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gyffindraws · 24 days

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i've been working on this idea since valentine's day and decided to skech out a cover (even though i literally only have a few out of context pages sketched lol)

over explained au idea under the cut

it's an au in which crowley is a human running his own plant store and aziraphale is a cherub that was kept in heaven after the eden/sword mishap. He runs the human archives in heaven and has been obsessed with humans ever since he met adam and eve. he's been schemeing for millenia to get a chance to go to earth (having only watched earth from the scrolls in the archives).

serendipitously, aziraphale finds an old file called the Cupid Project, a defunct project wherein angels would foster love amongst humans by helping them make connections (via celestial arrows to the heart, yeah. there was a reason it was cancelled). Seeing his chance, he pitches a reboot of the project to help more humans find love (and get his ass to earth). Annoyed, the archangels finally agree, if only to get him to stop pestering them. Under their terms, the archangels set a test for aziraphale to prove the project's worth. They pick a human for aziraphale to successfully find love for and give him one year to make it happen.

Anthony Crowley is a man that doesn't like to be bothered. He has a few 'friends' that check in on him from time to time, but really, he prefers to be alone with his plants. Really, he does. He's grumpy and prickly and pushes away anyone that gets too close. Which is what makes him the perfect candiate for aziraphale's test. Snickering to themselves, the archangels pick a man that couldn't possibly open himself to love. And when the year is up, aziraphale will be back in the archives, where he's promised not to bother them ever again.

tldr: human!crowley, angel!aziraphale, flower store, aziraphale as cupid. slow burn and strangers to friends to lovers. sappy romance, pining

some bonuses: the flowers crowley is holding are gardenias, which represent secret love. The flower's in the corner are cupid's dart, because of obvious reasons

#the title is extremely rough and will not look like that good god i swear im a graphic designer #good omens #aziracrow #ineffable husbands fanart #human!crowley #good omens fanart #my art #good omens comics #it may be a while until actual pages of this comic happen but i have the plot layed out and a few panels i did to test designs and styles #wip #crowley is a grumpy and lonely man and is immediately endeared to aziraphales quirky personality #crowley is unsure at first but quickly falls in love and aziraphale doesnt realize how much he loves him until its almost too late #aziraphale #crowley #anthony j crowley

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soleminisanction · 1 year

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Like I mentioned on my previous post, there’s a particular aspect of how Steph got fired from being Robin that I find particularly interesting. (And based on your tags, @alvindraperzzz, you're going to enjoy this as well ;) )

So, just as a reminder, this is the deal that Stephanie and Bruce make when he agrees to let her be Robin:

"You're on probation. You don't learn any of the big secrets. And the first time you disobey my orders, is the precise moment you're out. No second chances."

Here's what makes this interesting: Tim also had a probationary period. It took place between 1989's "A Lonely Place of Dying" storyline and 1991's Robin miniseries, happening in scattered pieces across bits of Batman, Detective Comics, and other associated books.

Aside from changes in comm-tech between 1989 and 2003, there's only two major differences between Steph's probationary period and Tim's. First, Tim already knew the biggest of the Big Secrets, so he gets moments of interacting with Bruce and Alfred in civilian mode and even stays with them during school holidays. And second, Tim was not allowed his own costume and was forbidden from going out on patrol. Presumably, this second difference comes from a mix of Bruce's implied scheme to lure Tim back, Steph already having copious experience on the streets as Spoiler, and just general management of their differing personalities.

The important thing is, during this time, Tim was under the same restrictions as Steph: stay out of this fight, and if you disobey me you're gone. And there came a time, right at the end, where Batman wound up in a dangerous situation versus a supervillain (in this case, Scarecrow) and the would-be Robin chose to break the rules. What's interesting is the parallels and differences between the two scenes, and how, if you're paying attention, they're pretty consistent, despite their very different endings.

For one, in Tim's case, he's not initially on the scene, and he doesn't have contact with Bruce (like I said, 1980's comm-tech -- Oracle wasn't even a thing yet). This means that he isn't defying direct orders when he chooses to act. And he doesn't rush in himself right off the bat -- his first choice is actually to dial up Commissioner Gordon on the landline.

It's only after he runs out of ways to get a hold of Batman and warn him of the danger that he makes the decision to go out. And he does so very conscious of the fact that this is going to cost him Robin, in spite of the months of work he's put in.

Stephanie, on the other hand, is on the scene and has a direct line to Batman. She's chattering in his ear the whole time, to the point that he has to tell her to be quiet because she's distracting him. And when the fight gets going, he tells her repeatedly that he's doing fine, don't come in here, stay in the plane.

She lasts maybe fifteen seconds before abandoning her comms and diving in.

She doesn't wait or consider her options. She doesn't even give their deal so much as a passing thought. She simply assumes that she knows better than him and leaps in without thinking. Which mostly just demonstrates that a) she doesn't trust him which is bad when you're trying to form a partnership, and b) she can't be trusted to follow orders.

Also, frankly, she demonstrates poor judgement by completely misjudging the situation. Bruce does not need her help. Even injured, he's doing just fine. Stephanie rushing in is nothing but a distraction and, ultimately, what loses the fight.

Tim, on the other hand, judged the situation correctly. When he arrives on the scene, Batman (and innocent civilian Vicki Vale, not shown for space) is in trouble. He's been caught by Scarecrow and genuinely needs the back-up because he's being psychologically tortured.

Another parallel is that both Robins wind up in trouble as a result of coming to Batman's rescue. Which makes sense, they're teenagers versus adults with super-tech, training and horrible fear chemicals.

In Tim's case, he gets doused with fear gas (specifically "essence de trauma" because this was back when Scarecrow had specific strains of his stuff) which trapped Tim in an illusion of the very recent attack on his parents. Seriously, this is happening like, the day after they buried his mother.

But! He pulls himself out of it with the help of what might be hallucinations or might be the ghosts of Jason Todd and the Earth-1 Dick Grayson (it's never explained because this was the late 80s and nobody questions this stuff when half the creative staff is running on cocaine.) He then manages to turn the tables on Scarecrow and actually save the day.

Stephanie, on the other hand, gets herself caught.

Which, like I said, loses Batman the fight. And more importantly, it puts Steph's life in danger and she's not able to get herself free.

And it isn't like she doesn't have the opportunity, in-universe. This is where the scene ends, but Bruce recaps on the next page how Scarab, quote, "Left Robin tied up, but alive and uninjured" when she stole the Bat-plane to make her escape.

So, if you're a reasonable person, I hope you can see how there's already multiple strikes against Steph that don't really apply to Tim: she broke the rules thoughtlessly instead of with consideration, she defied direct orders instead of taking initiative on her own, and she completely misjudged the situation, putting herself in danger for no real reason and costing Batman the fight.

But now, we come to the difference that almost everyone overlooks, but I think is the real key to the whole thing: how each Robin behaves in the aftermath.

Because, see, Tim comes to Bruce immediately afterwards and owns up to everything.

I really like this scene because what Tim says here is very deliberate. He doesn't make excuses or try to deny anything. He simply explains himself and then apologizes, fully willing to accept the consequences of his actions.

It's a very mature thing to do. I couldn't have done it at 13. I'm not fully confident I could do it now, at 33. And in return, Bruce says this:

This is the story where Tim earns his wings. In the next two pages, he's given his costume and is officially made the new Robin. And it's because he demonstrates, through his actions in this story, that he understands both the weight of the legacy and the very real responsibility he's about to leap into.

Compare that to how it goes down with Steph.

Like I said in my previous post, despite Bruce saying she'd be out "the precise moment" she disobeyed him, Bruce doesn't fire her immediately after the Scarab incident. Instead, the story skips ahead by three weeks, until after Bruce has recovered from his injuries.

This is something he's shown consciously choosing to do, though he doesn't explain why. I like to think it's to give her time to consider her actions.

Note the difference in the way that Steph behaves: she shows up in her costume, with the standing assumption that they're going to go after Scarab. The only thing that she thinks would've prevented them from doing so is Batman's vision not healing.

She feels "guilty" about him being blinded, but that just demonstrates that she doesn't really understand the situation -- Batman was blinded while she was in the plane. Which implies that what she feels "guilty" about is not disobeying him sooner. The fact that she put herself in danger, the fact that she broke the rules, these things never cross her mind.

You'll note that she doesn't apologize either. Again, it's probably not deliberate, but "I feel so guilty, it was all my fault!" is not the same thing as "I'm sorry." The former is what you say when you're trying (consciously or not) to get the person you've wronged to comfort you. To tell you that it's okay, you didn't mean to do it, everybody messes up so don't feel bad. Which you'll note that Bruce does.

It's only after Steph does this, comes to him acting like nothing's wrong and they just had a little oopsie-daysie on the way to their next rip-roaring adventure, that Bruce finally drops the bomb.

Note the "direct order in the field" specification.

Stephanie only starts to admit that she did something wrong after she realizes she's going to be punished, and even then, she's not apologizing, and she's not owning up to her actions. She's making excuses, trying to wheedle out of the consequences of her own actions. And not once does she ever seem to internalize that she could have died.

And all of this is very in-keeping with her personality as established up to his point.

In short, while the two situations are very similar, Stephanie's actually demonstrates the exact opposite of Tim's: even after years of being Spoiler and multiple occasions where her own life, civilian lives, and the lives of people she supposedly cares for have been on the line, she's still treating this all as a game where the most important aspect of the outcome is how she feels about it. It's not just that she made "one mistake," this is part of a pattern for her, one that demonstrates very aptly that she does not understand the danger she's putting herself in, doesn't respect the guidance of the people who are trying to teach her, and frankly, has no interest in ever getting better, because she doesn't think she has a problem.

It can't be her fault, after all. She just made a little mistake! It's everyone else who're being unfair to her, holding her to rules and agreements she never meant to honor, and they'll all see as soon as she can prove them wrong...

And we all know where that leads.

Now, there are people who believe that this entire issue is simply unfair to Stephanie. And yeah, there's an entirely different discussion to be had about the out-of-universe decisions surrounding this story, the intention of the creators, etc. But I think everything that happens here in Robin #126 is as in-keeping for Steph's personality as the events of Batman #457 are for Tim. And I believe that, in both, Bruce's reasoning is fair and based on sound judgement, not sexism.

Still, they're very fun to compare. The nuances between the different relationships is very interesting.

#stephanie brown #tim drake #robin #batman #dc comics #meta #dc comics meta #robins #bat family #long post #my meta #man it was hard to end this one for some reason #I wish so hard I could see the world where Steph didn't die at the end of War Games #and the writers actually had to think about how she'd deal with the weight of what she did to people #it'd be even better if she didn't get hurt but Tim or Cass did #I should probably stop before I start writing fanfiction in the tags #still she could've been so interesting!! and instead they went with boring and 'I'm not like other girls! I'm QUIRKY!'#we could've had it aaaaaaaaaaaaall

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