#resurrection myth

[religion-is-a-mental-illness]

Luke 24:50-51

And he led them out as far as to Bethany, and he lifted up his hands, and blessed them. And it came to pass, while he blessed them, he was parted from them, and carried up into heaven.

==

People think I'm kidding when I refer to him as an imaginary space ghost.

[kleinesmanuskript]

so does this mean that he still has two cocks or

[zephyrnes]

⊹ — 𝒔𝒑𝒊𝒓𝒊𝒕 & 𝒎𝒚𝒅𝒆𝒊 (𝒔𝒑𝒊𝒓𝒆𝒊)

“enemies” to lovers, forced proximity, lingering touches, promises pressed into the skin, linking pinkies, sharing comments under our breath, sunrises, possessive hands, his smug grin and my flushed cheeks, falling into a comforting embrace, a love that not even the fates can deny.

just as myths are preserved in the stars, rewriting themselves into the present over and over, the heroes of amphoreus can only prolong fate. so for as long as hades loves persephone, as long as her flowers continue to bloom and rot, and persephone falls into her lover’s embrace, mydei & spirit’s intertwined love is set in stone.

playlist: better man ⋮ perfume ⋮ always forever ⋮ from eden ⋮ good little girl

in amphoreus, history reads itself to the present. those whose lives have been narrated once before find themself in a cycle of tragedy, as the best stories are. the myth of mydei and spirit is a tale of reincarnated lovers who can feel the tug that pulls them together. in all timelines, in all possibilities. 

in this lifetime where amphoreus tips the scales towards destruction, the chrysos heirs rise to defy fate. but gods are fools when they walk with humans, and it simply can’t be helped that the king of castrum kremnos and the lady of the wind do not always get along. one might find them bickering over trivial matters, all sharp words that press but do not tear skin. he chases after the lingering breeze and she watches over the lion at war. eavesdrop on private moments and one will find that flowers still bloom even amidst ruins. 

it’s “enemies” to lovers but fate works in strange ways, the past blends with the present and the future blurs in the spindled hands of three. 

[ananke-xiii]

The natural order is absent fathers.

I’ve been trying to understand what the heck “natural order” means in Supernatural until I’ve finally realized I was giving it too much thought than necessary because it was much simpler than what I had in mind: the natural order in Supernatural is…. Supernatural from s1 to s3.

I can explain.

First of all, the natural order is an “arrangement”:

EVE: You misunderstand me. I never wanted that. Not at first. I liked our arrangement. SAM: What arrangement? EVE: The natural order. My children turned a few of you, you hunted a few of them. I was happy.

Eve turns up in s6 after s4-5 madness and she’s unhappy: the arrangement has been broken. This leads me to think that the key-factor in keeping the natural order alive and well is honoring deals. When Crowley starts crossing boundaries in s6 Eve steps up to put him back in his place. However, she doesn’t realize who her real enemy is until it was too late for her. As always, the enemy of the natural order, the breaker of deals, the one you cannot expect to keep his word, the snake in the grass is our very Castiel.

Billie shares Eve's storyline. She’s also unhappy about the discombobulation of the natural order and she takes it on the Winchesters and then later on specifically on Dean. What's more, with Billie we see that uncontrolled resurrections without deals are a real problem for her. She fails to realize who her mortal enemy is twice: once when she’s a reaper and Castiel stabs her in the back and in so doing he’s breaking a stupid deal; the second time when they die together in s15. This time, though, they die because Cas is honoring a deal, but he’s doing it on his own terms, not waiting around wondering what true happiness is but taking matter into his own hands.  Although I have things to say about how happiness is framed in “Despair”, I’ve got to admit that, in its own convoluted way, it was a badass move.

Interestingly, when it comes to Chuck we don’t see the same respect and passion for the natural order that Eve and Billie seem to share. This is also where I think the writers sort of dropped the ball. In s11 it was established that Chuck had created nature and then nature “created on its own”. Here he seems to respect nature and calls it “divine”. In “The Trap”, however, he says the following things:

SAM: It'll be better. It'll be better. It'll be better. If we win – When we win – When we beat you, I will make it better! CHUCK: You can't, Sam. You, Sam Winchester, have been playing fast and loose with the laws of nature and magic for a very long time – you and your brother. Always breaking the rules. And that's what I love about you, Sam. It's so heroic. It's so...Promethean. But there's still so much about the fabric of the universe that you don't know... that you can't know. 'Cause you're only humans. But I'm God. Think about what I showed you. Look beyond the Mark, beyond you and Dean fanging out – heartbreaking, but not the headline news. SAM: The monsters. CHUCK: The monsters. CHUCK: Without me, it's a law of nature – dark forces prevail, monsters rule, and you, your brother, and everyone you love will die. Can you really live with that?

First of all I find it fascinating that Chuck, of all people, likes Sam and Dean precisely because they break the rules (but then he can't stand Castiel, looool, much to think about). He’s eventually angry at them because they don’t follow his script but he’s ultimately invested in these characters to such a degree that he calls them “Promethean”. Now, lol because didn’t Prometheus die, like, in s8 or something? But also: Prometheus is the hero who got impaled on the mountains of Caucasus because he defied Zeus (*cough* like *cough* Dean Winchester*cough*). So whether Chuck likes their "heroism" or not he only likes it up to a certain point (and this certain point is when their actions reveal his secret desires for self-destruction but that's for another day). For sure he wickedly enjoys when he vicariously breaks the rules and the natural order arrangement via Sam and Dean's actions. Not so much when it's Castiel who inserts himself into the fabrics of his story.

Secondly, “without me, it’s a law of nature”. What does that mean? I promised I wasn’t gonna go too philosophical so I went for the simpler route. If we leave aside the “dark forces” and “monsters rule” shit, what Chuck is saying is basically that without him the natural order will prevail. Which should be a good thing, right? Right?! Which also means that he himself is as much of a disruptor of the natural order as Castiel (oh-oh). Just like Billie, Chuck likes breaking the rules only when he or one of this favorite characters break them. Unlike Castiel and the Winchesters, however, he’s on a different plane of knowledge (therefore power) because there’s so much more about the fabrics of the universe that they can’t know but he can. After all, he is God and he (according to SPN) has created nature itself. So what’s Chuck’s signature on this "divine" masterpiece? What are the foundations of the natural order? I think the answer can be found in “Free to be You and Me”:

DEAN: The hell did you do? CASTIEL: I don't know. I just looked her in the eyes and told her it wasn't her fault that her father Gene ran off. It was because he hated his job at the post office. DEAN: Oh, no, man. CASTIEL: What? DEAN: This whole industry runs on absent fathers. It's, it's the natural order.

That’s it, that’s the natural order according to Supernatural: it’s about absent fathers. It’s on their absence that “this whole industry” runs. Which not so incidentally is also the premise of Supernatural and, like, the whole plot of the first two seasons (and beyond but I'm talking "Dad's on a hunting trip and he hasn't been home for a few days" type of absent father, that is John Winchester).

So if my understanding is correct, it’s accurate to say that Billie won in the finale because the natural order was re-established: nobody is resurrected, they all eventually die and Sam and Dean go on a hunt guided by their absent father’s journal, something we haven’t seen in ages, on a case that John himself had worked on something like maybe 20 years prior? Which is what they did in the first seasons of the show. They even meet a vampire from S1 who was there to signal precisely that: they're back in the past, only not in a positive way because it's a fictional past. A past with a mask.

Yes, the natural order is just the past through rose-colored glasses, a “let’s go back to the fun times of season 1-3 before all that angels-and-god-non-sense”. Which is technically possible but practically anachronistic. These two men are not in their 20s anymore, they're fully grown adults who've been through... let's just say a lot. It's a glorification of youth and a "forever young"ism that I find quite worrying. Moreover, with these premises Castiel couldn’t ever come back because, together with Chuck, he was one of the main disturbers of the natural order, aka the way Supernatural was before S4. Chuck's mistake was precisely inserting himself into the narrative because, in so doing, The Father is no longer absent while he must stay so according to the rule of the natural order. That's the arrangement. Chuck and Castiel's narrative fates are thus weirdly knotted together because the arrangement excludes deal-breakers/father-figures like them. Ironically, the ultimate absent father is not God but John Winchester, period. His absence is Order. It's the Law, aka what gives meaning to reality.

The implications of the finale are problematic because why on earth would you end your series like that? It's not even a positive "full-cycle" moment, it's just sad and uncanny in the freudian sense of the word. I know and understand that Dabb was working on his retelling so that we could all go back to the beginning but what is the point to go back without growth? Or to go back and then die? Or to go back and just leave? To me it doesn't make sense from a storytelling pov. I repeat, why would the people involved in this series decide to go down that road I cannot know. I suspect that they took the emotional, fake-happy ending road because Covid had destroyed the world as we know it so maybe they opted for an ending that would comfort people ("comfort" in the sense that's familiar to people, it follows an established path that's recognizable and doesn't destabilize them, which, for the record, I think they failed to do). Or maybe the intent was precisely the uncanny, that feeling of something disturbing and unsettling in what should be familiar and comfortable for us. As in: the story ends like it began, nothing has really changed and everything can only get resolved in the after-life. True happiness is not in the having, it's in just being (dead in Heaven with your brother). I don't know, two things can be true at the same time, but I'm not gonna lie I smell traditionalism, conservatism and heroism as a cult of death that's very Ur-fascist.

Not that anybody has asked for this but, unlike Eve and Billie, I’m actually quite happy because I’ve managed to find an answer to one of my own questions.

[theoihalioistuff]

Hi, I've finished the Illiad and Odyssey not so long ago, and I'm a little bit confused.

In those texts, characters or narrator sometimes refer to Zeus as "the oldest of gods." I've read these on my native language, so I decided there was some translation problem, but then I've came across couple of English posts also talking about Zeus as the oldest and yes, I understand that posts people write aren't the best source of information but along with what I've read in the poems it made me doubting.

So, are there some versions of the myths where Zeus is the oldest? Or is it simply a translation or interpretation problem, like "the oldest" in the meaning "the strongest/wisest/greatest/etc"?

I will be very thankful for the explanation because somehow, this made me so confused.

No problem! Although Zeus is almost always presented as the youngest son from Hesiod onwards, he is in fact described as the oldest in the Iliad. For example, when he sends Iris with a message to Poseidon:

"I came here bearing a message for you, dark-haired holder of the earth, from Zeus who wields the aegis. He commands you to desist from war and battle and to go among the tribe of gods, or into the bright salt sea. And if you do not obey his words, but ignore them, he threatens that he too will come here to do battle, face-to-face; and he bids you avoid his hands, since he says he is more powerful by far than you in strength and in birth is elder." (Il. 15. 174-182)

One could suspect Zeus is bending the truth or being metaphorical in claiming primogeniture (considering the other more popular tradition) but the Iliad states it as a literal fact, as evidenced by Iris' response to Poseidon when he says that Zeus can snorkel his dongle:

"Is it in this way then, dark-haired holder of the earth, I should bear this harsh and powerful word to Zeus, or will you change your mind at all? The minds of the great are yielding. And you know the Furies always attend the elder born." (Il. 15. 201-204)

Meaning if conflict were to arise the Furies would side with Zeus because he the is older sibling. Hera is likewise here the eldest of the goddesses, and there's no reason to suppose it's not meant literally.

Curiously, quite the opposite interaction occurs in the Odyssey. If in the Iliad Poseidon has to give way to Zeus' bullying because Zeus is the eldest, in the Odyssey it is Zeus who, though still supreme king, gives way to Poseidon because here Poseidon is the eldest:

"Then in turn Zeus who gathers the clouds made answer: ‘What a thing to have said, Earthshaker of the wide strength. The gods do not hold you in dishonor. It would be a hard thing if we were to put any slight on the eldest and best among us. But if there is any man who, giving way to the violence and force in him, slights you, it will be yours to punish him. Now and always. Do as you will and as it pleases you.’" (Od. 13. 139-145)

Ancient authors were not unaware of the contradiction, and there seem to have been attempts to reconcile both traditions, like in the Homeric Hymn to Aphrodite, where it's said of Hestia:

"She was the first-born child of wily Kronos and youngest too, by the will of Zeus who holds the aegis." (Hom. Hymn. 5. 22-23)

No further explanation is given, but it's widely assumed that this is a reference to Kronos disgorging his children in the reverse order in which he swallowed them, ie. rock first and Hestia last (Hes. Th. 500 and Apollod. 1.2.1). The imagery of Kronos "rebirthing" his kids from his throat is... explicitly, used by Nonnos in the Dionysiaca when describing the scene:

"How he [Kronos] opened a gaping throat to receive a stony son, when he made a meal of the counterfeit body of a pretended Zeus; how the stone played midwife to the brood of imprisoned children, and shot out the burden of the parturient gullet" (Book 12. 43)

[Describing a shield that depicts Kronos swallowing the stone] "There he was again in heavy labour, with the stone inside him, bringing up all those children squeezed together and disgorging the burden from his pregnant throat." (Book 25. 553)

"And these dwelt in the city of Beroe, that primordial seat which Kronos himself built, at that time when, invited by clever Rhea, he set that jagged supper before his voracious throat, and having the heavy weight of that stone within him to play the deliverer's part, he shot out the whole generation of his tormented children. Gaping wide, he sucked up the storming flood of a whole river, and swallowed it in his bubbling chest to ease his pangs, then threw of the burden of his belly; so one after another his pregnant throat pushed up and disgorged his twiceborn sons through the delivering channel of his gullet." (Book 41. 65)

Hope I could be of help! And that Nonnos hasn't traumatised anyone too much.

[whatudottu]

Hey, I noticed your post on Ectonurite religious practices, and I thought the concepts were very interesting. I’m a big fan of the Anur System myself, to the point I’ve learned how to make languages for them, if that’s not too weird…

In reference to this post-

The 'having a favourite fictional setting' to 'make a conlang' pipeline is all to real Pilgrim, my linguistics teacher let me use mine for my end of term project instead of the assigned analysis (transcribing a conversation between yourself and a friend, which probably would've been useful to study); you wouldn't believe what planet I based it on (don't look at my icon that's cheating :P)

But nah yeah, the Anur System is to me one of my favourite parts of Ben 10 Omniverse since I love horror and horror themed things but hate being scared of them so- the Anur System and the movie monsters that influence their design always has a special place in my head!

Even in my mutants and magic au where I retcon even OS to include more mutants and more magic users and presence where I made the Mummy an actual mummified priest who's attempt at resurrect worked (to the detriment to waking up to the grubby mitts of the British museum) and making Viktor an actual frankenstein's monster who's functionally mutant both to parallel Gwen and Max better (Gwen for magic obviously, Max for being a not-so-ex-Plumber who dealt with more than just alien phenomena but humans doing weird things inspired by old books and other stuff), I can't not still have the entirety of the Anur System still exist! I can't remember who but someone made thep khufan siphonophores and well- riding the coattails of my fulmini posting I got excited over them :P same goes for transylians though I haven't thought much about their potentially interesting biology other than the thought of 'how weird can scar tissue adaptations in biology become' so :P :P :P

[slowtumbling]

Quetzal

The History Behind a Song During my first visit to Central America in 1988, I wrote several songs which I released on my first album, La Voz. Perhaps someday I will re-release it online – the original was on cassette. Several songs that I wrote during that time were not released, either remaining in lyric form in one of my journals or the chords long forgotten. The Legend of the Quetzal In…

[pathoscleaved]

@ashenwinds sent:

it's all a game now , but once i'm in the world it's lost . ( from Flameheart because yes )

↪ 𝑹𝑬𝑰𝑵𝑪𝑨𝑹𝑵𝑨𝑻𝑰𝑶𝑵 ; ᵀᴼ ᴮᴱ ᴿᴱᴮᴼᴿᴺ . ( a collection of lyric starters from ᵐᵉˡᵃᶰᶤᵉ ᵐᵃʳᵗᶤᶰᵉᶻ'ˢ 2023 album , 𝔭𝔬𝔯𝔱𝔞𝔩𝔰 . adjust phrasing as necessary . )

BLACK BOOTS CRUNCH INCINERATED BONE. The warehouse floor is littered with the shards of bleached marrow, and Albert stalks forward, minding the larger piles of dust and debris. Evidence of candle wax, some sand and seashells, and a carnelian stone scatter among the bone shards, and it is only when the tyrant steps back that he can see a rough outline of a skull. It smells of burnt flesh, singed hair, and decay, of the salt of the sea...

Scorch marks somehow darken the cement, leading to a curious object that seems to shine in the almost-lightless expanse. A cutlass, sticking into the flooring, is surrounded by a moving arc of flame, and then he finally notices that there is something up and moving. Uroboros shifts inside of him, slow, gathers into his palms beneath his gloves, and he shifts into a defensive stance.

Orange-gold eyes flicker to stare into the face of a skeleton. With embers blazing in the sockets - must be the being's eyes. The same flame seems to animate the creature, and Wesker tilts his head. Though his lenses reflect no emotion but the skellie's own appearance, there is a slight curiosity found in how he regards the other.

"Is that so? Hm. I thought you were a myth - then again, so did these pitiless fools."

He kicks at the dust and bone -

"Is it you who killed them, or did the ritual?" Logical to assume the impossible when no other facts remained.

[athalantan]

Tortures me a little actually that El’s time in Myth Drannor is so important to them, yet we never see it play out in the novels. We get a glimpse of the beginning but there’s like 90+ years we just don’t see. Like so much of El’s life, it exists only in myth and their memory.

[ananke-xiii]

Although I mainly see the first six episodes of s13 as an engaging portrayal of two grief-stricken people lacking the tools to deal with what has happened to them, I can also totally see them as the so-called "widower arc". Two things can be true at the same time because yes, Dean was totally grieving Cas' death. But I'll make it worse for you.

Maybe I'm biased by the many times I've read the term "widower arc" but Dean was 100% looking for a consort in Cas in s12 (yes, "consort", I'm tired of "partner" or "boy/girlfriend", they're weak terms, give me "sharing destiny" type of old words) so I think this interpretation is not so far-fetched.

We have a grieving widow(er), a desired consort who's dead and then resurrects and a son who's been defined as "the rising son". As I've already said these are some of the elements of one of the most ancient myths in Western culture, that is the myth of Isis and Osiris.

Now, of course it was not a retelling of that myth, I don't even think it was a conscious effort to shape the story that way but sometimes symbols will be symbols, what can you do?

First of all, two brothers: Set and Osiris and Lucifer and Cas. We know how it goes, one brother kills the other (As an aside in one version Set built a wooden chest and tricked Osiris to enter into it just to seal it and drown it in the Nile. We have totally NEVER seen this image in Supernatural. Not even ONCE).

Things get very interesting from here on because in the myth there's a lot of focus on the body of the deceased brother, Osiris/Cas. The most famous way Set disposed of his brother's corpse was to cut it into pieces, to... tear him apart if you will. It is then kinda WILD that AU!Michael kills "his" Lucifer the same way:

MIchael: I killed my Lucifer. Tore him apart in the skies over Abilene. But hey, can’t get enough of a good thing.

Apparently, the body must be somehow intact for resurrection to happen. In the myth Isis has to find his husband's bodyparts scattered all over Egypt in order to resurrect him. So we need to pay extra close attention to Cas' body which we are actually shown in that tragic scene where Dean prepares him for the pyre. So it's Dean who takes care of Cas' body, who "collects" it, just like Isis. Interesting.

In SPN "What gets burned stays dead", therefore Cas cannot resurrect, or so they think. The mantra is repeated by Jack in "Tombstone" when he first sees his father. To be honest, we don't really know how Cas resurrects. For the first time we see what happens to him between death and rebirth but we miss the technicalities. We can only assume that Cas' ashes were enough. Or maybe, just maybe, that's just a rule that applies in Chuck's story. Just saying.

I'm not sure if they try to discover how Jack managed to do that but the point remains: it was Jack who woke Cas up in the Empty.

And why did he do that? Well, because he can. The very first thing that Jack does is resurrecting Kelly in an episode aptly named "The Future", where Jack is sort of introduced via his mother's resurrection. He doesn't know how to use this power but he unconsciously does it again with his father. And I ask again: why?

Jack wakes Cas up in "The Big Empty", four episodes into the season. He could've done it sooner? No. Because what prompts him to unconsciously act is Dean's grief. And Dean reaches his boiling point when Sam finally provokes him. Osiris/Cas dies and his consort Isis/Dean is inconsolable. Other people like Sam can forget about it, but Dean can't in every sense of the verb.

In the myth it's Isis who resurrects Osiris and has a child, Horus, with him. But she got help. Dean's only human but there is a demi-god running around in his bunker so I think that helped. And Cas must be credited for the effort and the pushing.

Let's just say that resurrecting Castiel took three, actually four people okay? It required a team effort. Because none of them is a fully-fledged god like God or Amara or some Archangel who can just snap their fingers and boom welcome back to Life. Coaxing someone into resurrection (a resurrection with consent) takes a lot of willpower... and a lot of love.

I said four people because the last character in this little story is The Shadow. And we see this in the myth as well!

Isis doesn't "just" resurrect Osiris, she has to convince the motherfucker. Cause, you see, Osiris's heart was tired. A tired heart! Oh so beautiful! He didn't see the reason to go back to life. He was sooo tired. Isis has to literally seduce him back to life. And... this is kind of what The Shadow does, but in reverse? It tells Castiel to go back to sleep, to find peace, it's been in his mind and he wants to sleep, it knows!

The Shadow is Cas' tiredness, all his failures and regrets. But, as I said, it takes a lot of willpower and a lot of love to resurrect the dead, this is what Isis teaches us actually. To love more and then some more. And Cas loves back and he loves hard.

Castiel: You can prance and you can preen and you can scream and yell and remind me of my failings but somehow, I’m awake. And I will stay awake and I will keep you awake until we both go insane. I will fight you. Fight you and fight you for…ever. For eternity.

He didn't come back because he annoyed an ancient cosmic being. He came back because he loved.

So Osiris/Cas are back to life and that's good, right? Well... yeahhh. The thing is that Osiris will then live in the world of the dead so he kinda doesn't really really stay alive for long. And Isis will follow him. Things will likely go bad for Cas.

But the story continues!

Set/Lucifer and Horus/Jack engage in a rather disturbing (in the myth) struggle for power. The myth has different endings: in one they reconcile, in another they divide the realm, in yet another one Horus is the one true winner. So we don't really know (from this point in the narrative) how things will actually turn out for the two of them.

Isn't it interesting? Well, it's not surprising because there is a connection between christian stories and greek and egyptian ones but still? Kinda cool to see how myths keep repeating and repeating. As if we're still trying to understand them.

Anyway: yes to the widower arc, yes to love piercing through the veil of death. Both ways! It takes the love of two to resurrect.

[vulnerasti-cor-meum]

how is the doctrine of the Dormition-and-Assumption of the virgin mary not in the same line of mytho-poetry as that of Persephone and Alcestis and Iphigenia viz. young woman suffers a death (real or ritual) and is snatched back up to life by a god (Alcestis/Iphigenia) or brings life/fertility with her (Persephone)

[prlssprfctn]

I recently came up with the idea of an immortal Jason who doesn't know that he's immortal because he wasn't killed after his resurrection ( or he just didn't realize it) . He learns this when he realizes that he is not getting old, but before these there is a moment of pure misunderstanding of the brothers "Why the hell does this jerk look better than me!!!"

yes, yes — absolutely yes!

i think he died, like, twice, and never realised it. woke up in the pool of his blood after the batarang incident, slit throat healed, and was like: oh, the Lazarus Pit, probably, healed me, lol. and then accidentally survived through something similar, and didn't figure that. he is not that lucky to die and be revived again, right?

...right?

on the other hand, here is like an elephant in the room — he barely looks twenty-two, no matter how old he gets. he shrugs it off on genetics and some stupid jokes. other bats are fuming.

Dick, self-consciously staring at his own wrinkles: what is your skin routine, again?

Jason, irritated: a smoothie with blood of my enemies, two times a day — after breakfast and dinner.

Dick: oh, come on!!! just drop the fucking routine???

Jason: THERE IS NO ROUTINE, OMFG

Stephanie: chat, do we really think Jason's genetics are just so slay?..

Damian: i don't believe it. his parents looked old on all the photos we had here, and they were barely thirty.

Dick: that's a rude thing to say, plus, their lives were tough—

Tim, murmuring: well, not Sheila. Sheila looked peachy.

Dick, grimacing: yeah, being modern Judas do that to a person, apparently.

Duke, shrugging: maybe Jason became vampire somewhere in the LoA. sounds possible to me.

Cassandra: seconded.

Damian: stop creating myths about Nanda Parbat, we don't do these things.

Duke: your mom does look good, though.

Damian: ...she does. and never say that again aloud.

Stephanie: okay, maybe not vampires. what else it could be, though—

Jason, appearing on the doorstep, eating yoghurt: god forbid a man look whimsical and youthful in his thirties

Dick: Ja— what the fuck.

Jason: yeah, i stole your yoghurt, and?

Tim, jumping on his place: MAN. YOU HAVE A HOLE IN YOUR CHEST.

Jason: that's an old one.

Damian, cautiously reaching for medkit: how old exactly, Todd?

Jason: two hours, lmao. slept through it. it's fine now. anyway.

everyone: ...

[aunti-christ-ine]

All the great reasoning behind religion! 🤢🤮

Just enjoy the eats and playing with kids and stuff, mmmkay? Jeeez!

The imaginary infection of “sin” wasn’t eliminated, and you still get the blame for things you didn’t do that your perfectly-designed-universe-creating god is wholly responsible for. 

Enjoy your eggs.

[loloraturaart]

Myth day of Timebomb week 2. I couldn't find a myth I liked, but I mashed together tropes of Prince As Bird and Self Sacrifice. Ekko was transformed into an owl, someone shot at him but Jinx took the arrows. Her love has turned him human, and he'll go on a quest to resurrect her

[prest0allay]

Ccwau Cleo and Pearl. I'm honestly in love with them

Cleo (resurrected human)

In their previous life, they were a folklorist and an author of a few mythology books. During their last years, they were researching these strange myth/tales about "Watchers". After leaving their village they mysteriously disappeared. Years later Cleo was somehow resurrected and eventually captured by the knights and taken in the Capital as a prisoner. That's where they also met Scott and became friends (talked to each other time to time from the other side of the wall). Both of them became a lab rats for research purposes for many many years until they met Impulse.

The three of them made a deal that if Impulse manages to free them, they will help him with whatever he needs. After blowing up the prison and fleeing from the Capital they set out to the Wilderness.

Pearl (lycan)

Orphan and a lycan, she was ostracised and had to move from one place to another. But wherever she went, a tragedy often followed. Just like many adults, Pearl was forced into the military. It was not bad at the start. She was skilled and became respected and even made her very first friend "Gem". Life was ok, but her suppressed lycan nature catched up to her.

Becoming a convict, she lost everything, her freedom, friend, and even her eyesight. For the next years she endured hell. After an unexpected explosion, she escaped and ran away.

Somewhere along the way, she met Impulse and the rest. Not knowing what to do, Pearl joined them but still can't trust them fully.

[bloodstained-ballgowns]

dance fever is just such a great fucking album man. "you say that rock and roll is dead, but is that just because it has not been resurrected in your image?" is still one of my favourite lyrics of all time. 'king' flummoxes me every time i listen to it. it's got myth vs realism. deification and iconoclasm. art as communal experience, as identity, as the lines between individual healing, catharsis, and destruction. #depression, self-sabotage, nostalgia. madonna-whore complex mockery. "it's good to be alive, crying into cereal at midnight" "when i decided to wage holy war, it looked very much like staring at my bedroom floor" it's got humour. "what a thing to admit, that when someone looks at me with real love, i don't like it very much. kinda makes me feel like i'm being crushed." !! there's a whole song where the chorus is just the word daffodil over and over again and it's a banger.

also there was a real gap in the market for an album based around a 14th century european mass hysterical dancing epidemic so i'm glad that got filled.