumpstart out of this would be either war or a scientific breakthrough-- or both. There's always going to be interest and innovation in DNA science as a part of the medical field. Even in heavy capitalism that is going to get a lot of money thrown at it. The only thing needed to create Plants is large leaps in gene editing and cloning.

I'll throw out a number, 50 years. We've got cloning and Jurassic Park stuff. Then boom. Angel Mummy discovery. Scientists create the First Entity. But at the same time, geopolitical tensions ramp up because of the destructive potential of this entity. (I mean the First Entity has the Drain ability, that's black hole powers. We're getting wars). But the Plants are developed off of that and the First Entity is destroyed in the Julai foreshadowing lab accident many years down the line. --We've solved the energy crisis and there is probably a huge boom in advancement-- probably those physic-defying advancements to boot. But we have our militaristic flashpoint in technological prosperity, all while the earth is raining hellfire, the cities are flooding, and mass extinction events are occurring. Enough to get Trillionaires with savior complexes to start making Project Seeds.

Aaaand they are probably funding the countless wars so people join the expedition.

Conclusion: Project Seeds is a corrupt colonial project manipulating the hopeful desperation of a beleaguered population, created by the ultra-wealthy to garner absolute control in a humanity reset.

Good thing Nai crashed the ships!

[lengthy-artery]

ok im going to swing a bat at a hornest's nest right now. what the fuck is the locked tomb actually about. what is it about and why is everyone on my dash obsessed with it AND YOU CAN'T JUST SAY 'IT'S GOT LESBIAN NECROMANCERS IN SPACE'. I KNOW THAT. I WANT TO KNOW WHAT THE PLOT IS HERE

[coquelicoq]

WHAT IS SO DIFFICULT ABOUT VERSION CONTROL omg i am losing my mindddddd why do editors have so much trouble with this concept??? if you send someone comments on a document and ask them to revise even though you know more comments on that version are coming, they're going to submit a revision and then you're going to give them comments on THE OLD VERSION THAT DOESN'T EXIST ANYMORE WHAT ABOUT THIS MAKES SENSE PEOPLE. i spent half an hour explaining this to someone yesterday and i thought she got it and then today she did something EVEN MORE NONSENSICAL than what she was planning to do originally! o glorb stay my hand i am about to do something unwise!!!

[softmeetscreatureplz]

Okay fuck it more Chuuya brainrot ideas of mine because fucking hell I cannot think around this shit

Chuuya Nakahara is host to a god, there is a god inhabiting his body 24/7, who can (most likely) see and hear whatever Chuuya can, right?

It's a known thing in religions that swearing a vow in front of a god is how it's taken seriously, and especially in the past when people would swear alligances, servitude, or loyalties, that doing so in front of a god was a way to be taken 100% seriously for life, and that making vow(s) like that were also for life unless specified otherwise.

Now picture this with me, please.

Chuuya Nakahara, finding the sheep while living on the streets- they take him in and help him, and in his gratitude, he promises to protect and take care of them forever. Little does he know, that he signs his fucking soul away like this, because the sheep don't know what he's saying- vowing really-, and Chuuya doesn't quite realize either.

Then, he meets Dazai. And Dazai is annoying and he hates him but he's also a weird guy and seems like he might be a bit fun to mess with, so he decides to follow the bastard.

Flash forward a bit; they're at the arcade and Chuuya makes a stupid- stupid bet.

And he loses.

Now, again, at this point in time, there are quite a few factors. Dazai is the newer vow, and despite what it seems like, doesn't actually order him around much at all, despite his teasing. Not only that, but Chuuyas promises are fundamentally differnt in wording; one to protect and help, the other to "serve and be a dog."

In any case, Chuuya keeps more of his free will, as a servent and protector. He keeps the sheep safe, and ignores his growing bond with the mafia boy.

Then the sheep betray him.

Chuuya is left with his active vow, the final if unsaid order, to die.

He pulls the knife out of his side, and gets ready for death- but that's not what happens.

No, instead, along comes Dazai, who reminds him of their bet and, however intentionally, reclaims that part of Chuuya that had given in to death.

Then he brings Chuuya to the Port Mafia, and Chuuya swears his loyalty again- this time to Mori.

Once again, he's safer now, because he has two people with control over him, except now he's starting to catch on.

