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expanding-our-channel-lineup · 7 months ago

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Why RVR School of Photography is Your Gateway to a Thriving Photography Career

Introduction: Photography as a Career There is a huge market gap and in this gap the art of photography career has come up from being just a hobby to a fully fledged profession. Apart from media and advertisements, photography career now have a significant opportunity in fashion and social media also. At the RVR school of photography, we focus on the development of such skills and taking enthusiastic photographers as our students, we convert them into professionals. Our students have already worked with TCS, Wipro, Times amongst others. This speaks volumes of our training and the changing perception of the employers towards our students.

1. The Growing Demand for Professional Photographers

It became quite apparent that there is an increased need for photographers not only for social functions or individual projects but rather for the e-commerce, media and fashion industries. As marketing experts seek to impress customers with great product photography, storytelling, and other visual elements, skilled photographers are in high demand. Demand for photographers has exploded virtually with the advent of the digital age. At the RVR school of photography, we take the students through the necessary training, which will encourage them to built their photography career with all the needs to succeed as photographers in the current market situation.

2. Why Choose RVR School of Photography?

At RVR, we don’t only teach photography; we build photography career. This is what makes us unique:

Comprehensive Curriculum: In our courses, we start with the basics of photography and proceed to advanced editing, lighting, and image processing.

Industry Trained Faculty: Our teachers have more than just teaching as they have been active photographers themselves and know what it means to be in the profession.

Practice: Theory is not enough for us. The program has lots of practical sessions for the learners to further their skills and techniques.

Career Counselling and Job Placement: RVR pays particular attention to all students. Many of our students have received jobs in the companies that qualified them.

3. Courses Offered at RVR School of Photography

Our programs target all photographers to buit there photography career at all levels. That’s new photographers who want to acquire basic skills and professional ones who wish to perfect their skills.

Beginner Photography Course: Photography course for beginners covers the fundamentals how to hold and use a camera, basic light, composition, and how to take pictures. This is an appropriate course for everyone who has never taken a photograph; hence, this course provides a good base.

Advanced Photography Course: In our Advanced Course, some students are equipped with more advanced skills in low-light techniques, portrait photography, and image retouching so that they will be able to manage more difficult work and high quality tools.

Specialized Photography Courses: We have organized specialized courses, such as Fashion Photography, Landscape Photography, and Wedding Photography that let the students develop much interest in the specific field of their choice.

Editing and Post-Production: Our courses on editing and post-production concentrate on industry-recognized tools such as Adobe Photoshop, Adobe Lightroom, and other similar programs. In this digital age, editing techniques are indispensable in content creation, and our students are well trained in those techniques.

RVR School: Paving the Way to Photography Excellence and Shaping the Future of Creative TalentBy Simran

4. Photography Career: Gain Real-World Experience and Build a Stunning Portfolio

In the same mindset, it is quite safe to say that a photographer’s portfolio is their visual CV, one of the most vital components needed to utilize their expertise and up to clients and or employers. At RVR School of Photography, we believe having an impressive portfolio is of utmost importance especially when starting a career as a photographer.

Students of RVR have opportunities to participate in real product photoshoots, fashion editorials, etc, which are supervised by the instructors. These projects not only sharpen their practical skills but also prepare students to work in the real world where they have to please people, and complete the tasks given to them on time.

Such projects are led by instructors who are experienced practitioners in the industry and have mentored the students themselves through projects. They help the students with their feedback and how to use techniques that will help the students create an artistic identity that is uniquely theirs.

Also we encourage active learning through portfolios and conduct regular practice in fine al placement where students are given constructive feedback on their work. Feedback always highlights where the student is strong and where the student has room for growth so that the end product is always balance and professional.

5. RVR School of Photography Alumni Success Stories

Our students have to achieve great milestones by getting jobs in well-known companies such as TCS, WIPRO, TIMES, et cetera. These milestones achieved by some of our students bring glory to our school and prove that the training we provide has immense value in the field.

Some of our alumni who have been successful are:

Ravi Sharma: Worked with times as a corporate photographer and covered events of the high management.

Sneha Kapoor: Worked in the TCS marketing team and was involved in the creation of visuals for the campaigns.

Arjun Mehta: Worked as a fashion photographer in Wipro showcasing their apparel lines in the most appealing way.

These stories inspire our students and demonstrate the quality of training they receive at RVR.

6. Photography Career Skills You’ll Master at RVR School of Photography

The skills our students achieve go beyond the basics:

Mastering Composition: Composing a frame that tells a story with a thousand visual elements.

Lighting Techniques: Using natural and artificial lighting for accentuation and photography.

Editing Mastery: Students’ skills with tools such as Adobe Photoshop, Light room, and others.

Client Management: How to handle clients and their expectations and how to put them to fruition.

7. photography Career Paths After Completing a Photography Course

A degree from RVR School of Photography helps in getting various types of jobs:

Corporate Photographer: Photograph brand images, teams, events.

Fashion Photographer: Work with Brands, models, and designers.

Freelance Photographer: Own Photography business.

Media Photographer: Creative visual images for stories for newspapers, magazines.

With our guidance, students can tailor their skills to the path that suits them best.

8. How RVR School of Photography Supports Your photography Career

We don’t stop with the coursework only, it doesn’t end there. We help them to bulit their photography career:

Placements: With a reach over leading employers like TCS, Wipro and Times. We place students at the best jobs available. TCS, Wipro and Times

Networking Events: We provide events to the students where they meet potential employers and industry leaders (Photography).

Career Counseling: Counseling for photography career selection, for portfolio development, for interview skills etc.

9. Why Photography is a Lucrative Career Choice

Modern-day photography has reached unbelievable heights and most people have accepted it as an industry that encompasses numerous photography career opportunities. Photography career is self-employment, creativity and self actualization all in one package.

Consistently Develops:There is no industry today that does not have specialization in photography career. Companies reach out to professional photographers in other sectors such as marketing, advertising, content creation and social media. The same expertise is requested for events such as weddings, business meetings or product launches. It creates a continuous search for new talented professionals in detail work and creative design.

Different photography Career Opportunities:Several professional paths are available even when one has selected the field of phototgraphy. People of all skills and preferences: travel, fashion, wildlife, food, event and much more can all find their field in photography. Freelancers have freedom to select jobs, individuals focusing on photography career in occupations have a fixed salary and constant work.

Financial Stability and Growth:Would you consider photography career as an art or a business? For any professional photographer, it’s both. On the one hand, established photographers can offer a large range of services as well as find themselves to have long-term relationships with their clients. For instance, wedding photographers have good returns in each event during the busy season. On the other hand, commercial photographers working for top companies can receive good commissions on their projects as well.

Freelance Freedom:If you are one of those people that does not like having a boss, freelancing enables you to live a different lifestyle. A photographer who works on a one-off basis gets to select what project to work on, when to work, and how to sell themselves. This path of employment also means you can work with brands from a different country which means other markets always exist.

10. How to Apply to RVR School of Photography

Do you want to begin your photography career? The application to RVR is straightforward and needs no additional stress:

Look at our Site: RVR SCHOOL OF PHOTOGRAPHY

Select the Desired Course: Review the courses we offer and select the course you want.

Utilize the Application to Apply: Complete the provided form with the required information.

Meet Our Team For An Interview: Here we evaluate your interest in pursuing photography career and your vision.

Our admissions team is here to help you through each step.

Conclusion: Start Your Photography Career with RVR School of Photography

Photography is not simply a play of light and chemistry, but rather a story, an imagination, and a moment that strikes the heart of many. A photography career is endless since it can either be an exploration of artistic vision or a stable and rewarding profession. RVR School of Photography offers world-class training that combines sound theoretical knowledge with practical experience to make sure our students are industry-ready from day one.

Our professional mentorship builds students’ technical abilities and the assurance that they can succeed in a competitive marketplace. We help them create a solid portfolio, which is the foundation of every successful Registrant photographer, and we prepare them for different photography career paths from freelancing to working with renowned companies.

Whether you aspire to be a fashion photographer, specialize in stunning landscapes, or focus on corporate and media photography, RVR School of Photography is the best starting point. Our graduates speak volumes about the quality of education we offer, as many have attained outstanding milestones in their photography career.

Keep your passion for photography as a hobby, or let it change your life. RVR School of Photography provides tailored mentoring, world-class infrastructure, and an energetic learning environment to help you make creative dreams a successful photography career.

So what are you waiting for? Take action today, and allow us to guide you in unlocking your potential and creating an enjoyable career in photography. Become a student at RVR School of Photography, and see your passion become a successful professio

#Introduction: Photography as a Career #There is a huge market gap and in this gap the art of photography career has come up from being just a hobby to a fully fledged profession.#photography career now have a significant opportunity in fashion and social media also. At the RVR school of photography #we focus on the development of such skills and taking enthusiastic photographers as our students #we convert them into professionals. Our students have already worked with TCS #Wipro #Times amongst others. This speaks volumes of our training and the changing perception of the employers towards our students.#1. The Growing Demand for Professional Photographers #It became quite apparent that there is an increased need for photographers not only for social functions or individual projects but rather #media and fashion industries. As marketing experts seek to impress customers with great product photography #storytelling #and other visual elements #skilled photographers are in high demand. Demand for photographers has exploded virtually with the advent of the digital age. At the RVR sc #we take the students through the necessary training #which will encourage them to built their photography career with all the needs to succeed as photographers in the current market situation #2. Why Choose RVR School of Photography?#At RVR #we don’t only teach photography; we build photography career. This is what makes us unique:#Comprehensive Curriculum: In our courses #we start with the basics of photography and proceed to advanced editing #lighting #and image processing.#Industry Trained Faculty: Our teachers have more than just teaching as they have been active photographers themselves and know what it mean #Practice: Theory is not enough for us. The program has lots of practical sessions for the learners to further their skills and techniques.#Career Counselling and Job Placement: RVR pays particular attention to all students. Many of our students have received jobs in the compani #3. Courses Offered at RVR School of Photography #Our programs target all photographers to buit there photography career at all levels. That’s new photographers who want to acquire basic #Beginner Photography Course:#Photography course for beginners covers the fundamentals how to hold and use a camera #basic light

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girlwithrituals · 9 months ago

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101 ways to improve self esteem

1) Master a new skill.

2) List your accomplishments.

3) Do something creative.

4) Challenge your limiting beliefs.

5) Talk to a counselor.

6) Don't worry about what others think.

7) Read or watch something inspirational.

8) Stay true to your character.

9) Let go of negative people.

10) Set healthy boundaries with others.

11) Care about your appearance.

12) Welcome failure as part of growth.

13) Be a lifelong learner.

14) Face your fears.

15) Become a mentor.

16) Accept compliments.

17) Eliminate self-criticism.

18) Practice coping skills to manage stress and big emotions.

19) Notice negative thoughts and beliefs.

20) Challenge negative thinking.

21) Think about what you learned from negative experiences.

22) Practice gratitude.

23) Exercise.

24) Eat healthy and limit junk food.

25) Get good sleep.

26) Spend time with positive and supportive people.

27) Encourage yourself.

28) Write a list of your strengths.

29) Don't compare yourself to others.

30) Avoid perfectionism.

31) Do at least one positive, enjoyable activity every day.

32) Celebrate small victories.

33) Be helpful and considerate to others.

34) Be honest with yourself and others.

35) Accept your flaws.

36) Don't give up.

37) Practice self-care.

38) Go easy on yourself.

39) Practice being assertive.

40) Practice saying "No".

41) Practice relaxation techniques.

42) Take on challenges.

43) Volunteer to help others.

44) Forgive others and yourself.

45) Set goals and work toward them step by step.

46) Seek balance in all areas of your life.

47) Discover your passions and purpose

48) Groom yourself.

49) Dress nicely.

50) Be kind and generous to others.

51) Practice good posture.

52) Change a small habit.

53) Smile.

54) Don't procrastinate.

55) Don't take things personal.

56) Organize your personal space.

57) Challenge unkind thoughts about yourself.

58) Spend time outside.

59) Notice the good things.

60) Celebrate your successes

61) Write a list of things you like about yourself.

62) Don't take too much on.

63) Do something for yourself every day.

64) Develop daily habits.

65) Remind yourself it's okay if not everyone likes you.

66) Practice mindfulness.

67) Learn to tolerate discomfort.

68) Use problem-solving skills.

69) Take responsibility instead of blaming.

Tell Yourself Positive Affirmations Such As:

70) I am grateful for every day.

71) I am worthy of happiness and love.

72) I am in charge of my own happiness.

73) I love, respect, and believe in myself.

74) I deserve to be happy and successful.

75) I approve of myself, right here and now.

76) I am learning and changing for the better.

77) I accept 100% responsibility for my own life.

78) Every day in every way, I am getting better and better.

79) I can learn to accept the parts of myself that I don't like.

80) I am thankful for my challenges as they make me a stronger person.

81) Write down three positives about each day.

82) Make a collage with your talents, goals, and dreams.

83) Practice laughing.

84) Be proud of yourself.

85) Say mistakes are an opportunity to learn.

86) Show respect to yourself and others.

87) Resolve conflict peacefully.

88) Ask for help or support.

89) Complete a daily task list.

90) Have a growth mindset.

91) Be optimistic.

92) Treat yourself with kindness and compassion.

93) Focus on the things you have control over and can change.

94) Get started on tasks you have been putting off.

95) Practice good daily hygiene.

96) Focus on solutions not problems.

97) Talk about your feelings with someone you trust.

98) Drink plenty of water.

99) Start a new hobby or join a club/sport.

100) Do random acts of kindness.

101) Create a dreams list.

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silentwalrus1 · 11 months ago

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I like to think about what if the Kaminoans just, fucked all the way up and made the clones telepaths on purpose.

Kamino is in the Rishi maze, the equivalent of total buttfuck nowhere. This is like a cattle processing plant in rural Montana manufacturing an order for Shenzhen as outlined by a third party intermediary from Monaco who keeps contact with neither production nor “client” and nobody’s first language is Basic. Jedi are like, totally psychic right? Right. Psychic army for psychic clients, sounds right, checks out. There are whole ass telepathic alien species out there, some of which are also Jedi. Why would they want NON-psychic clones. Get it done, Tally Ho or Nala Says or whatever her name is. Chop chop.

Cue like seven years into production and the Kaminoan project leads are starting to get some… inklings…. that maybe some of the deliverable specs were perhaps not so much well-researched as based off cross-galactic hearsay some underpaid analysts pulled off space reddit. This is a business, okay? You’re not gonna make profit manufacturing two million units of fucking anything if you treat it like a luxury product, but especially not if the product has goddamn childhood development & socialization needs. Of fucking course some shit maybe slipped through the cracks. What are we supposed to fucking do now, Lama goddamn Sue sir, tell the Jedi or the pickled fucking Sith that oopsie woopsie, we got the specs wrong half a decade in and have to start over again?

No. No we are not. We are going to lie our fucking semi-aquatic asses off, is what we’re gonna do, and so will you clones if you know what’s good for you. NONE of you are fucking psychic, and you never were. Got that? Understood?

Fast forward to Jedi pickup D-Day and every time anyone with a lightsaber gets within aural biosystem of choice distance the clones immediately start loudly and dutifully Having Conversations.

Hello Commander Sir, It Is I, Trooper McSoldierClone, What A Weather It Is Today, Ha Ha? Over. Yes Indeed McTrooper One Two Three Four, I Am Agree, Now Here Is An Order To Follow Which I Am Vociferously Giving You, Acknowledge Orally, Over. Every clone making rock-hard sweating eye contact like don’t fuck it up as they mentally chant encouragement and script notes and jeering performance feedback at each other. Cadets trooping to fucking speech practice to learn speaking out loud with all the enthusiasm and skill of the average white suburban Floridian teenager taking their fifth mandatory Spanish 1 class. The jedi are like damn these poor asylum grown freaks are so unsocialized and uncomfortable around us, Their Owners, this is so tragic and horrid and unfortunate and meanwhile every clone standing silently in formation is mentally spectating the 400-person telepathic tetris team sport they invented with the same vibes as a football world cup back alley street party complete with official & unofficial betting pools and expert panel commentary

#yap yap #star war #the clone wars

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iris-tarot · 18 days ago

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-`♡´- what makes you so desirable -`♡´-

pick-a-card reading

⋆.˚ take a deep breath and close your eyes. look at the above options and pick the image you feel the most drawn towards. scroll down to read your message. if you feel called to more than one image, then maybe there's a message that's meant for you ⋆.˚

⟢˚₊‧♡ about me

𓂃 𓈒𓏸‪‪ˎˊ˗

⋆˚࿔ pile I ⋆˚࿔

⭑.ᐟ my gorgeous pile 1, you've literally got it all - like oh my god i need y'all to chill out because how can you be so beautiful, humble and smart at the same time. like????? you have this way of managing things, like no matter what life throws at you, you somehow ALWAYS know how to manage it - like your capacity is INSANE. YOU'RE FLAWLESS. you're so graceful and demure in your ways, people literally can't take their eyes off you. i'm seeing here that you are also very physically attractive and the way you move or walk makes people stop and admire you LIKE AHAHAJAJAJAJANAS. and you somehow always know what to do and when to do things like your time management skills are crazy. you've got a lot of secret admirers, babe. like people wanna be you and date you at the same time. and your patience - GOD IT'S CAPTIVATING. people look at you and go, "how can someone be THIS patient". like your patience and your graceful nature makes you so desirable.

okay now i'm seeing here that many people feel very "connected" to you. what i mean here is that people feel like they've known you in their past life and it's fate that pulled y'all together in this life. bye why am i getting the feeling that people tend to fall in love with you very easily. you give them this feeling of comfort and they feel like you were meant to find them in this life. i’m seeing here that many of your platonic actions would be misinterpreted as you being interested in that person, like you get what i'm saying? for example, you tend to pat people on their shoulders in general, but some people might take this gesture as you being interested in them and they'll develop feelings for you because they feel like you care for them, you know? like people find you so desirable because you just get them and you understand them. you give them this nostalgic feeling and they feel like they've known you in their past life.

i'm seeing here that there is something about the way you grieve that makes you so desirable. maybe y'all are pretty cry-ers (bye i’m hearing "pretty when you cry" by lana del rey), or maybe people find your deep-understanding nature very desirable. y'all have this way of understanding emotions to a level where no one gets it.

your hard working nature and your determination is what makes you so desirable. people love your will and your dedication, i'm seeing here that many people find you sexy when you're working. you're so effortless, it pains their heart. pile 1, y'all are those type of people who are very very talented and y'all could be into literature or art or any sort of practice that involves heavy emotion and expression - because you are someone who is very unique and you do not fit into the norms of society, and that makes you so desirable. people are attracted to how different you are and would even view you as "rebellious" sometimes⭑.ᐟ

𓂃 𓈒𓏸‪‪ˎˊ˗

⋆˚࿔ pile II ⋆˚࿔

⭑.ᐟ YOUR FEMININITY BABE, IT'S YOUR FEMININITY THAT DRAWS PEOPLE TOWARDS YOU. god like pile 2 y'all are literally a goddess/god. you don't even have to speak babe, your aura literally does all the talking. people gape at you. you're a head-turner and you literally have a lasting impression on people. your beauty is just uuuffff LIKE I CAN'T EVEN FIND THE WORDS TO DESCRIBE YOU. you're like the whole package, babe. people WANT you and they WANT to taste you, like i'm not even kidding. many people fantasise about you, pile 2. like they WISH they could be with you, but you're so hard to get so they pretend to be with you in their imagination. ugh people yearn for you, babe. people are love-drunk over you (is that even a word?😭), and to be honest, i don't even blame them babe. i don't know why but you kinda give me play girl/boy vibes, or you love bomb people and then ghost them out of nowhere. i think y'all are scared of commitment, but you still want to seek that validation and people are literally aware of what they're getting themselves into when they start liking you, but they have this mindset that they can "fix you" and your hard-to-get nature makes you so desirable. and babe let's be honest, you know EXACTLY what you're doing to these people. you naturally are a very seductive person and you might use this to your advantage. and to be honest, you do you babe, but just be safe and make sure not to hurt yourself or others.

i'm seeing here that you have a very "grounded" energy and people find this very desirable. i'm seeing here that you are very humble in nature and you make people feel validated. PILE 2 YOU'RE SUCH A TEASE, like i suddenly got the energy that you deliberately slow down your movements and do things in this particular way which captivates people - like y'all are so damn sexy and you know it. y'all might have attractive hands or thighs because i'm seeing here that people love it when your hands are occupied. like they love seeing you work in a manner where your hands are required. and god your thighs - don't even get me STARTED, your thighs are HYPNOTIZING. people wanna chew on your thighs lol. they want you to sit on them and straddle them. BYE suddenly i'm seeing here that they want you to straddle their back and like massage them. ummmmm.......i have no words hahahahahabxsaakakaajjaja.

your creative ideas are what makes you desirable, babe. i'm seeing here you're someone who always thinks about the future and you're currently working on building yourself for the better and people find this trait of yours very desirable. you give off the vibes of someone with a promising future and people feel like they can depend on you. i'm seeing here that you might sometimes show-off the fruits of your labor, and people will find your confidence and your wit very desirable. more than enemies, i’m seeing here that people have a crush on you lol⭑.ᐟ

𓂃 𓈒𓏸‪‪ˎˊ˗

⋆˚࿔ pile III ⋆˚࿔

⭑.ᐟ the instant energy i got here is that you're a flirt, pile 3. like you KNOW your way to a person's heart. you know exactly what to say to someone and you know exactly how to say it. y'all are smooth-talkers. you're giving me "smooth criminal" vibes by michael jackson. i'm not sure if people are aware of your flawless ways, but one thing i can say for sure is that they LOVE it when you talk to them like that and they find it so desirable. you're addicting, babe. you've got a way with words, it keeps people in a chokehold. even though people might be aware of your alluring ways, they're still so drawn to you and they constantly find themselves coming back to you. oh my god, what do you even do to these people babe??? like they can't seem to move on from you at all. i’m seeing here that many people obey you lol and they love it when you command them. and there is something about your voice....your gorgeous and tempting voice, babe. it just.....pulls people in, you know?

you're a smart person, pile 3. the way you think and the way you're able to find solutions is what makes you so desirable. many people might seek advice from you and i'm seeing here that they might even use some random lame ahh excuse just so they can like talk to you😭. people WANT to be in your presence, pile 3. like they WANT to feel your aura.

i'm seeing here that your focus is what makes you desirable, babe. people love it when they beg for your attention. i'm seeing here that they might also love it when you don't focus on them and you're busy working on your goals. they want to fight for your attention, basically. BYE people are so pathetic for you, it's so cute. i'm also seeing here that people want to give you head??? or they want you to give them head??? i know it sounds so random oh my god like i wanted this to be like not 18+ but like damn i can no longer avoid this message. i've been pushing this message away but it's tormenting me😭😭.

many people might try to challenge you babe and they'll LOVE it when you will put up a fight. like people find this quality of yours so desirable. they WANT you to put them in their place. babe, y'all are literally the most kink-iest and most sexual pile in this reading like i'm losing it😭. i'm trying to keep this as friendly as possible but the cards have other plans lol.

okay now what i'm about to say might resonate with some of y'all, but for others it might not - so accept this message accordingly. okay so what i'm seeing here is that you might have a lot of people liking you at the same time because you might've led all of them on and now you're in the position where you don't know if you want to date anyone or choose anyone. but here's the thing, people kinda like the thrill of fighting for your attention. like they want to prove to you as to why you need to choose them over someone else and they want to show how much they desire you. of course, the choice is yours at the end of the day but like damn babe, people really want you. like they even desire you at this point⭑.ᐟ

𓂃 𓈒𓏸‪‪ˎˊ˗

⭑.ᐟ hello, thank you so much for making it till the end and i hope you could resonate with my reading. i would really appreciate it if you could like and reblog my post as it would mean a lot to me!! i'd love to hear which pile you picked and what resonated with you. take care and i hope you have a lovely day/night -`♡´-

ˎˊ˗ full credit for the images and dividers goes to their original creators and rightful owners.

divider - @uzmacchiato

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n1pp · 7 months ago

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my pre ‘25; 1 month glow up ✶

SOCIAL

-Review your social relationship satisfaction.

-Spend time with people you love.

-Practice better communication & listening skills.

-Set boundaries to protect your mental health.

-Join a community in person or online to connect with like-minded people.

PRIORITIES

-What is of highest priority to you as of right now? Make a list of your priorities.

-What requires your focus?

FINANCIAL

-Review your Spending habits.

-Start budgeting. Use 50-30-20 budgeting rule.

-Start saving money to an emergency fund.

-Make a plan to pay off any debts.

DECLUTTER

-Clean up your living space so that your environment can bring you calm instead of chaos.

-Declutter areas that are needed.

-Declutter your social media feed.

-Unfollow those who don't bring any value or make you compare and feel bad about yourself.

IDENTIFY STRESSORS

-Make a list of what brings you the most stress?

-Identify your capacity/energy to deal with these stressors right now.

-Take responsibility, believe that you are one step at a time creating a life where you have it all together.

ROUTINES

-Routines help keep you focused. Create a morning and night routine to keep you in check.

-Check-in with yourself daily: How am I feeling? How does my body feel? What do I need right now?

SELF CARE

-Take care of your basic needs: hydration, enough food, enough sleep, and social connection.

-Develop a self-care activity list and pick and plan daily self-care activities in your calendar.

- Identify your needs and try your nest to meet them.

FIND BALANCE

-Focus on Gratitude.

-Focus on balancing your nervous system.

-Develop a daily or weekly spiritual practice.

-Practice meditation.

NEW DIRECTION

-Focus on the new direction your life is heading. Journal or script out your future as you would like it. What does it look like when you have your life together?

-Invest in learning new skills relevant to your career and interests.

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oscpstri · 5 days ago

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the chase | antonelli

antonelli x fem rbr driver!reader, 8,9k

kimi antonelli was always behind you— in the standings, in the starting grid, in your mirrors. everywhere you looked, the curly-headed mop was always there. but while you had a scowl on your face, he enjoyed every moment.

