#robert week

[visionsofmagic]

day 10: bruce wayne [car sex]

࿓ synopsis • bats fucks you in his batmobile to teach you a lesson after you disobey his order.

―❦ nsfw, autonomous driving, one has clothes on one hasn’t, suited!bats, batmobile, markings, car riding, possessiveness, jeaolusy, pet names, swearing, master kink, rude!bats, identity dilemma, inner toughts, spanking, begging, brat taming, clothes full on/off, kissing, ‘is all I guess. • 1.9k • thought comic bats while writing but you can imagine this with any version of batman as you like of course. enjoy the beginning of the second week of kinktober event, hope you will like this week too! [kinktober m.]

“bats – please –“ as the gotham’s city’s night lights pass behind the black windows of the batmobile you’re in, your own voice gets silent by the loud sound of the road, yet, they reach to his ears that are covered with his black batman mask. “it’s too much –“ 

the man under you stays still even when his actions don’t stop – fingering your clit, he seems like he doesn’t care about how you’re sitting on his lap, soaking onto his black bat suit, getting wetter each passing time – having no dress on you makes the situation more sinful, especially when he has his own armored suit on, even the mask is still covering his face and ears – his bat ears is a source of balance for you to hold onto while taking his fingers as if it’s the first time he does this.

you have no idea how this man makes you feel stranger to being fucked by him whenever he has you like this – weak yet so powerful because of the whole situation.

it should’ve been a peaceful night, a simple mission – yet, it turned into something more, and you were the one to blame the moment you began to flirt with one of the guests to distract him. you were doing what he told you to from the other line of the call, giving instructions one by one with the help of the device on your ear. it was going all right until the man got interested in you, buying you drinks, joking around, and asking if you would like to follow him to do upstairs. 

you didn’t yet you had to act close to the man to get rid of him because bats told you to leave his side immediately. your mistake was taking that decision; putting one of your hands on the man’s shoulder, raising on your feet, and whispering something into his ear before leaving. apparently, this made bruce go mad – causing him to give you a lesson that you had to learn right away.

the moment you entered the batmobile, he took you onto his lap, taking all your clothes from one to another, looking darker than ever – hands fast, lips kissing yours so passionately that you believe your lips begin to bleed, the suit remains on as he begins to finger you – he just opens the zipper of his armored pants, leaving his hardened cock visible to your eyes.

wanting to touch him, your hand goes to his cock, yet, it is stopped in mid-air. he doesn’t waste any more seconds, slapping your clit, he adds, “you had to earn it. you will not get it until you beg for it.”

now here you are; already cum for one time, its hints still on your thighs and his pants, however, he doesn’t stop – you know he waits for you to beg – you try not to beg, stubborn, believing you did nothing wrong, but, it’s too much – he knows every point to make you beg – the vigilante know your own body more than you do.

when he hits your g-spot with only his gloved fingers, again and again, you cry out loud, “bruuuce – aggh – please -!” the words go out of your parted lips on their own as your hands grip his bat ears strongly, bouncing on his fingers when he doesn’t move them. the knowledge of making a mess out of you doesn’t reach into your brain, so, you continue fucking his fingers – his dark-colored eyes look up, a smirk position on his attractive masked face, mocking you. “please! I need youu – aggh!”

“pathetic,” he remarks, “bouncing on my fingers as if they’re my dick,” a chuckle breaks the lewd sounds – the outworld out of the batmobile is long forgotten. “want it so much? want me to bend you over, fuck you in this car?”

without thinking, you nod rapidly, eyes half-closed, your second cum drips onto his fingers, high hits the body, feeling a bit exhausted yet ready to take his thick cock now. 

your mind can’t comprehend what he’s doing but in a moment you find him lowering his seat, opening enough gap between your bodies and the batmobile’s front. 

afraid of falling into the surface, you try to hold his shoulders – still can’t believe you fucked yourself on his fingers and cum onto them when he talked dirty. the power – the effect he has on you is incredible! the mind is so dizzy because of him that you realize what he has done after a moment, your widening eyes look at the front mirrors of the car, seeing the road in front of you – the scene changes faster than you think – you swear the car moves like a lightning. 

the reality hits your face similar to the feeling of cold water washing your body over on a hot day. however, you can’t focus on it when bruce’s gloved and wet hands position on your waist, highering your ass up, pulling your body closer to his face.

when you hold onto the wheel to stay still, excitement and shock blurring the last cramps of your mind, fear of going in an extremely fast batmobile makes your blood boil – yet the trust you have for bruce is there, strongly holding you. his low voice reaches your ears after a while, and his hot breaths wash your pussy and ass holes that clench around nothing, making you jump in pure pleasure. “you disappointed me,” he says, “you disobeyed a direct order from me. that man meant nothin’ to me but disobeying – oh – what a bad choice y/n.”

you couldn’t wait any longer, knowing his one step away from licking you, lust takes control of you, and you begin to say how sorry you’re – how you didn’t mean to – both you and bruce know you did mean to, to get his attention, to get this side of him, because you’re a brat of him who he will tame.

“keep your begs for forgiveness for later. you have to prove to me that you’re capable of obeying me, you pretty brat.”

“anything, I will do anything for you bru -!” a slap to the ass, a slap to the pussy – scream escapes from your lips. “bats! just give me an order, will do it – just please – please fuck me already!”

“in that case,” he says, not licking you, making you pout in disappointment but when he lowers down your body, his cock’s tip meets with your aching pussy’s folds, he clicks a button, the engine slows down a little bit, the wheel of the car gets closer to you. “hold the wheel.”

you try to understand what’s going on, “what are you doin – aggh!”

his left-hand grips your neck, holding it tightly, closing the gap between your face and his, he points to the wheel that stands right in front of you. “hold the fucking wheel if you want to be fucked, y/n.”

swearing lowly, your shaking hand finds the wheel, holding it strongly, waiting for bruce to push a button – when he does, the engine starts moving faster than before. unlike the previous situation, this time, it’s you who drives the batmobile.

“bruce – how – “ your words are cut off by his deep voice.

“don’t take your eyes off the road. you will take us to the home without an accident. if you turn even a little bit, I will stop fucking you my love.” the difference in his words and voice make you go crazy, and that craziness doubles up when he lowers your body down enough to make him thrust his thick cock into your pussy, filling you up.

screaming with sudden pain and pleasure, your eyes roll over for a second before looking right at the road in front of you – gotham city still stays under the darkness of the night, the only voice that world excepts is the powerful sound of the batmobile riding on the endless looking road, the moans coming from you and swears from bats mixing with the flesh hitting the flesh can be heard by only you and bruce – the sin you commit cannot be known by another.

the focus you put on the road gets distracted whenever bruce shoves his dick into your wet clit. back of your thighs hitting his clothed thighs sends pain through your body, leaving red marks on your flesh – the balls that meet with your ass cheeks increase the sensitivity you have, making you cry as you clean them rapidly to see the road.

his name comes out of you over and over again, the brain is too occupied to drive, the mind is too crazy to function, and the body is too full of him, the man who wants to devour you, and doing it right now – using your body as he pleases, not moving his hips greatly, instead, he makes use of your body by lifting it up, then, pulling it down until his dick fills your walls deeper, harder and rougher.

“fucking brat,” he says, a poison that his voice holds captures you – you feel so pathetic as if you’re his fucktoy now. then why do you feel so high like the most powerful drug in the whole world gets into your veins with the maximum level, you ask yourself, then the answer travels to your mind after he adds, “can’t obey her master? what a pretty yet mindless girl you are, don’t you think?” oh, right, he’s the most powerful drug on the whole world, and now, you’re at his mercy.

“u-huh – agghh – oh myy – bats! please, please, please –“ you have no idea what you’re pleasing for, but he knows – he chuckles lowly, having fuck great entertainment thanks to you that you feel a kind of pride in an instant.

“u-huh?” he mocks, fucks you still, close to the edge, just waiting for the right moment. “too cockdumbed to even understand what I’m saying. but you do good my good girl, keep going, we’re close to the cave.”

the new information makes you happy, smiling widely, and looking outside clearly, seeing the cave’s entering. with the relief, you begin to drive the car more carefully than before, hands getting stronger, losing yourself in the pleasure of being fucked by bruce in his damn batmobile.

finally reaching your destination, you slow down the engine, the cave’s front door opens, and pushing a button, bruce hugs you from behind, making you sit down on his cock with an instantaneous speed, earning the loudest moan out of you.

the mouth standing beside your ear says, “cum. cum on my cock.” and you who doesn’t know she’s waiting for him to allow her – to order, do what he tells, cum on his cock as his hot semen hit the deep inside of you in sync.

kissing your shoulder, he holds your shaking body because of both the coldness of the cave you have entered and the opposite sense of warmness that bruce gives – the smell of highness on the air, chests getting up and down, breaths rapid and low, lust ends – its place gets completed with the affection of love.

“did so good,” the car’s door opens, bruce takes your body in bridal style after wrapping it with his cape. his gentle lips put kisses on your face as he walks into the bathroom of his room, watching your soft features, eyes closed to sleep. he smiles fondly, proud of you. “let me take care of my pretty girl now.”

❦ tagging: @lilvampirina & @snowprincesa1 & @dookiemeshibear *lots of kisses!*

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 43 (Masterlist)

(Part 44)

Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.

Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—

@bruciemilf guess who’s back

Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)

I’ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.

Yada yada don’t die LOVE Y’ALL

[confiturederoses]

Robert Wun Haute Couture SS24

[panthermouthh]

And I said, “Hello, Satan

I believe it’s time to go.”

[sneez]

pathologic but it's a lost 1920s german expressionist film [id under cut]

[id:

image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.

images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity

image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).

image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.

end id.]

[styleinthedetail]

[aenslem]

28 WEEKS LATER (2007)

[elemental-plane]

i was struck with a vision

[lelelego]

distractions

[emblazons]

ROBERT WUN | SPRING 2024 COUTURE COLLECTION

Paris Fashion Week 2024 Vogue Review & Full Collection

[robert-deniro]

The Room (2003) // Killers of the Flower Moon (2023)

[sprinklersart]

Based on This post! I made a font out of my handwriting! So fun!

[pistolenprinz]

PRIDE ICONS SERIES (Credit Appreciated!)

VAN DER LINDE GANG, Red Dead Redemption 2

Flag: Community Lesbian Flag by Emily Gwen, who still faces poverty despite multi-billion dollar corporations using her flag for their merchandise. You can help Emily out by supporting their Ko-Fi, or buying something from their Threadless Store!

HAPPY LESBIAN VISIBILITY WEEK ❤️🧡❤️🧡❤️🧡❤️

[starlightseraph]

house loves messing with people, so i think the best metric to determine if he might actually be serious about something is his commitment to the bit. specifically, how many separate instances of him doing said thing there are in a limited amount of time. when he decides to do something crazy, ge goes all in, but he he’s not really one for repeats unless he’s serious or he can benefit.

hiding chickens in the hospital? just the once, despite its endless potential. hiring a fake doctor? he does that twice. prank calling the cdc? three times.

now i can’t even imagine counting all the times he talks about fucking wilson. it occupies three quarters of his brain space, he barely has enough neurones left to remember to breathe. imagine how many more cases he would solve if his entire temporal lobe wasn’t consumed with desire for wilson and if his frontal lobe’s decision making process wasn’t based entirely on wilson. he wouldn’t just be a genius, he’d actually be the god everyone insists he’s not.

[mahoganygold213]

Robert Wun |Spring Summer 2024 Haute Couture

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar