#real life moves

[miaqc1]

Martial Artist does MK1 Moves FOR REAL - Sofia Stunts

[brownpaperhag]

if any non-palestinians, especially in ‘the west,’ especially in positions of bodily safety, especially especially whites, are still feeling hopeless and lost about the genocide, may i offer, as gently as possible... get over it. your body is safe. you have been told over and over and over exactly what you can do to help, in exhaustive detail according to your specific social and political position. find out what you should do and do it if you can. if you can’t, that’s on you. find something you can do. stop asking palestinians to tell you what to do; take what is already given. you can find the instructions that have already been so explicitly left for you. you are an adult. your job is to keep moving. you are not allowed to be hopeless — that is a betrayal of everything the palestinian community and its supporters stand for. keep moving. don’t let anyone tell you that anti-zionist means anti-semite. don’t let anti-zionists around you become anti-semites. don’t let islamophobia stand. know that propaganda works and it’s working on you right now. keep moving. you are an adult. your life is yours to care for — that means finding the support you need, which also means knowing the boundaries and needs of those supporting you. you aren’t special. you aren’t alone. keep moving. you are not a hero. you are safe. you have agency. there is nothing you can do that can’t be done by someone else while you recharge. you are part of a collective; no one is looking directly at you. do what you can, and if you can do nothing, make your peace with that. palestine has no time for your shame or your guilt. feel these feelings when they come to you and then move through them.

[radiance1]

Damian: [brushing his teeth]

The shadow hanging over his shoulder: [Gets its teeth dangerously close to Damian's shoulder]

Damian: [Shoves a toothbrush into said shadow move and starts brush]

The shadow: [Pauses before starting to let out a contented purr]

Damian then spits out the foam and washes out his mouth, then makes the shadow do the same and then picks out pjs.

Damian: [Currently decided if he should go with the cat, dog, or knife imprinted one]

The shadow: [Starts getting dangerously close to Damian with, toxic green spirals it calls eyes]

Damian: [Throws the dog imprinted one behind him at the shadow and takes the cat imprinted one for himself and tells the shadow to put it on]

The shadow: [Stares at the clothes before hesitantly putting them on before letting out a noise of distress]

Damian: [Turning around to find the shadow somehow stuck in the pjs, lets out a sigh, then starts to help them fit]

Damian then moves over to the bed, he points to one side and tells the shadow to go there. The shadow listens, laying down as Damian also lays down, grabbing the sheets and covering them both.

It barely took a few seconds for the shadow to fall asleep, and Damian stared at it. Damian wasn't quite sure why the shadow of his dead twin was following him, nor why it was even able to and seemed to hide itself from anyone who isn't Damian.

Nobody besides him knew about it, and Damian decided that he liked it. This could have been his younger brother, if the other had survived, and they would have probably been told to fight to the death to decide an heir.

At the very least, that won't ever happen.

Even if his brother was slightly unusual.

===

Danny did not remember much of the before, he remembered people with blurred faces and features, blurred colors. He remembered a lot of colors, then red, then white, then pain.

He doesn't like pain, he believes.

Then he remembered going to sleep, and then he woke up. It was dark and slimy and cramped when he woke up, especially when he realized someone else was in their with him.

Then he fell asleep again, then woke up to that same dark and slimy place, then fell asleep again, all in some weird cycle. Then, moving, and pain.

It hurt, and he was sluggish when it eventually stopped. Then came pain again, and he was asleep.

Then he woke up, again.

He didn't know what was happening, wasn't really aware of too. But he woke up next to the other who was in that dark and slimy with him, and decided he wanted to stay with them.

He wasn't aware enough for most of the things that happened when Damian grew up, but he still stayed regardless, and hide from everyone else.

Danny loves his brother, and he thinks his brother loves him too. Even if he was slightly unusual.

[selfhealingmoments]

[symphonyofsilence]

What drives me even more insane about this scene is how you'd expect Gojo to imagine High school era! Geto in the crowd. Or at least not the cult leader, worst of all the curse users Geto Suguru. But no, it's the cult leader Geto. It's Geto as Gojo last remembered him. As Geto last was. Whatever choices Geto made, wherever his choices led him and them, however he was, whoever he was, traumas and messed up ideas and bad choices and ill reputations and scorns and all. Gojo wanted Geto Suguru there. Not any ideal version. Not any "what if" version. Not any "at some point in time before things went downhill" version. Not any "when your hands weren't stained with innocent blood" version. He knew very well what he wanted. And he wanted it all the same. He wanted Geto Suguru. However he was. He just wanted him to be there. He just wanted him to be.

And he didn't want him to help him, he didn't want him to fight with him even if they were strongest together and always fought together for a while. He just wanted him to be there in the crowd and cheer him on. He just wanted him to stand there and give him one of his sweet, heartwarming smiles that shaped his eyes into crescent moons. He just wanted him to be. Then even if Gojo had died in the end anyway, he would have been satisfied. It would have been worth it. Only if Geto was there.

[lucabyte]

Not all who wander are lost. Some who wander, however, are extremely, extremely lost.

[valgeristik]

This scene for Gale triggered for me in the funniest place possible

[iwanderthroughthesenights]

Something that stood out to me a lot from this album is the intentional de-personalization of extremely personal feelings and stories. She seems to have decided for this project that in order to be free to be completely honest in her art (which tbf she always has been but never as much as this album), she needs to visualize herself, and thus her stories, as a third party, an external entity on which she's conducting a post-mortem examination. Her 2016 self and the hate train she suffered after Snakegate is reimagined as Cassandra, a character from Greek mythology who had visions in her dreams but no one believed her and instead she was punished. Her anxiety of holding her lover's career back is instead described as The Albatross, this girl who everyone has been warned to stay away from bc she causes problems and is a liability. Her sweet, innocent childhood self is depicted as a robin, a feisty little bird full of life, dreams, and potential who has yet no clue of the cruelty of the world.

Consequently, the characters in her life are, too, bestowed upon fictional characters from stories that have been told before and/or are familiar in some way to the listener (aIMee the girl from this allegorical high school which is actually Kim Kardashian, Peter the boy who never grew up and stayed forever in Neverland who actually is her long-term ex partner, both her and her lover's separate romantic involvements imagined as Chloe or Sam or Sophia or Marcus, her real life therapist referred to as The Professor etc). By using the representation of well-known characters from widely popular stories and myths with names and all, she creates an even deeper line of emotional connection with the listener. Then, the 4th wall is delightfully broken in Clara Bow, where she refers to Clara Bow and Stevie Nicks as the inherent precedents to Taylor Swift. But what's even more brilliant about this is that in this way, she is making Taylor Swift into a character in and of itself. She is actually attempting to externalize Taylor Swift from Taylor the real-life woman. By narrating her stories through tangible entities presented as completely external to herself, she is inhibited by the safety of this fictional/allegorical lense through which she's allowing her stories to be consumed, and as a result, she has unlimited freedom to be more personal than she has ever been in her art before.

[tatretot]

nightmare. or, a “double victory” and its consequences

[oddberryshortcake]

Idia when he has to face the final boss irl 

[nazura]

[miaqc1]

DOING REAL LIFE MILEENA MOVES! - Sofia Stunts

[rassebers]

Pull yourself TOGETHER man

[notforeveryonesk666]

really really want that forever type of shit and can’t wait for that

[poorly-drawn-mdzs]

+3 friendship with Jin Ling: He actively tries to dissuade you from further embroiling yourself in the homosexual allegations.

[First] Prev <–-> Next

[ty-bayonet-betteridge]

i just realized

pearl STILL didnt get the fair duel with Scott that she's been craving

and why didn't she get it?

fucking Cleo