INCLUDES: soft rivals to lovers, SOFT RIVALRY OKAY, reader is a RED BULL driver, use of y/n, set in 2025 but definitely not an accurate timeline, profanity, kimi being a cutie, imagine seb and lewis type rs, this one is not as slow as the max one swear, inaccurate depictions of media day and the press conferences

NOTE: inspired by ONE WAY OR ANOTHER. i think this is my favorite idea out of all of the oneshots in this series. i hope i was able to do it justice. kimi is a cutie (and is talented as hell) and i claim him as my second pick of the rookie litter. congrats to kimi for canada podium! not proof read

( moments series | more KA12 )

People are usually haunted by nightmares— scarring images that keep them up at night, their mind playing tricks on them. Some perceive these as spiders, drowning, losing a loved one. You, on the other hand, are haunted by a singular curly-headed, brown-eyed, Italian who so happened to go by the name of Kimi Antonelli.

You and Kimi weren't exactly Rosberg and Hamilton in terms of rivalry, more 'he pushed me, I pushed him back, he pushed me off the track'. The both of you would never go out of your way to deliberately throw each other off, but if it happened then you wouldn't exactly be apologetic about it either.

This rivalry had been going on ever since the both of you were teammates in Formula 2. While Kimi raced under the Mercedes Junior Programme, you raced under the Red Bull Junior Programme. This called for the development of two very talented, very fast, and very competitive drivers. You finished fifth in the standings and Kimi was right behind you in sixth. And that's how it always was— even until now.

The teams make their way out of the grid— signifying the countdown to your debut Formula 1 race. Your eyes flicker to your side mirror, spotting the annoyingly familiar Mercedes of your former teammate. You qualified P15— not the best start. Kimi, of course, qualified right behind you. He seemed to notice your gaze and stuck his hand out from the top of his halo, waving at you before locking his gaze back in front of him. You roll your eyes at this from under your helmet, only gripping your steering wheel tighter as the red lights start to bounce to life.

This was what you had always dreamed off. And before you knew it, it was lights out and away you did go.

As you cross your first corner, you spot a car coming from behind. You give space out of etiquette, then freeze when you notice car number 12 slip right in front of you. You weren't about to let him have this, not when you were always slightly better than Kimi in everything— qualifying, points, wins.

You were stuck behind Kimi for a few laps, but you were tailing him like your life depended on it. Kimi might have successfully overtaken you, but you weren't about to go down without a fight. You were practically taunting him through his mirrors, taking in every move he made as he bounced around the track defending you. And he enjoyed every moment of it.

Coming up to the chicane, you slightly take your foot off the throttle. Not enough to back off but enough to make Kimi think that you were. He takes the bait, defending the usual racing line. And that's when you put your skills to good use. You go late on the breaks, hugging that outer line as much as physics would allow it, and the car twitches. Kimi jolts in surprise, not expecting the risky move so early on in the game. But then he scoffs once— not in anger, but in recognition. He should've known you would do that— you always did.

You were already past— risky, bold, barely within track limits— but past. You glance at your mirror, noticing the Mercedes get smaller as you push your car to its fastest.

You were going to finish ahead of him again and you wouldn't have it any other way.

Your car comes to a halt in parc fermé. P4 for a debut race wasn't bad, especially when Kimi Antonelli consistently haunted you for the whole two hours. As you jump out, you notice your former teammate moving towards you, helmet in hand and a boyish smirk on his face.

"Good first race," he greets, a shimmer of mischief in his eyes. "You beat me."

You look at him and quirk your eyebrow, expression deadpan. "I always do."

He breaks out into a larger grin before leaving towards the media pen. You shake your head at his antics, sighing unsurprised. You and Kimi were always like this— playful, rivals, next to each other. You were both polar opposites in terms of personality: Kimi was boyish, bouncy, always had a smile on his face. You were relaxed, quiet, masking no emotions. When the both of you were teammates in Formula 2, the media dubbed you as the 'modern day Seb and Kimi'— where he was Seb and you were the iceman himself.

Of course the beauty of Kimi Räikkönen was the fact that he only ever broke down his walls for Sebastian Vettel himself. And this dynamic was perfectly mirrored with you and your former teammate.

As you made it into the media pen, you are quickly directed to the long line of journalists and news reporters ahead. People asked about your feelings towards your debut race, the strategy you used to get to P4 from P15, almost kissing the podium, being the only female driver in Formula 1. All of which were questions you already knew the answers to, prompting you to reply with simple answers that satisfied the question but left them wanting more.

"What can you say about that divebomb move you did on Kimi in Turn 1? That was pretty risky, especially for your debut race."

You blink slowly, pursing your lips as you ponder on the question. "It was risky but calculated. You do what you have to do to be ahead."

The journalist nods at your answer. "Speaking of, are we going to be seeing more of the rivalry you and Kimi have? Or is that something we left back in F2?"

As the mic is pointed back to you, you shrug your shoulders. "I don't know. If he's still as good as he was in Formula 2 then we will."

And before the reporter could ask any more questions, you nod your head curtly and walk away.

Another race week, another round of media obligations. If you weren't a rookie and scared to be sacked barely ten races in, you would probably have already called in sick today to avoid as much of it as possible.

You could appreciate the good questions— the ones about tire strategy, mentality going into the race weekend, initial feelings as you embark on your second ever F1 race. But you could not care less for the stupid ones— one time in F2, someone asked you what your teammate smelled like. You could assure them that you weren't going to be that close to Kimi for you to get a whiff of his perfume.

The Italian only giggled at the question, and when he was asked the same he simply shrugged and replied: "Like apples."

Your perfume was raspberry.

The sea of reporters were already sat down by the time you made it into the room. Your initial plan was to be as late as possible— less time, less questions asked. Of course, you didn't account for the fact that your manager would be banging on your door before your alarm even went off.

The only spot left was on the far-end of the couch next to Max— you weren't complaining. As you sat down, you place the microphone on your lap and the circus begins. You honestly zoned out for a while, the reporters going for Max and Lewis first until a question was brought to your attention.

"Kimi, we've seen since Formula 2 that you've always finished behind Y/N— does this frustrate or motivate you?"

You're brought back to the room at the mention of your name, eyes scanning for the reporter through the brim of your hat.

"Well..." You look to Kimi once he starts talking. The both of you share a look that causes you to smirk lightly and him to smile small. You lower your head at this, fidgeting with the wire that was connected to your microphone.

"It definitely motivates me," he starts, looking back towards the reporter. "I don't think I've ever been frustrated at this fact."

You look up once again, one eyebrow raised at your rival's answer. He looks back at you with a cheeky smile, the same one he always gives you after a question is thrown about the both of you.

Max and Lewis only looked back and forth between the opposite ends of the couch. They didn't really know what was happening, nor do they fully understand the dynamic, but they found it entertaining nonetheless. The reporters did the same, entranced in the child-like tension that comfortably fit in the middle of you and Kimi. They probably even forgot that two world champions were sitting right in the middle of the couch.

"We were in the same car in F2 but it was clear who handled it better," Kimi adds on, tone as if he was stating the obvious. "I mean... she finished ahead of me in the standings so who's surprised."

The sea of reporters chuckle at this, captivated by the rookie's charm. You swear you even heard Max mumble 'just like you and Seb' to Lewis as they both had grins on their face.

The same journalist picks up the microphone, stretching a hand towards you. "Y/N? Anything to add?"

You blink twice before bringing the microphone to your lips, a small smirk settling onto your face. The crowd seemed to hold their breath in anticipation of what you were going to say. Even Max and Lewis did the same.

"Kimi said it best," you start. "He's good, but I'm better."

Fifth race of the season and Kimi was still hot on your tail. The cheeky banter that the two of you had was still prevalent at every media day. Kimi saying you were good at defending, you saying Kimi was good at attacking. It was a back and forth of snarky comments yet respectful compliments on the other's driving— something the media found absolutely entertaining.

You and Kimi almost crashed in Qualifying and the paddock buzzed with eagerness to see what would happen. While you stormed off towards Kimi's car to confront him, the Italian only looked at you with a smirk on his face. His eyes shimmered at your anger, finding the insults you were throwing him amusing.

You had managed to snag P8 on the starting grid, Kimi still behind you in P7. Which is why the both of you were chasing each other for most of the race. It's like the rest of the drivers didn't even matter, because the only person you were fighting was each other. If you led, Kimi would overtake you. If Kimi led, you would fight back.

It's lap 55 and the both of you were still playing tag in your cars. This game starts to irritate you, especially when you were so close to the end of the race. Kimi was in front of you. You almost kissed his rear wing a few times which caused a few angry radio messages from the man himself. He was defending like crazy, not giving you the space or time to do anything about the position you were in.

Until he slows down. Which catches you off-guard, until your eyes narrow. You knew exactly what game this guy was playing.

"Brilliant," you mutter under your breath, trying your best not to just push him off the track due to sheer annoyance.

You were now side by side the Mercedes of driver number 12, heading into the part of the track that is crucial towards who could take the lead between the two of you.

The both of you were going insanely slow, trying your hardest not to be the leading car when the both of you reach the DRS zone. You're getting radio messages from the team telling you to stop what you are doing to avoid a penalty. Toto was probably aging 5 years due to this stunt his rookie was pulling.

"Y/N, there's a car behind the both of you. I suggest you get on with it."

You hear the radio message loud and clear, but you didn't budge. The both of you were going 120 in a 200 zone, posing a great risk to the other drivers who were coming up behind you two.

"Fuck it." You push your foot on the pedal, now in front of Kimi. He reacts to your throttle and goes quick as well, only barely skimming your rear wing.

He was going fast, and you knew that you could play this to your advantage to get DRS. And you did exactly that. Because as soon as you could tell that Kimi had faster pace than you, you take your foot off the throttle and watch as he leads once the both of you reach the DRS zone.

"DRS available, Y/N. That was risky. Never do that ever again."

You smirk victorious at the radio message, immediately opening up your DRS and passing the Italian with ease.

"All in a day's work."

You go on to finish the race in P5, Kimi staggering behind you in P6.

The garage buzzes with post-race exhaustion. You’re perched on a fold-out chair, helmet off, hair a mess, wrists wrapped in cooling packs. Your race suit is unzipped halfway, the navy blue fireproofs clinging to your skin uncomfortably. Someone left a fan on nearby, but it’s doing little to cool the heat radiating off your back.

You close your eyes for a second. Just a second. Until—

"Didn’t think I’d see the great Y/N Y/L/N icing her wrists like a rookie," a familiar voice teases.

Your eyes crack open to find Kimi Antonelli leaning against the doorframe, still in full race gear. He hasn’t even unzipped his suit yet, cheeks flushed from the heat and eyes practically glowing with mischief. The blue Mercedes hat sat atop his head, doing little to calm down the curls he hid underneath.

You scoff, too tired to play along— though the smile tugging at your lips betrays you. "You were in front of me for a long time today. Nice job."

He grins. "Yeah, until you decided to pull that DRS crap."

You chuck a balled-up cooling wrap at him. He dodges it easily, like he’s used to you trying to hit him with things. "You started it."

"Had to win over you somehow." He shrugs, finally stepping inside. He squats in front of you like you’re the car he’s inspecting.

You blink at his wording. You hate that your chest tightens a little, a swell of butterflies threatening to spill in your stomach. His tone softens, eyes flickering briefly to your hands. "Seriously though. You okay?"

You narrow your eyes at him. For a moment, he’s not teasing. Not pulling the rival crap you both have always stuck to since you were in Prema. You shrug. "Just sore. I've had worse."

He stays crouched a beat longer before standing, stretching his arms above his head with a dramatic groan. "Well, sore or not, we’ve got rookie PR in ten. Don’t forget to act like you hate me."

You roll your eyes. "I don’t have to act. You’re exhausting."

Kimi winks. “And yet, you keep chasing me.”

You scoff again but can’t help the grin that slips. "Need I remind you that you're always behind me?"

He shakes his head at your words, turning on his heel. You grab your hat and fall into step beside him as you both head toward the paddock media tent.

"Next time I slow down for DRS, you're going to have to thank me for the free position."

You roll your eyes at his words, adjusting the hat on your head. "I still despise you, Antonelli."

"I know. You've said that since last year."

It was media day yet again and the press conference that came with it was routine— one of those long, slightly tedious panels where all the drivers are lined up behind nameplates, small mic stands individually distributed while trying not to say anything too controversial.

But of course, you and Kimi couldn’t help yourselves.

The sweet interaction you both had behind closed doors last week was long forgotten as the new week rolls around. A fresh set of snarky comments and huffed comebacks rally between the both of you, not caring about the situation you were currently in.

You’re seated two spots apart, with Ollie between you. He looks increasingly alarmed with every back-and-forth exchange. Isack, seated on Kimi’s other side, is trying to hide his laugh behind his water bottle.

"Y/N, what did you think of Kimi’s defensive driving last weekend?" one reporter asks, already smiling like she knows exactly what answer she’s going to get.

You raise an eyebrow, your tone dry. "Defensive driving? More like dangerous driving. He almost brake-checked me into next week."

Kimi huffs dramatically, leaning over in front of Ollie. "Maybe if you weren’t so glued to my rear wing all the time, you wouldn’t have to worry about it."

You blink, then tilt your head. "That's why I'm normally in front of you. You're too slow"

There’s a beat of silence then several muffled laughs. Someone lets out an audible, “God.”

Ollie glances at the moderator helplessly. "Are we allowed to separate them?"

The moderator tries to push forward, but the tension on your side of the panel is unmistakable— sharp enough to cut through the usual PR fluff.

And then, finally, someone asks it.

"Y/N. Kimi. With all this... whatever this is— are you two actually rivals, or is there something more going on here?"

The question lands with a heavy pause. Everyone stares. Charles almost chokes on his water. Lando turns to Oscar like did they just say that?

Your hand tightens slightly around the mic. You glance at Kimi, who’s already grinning like the devil. He raises one eyebrow.

"Well?" he prompts, clearly enjoying the chaos. "Are we rivals?"

You stare at him for a beat. Then smirk, voice monotonous. "We’re not friends, if that’s what you’re asking."

Kimi nods, all mock-serious. "Yeah. She just likes yelling at me, and I like overtaking her."

You roll your eyes at his comments.

Someone in the room coughs out a laugh. The moderator tries, and fails, to move on.

Max mutters something to Charles, who’s very obviously trying not to burst into laughter. Lewis just leans back, watching the two of you like you’re the most entertaining part of his day.

And that’s how the moment ends— no answer, no clarification. Just you and Kimi sitting in your chairs, pretending nothing happened, as if you didn’t just throw the entire room into confused, romantic-tension-filled chaos.

The press conference rolls on, awkward laughter still lingering from the last question. The moderator tries to redirect— asks a question about tire strategy for the upcoming street circuit. Kimi answers smoothly, then it’s passed to you.

“Y/N, are you confident in your tire management heading into the race weekend?”

You nod, keeping your tone cool. "Confident enough to keep my car ahead of Kimi’s... again."

Kimi lets out the most dramatic sigh. "You say that like you don’t spend every lap checking your mirrors for me."

You don’t even look at him this time. "What can I say? You’re hard to ignore when you're that close and that annoying."

Ollie audibly groans. "Oh my god, will one of you just say it?"

Everyone turns to look at him. He throws his hands in the air. "You’re not rivals. You're flirting. This is so much worse than I thought."

Lewis nods from two seats down beside him, arms crossed. "I’ve raced against Seb and Mark. This is different. This is… soft."

Fernando deadpans, "Yeah. Seb never smiled like that when Mark shoved him off the track."

Lando leans forward, mic dangerously close to his mouth. "Just blink twice if you're in denial."

Kimi only shrugs, smile tugging at his lips. "I don’t deny anything. She’s the one who keeps pretending I’m not her favorite opponent."

You roll your eyes, but you’re biting back a smile. "Opponent is the key word there, Antonelli."

The room erupts in laughter. Teasing the youngest in the grid proved to be entertaining. Even the moderator gives up, leaning back with a sigh as the press completely loses control.

George speaks up from the far end, sounding thoroughly done.

"No, see, this is what we’re talking about. That? That tone? That’s not ‘opponent’ talk, that’s ‘I-know-his-star-sign-and-how-he-takes-his-coffee’ talk.”

One reporter manages to recover enough to ask: "So… any final clarification? Rivalry or—?"

You and Kimi answer at the exact same time.

"Rivals."

"Something more."

Everyone gasps like they’re in a high school cafeteria.

You blink, slowly turning your head toward him. Kimi just flashes you that boyish, smug smile.

"What?" he says innocently. "You said it yourself— I’m hard to ignore."

The press conference ends with the moderator’s desperate attempt to bring order and the sound of thirty cameras still clicking. You and Kimi stand from your spot behind the table, still pretending everything’s normal even though you basically declared war and something else entirely on live TV.

You're barely five steps into the hallway behind the media room when a hand tugs on your sleeve.

"Okay. Stop. You. You’re not going anywhere."

It’s Lando, planted dead center in the corridor like a traffic cone in papaya. "You two need to talk. Or confess. Or kiss. Or crash. Honestly, I don’t care anymore, but this 'are-they-or-aren’t-they' is draining. Entertaining! But come on, man."

Oscar appears right behind him, arms folded. "Yeah. I’d say 'get a room' but apparently you’ve got like… a whole media room watching instead."

George leans against the wall, ever the instigator. "This is honestly more tense than when Lewis threw that hat at Nico."

Kimi just blinks at them. "You’re all very dramatic."

You deadpan. "You literally fake-yawned during my answer so I’d look at you."

Max walks by eating something from catering. "You’re both unhinged. If I have to hear "I’m always ahead of him" and 'I'm better than her' one more time, I’m crashing you both out myself."

Lewis appears like a wise dad who’s so done. "Look. I love a good rivalry. Keeps things interesting. But this— this is a rom-com in race suits. Either admit you like each other or we’re making a group chat intervention."

Liam gives you a pointed look. "Don’t even try to act cool. I’ve seen you soft-launch him on your story."

Your eyes widen. "That was his helmet."

"Exactly."

The hallway fills with groans and mock outrage as Kimi chuckles beside you, fully basking in the chaos. You glance up at him, exasperated, but the grin on his face is all boyish charm and zero apology.

He leans just a little closer, voice low. "Told you we’re not subtle anymore."

You shake your head, muttering, "You’re insufferable."

He winks. "But you like it."

And yeah— maybe you do.

Race day and you're already on edge.

Maybe it's the press conference shenanigans. Maybe it's Kimi's stupid, smug, post-conference hallway wink. Or maybe it's the fact that everyone on the grid suddenly decided to become certified couples therapists.

Whatever it is, you helmet feels tighter, the air feels heavier, and you could hear your heart beating in your chest.

"Y/N, radio check. How are we feeling?"

You don't respond immediately, just adjusting your grip on your steering wheel. Kimi's car is beside you on the grid, just one position below you. He was waving at an engineer, bouncy as ever, and you don't know if you want to kiss him or crash him.

Before you knew it, the five red lights go out and you slam your foot on the pedal.

You get a clean launch but Kimi had a faster reaction. The two of you are alongside each other into Turn 1 and you already hated it. You squeeze tighter on the inside, taking a sharper line. He pulls back ahead by Turn 3 and you continue to chase.

Every time he turns, you follow. You're not racing the others anymore— you're locked into car number 12 like it's personal. Like the entire race is just you and him.

Eventually you get past him as he zooms into the pit lane. But that doesn't stop the knot to form in your chest.

Your grip on the steering wheel tightens with every turn. The car hums like it always does but your brain is somewhere else entirely. Somewhere behind you. Somewhere in a black and blue car.

"Antonelli is 0.4 behind you."

You could practically feel him through your mirrors, like a phantom chasing your tail. He had been right there for five laps— patiently waiting for the perfect moment to strike. And you hate that a part of you has started to drive more for him than for the points.

Something had shifted. It wasn't just racing anymore, wasn't just banter and cheeky smirks and toeing the line. He looked and talked to you in the press conference like you were the only one in the room— he always does. And now it's messing with you.

You're faster, better— you know this. But your head's too loud. Your heart even louder.

You brake too late into Turn 9. The rear of your Red Bull twitches and your instinct kicks in. You overcorrect, unsettled by the snap, but the grip vanishes from your rear tires.

You spin.

It's no catastrophic, but it's dramatic. Smoke kicks up as your car hurtles into the wall, sending bits of debris scattered all over the track. You weren't hurt, but you weren't moving either. The engine stalls.

You sit still, breathing hard. Helmet still on, grip like a death lock on the wheel.

"Are you okay?"

You don't bother to reply, just slumped in your seat. Stupid emotions buzzing around in your head like it would explode. You see the marshals wave the red flag and you see the Mercedes you were running from slow down as it passes you. Slow enough that you could tell he was looking. Slow enough that you knew he was debating on jumping out.

You swallow and flick the switches, trying your best to get the engine to fire back. It doesn't.

"Yeah," you finally reply. "Just— yeah."

Your engineer tells you to kill the car. Your brain tells you to scream.

You make your way out of your car, and the world feels a little too loud.

You quickly take your race suit off as you whiz past the pit lane, not even bothering to stay for the entire race. You throw your hat on, wanting to get away from the paddock. Away from the cameras and the pitying eyes.

But Red Bull is Red Bull. There's no hiding in the world champion's garage, not with the interns side-eyeing you and the engineers pretending not to notice the tension bleeding off you like smoke.

You slump down into one of the chairs. Your arms are crossed, foot bouncing, eyes locked onto nothing. Every time you blink you see the moment again— the oversteer, the snap, the runoff, his car.

You were not okay.

And apparently your teammate could tell.

You didn't even notice that you had been glued to the exact same spot for a long time until you catch Max slide into the chair in front of you. The race had ended.

"Want to tell me what that was?"

You blink at him, jaw tight. "Was a mistake. I messed up."

"Well, yeah," he deadpans, adjusting his hat. "But that's not what I meant."

You don't respond. Already not liking where this was heading.

"You and Kimi." He leans forward, lowering his voice. "What's going on?"

You scowl, slumping even more into your seat as if that would hide you from Max Verstappen's stormy-eyed gaze. "Nothing's going on."

"Right. That press conference on Thursday would say otherwise."

You scoff. "Whatever happened in that press conference was utter bullshit and you know that."

"Do I?" Max raises an eyebrow, leaning back into his seat. "Because the way he looked at your replay after the race..."

You snap to look at him, cursing yourself internally for being too eager to know. Max notices this and sighs, "He didn't leave until he saw you get out. George told me he would've gotten out if Toto didn't yell at him not to."

You look back to your spot on the floor, unable to reply.

"He almost swerved too. Dropped down to P11."

Silence hangs between you. A million thoughts raced through your mind and your heart felt like it was going to fall out of your chest.

"You think I threw away points for a boy?" You finally build the courage to look at him.

Max just shrugs, "I think you forgot you were racing everyone else."

You exhale shakily and thank the heavens that Max doesn't push. He just stands up and gives your shoulder a pat. "Sort your head out, Y/N. You're better than this."

As he walks away, you catch sight of the familiar sight of curls and blue lingering near the entrance of the hospitality.

And you decide right then and there that you were going to do this for yourself. No more distractions.

Kimi Antonelli has always been good at bouncing back. Always smiling, able to shake things off, easy to just be.

But lately? Not so much.

You've been quiet. Not cold— but distant. Professional, like he was just another driver on the grid now and not the one you used to glare at from across the room with a sly smirk. You still greet each other but only because you have to. You haven't looked at him longer than two seconds since your crash three weeks ago. And Kimi? He's losing his mind over it.

But it's not like he doesn't know why.

You spiraled after that crash, everyone could tell. He saw it in the way you avoided any form of media, in the way you hid from the paddock, in the way Max helped in pulling you aside, in the way you sat at the next press conference like you were building a brick wall between you and everything else— especially him.

And what did that get Kimi? Messing up.

He locks up into Turn 3 during Q2, tires screeching. He almost scraps the car, giving Toto the time of his life behind the monitors. He even misses the apex in Q3— not once, but twice.

"P15, Kimi," his engineer radios, voice tight. "You okay?"

Kimi stays silent for a beat before finally replying, "Yeah."

He jumps out of the car with a blank expression. He pulls off his gloves with more force than necessary and walks right past the media pen without saying a word. Their PR managers try to call him back, but he doesn't stop, doesn't even look back.

You were the complete opposite.

You pass by on your cool-down lap, securing P4. He watches your car cruise down the pit lane from the garage and the worst part? You don't even glance his way.

Kimi finally feels it. The horrible ache in his chest that maybe this rivalry doesn't feel like a rivalry anymore— just an ending he didn't ask for.

Kimi is finally forced into the media pen for some last-minute interviews. He answers bluntly, no emotion behind his voice as he stares into the void behind the camera. Some interviewers even started to get irritated with the lack of answers, but before they could probe any more, Kimi walks away from the crowd and heads back to the hospitality.

You saw it all. The way his eyes held no spark behind him, the way his voice continued to be flat whenever he talked. You saw the articles and the videos of people trying to piece things together. The timeline from your crash three weeks ago to Kimi's horrendous qualifying session.

You had just seen a clip of Kimi's interview and something in your chest aches— sharp and undeniable.

"Alright, what's going on?"

You flinch slightly at the voice. Max stands a few feet away, arms crossed, expression unreadable. He wasn't angry— but he wasn't casual either.

You quickly pull your headphones off, discreetly turning off your phone and facing the screen down. "Nothing. I'm fine."

Max quirks an eyebrow. "That's not what your face says."

You roll your eyes at his probing. "Seriously, Max. I'm just tired."

He doesn't move. Still watching. Still knowing.

"You've been off for weeks," he says finally. "You barely talk anymore and you look like you're fighting ghosts every time you're in the car."

You look down at your hands, twiddling your thumbs.

"It's not a big deal," you murmur. "Just... dumb stuff."

He scoffs slightly. "If it was dumb, it wouldn't be getting to you this bad."

You don't respond. You know he's got you

Max walks over and takes the seat across from you, leaning forward, elbows on his knees. "It's about Kimi, isn't it?"

You hesitate but your silence said enough.

"I saw the interview," he adds, voice quieter. "Kid's a wreck."

Your lips twitch into something bitter. "He should be."

Max frowns at that. "So what happened?"

You take a deep breath, leaning back into your seat. "I told myself that if I cut him out, I'd drive better. That he was a distraction."

He nods slowly. "And?"

"I almost crashed last weekend."

He sighs, confirming everything he's already pieced together.

"He's still distracting me. Even when I ignore him."

Max leans back in his seat, thinking. "Listen, I’m not gonna play therapist. But it doesn’t go away by pretending it’s not there. And it’s not weak to care about people. Even... annoying curly-haired Italians."

You huff out a quiet laugh despite yourself. "He’s so annoying."

Max smirks. "He likes you."

Your head snaps toward him. "What—"

"He likes you," he repeats. "Like... likes you. The whole paddock sees it."

You stay quiet for a second too long.

"And George told me."

Your eyebrows furrow at this information. "Since when do you talk casual to George?"

Max puts his hands up in mock surrender. "Hey, he's not great but I'll do anything for you. You're like my little sister."

You smile at this, grateful for the support your teammate had.

Max tilts his head. “So... do you like him?”

Your fingers twist in your hoodie sleeve. "I don’t know what I feel when he’s around. But when he’s not... everything feels worse."

Max nods once, like that’s enough.

"Then maybe don’t fight it so hard," he says, standing. "Racing’s hard enough. Don’t make it harder by pretending you don’t care."

You watch as he starts to walk away, and just before he disappears out the door, he calls over his shoulder:

"Oh— and if he hurts you, I’ll punt him into next week."

You grin. "Thanks, Max."

He just raises a hand in acknowledgment, walking out the door like he just saved your life.

Despite Max's advice, you couldn't find the courage to talk to Kimi about it. So for a month, you both ignored each other like the plague and your races just went south from there.

You both would barely qualify in Q3 anymore and you wouldn't be able to make it out of a race without clipping the wall. Kimi was just as bad, getting into bad crashes every other week.

It was horrible. But the two of you didn't do anything about it.

Now it was race day, lap 43, and despite the distance created between you two for the past weeks, that didn't mean he still wasn't behind you through every corner.

Your Red Bull is barely in front. Kimi's Mercedes eats at your slipstream like its oxygen— still constantly in your mirrors, constantly on your nerves.

You tried to focus, but he was always there. And unless you decided to push him off, there was nothing you could do.

He lunges into Turn 7 and you don't give way. Your cars go wheel-to-wheel, leaving no room for each other within the track. Kimi tries to edge ahead on the outside. You squeeze him in retaliation, not enough to send him off but enough to send a message.

But he doesn't back off. He jerks the car forward with one final push and all hell breaks loose. Your front wing clips his rear and you swear you can hear the groans of both Christian and Toto all the way from the pit wall.

The contact is light but enough to shatter your wing and blow his tire. Both cars spin in tandem like a devil's tango, red and blue tangled in smoke and weeks of unspoken words. The crowd screams, marshals scramble, radios go haywire.

Everything is chaos. Everything except the burning in your chest.

You slam your fists on your steering wheel as your car comes to a halt on the gravel.

"Y/N, you okay?"

You don't reply. Instead, your eyes drift to the rundown Mercedes beside you. You see Kimi unbuckle his belt and take his helmet and balaclava off. He stood next to his car, posture stiff, eyes locked on your car.

You rip your helmet off and glare at him through the smoke and dust. And for the first time ever, there's no playfulness in the way you look at each other.

Just fury and heartbreak.

You say nothing. He says nothing. The marshals move in, but it's too late— the silence between the two of you has said it all.

You walk into the hospitality suite still in your race suit, helmet under your arm, jaw clenched so tight it hurts.

The room goes silent. No one knows what to say.

Your crash replay is already looping on the TV— Red Bull and Mercedes in slow-mo carnage. And not the cars the media expected either. The wing clipping, the tire bursting, the spin— you staring at Kimi like you’ve never known him at all.

Max is already there. So is your race engineer, Christian, your performance coach. The air is thick.

Max looks up, stress just as prominent on his face. "What the hell was that?"

You freeze, one foot still halfway in the doorway.

"You want the PR-friendly version or the one where I say I finally lost it?" you bite.

"You're not helping your case either way," he says calmly, but not coldly. Max is firm— older, sharper, not your rival but someone who’s been through every form of paddock chaos. "Look, I get it. You two have history. But this? This was emotional. Not smart."

Your fists clench around your helmet.

"It wasn’t just emotional. He pushed, I pushed back."

"That’s not racing. That’s a vendetta."

Your jaw ticks.

Your engineer tries to pivot. "We’ll review telemetry, see where we can defend the move if the stewards come calling."

But the conversation feels background now. Your eyes flick up to the TV again— frame paused on Kimi staring at your car in the runoff. Helmet on, shoulders tight, and no approach. No apology— just space.

Too much of it.

Meanwhile, Kimi’s being led into a side room. He's still in his race suit, lips pressed in a thin, unreadable line. Toto’s already giving him a look that’s somewhere between concern and disappointment.

"You need to tell me that wasn’t personal."

"It wasn’t."

"Then explain the body language." Toto nods toward the replay. “She looks at you like she wants to kill you. And you just stand there.”

Kimi’s hands curl into fists.

"I didn’t go for a dive bomb. I stayed on the racing line."

"And she didn’t back out either."

He doesn’t answer.

Toto sighs. "You two want to destroy each other, fine. But don’t destroy the cars too. We can’t afford that kind of emotional chaos on track again."

Kimi just stares down at the floor, jaw tense. Because he knows— this isn't just about today’s race.

Media day rolls around once again. The room is packed— cameras, reporters, too many eyes.

You’re seated on the far end of the lineup. Kimi is three chairs away. That’s by design— someone in PR clearly didn’t want another headline.

A reporter clears their throat. "Y/N, let’s start with you. There’s been a lot of talk about the collision last weekend. Do you still stand by your actions on track?"

But even with two drivers between you, the tension is unmistakable.

Max is next to you. Lando’s between you and Kimi. George looks like he’s bracing for impact.

You blink once. Then twice. You lift the mic, voice perfectly neutral.

"I stand by the fact that I raced. The telemetry shows that much."

Kimi doesn’t look at you. You don’t look at him either.

The reporter nods, but presses, "Do you regret the result?"

You hesitate. A beat too long. Max subtly shifts in his seat like he’s ready to shut it down for you.

Finally, you say, "I regret that it ended the way it did. Not that it happened."

The next question is for Kimi. "Kimi, same topic. Anything to say about your part in the incident?"

Kimi grips the mic.

"I raced her the way she raced me," he says simply. "I didn’t intend for it to end in a crash."

"But it did," the reporter counters. "And some fans are saying this has gone from playful rivalry to something... dangerous."

Silence. Another reporter cuts in, sensing blood.

"Which brings up the bigger question— are you two actually rivals? Or is there something else going on here?"

You finally glance at Kimi. He glances back. It's not playful now, not teasing. It’s tired, frustrated, wounded.

You speak first.

"Do you think this way because I'm a female?" you start, voice monotonous. "Carlos and Oscar crashed last week but I don't see anyone else questioning if they fuck behind closed doors."

Kimi says nothing. Carlos raises his brows. Oscar shifts like he wants to disappear. Max? Max exhales through his nose like he’s had enough.

Then Kimi, after a moment, says, "We were teammates once. That’s all."

You nod. "And now we’re not."

Another mic is raised but Max leans forward into his own and calmly says, "Can we move on, please?"

Media day goes by faster than you had anticipated. All thanks to Max being the best older brother figure and flicking off the questions that didn't matter. The night was slowly coming, the sunset casting the sky orange and you were still in an empty hallway with your backpack slung over your shoulder.

You hear the footsteps before you see him. The sound of boots on the concrete echoing through the hallway. You don’t need to look up to know it’s him. You just close your eyes and sigh.

"Kimi, don’t—"

"I’m not here to fight,” he says, voice quiet. Almost uncertain.

You finally glance over. He’s not in his race suit anymore— just a plain black team hoodie, hair still damp from the post-race shower. He looks young. Tired. Like this whole thing’s been eating at him too.

You scoff, eyes looking away. "You’re always here. That’s the problem."

Silence.

"I thought that’s what you wanted."

You blink, caught off guard.

"I gave you space," Kimi says, stepping closer, hands in his pockets. "Because every time I got close, you flinched. Or ran. Or crashed into me." A weak laugh, but it dies quickly.

"So I stopped chasing."

That word. Chasing. He looks down, then back up. His eyes meet yours— tired but steady.

"But I never stopped wanting to."

Your breath catches.

"I’ve always been behind you, Y/N," he says, voice softer now. "On the track. Off the track. I chased because I liked being near you. I liked the way you drove, how you looked at me when you overtook me like you planned it since Thursday." He pauses.

"I like you. That didn’t change. I just... backed off because I thought it was better for you."

You blink rapidly, heart pounding. The silence between you stretches wide and raw. He doesn’t step closer, doesn’t touch you. Just lets it hang there in the air— waiting.

You finally whisper, "So what now?"

He shrugs, but his voice cracks just slightly. "I don’t know. But I’m still here."

You meet his gaze, and this time you don’t flinch. You look at him, eyes soft but unreadable. The words stick in your throat, burning like adrenaline at lights out.

He steps back slightly— not away, just enough to show he’s leaving the choice to you.

And you do something you don’t expect.

You take one step forward. Let your fingers graze the strap of your bag. And you say, just above a whisper—

"Then don’t stop."

You walk past him slowly, your shoulder brushing his. You don’t turn around. You don’t have to.

Because he’s already smiling.

You were slowly getting back to your regularly scheduled programming. You noticed it when Kimi stood closer to you during today's driver parade and when the both of you exchanged glances in parc fermé after qualifying P1 and P2 yesterday.

You were sure the others noticed it too. The tension was warmer, banter almost coming back full force.

Lap 68 of 70. The tension is high, your focus even higher. Your Red Bull dances through the corners, tires screaming, engine humming—you're in P1, with Kimi right on your rear wing.

It’s poetic, almost. The two of you again. No one else in sight, just the ghost of your shared past trailing behind you.

Your race engineer’s voice crackles through the radio. "Two laps to go. Kimi’s got DRS. Don’t do anything stupid."

You don’t reply. You don’t need to. This wasn’t about stupid moves anymore. It wasn’t about payback or proving anything.

Kimi moves up on your inside into the braking zone of Turn 6. You see him in your mirrors— calculated, clean. He isn’t divebombing, isn’t pushing you wide like the both of you used to. He’s asking. Testing.

You defend the corner— not aggressively, but fairly. A line drawn in respect, not in battle. He backs off, just a touch, but he’s still there. You both know he’ll try again. Maybe on the next straight.

Lap 69. You feel him edge closer, the Mercedes getting tow after tow. This time, he takes the outside. You could shove him wide, close the door, cut the apex like you always used to.

But you don’t. You give him space.

You brake early enough to let him choose the line. You even adjust your throttle just slightly— not enough to throw the race, but enough to say I trust you to take it from here.

He does. He slips past, clean as ever. For once, it doesn’t sting.

You chase him for the rest of the lap— not because you’re angry or trying to steal the lead again. But because that’s how it’s always been. You and Kimi. Push and pull. First and second. Side by side, even when you're not.

Final corner. You’re right on his gearbox, but you don’t make the move. Because he earned this one. And because you’ll get him back next time.

Across the finish line: Kimi P1, you P2.

The checkered flag waves in a blur of black and white as you cross the finish line, just seconds behind the silver Mercedes in front of you.

But it wasn’t just the result that had your heart pounding— no, it was him. It was Kimi.

You’d fought each other hard. Clean lines, aggressive braking, zero hesitation. But not a single corner was dirty. Not a single move crossed the line. It was the first time in a long while where it didn’t feel like war. It felt like racing.

You let out a breath you hadn’t realized you’d been holding as you pull into parc fermé, the crowd roaring in the background. The adrenaline hums in your veins as you unclip your belts, helmet still on as you jump out of the car.

And there he is. Standing beside his car, helmet already off, curly hair flattened against his head, cheeks flushed from the heat. Kimi turns when he hears your footsteps, and for a second, neither of you says anything.

Then he smiles. Not the smug one. Not the teasing one. Just… soft. Honest.

You walk up to him and hold your helmet against your hip. "Nice win," you say quietly.

He looks at you like he’s trying to memorize this moment. "Nice race," he replies. "You pushed me."

You smirk faintly. "I always do."

A beat of silence. The air shifts. He opens his mouth, maybe to say more, but the media start swarming. Max claps you on the back. Charles yells something from the pit wall. Someone hands you water.

But Kimi’s still looking at you.

Before he disappears into the chaos, he leans in just slightly—barely audible over the noise. "I missed that. You and me. Like this."

Your chest tightens, but your eyes soften. "Me too."

Max stays standing next to you, a brotherly smile on his face. "You did well, kid."

You smile back. "Thanks, Max."

"And I'm glad you're both good now."

Your eyes slightly go wide at the mention of the Italian, ears turning red. Max notices this and smirks, "No PDA in the garages. And you better not tell him our strategies."

The podium celebrations are over. Your race suit’s half unzipped, champagne still drying on your skin as you walk down the paddock lane toward the team hospitality. Your boots echo against the pavement, the crowd a dull buzz behind you.

Beside you, Kimi walks with his hands holding his helmet. There’s a comfortable silence between you now— no jabs, no standoff tension. Just the lingering heat of a good fight and the electric charge of something that still hasn’t quite been said.

You side-eye him, the corner of your mouth lifting.

"So?" you ask, bumping his shoulder lightly with yours. "You finally happy you finished in front of me?"

Kimi glances over, slow and smug in the way only he can pull off. "Nah."

You raise an eyebrow, turning slightly to face him. "No?"

He lets out a breath that’s halfway between a laugh and a sigh, eyes forward now as you both keep walking. "I’m only getting started."

Your step falters just slightly— just enough for him to notice. He grins, because of course he does.

You roll your eyes, but you can’t hide the way your lips tug upward. "Cocky."

"Confident," he corrects, flicking his gaze toward you. "You’d know something about that."

You hum under your breath, trying not to let the warmth spread to your cheeks. "Guess we’ll see what happens next race."

Kimi slows just a little so he’s behind you for a step or two. “I’ll be right there," he says. "Chasing you."

You don’t say anything, not yet— but your smirk grows just a little wider. You go up to him and plant a kiss on his cheek, running off with a giggle towards your hospitality, leaving him dumbfounded and red in the middle of the paddock.

You're happy. Because for the first time in a while, you want him to.

Lap 71 of 72. The desert track shimmers in the heat, and the Red Bull at the front of the train is holding her own. You.

And he’s behind you again. Kimi Antonelli. The same boy who used to haunt your mirrors, your dreams, your everything.

The same boy you once fought like hell. The same boy you gave space to. The same boy you once let win.

But not today.

Your tires are worn, your fuel light’s flashing, and your team is begging you to bring it home safely. But you can hear Kimi’s car closing in, hear his engine roar on the main straight like he’s trying to rewrite the ending again.

He sends it. Late on the brakes into Turn 9. You cover him off. He goes outside in Turn 10. You tighten the line.

Lap 72. Final lap. He’s still right there. The Mercedes dips and weaves behind your Red Bull, looking for a gap, looking for permission. But this time— you don't give it.

Not out of bitterness. Not out of pride. But because this one’s yours. You earned it.

You hit every apex. Every throttle input is perfect. You’re on the limit, dancing with the car, chasing glory.

And as you round the final corner, Kimi’s still behind. Close. Always close. But behind.

You cross the finish line. You took the gold this time, and god did it taste good.

Your breath’s still heavy when you climb out of the car. Mechanics swarm you, hugs and shouts and celebration— your first win. Champagne-worthy. History-making. Redemption, in its purest form.

You glance sideways— and there he is. Kimi. Helmet off, curlier than usual, grinning like the idiot he is.

He walks up and bumps your shoulder with his. "Happy now? You finally finished ahead of me again."

You scoff, shaking your head, a tired smile on your lips. "You say that like I ever stopped."

He smirks. "I know. I was just giving you time to catch up."

You roll your eyes but the flush on your cheeks betrays you. He leans in just enough so only you can hear—

"I’m proud of you."

He pecks you on the cheek then steps away, letting you take the middle step on the podium where you belong. The crowd cheers and the teams holler.

And even from P2, he never looks away.

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practice1developingskills · 5 months ago

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Assignment5- 3D-2

Because I didn't have enough time, I took a break from the Blender exercise to focus on the goal of this assignment.

It's that magic flying machine I drew before. I've been itching to build it in 3D to see what it looks like in Blender!

The heart of this magical flying machine is the perfect blend of technology and magic. It's divided into several parts: the moon seat in the center core, the jewels and name tags on the top of the flyer, and the magic ribbon on the tail! (My favorite part, but also the hardest part of the painting process)

In the modeling process, the most challenging part is the details of the fuselage and the overall modeling mastery and restoration. In the 2D drawing process, I can cover up some of the design's less desirable or unique parts more opportunistically, but in 3D, there is no dead space at all. So, in the actual modeling, I had to adjust the proportions of the overall shape for a while.

The second issue is the texture. It's hard to draw textures by hand and even harder to create textures in Blender that match your style. It's tough to make a texture in Blender that matches your own style of hand drawing.

At a very late stage, I realized that creating a unique texture is very difficult, and it's not something that can be done quickly. However, I looked at the online teaching resources and tried to make something close to my ideal. The glass moon and the magic ribbon were the most difficult parts.

#assignment5 #practice 1: developing skills #3D

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xwx26 · 9 months ago

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"Red vs Blue"-1

For my first bi-weekly brief, I had to work on the topic «Red vs Blue», or «Red chases Blue». The second topic caught my attention as I inmediately thought of a cat chasing a mouse as a possible idea.

«Red» also inmediately reminded of the intricates chinese paper cutting, which are usually done using red pape, and that would be sort of the art direction that I could take my idea to.

Another possible idea I had was of the tales of the red and blue onis. I thought of maybe making the 2 onis heads have to share the same body creating the Vs conflict.

1.Fig: PureRef with references found

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she-who-fights-and-writes · 1 year ago

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“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation.

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating.

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut.

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

#writing tips #writing advice #writing help #writeblr #booklr #writers #writing #show #creative writing

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