Not only that, but Mori has suspicions as well.

Flash forward again; Dazai leaves the PM.

The worst thing he could have done to Chuuya- Dazai thought he was doing Chuuya a favor by not making him choose between loyalties; sure in his heart that if Chuuya wanted to leave he wouldn't care about the consequences and would just follow Dazai.

Instead, he dooms Chuuya to a life filled by orders solely from Mori and the PM.

If it wasn't for Chuuyas steadfast denials, the very bond of servitude would have been long dissolved as a result of Dazais action(s).

And Dazai never actually knowing this, that he is the reason Chuuya is alive and also still stuck in the PM.

[spooky-something]

These playlists are gonna make me cry, I can't, they're so bad...

Don't you dare try to gaslight me, Victor would NOT listen to Will Wood, leave him out out this...

Like, for actual characterization, this one had it, a lot of these songs are actually on our own Frankenstein playlist...

Heavy on HAD...

[petrichormore]

(Another ramble incoming - this one I’ve been sitting on for a bit. But it’s about Bebou & the French. And the jail incident. And also bla bla bla this is about the characters)

I might be wrong but I really think that if some of the french agree with q!bbh about the government being bad/anarchy being good thing… it’s not because Bad managed to convince them that q!forever is some horrible dictator with his wily demon cunning and manipulative silvertongue or something. it’s because. they just. agree with his views and sympathize with him. Like they just sometimes think Bad has a point, is the thing. Now I know Bad likes to spread misinformation but he rarely does it in a way that can really be taken seriously, or have any big effect (with a few… exceptions).

Bad likes to jokingly blame Forever for like anything and everything but if anyone actually presses him about it (I’m pretty sure pierre, antoine, and etoiles all have to varying degrees) he’s pretty quick to emphasize that he trusts Forever’s judgment and moral compass.

Or he used to. Until he got pushed into a cage trap. It’s clear he lost a significant amount of trust in Forever and everyone else who was involved with that. And he suspected Forever (or Cellbit) of framing him, but I’d say that’s relatively reasonable considering, from his perspective, they jumped to a conclusion with no proof. He doesn’t understand why they wouldn’t hear him out, so he’s looking for a reason. And he’s telling other people not because he’s trying to spread misinfo but because that’s just what he believes and usually, he’s telling people because they’re asking him.

Anyway, Pierre didn’t really steal the waystones because he automatically believed everything Bad said about Forever being a dictator immediately and with no hesitation. If he accepted or encouraged what Bad said, it’s because he probably already agreed to some extent. Pierre, Antoine, Etoiles - they’re smarter than blindly accepting the truth from badboyhalo the Chronic Gossiper. And at least 2/3rds of them are also convinced that Bad and Forever are dating - so they’re not taking what Bad says about Forever that seriously.

If you ask me: Pierre did it because he was probably already more politically aligned with Bad’s anarchist ideals than he ever was with Forever’s and, most importantly, because he witnessed Bad get jailed unfairly with his OWN. TWO. EYEBALLS. LIKE HE SAW THAT. HE WAS THERE.

How did he know Bad was framed? He TALKED TO HIM. He went to his base and had a conversation with him and of the two (count it with me - TWO) people that actually heard Bad out that day (Foolish and Pierre) both of them came out of the conversation believing he wasn’t the culprit. Wouldn’t you know it - communication solved that conflict pretty fast, but Bad didn’t get a chance to communicate to Forever or anyone else because they almost immediately dogpiled him. And Pierre saw that happen.

And I’m pretty sure he also saw Forever hold a vote and then accept that Bad was guilty of a crime. A crime. That isn’t illegal. That he didn’t even do in the first place.

So. I’m sure you can see why Pierre might feel the urge to defend Bad - maybe even from Forever specifically, and of his own volition. Although I can’t say stealing all the waystones and rearranging them into a pentagram above Forever’s house was a particularly reliable method of doing so, nor can I say Bad really needed the protection - Forever had no malicious intent and was fully trying to be fair. (can you tell im a q!forever apologist? because if you can’t: he did nothing wrong. Maybe one day I will make a giant post about how much of a q!forever apologist i am).

Am I making sense. At all. It’s 2am. And I’m getting the sensation that I’m missing something with this one but I’m too tired to correct it so I’ll look at it later.

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn